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ellauri042.html on line 813: In the meantime Ollie had published not one but two memoirs, with an exhaustive range of anecdotes, full of enchantment and anguish, covering everything from his all-consuming childhood obsession with the properties of metals to the abuse he endured at boarding school to his feeling, amphibian-like, more at home in water than on land to his mother’s reaction when she discovered his sexual orientation. “You are an abomination,” Ollie recounted her telling him when he was 18. “I wish you had never been born.” Nor had Ollie kept anything hidden. He described his first orgasm — reached spontaneously while floating in a swimming pool — and, in deft yet fairly pornographic detail, an agonized, inadvertent climax experienced much later while giving a massage to a man who shunned Ollie’s love.
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ellauri051.html on line 790: 214 The young men float on their backs, their white (krhm) bellies bulge to the sun, 214 Nuoret miehet kelluvat selällään, heidän valkoiset vatsansa pullistuu aurinkoon, he eivät
ellauri051.html on line 964: 378 This is the press of a bashful hand, this the float and odor of hair, 378 Tämä on röyhkeän käden puristus, tämä kelluke ja hiusten tuoksu,
ellauri051.html on line 1340: 740 Where the pear-shaped balloon is floating aloft, (floating in it myself and looking composedly down,) 740 Missä päärynän muotoinen ilmapallo kelluu ylhäällä, (kellun siinä itse ja katson rauhassa alas,)
ellauri051.html on line 1740: 1130 Nor the sacs merely floating with open mouths for food to slip in, 1130 Eivätkä pussit vain kelluvat suu auki, jotta ruoka pääsisi sisään,
ellauri051.html on line 1803: 1191 If I, you, and the worlds, and all beneath or upon their surfaces, were this moment reduced back to a pallid float, it would not avail in the long run,1191 Jos minä, sinä ja maailmat ja kaikki niiden pinnan alla tai päällä tämä hetki pelkistyisi kalpeaksi kelluksi, siitä ei olisi pitkällä aikavälillä mitään hyötyä,
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ellauri088.html on line 563: Mrs. P. arouses us.—George, the sluggard.—The “weather forecast” swindle.—Our luggage.—Depravity of the small boy.—The people gather round us.—We drive off in great style, and arrive at Waterloo.—Innocence of South Western Officials concerning such worldly things as trains.—We are afloat, afloat in an open boat.
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ellauri107.html on line 493: Babbitt snorted, “What do you expect? Think we were sent into the world to have a soft time and—what is it?—'float on flowery beds of ease'? Think Man was just made to be happy?”
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ellauri141.html on line 701: ---- Iltaisin TPS:n nuoret kokoontuivat Kupittaan kisakentälle pelaamaan pesäpalloa, heittämään kuraa, lyömään heilaa ja juoksemaan hevosenleikkiä." Horseplay on the float. Kupittaan urheilupuisto oli Huntuvuoren elinaikana kukoistuksessaan 1890-luvun parannustöiden ansioista. Lukijat kyllä nauroivat mutta silti pitivät.
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ellauri150.html on line 465: During a naval battle against Greek rebels in the Ionian Sea, Ben-Hur´s galley is boarded but collides with another ship and is destroyed as Ben-Hur manages to cling to a floating mast. He is washed ashore and is found by Sheik Ilderim, who recognizes him as an escaped slave.
ellauri150.html on line 746: I have been thinking that the lives of the saints would be great material for Hollywood. We have the technology now to make supernatural events come to life in a realistic way on the movie screen. I was thinking of St. Bernadette who saw Our Lady at Lourdes. She always complained that the paintings and statues of Our Lady never portrayed her full beauty. But imagine if she had been able to describe her vision to a modern movie director working in 3D Imax format. The image could actually be made to float in space in front of the viewer and emanate a holy glow. A little like princess Leia in the hologram (though I thought the hologram was rather too small.) If the viewer tried to touch this image, his hand would pass through it. (I've experienced this with images in Imax movies. I'm thinking specifically of the floating seeds/"jelly fish" in Avatar.)
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ellauri151.html on line 486: afloat beneath young trees above the mud kelluen nuorten puiden takana mudan yläpuolella
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ellauri161.html on line 772: Satire needs more than jokes to be funny, and everyone in this movie is equally stupid. A large cast of familiar faces floats through this painfully unfunny exercise in futility.
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ellauri183.html on line 268: What the hell was that? Awful on almost every level. Unless post apocalyptic dystopian tales of bestiality float your boat. I'm guessing there was an allegorical message in there somewhere. Not for me. (less)
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ellauri210.html on line 365: One of them was the Swiss enema Arthur Cravan. Described by one critic as “a world tramp … a traverser of borders and resister of orders,” Cravan traveled the globe in the early 1900s by forging documents and assuming false identities, preening, harassing, and haranguing, as he went. He was hailed by André Breton as a pivotal precursor of Dadaism, and belonged to that category of floating prewar avant-gardists whose legacy resides more in their mode of living than their artistic creations. Indeed, he declared himself anti-art and avowed boxing to be the ultimate creative expression of the modern, American-tinged age. He’s often referred to as a “poet-boxer,” though he wasn’t especially accomplished as either; his real talent appears to have been making a spectacle of himself, in every sense. Publicist rather than a pugilist.
ellauri210.html on line 373: By the time Johnson arrived in Paris, Cravan had carved out a reputation as a boxer himself, a discipline he first picked up while traveling across the USA. He was also known as an ardent proponent of the “American” attitude toward life, by which he meant living according to desire and instinct, and telling so-called civilized society to take a running jump. In an essay titled “To Be or Not To Be … American,” he wrote that, thanks to the influence of cakewalk dancers, track athletes, and boxers such as Joe Jeanette, the whole of Paris had turned American. “Overnight,” Cravan said, “everyone began to spit and swear” and “floated around in clothes two sizes too big for them.” He finished the piece with a crib sheet for how to pass as American: “Chew … never speak … always look busy … and, above all else, crown yourself with arrogance.” It was advice he followed assiduously. How right, how true, to this day.
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ellauri221.html on line 379: But it´s floating in most peculiar way
ellauri221.html on line 396: Here am I floating in my latex bag
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ellauri241.html on line 1464: And float my brittle limbs o'er polar seas?

ellauri247.html on line 129: Cape Tribulation was named by British navigator Lieutenant James Cook on 10 June 1770 (log date) after his ship scraped a reef north east of the cape, whilst passing over it, at 6pm. Cook steered away from the coast into deeper water but at 10.30pm the ship ran aground, on what is now named Endeavour Reef. The ship stuck fast and was badly damaged, desperate measures being needed to prevent it foundering until it was refloated the next day. Cook recorded "...the north point [was named] Cape Tribulation because "here begun all our troubles".
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ellauri302.html on line 229: At home, in my village, the first sorrel must be sprouting. Yes, at the first May rain they cook sorrel soup... And the goats must be grazing in the meadows... And the rafts must be floating on the stream... And Franek is getting the Gentile girls together, and dancing with them at the inn... And the women must surely be baking cheese-cakes for the Feast of Weeks.* (Silence.) Do you know what? I'm going to buy myself a new summer tippet and go home for the holidays... (Buns into her room, brings out a large summer hat and a long veil; she places the hat upon her wet hair and surveys herself in the looking-glass.) Just see! If I'd ever come home for the holidays rigged up in this style, and promenade down to the station... Goodness! They'd just burst with envy. Wouldn't they? If only I weren't afraid of my father! He'd kill me on the spot. He's on the hunt for me with a crowbar. Once he caught me dancing with Franek at the village tavern and he gave me such a rap over the arm with a rod (Showing her arm.) that I carry the mark to this very day. I come from a fine family. My father is a butcher. Talk about the fellows that were after me!... (In a low voice.) They tried to make a match between me and Nottke the meat-chopper. I've got his gold ring still. (Indicating a ring upon her finger.) He gave it to me at the Feast of Tabernacles.* Maybe he wasn't wild to marry me, — but I didn't care to.
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Horse play on float


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xxx/ellauri076.html on line 236: (Girls) just a floatin' (Typyjä) uiskentelemassa
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xxx/ellauri086.html on line 883: And my soul from out that shadow that lies floating on the floor Pazastelee pazaan alla silmät kuopalla kuin sillä,
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xxx/ellauri127.html on line 598: His flashing eyes, his floating hair! Sen vilkkuluomet, sen unduloiva pää!
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float:left;font-size:xx-large;padding:5px">438.O
pyhä Kolmi-yhteys, Yks jumaluuden ole-

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xxx/ellauri179.html on line 488: “I've come to appreciate this. The harsh details in the background with the stillness in the foreground here—” It was Swans Reflecting Elephants by Dalí. “See this arrogant son of a bitch, Juice, missing the scene. The elephants standing on the shore and the swans floating over them.” Behind the swans grew trees, twisting to the sky. “He's so arrogant. And ignorant. He walked all the way from the town up the hill in the distance and here he's facing away with his hand on his hip. He can't see the color of the sky different from the reflection in the pond.”
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xxx/ellauri200.html on line 77: Levitating while in the Lotus Position may also be a sign that a character is powerful or that he or she is far from normal. However, especially when Played for Laughs, if someone wakes them from their serene inner calm, they'll often spontaneously lose their floaty power and collapse in an undignified mess on the floor.
xxx/ellauri224.html on line 33:
float:left">Oikea

xxx/ellauri224.html on line 34:
float:right">N A U R U P O M M I !

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xxx/ellauri225.html on line 277: Several of Le Guin´s works have featured stylistic or structural features that were unusual or even subversive. The heterogeneous structure of The Left Hand of Darkness, described as "distinctly post-modern" (eek!), was unusual for the time of its publication. This was in marked contrast to the structure of (primarily male-authored) traditional science fiction, which was straightforward and linear. The novel was framed as part of a report sent to the Ekumen by the protagonist Genly Ai after his time on the planet Gethen, thus suggesting that Ai was selecting and ordering the material, consisting of personal narration, diary extracts, Gethenian myths, and ethnological reports. Earthsea also employed an outlandishly unconventional narrative form described by scholar Mike Cadden float:right" /> (Princeton U Senior Lecturer in Theater) as "free indirect discourse", in which the feelings of the protagonist are not directly separated from the narration, making the narrator seem sympathetic to the characters, and removing the skepticism towards a character´s thoughts and emotions that are a feature of more direct narration. Cadden suggests that this method leads to younger readers sympathizing directly with the characters, making it an effective technique for young-adult literature like Flaubert or Zola.
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xxx/ellauri228.html on line 484: What about my last dinner? I missed my holy lunch. Where´s my last breakfast woman? What, brain flakes again? I want frankfurters beans and eggs! Hot mineral oil with ball bearings floating in it!
xxx/ellauri228.html on line 495: With the symbolic preliminaries out of the way, grace was said and the family began to eat the delicious fast foods on the table. Hot mineral oil with ball bearings floating in it, plus colorful red and white-painted walnuts on the trees. No one was permitted to by-pass a food; he or she at least had to taste it or be whacked.
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xxx/ellauri235.html on line 624: With arms sublime, that float upon the air, Kädet ylevinä, jotka leijuvat ilmassa,
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xxx/ellauri261.html on line 521: The clerks and the ladies go to watch the Fourteenth Street Association Parade together. Alone, Dolly asks her first husband Ephram´s permission to marry Horace, requesting a sign. She resolves to move on with life. After meeting an old friend, Gussie Granger, on a float in the parade, Dolly catches up with the annoyed Vandergelder as he is marching in the parade. She tells him the heiress Ernestina Simple would be perfect for him and asks him to meet her at Harmonia Gardens that evening.
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