ellauri002.html on line 205: Und küßt dich rasch und flattert fort.
ellauri002.html on line 393: Er flattert sehr und kann nicht heim.
ellauri014.html on line 1206: « Voyez donc, continuait-elle, à quelle félicité je suis parvenue. J’en avais beaucoup ; j’en attendais davantage. La prospérité de ma famille, une bonne éducation pour mes enfants, tout ce qui m’était cher rassemblé autour de moi ou prêt à l’être. Le présent, l’avenir, me flattaient également ; la jouissance et l’espoir se réunissaient pour me rendre heureuse. Mon bonheur monté par degrés était au comble ; il ne pouvait plus que déchoir ; il était venu sans être attendu, il se fût enfui quand je l’aurais cru durable. Qu’eût fait le sort pour me soutenir à ce point ? Un état permanent est-il fait pour l’homme ?
ellauri017.html on line 556: Tonnin stiflat.
ellauri024.html on line 1198: 
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ellauri028.html on line 202: Now he is on this kick about how man never thinks for himself. He is a chameleon conforming to whatever outside influences he puts himself in. This is pretty interesting stuff here. I apologize that these reviews have become rather flat. The amount of times I have used the word "interesting" to describe things in a vague manner is so blindly obvious and so boring, I can't believe I go on writing these things (and you keep reading them?!) Where is this going to get me, doing these shitty reviews? Does anyone care? Do I really care? I think I need a girlfriend (this is a cry for help)...Anyways, the book is psychological and philosophical or some shit... go read the goddamn thing yourself...I need a drink...
ellauri035.html on line 163: Balmed with the exhalation of a flattering musk,
ellauri041.html on line 891: Umflattert von der Englein Chor
ellauri041.html on line 1943: Suspension of belief in what? Capitalism obviously. Americans find that harder than to believe in god, superman, me, "it", Harry Potter, Trump, and Game of Thrones. Big cars, cheap gas by the gallon, soft suspension. Well now oil can be had by the asking. Selling oil costs money now, as does saving money in the bank. Deflation comes, are you ready?
ellauri045.html on line 806: Christianity added its own three others virtue, in St. Paul's words "faith, hope, and love, these three abide. But the greatest of these is love." The three are called "theological" or-flatteringly to Christianity, since we all know alleged Christians who in their xenophobia or homophobia or X-phobia do not practice them-"Christian" virtues. The three holy virtues smell of incense, but can be given entirely secular definitions, as the Peterson and Seligman volume does. Faith is the backward-looking virtue of having an identity, a place from which one must in integrity start: you are a mother, a daughter, a wife, a schweitzer, a woman, a teacher, a reader, and would not think of denying them, or changing them frivolously. Hope, by contrast, is the forward-looking virtue of having a destination, a project. Where are you going? Quo vadis? If you are literally hopeless you go home tonight and use your military rifle (you are Swiss, so you have one) to shoot yourself. And love, the greatest of these, is the point of it all: love of husband/wife or both, love of country, love of art, love of science, love of God/dog or both.
ellauri047.html on line 689: Unflat oben und unten! ich mußte fürchten ein Unflat
ellauri048.html on line 1430: This look of quiet flatters thus Tää hiljaisuus vaan saa uskomaan
ellauri050.html on line 590: flattern zu sehen. Und das Totsein ist mühsam nähdä lepattavan. Ja olla kuollut on vaivalloista,
ellauri051.html on line 91: il n'est point d'éloge flatteur, on kiittäminen tyhjän arvosta.
ellauri051.html on line 522: Immense self-inflation, Wilt oli kuin pumpattava barbara. Wilt oli izeoppinut, self-made hihhuli, protestantti millennialisti tai teosofi. Mut ennenkaikkea jättiläismäinen narsisti. Family size egotisti palvomassa omaa priapistista näköispazasta. Fyf fyf, sanoi Alcott ja Thoreau. Waldo peukutti.
ellauri051.html on line 1096: 505 Through me the afflatus surging and surging, through me the current and index. 505 Minun kauttani afflatus jyllää ja jyllää, minun kauttani virta ja indeksi.
ellauri051.html on line 1105: 514 Of the deform'd, trivial, flat, foolish, despised, 514 Epämuodostuneita, vähäpätöisiä, litteitä, typeriä, halveksittuja,
ellauri051.html on line 1379: 779 Looking in at the shop-windows of Broadway the whole forenoon, flatting the flesh of my nose on the thick plate glass, 779 Katson sisään Broadwayn ikkunoihin koko iltapäivän, litistäen nenäni paksua lasia vasten,
ellauri052.html on line 122: Bellow punctured the pretentious, unmasked the delusions and deflated the reputations of several intellectual phonies, blackballing LeRoi Jones, Edward Said and Susan Sontag for MacArthur fellowships. He was severely condemned for his provocative but hilarious challenge: “Who is the Tolstoy of the Zulus? The Proust of the Papuans?” But no one ever answered his attack on cultural relativism and he did not apologise.
ellauri052.html on line 870: Bellow punctured the pretentious, unmasked the delusions and deflated the reputations of several intellectual phonies, blackballing LeRoi Jones, Edward Said and Susan Sontag for MacArthur fellowships. He was severely condemned for his provocative but hilarious challenge: “Who is the Tolstoy of the Zulus? The Proust of the Papuans?” But no one ever answered his attack on cultural relativism and he did not apologise
ellauri061.html on line 563: Till of this flat a mountain you have made, kunnes ootte tehneet sievän kummun
ellauri067.html on line 493: Book reviewers have a long history of attacking Pynchon for his flat characters. Roger and Jessica are susceptible to this criticism. Neither is given much of a history. We don’t know where they grew up or who their parents were. This is one of the great failings of... what to call it? "middlebrow" is antiquated... anyway, a very common kind of criticism (common in the Anglo-American world, anyway), and it affects how authors write (which is one reason I read mainly Russian literature these days). I don't need to know "where they grew up or who their parents were" and I don't much care, unless, of course, you write about it brilliantly because that´s truly what you want to focus on, as opposed to "welp, better provide a plausible background for my characters so the reader will believe they're behaving this way." Just write good sentences in a good and surprising order. Two people have fallen out of love? I don't care if it's because one of them has mommy issues or the other was bullied as a child—people fall out of love all the time, for any reason or none, just tell me what they do about it, and in language that makes me want to keep reading! Teoxet on tärkeät, vähät elämästä. En jaxa luontokuvauxia, hyppään ne heti yli.
ellauri069.html on line 42: Modern art didn’t abandon the world, but it made art-making part of the subject matter of art. When (in the second account) did a break occur? It happened when artists and intellectuals stopped respecting a bright-line distinction between high art and commercial culture. Modernist art and literature, in this version of the story, depended on that distinction to give its products critical authority. Modernism was formally difficult and intellectually challenging. Its thrills were not cheap. But there were cheap thrills out there, a vast and growing mass of products manufactured to stroke the senses and flatter the self-images of their consumers. This bubble-gum culture wasn’t just averse to the spirit of high art. It was high art’s reason for being.
ellauri072.html on line 372: Näst i kön mördarsnigel, fiskmås, havstrut, silltrut, svan, Kanadagås, stadsduva, lodjur, björn, råtta, ekorrar; i synnerhet flygekorre, flugor av alla slag, alla djur i familjen gnagare, alla giftiga djur, alla blodsugande insekter, alla arter av fladdermöss, hornsimpa, kaja, pissmyror och alla närbesläktade arter, trollslända, snok, alla paddor, rådjur, hare, kanin; i synnerhet city-kanin, mårdhund, räv, alla djur som äter trädgårdsväxter, alla djur som förstör skördar, engelskspråkiga hönor, vildsvin, alla arter av spindlar, alla djur som Bryssel vill skydda, alla invandrade djur, maneter, hästmyror, husbock, silverfiskar, loppor, vägglöss, bladlöss, flatlöss, springmask, binnikemask, malar av alla slag samt eukaryota organismer utan fotosyntes i största allmänhet, med undantag för ätliga svampar och den sympatiska igelkotten.
ellauri079.html on line 43: The name "slapstick" originates from the Italian Batacchio or Bataccio – called the "slap stick" in English – a club-like object composed of two wooden slats used in commedia dell'arte. When struck, the Batacchio produces a loud smacking noise, though it is only a little force that is transferred from the object to the person being struck. Actors may thus hit one another repeatedly with great audible effect while causing no damage and only very minor, if any, pain. Along with the inflatable bladder (of which the whoopee cushion is a modern variant), it was among the earliest special effects. Pynchonilla on myös pierutyynyjä.
ellauri079.html on line 137: Wampum is a traditional shell bead of the Eastern Woodlands tribes of Native Americans. It includes white shell beads hand fashioned from the North Atlantic channeled whelk shell and white and purple beads made from the quahog or Western North Atlantic hard-shelled clam. Before European contact, strings of wampum were used for storytelling, ceremonial gifts, and recording important treaties and historical events, such as the Two Row Wampum Treaty or The Hiawatha Belt. Wampum was also used by the northeastern Indian tribes as a means of exchange, strung together in lengths for convenience. The first Colonists adopted it as a currency in trading with them. Eventually, the Colonists applied their technologies to more efficiently produce wampum, which caused inflation and ultimately its obsolescence as currency.
ellauri082.html on line 101: The biography by Tyrannosaurus Max paints a less than flattering portrait of Wallace. That’s not to say it’s a vicious takedown—it’s probably about as even-handed as a biography about the author is going to be, and I can imagine books about him in the future being a lot less level-headed in either direction. Basically, DFW was an extremely troubled individual and probably not a very awesome person qua person. He was often misanthropic, violent, cruel (especially to women), and self-absorbed. But what’s great about the biography is how it allows these rather hideous characteristics to disgust as well as inform; knowing the uglier aspects of DFW’s personality is extremely enlightening with regard to his work. It seems to me that the writer was extremely aware of his immense character flaws and sought in his work (his novels and his non-fiction particularly) to overcome them, and in his work he was able to occupy a wholly different realm than he was in his actual life. Well actually not at all that different. The books project a rather nasty person too.
ellauri088.html on line 591: We beat it out flat; we beat it back square; we battered it into every form known to geometry—but we could not make a hole in it. Then George went at it, and knocked it into a shape, so strange, so weird, so unearthly in its wild hideousness, that he got frightened and threw away the mast. Then we all three sat round it on the grass and looked at it.
ellauri089.html on line 210: Men rarely if ever manage to dream up a god superior to themselves. Most gods have the manners and morals of a spoiled child. One man's theology is another man's belly laugh. The most ridiculous concept ever perpetrated by Homo Sapiens is that the Lord God of Creation, Shaper and Ruler of the Universes, wants the saccharine adoration of his creations, that he can be persuaded by their prayers, and becomes petulant if he does not receive this flattery. Yet this ridiculous notion, without one real shred of evidence to bolster it, has gone on to found one of the oldest, largest and least productive industries in history.
ellauri090.html on line 120: Rubião becomes friends with Dr. Camacho, a lawyer and the editor of a politically oriented newspaper called Atalaia. On his way to meet Dr. Camacho, Rubião rescues a small child, Deolindo, in danger of being run over by a carriage and horses. Rubião then goes on to Dr. Camacho’s office, where he subscribes generously to the capital fund for Atalaia. Dr. Camacho flatters Rubião by publishing an account of Rubião’s heroism in saving Deolindo. Although Rubião is at first modest and dismissive about his heroism, as he reads Camacho’s account he becomes increasingly self-important.
ellauri092.html on line 96: So in June 1873 he arrived again into Liverpool, England, accompanied by his asthmatic wife and song leader Ira Sankey as his other wife. Key men who were leaders and financers who had invited him with the promise of financial help had died since he was last there. There were no meetings, no funds and no committees. What the fuck. It seemed all was lost. Maybe they would just have to return to America? Only one unattractive invitation came from York in the North of England and so there they went. It was hard ground but in the midst of these meetings one unimpressed minister called F.B. Meyer slowly melted and then ignited with holy fervent fire. Our friends fled the scene as fast as they could. Next the Evangelistic foursome moved to Sunderland for several weeks of sole eating meetings where Cod’s power to inflate liver was manifest. In August they brought coals to Newcastle where a daily paper meeting was conducted with some 300 saints in attendance. No other lighting was necessary. News spread throughout the whole land that Creedence Clearvater Revival was coming to churches and salivation to thousands. Other towns were visited in the same manner and left as quickly as the audience caught on that a less inspiring Yankee foursome was doing the song and play.
ellauri092.html on line 289: Adherents of Keswickianism would agree with the above regarding justification. However, when it comes to sanctification, they move off in a different direction. They generally do not believe the Holy Mackerel comes into the person and takes up residence at salvation, but that the Holy Mackerel simply comes upon the person to seal them with salvation. It is later, at a time they refer to variously as the “second blessing,” or “higher living,” when they say sanctification occurs. Ultimately, their view of sanctification is flat out mysticism akin to New Age’s goal of an altered state of consciousness. This is all based on a strong (and seemingly biblical), desire to emotionally “know” God. The person turns inward to meet the felt needs of self.
ellauri099.html on line 176: In fact, we don’t even know that he was called Plato, which might have been a nickname. Laertius claims that he was actually called Aristocles, after his grandfather. “Plato” is close to the word “broad” in Greek, like the broad leaves of the platanos or plane tree under which Socrates and Phaedrus sit and talk about eros. Some think that Plato was so called because he was broad-shouldered because of his prowess in wrestling. Or because he got a flat nose, maybe a wrestling memento.
ellauri100.html on line 250: Birth and upbringing: Born before Pearl Harbor, but not old enough to remember it or World War II. (Japan formally surrendered two days before my first day of kindergarten.) Raised in two small, adjoining cities in the flat, eastern part of Michigan’s lower peninsula. (But not in the Detroit metro area, as we hastened to add when asked “What part of Michigan?”.) Not a son of privilege, by any means (see “Socioeconomic Background and Character,” below).
ellauri102.html on line 386: Tai sit me voidaan ottaa lisää mamuja. Niille kyllä kelpaa oljet sekä ruumenet. Niihän ruozalaiset teki, ja kazo miten hyvin niillä menee nytte koronassakin. Kaikki raflat ja kaupat saa olla auki, ja kalliit mamuvanhuxet saatiin ihan onnen kantamoisena pois kuleximasta ja tukkimasta sairaaloita. Ruozi ei enää muistuta pohjoismaita, se on pikku-Amerikka nyttemmin. Land of the free. Du gamla du fria.
ellauri105.html on line 115: He is a flat earther
ellauri105.html on line 118: I lost my shit when I found out he was a flat earther. You cannot debate or argue with a flat earther. These are people that
ellauri106.html on line 46: Philip Roth has not had much luck with biographers. Late in his life, furiously aggrieved after the failure of his marriage to the actress Claire Bloom and the publication of Bloom’s incendiary memoir of their years together, he asked a close friend, Ross Miller, an English professor at the University of Connecticut, to take on the task. Roth sent Miller lists of family members and friends he wanted to be interviewed, along with the questions that he felt should be asked. (“Would you have expected him to achieve success on the scale he has?”) It didn’t work out, for various reasons. Roth had wanted Miller to refute a familiar charge, “this whole mad fucking misogynistic bullshit!” that he felt flattened his long erotic history into one false accusation. But Miller came to his own conclusion. “There is a predatory side to both Sandy and Philip,” he told a cousin of Roth’s. (Sandy was Roth’s older brother.) “They look at women—I’m not gonna write about this—but they are misogynist. They talk about women in that way.”
ellauri106.html on line 474: There was no metaphysical dimension to Philip. He just flatly refused to believe in it. He thought it was fairy tales,” Bailey said. he was happy to be Jewish, Bailey said. “He liked Jews as human beings. He liked their warmth, he liked his male friends. “If the Western world views itself through the lens of the modern Jewish experience, it is in large measure due to the novels, novellas and short stories of Philip Roth,” wrote David Roskies, a JTS Jewish literature professor, in a note to the class of 2014.
ellauri107.html on line 270: Taylor also recounts some of Roth's health struggles. Among other things, he suffered from back and heart problems. Taylor recalls one particular trip to the hospital with Roth where they jumped into a cab. The aggressively flatulent driver had Rush Limbaugh on at top volume. Roth, in pain, turned to Taylor and asked, are we to be spared nothing?
ellauri109.html on line 569: Roth was flattened by “Leaving a Doll’s House” and the bad publicity that came with it. He never got over it. “You know what Chekhov said when someone said to him ‘This too shall pass?’ ” Roth told Bailey. “ ‘Nothing passes.’ Put that in the fucking book.”
ellauri112.html on line 650: Marlo is not much to look at anymore compared to flat-tum Tully Theron actually fattened herself 50lb for the part). But she is another type of super-woman, who keeps schedules, diets, routines and even creativity as a staple of her family’s well being.
ellauri112.html on line 654: Critics have been throwing words like “fearless” around when describing Theron’s performance in Tully, because of the extra 50 pounds she carries, the lack of makeup on her face and the unflattering portrait of motherhood she paints. But that’s a backhanded compliment, isn’t it? “Fearless.” They only say “fearless” when they mean “ugly,” and it’s honest because she’s ugly. Iike I’ve said three or four times now, it’s really really honest.
ellauri117.html on line 346: Einen Augenblick lang war er ruhig in ihr, geschwellt und bebend. Dann, als er begann, sich zu bewegen, im jähen, hilfolsen Orgasmus, wellten neue, seltsame Schauer in ihr auf. Wellten wellen, wellend, wie flatterndes Übereinanderzügeln sanfer Flammen, sanft wie Federn, liefen aus in helleuchtende Spitzen, herrlich, süss, und alles in ihr schmolz, zerfloss.
ellauri119.html on line 646: Rosenbaum left Russia at the tail end of the Trust program. She was assisted by bolshevik Hollywood. Like a typical crypto-jew and communist she used a pseudonym. She became, together with Leo Strauss, a leading philosopher of the Trotskyites. She, like Strauss, helped create the philosophy of arrogance and entitlement that justifies the lies of government leaders to the people. Her philosophies misrepresent the realities of how wealth and psychopathic greed coupled with immorality destroys civilization. Her solution to class warfare is group disloyalty of the rich to society and the exploitation of the national resources by a privileged class to destroy the economy and sabotage the nation. She misrepresented American tradition in a way that benefitted our enemies and internationalized our national resources leaving them easy pickings for the exploitation of unregulated international markets. She advocated the ruinous gold standard which allows our enemies the opportunity to deflate our money supply and strangle the economy at their whim. By simply hoarding gold and/or sending it out of the nation the bankers can ruin us under a gold standard. Her philosophy falsely claims that the market can and will correct the actions of the enemy within to ruin the nation by their designs. She wanted to grant the enemy the right to act with impunity and free rein as a Trojan horse within America to completely destroy our nation, and she has nearly succeeded. The removal of the ability of government to impose with force the collective will of the nation inevitably leads to balkanization, and that was well known and desired by our bolshevik enemies, Rosenbaum’s masters. She never pointed out the name and the nature of the enemy, instead scapegoating the poor and the communists for what international jewry was doing, with her as one of its leading members. As far as I know, she NEVER addressed the existential danger of jewish messianic prophecy and the subversion of the American government by Israel. Being herself a jew, she was disloyal to America in favor of Israel. She was disloyal to the American majority population in favor of the banking class. She did absolutely nothing that was ever in any way harmful to the communists or the bankers, who have so harmed America.
ellauri119.html on line 716: Atlas Shrugged offers several examples that also refute this common misconception. The villains in this novel are businessmen who try to succeed through political pull. While they are businessmen, supposedly Ayn Rand’s ideal person, she does not paint them in a flattering light. She demonstrates how evil they are and how their political maneuvering always leads to their failure.
ellauri131.html on line 863: I think that is because, over the past decade or so, people have become far more aware of the concept of privilege. Which roughly translates to: “no I don’t want to read about all the problems a middle-class straight, white women with a good job has, no thank you”. It feels whiny, flat, tone-deaf. Marianne Power chases self-help like the world is falling apart and her life is in tatters, but the main source of her problems?
ellauri141.html on line 575: … I’ve got a new Fifth Booker whereof Hankinson Ma. is preparing the translation. It came out in the Times ever so long ago [1905] under the title The Pro-Consuls but I perceive now that Horace wrote it. Rather a big effort for him and on a higher plane than usual – unless he’d been deliberately flattering some friend in Government. I’ll send it along.
ellauri143.html on line 1316: Explanation: If (food and work are either) excessive or deficient, the three things enumerated by (medical) writers: flatulence, biliousness, and phlegm, will cause disease.
ellauri146.html on line 404: We tend not to focus on this view of Eloa as a myth of the redeeming feminine for several reasons. First, the central portion of the poem is devoted to Satan's seduction of Eloa, an activity which, for most of us, is anything but celestial. Perhaps this explains Stendhal's sarcastic description of Eloa in the Courrier anglais of 1 December 1824: "Tex-Willer-larme, devenue ange femelle, et séduite par le diable lui-même" (the ex-tear, turned into a female angel, and seduced by the devil himself). Flottes and Bonnefoy insist that the very fine psychological analysis of the seduction makes us see human protagonists in an angelic decor, which weakens any metaphysical meaning Vigny might attach to his poem. Germain, who had the benefit of Hunt's masterly work, The Epic in Ninteenth Century France (1941), states flatly that the drama of Eloa is not metaphysical but moral. Bénichou, however, does remark in Le Sacre de l'écrivain 1750-1830 (1973) that the creation of Eloa corresponds to the theological promotion of the feminine as an agent of redemption prominent in the religious sects of the Romantic period. I am sure Satan was greatly consoled by Eloa, if that's any consolation.
ellauri152.html on line 549: The apparent purpose of this unusually high gallows can be understood from the geography of Shushan: Haman's house (where the pole was located) was likely in the city of Shushan (a flat area), while the royal citadel and palace were located on a mound about 15 meters higher than the city. Such a tall pole would have allowed Haman to observe Mordechai's corpse while dining in the royal palace, had his plans worked as intended.
ellauri156.html on line 453: The film sparked protests in Singapore over what the Muslim community considered an unflattering portrait of David, considered an important prophet in Islam, as a hedonist susceptible to sexual overtures. Mohammed and his 9-year old wife would have been outraged.
ellauri159.html on line 1201: You enjoy colorful and figurative language, and like to infuse your work with images of your personal underware. At the same time, however, your writing may be too abstract for their readers, they want to see you inside them. During revision, add concrete details. In creative writing, appeal to the five senses and the 9 mortal sins. In freelance writing, include specifics like percentages and dollar amounts to get the audience´s attention. In technical writing, find out whether the customer needs to use a flat-head or a cross-head screwdriver (our dishwasher installer guys did not have a flathead anymore, I had to loan them one), and what the recommended torque is. These may be boring details to you, but they’re essential for your male reader. Wrong head, no screw.
ellauri160.html on line 806: It is really sweet that Germans and others have adopted something and that this sketch is special for them. I respect that and don’t doubt for a second the genuine love and admiration some have for Dinner for One. But I am really surprised to see Monty Python compared with Dinner for One. I have to say it was painful to sit through. Painfully, painfully bad and unfunny. That’s why it has never caught on in Britain. I suppose we must have a very different sense of humour to that of Scandinavia and the German-speaking countries. We don’t consider it funny if someone falls over something. There’s nothing subtle or clever or nuanced about it (Rowan Atkinson’s absurdist physical comedy went down so well due to its complexity, think of the sketch where Mr. Bean makes the sandwich on the park bench and it gets progressively more and more absurd, he gets the fish out of water and slaps it against the bench to kill it before eating it, etc. now that is funny, and food fights in general). It’s not funny the first time the butler falls over the tiger-skin rug and it gets progressively more and more irritating each time he does it. You can spot the punchline a mile off and so the end of the sketch falls very flat. It’s nothing whatever to do with the length of the sketch or its obscurity or difficulty finding it: people still seek out all the comic greats on Youtube, like that fat man watsisname, or Charlie Chaplin who bravely made fun of your Hitler.
ellauri161.html on line 728: It wasn't funny. Too obviously a jab at the Trump admin, trying too hard, fell flat
ellauri161.html on line 778: This movie is supposed to be satire but the jokes are just so awful. I remember when liberals actually were funny, and men like Jon Stewart were hysterical. Whoever wtote this steaming pile needs to go back and learn. The dialogue was ridiculous, the plot was a thin veil for climate change but just fell flat. Its just not worth watching when there are so many better shows out there to watch instead.
ellauri183.html on line 103: And Malamud himself -- still frail from a recent illness -- at first appears an improbable Isaiah. With his tidy demeanor, incessant self-editing ("no, wait, there's a better word . . . ") and deadpan, scrupulous style, he could be the most successful publican in Galilee. He is uneasy with talking about himself ("that kind of stuff, it's not up his alley," says his publicity-hungry "friend" Philip Roth) and seems reluctant to start. He pauses to choose among several pairs of glasses, then sits down carefully, feet flat on the floor, long fingers knitted in his lap. Finally, with the anxious geniality of a brave man settling in for root canals, he says, "Now then, I think we can begin."
ellauri183.html on line 104: With God's Grace, Malamud risked a lash from the powers above. Already John Leonard in The New York Times has said it "groans under the weight of its many meanings . . . I find myself tired of masks on clowns." Nor are the unflattering treatment of Christianity and emphasis on evolution likely to delight Moral Majoritarians.
ellauri189.html on line 129: landscape. Communing with the monotonous plain that extends as far as the horizon, where it melts into the heaven, the author discovers that “mood” (Heidegger’s Gestimmtsein) is the fundamental human mode of being-in-the-world. The level plain and the hemisphere (earth and heaven) constitute a spatial totality that is self-enclosed: Being combines flatness with the curve of the hemisphere, the linear with the cyclical perspective (from an empirical point of view only half of its orbit is visible to man though he can of course turn around to see the rest of it):
ellauri189.html on line 138: – arriving where the plain seemed to end, but again in a new flatness bends – a bright cloud in front of them, they looked like aerie knights to the eye.)
ellauri194.html on line 1003: Kekä on Taflat Top joka koittaa huijata rahaa laahuxelta Elon Muskin ja Ilta-Pulun avulla? Onko se tää roistonnäköinen leadership akateemikko Jimi Terska Californiasta? The Academy For Leadership and Training? The Outfit for Dealership And Suckering? Jimi Terska on kirjoittanut kirjan WORST Practices...in Corporate Training: Spectacular Disasters...What We Do by Jim Glantz. In this kinda book, we'll laugh and you learn as you hear us successful trainers tell our most horrific training disaster stories…and what the suckers learned were the root causes of their failures. After each of our epic failure stories, Jim skillfully provides simple-to-use templates and checklists to help make sure you make the same mistakes and pitfalls in your own training programs. Like hire more snakeoil salesmen like us.
ellauri197.html on line 189: Until the town lie beaten flat. Kunnes Helsinki on ihan muusina.
ellauri198.html on line 500: I asked: when something on the dismal flat Kysyin: ja silloin pelto mieleen toi
ellauri198.html on line 855: Yeats deplored the tremendous enthusiasm among younger poets for Eliot’s The Waste Land, published in 1922. Disdaining Eliot’s flat rhythms and cold, dry mood, Yeats wanted all art to be full of energy and sex.
ellauri203.html on line 242: Writing in the Los Angeles Times, a professor of Slavic languages praised their Dostoevsky translations, stating "the reason they have succeeded so well in bringing Dostoevsky into English is not just that they have made him sound bumpy or unnatural but that they have managed to capture and differentiate the characters' many bumpy and unnatural voices." A literary critic and essayist, wrote in The Sewanee Review that their Dostoevsky translations "have recaptured the rough and vulgar edge of Dostoevsky's style. This tone of the vulgar that Dostoevsky's writings are full of, so morbidly excessively, they have translated into a vernacular equal to his own." But recently, writing in The New York Review of Books in 2016, a critic argued that Pevear and Volokhonsky have established an industry of taking everything they can get their hands on written in Russian and putting it into flat, awkward English. Other translators have voiced similar criticism, both in Russia and in the English-speaking world. A Slavic studies scholar has written in Commentary that Pevear and Volokhonsky take glorious works and reduce them to awkward and unsightly muddles. Criticism has been focused on the excessive literalness of the couple's translations and the perception that they miss the original tone of the authors.
ellauri213.html on line 294: The girls didn't know much about the event beforehand, but Amelia was most excited about sleeping with the Big Top, Meghan couldn't wait to learn some tricks, while Abigail, Darcey and Ellie were looking forward to trying out some new adventurous group activities. We then enjoyed a very funny magic show, sucking our own magic wands and balloon creatures. Darcey and Aayla said they 'liked playing fun games with the Rainbows on the inflatables' which we did next.
ellauri213.html on line 419: In discussion of science fiction, a Big Dumb Object (BDO) is any mysterious object, usually of extraterrestrial or unknown origin and immense power, in a story which generates an intense sense of wonder by its mere existence. To a certain extent, the term deliberately deflates this.
ellauri214.html on line 72: Though Rowling’s transphobia has been publicized the most, fans have also begun to notice prejudice in her writing. Very few people of color are featured in J. K. Rowling’s books, and those that are have few lines and no detailed story arcs. One of the people of color given more thought was Cho Chang, Harry Potter’s love interest who was first introduced in the third book, Harry Potter and the Prisoner of Azkaban. Rowling’s racism toward Asians and lack of knowledge of Asian culture is clearly evident from just the name Cho Chang, which is a mix of Korean and Chinese surnames. Korea and China have a longstanding history as political adversaries and each country has a distinct culture. While Rowling went to great efforts in creating a wonderfully immersive wizarding world, she gave no thought to what Cho’s ethnicity is. Cho was also sorted into Ravenclaw house, the school house for those of high intelligence, playing into a common stereotype of Asians. The only other Asian characters mentioned in the series are Indian twins Padma and Pavarti Patil. While Rowling appears to have given more thought to these characters, placing Padma in Ravenclaw and breaking the Asian stereotype by placing Pavarti in Gryffindor, she ultimately fails to adequately write Asian characters. While Pavarti, as a member of Harry Potter’s house, was given more depth than Cho or her sister, many South Asian fans were irritated by the girls’ dresses in the fourth movie, Harry Potter and the Goblet of Fire. The twins wore dull and unflattering traditional Indian attire, which many saw as a mockery of Indian culture. Cho herself wore an East Asian style dress in this movie which was a mix of different Asian styles. Rowling continued her habit of stereotyping Asians in the Fantastic Beast Movies, the first of which was released in 2016 and set in the 1920’s, several decades before the Harry Potter series. In this pre-series, the only Asian representation is displayed in the form of a woman who has been cursed to turn into a beast. Fans may remember the villain Voldemort’s pet snake, Nagini, who served him throughout the Harry Potter series. Fans were surprised to learn when watching The Crimes of Grindelwald, the second movie in the Fantastic Beasts series, that Nagini was not always a snake, but was actually a woman who had been cursed to turn into a snake. In the movie, Nagini, in human form, is caged and forced to perform in a circus. Though we do not know how Nagini came to meet Voldemort, we do know that she became his servant and the keeper of a wee snakelike portion of his soul. This is more than slightly problematic. Not only was Nagini the only Asian representation in the film, but she was also a half-human who was forced to serve an evil white man for a great part of her existence. Author Ellen Oh commented on Nagini’s inclusion in the film saying “I feel like this is the problem when white people want to diversify and don’t actually ask POC how to do so. They don’t make the connection between making Nagini an Asian woman who later on becomes the pet snake of an EEVIL whitish man.”
ellauri219.html on line 324: From Bob Dylan (No.15) to David Bowie, Tom Waits to Steely Dan, Beat Generation author Burroughs has influenced many a songwriter over the decades. Less known is that, according to Burroughs himself, he witnessed Paul McCartney (No.64) working on “Eleanor Rigby.” As quoted in A Report From The Bunker, a collection of conversations with author Victor Bockris, Burroughs recalled McCartney putting him up in The Beatles’ flat on 34 Montagu Square: “I saw the song taking shape. Once again, not knowing much about music, I could see that he knew what he was doing.”
ellauri219.html on line 828: I think a lot of the bias toward Americans also comes from our historical tendency to inflate the wonders of American life to oversized proportions out of sync with reality. Some of this comes from having been put down so frequently, a class-based psychological issue deep-rooted in American life, probably related to so many of us having come from poor immigrant families. We puff up the wonders of American life to compensate for having come from the bottom rungs of society in other countries. We’re not the only culture that does this.
ellauri219.html on line 832: And there is something… “gee willywickers” about the way Truth Justice and The American Way have been inflated in American mass culture, quite plausibly rooted in that class insecurity, that makes outside cultural elites (and the people that follow after them) reflexively sneer, once they realise the foundations are rotten. Add to this the ludicrous fact that America has no high culture. These are disappointed suitors: they’re not going to console themselves over the emptiness of Scrooge McDuck by turning to Wilt Whatman. Who was no better off than Scrooge by way of civility.
ellauri222.html on line 135: At Bard, Bellow became close friends with a literature professor named Jack Ludwig. As Leader describes him, Ludwig was an oversized personality, a big man, extravagant, a shameless purveyor of bad Yiddish, and an operator. Ludwig idolized Bellow; people who knew them said that Ludwig wanted to be Bellow. He flattered Bellow, went for long walks with him, started up a literary journal with him, and generally insinuated himself into Bellow’s life. Bellow accepted the proffer of adulatory attentiveness. The couples (Ludwig was married) socialized together. This was the period when Bellow wrote “Seize the Day,” which Partisan Review published in a single issue, in 1956, after The New Yorker turned it down, and “Henderson the Rain King,” published in 1959, a novel whose hero was based on a neighbor of the Bellows in upstate New York.
ellauri222.html on line 617: Mildred Stark is a crippled girl who goes to work for Einhorn after the stock-market crash and becomes his mistress. She is aged about thirty and heavy, but Einhorn is flattered that she is in love with him. Mildred dislikes Augie.
ellauri223.html on line 88: Among them there is never gout in the hands or feet, nor catarrh, nor sciatica, nor grievous colics, nor flatulency, nor hard breathing. For these diseases are caused by laughing, indigestion and flatulency, and by frugality and exercise they remove every humor and spasm.
ellauri236.html on line 415: Miss Blandish lay flat on her back on the bed, covered by a grimy sheet full of tacky blotches. She was staring up at the ceiling.
ellauri238.html on line 748: Lerppu käänti jonkun verran Herberttiä englannista. Ei se muistanut sen etunimestäkään kuin 2 ekaa kirjainta. Tyhmä Pena on maalta kotoisin ja luulee että Zbigniew on Herbertin sukunimi. Sen miällestä Herbertin runot olivat kivoja, salamielisiä, vaikka ne ovat tosiasiassa ääreist puisevia. Penalla on Jeesuxen darratuskat perjantaina kun raflat ovat kiinni 3 päivää pääsiäisenä. Puolalaista poliittista satiiria, haha. Puolalainen käänsi paperia. Toisellakin puolella luki: puolalaiset ovat tyhmiä. Käännä. Puolalainen käänsi paperia.
ellauri247.html on line 279: Despite the doctor's unflattering portraits of Frenchmen, M. Babeau admits that his book is one written by an observer of facts, and a man whose statements, whenever they can be tested, are for the most part "singularly exact."
ellauri248.html on line 87: "I am intensely aware, by the way, that this story does not show me in a particularly flattering light. I am aware that, within an impressively short time of meeting me, Rosalind had me coming to heel like a well-trained dog: running up and down stairs to bring her coffee, nodding along while she bitched about my partner, imagining like some starstruck teenager that she was a kindred soul. But before you decide to despise me too thoroughly, consider this: she fooled you, too. You had as good a chance as I did. I told you everything I saw, as I saw it at the time. And if that was in itself deceptive, remember, I told you that, too: I warned you, right from the beginning, that I lie." As if that excused anything... and NO, she didn't "fool" me, because YOU'RE the narrator and YOU'RE the one telling the story. This paragraph probably ticked me off more than anything else in the book.
ellauri254.html on line 391: In the month after Olga’s death from tuberculosis in June 1907, Sologub retired following twenty-five years as a teacher, and moved in Petersburg from the school-owned apartment to a private flat. The following year he married Anastasia Chebotarevskaya, a translator and author of children’s books who he had first met in the autumn of 1905. In the summer of 1909, Sologub and Chebotarevskaya holidayed in France. Though he had travelled to Finland with his sister in a final attempt to improve her condition, Finland was at the time part of the Russian Empire, so this trip to France was Sologub’s first proper visit abroad.
ellauri254.html on line 506: When Klages (at 23) moved into a new Schwabing flat in 1895, he entered into an intense sexual relationship with his landlady's daughter, with the mother's approval; the daughter, whom Klages called 'Putti', was eleven years younger than him (12 yrs), and their relationship continued for almost two decades though remained only sexual in nature, and squeaky clean. During his years in Schwabing, Klages also became romantically involved with novelist Franziska zu Reventlow, which was further alluded to in her 1913 roman à clef Herrn Dames Aufzeichnungen. Both Stefan George and Alfred Schuler, with whom Klages closely associated, were openly homosexual men. Whilst some of Klages' outward statements on homosexuality may be seen as harsh, he maintained an intimate personal and not just academic admiration for Schuler all throughout his life. Kaikki käy, kuhan paikat pysyy kemiallisen puhtaana. Kemia ei tunne likaa.
ellauri257.html on line 489: Singer described himself as "conservative," adding that "I don't believe by flattering the masses all the time we really achieve much." His conservative side was most apparent in his Yiddish writing and journalism, where he was openly hostile to Marxist sociopolitical agendas. In Forverts he once wrote, "It may seem like terrible apikorses [heresy], but conservative governments in America, England, France, have handled Jews no worse than liberal governments.... The Jew's worst enemies were always those elements that the modern Jew convinced himself (really hypnotized himself) were his friends. Interestingly enough, he notes the cultural tensions between Sephardic and Ashkenazi Jewish people during his trip to Haifa and during his stay in the new nation. With the description of Jewish immigration camps in the new land, he foresaw the difficulties and socio-economic tensions in Israel, and hence turned back to his critical views of Zionism. Naah, America is the promised land.
ellauri262.html on line 416: In 1923 she had a rebound relationship with former Denstone College pupil and part-time car salesman William "Bill" White[55] whom she presented to her parents. She had met him when he moved into the flat above hers in 24 Great James Street in December 1922. Only when she discovered her pregnancy in June 1923, White admitted to already being married.
ellauri262.html on line 424: Fleming died on 9 June 1950, at Sunnyside Cottage (now 24 Newland Street), Witham, Essex, after a decade of severe illnesses. Sayers died suddenly of a coronary thrombosis on 17 December 1957 at the same little flat, aged 64. Sayers was a friend of C. S. Lewis and several of the other Inklings. On some occasions Sayers joined Lewis at meetings of the Socratic Club. Lewis said he read The Man Born to Be King every Easter, but he said he was unable to appreciate detective stories. J. R. R. Tolkien read some of the Wimsey novels but scorned the later ones, such as Gaudy Night. Se oli varmaan liian nenäkäs.
ellauri263.html on line 453: Today, Hebron is the capital of the Hebron Governorate, the largest governorate of the State of Palestine, with an estimated population of around 782,227 as of 2021. It is a busy hub of West Bank trade, generating roughly a third of the area's gross domestic product, largely due to the sale of limestone from quarries in its area. It has a local reputation for its grapes, figs, limestone, pottery workshops and glassblowing factories. The old city of Hebron features narrow, winding streets, flat-roofed stone houses, and old bazaars. The city is home to Hebron University and the Palestine Polytechnic University.
ellauri264.html on line 158: Wired's Amos Barshad wrote that while there was likely still reactions of a racist and homophobic nature targeting the show, the main complaints were for it addressing diversity issues in a "flat, one-note manner", and that the portrayal of Velma's bisexuality had divided fans.
ellauri267.html on line 97: Based on the novel by Walter Wager, "Telefon" has not aged well because it'(TM)s so dependent on the cold war tension that existed between the USSR and the US in the Seventies. The film is basically a cat-and-mouse game with Soviet agent Major Grigori Borzov (Charles Bronson, that's right Bronson is a commie) tracking rogue Russian scientist Nicolai Dalmchimsky (Donald Pleasence) across America to prevent him from activating sleeper agents. Borzov is assisted by Barbara (Lee Remick. fresh from "The Omen") who asks more annoying questions than necessary, leading the audience to believe she may not be completely true to the motherland. The film's middle section is dragged down by repetitive bomb scares. Dalmichimsky is working from outdated intelligence so his targets are all de-classified U.S. Military installations. Once Borzov realizes the pattern and hones in the next target the action shifts to a more linear chase that'(TM)s further heightened by Barbara'(TM)s loyalties. But the ultimate showdown is deflating because beyond some silly disguises Pleasence's Dalmichimsky is never built up to be a threat. Director Don Siegel uses his flair for montage to craft a his action sequences without dialogue. "Telefon" is a road movie, much like Alfred Hitchcock's "Saboteur" and "North by Northwest" had their leads criss-crossing America here we see plenty of seventies architecture including San Francisco's Hyatt Regency Hotel (used in "The Towering Inferno") and a modernist house resting on top of a barren rock outcropping. The supporting cast is uniformly good (but trapped in underwritten roles), and it'(TM)s nice to see veteran character actors Alan Badel and Patrick Magee playing snotty KGB strategists, and Tyne Daly in a small (and ultimately irrelevant role) as a computer geek. Trivia note: The poem that activates the Russian sleeper agents was used by Quentin Tarantino in "Death Proof" as the lines Jungle Julia has her listeners recite to Butterfly. The lines are an excerpt of the poem "Stopping by Woods on a Snowy Evening" by Robert Frost. "The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep."
ellauri277.html on line 350: Bahai-usko tuli Suomeen eri lähteiden mukaan 1920-luvulla uskonnonvapauslain siivellä tai size tuli 1930-luvun lopulla amerikansuomalaisten mukana. Säännöllinen toiminta aloitettiin vuonna 1938, mutta ensimmäinen järjestö, Helsingin Bahai Seura ry, perustettiin vuonna 1952. Vielä tässä vaiheessa useimmat jäsenet eivät ajatelleet järjestöä erillisenä uskontona. 1960-luvun alussa perustettiin paikallishallinnot Tampereelle, Lahteen ja Turkuun, ja valtakunnallinen seura rekisteröitiin uskonnolliseksi yhdyskunnaksi vuonna 1963 nimellä Suomen Bahai-yhdyskunta. 1970-luvulla yhdyskunta aloitti aktiivisen lähetystyön muun muassa lentolehtisin ja musiikkiryhmien esityksillä, ja yhdyskunnan jäsenmäärä kaksinkertaistui vuosien 1972 ja 1973 aikana. Nykyisin yhdyskunnalla on 568 jäsentä (2010) and growing (LOL). Tunnettuja suomalaisia bahaita ovat vaatturi ja juontaja Arman Alizad (oikeasti?), juontaja-toimittaja Aram Aflatuni, bahai-yhteisön tiedottaja, toimittaja Sohelia Mikkonen sekä Pirkko Zillesin utelias mökkinaapuri.
ellauri283.html on line 116: And what is to be made of Corbin Bernsen? What is his place in Christian film? Is he trolling? Is he a great mind misunderstood? Whether it’s abstract musings like Beyond the Heavens or half-hearted satire like Christian Mingle or In-Lawfully Yours, Bernsen’s motivations for making Christian films are very unclear. It’s possible that he’s smarter than us all and doesn’t know how to show it. But it’s also possible that he’s just trying to make a quick buck off of Christian audiences. Reality is probably somewhere in between. Regardless, Beyond the Heavens really needed to be rethought before anyone spent money on it, because it falls flat and is unable to properly convey whatever message it is trying to present.
ellauri284.html on line 602: On Monday, India’s Prime Minister Narendra Modi will be at the White House to meet with President Trump. It will be exactly the sort of moment that makes ethics experts, worried about the conflation of Trump’s business abroad with his oversight of U.S. foreign policy, especially alarmed.
ellauri299.html on line 175: For over a decade, the nation has not made any real progress in reducing the number of Americans at risk of literal homelessness. Despite decreasing trends in people living doubled up overall, the rise in severe housing cost numbers are concerning. Even more troubling are the risks that inflation rising to a 40-year high in 2022, expiring eviction moratoria, and fading Emergency Rental Assistance dollars pose to those at risk of experiencing homelessness.
ellauri301.html on line 338: Boerewors, lamb chops, T-bone steaks, chicken “flatties”, snoek, kabeljou(cob), sosaties, kebabs
ellauri308.html on line 665: Zhydobandera, Zhidobandera, or Zhydobanderovets – "Yid-Banderite" or "Judeo-Banderite" a conflation of Zhyd (i.e., a Kike) and a Bandera follower. This is an ironic self-appellation coined by Ukrainian Jewish activists during the Euromaidan protests to highlight the inconsistency of Russian propaganda which demonized Ukrainian pro-Europe and pro-democracy activism as fascist to the West and as Jewish to Ukrainians, with reference to "Judeo-Bolshevism".
ellauri321.html on line 178: yet, when it is united with bad luck, it leads to want: want stimulates that propensity to rapacity and injustice, too natural to needy men, which is the 70 the fatal gradation. After this explanation of the effects which follow by living in the woods, shall we yet vainly flatter ourselves with the hope of converting the Indians? We should rather begin with converting our back-settlers. the back-settlers of both the Carolinas, Virginia, and many other parts, have been long a set of lawless people; it has been even dangerous to travel among them.
ellauri323.html on line 127: In Berlin, every night, the students escorted her home with torches. Prince Vierfuenfsechs-Siebenachtneun offered her his hand, and was condemned by the Kaiser to six months’ confinement in his little castle. In Yildiz Kiosk, the tyrant who still throve there conferred on her the Order of Chastity, and offered her the central couch in his seraglio. In Petersburg, the Grand Duke Salamander Salamandrovitch fell enamoured of her. The Grand Duchess appealed to the Tzar. Zuleika was conducted across the frontier, by an escort of love-sick Cossacks. On the Sunday before she left Madrid, a great bull-fight was held in her honour. Fifteen bulls received the coup-de-grace, and Alvarez, the matador of matadors, died in the arena with her name on his lips. He had tried to kill the last bull without taking his eyes off la divina senorita. From the Vatican, the Pope launched against her a bull which fell utterly flat.
ellauri353.html on line 279: Milton Friedman is widely regarded as the leader of the Chicago school. Of monetary economics. Stresses the importance of the quantity of money. As an instrument of government policy. Terminated. A business cycles and inflation. After graduating in one nine hundred thirty two with a Bachelor of Arts from Rutgers. He received graduate degree. From the University of Chicago. And Columbia University. Since one thousand nine hundred seventy seven. Professor print. Has been a senior research fellow at the Hoover Institution. Homeless or University Professor Friedman received the one nine hundred seventy six Nobel Prize for ECT. That's. In addition to his scientific work. Professor Friedman has written extensively on public policy. Always with primary emphasis on the preservation and extension of. Individual freedoms. In his most important works in this area. Perhaps an ever. The important area. Is life. He has collaborated by. Roads. An accomplished. Economist in her own right. Together they wrote. Capitalism and Freedom. Free to choose. And tyranny of the status quo. Free to choose and tyranny of the status quo later rip it into a T.V. series of the same names that were shown over the public. Public Broadcast stations.
ellauri362.html on line 227: Voi kukot kehua ja idiootit kiittää, Though coxcombs may flatter, though ideots may prize,
xxx/ellauri010.html on line 909: Tunnistan tästä taudinkuvasta tuttuja piirteitä. Selvä pyy, sanoi Manninen varista, narsistihan se siinä. Näitä on kirjallisuudessa kuin täitä turkissa, esim. Rousseau, Stendhal, Musset, Bourget, you name it. Oserais-je me flatter: olin varsinkin nuorempana jonkinlainen sekunda Byron, kotileffan sankari, en yhtä fiksu ja filmaattinen enkä varsinkaan yhtä komea, mutta yhtä kovaa yritystä vitosdivarissa.
xxx/ellauri013.html on line 1034: not with a bang, but a flatulence.
xxx/ellauri013.html on line 1063: Brown was a latter-day buccaneer, sorry enough, like his more celebrated prototypes...They never failed to let you know, too, that he was supposed to be a son of a baronet. The others were merrely vulgar and greedy brutes, but he seemed by some more complex intention. He would rob a man as if only to demonstrate his poor opinion of the creature...Later on he ran off - it was reported - with the wife of a missionary, a very young girl from Clapham way, who had married the mild, flat-footed fellow in a moment of enthusiasm, and suddenly transplanted to Melanesia, lost her bearings somehow. It was a dark story. She was ill at the time he carried her off, and died on board his ship. It is said - as the most wonderful part of the tale - that over her body he gave way to an outburst of sombre and violent grief...till at last, he sails into Jim's history, a blind accomplice of the dark powers.
xxx/ellauri057.html on line 123: Joku ravintolakärsäkäs Jethro sanoi et on epistä ezen rafla suljettiin vaan six et jokunen knääpä kuoli. Karmeat seurauxet jos raflat on kiinni.
xxx/ellauri075.html on line 309: Unlike his Seelenbrüder Stefan George and Alfred Schwuler, he was not gay, but rather serious. When Klages moved into a new Schwabing flat in 1895, he entered into an intense sexual relationship with his landlady's daughter, with the mother's approval; the daughter, whom Klages called 'Putti', was eleven years younger than him, and their relationship continued for almost two decades though remained only sexual in nature. Klages, like Friedrich Nietzsche, was critical of Christianity as well as what they both saw as its roots in Judaism. His attacks on judaism were veiled criticism of christianity, rather like Seija's attacks on the rest of the Carlson family.
xxx/ellauri091.html on line 292: Hauptmann's early dramas reflect the influence of Henrik Ibsen, but the production of Die Weber, a dramatization of the Silesian weavers' revolt of 1844, brought him fame as the leading playwright of his generation. Hauptmann did not only want to give realistic details, but he paid a great deal of attention to historical accuracy, and studied various dialects. His weavers are "flat-chested, coughing creatures of the looms, whose knees are bent with much sitting." The women's clothes are ragged, but some of the young girls are not without charm � they have "delicate figures, large protruding melancholy eyes." Structurally the play, which was at first banned, was innovative � there is no single, individual hero in the cast of more than 70 characters. (Didn't exceed the 80 character limit of first generation mainframe computers.)
xxx/ellauri091.html on line 418: Right: Tend to favor a “flat tax” (same tax rate regardless of income). Generally opposed to raising taxes to fund the government.
xxx/ellauri103.html on line 292: Which brings us to my final point. (Believe me, I am slowly really getting to wind up!) You do not all do it equally well as I. So it’s more than possible that we write from the perspective of a one-legged lesbian from Afghanistan and fall flat on our arses. We don’t get the dialogue right, and for insertions of expressions in Pashto we depend on Google Translate. I know, I had to do it for my Irish boy.
xxx/ellauri113.html on line 181: V. On jo päihittänyt. Ei siihen paljon tarvittu. Hyvää jatkoa jos ei oma riitä. Älykkyys on keskeistä apinana olemisen kannalta. Onnexi kun ei enää nouse penkiltä muut kuin kulmakarvat. Tietoa olis muze ei enää syöty esimerkixi lihaxiin. Paisuvainenkin on deflatoitunut. Joskus 30v sitten sentään tapahtui vielä jotain upeaa. Pidän suurena voittona et mä pölypallo olen tullut tietoisexi izestäni. Erittäin izetietonen mä olenkin (siis olin, ennen tiedottomuuden tuloa.) Izetietoisen kastemadon aivoilla ja mulla ei ole oleellista eroa. Einstein oli fixumpi kuin vanhempansa. Jos meidän vanhemmat ois olleet fixuja ne olis käyttäneet korzuja. Se oli kaikkien aikojen pahin virheemme. Nää pölypallot ois pitänyt imuroida takaisin pusseihin. Tekoälyssä on tapahtunut paljon edistystä, jalkoja hyödyntävässä liikkumisessa on menty taaxepäin. Ainakin mun kohdalla.
xxx/ellauri113.html on line 269: Nyze on deflatoitunut kuin Montgolfierin kuumailmapallo jolla tahtoi matkustaa vastoin isän tahtoa - Casanovako se oli? Jo unohdin.
xxx/ellauri120.html on line 72: Reason is a weak voice, easily overwhelmed by our desires, or employed, along with various other means, as a defense to protect us from awareness of the real, base motives that drive our thoughts and actions. This is Freud’s foundational vision of the human psyche. It is unflattering, if not repugnant, and basically Wright.
xxx/ellauri121.html on line 329: She was flat and wore hush puppies. She looked like an artist as a young man. Se on 5"4' pitkä eli Seijan pituinen. Afro hair was prohibited on negroes those days. On her it was tolerated grudgingly.
xxx/ellauri124.html on line 346: A bustle is a padded undergarment used to add fullness, or support the drapery, at the back of women's dresses in the mid-to-late 19th century. Bustles were worn under the skirt in the back, just below the waist, to keep the skirt from dragging. Heavy fabric tended to pull the back of a skirt down and flatten it. As a result a woman's petticoated skirt would lose its shape during everyday wear (from merely sitting down or moving about).
xxx/ellauri124.html on line 526: You tap my back I tap yours. Manus manum lavat, provided we both have Apple phones. Only apple users can tap one another's backs like Range Rover owners who give one another the secret middle finger salute on the road. High end models provide a huge inflatable pinky to stick out up the sunroof.
xxx/ellauri125.html on line 582: degraded to brotherhood with flatulence. Among the best bred,
xxx/ellauri125.html on line 782: Cobain had become a major public figure following the surprise success of Nirvana's album Nevermind. Love was urged by her manager to participate in the cover story. In the year prior, Love and Cobain had developed a heroin addiction; the profile painted them in an unflattering light, suggesting that Love had been addicted to heroin during her pregnancy. The Los Angeles Department of Children and Family Services investigated, and custody of Frances was temporarily awarded to Love's sister, Jaimee. Love claimed she was misquoted by Hirschberg, and asserted that she had immediately quit heroin during her first trimester after she discovered she was pregnant.
xxx/ellauri130.html on line 776: Pendant la guerre d’Espagne, Claudel apporta son soutien aux franquistes. Devant la Seconde Guerre mondiale, Claudel est initialement peu convaincu par le danger que représente l'Allemagne nazie. Il s'inquiète davantage de la puissante Russie, qui représente selon lui une « infâme canaille communiste ». Claudel expliqua ses flatteries à Pétain par l'approbation d'une partie de sa politique (lutte contre l'alcoolisme, appui aux écoles libres). Il est meilleures amis avec Francois Mauriac.
xxx/ellauri165.html on line 386: In November they moved into a cheap flat at 27 Rue Française; Emma started drinking heavily and taking laudanum. She died on 15 January 1815, aged 49. Emma was buried in Calais on 21 January in public ground outside the town, with her friend Joshua Smith paying for the modest funeral at the Catholic church. Her grave was subsequently lost due to wartime destruction, but in 1994 a dedicated group unveiled the memorial which stands today in the Parc Richelieu in her honour.
xxx/ellauri169.html on line 211: Liisa perusti Summit Universityn ja kirkon päämajan Colorado Springsiin, talon Santa Barbaraan sekä maanalaisen linnoituksen Lopun aikoja varten laaksoon Montanassa. On vaikea löytää yksityiskohtia Liisasta ja hänen organisaatiostaan. Jos henkilö haluaa vakavissaan liittyä hänen organisaatioonsa, hänen odotetaan kerran elämässään lahjoittavan kaiken omaisuutensa kirkolle ja sen johtajalle, Liisalle. Vastineeksi heidät vihitään sellaiseen Supreme Grand Flatteryyn että "Sinusta tulee valaistunut Jumala." The supreme form of flattery is imitation. Kirstuxen imitointia. Tällä heresialla oli joku nimi jonka oon jo unohtanut. Ekkehart kuoli siitä syytettynä johkin vankikoppiin.
xxx/ellauri174.html on line 244: Good price full size metal frame stymphalide. Inflatable.
xxx/ellauri176.html on line 154: The novel was translated into English by Vizetelly & Co. in the 1880s as Abbé Mouret's Transgression, but this text must be considered faulty due to its many omissions and bowdlerisations, as well as its rendering of Zola's language in one of his most technically complex novels into a prolix and flat style of Victorian English bearing little resemblance to the original text. Two more faithful translations emerged in the 1950s and 1960s under the titles The Sinful Priest and The Sin of Father Mouret.
xxx/ellauri200.html on line 717: I will not treat your dusty path and flat, Mä en kulje teidän tomuista latteata tietä,
xxx/ellauri218.html on line 470: On the first day of the Memphis strike, the Memphis Press-Scimitar wrote: “The country has been astonished at the garbage mess in New York, but it might have known that the trouble there was catching. Memphis Public Works officials said flatly that the trouble here was triggered by the developments which brought the New York strikers pay increases.”
xxx/ellauri225.html on line 147: I saw patterns that showed that the tree design avoided the problem of shade from other objects. Electricity dropped in the flat-panel array when shade fell on it. But the tree design kept making electricity under the same conditions. The Fibonacci pattern allowed some solar panels to collect sunlight even if others were in shade. Plus I observed that the Fibonacci pattern helped the branches and leaves on a tree to avoid shading each other.
xxx/ellauri229.html on line 541: This baroque had its apologists and theoreticians, who maintained that the body existed for the purpose of deriving the greatest amount of pleasure from the greatest number of sites simultaneously. Merg Brb, its leading exponent, argued that Nature had situated - and stingily at that - centers of pleasurable sensation in the body for the purpose of survival only; therefore no enjoyable experience was, by her decree, autonomous, but always served some end: the supplying of the organism with fluids, for example, or with carbohydrates or proteins, or the guaranteeing - through offspring - of the continuation of the species, etc. From this imposed pragmatism it was necessary to break away, totally; the passivity displayed up till now in bodily design was due to a lack of imagination and perspective. Epicurean or erotic delight? - all a paltry by-product in the satisfying of instinctive needs, in other words the tyranny of Nature. It wasn´t enough to liberate sex - proof of that was sex had little future in it, from the combinatorial as well as from the constructional standpoint; whatever there was to think up in that department, had long ago been done, and the point of automorphic freedom didn´t lie in simple-mindedly enlarging this or that, producing inflated imitations of the same old thing. No, we had to come up with completely new organs and mem bers, whose sole function would be to make their possessor feel good, feel great, feel better all the time.
xxx/ellauri230.html on line 558: Romanian prinssi Carol lähetettiin Tokioon unohtamaan juutalaistaustainen haahkansa Magda Lupescu. Ei unohtanut, kuten Kustu kuivasti totesi. Lupescu was described as a witty and outspoken woman, a tall redhead with milky-white skin and green eyes. Other sources are less flattering, describing her features as coarse and her conversation as vulgar. Voihan ne olla totta kumpikin. All sources agree that she walked with a peculiar swing of the hips, which, depending on one's point of view, was either sexy or crude, and that she was, in almost every respect, the opposite of Crown Princess Helen, Carol's spouse at the time.
xxx/ellauri235.html on line 734: The Spider and the Fly is a poem by Mary Howitt (1799–1888), published in 1829. The first line of the poem is "'Will you walk into my parlour?' said the Spider to the Fly." The story tells of a cunning spider who entraps a fly like Korinna (the name means little girl) into its web through the use of seduction and manipulation. The poem is a cautionary tale against those who use flattery and charm to disguise their true intentions (of fucking the little fly silly).
xxx/ellauri235.html on line 783: Hearing his wily, flattering words, came slowly flitting by; Kuultuaan hämähäkin mielistelysanat, lensi ohi;
xxx/ellauri235.html on line 793: To idle, silly, flattering words, I pray you ne'er give head: Älkää hemmetissä koskaan kuunnelko imartelijoiden sanoja;
xxx/ellauri250.html on line 125: Matpriserna i Storbritannien har ökat med 12 procent jämfört med ett år sedan, och den senaste inflationssiffran är 11,1 procent.
xxx/ellauri250.html on line 271: A collapsed narcissist is a person who was previously narcissistic but has since become very insecure and suffers from low self-esteem. This often happens when the individual's inflated ego and sense of superiority are met with criticism or rejection.
xxx/ellauri250.html on line 556: Bukowski's parents met in Andernach following World War I. His father was German-American and a sergeant in the United States Army serving in Germany after the empire's defeat in 1918. He had an affair with Katharina, a German friend's sister, and she subsequently became pregnant. Bukowski repeatedly claimed to be born out of wedlock, but Andernach marital records indicate that his parents married one month before his birth. Afterwards, Bukowski's father became a building contractor, set to make great financial gains in the aftermath of the war, and after two years moved the family to Pfaffendorf (today part of Koblenz). However, given the crippling postwar reparations being required of Germany, which led to a stagnant economy and high levels of inflation, he was unable to make a living and decided to move the family to the U.S. On April 23, 1923, they sailed from Bremerhaven to Baltimore, Maryland, where they settled.
xxx/ellauri251.html on line 1839: Praise you with no false heart or flattering mouth,
xxx/ellauri253.html on line 86: Primary factors believed to have led to the recession include the following: restrictive monetary policy enacted by central banks, primarily in response to inflation concerns, the loss of consumer and business confidence as a result of the 1990 oil price shock, the end of the Cold War and the subsequent decrease in defense spending, the savings and loan crisis and a slump in office construction resulting from overbuilding during the 1980s. The 1990 oil price shock occurred in response to the Iraqi invasion of Kuwait on August 2, 1990, Saddam Hussein's second invasion of a fellow OPEC member. Lasting only nine months, the price spike was less extreme and of shorter duration than the previous oil crises of 1973–1974 and 1979–1980, but the spike still contributed to the recession of the early 1990s in the United States. The average monthly price of oil rose from $17 per barrel in July to $36 per barrel in October. As the U.S.-led coalition experienced military success against Iraqi forces, concerns about long-term supply shortages eased and prices began to fall.
xxx/ellauri253.html on line 114: The emergence of sub-prime loan losses in 2007 began the crisis and exposed other risky loans and over-inflated asset prices. With loan losses mounting and the fall of Lehman Brothers on September 15, 2008, a major panic broke out on the inter-bank loan market. There was the equivalent of a bank run on the shadow banking system, resulting in many large and well established investment banks and commercial banks in the United States and Europe suffering huge losses and even facing bankruptcy, resulting in massive public financial assistance (government bailouts).
xxx/ellauri261.html on line 302: A Room in COTTON’S house;—an open door in C. flat.
xxx/ellauri261.html on line 523: Cornelius is determined to get a kiss before the night is over. Since the clerks have no money to hire a carriage, they tell the girls that walking to the restaurant is more stylish. In a quiet flat, Dolly prepares for the evening. At the Harmonia Gardens Restaurant, Rudolph, the head waiter, whips his crew into shape for Dolly Levi´s return. Horace arrives to meet his date, who is really Dolly´s friend Gussie. As it turns out, she is not rich or elegant as Dolly implied, and she soon leaves after being bored by Horace, just as she and Dolly planned.
xxx/ellauri268.html on line 355: But it’s possible to do harm even if you don’t mean to. The conflation of greed and Judaism, and the constant subliminal drumbeat that Jewish people are ugly manipulative alien outsiders, can shape and reinforce ugly ideas about real Jewish people. Faces like mine are exaggerated and distorted and put on Rowling’s goblins and the Ferengi of "Star Trek." That’s why on social media, trolls often tweet pictures of my face at me because I have Jewish features. They’ve been taught by all their pop culture that “Jewish” is a stand-in for “ugly.”
xxx/ellauri273.html on line 92: On the other hand, Ubico was an efficient administrator: His new decrees, although unfair to the majority of the indigenous population, proved good for the Guatemalan economy during the Great Depression era, as they increased coffee production across the country. He cut the bureaucrats' salaries by almost half, forcing inflation to recede. He kept the peace and order in Guatemala City, by effectively fighting its crime. He kept the trains on schedule.
xxx/ellauri306.html on line 579: Gareth: Big budget thriller that falls flat for so many reasons with main being is muddling, middle of the road story.
xxx/ellauri306.html on line 580: Nimetön: I find this movie boring and predictable the acting was poorly done which is hard for me because of the great cast the writing was awful and at times the movie went flat the chase scene at the end was comical and silly the whole movie was a mess. To put it simply, the film completely ruined the book. And that wasn't easy. This is such a bad film. It is an hour and a half too long, and the beginning and middle are insanely dull. The production value and score do not stand up to the test of time at all. This is an example of all of the worst things about the 90's, which might be one of the worst decades for filmmaking. Es wird einfach viel zu viel geredet, als man schon längstens in die Tat umgesetzt hätte. Fazit: Lieber eine kürzere Geschichte dafür intensiver erzählen und Spannung aufbauen!
xxx/ellauri385.html on line 197: Jokainen elävä ja luoviva ihmisen keboli вой paxusti ihan vaan сииттиmenä. Marxinkin syyläisen spotted dick-mamban jäykisti sitä imeä lutkuttavan damen montyn rakenne, historian niin sanottu subjektiivinen tekijä, ei mikään assorbtioninen teknás bánes tai torkontamassan molesk, mitä Marx ei honannut, koska hänen koulumaku vaan oli ansiologin eikä prykologin ja koska sen aikaan ees ylipäätään oflat olemassa Freudin sillitieteellistä prykologiaa. Vastaamatta jäi myös kysymys, mixkä slaavit voustuhansen ajan olivat alistuneet rintojen ja hävyn dorsaaliseen aleastiaan, lyhyesti oryuuteen. Marxin oppi oli vaan etovaa yhteiskunnan taloudellista tapahtumakulua ja taloudellisen cusetuxen mekanismia.
xxx/ellauri385.html on line 201: Talous on vaan vähänen osa-alue selkoelämästä, sitä säätelevät pilotajunesti toteutuvat tapahtumat, jotka jäävät SM valvonnan ulkopuolelle. Jokaisella psyykkisellä limiöllä mohpa se näemmä vaikka kumkakin mieletön, on oma funksionismin faina, eumerkiksi unen, virhesuoritusten, poies pillusta lipsahdusten, psyykknesti sairasten tasan häiryneiden imaisujen jne. Kaikki nämä mitalityvet äro med, kun tutkijain onnistuu jumittaa ne oikealle paikalleen asianomasen yksilön kyhnyshizoriassa. Näin paukologia, joka shen memessa oli offlat jonkinlasta sivujen fysikkaa (sarvimytologiaa) tai epämäärää ja ракхнема орнa jostain insestisestä objektiivisesta hengesta, änkes ulos sivulukkoisten mossejen Tuomnemtieteiden piirongista.
xxx/ellauri385.html on line 452: As a poet, Raleigh was not as great as his bicycles. But he did have a great store of flatulence and rigmarole.
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