ellauri007.html on line 394: flamingot mailoina ja siilit palloina.
ellauri007.html on line 1066: Filmens flamingoer är virtuella och
ellauri028.html on line 818: - Päivää. - Vuh. - Vuh. Kun nyt huhtikuun lopulla jäätte eläkkeelle, tulette olleexi kokonaista kolme vuosikymmentä eläinten palveluxessa. Jussi Carlson, kykenittekö lisääntymään Korkeasaaressa? No minulla oli stressi monta vuotta. Kolmas vaimoni sai minut lopulta innostumaan lisääntymisestä, mutta silloin oli jo liian myöhäistä. Luonnonolosuhteissa olisin varmaan tehnyt useampiakin pentueita, mutta nyt se jäi tähän Jasperiin. Hyvä niinkin, ettei Vaasa-suvun Suomen haara päässyt ihan ehtymään. - Jussi Carlson, saako olla maapähkinöitä? - Yleensä minua ei saa ruokkia, mutta kun nyt olen jäämässä eläkkeelle, olkoon menneexi. Kiitos. - Niin Johannes, kun te nyt jäätte eläkkeelle, tuleeko teille ikävä tänne Korkeasaareen? Varmasti tulisi, mutta minulle ja vaimolleni on luvattu oma häkki saaren eteläpäästä. Se on vähän pienempi kuin eläintenhoitajan koppi flamingotarhan perällä, mutta siellä on parempi kiipeilypuu, ja ketut ovat mielestäni mukavampia naapureita kuin flamingot. Ketuista lähtee eläintarhassa kesällä väkevää luonnon tuoxua, kuten Juutas Käkriäisestä sahan hovin salissa. Siellä minä sitten puolisoni kanssa asustelen hiiriä nikertäen ja paritellen, kunnes hetkeni tulee, ja minut viedään Eläintieteelliseen täytettäväxi. Vuh.
ellauri046.html on line 953: . . . In July 1868 Moerike wrote to a friend: ". . . Just by chance I ran across the Old German name Rohtraut in a dictionary. Up until then I hadn't heard it used. It shone forth for me like a flaming rose, and with it the King's daughter came to life" . . .
ellauri048.html on line 785: They love to see the flaming forge, nekin on ihan sepän koukussa,
ellauri048.html on line 813: Thus at the flaming forge of life jenkkimäisessä yrittäjyydessä.
ellauri050.html on line 460: flamingos.htm">Die Flamingos | 9 | 0.44% | 187 |
ellauri072.html on line 544: (Although if you saw someone juggling 40 flaming torches, would your main response be, Who the hell does he think he is?)
ellauri099.html on line 154: | George Byron | flamingo | sappi | Athletiker | |   |
ellauri111.html on line 136: Ecclesiasticus 3:30, Water will quench a flaming fire, and alms maketh atonement for sin.
ellauri156.html on line 451: A. H. Weiler of The New York Times described the film as "a reverential and sometimes majestic treatment of chronicles that have lived three millennia." He praised Dunno's screenplay and Peck's "authoritative performance" but found that Wayward "seems closer to Hollywood than to the arid Jerusalem of his Bible." Variety wrote, "This is a big picture in every respect. It has scope, pageantry, sex (for all its Biblical background), cast names, color—everything. It's a surefire boxoffice entry, one of the really 'big' pictures of the new selling season." Philip K. Scheuer of the Los Angeles Times wrote that the film "leaves little to be desired" from the standpoint of production values with Peck "ingratiating" as David and Wayward "a seductress with flaming tresses, in or out of the bath, and only her final contrition is a little difficult to believe." Richard L. Coe of The Washington Post wrote, "On the whole, the picture suggests a Reader's Digest story expanded into a master's thesis for the Ecole Copacabana."] Harrison's Reports wrote, "The outstanding thing about the production is the magnificent performance of Gregory Peck as David; he makes the characterization real and human, endowing it with all the shortcomings of a man who lusts for another's wife, but who is seriously penitent and prepared to shoulder his guilt. Susan Wayward, as Bathsheba, is beautiful and sexy, but her performance is of no dramatic consequence." The Monty Python Bulletin commented that the film had been made "with restraint and relative simplicity" compared to other historical epics, "and the playing of Gregory Peck in particular is competent. The whole film, however, is emotionally and stylistically quite unworthy of its subject." Philip Hamburger of The New Yorker wrote that "the accessories notwithstanding, something is ponderously wrong with 'David and Bathsheba.' The fault lies, I suppose, in the attempt to make excessive enlargements of an essentially-simple story." Zanuck the Hot Dog agreed.
ellauri160.html on line 147: He would wear trousers made of green billiard cloth, a pink coat, a blue shirt, a tie hand-painted by a Japanese friend, an immense sombrero, a flaming beard cut to a point, and a single, large blue earring."
ellauri285.html on line 381: A bunch of POPPIES flaming red, Punaisia unikkoja siinä kasa,
ellauri483.html on line 92: Madame Tracy + Aziraphale and Shadwell are cruising on the scooter at about 4/5mph making the journey time to Tadfield about 5 hours. Aziraphale intervenes, and they whizz over the site of Crowley's earlier spectacle on the M25 to the bemusement of many soggy law enforcers. Newt and Anathema arrive at the airfield. Adam and the Them approach Tadfield military base. R. P. Tyler, a bit of a miserable old sod, gives the 4 horsebikers directions to the airbase. The Them pass him by on route there too, but they know a shortcut. Soon after Madame T, Aziraphale and Shadwell appear on the scooter asking Tyler about Adam Young. Finally Crowley's flaming Bentley. All our MC's are in place! Tyler goes to inform Mr. Young that Adam is up at the airbase whilst composing angry letters to the newspapers in his mind. The 4 horsebikers arrive feeling disappointed that the end of the world isn't quite as they imagined. They bamboozle the guard to get inside, but still it sets of the alarms. Newt and Anathema can hear them as they try to also get inside. Newt flashes his WA ID card to the guard monitoring the hole in the gate as Anathema threatens him with a gun stick. Simultaneously Madame T, Aziraphale and Shadwell are, unsuccessfully, trying to get past the guard of the front gate. Adam knows that he is likely to get the Them in trouble (again). He is fighting the tumultuous darkness in his mind. He needs a sword, a crown and some scales. They must find these things...or make do. Crowley joins Aziraphale and co. at the front gate just as the Them zip by. Aziraphale disappears the guard which makes Shadwell believe that his deadly gun finger weapon has, once again, saved the day. Once inside Adam magically puts some soldiers to sleep. Electricty the world over goes haywire. Death notes that the Anti-christ has arrived. The other horsepeople are changed, becoming less and less humanoid. Anathema and Newt were hidden in the same room to witness it. They are trying to disable the communications equipment, but it isn't going well for Newt. Death and the 3 horsebikers tell Adam "it is done", but Adam is not pleased. When they don't leave Adam orders the Them to attack using their own versions of the sword, balance and crown. Pepper and War go head to head, followed by Wensleyday and Famine, and Brian and Pollution. The children drive them back into the minds of men. Death reveals himself as Azrael. Adam has put a stop to it all. Azrael reminds the Them that the horsepeople are never far away before disappearing himself. Newt confesses to be an anti-computer engineer, and sure enough once he lays hands on the equipment it glitches out causing all electronics right themselves again. Our characters converge, and Metatron appears to them all followed closely by Beezlebub. They both believe Armageddon must happen! Adam makes some good points about why it is pointless. Beezlebub and Metatron want to stick by the Grand Plan but Crowley brings it into doubt. He realises that Adam is neither good nor evil incarnate. He was left alone by both sides, and as such has become human incarnate. Beezlebub and Metatron disappear to consult with their superiors.
ellauri488.html on line 810: Robert Heinlein was not a communist; in fact, he was a fierce anti-communist for most of his life. While he was a "flaming liberal" and a socialist in his youth, he viewed communism as an authoritarian "filth column" that threatened individual liberty.
xxx/ellauri186.html on line 447: If I quench thee, thou flaming minister,
xxx/ellauri187.html on line 222: Kojootti flamingotarhassa
xxx/ellauri187.html on line 224: Urbaani legenda kertoo että serkku Jussi, nyttemmin Johan Carlson, jätti päivänä muutamana epähuomiossa auki Högholmenin flamingotarhan portin, ja ketut pääsivät siitä syömään flamingot. Joitakin vaaleanpunaisia höyheniä jäi vaan jälelle. Luultavasti tämäkin on fuulaa, pelkkää panettelua, niinkuin tässä albumissa kaikki.
xxx/ellauri235.html on line 694: He pass'd the flaming bounds of Place and Time: Hän ylitti paikan ja ajan palavat rajat:
xxx/ellauri304.html on line 596: Status objects. An essay by Tom Wolfe (Bonfire of the Vanities) put this in my head some years ago. A certain kind of person wants to wear shirts that have little alligators on them and another totally different type of person perhaps wants to have a statue of a black jockey on his lawn…or a pink flamingo. My late loving mother, a paragon of taste, once moved into our guest house and put painted plywood cutouts of the backviews of two people, bending over as if planting something in the yard. Naturally, butt cracks were visible because they were the whole point of this architectural and horticultural display. Since my house then was a mansion and a national historic site, I suggested that my mother take her plywood cutouts off the front lawn and put them in her backyard where nobody could see her butt. (I am a long time out of Alabama.)
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