ellauri063.html on line 297: Pride & Prejudice earned a worldwide gross of approximately $121 million, which was considered a commercial success. Austen scholars have opined that Wright's work created a new hybrid genre by blending traditional traits of the heritage film with "youth-oriented filmmaking techniques". What "heritage film"? Austen's original screenplay?
ellauri065.html on line 202: The Human Centipede has its moments, but they're largely obscured by umpteen holes in the plot as well as by reams of exposition. It was an ultimately underwhelming affair that's neither sick or repellent enough to garner the cult status it so craves. Whether the film was a commentary on Nazi atrocities or a literal expression of filmmaking politics, the grotesque fusion at least silences the female leads, both of whose voices could strip paint.
ellauri266.html on line 262: In a world of superhero movies, this film stands out and reminds you of what the art of filmmaking is all about. No explosions, gunfights, or unnecessary sexual content, simply a group of phenomenal actors. The story is both sad and uplifting and it says more about PTSD (post-traumatic stress disorder) than any film I've seen in years. The fact that this film was so underappreciated is an indictment of the viewing public.
ellauri332.html on line 454: Wenders himself remains less than happy with the project, and on the commentary track of The American Friend cites it as a contributory factor in his decision to almost abandon filmmaking and return to painting and film criticism.
xxx/ellauri085.html on line 120: Sidney Peterson (November 15, 1905, Oakland, California – April 24, 2000, New York City) was an American author, artist, and avant-garde filmmaker. He attended UC Berkeley, worked as a newspaper reporter in Monterey, and spent time as a practicing painter and sculptor in France in the 1920s and 1930s. After World War II, Peterson founded Workshop 20 at the California School of Fine Arts (renamed the San Francisco Art Institute), initiating filmmaking courses at the school.
xxx/ellauri306.html on line 580: Nimetön: I find this movie boring and predictable the acting was poorly done which is hard for me because of the great cast the writing was awful and at times the movie went flat the chase scene at the end was comical and silly the whole movie was a mess. To put it simply, the film completely ruined the book. And that wasn't easy. This is such a bad film. It is an hour and a half too long, and the beginning and middle are insanely dull. The production value and score do not stand up to the test of time at all. This is an example of all of the worst things about the 90's, which might be one of the worst decades for filmmaking. Es wird einfach viel zu viel geredet, als man schon längstens in die Tat umgesetzt hätte. Fazit: Lieber eine kürzere Geschichte dafür intensiver erzählen und Spannung aufbauen!

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