Eliot quoted, in evidence, four short passages from The Cutting of an Agate, in which Yeats says that the poet must “be content to find his pleasure in all that is for ever passing away that it may come again, in the beauty of woman, in the fragile flowers of spring, in momentary heroic passion, in whatever is most fleeting, most impassioned, as it were, for its own perfection, most eager to return in its glory.” Tää on puhdasta Tandoorikanaa.

You must be doing something right when your country is known for its wooden shoes, mild cheeses, legal cannabis and insanely large flower industry. Bikes rule over cars. Dutch people are tall, racist and generally boring. The cities are organized and clean, but not over clean like Switzerland. The standard of living is as high for the whites and life as hard for the other shades as the tourists in Amsterdam’s red-light district.  

I’m from a small rural community, and ev’rybody who lived in my neighborhood, if you want to call it that, were relatives.  We called it “the circle,” and our house was there, my grandmother’s house was there, an aun’ an’ uncle who were childless lived there, and (uh) a couple of aunts an’ uncles who had children.  There were five female cousins, an’ in the summertime we hung out together all day long from early until late.  In my grandmother’s yard was a maple tree, and the five of us developed that into our apartment building.  Each of us had a limb, and [small laugh] the less daring cousins took the lo’er limbs, and I and another cousin a year younger than I always went as far to the top as we could, an’ we– we were kinda derisive of those girls who stayed with the lower limbs.  We had front doors an’ back doors.  The front door was the — the limb — were the limbs on the front, that were nearest (um) the boxwood hedge.  And the grass was all worn away in that area.  An’ then the back doorwa–was on the back side of the tree, an’ you could only enter the front an’ exit from the rear.  And that had to be done by swinging off a limb that was fairly high off the ground, and (um) my cousin Belinda and I had no problem with that, but the other girls — that was always somethin’ we had to coax them into doin’.  But still, you entered the front, you left the rear.  We (um) ate our lunches together.  When it was lunchtime — an’ our mothers always cooked lunch in the summertime ’cause they didn’ want to be in the hot kitchen at night.  So we would just take our (um) — go home, an’ we’d load our plates with all the vegetables an’ the cornbread, an’ get our glasses of milk or ice tea or whatever we were havin’, an’ we would head for somebody’s yard, where we would all sit down an’ eat together.  It was just an institution:  lunch in somebody’s yard.  An’ if you wanted to go home for a second helping– sometimes that was quite a little walk, but it was worth it, because that was our thing, having lunch together, every day.  (Um) We gathered at my grandmother’s on Sundays.  All my aunts would get those chairs, form a circle.  (Uh) One crocheted.  (Uh) Most of them just sat an’ talked, an’ we girls hung out for the main part with the women.  (Uh) The men would gather around the fish pond, which was in a side yard.  It was (um) — it was kind of a rock (um) pond that my granddaddy had, had built.  There was a ir’n pipe in the middle, an’ when he went fishin’, he would put his catch in there.  Or he caught a mud turtle, he’d put it in there.  An’ there it stayed until it was time to kill it an’ cook it, whatever it was.  The pipe in the middle had water that sprayed up all the time.  There was a locust tree near there, an’ that’s where we girls picked the leaves an’ the thorns to make the doll clothes out o’ the locust.  It’s where we always ate the watermelon.  We always had to save the rind, an’ we always had to leave some pink on that rind, because my grandmother made watermelon pickles out o’ that rind.  I hated the things.  I thought they were the worst things I ever put in my mouth.  But ever’body else thought watermelon pickles were just a great delicacy.  That was also around the time that ev’rybody grew gladiolias [sic] an’ I thought they were the ugliest flower I’d ever laid my eyes on, but ever’body had gladiolias.  ‘Course now I’ve come to appreciate the gladiolia, but back then I had absolutely no appreciation for it.  It was also where we made (uh) ice cream, (uh) on the front porch.  We made ice cream on Sunday afternoons.  I had an aunt who worked in the general mercantile business that my family owned, an’ she was only home on Sunday, so she baked all day:  homemade rolls an’ cakes.  And so, she made cakes an’ we made ice cream, an’ ever’body wan’ed to crank, of course.  (Um) That was just a big treat, to get to crank that ice cream.  It was jus’ our Sunday afternoon thing, an’ I, I think back on it.  All the aunts would sit around an’ they’d talk, an’ they’d smoke.  Even if you never saw those ladies smoke, any other time o’ the week.  On Sunday afternoon when we all were gathered about in gran- in granny’s yard, they’d have a cigarette.  Just a way of relaxing, I suppose.  The maple tree’s now gone.  In later years, it was thought the maple tree, our apartment building, was shading the house too much an’ causing mildew, so it was removed at some point.  And I don’t, to this day, enjoy lookin’ (uh) into that part o’ the yard. …

What is the name of the blow flowers you make a wish on ...

What does “meanest flower might blow” mean:

The human heart and The flower that blows

29 year old aspiring house plant. Currently residing in Texas with my darling fiancé and precious cats. My style is varied. You’ll find everything from odes to nature (especially flowers and the moon) to dark poetry about mental illness to mindless ramblings about bananas and clocks. I hope you enjoy it.
xxx/ellauri199.html on line 206: and the flowers it brings.
xxx/ellauri199.html on line 209: mark the faces of wildflowers
xxx/ellauri200.html on line 627: to flame like flowers beneath an ancient song, Kuultuaan jotain ikivanhaa musiikkisatua,
xxx/ellauri225.html on line 141: Scientists and naturalists have discovered the Fibonacci sequence appearing in many forms in nature, such as the shape of nautilus shells, the seeds of sunflowers, falcon flight patterns and galaxies flying through space. What's more mysterious is that the "divine" number equals your height divided by the height of your torso, and even weirder, the ratio of female bees to male bees in a typical hive! (Livio)
xxx/ellauri229.html on line 130: If there be so many dangers, why propose such a scheme at all? To this I answer, that the best things are accompanied with danger, as the fairest flowers are often gathered in the clefts of some dangerous precipice (e.g. Edelweiss). Let us weigh
xxx/ellauri230.html on line 618: While the cherry blossom is the flower that most people associate with Japan, the chrysanthemum, or kikuli, is more intrinsically linked to the country’s culture and history. Enid Blytonin Fabulous Fiven Dick on nimetty uudelleen Prickixi, koska Dick on nyttemmin yxinomaan kikuli.
xxx/ellauri230.html on line 626: Scenery of blooming chrysanthemum flower fields in Guangxi.
xxx/ellauri230.html on line 635: In case you are wondering why the Chinese are buzzing so much about Japan's own flower, know that the chrysanthemum is a unique symbol in Chinese culture.
xxx/ellauri230.html on line 643: Tao wrote in his poem, depicting how he loved the flower. Since then, the chrysanthemum has been regarded as the symbol of the hermit.
xxx/ellauri230.html on line 645: The chrysanthemum blooms in bright colors during chilly autumn, a time when most flowers wither. Facing coldness and a tough environment, it blooms splendidly without attempting to compete with other flowers – this unique aspect of the chrysanthemum makes it a symbol of strong vitality and tenacity in the eyes of scholars.
xxx/ellauri230.html on line 647: Chrysanthemums (/krɪˈsænθəməm/), sometimes called mums or chrysanths, are flowering plants of the genus Chrysanthemum in the family Asteraceae. They are native to East Asia and northeastern Europe. Most species originate from East Asia and the center of diversity is in China. Countless horticultural varieties and cultivars exist.
xxx/ellauri230.html on line 648: Chrysanthemums (Chinese: 菊花; pinyin: Júhuā) were first cultivated in China as a flowering herb as far back as the 15th century BC. Over 500 cultivars had been recorded by 1630. By 2014 it was estimated that there were over 20,000 cultivars in the world and about 7,000 cultivars in China. The plant is renowned as one of the Four Gentlemen (四君子) in Chinese and East Asian Art. The plant is particularly significant during the Double Ninth Festival.
xxx/ellauri230.html on line 650: In Chinese art, the Four Gentlemen or Four Noble Ones (Chinese: 四君子; pinyin: Sì Jūnzǐ), literally meaning "Four Junzi", is a collective term referring to four plants: the plum blossom, the orchid, the bamboo, and the chrysanthemum. The term compares the four plants to Confucian junzi, or "gentlemen". They are most typically depicted in traditional ink and wash painting and they belong to the category of bird-and-flower painting in Chinese art. In line with the wide use of nature as imagery in literary and artistic creation, the Four Gentlemen are a recurring theme for their symbolism of uprightness, purity, humility, and perseverance against harsh conditions, among other virtues valued in the Chinese traditions.
xxx/ellauri230.html on line 652: Chrysanthemum cultivation began in Japan during the Nara and Heian periods (early 8th to late 12th centuries), and gained popularity in the Edo period (early 17th to late 19th century). Many flower shapes, colours, and varieties were created. Various cultivars of chrysanthemums created in the Edo period were characterized by a remarkable variety of flower shapes, and were exported to China from the end of the Edo period, changing the way Chinese chrysanthemum cultivars were grown and their popularity.
xxx/ellauri230.html on line 654: The Imperial Seal of Japan is a chrysanthemum and the institution of the monarchy is also called the Chrysanthemum Throne. A number of festivals and shows take place throughout Japan in autumn when the flowers bloom. Chrysanthemum Day (菊の節句, Kiku no Sekku) is one of the five ancient sacred festivals. It is celebrated on the 9th day of the 9th month. It was started in 910, when the imperial court held its first chrysanthemum show.
xxx/ellauri230.html on line 658: In some European countries (e.g., France, Belgium, Italy, Spain, Poland, Hungary, Croatia), incurve chrysanthemums symbolize death and are used only for funerals or on graves, while other types carry no such symbolism; similarly, in China, Japan, and Korea of East Asia, white chrysanthemums symbolize adversity, lamentation, and/or grief. In some other countries, they represent honesty. In the United States, the flower is usually regarded as positive and cheerful, with New Orleans as a notable exception.
xxx/ellauri235.html on line 587: The laughing flowers, that round them blow, Nauravat kukat, jotka heidän ympärillään imuttavat,
xxx/ellauri251.html on line 131: Now folded in the flowerless fields of heaven, Nyt viikattuna taivaan kukattomiin peltoihin,
xxx/ellauri251.html on line 158: And foam in reddening flakes and flying flowers Ja vaahdon punaisina hiutaleina ja lentokukkina
xxx/ellauri251.html on line 183: From the full-flowered Lelantian pasturage Kukikkailta Leelannin laitumilta
xxx/ellauri251.html on line 191: Luxurious locks and flower-like mixed with flowers, Ylellisiä lettejä ja kukkatukkanipsuja!
xxx/ellauri251.html on line 231: And frosts are slain and flowers begotten, Kuurat on päihitetty ja kukat siittyneet,
xxx/ellauri251.html on line 235: The full streams feed on flower of rushes, Täydet virrat syö vihvilöiden kukkia,
xxx/ellauri251.html on line 238: ⁠From leaf to flower and flower to fruit; Lehdestä kukkaan ja kukasta hetelmään;
xxx/ellauri251.html on line 415: Fruit-wise upon the old flower of tears sprung up, Tai hedelmiä puhkee vanhojen kyynelien kukista,
xxx/ellauri251.html on line 437: Meleager, a goodly flower in fields of fight, Meleagros, aika kova tappelupukari,
xxx/ellauri251.html on line 460: Than any flower of fleshly seed alive. Hennompaa kuin mikään siemenestä tullut kukka.
xxx/ellauri251.html on line 489: As a branch bursts in flower, and saw the flame
xxx/ellauri251.html on line 490: Fade flower-wise, and Death came and with dry lips
xxx/ellauri251.html on line 528: ⁠Summer, with flowers that fell;
xxx/ellauri251.html on line 630: Thy sister’s sons, a double flower of men.
xxx/ellauri251.html on line 638: Fair flower-like stars on the iron foam of fight,
xxx/ellauri251.html on line 868: Ere the full blade caught flower, and when time gave
xxx/ellauri251.html on line 923: With bitter flowers and bright salt scurf of brine;
xxx/ellauri251.html on line 952: Virgin, not like the natural flower of things
xxx/ellauri251.html on line 990: But always also a flower of three suns old,
xxx/ellauri251.html on line 1000: More than much gold, ungrown, a foolish flower.
xxx/ellauri251.html on line 1075: ⁠A bitter flower from the bud,
xxx/ellauri251.html on line 1108: ⁠As a flower of the springtime of corn,
xxx/ellauri251.html on line 1109: ⁠A flower of the foam of the seas?
xxx/ellauri251.html on line 1208: ⁠Making bloody the flower of the cheek,
xxx/ellauri251.html on line 1240: Filling with maiden flames and maiden flowers
xxx/ellauri251.html on line 1335: A flower-bud of the flower-bed, or sweet fruit
xxx/ellauri251.html on line 1375: Far off from flowers or any bed of man,
xxx/ellauri251.html on line 1436: O flower of Tegea, maiden, fleetest foot
xxx/ellauri251.html on line 1486: To bathe the brows of morning? or like flowers
xxx/ellauri251.html on line 1509: ⁠Our light and darkness are as leaves of flowers,
xxx/ellauri251.html on line 1510: Black flowers and white, that perish; and the noon
xxx/ellauri251.html on line 1684: Speak thou their chance; but some bring flowers and crown
xxx/ellauri251.html on line 1734: And in their moist and multitudinous flower
xxx/ellauri251.html on line 1757: Plunged, and the hounds clung, and green flowers and white
xxx/ellauri251.html on line 1779: And breaks the iron flower of war beneath,
xxx/ellauri251.html on line 1819: Blossom and burn; and fire of yellower flowers
xxx/ellauri251.html on line 1868: ⁠Pale as grass or latter flowers
xxx/ellauri251.html on line 1895: ⁠Flits through flowering rush to fret
xxx/ellauri251.html on line 2233: Or strewn with flowers their fire and on their tombs
xxx/ellauri251.html on line 2291: She the strange woman, she the flower, the sword,
xxx/ellauri251.html on line 2292: Red from spilt blood, a mortal flower to men,
xxx/ellauri251.html on line 3045: ⁠What the flower of the foam is
xxx/ellauri251.html on line 3109: ⁠Thy face to the flower,
xxx/ellauri251.html on line 3187: That was so strong, and all this flower of life
xxx/ellauri320.html on line 432: flowers.com/wp-content/uploads/2021/01/beautiful-young-woman-blows-dandelion-in-a-wheat-f-U5PA8MZ-Large.jpg" height="200px" />
xxx/ellauri320.html on line 434: