ellauri094.html on line 94: Syreeni suggests that the letters of John - written after the predecessor gospels but before the final edition - reveal a schism in the Johannine community that was caused by the majority faction's acceptance of Jesus' death and resurrection, as it was then recorded in the new gospel. By exploring the gospel's different means of legitimizing the passion story, such as the creation of the 'Beloved Disciple' to witness Jesus' passion, and the foreshadowing of the resurrection of Jesus in the miracle of Lazarus, Syreeni provides a bold and provocative case for a new understanding of John.
ellauri270.html on line 411: “The Lottery” begins with a description of a particular day, the 27th of June, which is marked by beautiful details and a warm tone that strongly contrast with the violent and dark ending of the story. The narrator describes flowers blossoming and children playing, but the details also include foreshadowing of the story’s resolution, as the children are collecting stones and three boys guard their pile against the “raids of the other boys.” These details… read analysis of The Juxtaposition of Peace and Violence.
ellauri458.html on line 281: Mutta pahiten on sentään nää naintiasiat. Kun Jumala itse käski Mooseksen pukea Aaronin ja hänen poikansa tyttöjen vaatteisiin, Hän ei käskenyt pois alusvaatteita, vaan sanoi, että heidän tulisi käyttää tyttöjen alusvaatteita astuessaan todistuksen majaan. Siitä lähin Mooses käytti polvihousuja.

Some parts of the priestly garments were worn for safety. The high priest was required to have gold bells attached to the hem of his garment, so that “the sound of the bells will be heard when he enters the Holy Place before the Lord and when he comes out, so that he will not die”. While such elaborate garments may seem odd today, God used these distinctive garments to set His spiritual leaders apart from the other Israelites. They also had a foreshadowing of Jesus with his cute diapers. Kun Aaronin pojat astui kaikkeinpyhimpään naisten alusvaatteissa Moosexen ja Aaronin kellot kilahtelivat.

Ja apostoli sanoo: "Älkää panko toisianne, paitsi ehkä yhteisestä sopimuksesta jonkin aikaa, jotta voisitte sitten omistautua rukoukselle ja palata siihen, ettei Saatana kiusaisi teitä pidättyväisyytenne tähden." Sillä on parempi naida kuin että lapsi palaa pohjaan kuin Josephuxen vaimolla (below).
xxx/ellauri114.html on line 774: In the subsequent passage, "of Shem... may Canaan be his servant,"[9:26] the narrator is foreshadowing Israel's conquest of the promised land. Biblical scholar Philip R. Davies explains that the author of this narrative used Noah to curse Canaan, in order to provide justification for the later Israelites driving out and enslaving the Canaanites.
xxx/ellauri127.html on line 721: Book I gives Endymion's account of his dreams and experiences, as related to Peona, which provides the background for the rest of the poem. In Book II, Endymion ventures into the underworld in search of his love. He encounters Adonis and Venus—a pairing of mortal and immortal—apparently foreshadowing a similar destiny for the mortal Endymion and his immortal paramour. Book III reveals Endymion's enduring love, and he begs the Moon not to torment him any longer as he journeys through a watery void on the sea floor. There he meets Glaucus, freeing the god from a thousand years of imprisonment by the witch Circe. Book IV, "And so he groan'd, as one by beauty slain."
xxx/ellauri165.html on line 316: Seeing an opportunity to make some money by taking a cut of sales, Greville sent her to sit for his friend, the painter George Romney, who was looking for a new model and muse. It was then that Emma became the subject of many of Romney's most famous portraits, and soon became London's biggest celebrity. So began Romney's lifelong obsession with her, sketching her nude and clothed in many poses that he later used to create paintings in her absence. Through the popularity of Romney's work and particularly of his striking-looking young model, Emma became well known in society circles, under the name of "Emma Hart". She was witty, intelligent, a quick learner, elegant and, as paintings of her attest, extremely beautiful. Romney was fascinated by her looks and ability to adapt to the ideals of the age. Romney and other artists painted her in many guises, foreshadowing her later "attitudes".
xxx/ellauri251.html on line 2478: ⁠Nor fierce foreshadowings of a birth
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