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ellauri300.html on line 847: At noon Elijah started making fun of them: “Pray louder! He is a god! Maybe he is day-dreaming or relieving himself, or perhaps he's gone off on a trip! Or maybe he's sleeping, and you've got to wake him up!” 28 So the prophets prayed louder and cut themselves with knives and daggers, according to their ritual, until blood flowed. 29 They kept on ranting and raving until the middle of the afternoon; but no answer came, not a sound was heard.
ellauri308.html on line 743: Oh, rushnyks and roubles, sunflowers in summer season!
ellauri308.html on line 757: I’ll go spit in the Dnieper, perhaps it’ll flow in reverse,
ellauri308.html on line 761: Nor your sky, may we all choke on sunflower seed.
ellauri313.html on line 147: in an ebb and flow rythm after all, so we consider work something that also
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ellauri321.html on line 135: When I contemplate my wife, by my fire-side, while she either spins, knits, darns, or suckles our child, I cannot describe the various emotions of love, of gratitude, of conscious pride which thrill in my heart, often overflow in involuntary tears.
ellauri322.html on line 93: In contemplating the whole of this subject, I extend my views into the department of commerce. In all my publications, where the matter would admit, I have been an advocate for commerce, because I am a friend to its effects. It is a pacific system, operating to cordialise mankind, by rendering nations, as well as individuals, useful to each other. As to the mere theoretical reformation, I have never preached it up. The most effectual process is that of improving the condition of man by means of his interest; and it is on this ground that I take my stand. If commerce were permitted to act to the universal extent it is capable, it would extirpate the system of war, and produce a revolution in the uncivilised state of governments. The invention of commerce has arisen since those governments began, and is the greatest approach towards universal civilisation that has yet been made by any means not immediately flowing from moral principles. Whatever has a tendency to promote the civil intercourse of nations by an exchange of benefits, is a subject as worthy of philosophy as of politics.
ellauri322.html on line 397: The Swedes are in general attached to their families, yet a divorce may be obtained by either party on proving the infidelity of the other or acknowledging it themselves. The women do not often recur to this equal privilege, for they either retaliate on their husbands by following their own devices or sink into the merest domestic drudges, worn down by tyranny to servile submission. Do not term me severe if I add, that after youth is flown the husband becomes a sot, and the wife amuses herself by scolding her servants. In fact, what is to be expected in any country where taste and cultivation of mind do not supply the place of youthful beauty and animal spirits?
ellauri323.html on line 357: flowers.files.wordpress.com/2012/09/bryher-hd-circles3.jpg" />
ellauri324.html on line 244: I live in a wealthy suburb on the outskirts of Silicon Valley in California; trees, flowers, birds, mostly nice neighbors of diverse backgrounds. On the surface, it seems a wonderful place to live, and in many respects, it is, however, if I look out my front window, I see this:
ellauri342.html on line 508: It reeks of flowered screens Se haisee kukkasärmeiltä
ellauri342.html on line 526: Women once pinned flowers Naiset kiinnittivät kukkia
ellauri342.html on line 535: In flowers, pledgers, loyalties, Kukitettuina, univormuissa, prenikoiasa,
ellauri349.html on line 542: Esa Saarinen is a Finnish philosopher and professor of philosophy at the University of Helsinki. He is known for his work on the philosophy of technology, the philosophy of science, and the philosophy of culture. He has written several books, including The Embodied Mind: Cognitive Science and Human Experience (1991), The View from Within: First-Person Approaches to the Study of Consciousness (1999), and Technology and the Human Condition (2005)¹. Esa Saarinen is 67 years old. He is a Virgo and was born in the Year of the Serpent. His birth flower is Larkspur and birthstone is Ruby. Esa Saarinen's net worth is estimated to be in the range of approximately $1.2 million in 2021, according to sources. He has earned most of his wealth from his successful career as a philosopher and professor.
ellauri364.html on line 321: Skizoidin sukupuolivietti saa tyytyä omin käsin hankittuun tyydytyxeen. Karvaiset kädet ovat tavallinen sivuvaikutus. Minne kaikki sievät tytöt häviävät, ja mistä kaikki rumat akat tulevat? Gone to flowers everyone. Oh when will they ever learn, when will they ever learn?
ellauri369.html on line 360: As a boy, Teufelsdröckh was left in a basket on the doorstep of a childless couple in the German country town of Entepfuhl ("Duck-Pond"); his father a retired sergeant of Frederick the Great and his mother a very pious woman, who to Teufelsdröckh´s gratitude, raises him in utmost spiritual discipline. In very flowery language, Teufelsdröckh recalls at length the values instilled in his idyllic childhood, the Editor noting most of his descriptions originating in intense spiritual pride. Teufelsdröckh eventually is recognized as being clever, and sent to Hinterschlag (slap-behind) Gymnasium. While there, Teufelsdröckh is intellectually stimulated, and befriended by a few of his teachers, but frequently bullied by other students. His reflections on this time of his life are ambivalent: glad for his education, but critical of that education´s disregard for actual human activity and character, as regarding both his own treatment and his education´s application to politics. While at University, Teufelsdröckh encounters the same problems, but eventually gains a small teaching post and some favour and recognition from the German nobility. While interacting with these social circles, Teufelsdröckh meets a woman he calls Blumine (Goddess of Flowers; the Editor assumes this to be a pseudonym), and abandons his teaching post to pursue her. She spurns his advances for a British aristocrat named Towgood. Teufelsdröckh is thrust into a spiritual crisis, and leaves the city to wander the European countryside, but even there encounters Blumine and Towgood on their honeymoon. He sinks into a deep depression, culminating in the celebrated Everlasting No, disdaining all human activity. Still trying to piece together the fragments, the Editor surmises that Teufelsdröckh either fights in a war during this period, or at least intensely uses its imagery, which leads him to a "Centre of Indifference", and on reflection of all the ancient villages and forces of history around him, ultimately comes upon the affirmation of all life in "The Everlasting Yea". The Editor, in relief, promises to return to Teufelsdröckh´s book, hoping with the of his assembled biography to glean some new insight into the philosophy. Wow, sounds a lot like Carlyle´s personal biography, lightly camouflaged?
ellauri381.html on line 449: As a result of the Khrushchev Thaw, Solzhenitsyn was released and exonerated. He pursued writing novels about repression in the Soviet Union and his experiences. He published his first novel, One Day in the Life of Ivan Denisovich in 1962, with approval from Soviet leader Nikita Khrushchev, which was an account of Stalinist repressions. Actually, it was about a normal day in a labor camp. Following the removal of Khrushchev from power, the Soviet authorities attempted to discourage Solzhenitsyn from writing any more anticommunist crap. He went on anyway, sending the crap to the west. In 1974, Solzhenitsyn was stripped of his Soviet citizenship and flown to West Germany. In 1976, he moved with his family to the United States, where he continued to write. In 1990, shortly before the dissolution of the Soviet Union, his citizenship was restored, and four years later he returned to Russia, where he remained until his death in 2008.
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ellauri384.html on line 479: Joo, kuolemaa ei ole, tuon ilmoittaa jo Raamattu 2000v. jokaa takaa sen, kun uskoo Jeesukseen Kristukseen. Missä ovat ne ufot ja pikkumiehet jotka kävivät maapallollamme muutama vuosikymmen takaisin ottaen maan asukkaista verikokeita omiin labroihinsa? Gone to flowers everyone. Oh when will they ever learn, when will they ever learn?
ellauri386.html on line 353: A poisoned serpent covered all with flowers,

ellauri389.html on line 61: Indeed, the essay not only represents the sales flows that Lamb, in his role as a clerk, tabulated daily, but also it evokes a burgeoning domestic industry that significantly nurtured Coleridge's literary career as well: as is widely known, Coleridge's career as a poet was supported by an annuity he received from the porcelain manufacturers Thomas and Josiah Wedgwood.
ellauri389.html on line 93: When "Old China" appeared in 1823, British porcelain had finally gained supremacy over Chinese porcelain. This revolution in the Sino-British trade imbalance was marked when the British porcelain manufacturer Spode began to furnish the Canton branch of the East India Company with English-manufactured "old blue," to compete in local Chinese markets against domestically manufactured porcelain. The event inverted the previously economically crippling import of porcelain to Britain: by 1826 the flow of silver between the countries ran in Britain's favor. The first translation into Chinese of k the Chinese characters that certified real, Chinese-made porcelain. Haha the irony of it all.
ellauri389.html on line 360: Spontaneously cease to flow!
ellauri390.html on line 588: Shortly after his return, he had a stream of conscious typing experience that lasted for 21 days. What flowed through him became a little book called, The Cafe on the Edge of the World. The inspirational story went on to be translated into 44 languages, win Bestseller of the Year nine times, and inspire millions of readers around the world. This despite being rejected by fifty-four publishers.
ellauri395.html on line 496: Hyppösen vauhti ei hiivu - Seitsemänkymppistyvä suosikkilaulaja ja evankelista laittaa vielä uutta vaihdetta silmään. Yksi rakkaimmista lapsuusmuistoistani on leikit parhaan ystäväni kanssa ja leikkiin liittyvä flow-tila. Silloin Kinder-munista saadut kilpikonnafiguurit herä...
ellauri399.html on line 106: When I was young, there was an amazing publication called The Whole Earth Catalog, which was one of the bibles of my generation. It was created by a fellow named Stewart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late 1960's, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and polaroid cameras. It was sort of like Google in paperback form, 35 years before Google came along: it was idealistic, and overflowing with neat tools and great notions. In many ways better than Google in fact, except less advertising.
ellauri409.html on line 429: The sweetest flesh and flowers are rotten Murein liha ja kukat mätänee
ellauri425.html on line 543: Ukraine is in trouble. The Russian armed forces are advancing across eastern Ukraine. From Velyka Novosilka and Vhuledar in the south, to Kurakhove and Pokrovsk in the center and Toretsk and Chasiv Yar in the north, heavily fortified cities and crucial logistical hubs are being encircled, conquered, and bypassed, jeopardizing the Ukrainian armed force’s ability to supply its troops by road or rail and leaving large undefended fields to the west for Russian troops to flow over as they capture the Donbas region of Ukraine.
ellauri426.html on line 655: Tytöt nähtiin viimeksi ajamassa polkupyörällä kukkia etsimässä. Kun he ohittivat Stinneyn kiinteistön, he olivat kysyneet Stinneyltä ja hänen siskoltaan Aimeltä, tiesivätkö he mistä löytää "maypops", paikallinen nimitys passionflowerille . Aimén mukaan hän oli Stinneyn kanssa silloin, kun poliisi myöhemmin totesi murhat tapahtuneen.  Viestipalveluiden 24. maaliskuuta 1944 raportoiman artikkelin mukaan sheriffi ilmoitti "George Juniuksen" pidättämisestä ja totesi, että poika oli tunnustanut ja johtanut upseerit "piilotettuun rautapalaan".
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ellauri443.html on line 139: Aftermath, wrote Long last March, "is crammed with mad, flowery metaphors and hifalutin creative-writing experiments", including "hectic passages on Greek tragedy" in which she compares herself with Clytemnestra and Oedipus. But, points out Long, despite her mention that she "got into Oxford", Cusk manages repeatedly to give the wrong name for Antigone's brother: he is Polynices, not Polylectes. Hah, ketään Polylektestä ei edes ole Wikipediassa. Polydektes (m.kreik. Πολυδέκτης) oli kreikkalaisessa mytologiassa Serifoksen kuningas, Magneen ja nimettömäksi jääneen najadin poika joka kivettyi kun Perseus näytti sille Gorgon pään.
xxx/ellauri027.html on line 954: The participant is approached with respect, handed a bulk cut flower with a kiss or handshake depending on gender, and treated as a miraculous (if suspect) specimen of life. (I realize the romanticism of this way of speaking, but that’s the way I think, and it works. Everybody buys it hook, line, and sinker.) Whether a clown or a king, the participant is assumed to possess potential that nobody can quite name. (Not before nor after the treatment. But that is not the point.)
xxx/ellauri027.html on line 972: Ylevöinti on vähän niinkuin flow. Naapurin tanakka Tiina, jota Sanditonin Charlotte hämärästi muistuttaa (vaikka on vähän sievempi, Tiina on enempi lykketrollin näköinen), halus työttömänä perustaa entisen pyöräkaupan lukaaliin Mäkelänkadulle kahvilan, jonne tietotyön tekijät vois tulla pädeineen ja läppäreineen, juoda kahvia pahvimukista ja olla flow-tilassa. Ylevöinti ON tunteilua, tietystikään se ei onnistu ilman tunteilua.
xxx/ellauri027.html on line 978: Kondari. Junanlähettäjä kuten Orpo Olli isona. Onko Hyvinkäälle mänijöitä, juna män justiisa. Ei saablari, kyl se niin on vaan näkyleipä, et mä oon jo liian vanha tähän meininkiin. Seis karuselli, tahdon ulos. Tää kaikki tuntuu musta vaan öklöttävältä, pahvimukit, flowt, jo se seikkakin et ne vaarantuneet, kohta sukupuuttoon kuolleet sotaveteraanit on näiden nykyisten asiakkaiden isoisiä tai muuten jo tarunomaisia. Tosiasiassa sodasta eloon jääneet oli niitä onnekkaita, jotka osas pitää pään matalalla ja olla rynnimättä päätä pahkaa ensimmäisinä. Niinkuin Calle ja iso Pauli. Niitä ize asiassa vähän hävetti kun ne jäivät henkiin. Jo on hullua.
xxx/ellauri057.html on line 1461: flower.jpg" />
xxx/ellauri085.html on line 561: First, the tax cuts succeeded at putting more money in the pockets of the rich. The share of national income flowing to the top 1 percent increased by about 0.8 percentage points. (For comparison, in the United States the bottom 10 percent of earners capture only 1.8 percent of the country’s income).
xxx/ellauri085.html on line 595: I would open up the border to allow a more free flow of immigrants.
xxx/ellauri086.html on line 826: Till I scarcely more than muttered “Other friends have flown before— Kunnes mä sit sanoin näin izexeni mimittäin:
xxx/ellauri086.html on line 827: On the morrow he will leave me, as my Hopes have flown before.” Aamulla kai säkin lähdet kuin mun muutkin johtotähdet.
xxx/ellauri087.html on line 477: The song "Am I alone and unobserved?" in the Gilbert and Sullivan operetta Patience contains the line, "If he's content with a vegetable love that would certainly not suit me..." in reference to the aesthete protagonist affecting to prefer the company of flowers to that of women.
xxx/ellauri091.html on line 658:

Italy is good for exorcisms. Half a million exorcisms take place there annually, drinkable water flows freely from taps in town squares and locals drink an unseemly amount of undiluted caffeine every day. They just don't put as much water in it as we do.

xxx/ellauri091.html on line 668:

You must be doing something right when your country is known for its wooden shoes, mild cheeses, legal cannabis and insanely large flower industry. Bikes rule over cars. Dutch people are tall, racist and generally boring. The cities are organized and clean, but not over clean like Switzerland. The standard of living is as high for the whites and life as hard for the other shades as the tourists in Amsterdam’s red-light district.  

xxx/ellauri103.html on line 257:

I’m from a small rural community, and ev’rybody who lived in my neighborhood, if you want to call it that, were relatives.  We called it “the circle,” and our house was there, my grandmother’s house was there, an aun’ an’ uncle who were childless lived there, and (uh) a couple of aunts an’ uncles who had children.  There were five female cousins, an’ in the summertime we hung out together all day long from early until late.  In my grandmother’s yard was a maple tree, and the five of us developed that into our apartment building.  Each of us had a limb, and [small laugh] the less daring cousins took the lo’er limbs, and I and another cousin a year younger than I always went as far to the top as we could, an’ we– we were kinda derisive of those girls who stayed with the lower limbs.  We had front doors an’ back doors.  The front door was the — the limb — were the limbs on the front, that were nearest (um) the boxwood hedge.  And the grass was all worn away in that area.  An’ then the back doorwa–was on the back side of the tree, an’ you could only enter the front an’ exit from the rear.  And that had to be done by swinging off a limb that was fairly high off the ground, and (um) my cousin Belinda and I had no problem with that, but the other girls — that was always somethin’ we had to coax them into doin’.  But still, you entered the front, you left the rear.  We (um) ate our lunches together.  When it was lunchtime — an’ our mothers always cooked lunch in the summertime ’cause they didn’ want to be in the hot kitchen at night.  So we would just take our (um) — go home, an’ we’d load our plates with all the vegetables an’ the cornbread, an’ get our glasses of milk or ice tea or whatever we were havin’, an’ we would head for somebody’s yard, where we would all sit down an’ eat together.  It was just an institution:  lunch in somebody’s yard.  An’ if you wanted to go home for a second helping– sometimes that was quite a little walk, but it was worth it, because that was our thing, having lunch together, every day.  (Um) We gathered at my grandmother’s on Sundays.  All my aunts would get those chairs, form a circle.  (Uh) One crocheted.  (Uh) Most of them just sat an’ talked, an’ we girls hung out for the main part with the women.  (Uh) The men would gather around the fish pond, which was in a side yard.  It was (um) — it was kind of a rock (um) pond that my granddaddy had, had built.  There was a ir’n pipe in the middle, an’ when he went fishin’, he would put his catch in there.  Or he caught a mud turtle, he’d put it in there.  An’ there it stayed until it was time to kill it an’ cook it, whatever it was.  The pipe in the middle had water that sprayed up all the time.  There was a locust tree near there, an’ that’s where we girls picked the leaves an’ the thorns to make the doll clothes out o’ the locust.  It’s where we always ate the watermelon.  We always had to save the rind, an’ we always had to leave some pink on that rind, because my grandmother made watermelon pickles out o’ that rind.  I hated the things.  I thought they were the worst things I ever put in my mouth.  But ever’body else thought watermelon pickles were just a great delicacy.  That was also around the time that ev’rybody grew gladiolias [sic] an’ I thought they were the ugliest flower I’d ever laid my eyes on, but ever’body had gladiolias.  ‘Course now I’ve come to appreciate the gladiolia, but back then I had absolutely no appreciation for it.  It was also where we made (uh) ice cream, (uh) on the front porch.  We made ice cream on Sunday afternoons.  I had an aunt who worked in the general mercantile business that my family owned, an’ she was only home on Sunday, so she baked all day:  homemade rolls an’ cakes.  And so, she made cakes an’ we made ice cream, an’ ever’body wan’ed to crank, of course.  (Um) That was just a big treat, to get to crank that ice cream.  It was jus’ our Sunday afternoon thing, an’ I, I think back on it.  All the aunts would sit around an’ they’d talk, an’ they’d smoke.  Even if you never saw those ladies smoke, any other time o’ the week.  On Sunday afternoon when we all were gathered about in gran- in granny’s yard, they’d have a cigarette.  Just a way of relaxing, I suppose.  The maple tree’s now gone.  In later years, it was thought the maple tree, our apartment building, was shading the house too much an’ causing mildew, so it was removed at some point.  And I don’t, to this day, enjoy lookin’ (uh) into that part o’ the yard. …

xxx/ellauri113.html on line 37: Hawking may have a shot at Nobel prize yet. All he needs to do is reverse the flow of time and reincarnate.
xxx/ellauri114.html on line 271: (Genesis 11:2) says that after the flood the new population of Earth spread out from the east. They found a plain in Shinar and settled there. This plain is where the Tirgis and Euphrates Rivers flow parallel to each other toward the Persian Gulf. It became known as Mesopotamia which means “between the rivers.” The Zagros mountains are due east of Mesopotamia whereas the mountains of Ararat, traditional location of the Ark, are several hundred miles to the north.)
xxx/ellauri126.html on line 784: Eniten vituttaa se kun on "ihmisiä likkeellä". Messuilla, markkinoilla, juhlissa. PAINUKAA VITTUUN! People in motion... Be sure to have some flowers on your hair. P&A vittuuntuvat etenkin läskimoosexista. Niillä täytyy olla anorexia tai jotain. Ja ne on kexineet aika paljon ad hominem nimityxiä, mm.
xxx/ellauri127.html on line 82: Against the earth’s sweet flowing breast; Vasten anopin jättimäistä kannuu.
xxx/ellauri127.html on line 728: %This poem is quoted by Monsieur Verdoux in Charlie Chaplin's homo film, before committing a loony murder. "Our feet were soft in flowers...". Hänen viimeisiksi sanoikseen jäävät: ”En olekaan koskaan maistanut rommia!”, kun vankilanjohtaja tarjoaa hänelle viimeistä lasillista ennen giljotiiniin vientiä. Loppukuvaksi jää mielikuva kyynisestä ja mitään katumattomasta miehestä, joka menee kuolemaan koska kaikkien on kuoltava joskus. Se että kuolema tulee mestaamalla ja tuomiona murhista, näyttää olevan hänelle aivan samantekevää.
xxx/ellauri127.html on line 894: And still more, later flowers for the bees, Syyskukat niin että ne luulee intiaanikesää
xxx/ellauri127.html on line 904: Spares the next swath and all its twined flowers: Panet jo ahkerasti piippuun seuraavaa oopiumierää
xxx/ellauri134.html on line 333: Fear: being alone, a wallflower, unwanted, unloved
xxx/ellauri136.html on line 35: Q: Where have all the flowers gone, long time passing?
xxx/ellauri136.html on line 48: Gone to flowers, everyone.
xxx/ellauri136.html on line 97: One Hundred Years of Solitude by Gabriel Garcia Marquez—I’m sorry I can’t read it in the original language, but it flows so beautifully even in English. Magic.
xxx/ellauri136.html on line 592: 1905, from German Narzissismus, coined 1899 (in "Die sexuellen Perversitäten"), by German psychiatrist Paul Näcke (1851-1913), on a comparison suggested 1898 by Havelock Ellis, from Greek Narkissos, name of a beautiful youth in mythology (Ovid, "Metamorphoses," iii.370) who fell in love with his own reflection in a spring and was turned to the flower narcissus (q.v.). Narcissus himself as a figure of self-love is attested by 1767. Coleridge used the word in a letter from 1822.
xxx/ellauri137.html on line 198: The hierarchy usually attached to human figures and objects has been disregarded: the flowers receiving more detail than some of the faces.
xxx/ellauri137.html on line 350: I seemed to breathe thy pulses like a flower.
xxx/ellauri137.html on line 429: I breathed the perfume of your blood in flower.
xxx/ellauri137.html on line 544: How soft your breast, your blood how warm the flow!
xxx/ellauri139.html on line 214: (1) Ippolit starts reading "My Necessary Explanation," which is rambling, doesn´t have much of a logical flow, and goes on for several chapters.
xxx/ellauri139.html on line 604: Of fruits, and flowers, and bunches of knot-grass, Joissa oli kukkien ja mehiläisten kuvia,
xxx/ellauri148.html on line 209: The fifth house [in the heavenly Paradise] is built of onyx and jasper stones, and inlaid stones, and silver and gold, and good pure gold. And around it are rivers of balsam, and before its door flows the River Gihon. And [it has] a canopy of all trees of incense and good scent. And[in it are] beds of gold and silver, and embroidered garments. And there sits Messiah ben David and Elijah and Messiah ben Ephraim. And there is a canopy of incense trees as in the Sanctuary which Moses made in the desert. And all its vessels and pillars are of silver, its covering is gold, its seat is purple. And in it is Messiah ben David who loves Jerusalem. Elijah of blessed memory takes hold of his head, places it in his lap and holds it, and says to him: “Endure the sufferings and the sentence of your Master who makes you suffer because of the sin of Israel.” And thus it is written; He was wounded because of our transgressions, he was crushed because of our iniquities (Isaiah 53:5) until the time when the comes. (“Midrash Konen” BhM 2:29-30)[13]
xxx/ellauri148.html on line 274: 2 Now it shall come to pass in the latter days That the foreskin mountain of the Lord´s house Shall be established on the top of the mountains, And shall be exalted above the hills; And all nations shall flow to it. 3 Many people shall come and say, "Come, and let us go up to the mountain of the Lord, To the house of the God of Jacob; He will teach us His ways, And we shall walk in His paths." For out of Zion shall go forth the law, And the word of the Lord from Jerusalem. Isaiah 2:2-3
xxx/ellauri166.html on line 378: "In the imagery of the Kabbalah the shekhinah is the most overtly female sefirah, the last of the ten sefirot, referred to imaginatively as 'the daughter of Cod'. ... The harmonious relationship between the female shekhinah and the six sefirot which precede her causes the world itself to be sustained by the flow of divine energy. She is like the moon reflecting the divine light into the world." Juppajju, tässä on sitten neizyt Maaria. Se oli niinkö Monsieur Mossen äisky, uusikuu.
xxx/ellauri167.html on line 586: Cronkite thanked Rather “for staying in there, pitching despite every handicap that they can possibly put in our way from free flow of information at this Democratic National Convention.” Cronkite clearly suspected that Daley had purposely avoided resolving the electrical workers’ strike in order to hinder network coverage. “Dick Daley’s a fine fellow, but when his strong hand is turned agin’ you, as the press has felt it was on this occasion, he’s a tough adversary.”
xxx/ellauri167.html on line 606: Ewige Blumenkraft (German: "eternal flower power" or "flower power forever") is given in Robert Shea and Robert Anton Wilson´s 1975 Illuminatus! Trilogy as a slogan or password of the Illuminati. Ewige Blumenkraft und ewige Schlangenkraft is also offered in Illuminatus! as the complete version of this motto. The text translates "Schlangenkraft" as "serpent power"; thus "Ewige Blumenkraft und ewige Schlangenkraft" means "eternal flower power and eternal serpent power" and may allude to the conjoinment of cross and rose within the alchemical furnace. In this interpretation, the authors seem to suggest sexual magic as the secret or a secret of the Illuminati.
xxx/ellauri170.html on line 132: A beautiful woman risking everything for a mad passion. A few wild weeks of happiness cut short by a hideous, treacherous crime. Months of voiceless agony, and then a child born in pain. The mother snatched away by death, the boy left to solitude and the tyranny of an old and loveless man. Yes; it was an interesting background. It posed the lad, made him more perfect, as it were. Behind every exquisite thing that existed, there was something tragic. Worlds had to be in travail, that the meanest flower might blow....
xxx/ellauri170.html on line 134: The above is an excerpt from The Picture of Dorian Gray. I am not understanding the meaning of the phrase "the meanest flower might blow".
xxx/ellauri170.html on line 135: What does "meanest flower might blow" mean? Debanjan Chakraborty. 185●11 gold badge●11 silver badge●33 bronze badges. edited Aug 6 '16 at 1:40
xxx/ellauri170.html on line 154: To me the meanest flower that blows can give
xxx/ellauri170.html on line 166:

What is the name of the blow flowers you make a wish on ...

xxx/ellauri170.html on line 167: [flowers-you-make-a-wish-on-and-how-did-such-a-practice-become-popular?share=1">https://www.quora.com/What-is-the-name-of-the-blow-flowers-you-make-a-wish-on-and-how-did-such-a-practice-become-popular?share=1]
xxx/ellauri170.html on line 168: Taraxacum, or the dandelion, it's not actually the flower that you blow on it's the seed pods. In the wild these are taken by the wind and spread around so they can grow. Another name for this is Chinese lettuce, they take the leaves from the plant and either smoke it to get high or use it as a tea to drink for its relaxation properties.
xxx/ellauri170.html on line 170: I don't think much of the dandelion explanation. In the case of a dandelion, it isn't the flower that is blown away by the wind but the seeds. –
xxx/ellauri170.html on line 188:

What does “meanest flower might blow” mean:

xxx/ellauri170.html on line 193: 3blow vi blew blown blowing {ME fr. OE blōwan; akin to OHG bluoen to bloom, L florēre to bloom, flor-, flos flower} (bef. 12c) : FLOWER : BLOOM
xxx/ellauri170.html on line 195: Thus, slightly amending the whole phrase we have the clear picture like: "common flower might blossom, or bloom".
xxx/ellauri170.html on line 205: The sweetest flower that blows / I give you as we part. / For you it is a rose, / For me it is my heart. I agree that blows = blooms (obsolete). Can you add to your answer a link or citation to a reputable source. –
xxx/ellauri170.html on line 228: Isaiah 40:7 The grass withers and the flowers fall when ...
xxx/ellauri170.html on line 230: Grass dries up, and flowers wither when the LORD's breath blows on them. Yes, people are like grass and JHWH is a hall of fame flowerblower.
xxx/ellauri170.html on line 232: flower-sweden.jpg" width="50%" />
xxx/ellauri170.html on line 235:

The human heart and The flower that blows

xxx/ellauri170.html on line 237: After reading Wordsworth's poem, I have remembered that this small blue flower, here growing wild in Tyresta Forest, is called Hepatica. Why do I find it so moving?
xxx/ellauri170.html on line 242:
xxx/ellauri174.html on line 330: The manchineel tree (Hippomane mancinella) is a species of flowering plant in the spurge family (Euphorbiaceae). Its native range stretches from tropical southern North America to northern South America.
xxx/ellauri179.html on line 77: Swiftly flow the days.

xxx/ellauri179.html on line 78: Seedlings turn overnight to sunflowers,

xxx/ellauri186.html on line 98: In 1865, Robert E. Bonner of the New York Ledger offered Beecher twenty-four thousand dollars to follow his sister's example and compose a novel; the subsequent novel, Norwood, or Village Life in New England, was published in 1868. Beecher stated his intent for Norwood was to present a heroine who is "large of soul, a child of nature, and, although a Christian, yet in childlike sympathy with the truths of God in the natural world, instead of books." McDougall describes the resulting novel as "a New England romance of flowers and bosomy sighs ... 'new theology' that amounted to warmed-over Emerson". The novel was moderately well received by critics of the day.
xxx/ellauri186.html on line 264: Robert Lowell IV (March 1, 1917 – September 12, 1977) was an American poet. He was born into a Boston Brahmin family that could trace its origins back to the Mayflower, yep, just those who only talked to Cod. He really thought he was something else, but he wasn't, just another evil looking guy.
xxx/ellauri186.html on line 788:

a) The story is presented within the narrative flow as events that happened within Jesus’ lifetime. The clay birds incident is said to be a “sign from your Lord” that Jesus teaches the truth about Allah. The “sign” is meant for the children of Israel to see the truthfulness of Jesus’ message of Allah. How can something be a sign if the something has no historical referent? (Polyphemos and Parmenides had the same problem with the word "oudeis".)
xxx/ellauri187.html on line 113: Yet to put the burden of salvation solely on relations between men and women is to make a life between stumbling, imperfect men and women impossible. Rilke had no illusions about the nature of his erotic and romantic ideal. It flowed out from and quickly ebbed back into an unappeasable inward intensity. Rilke could not love or be loved for long, except in the absence of the beloved. After a passionate affair with the brilliant and beautiful Lou Andreas-Salomé, Rilke's muse and cicerone on his Russian trips, he suffered pangs of rejection and then happily settled into a lifelong correspondence with her. He married the sculptress Clara Westhoff when he was twenty-five, lived with her and their child for a year, and then by agreement left to take up his pilgrimage again. Through periodic reunions, but mostly through a voluminous and extraordinary correspondence, they maintained what Rilke called an "interior marriage," until emotional reality banged louder and louder on their youthful experiment and they eventually grew estranged.
xxx/ellauri187.html on line 117: Rilke loved absolutely, not strenuously or patiently, and therefore his love always froze up into a mirror of itself. His condition might have been tormented and tormenting--it might appear wearily obnoxious. But for Rilke the poet, modern men and women as lovers--their exalted expectations and their comi-tragic desperation--came to symbolize complex human fate in a world where vertiginous possibilities have replaced God and nature. In Rilke's Elegies especially, lovers encounter animals, trees, flowers, works of art, puppets, and angels--all images, for Rilke, of the absolute fulfillment of desire, alongside which the poet placed the tender vaudeville of imperfect human wanting. Rilke the man might have presented a painful obstruction to himself. But true ardor often springs from an essential deprivation.
xxx/ellauri187.html on line 129: The first strut of biographical art to buckle under such an avenging mission is language. "Death emasculates," Freedman reports dishearteningly. He describes one doubly unlucky fellow as being "fatally electrocuted." We find Rilke seeking the "panacea of a cure." Women almost never give birth--they just "birth." Clara, Rilke's wife, "was the messenger but also the transparent glass and reflecting mirror of Rilke's depression." And what a shame that a sentence like this should appear in a book about a poet's life: "Like garden flowers opening their petals early only to wither quickly, Italy's current art avoided the hard surface required for effective poetry." It's as if, somewhere in the deeper regions of his writing self, Freedman knows that Rilke wasn't any of the bad things his biographer says he was.
xxx/ellauri187.html on line 195: Getting to the point wasn’t exactly Rilke’s forte. It may not be fair to expect that of any poet, especially one born in 1875 and swimming in the currents of the Symbolists. Rilke’s flowery — and daresay twee — verses do not jibe with today’s tastes for cut-and-dry clarity, blasé irony, and Tweet-able brevity. But that’s precisely why Rilke is enjoying somewhat of a posthumous comeback. He offers what Twitter can’t.
xxx/ellauri199.html on line 193: Hiski!

29 year old aspiring house plant. Currently residing in Texas with my darling fiancé and precious cats. My style is varied. You’ll find everything from odes to nature (especially flowers and the moon) to dark poetry about mental illness to mindless ramblings about bananas and clocks. I hope you enjoy it.
xxx/ellauri199.html on line 206: and the flowers it brings.
xxx/ellauri199.html on line 209: mark the faces of wildflowers
xxx/ellauri199.html on line 278: Word-flow, rhyming, form, variety, emotional content, concrete descriptions
xxx/ellauri199.html on line 830: I wasn’t someone who just went with the flow
xxx/ellauri199.html on line 1061: Writing in The Guardian, the political journalist Gaby Hinsliff described Strange Death as "gentrified xenophobia" and "Chapter after chapter circles around the same repetitive themes: migrants raping and murdering and terrorising; paeans to Christianity; long polemics about how Europe is too ´exhausted by history´ and colonial guilt to face another battle, and is thus letting itself be rolled over by invaders fiercely confident in their own beliefs", while also pointing out that Murray offers little definition of the European culture he claims is under threat. Pankaj Mishra´s review in The New York Times described the book as "a handy digest of far-right clichés". In The Intercept, Murtaza Hussain criticized the "relentlessly paranoid tenor" of Murray´s work and said that its claims of mass crime perpetuated by immigrants were "blinkered to the point of being propaganda", while noting the book´s appeal to the far right. In Middle East Eye, Georgetown professor Ian Almond called the book "a staggeringly one-sided flow of statistics, interviews and examples, reflecting a clear decision to make the book a rhetorical claim that Europe is doomed to self-destruction".
xxx/ellauri200.html on line 40: Not by planning to, but by a flow
xxx/ellauri200.html on line 627: to flame like flowers beneath an ancient song, Kuultuaan jotain ikivanhaa musiikkisatua,
xxx/ellauri202.html on line 275: Putin's power comes from his gangster allies, in exchange for money the gangsters support him. The problem is that the gangsters demand a never ending flow of money.
xxx/ellauri225.html on line 142: Scientists and naturalists have discovered the Fibonacci sequence appearing in many forms in nature, such as the shape of nautilus shells, the seeds of sunflowers, falcon flight patterns and galaxies flying through space. What's more mysterious is that the "divine" number equals your height divided by the height of your torso, and even weirder, the ratio of female bees to male bees in a typical hive! (Livio)
xxx/ellauri228.html on line 430: For my blood to flow from age to age. Että vereni virtaa ajasta iankaikkiuuteen,
xxx/ellauri229.html on line 130: If there be so many dangers, why propose such a scheme at all? To this I answer, that the best things are accompanied with danger, as the fairest flowers are often gathered in the clefts of some dangerous precipice (e.g. Edelweiss). Let us weigh
xxx/ellauri229.html on line 623: On 18 October 1965, MACV-SOG conducted its first cross-border mission against target D-1, a suspected truck terminus on Laotian Route 165, 15 miles (24 km) inside Laos. The team consisted of two U.S. Special Forces soldiers and four South Vietnamese. The mission was deemed a success with 88 bombing sorties flown against the terminus resulting in multiple secondary explosions, but also resulted in SOG´s first casualty, Special Forces Captain Larry Thorne in a helicopter crash. William H. Sullivan, U.S. Ambassador to Laos, was determined that he (Lauri) would remain in control over decisions and operations that took place within the supposedly neutral kingdom, though dead as a doornail. That would keep the excursions to neutral Laos "plausibly deniable."
xxx/ellauri230.html on line 494: The Leshan Giant Buddha (Chinese: 樂山大佛) is a 71-metre (233 ft) tall stone statue, built between 713 and 803 (during the Tang dynasty). It is carved out of a cliff face of Cretaceous red bed sandstones that lies at the confluence of the Min River and Dadu River in the southern part of Sichuan province in China, near the city of Leshan. The stone sculpture faces Mount Emei, with the rivers flowing below its feet. It is the largest and tallest stone Buddha statue in the world and it is by far the tallest pre-modern statue in the world. It is over 4 km from the Wuyou Temple.
xxx/ellauri230.html on line 585: On average, the vagina is 3 to 4 inches deep during un-arousal periods, although some women have a vagina that is around 5 to 7 inches deep. As a woman becomes aroused, the vagina expands: as blood flows to the area, the cervix and uterus are pushed up by the upper two-thirds of the vagina to create more space. This expansion helps to accommodate the penis and ease intercourse. The vagina will also become more lubricated when having sex, which helps to further ease penetration.
xxx/ellauri230.html on line 618: While the cherry blossom is the flower that most people associate with Japan, the chrysanthemum, or kikuli, is more intrinsically linked to the country’s culture and history. Enid Blytonin Fabulous Fiven Dick on nimetty uudelleen Prickixi, koska Dick on nyttemmin yxinomaan kikuli.
xxx/ellauri230.html on line 626: Scenery of blooming chrysanthemum flower fields in Guangxi.
xxx/ellauri230.html on line 635: In case you are wondering why the Chinese are buzzing so much about Japan's own flower, know that the chrysanthemum is a unique symbol in Chinese culture.
xxx/ellauri230.html on line 643: Tao wrote in his poem, depicting how he loved the flower. Since then, the chrysanthemum has been regarded as the symbol of the hermit.
xxx/ellauri230.html on line 645: The chrysanthemum blooms in bright colors during chilly autumn, a time when most flowers wither. Facing coldness and a tough environment, it blooms splendidly without attempting to compete with other flowers – this unique aspect of the chrysanthemum makes it a symbol of strong vitality and tenacity in the eyes of scholars.
xxx/ellauri230.html on line 647: Chrysanthemums (/krɪˈsænθəməm/), sometimes called mums or chrysanths, are flowering plants of the genus Chrysanthemum in the family Asteraceae. They are native to East Asia and northeastern Europe. Most species originate from East Asia and the center of diversity is in China. Countless horticultural varieties and cultivars exist.
xxx/ellauri230.html on line 648: Chrysanthemums (Chinese: 菊花; pinyin: Júhuā) were first cultivated in China as a flowering herb as far back as the 15th century BC. Over 500 cultivars had been recorded by 1630. By 2014 it was estimated that there were over 20,000 cultivars in the world and about 7,000 cultivars in China. The plant is renowned as one of the Four Gentlemen (四君子) in Chinese and East Asian Art. The plant is particularly significant during the Double Ninth Festival.
xxx/ellauri230.html on line 650: In Chinese art, the Four Gentlemen or Four Noble Ones (Chinese: 四君子; pinyin: Sì Jūnzǐ), literally meaning "Four Junzi", is a collective term referring to four plants: the plum blossom, the orchid, the bamboo, and the chrysanthemum. The term compares the four plants to Confucian junzi, or "gentlemen". They are most typically depicted in traditional ink and wash painting and they belong to the category of bird-and-flower painting in Chinese art. In line with the wide use of nature as imagery in literary and artistic creation, the Four Gentlemen are a recurring theme for their symbolism of uprightness, purity, humility, and perseverance against harsh conditions, among other virtues valued in the Chinese traditions.
xxx/ellauri230.html on line 652: Chrysanthemum cultivation began in Japan during the Nara and Heian periods (early 8th to late 12th centuries), and gained popularity in the Edo period (early 17th to late 19th century). Many flower shapes, colours, and varieties were created. Various cultivars of chrysanthemums created in the Edo period were characterized by a remarkable variety of flower shapes, and were exported to China from the end of the Edo period, changing the way Chinese chrysanthemum cultivars were grown and their popularity.
xxx/ellauri230.html on line 654: The Imperial Seal of Japan is a chrysanthemum and the institution of the monarchy is also called the Chrysanthemum Throne. A number of festivals and shows take place throughout Japan in autumn when the flowers bloom. Chrysanthemum Day (菊の節句, Kiku no Sekku) is one of the five ancient sacred festivals. It is celebrated on the 9th day of the 9th month. It was started in 910, when the imperial court held its first chrysanthemum show.
xxx/ellauri230.html on line 658: In some European countries (e.g., France, Belgium, Italy, Spain, Poland, Hungary, Croatia), incurve chrysanthemums symbolize death and are used only for funerals or on graves, while other types carry no such symbolism; similarly, in China, Japan, and Korea of East Asia, white chrysanthemums symbolize adversity, lamentation, and/or grief. In some other countries, they represent honesty. In the United States, the flower is usually regarded as positive and cheerful, with New Orleans as a notable exception.
xxx/ellauri235.html on line 244: Full many a flow'r is born to blush unseen, Täysin monta flow'r syntyy punastumaan näkymättömästi,
xxx/ellauri235.html on line 587: The laughing flowers, that round them blow, Nauravat kukat, jotka heidän ympärillään imuttavat,
xxx/ellauri235.html on line 588: Drink life and fragrance as they flow. Juo elämää ja tuoksua niiden virratessa.
xxx/ellauri239.html on line 50: Wayne W. Dyer on izehoitopersoona, joka on tullut mainituxi toisaalla esimerkkinä ESFP-persoonallisuudesta. ESFP (extroverted sensing feeling perceiving) is one of the sixteen personality types of the Myers-Briggs Type Inventory (MBTI) test. ESFPs operate from the principle that “all the world’s a stage” — and they want to be the stars. ESFP on realistinen sopeutuja ihmissuhteissa. ESFP on jenkein ja ämmämäisin tyypeistä: öykkäri ketku touho ääliö. Tai positiivisemmin, "Free-spirited and fun-loving people persons" kuten Kinsella. ESFPs are enthusiastic about having new experiences and meeting new people. They are generally warm and adaptable realists who go with the flow. ESFP authors include Tony Robbins, Wayne Dyer, Deepak Chopra, Bill Clinton, and Paulo "Kani" Coelho. Learn more about how ESFPs write somewhere else. Eli tämä paasaus keskittyy vain Wile E. Coyoteen alias Wayne W. Dyeriin.
xxx/ellauri251.html on line 131: Now folded in the flowerless fields of heaven, Nyt viikattuna taivaan kukattomiin peltoihin,
xxx/ellauri251.html on line 158: And foam in reddening flakes and flying flowers Ja vaahdon punaisina hiutaleina ja lentokukkina
xxx/ellauri251.html on line 183: From the full-flowered Lelantian pasturage Kukikkailta Leelannin laitumilta
xxx/ellauri251.html on line 191: Luxurious locks and flower-like mixed with flowers, Ylellisiä lettejä ja kukkatukkanipsuja!
xxx/ellauri251.html on line 231: And frosts are slain and flowers begotten, Kuurat on päihitetty ja kukat siittyneet,
xxx/ellauri251.html on line 235: The full streams feed on flower of rushes, Täydet virrat syö vihvilöiden kukkia,
xxx/ellauri251.html on line 238: ⁠From leaf to flower and flower to fruit; Lehdestä kukkaan ja kukasta hetelmään;
xxx/ellauri251.html on line 274: Swifter than dreams the white flown feet of sleep; Nopeammin kuin unennäöt laskiessa lampaita;
xxx/ellauri251.html on line 415: Fruit-wise upon the old flower of tears sprung up, Tai hedelmiä puhkee vanhojen kyynelien kukista,
xxx/ellauri251.html on line 437: Meleager, a goodly flower in fields of fight, Meleagros, aika kova tappelupukari,
xxx/ellauri251.html on line 460: Than any flower of fleshly seed alive. Hennompaa kuin mikään siemenestä tullut kukka.
xxx/ellauri251.html on line 489: As a branch bursts in flower, and saw the flame
xxx/ellauri251.html on line 490: Fade flower-wise, and Death came and with dry lips
xxx/ellauri251.html on line 528: ⁠Summer, with flowers that fell;
xxx/ellauri251.html on line 630: Thy sister’s sons, a double flower of men.
xxx/ellauri251.html on line 638: Fair flower-like stars on the iron foam of fight,
xxx/ellauri251.html on line 868: Ere the full blade caught flower, and when time gave
xxx/ellauri251.html on line 923: With bitter flowers and bright salt scurf of brine;
xxx/ellauri251.html on line 952: Virgin, not like the natural flower of things
xxx/ellauri251.html on line 990: But always also a flower of three suns old,
xxx/ellauri251.html on line 1000: More than much gold, ungrown, a foolish flower.
xxx/ellauri251.html on line 1075: ⁠A bitter flower from the bud,
xxx/ellauri251.html on line 1108: ⁠As a flower of the springtime of corn,
xxx/ellauri251.html on line 1109: ⁠A flower of the foam of the seas?
xxx/ellauri251.html on line 1208: ⁠Making bloody the flower of the cheek,
xxx/ellauri251.html on line 1240: Filling with maiden flames and maiden flowers
xxx/ellauri251.html on line 1335: A flower-bud of the flower-bed, or sweet fruit
xxx/ellauri251.html on line 1375: Far off from flowers or any bed of man,
xxx/ellauri251.html on line 1436: O flower of Tegea, maiden, fleetest foot
xxx/ellauri251.html on line 1486: To bathe the brows of morning? or like flowers
xxx/ellauri251.html on line 1492: Satiating the sad gods? or fall and flow
xxx/ellauri251.html on line 1509: ⁠Our light and darkness are as leaves of flowers,
xxx/ellauri251.html on line 1510: Black flowers and white, that perish; and the noon
xxx/ellauri251.html on line 1684: Speak thou their chance; but some bring flowers and crown
xxx/ellauri251.html on line 1734: And in their moist and multitudinous flower
xxx/ellauri251.html on line 1757: Plunged, and the hounds clung, and green flowers and white
xxx/ellauri251.html on line 1779: And breaks the iron flower of war beneath,
xxx/ellauri251.html on line 1819: Blossom and burn; and fire of yellower flowers
xxx/ellauri251.html on line 1868: ⁠Pale as grass or latter flowers
xxx/ellauri251.html on line 1895: ⁠Flits through flowering rush to fret
xxx/ellauri251.html on line 2233: Or strewn with flowers their fire and on their tombs
xxx/ellauri251.html on line 2291: She the strange woman, she the flower, the sword,
xxx/ellauri251.html on line 2292: Red from spilt blood, a mortal flower to men,
xxx/ellauri251.html on line 2637: O gods, what word has flown out at thy mouth?
xxx/ellauri251.html on line 3045: ⁠What the flower of the foam is
xxx/ellauri251.html on line 3109: ⁠Thy face to the flower,
xxx/ellauri251.html on line 3187: That was so strong, and all this flower of life
xxx/ellauri253.html on line 131: During a period of strong global growth, growing capital flows, and prolonged stability earlier this decade, market participants sought higher yields without an adequate appreciation of the risks and failed to exercise proper due diligence. At the same time, weak underwriting standards, unsound risk management practices, increasingly complex and opaque financial products, and consequent excessive leverage combined to create vulnerabilities in the system.
xxx/ellauri253.html on line 133: Wealthy and middle-class house flippers with mid-to-good credit scores created a speculative bubble in house prices, and then wrecked local housing markets and financial institutions after they defaulted on their debt en masse. The Economist wrote in July 2012 that the inflow of investment dollars required to fund the U.S. trade deficit was a major cause of the housing bubble and financial crisis: "The trade deficit, less than 1% of GDP in the early 1990s, hit 6% in 2006. That deficit was financed by inflows of foreign savings, in particular from East Asia and the Middle East. Much of that money went into dodgy mortgages to buy overvalued houses, and the financial crisis was the result." "The main headline is that all sorts of poor countries became kind of rich, making things like TVs and selling us oil. China, India, Abu Dhabi, Saudi Arabia made a lot of money and banked it."
xxx/ellauri298.html on line 661: flow-tila kokemuksena. "Mytologiset symbolit koskettavat ja ilahduttavat elämänkeskuksia,
xxx/ellauri320.html on line 432: flowers.com/wp-content/uploads/2021/01/beautiful-young-woman-blows-dandelion-in-a-wheat-f-U5PA8MZ-Large.jpg" height="200px" />
xxx/ellauri320.html on line 434:

xxx/ellauri354.html on line 208: Beauty, strength, youth, are flowers but fading seen, Kauneus, voima, nuoruus ovat kuihtuvia kukkia.
xxx/ellauri354.html on line 378: Ruit hora. (The hour is flowing away.)
xxx/ellauri357.html on line 413: The cistern contains, the fountain overflows.
xxx/ellauri363.html on line 682: During his youthful visits to Bowood House, the country seat of his patron Lord Lansdowne, he had passed his time at falling unsuccessfully in love with all the ladies of the house, whom he courted with a clumsy jocularity, while playing chess with them or giving them lessons on the harpsichord. Hopeful to the last, at the age of eighty he wrote again to one of them, recalling to her memory the far-off days when she had "presented him, in ceremony, with the flower in the green lane".
xxx/ellauri385.html on line 336: Made fair with light, & shade, & stars, & flowers; Ehostettu valolla & varjolla & tähdillä & kukilla;
xxx/ellauri387.html on line 294: Fresh flowers; while the sun shines warm, defloroivat mättäitä, ja aurinko riätää kuumasti,
xxx/ellauri387.html on line 317: But he beholds the light, and whence it flows, Muze näkee valon ovenraosta,
xxx/ellauri387.html on line 442: Of splendour in the grass, of glory in the flower; hienosta ruohon kasvusta tai tuoreesta maalista;
xxx/ellauri387.html on line 467: To me the meanest flower that blows can give Mulle pieninkin myyränporras aikaansaa
xxx/ellauri394.html on line 201: For myself, I would have chosen death rather than to have signed it; but it was represented to me that by my signing this paper all the persons who had been arrested, all my people now in trouble by reason of their love and loyalty towards me, would be immediately released. Think of my position, – sick, a lone woman in prison, scarcely knowing who was my friend, or who listened to my words only to betray me, without legal advice or friendly counsel, and the stream of blood ready to flow unless it was stayed by my pen.
xxx/ellauri410.html on line 40: