ellauri011.html on line 918: Meanwhile, she thought to herself: Hmmm, the others must have noticed that I feel different. What a wonderful thing it was, to be able to love. It's what makes us remember our mission on earth, our purpose in life. [A full page follows of this sort of dithyramb. Another solo aria starring Paulo.]
ellauri014.html on line 1675: A female blogger, another wannabe famous poetess or novelist, writes about LM Montgomery as follows:
ellauri052.html on line 980: The rivalry between the brothers may have been even more extreme in life than it was in art. When Bellow won the Nobel Prize in Literature in 1976, his brother refused to come to Stockholm for the ceremony. Maury’s grandson reconstructed his thinking as follows: “How dare Saul win the Nobel Prize when I’m really the smart one, I’m the one.”
ellauri061.html on line 189: A Midsummer Night's Dream is a comedy written by William Shakespeare in 1595/96. The play is set in Athens and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict between four Athenian lovers. Another follows a group of six amateur actors rehearsing the play which they are to perform before the wedding. Both groups find themselves in a forest inhabited by fairies who manipulate the humans and are engaged in their own domestic intrigue. The play is one of Shakespeare's most popular and is widely performed. Populääri lue vulgääri. Niin aina.
ellauri063.html on line 263: Despite retirement of the term, it remains in common usage, even among Riot employees, and generally refers to these champions: [stupid mile long list of invented names follows for the benefit of braindead gamers].
ellauri067.html on line 463: tannäuserism: In a note to 3.2 of Gravity´s Rainbow, Heseburger explains Pynchon´s use of the word "Tannhäuserism" as follows: The tragic error of Tannhäuser — for example, in Richard Wagner´s operatic version of the myth — was to postpone his quest in order to linger for one year of sensual, "mindless pleasure" with the goddess Venus under her mountain called Venusberg. Vai onko se Brocken, Jaakon ja Jöötin mainizema Kyöpelinvuori Harzissa? On 11 April, American forces liberated the camps at Buchenwald, near Weimar, and the V2 rocket slave-labour camp at Nordhausen in the Harz Mountains. Ryssät eivät päässeet lähellekään. Jenkeillä oli vitun kiire kahmimaan izelleen ne raketit. Ja siitä vasta iso piru pääsi merrasta.
ellauri080.html on line 130: These five categories are usually described as follows. (It helps to remember them if you think of Mickey Mouse on the one hand (High) and Donald Tr-Duck (Low) on the other hand.)
ellauri083.html on line 116: WALSH: The novel follows the life of a brilliant young man, a genius, from his birth to his military career to a love affair with an older woman in London to Paris, where he meets a Chinese girl. And it is a very personal, fictional explanation of themes, of toleration and humanity that informed Pearl's work.
ellauri083.html on line 129: Growth of the Soil (Norwegian Mannens Grodor), is a novel by Knut Hamsun which won him the Nobel Prize in Literature in 1920. It follows the story of a man who settles and lives in rural Norway.
ellauri083.html on line 137: The story begins on Wang Lung's wedding day and follows the rise and fall of his fortunes. The House of Hwang, a family of wealthy landowners, lives in the nearby town, where Wang Lung's future wife, O-Lan, lives as a slave. However, the House of Hwang slowly declines due to opium use, frequent spending, uncontrolled borrowing and a general unwillingness to work. He was willing to take any woman who knew how to work, except a harelip (which is just what Inger was). He was disappointed when O-Lan had big and ugly feet. These boots are made for walking...
ellauri083.html on line 344: It follows a team of doctors and support staff stationed at the "4077th Mobile Army Surgical Hospital" in Uijeongbu, South Korea, during the Korean War (1950–53). The show's title sequence features an instrumental-only version of "Suicide Is Painless," the original film's theme song.
ellauri089.html on line 66: The schooling and the training flight that follows occupy approximately three-quarters of the book and are certainly based on Heinlein’s own experiences at the U.S. Naval Academy.
ellauri089.html on line 617: § 101. (4) It follows further that the distinction denoted by the terms "duty" and "expediency" is not primarily ethical; when we ask "Is this really expedient?" we are asking precisely the same question as "Is this my duty?", viz. "Is this a means to the best possible?" "Duties" are mainly distinguished by the non-ethical marks (1) that many people are often tempted to avoid them, (2) that their most prominent effects are on others than the agent, (3) that they excite the moral sentiments: so far as they are distinguished by an ethical peculiarity, this is not that they are peculiarly useful to perform, but that they are peculiarly useful to sanction. …
ellauri089.html on line 621: § 103. (5) We may further see that "virtues" are not to be defined as dispositions that are good in themselves: they are not necessarily more than dispositions to perform actions generally good as means, and of these, for the most part, only those classed as "duties" in accordance with section (4). It follows that to decide whether a disposition is or is not "virtuous" involves the difficult causal investigation discussed in section (3); and that what is a virtue in one state of society may not be so in another. …
ellauri089.html on line 623: § 104. It follows that we have no reason to presume, as has commonly been done, that the exercise of virtue in the performance of "duties" is ever good in itself—far less, that it is the sole good: …
ellauri089.html on line 666: § 123. It follows from what has been said that we have every reason to suppose that a cognition of material qualities, and even their existence, is an essential constituent of the Ideal or Summum Bonum: there is only a bare possibility that they are not included in it. …
ellauri096.html on line 199: Several commentators on the surprise test paradox object that interpreting surprise as unprovability changes the topic. Instead of posing the surprise test paradox, it poses a variation of the liar paradox. Other concepts can be blended with the liar. For instance, mixing in alethic notions generates the possible liar: Is ‘This statement is possibly false’ true? (Post 1970) (If it is false, then it is false that it is possibly false. What cannot possibly be false is necessarily true. But if it is necessarily true, then it cannot be possibly false.) Since the semantic concept of validity involves the notion of possibility, one can also derive validity liars such as Pseudo-Scotus’ paradox: ‘Squares are squares, therefore, this argument is invalid’ (Read 1979). Suppose Pseudo-Scotus’ argument is valid. Since the premise is necessarily true, the conclusion would be necessarily true. But the conclusion contradicts the supposition that argument is valid. Therefore, by reductio, the argument is necessarily invalid. Wait! The argument can be invalid only if it is possible for the premise to be true and the conclusion to be false. But we have already proved that the conclusion of ‘Squares are squares, therefore, this argument is invalid’ is necessarily true. There is no consistent judgment of the argument’s validity. A similar predicament follows from ‘The test is on Friday but this prediction cannot be soundly deduced from this announcement’.
ellauri096.html on line 299: Saul Kripke’s ruminations on the surprise test paradox led him to a paradox about dogmatism. He lectured on both paradoxes at Cambridge University to the Moral Sciences Club in 1972. (A descendent of this lecture now appears as Kripke 2011). Gilbert Harman transmitted Kripke’s new paradox as follows:
ellauri096.html on line 672: Given that the structure of an econometric model consists of optimal decision-rules of economic agents, and that optimal decision-rules vary systematically with changes in the structure of series relevant to the decision maker, it follows that any change in policy will systematically alter the structure of econometric models.[9]
ellauri100.html on line 397: I have taken many of the tests that are offered at YourMorals.Org. What follows is a selection of results from those tests that are especially revealing of my beliefs and personality.
ellauri100.html on line 403: My scores are in green; the average scores of all other test-takers are in purple. The five traits are defined as follows:
ellauri105.html on line 113: He is a Q-Anon 9/11 truther that follows Alex Jones (not for the memes either)
ellauri106.html on line 97: In 2000 Saul Bellow proposed Philip Roth to the Swedish Academy for the Nobel Prize for Literature. The accusation that the academy deliberately overlooks Roth's achievements in selecting the Nobel Prize winner each year has been one of the truisms of international feuilletons since the 2000s. According to some critics, the accusation turned out to be justified in 2008, when the chairman of the jury responsible for the Nobel Prize for Literature made public general reservations about North American literature and denied it deserving of an award. Ulrich Greiner summed up Roth's rejection by the Nobel Prize Committee as follows: “The Swedes, however, love authors who help to improve the world. Philip Roth only adds something to their knowledge about what needs work."
ellauri107.html on line 193: Hawthorne is much more explicit in regard to same sex relationships and perhaps alludes to Melville’s wooing of him in his 1852 novel The Blithedale Romance. In excerpting that work for the website, I introduced it as follows:
ellauri108.html on line 65: This short form of the name occurs 50 times in the text of the Hebrew Bible, of which 24 form part of the phrase "Hallelujah". In the Christian King James Version (1611) there is a single instance of JAH (capitalized), in Psalm 68:4. An American Translation (1939) and the New King James Version "NKJV" (1982) follows KJV in using Yah in this verse.
ellauri111.html on line 359: It's all in the bible, but it is rather TLDR. So we abbreviate the good news for you as follows.
ellauri118.html on line 840: How close and lasting was this friendship is seen on almost every page of Mme. de Sévigné's correspondence. Indeed, so often does the name of Mme. de La Fayette occur in Mme. de Sévigné's letters to her daughter, that the latter may well have been jealous of her mother's friend. The companionship of Mme. de Sévigné was, after the death of La Rochefoucauld, the chief comfort of Mme. de La Fayette in her ill-health and seclusion; and it was from the sick-chamber of her friend that Mme. de Sévigné's letters would seem to have been written in those latter years. In 1693, soon after the death of Mme. de La Fayette, Mme. de Sévigné writes as follows of her dead friend: "Je me trouvois trop heureuse d'être aimée d'elle depuis un temps très-considérable; jamais nous n'avions eu le moindre nuage dans notre amitié.
ellauri119.html on line 658: In a different essay, she described the pattern socialist and communist governments tend to follow. So, I researched that claim by reading about Italian, Russian and German history leading up to WWII. Damn if she wasn´t right. I watch with fascination as Venezuela follows the exact same pattern.
ellauri131.html on line 305: The Jaycee Creed reads as follows:
ellauri141.html on line 354: And by way of further warning, I’d better say up front that my reading of this poem differs radically from every other that I’ve seen. What follows is, I think, pretty well uncharted territory in the Persicos Odi canon. I’m going to try to make the case for and translate Pericos odi as a sex poem!
ellauri142.html on line 61: In BBC's 2016 adaption he is described as follows:
ellauri143.html on line 1474: Explanation : A single stolen glance of her eyes is more than half the pleasure of sexual embrace. Provided the other half follows suit anon. Oliskohan Elixirin aaria 'Una furtiva lacrima' tullut hakulistauxessa alempana? En jaxanut selata.
ellauri145.html on line 707: Durtal admires the documentation of Naturalism, yet wants to open it to the supernatural, to an exploration of both body and spirit: it will be a kind of “naturalisme spiritualiste” that will follow Zola’s route, but in the air.6 This tension between realism and the supernatural lies at the heart of Là-bas, a novel in which Huysmans follows Durtal’s spiritual transformation as he researches medieval and modern Satanism. Là-bas was a scandalous best-seller. It inspired a great deal of public debate, especially since it was published in the same review and at the same time as Jules Huret’s first Enquête sur l’évolution littéraire, a series of sixty-four interviews conducted with major French authors from March 3 to July 5, 1891.7 This series, which asked its interviewees whether Naturalism was dead, was a phenomenal success read by all of Paris.8 Huret caused every non-Naturalist writer to agree that Zola’s brand of Naturalism was obsolete because it neglected humanity’s soul.
ellauri146.html on line 668: The concern of the Pounder to advance republican ideals and republican politics among the students of the University was not notably effectual with one student at least: Poe was not receptive to Jeffersonian liberalism. But many of the impressions which Poe received at Charlottesville, both within and without the lecture rooms, must have remained with him. The young admirer of classic grandeur, we know, was impressed by the graceful Rotunda. About Poe at Virginia, Philip Alexander Bruce writes as follows:
ellauri147.html on line 179: Emily in Paris follows Emily, a battery driven 20-something American from Chicago who moves to Paris for an unexpected job opportunity. She is tasked with bringing an American point of view to a venerable French marketing firm. Cultures clash as she adjusts to the challenges of life in Paris while juggling her career, new friendships and genitals.
ellauri150.html on line 467: Sheik Ilderim bribes Pontius Pilate into allowing Ben-Hur to compete in a horse and carriage race (ravit) by proposing a high wager. Esther tries to convince Messiah not to race Ben-Hur, but he is adamant that he will win. On the day of the race, Ben-Hur follows Ilderim's instructions to hold back from the race until the final laps. Using dirty tactics, Messiah manages to knock out the other competing charioteers. Following a brutal and grueling race, Ben-Hur wins the race. Messiah survives but is badly wounded and loses a leg. Ben-Hur's victory emboldens the Jewish spectators and yields dividends for Ilderim.
ellauri151.html on line 451: Let us assume that we invited an unknown person to a game of cards. If this person answered us, “I don’t play,” we would either interpret this to mean that he did not understand the game, or that he had an aversion to it which arose from economic, ethical, or other reasons. Let us imagine, however, that an honorable man, who was known to possess every possible skill in the game, and who was well versed in its rules and its forbidden tricks, but who could like a game and participate in it only when it was an innocent pastime, were invited into a company of clever swindlers, who were known as good players and to whom he was equal on both scores, to join them in a game. If he said, “I do not play,” we would have to join him in looking the people with whom he was talking straight in the face, and would be able to supplement his words as follows: “I don’t play, that is, with people such as you, who break the rules of the game, and rob it of its pleasure. If you offer to play a game, our mutual agreement, then, is that we recognize the capriciousness of chance as our master; and you call the science of your nimble fingers chance, and I must accept it as such, it I will, or run the risk of insulting you or choose the shame of imitating you.” … The opinion of Socrates can be summarized in these blunt words, when he said to the Sophists, the leaned men of his time, “I know nothing.” Help! TLDR!
ellauri151.html on line 762: Edgar Jones has manufactured the following comparison of Jesus' and Paul's meaning differences which exposes Paul as a liar and a false prophet who did not know Jesus. Paul's errors and false gospel are obvious to anyone who follows Jesus as teacher and listens carefully to Jesus' words. Read very carefully, your eternal salvation depends on it!
ellauri152.html on line 583: The most basic information is this: “Yentl the Yeshiva Boy” is a short story by Isaac Bashevis Singer, the famous Polish-American Jewish writer, published in 1962. It follows Yentl, a Jewish girl from a Polish shtetl who loves Torah-study, as she disguises herself as a man named Anshel in order to study at a yeshiva. Yentl (1983) is the movie-musical adaptation of the story, directed by and starring Barbra Streisand. In many ways it is a fairly faithful adaptation of the story’s events, but it has a different tone and a different ending.
ellauri156.html on line 68: Many tragic incidents occur as the unexpected outcome of a sequence of events. Certainly that is the case with King David. A little vacation from war leads to a day spent in bed, followed by a stroll along the roof of his palace as night begins to fall on Jerusalem. By chance, David sees a woman bathing herself, a sight which David fixes upon, his pecker coming instantly to attention, and then follows up on with an investigation as to her identity. The woman is shortly summoned to the palace and then to his bedroom, where David sleeps with her (well no, actually he spends time with her very much awake; what is meant by this euphemism is that he fucks the lady crazy.) Even though he has discovered she is the wife of Uriah, a warrior who is fighting for the army of Israel. Never mind. The woman becomes pregnant, and so David calls Uriah home, hoping it will be thought that he has gotten his wife pregnant. When this does not work, David gives orders to Joab, the commander of the army, which arranges for Uriah's death in battle. It looks like the perfect crime, but David's sin is discovered and dealt with by Nathan, the prophet of God. Nathan is Philip Roth's alter ego's name, Nathan Zuckerman! Can this be an accident? Jehova knows, it's too late to ask Phil.
ellauri156.html on line 124: This seems consistent with David's other great sin, which also follows his decision to stay at home. When David instructs Joab to number the Israelite warriors, Joab protests. This is something David should not do. Perhaps this is because David would find too much confidence in the number of his men, rather than in God. It certainly is a far cry from Gideon's army, pared down to a meager 300 men.
ellauri156.html on line 415: David and Bathsheba is a 1951 historical Technicolor epic film about King David made by 20th Century Fox. It was directed by King Saul, produced by Dog, a.k.a. Zanuck, from a screenplay by Philip Dunno. The cinematography was by Leon Shameonyou. Gregory Peck stars as King David and the film follows King David's life as he adjusts to ruling as a King, and about his relationship with Uriah's wife Bathsheba, played by Susan Wayward. Goliath of Gath was portrayed by 203 cm-tall (6'8") Lithuanian wrestler Walter Talun. These days Walter would no longer get a bench seat in a high-school basketball team.
ellauri158.html on line 692: All men are born ignorant of the causes of things, that all have the desire to seek for what is useful to them, and that they are conscious of such desire. Herefrom it follows, first, that men think themselves free inasmuch as they are conscious of their volitions and desires, and never even dream, in their ignorance, of the causes which have disposed them so to wish and desire. Secondly, that men do all things for an end, namely, for that which is useful to them, and which they seek. Thus it comes to pass that they only look for a knowledge of the final causes of events, and when these are learned, they are content, as having no cause for further doubt. If they cannot learn such causes from external sources, they are compelled to turn to considering themselves, and reflecting what end would have induced them personally to bring about the given event, and thus they necessarily judge other natures by their own. Further, as they find in themselves and outside themselves many means which assist them not a little in the search for what is useful, for instance, eyes for seeing, teeth for chewing, herbs and animals for yielding food, the sun for giving light, the sea for breeding fish, &c., they come to look on the whole of nature as a means for obtaining such conveniences. Now as they are aware, that they found these conveniences and did not make them, they think they have cause for believing, that some other being has made them for their use. As they look upon things as means, they cannot believe them to be self—created; but, judging from the means which they are accustomed to prepare for themselves, they are bound to believe in some ruler or rulers of the universe endowed with human freedom, who have arranged and adapted everything for human use. They are bound to estimate the nature of such rulers (having no information on the subject) in accordance with their own nature, and therefore they assert that the gods ordained everything for the use of man, in order to bind man to themselves and obtain from him the highest honor.
ellauri158.html on line 694: Hence also it follows, that everyone thought out for himself, according to his abilities, a different way of worshipping God, so that God might love him more than his fellows, and direct the whole course of nature for the satisfaction of his blind cupidity and insatiable avarice. Thus the prejudice developed into superstition, and took deep root in the human mind; and for this reason everyone strove most zealously to understand and explain the final causes of things; but in their endeavor to show that nature does nothing in vain, i.e. nothing which is useless to man, they only seem to have demonstrated that nature, the gods, and men are all mad together. Consider, I pray you, the result: among the many helps of nature they were bound to find some hindrances, such as storms, earthquakes, diseases, &c.: so they declared that such things happen, because the gods are angry at some wrong done to them by men, or at some fault committed in their worship. Experience day by day protested and showed by infinite examples, that good and evil fortunes fall to the lot of pious and impious alike; still they would not abandon their inveterate prejudice, for it was more easy for them to class such contradictions among other unknown things of whose use they were ignorant, and thus to retain their actual and innate condition of ignorance, than to destroy the whole fabric of their reasoning and start afresh. They therefore laid down as an axiom, that God´s judgments far transcend human understanding. Such a doctrine might well have sufficed to conceal the truth from the human race for all eternity, if mathematics had not furnished another standard of verity in considering solely the essence and properties of figures without regard to their final causes. There are other reasons (which I need not mention here) besides mathematics, which might have caused men´s minds to be directed to these general prejudices, and have led them to the knowledge of the truth.
ellauri159.html on line 412:

R: Reformed Christians follow John Calvin's Institutes of the Christian Religion, which follows the Septuagint; this system is also used in the Anglican Book of Common Prayer.

ellauri159.html on line 415:

L: Lutherans follow Luther's Large Catechism, which follows Augustine but subordinates the prohibition of images to the sovereignty of God in the First Commandment and uses the word order of Exodus 20:17 rather than Deuteronomy 5:21 for the ninth and tenth commandments.

ellauri159.html on line 417:

A: Augustine follows the Talmud in combining verses 3–6, but omits the prologue as a commandment and divides the prohibition on coveting in two and following the word order of Deuteronomy 5:21 rather than Exodus 20:17.

ellauri159.html on line 418:

C: Catechism of the Catholic Church, largely follows Augustine. Combines the Exodus language prohibiting images of God with the command to have no other gods but the Lord, as the first commandment. Changes "the sabbath" into "the lord's day". Divides Exodus 20:17, prohibiting covetousness, into two commandments.

ellauri160.html on line 787: Form follows function, said amerikkalainen Louis H. Sullivan 1896 joka suunnitteli rumia laatikoita.
ellauri163.html on line 697: With an 11-year-old hero, Philip Pullman´s new book is a delightful nod to Edmund Spenser´s 'The Faerie Queene'. If Philip Pullman’s Dark Materials trilogy was an obvious nod to John Milton’s Paradise Lost, his new Book Of Dust trilogy takes inspiration from Edmund Spenser’s The Faerie Queene. Though thematically different, both fall within the same literary genre—they are epic poems, long narrative pieces recounting heroic deeds, and if the term could loosely be used to describe works of prose, then La Belle Sauvage, the first in the Book Of Dust trilogy, is one such novel. Spenser’s late-16th century poem, though incomplete, follows the adventures of medieval knights. Our knight is 11-year-old Malcolm Polstead, curious, intelligent, good-natured and clueless, when we first meet him, of the trials that await him. La Belle Sauvage, then, is a companion, or "equel" (a new story that stands alongside his previous trilogy), to His Dark Materials trilogy. Better strike while the iron is hot, as J.K. Rowling did.
ellauri180.html on line 220: For instance in 1950, Sir James Spence of Newcastle upon Tyne responded to the request from a local GP as follows:
ellauri183.html on line 168: In Fear and Trembling, Kierkegaard follows Kant in emphasising that Abraham's decision is morally repugnant and rationally unintelligible. However, he also shows that one consequence of Kant's view is that, if nothing is higher than human reason, then belief in God becomes dispensable. Unlike both Kant and Luther, Kierkegaard does not promote a particular judgment about Abraham, but rather presenz his readers with a dilemma: either Abraham is no better than a murderer, and there are no grounds for admiring him; or moral duties do not constitute the highest claim on the human being. Fear and Trembling does not resolve this dilemma, and perhaps for a religious person there is no entirely satisfactory way of resolving it.
ellauri185.html on line 97: The book begins with Samuel's birth and Yahweh's call to him as a boy. The story of the Ark of the Covenant follows. It tells of Israel's oppression by the Philistines, which brought about Samuel's anointing of Saul as Israel's first king. But Saul proved unworthy, and God's choice turned to David, who defeated Israel's enemies, purchased the threshing floor where his son Solomon would build the First Temple, and brought the Ark of the Covenant to Jerusalem. Yahweh then promised David and his sucessors an everlasting dynasty.
ellauri192.html on line 859: The Twelve Chairs (Russian: Двенадцать стульев, tr. Dvenadtsat stulyev) is a classic satirical novel by the Odessan Soviet authors Ilf and Petrov, published in 1928. Its plot follows characters attempting to obtain jewry hidden in a chair. A sequel was published in 1931. The novel has been adapted to other media, primarily film. Kirjoittajat oli "ihan nulikoita": Ilf 30, Katajev 26. Katajev kaatui suuressa isänmaallisessa sodassa 30-vuotiaana. Joten sepä venyi!
ellauri192.html on line 861: In the Soviet Union in 1927, a former Marshal of Nobility, Ippolit Matveyevich "Kisa" Vorobyaninov, works as the registrar of marriages and deaths in a sleepy provincial town. His mother-in-law reveals on her deathbed that her family jewry was hidden from the Bolsheviks in one of the twelve chairs from the family’s dining room set. Those chairs, along with all other personal property, were taken away by the Communists after the Russian Revolution. Vorobyaninov wants to find the treasure. The “smooth operator” and con-man Ostap Bender forces Kisa to become his partner, as they set out to find the chairs. Bender's street smarts and charm are invaluable to the reticent Kisa, and Bender comes to dominate the enterprise. Father Fyodor (who had known of the treasure from the confession of Vorobyaninov's mother-in-law), their obsessed rival in the hunt for the treasure, follows a bad lead, runs out of money, ends up trapped on a mountain-top, and loses his sanitary pad. Ostap remains unflappable, and his mastery of human nature eliminates all obstacles, but Vorobyaninov steadily deteriorates.
ellauri203.html on line 675: After smoking a magical strain of marijuana and falling asleep for 50 years, this adult animated series follows the three Freak Brothers and their sardonic cat as they adjust to life in 2020.
ellauri216.html on line 170: Indeed, it is precisely by imitating the good that all things are preserved in existence. It follows that evil is something that can only happen inadvertently. Every being or thing has a natural aim and a perfection it strives for. Pahat on vaan mokia, my bad.
ellauri217.html on line 69: Central to the plot are the futuwwat (strongmen) who control the alley and exact protection money from the people. The successive heroes overthrow the strongmen of their time, but in the next generation new strongmen spring up and things are as bad as ever. Arafat tries to use his knowledge of explosives to destroy the strongmen, but his attempts to discover Gabalawi's secrets leads to the death of the old man (though he does not directly kill him). The Chief Strongman guesses the truth and blackmails Arafat into helping him to become the dictator of the whole Alley. The book ends, after the murder of Arafat, with his friend searching in a rubbish tip for the book in which Arafat wrote his secrets. The people say "Oppression must cease as night yields to day. We shall see the end of tyranny and the dawn of miracles." Haha, night follows day as surely as the other way round, and night wins out in the end. Valot sammuu, haju jää.
ellauri221.html on line 298: Bond travels to Venice to investigate Venni Glass, a company named in some of Drax´s plans. Bond spots Goodhead there and follows her before re-introducing himself. Later that evening, Bond has to deal with Charlie Chan, then pays Goodhead a French visit, and they spend the night humping joyfully together.
ellauri221.html on line 309: A space shuttle called the Moonraker, built by Drax Industries, is on its way to the U.K. when it is hijacked in mid-air and the crew of the 747 carrying it is killed. Bond immediately is called into action, and starts the investigation with Hugo Drax. While at the Drax laboratories, Bond meets the brilliant and stunning Dr. Holly Goodhead, a N.A.S.A. astronaut and C.I.A. Agent who is investigating Drax for the U.S. Government. One of Drax´s thugs, the sinister Chan, attempts to kill 007 at the lab, but when that fails, he follows Bond to Venice and tries again there. Bond and Goodhead follow Drax´s trail to Brazil, where they once again run into the seven-foot Goliath Jaws, a towering giant with metal teeth. Escaping from him, they discover the existence of a huge space station undetected by U.S. or Soviet radar, and a horrible plot by Drax to employ nerve gas in a genocidal project. James and Holly must quickly find a way to stop Hugo Drax before his horrific plans can be put into effect.
ellauri222.html on line 557: The daughter of a tailor, Hilda is Augie’s first crush as a schoolboy. He follows her around but never gets the courage to speak to her.
ellauri241.html on line 1410: (There follows a mile-long howl to the moon.

ellauri249.html on line 121: Juvenal, showing his knack for describing grossly obscene matters without using taboo words, writes as follows in one of his satires (9.43-4):
ellauri257.html on line 486: Shadows on the Hudson (original title Shotns baym Hodson ) is a novel by Isaac Bashevis Singer. First serialized in The Forward, a Yiddish newspaper, it was published in book form in 1957. It was translated into English by Joseph Sherman in 1998. The book follows a group of prosperous Jewish refugees in New York City following World War II, just prior to the founding of the state of Israel.
ellauri269.html on line 314: Choosing your class in World of Warcraft can be one of the most important and time consuming decisions a player ever makes. And time is money! When you are in the process of creating a new character, one of the first things you will notice (aside from gender, race, and faction selection) is that there are what's called "Classes". In World of Warcraft, there are a total of 12 classes to choose from and they are as follows: Death Knight, Demon Hunter, Druid, Hunter, Mage, Monk, Paladin, Priest, Rogue, Shaman, Warlock, and Warrior. Each class provides its own set of unique benefits, abilities, and spells (as you will discover from reading this guide).
ellauri276.html on line 1018: Then you´re all jolly fellows that follows the plough. sitten olette kaikki iloisia kavereita joka seuraa auraa.
ellauri276.html on line 1079: Oh, you´re damned idle fellows as follows the plough Voi, te olette hemmetin joutilaita, ketkä seuraa auraa
ellauri276.html on line 1084: ´Cause we´re damned clever fellows as follows the plough. koska olemme pirun fiksuja miehiä ketkä seuraa auraa.
ellauri276.html on line 1089: ´Cause we´re damned hungry fellows as follows the plough. koska olemme hemmetin nälkäisiä, ketkä seuraa auraa.
ellauri276.html on line 1094: ´Cause we´re damned clever fellows as follows the plough. koska olemme pirun fiksuja miehiä ketkä seuraa auraa.
ellauri276.html on line 1099: ´Cause we´re damned thirsty fellows as follows the plough. koska olemme pirun janoisia kavereita, ketkä seuraa auraa.
ellauri276.html on line 1109: That we're all jolly fellows that follows the plough. että olemme kaikki iloisia kavereita, jotka seuraa auraa.
ellauri276.html on line 1114: That we're all jolly fellows that follows the plough. että olemme kaikki iloisia kavereita, jotka seuraa auraa.
ellauri276.html on line 1124: That you're all idle fellows as follows the plough!” että olette kaikki joutilaita, ketkä seuraa auraa!"
ellauri276.html on line 1137: That we're all jolly fellows that follows the plough. että olemme kaikki iloisia kavereita, jotka seuraa auraa.
ellauri278.html on line 165: British diplomat Sir Frank Roberts, who served as British chargé d'affaires in Moscow from February 1945 to October 1947, described him as follows:
ellauri281.html on line 164: British diplomat Sir Frank Roberts, who served as British chargé d'affaires in Moscow from February 1945 to October 1947, described him as follows:
ellauri290.html on line 484: To this figure should be added those refugees who are not registered with the Agency because they are either self-supporting, or had emigrated to other parts of the world. Those refugees a e estimated as follows:
ellauri290.html on line 508: The ownership of the 5,033 acres between the various communities that populated the City, is as follows:
ellauri290.html on line 511: The New City (Area 4,833 acres) - Ownership* was as follows:
ellauri290.html on line 532: As a result of the Armistice Agreements, the Holy City now stands divided between the Israelis and the Hashemite Kingdom of Jordan, as follows:
ellauri290.html on line 549: Ownership oi the area of 4,0G5 acres now occupied by the Israelis is as follows:
ellauri300.html on line 54: Shadows on the Hudson (original title Shotns baym Hodson) is a novel by Isaac Bashevis Singer. First serialized in The Forward, a Yiddish newspaper, it was published in book form in 1957. It was translated into English by Joseph Sherman in 1998. The book follows a group of prosperous Jewish refugees in New York City following World War II, just prior to the founding of the state of Israel. This article about a 1950s novel is a stub. You can help Wikipedia by expanding it.
ellauri339.html on line 618: Nevertheless, the fickle attention of America shifted to the Middle East just as things started to look more and more like static WWI trench warfare in Ukraine. It was a hard act to follow, but something always follows nonetheless (the same calculus works for natural disasters and mass shootings, which are only as mediagenic-good as the next one coming.) Over 41 percent of Americans now say the U.S. is doing too much to help Kiev. That’s a significant change from just three months ago when only 24 percent of Americans said they felt that way.
ellauri368.html on line 289: In his satire, he prefers to strike out right from the shoulder. Take, for instance, his exposure of the Carnival, which reads in part as follows:
ellauri375.html on line 720: The idea that peace often follows a
ellauri377.html on line 291: (19) Now the works of the flesh are manifest.--It needs no elaborate disquisition to show what is meant by fulfilling the lust of the flesh. (PST: FUCKING!) The effects which the flesh produces are plain and obvious enough. (UNWANTED PREGNANCIES!) The catalogue which follows is not drawn up on any exact scientific principle, but divides itself roughly under four heads: (1) sins of sensuality; (2) sins of superstition; (3) sins of temper; (4) excesses.
xxx/ellauri103.html on line 440: The abandonment by the fan sites follows that by the stars of the Harry Potter films, including Daniel Radcliffe, Emma Watson, Rupert Alexander Lloyd Grint, and Eddie Redmayne. Also, four authors quit Rowling’s literary agency after the company declined to issue a public statement supporting transgender rights. Fortunately and Death eaters have staunchly rallied to Rowling´s side. Dementoreita oli sillä ateistipirullakin joka kirjoitti His Dark Materials, annas olla, juu Philip Pullman. Siitä lisää fanzulle omistetussa albumissa 269.
xxx/ellauri121.html on line 516: Sine īrā et studiō is a Latin term meaning "without anger and passion". It was coined by Roman historian Tacitus in the introduction to his Annals 1.1., which can be translated as follows:
xxx/ellauri121.html on line 518: The histories of Tiberius, Gaius, Claudius, and Nero, while they were in power, were falsified through terror, and after their death were written under the irritation of a recent hatred. Hence my purpose is to relate a few facts about Augustus - more particularly his last acts, then the reign of Tiberius, and all which follows, without either bitterness or partiality, from any motives to which I am far removed.
xxx/ellauri122.html on line 840: accident. What follows is a series of adventures that
xxx/ellauri123.html on line 563: The difference between a rule and a principle is that one is merely a guideline that follows from the other. Principles don’t break. They’re universal. Gravity is a principle. Whether it’s you who falls from a skyscraper, your cat, or a 17th century vase, it’s not gonna end well. Gravity makes no exceptions.
xxx/ellauri165.html on line 390: Jason M. Kelly sums her up as follows: "In a world of aristocratic privilege and powerful men, her common birth and gender ultimately circumscribed her options". Not so with Virgin Mary, who had a better sponsor.
xxx/ellauri167.html on line 381: In general, New Year festivals start in the spring, when Nature appears to reawaken after a dormant winter. Why is the Jewish New Year celebrated in the autumn? The Torah says quite clearly that the first month of the year shall be in the spring (Exod. 12:2), which means Nisan, though it was originally called “Aviv,” or Spring (Deut. 16:1). This follows the Babylonian calendar, which started with the month of Nisannu and continued with 10 days of New Year rituals. So what the heck?
xxx/ellauri169.html on line 471: Sometimes you can tell from the first shot. In “Compartment No. 6,” the camera follows a young woman at a party as she leaves a bathroom and enters a living room full of gathered friends. That walking, back-of-the-head shot is one of the soggiest conventions of the steadicam era, a facile way of conveying characters’ own fields of vision while anchoring the action on them. The familiarity of this trope suggests both limited imagination and an unwillingness to commit to a clear-cut point of view.
xxx/ellauri176.html on line 144: La Faute de l'Abbé Mouret (1875) is the fifth novel in Émile Zola's twenty-volume series Les Rougon-Macquart. Viciously anticlerical in tone, it follows on from the horrific events at the end of La Conquête de Plassans, focussing this time on a remote Provençal backwater village.
xxx/ellauri177.html on line 205: The 24th feature from Hong Sangsoo, doppelgänger of the talkative celeb guy in the last scene of the movie THE WOMAN WHO RAN follows Gamhee (Kim Minhee), a florist and the wife of a translator who never in 5 years time has left her for a moment from his sight. She has three separate encounters with friends while her husband finally is on a business trip. Youngsoon (Seo Youngwha) is divorced, turned lesbian (the couple likes to feed alley cats) and has given up meat and likes to garden in the backyard of her semi-detached house. Suyoung (Song Seonmi) is divorced, has a big savings account and a crush on her architect neighbor and is being hounded by a young poet she met at the bar. Woojin (Kim Saebyuk) works for a movie theater and hates it that her writer husband has become a celeb. Their meetings are polite, but not warm. Some of their shared history bubbles to the surface, but not much. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. THE WOMAN WHO RAN is a subtle, powerful look at dramas small and large faced by women everywhere. Basically, they are 40+ ladies who may have met at some art school and get a chance to compare notes on how well their childless lives have turned out. Gamhee used to be the celeb's girl friend until the movie theater attendant stole the guy. Now both of them are sorry that she did, but really not that much. The Éric Rohmer of South Korea.
xxx/ellauri193.html on line 406: The House Gun (1998) was Gordimer's second post-apartheid novel. It follows the story of a couple, Claudia and Harald Lingard, dealing with their son Duncan's murder of one of his housemates. The novel treats the rising crime rate in South Africa and the guns that virtually all households have, as well as the legacy of South African apartheid and the couple's concerns about their son's lawyer, who is black and pompous and has an irritating mannerism of saying eh-ahe or ah-heh, with a hat on the e.
xxx/ellauri193.html on line 790: 18.3% planned the murder in advance and 81.7% committed it impulsively. None of these women indicated that they would commit murder again. Some of the reasons they gave for this are: I learned new ways to master difficult circumstances; frightening experience; I met God; I am not inherently a bad person; I never want to end up in prison again; I hurt the people closest to me terribly; I’m very sorry; no one deserves to be hurt like that; such an act follows you for the rest of your life; crime does not pay; I am much wiser now; I will contact a family member, social worker or police member to help me if I find myself in such a situation again.
xxx/ellauri193.html on line 802: The role of faith communities in rebuilding prisoners’ lives should not be underestimated. The late South African cardiac surgeon Prof. Chris Barnard described execution as follows:
xxx/ellauri218.html on line 144: The Honeymooners is an American television sitcom which originally aired from 1955 to 1956, created by and starring Jackie Gleason, and based on a recurring comedy sketch of the same name that had been part of Gleason's variety show. It follows the lives of New York City bus driver Ralph Kramden (Gleason), his wife Alice (Audrey Meadows), Ralph's best friend Ed Norton (Art Carney) and Ed's wife Trixie (Joyce Randolph) as they get involved with various schemes in their day-to-day living.
xxx/ellauri225.html on line 46: That said, The Telling feels a little different compared to the rest of the Hainish Cycle. And for good reason—released in 2000, The Telling is the first full Hainish novel Le Guin wrote since The Dispossessed in 1974. It reads softer, more intimate than the books that came before, feeling almost more like fantasy than science fiction at times. The Telling follows Sutty Dass, an Observer who arrives on the planet Aka to record its history and culture while Hain makes its diplomatic overtures. During the time dilation of Sutty’s near-light space travel, however, Aka experienced an intense social upheaval that saw a tyrannical capitalist hegemony take power over the planet and attempt to wipe out the entirety of Aka’s long history. It then falls to Sutty, who grew up under religious oppression on Earth, to uncover and understand Aka’s historical and spiritual traditions as they are actively being eradicated by the corporation-state.
xxx/ellauri228.html on line 356: in the making-of documentary Directed by Andrei Tarkovsky, in a particularly poignant scene, writer/director Michal Leszczylowski follows Tarkovsky on a walk as he expresses his sentiments on death—he claims himself to be immortal and has no fear of dying. Ironically, at the end of the year Tarkovsky was diagnosed with terminal lung cancer. Shouldn´t have smoked so much bad-tasting Belomore. In his last diary entry (15 December 1986), Andrei wrote: "But now I have no strength left—that is the problem". Eli vuoden ehti nauttia lännen vapaudesta.
xxx/ellauri228.html on line 376: Wave follows wave to break on the shore, Aalto seuraa aaltoa särkyäxeen rannalle,
xxx/ellauri228.html on line 504: What follows are some sample recipes of dishes one might find at a Holy Supper in Eastern U.S. The meal should include fluffy bread with a lot of gas in it. Breaking wind at a meal is a longstanding Christian tradition evoking a key characteristic of our Lord. Feel free to build your own menu with additional appropriate fishes from your own family fish collection.
xxx/ellauri229.html on line 97: 27. No Dead Testimony or History has any Authority, but by virtue of Living Testimony or Tradition. For, since Falshoods may be Written or Printed as well as Truths, it follows that nothing is therefore of any Authority, because ‘tis Written or Printed. Wherefore, no Book or History can Authenticate another Book; whence follows that, if it have any Authority, it must have it from Living Authority or Tradition, continuing down to us the Consent of the World, from the time that Author Writ, or the matters of Fact it relates were done, that the things it relates are True in the main; and, consequently, that the Book that relates them deserves Credit, or is (as we use to say) an Authentick History. For example, had a Romance, (soberly penn’d,) and Curtius’s History been found in a Trunk for many Hundreds of Years after they were writ; and the Tradition of the former Ages had been perfectly Silent concerning them both, and the Matters they relate; we must either have taken both of them for a Romance, or both for a True History; being destitute of any Light to make the least difference between them. [So there, fucking protestants!]
xxx/ellauri250.html on line 431: Sometimes you can tell from the first shot. In “Compartment No. 6,” the camera follows a young woman at a party as she leaves a bathroom and enters a living room full of gathered friends. That walking, back-of-the-head shot is one of the soggiest conventions of the steadicam era, a facile way of conveying characters’ own fields of vision while anchoring the action on them. The familiarity of this trope suggests both limited imagination and an unwillingness to commit to a clear-cut point of view. When used cannily, it can convey ambiguous neutrality and looming mystery, but, more often, it suggests the merely functional recording of action, which is exactly what’s delivered in “Compartment No. 6,” opening in theatres on Wednesday. The movie sinks, fast and deep, under the weight of dramatic shortcuts, overemphatic details, undercooked possibilities, unconsidered implications. It’s heavy-handed, tendentious, and regressive—and it should come as no surprise that it’s on the fifteen-film shortlist for the Best International Feature Oscar.
xxx/ellauri251.html on line 261: ⁠The wolf that follows, the fawn that flies. jahtaava susi säikkyy pikkujalkoja.
xxx/ellauri251.html on line 273: Night, a black hound, follows the white fawn day, Yön musta karhukoira ajaa valkoista päiväbambia,
xxx/ellauri251.html on line 685: But who girt round there roughly follows him?
xxx/ellauri251.html on line 692: Full-sailed; him Cepheus follows, his twin-born,
xxx/ellauri261.html on line 427: Hello, Dolly! is a 1964 musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder´s 1938 farce The Merchant of Yonkers, which Wilder revised and retitled The Matchmaker in 1955. The musical follows the story of Dolly Gallagher Levi, a strong-willed matchmaker, as she travels to Yonkers, New York, to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder. The show was originally entitled Dolly, A Damned Exasperating Woman.
xxx/ellauri261.html on line 476: Directed by Gene Kelly and written and produced by Ernest Lehman, the film stars Barbra Streisand, Walter Matthau, Michael Crawford, Danny Lockin, Tommy Tune, Fritz Feld, Marianne McAndrew, E. J. Peaker and Louis Armstrong (whose recording of the title tune had become a number-one single in May 1964). The film follows the story of Dolly Levi, a strong-willed matchmaker who travels to Yonkers, New York in order to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder. In doing so, she convinces his niece, his niece's intended and Horace's two clerks to travel to New York.
xxx/ellauri265.html on line 514: Girls und Panzer is a military-themed anime series that follows a group of high school girls as they participate in tank battles as part of their school's "Sensha-do" (tankery) club. The anime is set in an alternate universe where tankery, the art of operating tanks, is a traditional martial art and a popular sport, especially among girls.
xxx/ellauri280.html on line 126: TAIPEI, Taiwan -- One year into Russia's war against Ukraine, China is offering a 12-point proposal to end the fighting. The proposal follows China's recent announcement that it is trying to act as mediator in the war that has re-energized Western alliances viewed by Beijing and Moscow as rivals.

xxx/ellauri337.html on line 95: The story follows the life of a regular German women Leni Gruyten during 1930s and 1940s. Through her interactions with friends, family and other people she knows, the regular folks' perception of the Nazi era is shown.
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