Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
ellauri078.html on line 44: The infinity symbol ( ∞ {\displaystyle \infty } \infty , ∞, or in unicode ∞) is a mathematical symbol representing the concept of infinity. In algebraic geometry, the figure is called a lemniscate.
ellauri078.html on line 50: The consideration of curves with a figure-eight shape can be traced back to Proclus, a Greek Neoplatonist philosopher and mathematician who lived in the 5th century AD. Proclus considered the cross-sections of a torus by a plane parallel to the axis of the torus. As he observed, for most such sections the cross section consists of either one or two ovals; however, when the plane is tangent to the inner surface of the torus, the cross-section takes on a figure-eight shape, which Proclus called a horse fetter (a device for holding two feet of a horse together), or "hippopede" in Greek. The name "lemniscate of Booth" dates to its study by the 19th-century mathematician James Booth.
ellauri078.html on line 61: Analemma, the figure-eight shaped curve traced by the noontime positions of the sun in the sky over the course of a year
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ellauri079.html on line 155: Sit on toi ulkoasuvaurioteema. Koko Mario/Joelle dysfigure kuvio on jotain Wallun ulkonäköskizoa.
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ellauri082.html on line 118: WARNING: This whole thing is one gigantic spoiler. Only read it if you’ve already tried to figure it out for yourself first.
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ellauri083.html on line 336: For all their profusion, these paled in comparison with Sachs's newest display pieces: The Cabinet, 2014, and The Rockeths, 2017. The former was a folding case fashioned from orange-and-white striped barricades and festooned with hundreds of tools, hung in groups and inscribed with the names of individuals who have "inspired, influenced, or frightened" the artist--from Le Corbusier and Louis Kahn to the members of the Wu-Tang Clan--while the latter was less a cabinet than a kind of portable workbench and shelving unit, similarly jam-packed with the tools of the artist's trade, as well as a collection of model rockets, all again labeled to namecheck various figures of personal importance--scientists, musicians, artists; Apollo, Dionysus, Stringer Bell. The fetishistic frisson the assembled materials (pens, pliers, drill bits, tape measures) clearly provoke in Sachs was made even more explicit in McMasterbation, 2016, one of a trio of scale-model space modules arrayed on plinths. Featuring a copy of the legendarily comprehensive McMaster-Carr hardware catalogue spread open like a porn mag centerfold designed for lonely gearheads--alongside a ready supply of Vaseline and a handy tissue dispenser--it was part cathectic confession of objectophilia and part self-derogating indictment of his own work's tendencies toward sometimes masturbatory excess. Smart and stupid, funny and somehow a bit sad, it was classic Sachs: too much information, in every sense of the phrase.
ellauri083.html on line 338: Hendershot recalls that, in the Schreber case, God was believed to manifest his creative and destructive power as celestial rays (Freud 22). As with spider-webs and hedgehogs quills, this radial pattern describing dilation and contraction, movement back and forth from center to circumference and from circumference to center, is the essential figure for the paranoid narcissism of a subject who feels threatened by the world and guilty for having taken "his own body [...] as his love-object" (Freud 60). Signaling Fistule's repressed homosexuality, the rays of his intelligence had first been focused on the masochistic annihilation of his genitals, which he denies were the original object of his love ("organes hideux," "vomitoires de dejections"), and then had been used in reconstructing a sexless new reality. Insisting on his exemption from the Naturalist law of biological determinism, Fistule denies his human parentage and maintains that he was born of a star, which, shining like the rays of his genius, had inseminated him and allowed him to be the father of himself, causa sui. Homosexual guilt initially projected as the corruptibility of matter is overcome by Fistule's principle of Stellogenesis, which turns flesh into radiance and bodies into starlight. As Hendershot concludes: "In Freud's theory, the paranoiac withdraws from the world (decathexis), directs his or her cathectic energy to the ego resulting in self-aggrandizement, and then attempts to reestablish a cathectic relationship with the world in the form of a delusional system"
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ellauri093.html on line 140: This list consists of mostly nineteenth-century figures who were associated with the Brethren movement before the 1848 schism. They are the leading historical figures common to both the Open and Exclusive Brethren.
ellauri093.html on line 142: Two exceptions are H.A. Ironside and Watchman Nee, twentieth-century preachers who spent time associated with both the Open and Exclusive Brethren. See the respective articles for other more recent figures who have functioned primarily or entirely in either the Open Brethren or Exclusive Brethren.
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ellauri093.html on line 451: These various forms and figures are borrowed from it. Niiden toiveikkaat muodot ja kuviot kaikki hieroo sitä.
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ellauri094.html on line 255: Reign of Jehoiakim (succeeded Jehoahaz, who replaced Josiah but reigned only 3 months) Began giving tribute to Nebuchadnezzar in 605 BCE. First deportation, purportedly including figure)" title="Daniel (biblical figure)">Daniel.
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ellauri094.html on line 658: “Super Flumina Babylonis” celebrates the release of Italy from bondage in imagery that recalls the resurrection of Christ. The open tomb, the folded graveclothes, the “deathless face” all figure in this interesting poem that sings out, “Death only dies.” In “Quia Multum Amavit,” France, shackled by tyranny, is personified as a harlot who has been false to liberty. She has become “A ruin where satyrs dance/ A garden wasted for beasts to crawl and brawl in.” The poem ends with France prostrate before the spirit of Freedom, who speaks to her as Christ spoke to the sinful woman in the Pharisee’s house, in a tone of forgiveness.
ellauri094.html on line 694: The figure of speech is a kind of anaphora.
ellauri095.html on line 147: The image of the poet´s estrangement from God figures in "I wake and feel the fell of dark, not day", in which he describes lying awake before dawn, likening his prayers to "dead letters sent To dearest him that lives alas! away." The opening line recalls Lamentations 3:2: "He hath led me, and brought me into darkness, but not into light." "No Wurst, There is None" and "Carrion Comfort" are also counted among the "terrible sonnets".
ellauri095.html on line 487: John Henry Newman (21 February 1801 – 11 August 1890) was an English theologian and poet, first an Anglican priest and later a Catholic priest and cardinal, who was an important and controversial figure in the religious history of England in the 19th century. He was known nationally by the mid-1830s, and was canonised as a saint in the Catholic Church in 2019.
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ellauri096.html on line 589: Les Chants de Maldoror (The Songs of Maldoror) is a French poetic novel, or a long prose poem. It was written and published between 1868 and 1869 by the Comte de Lautréamont, the nom de plume of the Uruguayan-born French writer Isidore Lucien Ducasse. The work concerns the misanthropic, misotheistic character of Maldoror, a figure of evil who has renounced conventional morality.
ellauri096.html on line 593: Maldoror is a modular (sic) work primarily divided into six parts, or cantos; these parts are further subdivided into a total of sixty chapters, or verses. Parts one through six consist of fourteen, sixteen, five, eight, seven and ten chapters, respectively. With some exceptions, most chapters consist of a single, lengthy paragraph.[b] The text often employs very long, unconventional and confusing sentences which, together with the dearth of paragraph breaks, may suggest a stream of consciousness, or automatic writing. Over the course of the narrative, there is often a first-person narrator, although some areas of the work instead employ a third-person narrative. The book's central character is Maldoror, a figure of evil who is sometimes directly involved in a chapter's events, or else revealed to be watching at a distance. Depending on the context of narrative voice in a given place, the first-person narrator may be taken to be Maldoror himself, or sometimes not. The confusion between narrator and character may also suggest an unreliable narrator.
ellauri096.html on line 706: Il est l´un des fondateurs du courant de pensée tiers-mondiste, et une figure majeure de l´anticolonialisme. Il a inspiré les études postcoloniales. Il cherche à analyser les conséquences psychologiques de la colonisation à la fois sur le colon et sur le colonisé. Dans ses livres les plus connus comme Les Damnés de la Terre, il analyse le processus de décolonisation sous les angles sociologique, philosophique et psychiatrique. Il a également écrit des articles importants en psychiatrie.
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ellauri098.html on line 447: INTP (introverted inntuitive thinking perceiving) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test. INTPs are a relatively rare type, making up about 4% of the population. INTPs are creatures of logic. Calm, controlled, and studious, INTPs are driven by the search for reason. For INTPs, the principles behind anything can be figured out given enough time. In fact, INTPs often get caught up on thinking for its own sake; the stereotypical figure of the “absent-minded scientist” is based on INTP behavior.
ellauri098.html on line 737: The Manual has lots of very useful material, but it costs close to $100 (gasp!). Here are the latest figures based on a random sample using the Form M. 16,000 people were contacted. The forms of 3,009 people u with "best fit" as determined by the client, the results of this survey were not shown to the individuals to see if they indeed did fit. Nevertheless, the survey does give us a good cross section of results to work from. The sample is corrected for the demographics of the USA. (Did some Es not hand in their form because they were talking too much. Did some of the Is get so caught up in their inner world? Did the Ss get so obsessed with details they didn´t hand it in? Did the Ns get so caught up in the big picture? Did the Ts figure it was too airy-fairy people stuff? Did the Fs focus so much on how they felt that they didn't get theirs off? Maybe the Js didn't like the way it was organized? The Ps just may not have found the right moment to get down to doing the inventory.)
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ellauri099.html on line 59: Deciding that only full confession will absolve him of wrongdoing, Dorian decides to destroy the last vestige of his conscience and the only piece of evidence remaining of his crimes; the picture. In a rage, he takes the knife with which he murdered Basil Hallward and stabs the picture. The servants of the house awaken on hearing a cry from the locked room; on the street, a passerby who also heard the cry calls the police. On entering the locked room, the servants find an unknown old man stabbed in the heart, his figure withered and decrepit. The servants identify the disfigured corpse by the rings on its fingers, which belonged to Dorian Gray. Beside him, the portrait is now restored to its former appearance of beauty.
ellauri099.html on line 170: Although the splendidly unreliable Diogenes Laertius says that Plato possessed no property other than what is mentioned in his will, he received a large sum of money from Dionysius I. Plato had a significant fund of money at his disposal (the exorbitant figure of 80 talents is mentioned). Indeed, Plato is also said to have had a banker called Andromedes. In other words, Plato was rich and had wealthy patrons and very probably wealthy students.
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ellauri099.html on line 209: Expressing ancient money values in modern terms presents a perennial puzzle for historians of economics, so I called on my colleague, the economist Duncan Foley, for help. He very roughly calculated that the annual gross domestic product of classical Athens was about 4,400 talents. If that is right, then 800 talents is a vast figure, 32 times the expenditure on the Academy. Foley is somewhat skeptical of the figure, though. Ancient sources for numerical data (like the size of armies) are notoriously inaccurate, so perhaps a excited copyist simply added a zero.
ellauri100.html on line 236: Apologies, but YourMorals.org is not available for use by people in the European Union until we figure out how to comply with GDPR guidelines. But you can read Politics and Prosperity.com instead! Now there is a straight-backed American if there ever was one! (Was there?)
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ellauri105.html on line 261: The Hebrew prophets frequently compared the sin of idolatry to the sin of adultery, in a reappearing rhetorical figure.[2]:317 Ezekiel's rhetoric directed against these two allegorical figures depicts them as lusting after Egyptian men in explicitly sexual terms in Ezekiel 23:20–21:[3]:18
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ellauri106.html on line 628: “Roth’s misogyny infuses everything that he writes,” according to Meg Elison, a novelist recently described by the Times as “re-examining Roth”. This is typical of the all-or-nothing approach that is popular today, where if you don’t like everything about a public figure, then you can’t like anything. (Uskokaa tai älkää tää mielipide tulee naiselta. Se oli varmaan käynyt modernin kirjallisuuskritiikin koulua.)
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ellauri107.html on line 484: Finkelstein asserted that five dollars was not too great a sum, not for a really high-class lighter which was suitably nickeled and provided with connections of the very best quality. “I always say—and believe me, I base it on a pretty fairly extensive mercantile experience—the best is the cheapest in the long run. Of course if a fellow wants to be a Jew about it, he can get cheap junk, but in the long RUN, the cheapest thing is—the best you can get! Now you take here just th' other day: I got a new top for my old boat and some upholstery, and I paid out a hundred and twenty-six fifty, and of course a lot of fellows would say that was too much—Lord, if the Old Folks—they live in one of these hick towns up-state and they simply can't get onto the way a city fellow's mind works, and then, of course, they're Jews, and they'd lie right down and die if they knew Sid had anted up a hundred and twenty-six bones. But I don't figure I was stuck, George, not a bit. Machine looks brand new now—not that it's so darned old, of course; had it less 'n three years, but I give it hard service; never drive less 'n a hundred miles on Sunday and, uh—Oh, I don't really think you got stuck, George. In the LONG run, the best is, you might say, it's unquestionably the cheapest.”
ellauri107.html on line 507: Put your John Hancock on that line! To sign one's name on a document or other item. John Hancock, an influential figure in the American Revolution, is known for his especially large and legible signature on the Declaration of Independence. As soon as you put your John Hancock on these papers, you'll be the proud owner of a brand new car!
ellauri108.html on line 94: Jesus is an important figure in Rastafari. However, practitioners reject the traditional Christian view of Jesus, particularly the depiction of him as a white European, believing that this is a perversion of the truth. They believe that Jesus was a black African, and that the white Jesus was a false god. Many Rastas regard Christianity as the creation of the white man; they treat it with suspicion out of the view that the oppressors (white Europeans) and the oppressed (black Africans) cannot share the same God. Many Rastas take the view that the God worshipped by most white Christians is actually the Devil, and a recurring claim among Rastas is that the Pope is Satan or the Antichrist. Rastas therefore often view Christian preachers as deceivers and regard Christianity as being guilty of furthering the oppression of the African diaspora, frequently referring to it as having perpetrated "mental enslavement".
ellauri108.html on line 98: From its origins, Rastafari was intrinsically linked with Haile Selassie, the Emperor of Ethiopia from 1930 to 1974. He remains the central figure in Rastafari ideology, and although all Rastas hold him in esteem, precise interpretations of his identity differ. Understandings of how Haile Selassie relates to Jesus vary among Rastas. Many, although not all, believe that the Ethiopian monarch was the Second Coming of Jesus, legitimising this by reference to their interpretation of the nineteenth chapter of the Book of Revelation. By viewing Haile Selassie as Jesus, these Rastas also regard him as the messiah prophesied in the Old Testament, the manifestation of God in human form, and "the living God". Some perceive him as part of a Trinity, alongside God as Creator and the Holy Spirit, the latter referred to as "the Breath within the temple". Rastas who view Haile Selassie as Jesus argue that both were descendants from the royal line of the Biblical king David, while Rastas also emphasise the fact that the Makonnen dynasty, of which Haile Selassie was a member, claimed descent from the Biblical figures Solomon and the Queen of Sheba.
ellauri108.html on line 143: Rastas refer to their cultural and religious practices as "livity". Rastafari does not place emphasis on hierarchical structures. It has no professional priesthood, with Rastas believing that there is no need for a priest to act as mediator between the worshipper and divinity. It nevertheless has "elders", an honorific title bestowed upon those with a good reputation among the community. Although respected figures, they do not necessarily have administrative functions or responsibilities. When they do oversee ritual meetings, they are often responsible for helping to interpret current events in terms of Biblical scripture. Elders often communicate with each other through a network to plan movement events and form strategies.
ellauri108.html on line 187: Rastas use their physical appearance as a means of visually demarcating themselves from non-Rastas like the whites. Male practitioners will often grow long beards, and many Rastas prefer to wear African styles of clothing, such as dashikis, rather than styles that originated in Western countries. However, it is the formation of hair into dreadlocks that is one of the most recognisable Rasta symbols. Rastas believe that dreadlocks are promoted in the Bible, specifically in the Book of Numbers, and regard them as a symbol of strength linked to the hair of the Biblical figure of Samson. They argue that their dreadlocks mark a covenant that they have made with Jah, and reflect their commitment to the idea of 'naturalness'. They also perceive the wearing of dreads as a symbolic rejection of Babylon and a refusal to conform to its norms regarding grooming aesthetics. Rastas are often critical of black people who straighten their hair, believing that it is an attempt to imitate white European hair and thus reflects alienation from a person's African identity. Sometimes this dreadlocked hair is then shaped and styled, often inspired by a lion's mane symbolising Haile Selassie, who is regarded as "the Conquering Lion of Judah".
ellauri108.html on line 205: Howell has been described as the "leading figure" in the early Rastafari movement. He preached that black Africans were superior to white Europeans and that Afro-Jamaicans should owe their allegiance to Haile Selassie rather than to George V, King of Great Britain and Ireland. The island's British authorities arrested him and charged him with sedition in 1934, resulting in his two-year imprisonment. Following his release, Howell established the Ethiopian Salvation Society and in 1939 established a Rasta community, known as Pinnacle, in Saint Catherine Parish. Police feared that Howell was training his followers for an armed rebellion and were angered that it was producing cannabis for sale. They raided the community on several occasions and Howell was imprisoned for a further two years. Upon his release he returned to Pinnacle, but the police continued with their raids and shut down the community in 1954; Howell himself was committed to a mental hospital.
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ellauri108.html on line 455: Rastas who view Haile Selassie as Jesus argue that both were descendants from the royal line of the Biblical king David, while Rastas also emphasise the fact that the Makonnen dynasty, of which Haile Selassie was a member, claimed descent from the Biblical figures Solomon and the Queen of Sheba.
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ellauri109.html on line 410: C’est en Égypte, durant le règne de Méhémet Ali Pacha, qu’une délégation française débarque en terre des pharaons dans l’intention de moderniser le pays du Nil. Parmi ses membres, y figurent Maxime Du Camp en tant que photographe, mais aussi Gustave Flaubert, qui n’a pas encore 30 ans et surtout qui n’est pas encore devenu un écrivain notoire. Sa mission au sein de la délégation reste peu claire. L’occasion pour Mohamed Taan, en prenant certaines libertés de romancier, de parler sans ambages de l’homosexualité de l’auteur de La tentation de saint Antoine…
ellauri109.html on line 429: [...] Pauvre cher bougre, j’ai bien envie de t’embrasser. Je serai content quand je reverrai ta figure. [...] Adieu, je t’embrasse et suis plus que jamais "Maréchal de Richelieu, juste-au-corps bleu, Mousquetaire gris, régence et cardinal Dubois", sacrebleu !
ellauri109.html on line 511: Many literary figures have dreaded the spectre of the biographer. Charles Dickens, Wilkie Collins, Walt Whitman, Henry James, and Sylvia Plath are but a few who put their letters and journals into the fire. Lea poltti päiväkirjansa kommunistien pelossa ja repi lottapuvun matonkuteixi. James admitted to his nephew and literary executor that his singular desire in old age was to “frustrate as utterly as possible the postmortem exploiter.”
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ellauri111.html on line 271: “Not ‘just’ like that. No. If you’d read my Diary” (not said reproachfully, but matter of factly) “you’d have read how I imagined the judge speaking to such a person. He makes it clear that it’s not a matter of going home and forgetting about it, going back to the way things were before. No. There has to be change. In my time, the father was the authority figure in the family, but, as I—or my imaginary judge—pointed out, even fathers sometimes need to be re-educated by their children until they learn to listen to their children’s needs. I know that families are very different in your time, but, yes, parents, whoever they are, must learn to be parents to their children. I disagree with much that the prosecutor said about the Karamazov family, but he was right on one point: parents can’t just be parents by virtue of procreation, they have to become parents. And when they abuse their position and their power, they cannot hide behind their rights as parents—they have to own up. The guilty have to know that they are guilty.”
ellauri112.html on line 55: Alexander Bain (11 June 1818 – 18 September 1903) was a Scottish philosopher and educationalist in the British school of empiricism and a prominent and innovative figure in the fields of psychology, linguistics, logic, moral philosophy and education reform. He founded Mind, the first ever journal of psychology and analytical philosophy, and was the leading figure in establishing and applying the scientific method to psychology. Bain was the inaugural Regius Chair in Logic and Professor of Logic at the University of Aberdeen, where he also held Professorships in Moral Philosophy and English Literature and was twice elected Lord Rector of the University of Aberdeen.
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ellauri112.html on line 660: As a nation, we’re well-used to the stereotype of the Irish mammy. Generally speaking though, the mother as a comical, level-headed supporting character is not unique to us, Jews and Italians have them too, and Latinos, I bet. Sometimes she’s the self-sacrificing figure who will do anything for her children, sometimes she’s neurotic and controlling, suppressing the growth and social development of her kids, who are typically the leads. Rarely has she ever taken front-of-stage.
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ellauri115.html on line 296: One of the most important figures of the Renaissance was Michel de Montaigne. The writer not only gets the credit for popularizing the essay, but for being the father of Modern Skepticism, coining the phrase "What do I know?". Well, what do you know!
ellauri115.html on line 420: Among Rousseau's numerous charges were Hume's misreading of a key letter from Rousseau about a royal pension. That error embroiled King George III. The king was just one of the many prominent figures to be sucked into the quarrel: others included Diderot, D'Holbach, Smith, James Boswell, D'Alembert and Grimm. Walpole became a key player. Voltaire piled in too, unable to resist the chance to strike at Rousseau.
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ellauri117.html on line 251: So they wrestled swiftly, rapturously, intent and mindless at last, two essential white figures working into a tighter closer oneness of struggle, with a strange, octopus-like knotting and flashing of limbs in the subdued light of the room; a tense white knot of flesh gripped in silence between the walls of old brown books. Now and again came a sharp gasp of breath, or a sound like a sigh, then the rapid thudding of movement on the thickly-carpeted floor, then the strange sound of flesh escaping under flesh. Often, in the white interlaced knot of violent living being that swayed silently, there was no head to be seen, only the swift, tight limbs, the solid white backs, the physical junction of two bodies clinched into oneness. Then would appear the gleaming, ruffled head of Gerald, as the struggle changed, then for a moment the dun-coloured, shadow- like head of the other man would lift up from the conflict, the eyes wide and dreadful and sightless.
ellauri117.html on line 338: Birkin laughed. He was looking at the handsome figure of the other man, blond and comely in the rich robe, and he was half thinking of the difference between it and himself -- so different; as far, perhaps, apart as man from woman, yet in another direction. But really it was Ursula, it was the woman who was gaining ascendance over Birkin´s being, at this moment. Gerald was becoming limp again, lapsing out of him.
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ellauri118.html on line 528: Metalepsis (from Greek: μετάληψις, lat. transsumption) is a figure of speech in which a metaphor is used as a metonym. Metalambanein on ottaa messiin. Examples:
ellauri118.html on line 558: Ensimmäinen style indirect librestä ranskan kielessä kirjoittanut tutkija Charles Bally nimittääkin ”style indirect librea” kaunokirjalliseksi ajattelun figuuriksi (ei ”puheen esittämiseksi”), ”figure de pensée” (Bally 1914, 407). Ei ole enää kyse kieliopillisesta muodosta, vaan kirjallisesta ajattelun kuviosta. Kuvion ymmärrän tapana saadaan aikaan ja ilmaista jokin esitys, joka ei noudata objektiivista todellisuutta eikä kielitieteellistä
ellauri119.html on line 137: In season two's "Hot off the Griddle," Catwoman captures Batman and Robin in a room where the floor is red hot. They hop up and down while trying to figure out a plan and Robin shouts out "holy bunions!" Just the sight of the two of them hopping up and down while Robin is shouting out nonsense is delightful.
ellauri119.html on line 160: In the season one episode "True or False Face," when Batman and Robin figure out that False Face's next robbery target is the Ladd Armored Car Company, Robin shouts out "holy bouncy boilerplate!" Yes, you are correct. That does, indeed, not make any sense.
ellauri119.html on line 164: Now we reach the point in the countdown where Robin references obscure figures from history! Here, while playing chess with Batman in their secret identities of Dick Grayson and Bruce Wayne, Dick remarks "holy Reshevsky!" This is a reference to the great Polish-born American chess grandmaster of the early 20th century Samuel Reshevsky.
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ellauri140.html on line 88: Brit-o-mart F+, a female knight, the embodiment and champion of Chastity. She is young and beautiful, and falls in love with Artefact upon first seeing his face in her father's magic mirror. Though there is no interaction between them, she travels to find him again, dressed as a knight and accompanied by her nurse, Glauce. Britomart carries an enchanted spear that allows her to defeat every knight she encounters, until she loses to a knight who turns out to be her beloved Artefact. (Parallel figure in Ariosto: Bradamante.) Britomart is one of the most important knights in the story. She searches the world, including a pilgrimage to the shrine of Isis, and a visit with Merlin the magician. She rescues Artefact, and several other knights, from the evil slave-mistress Radigund. Furthermore, Britomart accepts Amoret at a tournament, refusing the false Florimell.
ellauri140.html on line 97: Gambrina F+, Gambrina, la reine des bières! daughter of Agape and sister to Priamond, Diamond, and Triamond. Cambina is depicted holding a caduceus and a cup of nepenthe, signifying her role as a figure of concord. She marries Cambell after bringing an end to his fight with Triamond.
ellauri142.html on line 75: In the 1870s, Tolstoy experienced a profound moral crisis, followed by what he regarded as an equally profound spiritual awakening, as outlined in his non-fiction work A Confession (1882). His overly literal interpretation of the ethical teachings of Jesus, centering on the Sermon on the Mount, caused him to become a fervent Christian anarchist and pacifist. His ideas on nonviolent resistance, expressed in such works as The Kingdom of God Is Within You (1894), had a profound impact on such pivotal 20th-century figures as Mahatma Gandhi, Martin Luther, and Stephen King.
ellauri144.html on line 56: The rhetorician Quintilian regarded Odes as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words." The fictional hero Tom Jones recited his verses with feeling. Etenkin tätä: Ou ou ou, Dilailaa! Nou nou nou, Dilailaa!
ellauri144.html on line 546: A prolific and versatile writer, Bierce was regarded as one of the most influential journalists in the United States, and as a pioneering writer of realist fiction. For his horror writing, Michael Dirda ranked him alongside Edgar Allan Poe and H. P. Lovecraft. S. T. Joshi speculates that he may well be the greatest satirist America has ever produced, and in this regard can take his place with such figures as Juvenal, Swift, and Voltaire. His war stories influenced Stephen Crane, Ernest Hemingway, and others, and he was considered an influential and feared literary critic. In recent decades Bierce has gained wider respect as a fabulist and for his poetry.
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ellauri145.html on line 173: Baudelaire: j´ai toujours eu quelque sympathie pour ce malheureux écrivain dont le génie manqué, plein d´ambition et de maladresse, n´a su produire que des ébauches minutieuses, des éclairs orageux, des figures dont quelque chose de trop bizarre… altère la native grandeur.»
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ellauri145.html on line 678: Les Chants de Mal Odor. Ce sont un ouvrage poétique en prose de 1869, composé de six parties nommées « chants ». Il s´agit de la première des trois œuvres de l´auteur Isidore Ducasse plus connu sous le pseudonyme de comte de Lautréamont. Le livre ne raconte pas une histoire unique et cohérente, mais est constitué d´une suite d´épisodes dont le seul fil conducteur est la présence de Maldoror, un personnage mystérieux et maléfique. The misanthropic, misotheistic character Maldoror is a figure of evil who has renounced conventional morality. Tulee tosta mieleen että Figura-liivejä mainostettiin ennen lehdissä.
ellauri145.html on line 727: During his schooling at the Imperial Lycée of Saint-Brieuc where he studied from 1858 until 1860, he fell prey to a deep depression, and, over several freezing winters, contracted the severe rheumatism which was to disfigure him severely. He blamed his parents for having placed him there, far from his family´s care and affection. Difficulties in adapting to the harsh discipline of the college´s noble débris (distinguished relics, i.e., teachers) gradually developed those characteristics of anarchic disdain and sarcasm which were to give much of his verse its distinctive voice.
ellauri145.html on line 947: Je me l´écris sur la figure Mä kirjoitan sen ozaani, en kumita;
ellauri145.html on line 1057: The impact of Arthur Rimbaud´ s poetry has been immense. His influence on the Surrealist movement has been widely acknowledged, and a host of poets, from André Breton to André Freynaud, have recognized their indebtedness to Rimbaud´ s vision and technique. He was the enfant terrible of French poetry in the second half of the 19th century and a major figure in symbolism.
ellauri145.html on line 1086: Ulsterin poka väittää että Rimbaud rienatessaankin pysyy izelleen uskonnollisena. Distancing himself in an at times sacrilegious or blasphemous way from conventional western attachment to the Bible and to the figure of Christ as saviour, Rimbaud nevertheless proceeds to create for himself a radically different spiritual alternative. No voihan se niinnii olla, musta tossa loppupäässä vois olla jotain homostelua. Noi 2 ekaa naista on varmaan sen kuolleet siskot Vitalie (17v) ja Victorine (4kk). Toi Bau on varmaan joku niiden keskinäinen sana. Isabellesta se ei rukoile, koska se on elossa. Ellei se sitten oo toi Lulu, mutta epäilen. Olisko to Madame *** sit tän rimpulan tiukka äitykkä? - Mut no hei! Ulsterin poka on tullut samaan johtopäätöxeen kuin mä että tässä runon lopussa on kuin onkin homostelua! Spunk tarkoittaa kuin tarkoittaakin runkkua! Se oli Rimbaudilla pahe ainainen, esim seuraavassa runossa on sama idea:
ellauri146.html on line 298: Der Autor setzt beim Auftritt bzw. der Erwähnung vieler Personen und bei Bezügen auf ihre Lebensgeschichten die Kenntnis des Alten und Neuen Testaments voraus. Bei den von ihm erdichteten surrealen Szenen beruft er sich auf Mitteilungen seiner Muse Sionitin, der Seherin Gottes. Oft wird das Geschehen aus beiden Quellen gespiegelt, indirekt beschrieben, so erlebt der Leser die Jungen Jesu anfangs mit den Augen ihrer Schutzengel, die mit dem Engelboten über sie sprechen, oder in der Beobachtung einer anderen Person, z. B. Petrus Verleugnung aus der Perspektive Portias (6. Gesang). Eingearbeitet in solche Gespräche sind Informationen beispielsweise über Jesus Lebensgeschichte und über die Charaktere der Retterjugend (3. Gesang), aber auch frei erfundene Marzipanfiguren. Wie in einem großen Mysterienspiel betreten immer wieder die Seelen alttestamentlicher LakrizFiguren, z. B. der Urväter und Urmütter, der Propheten, der Könige, aber auch der zum Zeitpunkt der Kreuzigung noch ungeborenen zukünftigen Christen die Szenerie.
ellauri146.html on line 400: One of the outstanding features of the Romantic era in France was the re-evaluation of the feminine. It was widely assumed that man's capacity for rational thought and scientific achievement needed to be tempered by woman's capacity for sentiment. Indeed, the beneficial influence of woman's love and compassion was considered a necessary precondition to moral development, both for the individual and for all mankind. Woman thus had redemptive qualities (cash value). Perhaps the purest expression of this constellation of ideas is to be found in the utopian religious sects of the period and in the Romantic epic. Alfred de Vigny's Eloa (1824) may be read in this context. Eloa is the first of a series of angel women appearing in the Romantic epic. She is followed by Rachel in Edgar Quinet's Ahasvérus (1833), Sémida in Alexandre Soumet's La Divine Epopée (1840), Marie in Alphonse Constant's La Mère de Dieu (1844) and Liberté in Victor Hugo's La Fin de Satan (fragments written in 1854 and 1859, published posthumously in 1886). The mission of these quasi-divine female figures is to help put an end to evil.
ellauri146.html on line 648: But it is dangerous to attempt to separate any historical figure from his setting. No individual can ever be understood fully until the subtle influences of his formal education, his reading, his associates, and his time and country (with his heredity) are traced and synthesized. Too much has been said, perhaps, about Poe’s “detachment” from his environment and too little about his background—his heritage from Europe and the influences of his early life in Virginia. Elizabeth Arnold, Poe’s mother, was born in England in 1787 and was brought to this country when she was a girl of nine. “In speaking of my mother,” Poe wrote years later to Beverley Tucker of Virginia, “you have touched a string to which my heart fully responds.” Judging from his spirited defense of Elizabeth Poe, it appears that Poe never became unmindful of his immediate English origins on the maternal side.
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ellauri147.html on line 261: Megan Garber of The Atlantic was critical of the character Emily, writing, "An expat who acts like a tourist, she judges everything against the backdrop of her own rigid Americanness. You might figure that those moments are evidence of a show poking fun at its protagonist´s arrogance, or setting the stage for her to grow beyond her initial provincialism. But: You would be, as I was, mostly incorrect. Instead, other people change around her, becoming French-American. They grudgingly concede that her way (strident, striving, teeming with insistent individualism) is the right way. The show — the latest from the Sex and the City creator Darren Star — is selling several fantasies. Primary among them is the notion that Emily can bulldoze her way through France and be celebrated for it.
ellauri147.html on line 351: In 2008, Phil Collins and Orianne Cevey finalized their divorce, with Collins paying a staggering figure – the equivalent of about $32 million. At the time, this was the largest settlement in British celebrity history.
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ellauri150.html on line 524: He heard again, or seemed to hear, the saying of the Nazarene, "I am the resurrection and the life." And as men repeat a question to grasp and fix the meaning, he asked, gazing at the figure on the hill fainting under its crown, What resurrection? and what life?
ellauri150.html on line 526: "I am Henry The Eight I am", the figure seemed to say.
ellauri150.html on line 563: The two gazed at each other. We know what Esther presented—a beautiful woman, a happy mother, a contented wife. On the other side, it was very plain that fortune had not dealt so gently with her former rival. The tall figure remained with some of its grace; but an evil life had tainted the whole person. The face was coarse; the large eyes were red and pursed beneath the lower lids; there was no color in her cheeks, no makeup. The lips were cynical and hard, and general neglect was leading rapidly to premature old age. Her attire was ill chosen and draggled. The mud of the road clung to her sandals. Iras broke the painful silence.
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ellauri151.html on line 129: Gide was, by general consent, one of the dozen most important writers of the 20th century. Moreover, no writer of such stature had led such an interesting life, a life accessibly interesting to us as readers of his autobiographical writings, his journal, his voluminous correspondence and the testimony of others. It was the life of a man engaging not only in the business of artistic creation, but reflecting on that process in his journal, reading that work to his friends and discussing it with them; a man who knew and corresponded with all the major literary figures of his own country and with many in Germany and England; who found daily nourishment in the Latin, French, English and German classics, and, for much of his life, in the Bible; [who enjoyed playing Chopin and other classic works on the piano;] and who engaged in commenting on the moral, political and sexual questions of the day. Monsters lead an interesting li-i-fe.
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ellauri152.html on line 574: Ce mythe, qui paraît fort ancien et dont certains érudits vont chercher l'origine jusque dans l'Inde bouddhique, se précise à partir du xiiie siècle dans l'Historia major du bénédictin anglais Matthieu Pâris. sous diverses formes. C'est dans les pays de langue allemande que la figure d'Ahasvérus connaît la plus grande faveur, à la suite d'une version de la légende due à Chrysostomus Dudulaeus qui présente l'aventure du « Juif éternel » (1602) comme un récit quasiment autobiographique. La traduction française de ce livre imposera l'expression « Juif errant » (1609). Dès lors, la légende se répand par l'imagerie populaire et les estampes, les complaintes, dont la plus célèbre est celle d'Isaac Laquedem. Le Juif errant, qui personnifie le destin du peuple juif depuis le christianisme, a inspiré de nombreux écrivains : Wordsworth, Goethe, Eugène Sue, Apollinaire. Cette figure légendaire n'a cessé d'alimenter, à l'encontre des Juifs, une dangereuse satire sociale. Elle est, pour une part, responsable de la genèse de l'agitation antisémite des temps modernes. Pour en savoir plus, voir l'article antisémitisme.
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ellauri153.html on line 861: For Hegel, Napoleon as a world-historic figure is fulfilling a destiny, he is the bloodthirsty vessel with which history and the Geist unfold itself. For Schopenhauer, Napoleon is just one more bloodthirsty conqueror in a long line of bloodthirsty conquerors without a special purpose. He is not special because he is just as egoistic and ambitious as the rest of mankind (except Arttu). Hegel saw N. on the way up, Sope on his way down.
ellauri156.html on line 562: Now why does this messenger not wait for David to respond in anger, as Joab instructed? Why does he inform David that Uriah has been killed, before he even utters a word of criticism or protest? I believe the messenger gives the report in this way because he understands what is really going on here. I think he may know about David and Bathsheba, and perhaps even of her pregnancy. He certainly knows that Uriah was summoned to Jerusalem. I think he also figures out that David wants to get rid of Uriah, and that Joab has accomplished this by this miserable excuse for an offensive against the enemy. I think the messenger figures out that if David knows Uriah has been killed, he will not raise any objections to this needless slaughter. And so, rather than wait for David to hypocritically rant and rave about the stupidity of such a move, he just goes on and tells him first, so that he will not receive any reaction from David.
ellauri158.html on line 694: Hence also it follows, that everyone thought out for himself, according to his abilities, a different way of worshipping God, so that God might love him more than his fellows, and direct the whole course of nature for the satisfaction of his blind cupidity and insatiable avarice. Thus the prejudice developed into superstition, and took deep root in the human mind; and for this reason everyone strove most zealously to understand and explain the final causes of things; but in their endeavor to show that nature does nothing in vain, i.e. nothing which is useless to man, they only seem to have demonstrated that nature, the gods, and men are all mad together. Consider, I pray you, the result: among the many helps of nature they were bound to find some hindrances, such as storms, earthquakes, diseases, &c.: so they declared that such things happen, because the gods are angry at some wrong done to them by men, or at some fault committed in their worship. Experience day by day protested and showed by infinite examples, that good and evil fortunes fall to the lot of pious and impious alike; still they would not abandon their inveterate prejudice, for it was more easy for them to class such contradictions among other unknown things of whose use they were ignorant, and thus to retain their actual and innate condition of ignorance, than to destroy the whole fabric of their reasoning and start afresh. They therefore laid down as an axiom, that God´s judgments far transcend human understanding. Such a doctrine might well have sufficed to conceal the truth from the human race for all eternity, if mathematics had not furnished another standard of verity in considering solely the essence and properties of figures without regard to their final causes. There are other reasons (which I need not mention here) besides mathematics, which might have caused men´s minds to be directed to these general prejudices, and have led them to the knowledge of the truth.
ellauri158.html on line 699: The Southern Journal of Philosophy (U of Memphis) has provided a forum for a long list of suspect figures including Hans-Georg Gadamer, Hubert Dreyfus, George Santayana, Wilfrid Sellars, and Richard Sorabji.
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ellauri159.html on line 1289: You are a conceptualizer who tends to explore a narrow topic deeply. Guys like you take a systems approach, rather than a linear one, during the planning stage. They do a website not just a text! You start a project early to test the concept, then quickly drive toward the conclusion. Once the competitors´ bones are in place, you further develop the content, adding facts to flesh out their ideas. You may find it useful during revision to challenge yourself to consider alternatives, rather than locking yourself in to your original premise. Oh, why bother, since you got it all figured out already.
ellauri160.html on line 122: Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972), modernin ajan Li Bai, was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a fascist collaborator in Italy during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his 800-page epic poem, The Cantos (c. 1917–1962). Hizi noi cantothan on selvä kokoelma paasauxia!
ellauri160.html on line 141: Mornings might be spent in the British Museum Reading Room, followed by lunch at the Vienna Café on Oxford Street, where Pound first met Wyndham Lewis in 1910. "There were mysterious figures / that emerged from recondite recesses / and ate at the WIENER CAFÉ". Ford Madox Ford described Pound as "approaching with the step of a dancer, making passes with a cane at an imaginary opponent":
ellauri160.html on line 491: 7The golden bough of Argicida - Formula of address for Hermes. "Argicida" is the Latin translation of the epithet Ἀργειφόντης ("Argeiphontes" - slayer of Argus) which is always applied to him, whereas the golden bough is Hermes´ caduceus, or wand. PL. Hermes has an appearance in the other Hymn to Aphrodite (no. V), printed in the Divus volume. Eli se em. kyrvännäköinen tirso-sauva. It all figures. Mua ärsyttää Dos Vidaxen Tirson musta pässintukka, menis parturiin. Luupää.
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ellauri163.html on line 531: Jules Payot, né le 10 avril 1859, mort le 30 janvier 1940 à Aix-en-Provence, est un pédagogue et universitaire français. Payot est né en 1859 à Chamonix. Il fut une figure de premier plan dans l´enseignement laïque et en 1907, il fut nommé recteur des académies de Chambéry et d´Aix-en-Provence.
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ellauri163.html on line 864: A precocious student, Durkheim entered the École Normale Supérieure (ENS) in 1879, at his third attempt. The entering class that year was one of the most brilliant of the nineteenth century, as many of his classmates, such as Jean Jaurès and Henri Bergson, went on to become major figures in France's intellectual history as well. At the ENS, Durkheim studied under the direction of Numa Denis Fustel de Coulanges, a classicist with a social-scientific outlook, and wrote his Latin dissertation on Montesquieu. At the same time, he read Auguste Comte and Herbert Spencer, whereby Durkheim became interested in a scientific approach to society very early on in his career. The writer of this exposition likes the word whereby.
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ellauri164.html on line 379: I wanted to like this book so much more than I did. I actually found it incredibly difficult to understand. Some of it, I think, was that it was poorly translated. I read a 1962 edition that doesn't even cite a translator -- so many of the sentences were so convoluted as to be utterly obtuse. Poor translation or witless reader? I never could figure out why Mlle Chantal was such an angry bitch and why she insisted on tormenting the priest. What was her secret? Was the priest an alcoholic or just terminally sick? Gay? Why did M le Comte come to hate the priest? These are just some of the basic narrative issues I couldn't figure out. Forget the whole spiritual aspect--much of what the priest mused on and felt was incomprehensible to me as he described it. I can't help wondering if I'd have understood it if I had read it in French. Or maybe I'm just so spiritually challenged (in a God believing, Catholic way) that I can't comprehend it when it's described. All of that said, there were profoundly moving passages here and there, but over all I don't begin to know what I read. It's rather embarrassing actually--I feel so simple! (less)
ellauri164.html on line 455: The film was produced solely by Mosfilm, without a direct participation of DEFA, and yet several East German actors were invited to play the German historical figures. Fritz Diez, who appeared as Hitler on screen for the sixth time in his career, was given also the role of Otto Hahn.
ellauri164.html on line 483: Moses is one of the most prominent figures in the Old Testament. While Abraham is called the “Father of the Faithful” and the recipient of God’s unconditional covenant of grace to His people, Moses was the man chosen to bring redemption to His people. God specifically chose Moses to lead the Israelites from captivity in Egypt to salvation in the Promised Land. Moses is also recognized as the mediator of the Old Covenant and is commonly referred to as the giver of the Law. Finally, Moses is the principal author of the Pentateuch, the foundational books of the entire Bible. Moses’ role in the Old Testament is a type and shadow of the role Jesus plays in the New Testament. As such, his life is definitely worth examining.
ellauri164.html on line 510: Finally, it is interesting to note that, even though Moses never set foot in the Promised Land during his lifetime, he was given an opportunity to enter the Promised Land after his death. On the mount of transfiguration, when Jesus gave His disciples a taste of His full glory, He was accompanied by two Old Testament figures, Moses and Elijah, who represented the Law and the Prophets. Moses is, this day, experiencing the true Sabbath rest in Christ that one day all Christians will share (Hebrews 4:9).
ellauri164.html on line 900: “The smitten rock was a figure of Christ, and through this symbol the most precious spiritual truths are taught. As the life-giving waters flowed from the smitten rock, so from Christ, ‘smitten of God,’ ‘wounded for our transgressions,’ ‘bruised for our iniquities’ (Isaiah 53:4–5), the stream of salvation flows for a lost race. As the rock had been once smitten, so Christ was to be ‘once offered to bear the sins of many.’ Hebrews 9:28.” –Patriarchs and Prophets, p. 411
ellauri164.html on line 908: “By his rash act Moses took away the force of the lesson that God purposed to teach. The rock, being a symbol of Christ, had been once smitten, as Christ was to be once offered. The second time it was needful only to speak to the rock, as we have only to ask for blessings in the name of Jesus. By the second smiting of the rock the significance of this beautiful figure of Christ was destroyed.” –Patriarchs and Prophets, p. 418
ellauri171.html on line 215: Jacques Joseph Tissot (French: [tiso]; 15 October 1836 – 8 August 1902), Anglicized as James Tissot (/ˈtɪsoʊ/), was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and figures from the Bible.
ellauri171.html on line 961: Canaanite deities such as Baal were represented by figures which were placed in shrines, often on hilltops, or 'high places' surrounded by groves of trees, such as is condemned in the Hebrew Bible, in Hosea (v 13a) which would probably hold the Asherah pole, and standing stones or pillars.
ellauri171.html on line 1024: In recent years, scholars have tried to reclaim the shadowy female figures whose tales are often only partially told in the Bible. Rehabilitating Jezebel’s stained reputation is an arduous task, however, for she is a difficult woman to like. She is not a heroic fighter like Deborah, a devoted sister like Miriam or a cherished wife like Ruth. Jezebel cannot even be compared with the Bible’s other bad girls—Potiphar’s wife and Delilah—for no good comes from Jezebel’s deeds. These other women may be bad, but Jezebel is the worst.
ellauri172.html on line 616: Palataxemme sarvijäärään: elle se mit à briller au milieu de ces filles brunes d’Espagne, comme un diamant dans une torsade de jais. Ce fut là qu’elle commença de produire sur les hommes ces effets d’acharnement qui tenaient, sans doute, à la composition diabolique de son être, et qui faisaient d’elle la plus enragée des courtisanes, avec la figure d’une des plus célestes madones de Raphaël.
ellauri172.html on line 690: « — Eh bien ! puisque tu le veux, le voilà, le cœur de ton marmot, catin déhontée ! — dit le major. Et il lui battit la figure de ce cœur qu’il avait adoré, et le lui lança à la tête comme un projectile. L’abîme appelle l’abîme, dit-on. Le sacrilège créa le sacrilège. La Pudica, hors d’elle, fit ce qu’avait fait le major. Elle rejeta à sa tête le cœur de cet enfant, qu’elle aurait peut-être gardé s’il n’avait pas été de lui, l’homme exécré, à qui elle eût voulu rendre torture pour torture, ignominie pour ignominie ! C’est la première fois, certainement, que si hideuse chose se soit vue ! un père et une mère se souffletant tour à tour le visage, avec le cœur mort de leur enfant !
ellauri172.html on line 871: Les Paysans, 1844-1854, roman inachevé d'Honoré de Balzac, terminé par sa veuve la Comtesse Hanska : le personnage de l'abbé Brossette. Il vit pauvrement dans un village où les paysans le méprisent, mais il est reçu par le comte de Montcornet riche propriétaire. Dans Béatrix, ce même abbé est directeur de conscience de Béatrix de Rochefide, une figure de la haute société parisienne.
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ellauri181.html on line 210: The figure below provides a quick guide to values that conflict and those that are congruent. There are two bipolar dimensions. One “contrasz ‘openness to change’ and ‘conservation’ values. This dimension captures the conflict between values that emphasize independence of thought, action, and feelings and readiness for change (self-direction, stimulation) and values that emphasize order, self-restriction, preservation of the past, and resistance to change (security, conformity, tradition).”
ellauri183.html on line 86: In a 1974 New York Review of Boox essay, Roth took on Malamud, his friend and literary father-figure, criticizing him for creating characters that were suffering Jews, virtuous victims, full of “righteousness and restraint,” lacking their stereotypical “libidinous or aggressive activities.” Though he didn’t use the phrase, Malamud had painted them as Christ-like in their poverty, pain, moral goodness, and quest for redemption. By contrast, the Christian characters, like Frank Alpine, were full of sexual lust and transgressive behavior — the bad goy to Morris Bober’s good Jew. “The Assistant,” Roth wrote, was a book of “stern morality.”
ellauri183.html on line 174: However, Kierkegaard's Abraham does not just provide a paradigm of religious faith. If he is an admirable figure in spite of his murderous intentions, this is because he confronz with courage the loss of the person whom he loves most dearly. According to Kierkegaard, Abraham is a hero not by virtue of his obedience to God's command, but because he maintains his relationship to Isaac after giving him up.
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ellauri184.html on line 651: To the average inhabitant of the Roman Empire, the manifold itinerant groups of magicians, sophists, cynics, other philosophers, astrologers, prophets, and eventually also Christians, must have appeared basically the same. These oscillating and enigmatic figures were simultaneously admired and despised for their "otherness". Why was Jesus able to appear as a radical itinerant preacher? He did not call for a political upheaval. Nevertheless, his messianic “program” was radical in its postulation of a proximity to God that had hitherto been unheard of and was based on the deliberate breaking of taboos and social conventions.
ellauri184.html on line 671: figure mentioned in the New Testament, in
ellauri188.html on line 130: It is perhaps appropriate to describe briefly, in this connection, the agricultural conditions in Typee Vai, the valley on Nukuhiva made famous by Melville's classie "Typee." It will be remembered by those who have read his narrative that he escaped from his ship. in Taiohae Bay in 1842 and was held a prisoner for many months by the eannibals of Typee. At that time he figured the inhabitants of the valley as repre sented by about 2,000 souls, with perhaps 2,000 more in the neighboring valley of Houmi. A period of 80 years has elapsed (not a long time historically) be tween his sojourn there and my visit in 1922. In November of that year I found 44 people in Typee, and 65 in Houmi, though from Pere Simeon Delmar, the charming and self-sacrificing priest at Taiohae, who is in close touch with all his people, I learned. that the death rate in Typee had been normal for several years and that one or two families there had many children. I was astonished at the appearance of Typee Valley; for, from reading "White Shadows" and from
ellauri188.html on line 142: Referring to the last paragraph in Mr. Wester's communication-It would appear that if one is dependent, as was the writer, upon trading schooners to get from Tahiti to the Marquesas, then amongst these islands and return to Tahiti, his program for work in these two groups would take more than a year and his estimate of expense might, in consequence, be exceeded. Sometimes one is obliged to wait from one month to three to get the opportunity to move from one island in the Marquesas to another forty or fifty or eighty miles away, so rare and uncertain are the visits of these schooners. Further, in the absence of any regular means of communication, one has to seize any chance opportunity of transportation or run the risk of being marooned for a long period. On the other hand, if a schooner were chartered, which is the best possible way of visiting and working among the South Sea Islands, schooner, captain, crew and provisions would cost about $1,000 per month (this figure was obtained from an authoritative source) and a year on shipboard might not be needed. Under such conditions Mr. Wester's calculation of $8,500 for a year's work in the Marquesas and Societies may not be far out of the way.
ellauri189.html on line 112: Before engaging in battle Wacław visits his father-in-law and Maria (who slowly fades away, feeding on an ever-diminishing hope) to bring them the good news. The patriotic miecznik cannot, in spite of his advanced age, refrain from joining the band of his son-in-law, leaving his home and daughter without protection. The Tartars are finally (but not without difficulty) defeated and Wacław, in exultant mood, rides by night over the boundless steppe to unite with his wife as the messenger of victory. When he arrives, the manor-house of the miecznik appears to be abandoned. There are no signs of life. Entering a room, he discovers Maria, lying on a couch, her clothes in disorder, like a marble statue. It is evident that her vital strength has been extinguished, but he tries to make himself believe that she has only fainted and rushes out of the house, shouting: “O, water, water!”. Thereupon the “small figure” of a melancholy youth (“pacholę”) jumps from the thicket and relates to Wacław the events that have happened.
ellauri192.html on line 121: Je perds le goût de la poésie. Je la trouve de plus en plus puérile, comparé aux austères travaux de la science; les plus grands génies littéraires me semblent des enfants auprès du génie scientifique, qui, au lieu d’imiter et de défigurer la nature sous prétexte de la transfigurer par l’idéal et l’humain, l’étreint corps à corps, telle qu’elle est, et lui ouvre, doigt par doigt, ses mains fermées pour en arracher des lambeaux de vérité.
ellauri192.html on line 277: It is this natural parochialism that accounts for the awkward plethora of Scandinavian winners. Charity does seem to begin at home. The catalogue runs from the Swedish poet Verner von Heidenstam, crowned in 1916, and the Danish novelist Karl Gjellerup, chosen a year later, to Frans Eemil Sillanpaa of Finland and the more recent ''in-house'' choice of Harry Martinson. Of this longish list, only Knut Hamsun (1920) is an undoubtedly major nazi figure. Sillanpaa is so pathetic we don't even bother to find the outlandish dots that apparently mar his name.
ellauri192.html on line 287: Lastly, there is the rumor of the blacklist. No outside observer can show that any such list exists, let alone how and when it was explicitly arrived at. But there are stubborn, unsettling indications. Behind them stands the enigmatic figure and afterlife of Dag Hammerskjold. In one or two cases, the choice of laureate seems to have been largely his. His chill displeasures seem not only to have had great influence, but to persist beyond the grave. The list of lepers, for motives which may, in some masked degree, go back to Hammarskjold's own politics and arcane sexuality, is rumored to include Graham Greene, G"unter Grass and Borges, as it did Malraux (passed over, to de Gaulle's just anger, in favor of a French poet-diplomat close to Hammarskjold, viz. Saint-John Perse). The mere fact that the Nobel Prize in Literature has long passed Borges by suffices to put the whole institution in doubt. But whether any such blacklist is real remains baffled conjecture.
ellauri192.html on line 301: 2014 also marked the release of Tokarczuk’s most ambitious work, “The Books of Jacob,” the novel that set off much of the rancor directed at her by Polish nationalists. The book, which has yet to appear in English, is centered on the historical figure of Jakub Frank, a Jewish-born 18th-century religious leader. Frank, believed to have been born with the name Jakub Leibowicz, oversaw a messianic sect that incorporated significant portions of Christian practice into Judaism; he led mass baptisms of his followers. As Ruth Franklin reported in a New Yorker profile this past summer, Tokarczuk spent almost a decade researching Frank and the Poland in which he lived. The result is a book that, by the account of those who have read it, delivers a picture of the many intricate and unpredictable ways in which the story of Poland is tied to the story of its Jews. “There’s no Polish culture without Jewish culture,” Tokarczuk told Franklin. What else is new, asks Isaac Singer. Tokarczuk is not a Jewess, Tokarczuk considers herself a disciple of Carl Jung and cites his psychology as an inspiration for her literary work.
ellauri192.html on line 323: Though the following list consists of notable literary figures deemed worthy of the prize, there have been some celebrated writers who were not considered nor even nominated such as Anton Chekhov, Jules Verne, Mark Twain, Robert Hugh Benson, Arthur Conan Doyle, Alexander Blok, Marcel Proust, Joseph Conrad, Rainer Maria Rilke, Federico García Lorca, Lu Xun, Sarat Chandra Chattopadhyay, Antonio Machado, Francis Scott Fitzgerald, James Joyce, Virginia Woolf, Simone Weil, Willa Cather, George Orwell, Galaktion Tabidze, Richard Wright, Flannery O'Connor, Langston Hughes and Jack Kerouac.
ellauri194.html on line 1039: Company Description: Cooler Technologies, Inc. is located in Venice, CA, United States and is part of the Computer Systems Design and Related Services Industry. Cooler Technologies, Inc. has 4 total employees across all of its locations and generates $269,745 in sales (USD). (Sales figure is modelled).
ellauri196.html on line 738: Montale ha scritto relativamente poco. Il poeta può solo dire "ciò che non siamo": è la negatività esistenziale vissuta dall'uomo novecentesco dilaniato dal divenire storico. Pieni negatiivisuus ei ole ylläri, kun muistaa maailmansodat. Vaikkei tää 21. vuosisata juuri näytä positiivisemmalta. Il poeta crede di trovare una risposta, una soluzione al problema del "male di vivere": ad esempio, frutti di mare o alcune figure di donne. Montale esalta lo stoicismo etico di chi compie in qualsiasi situazione storica e politica il proprio dovere. Perche no il epicurismo? Tärkeintä sille oli la ricerca di propria dignità. No se pääsikin elinkautisexi senaattorixi. Eli taas tätä tuttua: tiukka mutru huuleen ja selkä vastatuuleen. Paska reisu mutta tulipahan tehtyä. Se trendas sotavuosina.
ellauri198.html on line 885: Hyperion was, along with his son Helios, a personification of the sun, with the two sometimes identified. John Keats's abandoned epic poem Hyperion is among the literary works that feature the figure.
ellauri204.html on line 704: Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud, was a French writer, poet, dramatist, visual artist, essayist, actor and theatre director. He is widely recognized as one of the major figures of the European avant-garde. In particular, he had a profound influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, mysticism and indigenous Mexican practices. Hirveää scheissea.
ellauri206.html on line 454: Selon le témoignage de ses contemporains, Gassendi se levait régulièrement à trois heures du matin, jamais plus tard que quatre heures, et quelquefois à deux. Il étudiait jusqu'à onze heures, à moins de recevoir une visite et se remettait à l'étude vers deux ou trois heures après midi jusqu'à huit. Il soupait légèrement (une tisane tiède, des légumes, rarement de la viande) et se couchait entre neuf et dix. On le disait pieux, et pratiquant avec scrupule ses devoirs de prêtre ; ses paroissiens l'appelaient le saint prêtre. Par sa pauvreté, sa modestie, sa douceur, son humanité, sa bienfaisance, sa charité et sa simplicité, il faisait figure d'un anachorète, vivant dans le monde selon la règle d'un monastère. « Le plus grand philosophe parmi les hommes de lettres, et le plus grand homme de lettres parmi les philosophes », sanoi gibboni. Peu d'auteurs ont imaginé qu'il s'agissait là d'une posture, ou d'un masque.
ellauri207.html on line 172: Näistä on ehkä kädellinen ennestään tuttuja. Vinosuinen Michael Douglas näyttää olevan aika veijari. Douglas and Zeta-Jones hosted the annual Nobel Peace Prize concert in Oslo, Norway, on December 11, 2003. In August 2014, Douglas was one of 200 public figures who were signatories to a letter to The Guardian opposing Scottish independence in the run-up to September´s referendum on that issue.
ellauri210.html on line 833: Tristan Tzara captured the inspired lunacy in his 1921 Dada Manifesto on Lukewarm Love. Marcel Duchamp’s “Readymades,” or Francis Picabia’s canvases of human figures as functionless machines belong here. Dada began as a limited franchise, with key outposts in Zurich, Berlin, Paris, and New York. Preceding the Surrealist movement by several years, and often inspired by the Communist Party (though not tied to it), its origins lay in a militant nostalgia for a pre-war lost Eden. Dadaists sought “an art based on fundamentals to cure the madness of the age and a new order of things that would restore the balance between heaven and hell." (Jean Arp).
ellauri210.html on line 839: Rigaut — a drug addict, gigolo, dandy, man-about-town — was a cult figure in Paris, a status that intensified when he was made the subject of Louis Malle’s brilliant 1966 film Le Feu Follet.
ellauri210.html on line 1167: Dès l'âge de quinze ans, Jean-Pierre Duprey compose ses premiers poèmes. Il part pour Paris en 1948 sur l'invitation d'André Breton et participe au mouvement surréaliste. Au cours de l'été 1948, il rencontre, en Normandie, Jacqueline Sénart qui deviendra sa femme et partagera sa vie jusqu'à la fin. Il figure sur les photographies du groupe surréaliste prises par Man Ray en 1953 au café de la place Blanche[réf. nécessaire]. Näistä Brétonin loppupään kirotuista oppilaista tulee vähän mieleen Jaakko Hintikka ja sen sekundaoppilaiden sukupolvet: L. Carlson, E. Saarinen, Mike Hand, Gabriel Sandu.
ellauri210.html on line 1272: Shaw was born at 3 Upper Synge Street in Portobello, a lower-middle-class part of Dublin. The Shaw family was of English descent and belonged to the dominant Protestant Ascendancy in Ireland. George Carr Shaw, Bernir's dad, an ineffectual alcoholic, was among the family's less successful members. By the time of Shaw's birth, his mother had become close to George John Lee, a flamboyant figure well known in Dublin's musical circles. Shaw retained a lifelong obsession that Lee might have been his biological father. Shaw made a negligible income from writing, and was subsidised by Lee plus his mother. In 1881, for the sake of economy, and as a matter of principle, he became a vegetarian. He grew a beard to hide a facial scar left by smallpox.
ellauri210.html on line 1382: Jean Benoît (1922-2010) was a Canadian artist known as "The Enchanter of Serpents", most famous for his surrealist sculptures. One sculpture called "Book Cover for Magnetic Fields" features demonic figures ripping an egg from a book. Magnetic Fields was the name of the book Breton wrote with Philippe Soupault, which Breton called the first surrealist book. Many of his works include demonic figures, brutal sexual images, exaggerated phalluses, and so on. Benoît was active and remained productive, working every day on his art until he died on August 20, 2010, in Paris. He was 88.
ellauri214.html on line 154: The protagonist of the movie, who's actual family are fridged to create cheap motivation, will serves as my surrogate father or brother figure. And I will be his replacement family.
ellauri219.html on line 183: Crowley gained widespread notoriety during his lifetime, being a recreational drug user, bisexual, and an individualist social critic. Crowley has remained a highly influential figure over Western esotericism and the counterculture of the 1960s, and continues to be considered a prophet in Thelema. He is the subject of various biographies and academic studies.
ellauri219.html on line 475: The very definition of a “triple threat,” Shirley Temple was an actress, singer, and dancer who became a child star in the 30s. She also appears on the Sgt. Pepper album cover three times over, her hair poking out from between the wax figures of John Lennon (No.62) and Ringo Starr (No.63), and also standing in front of the model of Diana Dors (No.70). There’s also a cloth figure of the star off to the far right, wearing a jumper emblazoned with the slogan “Welcome The Rolling Stones.”
ellauri219.html on line 512: 72: Cloth grandmother figure
ellauri219.html on line 526: 76, 77, and 78: stone figures
ellauri219.html on line 528: Along with the stone figure (No.77) that can be seen below the feet of the Shirley Temple doll (No.73), the stone figure of a girl (No.76) was one of a number of statues that John Lennon (No.62) and George Harrison (No.65) brought from their homes for inclusion on the cover. The most prominent of these is the bust positioned to the right of the bass drum (No.78), which came from Lennon’s house Kenwood, in Weybridge, Surrey, where he lived from 1964 to 1969.
ellauri219.html on line 560: 85: Stone figure of Snow White
ellauri222.html on line 189: Bellow must have been tickled to death. The inventive feature of “Herzog” is a series of letters that the protagonist, in his misery, composes not only to Madeleine and Gersbach but to famous people (like President Eisenhower) and philosophers (like Heidegger and Nietzsche). These long letters, unfinished and unmailed, are sendups of an intellectual’s effort to understand human behavior by means of the conceptual apparatus of Mortimer Adler’s Great Books. Herzog is a comic figure, a holy fool, a schlimazel with a Ph.D. The whole point of his story is that when you are completely screwed the best you can hope for is a little sex and sympathy. The Western canon isn’t going to be much help.
ellauri222.html on line 403: Sailor Bulba is an accomplice in the robbery committed by Joe Gorman and Augie. Brute-nosed and bearish, he is a menacing, dangerous figure.
ellauri222.html on line 459: Cissy Flexner is Simon’s fiancée. She is beautiful and tall, with an impressive figure, but dumb and conceited. Her father, Joe Flexner, is a dry-goods shopkeeper who also lost everything in the crash. Cissy marries Five Properties instead of Simon.
ellauri222.html on line 749: Apart from that, this character demands perfection only from other people, he never attempts to apply this principle to himself and it makes him a slightly comic figure. Lord Pococurante is neither artist, nor writer, but he takes faults with the world masterpieces, which is absurd in its core. Nevertheless, many people deem themselves quite competent for criticizing, having never created any work of art.
ellauri236.html on line 48: Bolsonaro ran for his first term as president in 2018 with the conservative Liberal Party, campaigning as a political outsider and anti-corruption candidate, and gaining the moniker "Trump of the Tropics." A divisive figure, Bolsonaro has become known for his bombastic statements and conservative agenda, which is supported by important evangelical leaders in the country.
ellauri236.html on line 54: Environmentalists also warned that the future of the rainforest could be at stake in this election, as Bolsonaro's government had become known for its support of ruthless exploitation of land in the Amazon, leading to record deforestation figures.
ellauri236.html on line 202: In a book like No Orchids one is not, as in the old-style crime story, simply escaping from dull reality into an imaginary world of action. One's escape is essentially into cruelty and sexual perversion. No Orchids is aimed at the power-instinct, which Raffles or the Sherlock Holmes stories are not. At the same time the English attitude towards crime is not so superior to the American as I may have seemed to imply. It too is mixed up with power-worship, and has become more noticeably so in the last twenty years. A writer who is worth examining is Edgar Wallace, especially in such typical books as The Orator and the Mr. J. G. Reeder stories. Wallace was one of the first crime-story writers to break away from the old tradition of the private detective and make his central figure a Scotland Yard official. Sherlock Holmes is an amateur, solving his problems without the help and even, in the earlier stories, against the opposition of the police. Moreover, like Lupin, he is essentially an intellectual, even a scientist. He reasons logically from observed fact, and his intellectuality is constantly contrasted with the routine methods of the police. Wallace objected strongly to this slur, as he considered it, on Scotland Yard, and in several newspaper articles he went out of his way to denounce Holmes by name. His own ideal was the detective-inspector who catches criminals not because he is intellectually brilliant but because he is part of an all-powerful organization. Hence the curious fact that in Wallace's most characteristic stories the ‘clue’ and the ‘deduction’ play no part. The criminal is always defeated by an incredible coincidence, or because in some unexplained manner the police know all about the crime beforehand. The tone of the stories makes it quite clear that Wallace's admiration for the police is pure bully-worship. A Scotland Yard detective is the most powerful kind of being that he can imagine, while the criminal figures in his mind as an outlaw against whom anything is permissible, like the condemned slaves in the Roman arena. His policemen behave much more brutally than British policemen do in real life — they hit people with out provocation, fire revolvers past their ears to terrify them and so on — and some of the stories exhibit a fearful intellectual sadism. (For instance, Wallace likes to arrange things so that the villain is hanged on the same day as the heroine is married.) But it is sadism after the English fashion: that is to say, it is unconscious, there is not overtly any sex in it, and it keeps within the bounds of the law. The British public tolerates a harsh criminal law and gets a kick out of monstrously unfair murder trials: but still that is better, on any account, than tolerating or admiring crime. If one must worship a bully, it is better that he should be a policeman than a gangster. Wallace is still governed to some extent by the concept of ‘not done’. In No Orchids anything is ‘done’ so long as it leads on to power. All the barriers are down, all the motives are out in the open. Chase is a worse symptom than Wallace, to the extent that all-in wrestling is worse than boxing, or Fascism is worse than capitalist democracy.
ellauri236.html on line 208: Several people, after reading No Orchids, have remarked to me, ‘It's pure Fascism’. This is a correct description, although the book has not the smallest connexion with politics and very little with social or economic problems. It has merely the same relation to Fascism as, say Trollope's novels have to nineteenth-century capitalism. It is a daydream appropriate to a totalitarian age. In his imagined world of gangsters Chase is presenting, as it were, a distilled version of the modern political scene, in which such things as mass bombing of civilians, the use of hostages, torture to obtain confessions, secret prisons, execution without trial, floggings with rubber truncheons, drownings in cesspools, systematic falsification of records and statistics, treachery, bribery, and quislingism are normal and morally neutral, even admirable when they are done in a large and bold way. The average man is not directly interested in politics, and when he reads, he wants the current struggles of the world to be translated into a simple story about individuals. He can take an interest in Slim and Fenner as he could not in the G.P.U. and the Gestapo. People worship power in the form in which they are able to understand it. A twelve-year-old boy worships Jack Dempsey. An adolescent in a Glasgow slum worships Al Capone. An aspiring pupil at a business college worships Lord Nuffield. A New Statesman reader worships Stalin. There is a difference in intellectual maturity, but none in moral outlook. Thirty years ago the heroes of popular fiction had nothing in common with Mr. Chase's gangsters and detectives, and the idols of the English liberal intelligentsia were also comparatively sympathetic figures. Between Holmes and Fenner on the one hand, and between Abraham Lincoln and Stalin on the other, there is a similar gulf.
ellauri236.html on line 398: While he waited, Eddie noticed a girl standing by a nearby bus stop. She immediately attracted his attention: every good-looking girl did. She was a tall, cool-looking blonde with a figure that made him come in his pants twice. She had a pert prettiness that appealed to Eddie. He studied her face for a brief moment. Her make-up was good. Her mouth was a trifle large, but Eddie didn’t mind that. He liked the sexy look she had and the sophisticated way she wore her yellow summery whore dress.
ellauri236.html on line 462: Paula Dolan, an attractively ugly girl with raven black wavy hair, large suggestive blue eyes had a figure that Fenner declared was the only asset of value in the newly established business.
ellauri236.html on line 508: He found Paula anxiously waiting for him. One of the important facts of life that Paula had learned the hard way was not to keep any man waiting. She was looking cute in a black dress, relieved by a red carnation. The cut of the dress accentuated her figure so that Fenner took a second look.
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ellauri240.html on line 105: Bullshit artist David B. Miller designed Krueger's disfigured face based on photographs of burn victims obtained from the UCLA Medical Center. The film was inspired by several newspaper articles printed in the Los Angeles Times in the 1970s about Hmong refugees, who, after fleeing to the United States because of U.S. war and genocide in Laos, Cambodia, and Vietnam, suffered disturbing nightmares and refused to sleep. Some of the men died in their sleep soon after. Medical authorities called the phenomenon Asian Death Syndrome.
ellauri240.html on line 117: Vang Pao, mercenary soldier, born 8 December 1929; died 6 January 2011. Vang Pao, the Laotian general who marshalled a CIA mercenary army to fight a "secret war" against communist insurgents in the remote mountains of Laos in the 1960s, has died aged 81. Although Vang Pao's supporters portrayed him as a father figure uniting all his people, the Hmong (an ethnic minority in Laos), on the side of the US against the communist world, his critics regarded him as a charismatic but ruthless opium warlord, who made arrogant and misleading claims to speak on behalf of all Hmong. Far from uniting the Hmong, they say, he divided them. Some historians argue that he allowed his "secret army" to be used as cannon-fodder, played as pawns on a CIA geopolitical chessboard.
ellauri240.html on line 121: Reality soon dispersed that dreamworld. Vang Pao later admitted that his Hmong soldiers suffered appalling losses fighting around the Plain of Jars, in Xieng Khouang province. He put the figure at 17,000 dead by 1968. But his CIA controllers urged him to keep on fighting. US sources, including the historian Alfred McCoy, have noted that younger and younger fighters were forcibly enrolled. By 1968, 30% of the new recruits were only 14 years old.
ellauri243.html on line 730: Endymion is very like Benjy´s autobiography, with his boring English politics woven into the thread of the story. The action and conversations are distributed between characters who had figured in English politics and the fashionable romances of Europe during the last forty years.
ellauri243.html on line 736: Job Thornberry comes into the story with the Anti-Corn-Law League, representing the remarkable change in English politics from the time before Napoleonic wars when the 10% richest guys were local landowners to after the wars when the merchants and industrialists had become the nobs (am. head honchos). This change of mens of production necessitated the passage of Reform Bills that favored Millian laissez-faire by the Conservative Derby-Disraeli ministries. Job Thornberry may be Richard Cobden; for he certainly has much of Cobden´s subject in him. The energetic and capable minister Lord Roehampton is taken to be Lord Palmerston, and Count Ferrol is perhaps Bismarck. Neuchatel, the great banker, is the historical Rothschild; Cardinal Henry Edward Manning figures as the tendentious papist Nigel Penruddock.
ellauri244.html on line 620: After his move to Ocampo Drive, he held dinner parties for the artistic and literary figures of the time. His cook and "caretaker" was a young artist's model named Twinka Thiebaud, 54 years his junior, who later wrote a book about his evening "chats." In relation to reaching 80 years of age, Miller explains:
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ellauri245.html on line 371: Jeg finner det svært interessant at politiets etterforskningsarbeid ikke har vært et like populært felt i politiforskningen (se Høigård, 2005 og Valland, 2011), mens det samtidig finnes mange medierte bilder av hva det angivelig handler om. Selv om politiforskningen har vist lite oppmerksomhet til etterforskere og deres arbeid, vies det en enorm interesse for feltet fra andre ikke-akademiske områder. Det skrives flere bøker om fiktive etterforskere, og TV-serier og film sendes ofte på TV i beste sendetid. I en undersøkelse foretatt i 2012, ble kriminalromaner rangert som nummer to, etter bøker i den bestselgende sjangeren Skjønnlitterære romaner og noveller (Bokhandlerforeningen, 2012). Forfatteren og musikeren Jo Nesbø har gitt ut ti bøker om fiktiv figuren Harry Hole, en dyktig politietterforsker. Leserne følger Hole gjennom alle sakene han etterforsker, og får også innblikk i hans personlige problemer, som er kjæmpemange.
ellauri246.html on line 268: For in the background figures vague and vast Sillä hämärinä isoina takapiruina
ellauri254.html on line 820: Viktor Borisovich Shklovsky (Russian: Ви́ктор Бори́сович Шкло́вский, IPA: [ˈʂklofskʲɪj]; 24 January [O.S. 12 January] 1893 – 6 December 1984) was a skinhead Russian and Soviet literary theorist, critic, writer, and pamphleteer. He is one of the major figures associated with Russia formalism.
ellauri256.html on line 380: Contemporaries' attitude to Lilya was mixed. Men adored her: the list of Brik's admirers included practically the entire circle of Russian avant-garde artists and prominent culture figures, from Alexander Rodchenko to Sergey Diaghilev. In Italy, she was friends with Pasolini, in France, with Louis Aragon (who would eventually marry her sister Elsa) and Yves Saint Laurent, who used to say: “I know three women who can be elegant outside of fashion - Catherine Deneuve, Marlene Dietrich and Lilya Brik.”
ellauri260.html on line 296: New York is the city of million- aires, and their number increases steadily ; but it has also been established on medical authority in New York that in the year 1914 five per cent, of the children examined were underfed, and that by the year 1919 the proportion had risen to nineteen per cent. Surely such figures give ground for reflection !
ellauri260.html on line 341: This is done in two ways : by the construction of a personality superior to and embracing the world and by the opening of a kingdom of God which essentially transcends the entire political and social order. In order to buy any of this, a man has to be content with figures of speech and suggestions, and the heart needs a heroism that confidentlv sustains its affirmation in spite of all contradiction.
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ellauri262.html on line 208: The second novel, Perelandra, depicts a new Garden of Eden on the planet Venus, a new Adam and Eve, and a new "serpent figure" to tempt Eve. The story can be seen as an account of what might have happened if the terrestrial Adam had defeated the serpent and avoided the Fall of Man, with Ransom intervening in the novel to "ransom" the new Adam and Eve from the deceptions of the enemy. The third novel, That Hideous Strength, develops the theme of nihilistic science threatening traditional human values, embodied in Arthurian legend.
ellauri262.html on line 469: Lewis then talks about the nature of nature/matter. Because there are things outside an individual and God, things cannot be configured to suit the individual perfectly. WTF? God is responsible for that too! He also introduces the concept of Free Will and how that further inhibits everyone being pain-free all the time, although he does allow and say miracles do exist. Bullshit! Free will is that you can do what you want (lähde). If you want to be pain-free and you aren't, then your will is not free.
ellauri262.html on line 612: But Mr Neeson, who provided the voice of Aslan in the recent Narnia films, said: “Aslan symbolises a Christlike figure, but he also symbolises for me Mohammed, Buddha and all the great spiritual leaders and prophets over the centuries.”
ellauri263.html on line 387: This kind of blurring brings to mind US war-on-terror films such as Zero Dark Thirty, with its depiction of Osama bin Laden’s capture serving as a PR exercise for the use of torture during interrogations. Meanwhile, Fauda’s Isis storyline stretches credibility, at the same time feeding the worst stereotypes. “It’s a bit lazy. Isis is not really active in Gaza or the West Bank,” says Stern. Buttu adds that the effect is to reinforce the absence of a Palestinian cause. “We don’t have any legitimate grievances. It’s all Islamic-driven,” she says, noting that it “turns Palestinians into irrational figures who want only to kill Israelis”.
ellauri263.html on line 730: "It's very similar to a fire alarm in your house, right? It goes off, it's loud, it's obnoxious, it's alerting to something, it has a function. And you know in a similar way, it's very disorienting," she explains. "In the same way, when you're triggered into feeling jealousy, it's very disorienting, and it can be very overwhelming. But ultimately, it's alerting you to something. Once you quiet the alarm, once you turn off the fire alarm, what you would normally do is sort of go around your house and figure out what's going on. … Is something actually on fire, or is it a false alarm? Same with jealousy—it's alerting you to some sort of discomfort."
ellauri263.html on line 838: Kelly Gonsalves is a multi-certified sex educator and relationship coach helping people figure out how to create dating and sex lives that actually feel good — more open, more optimistic, and more pleasurable. In addition to working with individuals in her private practice, Kelly serves as the Sex & Relationships Editor at mindbodygreen. She has a degree in journalism from Northwestern University, and she’s been trained and certified by leading sex and relationship institutions such as The Gottman Institute and Everyone Deserves Sex Ed, among others. Her fork has been featured at The Cut, Vice, Teen Vogue, Cosmopolitan, and elsewhere.
ellauri264.html on line 130: A children's book appropriating the Pepe character, The Adventures of Pepe and Pede, advanced "racist, Islamophobic and hate-filled themes", The book's author, a vice-principal with the Denton Independent School District, was reassigned after the publicity. In January 2019, the video game Jesus Strikes Back: Judgment Day was released, which allows players to play as Pepe the Frog, among other figures, and murder various target groups including feminists, minorities, and liberals.
ellauri264.html on line 159: Lakshmi Srinivas, a professor of Asian American studies (another Indian lady) at the University of Massachusetts, felt that Kaling was being held to unfair standards as one of the few leading Asian figures in the entertainment industry.
ellauri266.html on line 468: Le narrateur commence à apprendre le langage simien. Profitant d’une visite de routine, il dessine à Zira des figures géométriques et les théorèmes qui en découlent, puis le Système solaire et celui de Bételgeuse, la trajectoire de son vaisseau et son origine, la Terre. Zira comprend son message et lui demande de garder le secret car Zaïus pourrait lui causer des problèmes. Zira commence à apprendre le français et les deux peuvent communiquer facilement. Elle lui apprend comment les singes se sont développés sur cette planète alors que l’homme est resté à un stade d’animalité. Enfin, le narrateur retrouve l’air libre lorsque Zira l´amène en promenade, après trois mois d’enfermement, pour lui présenter Cornélius, son fiancé, un chimpanzé biologiste très intelligent et intuitif. Il se laisse tenir en laisse comme le lui a recommandé Zira et tente de dissimuler son intelligence. Zira lui apprend que Zaïus voulait le transférer à la division encéphalique pour pratiquer sur son cerveau des opérations délicates mais qu’elle l’en a empêché. Avec Cornélius, elle lui conseille de faire très attention et d´attendre le congrès des savants biologistes qui va se tenir dans les jours suivants où il sera présenté par Zaïus, pour révéler son secret.
ellauri269.html on line 121: Mulla on toi Leech King (suom. Verijuotikas) kirjana joka löytyi Emmauxen hyllystä. Siitä on tämän paasauxen motto. Astaroth (also Ashtaroth, Astarot and Asteroth), in demonology, was known to be the Great Duke of Hell in the first hierarchy with Beelzebub and Lucifer; he was part of the evil trinity. He is known to be a male (or female) figure most likely named after the Near Eastern goddess Astarte. Hazeroth (Nu. 11:35, 12:16, 33:17-18) oli Moosexen porukoiden taukopaikka missä Mirja sai ihotaudin, oisko ollut siihen yhteen paikkaan? Voiko pitaali tarttua hurlumheihin? Mirjan ihotaudista on ollut puhe myös albumissa 171. Miriam on Maria hepreaxi, tai turkixi. Se on turkkilaisen Ecemin toinen nimi.
ellauri269.html on line 276: Paying With Gold: You can also buy game time with the gold that you earn in game. Visit the Auction House and select WoW Token. The price fluctuates quite a bit, so you may have to keep a careful eye on it to figure out your best deal.
ellauri269.html on line 575: There is literally a track in the WoD soundtrack called ‘Messenger’ in Hebrew (Malach), which features traditional Jewish liturgical singing. They are led by a Moses figure, and literally came to Azeroth on a ship named after the Exodus. It’s not subtle, I don’t see why you’re denying it.
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ellauri270.html on line 302: The irony in “The Daemon Lover” is that the female protagonist becomes suspect as she hunts for the mysterious young man “who promised to marry her” (DL 23). Everywhere she searches, she encounters couples who mock her with not-so-subtle insinuations that she is crazy. Indeed, at the end of the story she may well have become insane; the narrative is ambiguous on this point. Significantly, however, if the nameless woman has indeed lost her mind, it is James who is responsible. Although some critics speculate that the disruptive male figure—both in this story and in the others in the collection—is a hallucination of a sexually repressed character, the epilogue to The Lottery, a ballad entitled “James Harris, The Daemon Lover,” suggests otherwise: He is, in fact, the devil himself.
ellauri272.html on line 310: of the idealized child"; Alexie's protagonist is the opposite of this figure.
ellauri275.html on line 451: Prince Alexander Chavchavadze (Georgian: ალექსანდრე ჭავჭავაძე, Russian: Александр Чавчавадзе; 1786 – November 6, 1846) was a Georgian poet, public benefactor and military figure. Regarded as the "father of Georgian romanticism", he was a pre-eminent Georgian aristocrat and a talented general in the Imperial Russian service.
ellauri277.html on line 217: Khalil senior seems to have been a violent drinker and a gambler; rather than tend to his walnuts he went to be a collector of taxes for the village headman, a job that was not considered reputable. In 1891 he was convicted of some fiscal irregularity, and his property was confiscated. Gibran later described his father to his women friends as a descendant of cavaliers, a romantic figure, who got into trouble with the law for refusing to compromise with corrupt village authorities. BUAHAHAHA.
ellauri277.html on line 238: After Paris, Gibran found Boston provincial and stifling. Haskell arranged for him to visit New York in April 1911; he moved there in September, using $5,000 that Haskell gave him to rent an apartment in Greenwich Village. He immediately acquired a circle of admirers that included the Swiss psychiatrist and psychologist Carl Gustav Jung and several Baha’is; the latter introduced him to the visiting Baha’i leader ‘Abd al-Baha’, whose portrait he drew. New York was the center of the Arabic literary scene in America; Rihani was there, and Gibran met many literary and artistic figures who lived in or passed through the city, including the Irish poet and dramatist William Butler Yeats.
ellauri277.html on line 240: In the spring of 1913 he visited the International Exhibition of Modern Art—the “Armory Show”—which introduced European modern art to America. He approved of the show as a “declaration of independence” from tradition, but he did not think most of the paintings were beautiful and did not care for the artistic ideologies behind movements such as cubism. The reviews of an exhibition of his own work in December 1914 were mixed. Hedevoted most of his time to painting for the next eighteen years but remained loyal to the symbolism of his youth and became an isolated figure on the New York art scene.
ellauri278.html on line 157: Vyshinsky first became a nationally known public figure as a result of the Semenchuk case of 1936. Konstantin Semenchuk was the head of the Glavsevmorput station on Wrangel Island. He was accused of oppressing and starving the local Yupik and of ordering his subordinate, the sledge driver Stepan Startsev, to murder Dr. Nikolai Vulfson, who had attempted to stand up to Semenchuk, on 27 December 1934 (though there were also rumors that Startsev had fallen in love with Vulfson's wife, Dr. Gita Feldman, and killed him out of jealousy). The case came to trial before the Supreme Court of the RSFSR in May 1936; both defendants, attacked by Vyshinsky as "human waste", were found guilty and shot, and "the most publicised result of the trial was the joy of the liberated Eskimos."
ellauri279.html on line 197: When Yuri joined the faculty of the Department of German and Russian at UCD in January, 1989, none of his colleagues had any idea of the remarkable fifty-five years of his life that had preceded his arrival in Davis. Some of us were aware of the fact that he had been censored for his writing in the Soviet Union, but most, if not all of us, were ignorant of the attack leveled against him in 1974 by the newspaper Izvestiya, which accused him of having slandered the Soviet people, or of his having been removed from the Writers Union of the USSR in 1977 and declared “a traitor to the motherland” for his participation in the Samizdat underground publishing movement. In 1986, he was threatened by the KGB with either incarceration in a prison camp or confinement to a psychiatric ward, where he might well have languished had it not been for the intervention of Western writers such as Kurt Vonnegut and Arthur Miller, as well as, the International PEN-Club. Yuri was banished from his homeland a year later. He became a leading literary figure among Russian émigré writers while in exile, living first in Vienna, and then in Texas, before coming to California.
ellauri279.html on line 199: In his sensational exposé, Informer 001 or the Myth of Pavlik Morozov, a product of research carried out clandestinely in the Soviet Union between 1980 and 1984, he demolished the long-standing, “official” Soviet version of the young, thirteen-year old “pioneer” (who never was) and communist martyr – designated, in 1934, a Soviet literary hero at the First Congress of Soviet Writers – who had turned in his father to the authorities for treasonable activity. The boy was subsequently murdered, according to the authorities, by members of his own family. The young Pavlik did, in fact, denounce his father, but, as Yuri demonstrates, he appears to have been put up to it by his mother, seeking revenge for her husband’s infidelity. As to who actually killed Pavlik, Yuri establishes that it was certainly not family members who were hauled before a Soviet court and subsequently executed. No less a literary figure than Alexander Solzhenitsyn hailed the publication of the book in 1987, claiming that it was “through books such as this that as many Soviet lies will eventually be told as revealed.”
ellauri281.html on line 156: Vyshinsky first became a nationally known public figure as a result of the Semenchuk case of 1936. Konstantin Semenchuk was the head of the Glavsevmorput station on Wrangel Island. He was accused of oppressing and starving the local Yupik and of ordering his subordinate, the sledge driver Stepan Startsev, to murder Dr. Nikolai Vulfson, who had attempted to stand up to Semenchuk, on 27 December 1934 (though there were also rumors that Startsev had fallen in love with Vulfson's wife, Dr. Gita Feldman, and killed him out of jealousy). The case came to trial before the Supreme Court of the RSFSR in May 1936; both defendants, attacked by Vyshinsky as "human waste", were found guilty and shot, and "the most publicised result of the trial was the joy of the liberated Eskimos."
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ellauri285.html on line 347: Mary Robinson (née Darby; 27 November 1757 – 26 December 1800) was an English actress, poet, dramatist, novelist, and celebrity figure. She lived in England, in the cities of Bristol and London; she also lived in France and Germany for a time. She enjoyed poetry from the age of seven and started working, first as a teacher and then as actress, from the age of fourteen. She wrote many plays, poems and novels. She was a celebrity, gossiped about in newspapers, famous for her acting and writing. During her lifetime she was known as "the English Sappho". She earned her nickname "Perdita" for her role as Perdita (heroine of Shakespeare's The Winter's Tale) in 1779. She was the first public mistress of King George IV while he was still Prince of Wales.
ellauri285.html on line 772: the butterfly-like first figure provided by Fredrickson and Losada is not a model of the data taken from their human participants, but "the results of computer simulations of the Lorenz equations, nothing more"; and based on the maths, even if precise positivity/negativity ratios could be derived, several "windows" of desirable and undesirable positivity/negativity ratios above a certain value should exist, rather than a simple range of ratios in which "flourishing" should occur.
ellauri290.html on line 484: To this figure should be added those refugees who are not registered with the Agency because they are either self-supporting, or had emigrated to other parts of the world. Those refugees a e estimated as follows:
ellauri297.html on line 44: Materialism is the butt of every Dad joke. A child comes to the father of their youth, and say, “Dad, I’m hungry,” to which the beloved father figure replies, “Hello Hungry, I’m Dad!” It pokes fun at the idea that our whole identity could be the sum total of our physical markers, desires and chemical reactions. This would be akin to someone ‘coming out,’ to us and us responding, “Hello Gay! I’m Cis!” It’s ludicrous! But, our culture still does it–quite a bit, actually. We define ourselves and others concretely based on what we own rather than on what we cannot see; our souls.
ellauri301.html on line 182: Schartaulaisuus on muovaillut hartauselämää ja jopa mentaliteettia sekä kulttuuria Länsi-Ruotsissa. Armonjärjestys on Lutherin ideoima vuorisaarnaan perustuva katumuxentekijän marssijärjestys. Ensin ota vuoteesi ja sitten kävele. Sana armonjärjestys esiintyy miljoona kertaa Lestadiuxella. Mankelilla esiintyy naispoliisi nimeltä Lestadius. Ordning och reda. It all figures.
ellauri301.html on line 263: De Klerk was a controversial figure among many sections of South African society, all for different reasons. He received many awards, including the Nobel Peace Prize for dismantling apartheid and bringing universal suffrage to South Africa. Conversely, he received criticism from anti-apartheid activists for offering only a qualified apology for apartheid, and for ignoring the human rights abuses by state security forces. He was also condemned by South Africa´s Afrikaner nationalists, who contended that by abandoning apartheid, he betrayed the interests of the country´s Afrikaner minority. South Africa´s Conservative Party came to regard him as its most hated adversary.
ellauri301.html on line 294: Eugène Ney Terrace Blanche ([ɪəˈʒɛn ˈnɛj tərˈblɑːʃ], 31 January 1941– 3 April 2010) was an Afrikaner nationalist and white supremacist who founded and led the Afrikaner Weerstandsbeweging (AWB; Afrikaner Resistance Movement in English). Prior to founding the AWB, Terrace Blanche served as a South African Police officer, was unsuccessful as a farmer, and an unsuccessful Herstigte Nasionale Party (Reconstituted National Party) candidate for local office in the Transvaal. He was a major figure in the right-wing backlash against the collapse of apartheid. His beliefs and philosophy have continued to be influential amongst White supremacists in South Africa and across the world.
ellauri310.html on line 586: Was Thomas Wolfe and Maxwell Perkins' relationship in any way romantic? Though the movie at times edges on a near-romantic relationship between Wolfe and his editor Perkins, others have described the real Max Perkins as being more of a father figure to Wolfe. Indeed there was a special bond between the two men, as evidenced in Wolfe's letters to Perkins and Perkins' own remarks about Wolfe, calling their friendship "one of the greatest things in my life" (Publishers Weekly). Despite some speculation, there is little doubt that the two were just very, very very close friends.
ellauri316.html on line 200: business. He thus became the only non-Christian Jewish religious figure (except God?) to have a college named
ellauri316.html on line 206: Aviv. Wolfson is one of a handful of figures, including Edmund of Abingdon, Saint Peter, Catherine of Alexandria, Mary Magdalene, Mary, mother of Jesus, God and Jesus, to have both Cambridge and Oxford colleges named after them. Ei ihme että kuoppaleukainen daavidhahmo Nooah nimettiin sen perästä. Lopetin sarjan kazomisen 3. jaxosta. Siinä oli pelkästään epämiellyttäviä tyyppejä. Sarjaa tuottavat belgit, britit ja israelit, kaikki erittäin syvältä anuxesta. Haaretz writes that the series is a "gem" that comes "from the heart.' Are there lilac trees / in the heart of town? This is somewhat embarrassing, isn’t it?
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ellauri328.html on line 520: Marjorie Taylor Greene is the U.S. representative from Georgia's 14th district. A Republican, her 2020 win is her first elective office. A controversial figure in the Republican Party and a vocal supporter of former President Donald Trump, Greene was removed from all House committee roles in 2021 for incendiary statements she previously made. She has since been added to the House Homeless Security Committee. LOL HAHA
ellauri333.html on line 95: Secondly, the traditional figures of the Northern Buddhists are almost totally at variance with those of the Southern Buddhists. The historical tradition of India, Ceylon, and Burma is unanimous in naming as the founder of the Maurya dynasty Chandragupta, and as his two immediate successors Bindusara and Asoka.
ellauri333.html on line 123: Using figures for assumed average annual growth, Patna is the 21st fastest growing city in the world and 5th fastest growing city in India according to a study by the City Mayors Foundation. Patna registered an average annual growth of 3.72% during 2006–2010. As of 2011-12, the GDP per capita of Patna is ₹1,08,657, and its GDP growth rate is 7.29 percent. In June 2009, the World Bank ranked Patna second in India (after Delhi) for ease of starting a business
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ellauri334.html on line 263: What I think many Christians fail to understand is how irrelevant to Judaism the Christian books and beliefs are. We dn’t have a view about Judas, he is never discussed, there are no discussions about him in Jewish sources. He is completely irrelevant as are the rest of the figures from Christian books. So, you may find some Jews who have formed their personal opinion about him, but there is no comments or view on him from Jewish sources since he is irrelevant and not a subject of discussion for us.
ellauri334.html on line 289: Judas Iscariot has the same irrelevance for Jews as any other New Testament figure.
ellauri334.html on line 338: Anyway….I have never been able to figure how it’s anyone’s responsibility for what happened to Jesus, other than G-d himself….This was his plan…..and he put it into action…How come he is never blamed….I blame him…
ellauri334.html on line 341: Most Jewish people do not think about Jesus of Judas or other New Testament figures. In fact they pretty much have completely ignored them for the two thousand years since the New Testament was written. If you ask them about Judas they would say some version of “no opinion.”
ellauri336.html on line 604: That’s the first thing that makes Thunberg’s statement so disgusting. It’s truly mind-boggling that an internationally famous figure could comment on this conflict, which was escalated to its current fever pitch by Hamas’s brutal terrorist attack, without even mentioning that attack or offering any support to its victims.
ellauri336.html on line 628: Despite the oil price crash of 2014, the Permian’s oil production has soared from about a million barrels a day in 2011 to about 4.5m this autumn, while natural gas production has trebled since 2013, according to US government figures.
ellauri364.html on line 550: In 1986, the Christic Institute filed a $24 million civil suit on behalf of journalists Tony Avirgan and Martha Honey stating that various individuals were part of a conspiracy responsible for the La Penca bombing that injured Avirgan. The suit charged the defendants with illegally participating in assassinations, as well as arms and drug trafficking. Among the 30 defendants named were Iran–Contra figures John K. Singlaub, Richard V. Secord, Albert Hakim, and Robert W. Owen; Central Intelligence Agency officials Thomas Clines and Theodore Shackley; Contra leader Adolfo Calero; Medellin cartel leaders Pablo Escobar Gaviria and Jorge Ochoa Vasquez; Costa Rican rancher John Hull; and former mercenary Sam N. Hall.
ellauri369.html on line 366: Hofrath: Hofrath Heuschrecke (i. e. State-Councillor Grasshopper) is a loose, zigzag figure, a blind admirer of Teufelsdröckh´s, an incarnation of distraction distracted, and the only one who advises the editor and encourages him in his work; a victim to timidity and preyed on by an uncomfortable sense of mere physical cold, such as the majority of the state-counsellors of the day were. Sounds a lot like Waldo Emerson.
ellauri370.html on line 59: The Bible makes a point of saying whenever someone is attractive. Esther's called "very beautiful" and was said to have a "lovely figure," so you know she's really rocking it. But her beauty may also have been a superpower. For The Jewish Encyclopedia states the other girls, instead of being jealous, take care of her because they clearly see the king will choose her. That's beauty as a superpower!
ellauri372.html on line 102: Regulus was a famously principled and courageous fictional figure from the Punic wars 2 centuries earlier. Captured by the Carthaginians with others during the Punic wars, he was sent to Rome, under an oath to return, to pass on peace proposals and a request for exchange of prisoners. According to legend, as described by Horace here, he advised the Senate not to accept, and returned to Carthage to a certain and painful death, keeping his oath. There is a clear echo of the campaign that Augustus was waging to restore traditional Roman and family values. Like the rock-hard Regulus, “proper” Romans should be prepared to face death and spit in its eye, rather than take a safe but dishonourable way out. The gulf between these traditions and the contemporary Romans partying and fornicating away in writers like Ovid and Propertius could not be deeper.
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ellauri375.html on line 310: So that is why you keep dishing out platitudes instead of even trying to figure out 42?
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ellauri378.html on line 649: Opposing the CIA are the leaders of Project Nova: Soviet Army Major General Nikita Dragovich (Eamon Hunt), Colonel Lev Kravchenko (Andrew Divoff), and ex-Nazi scientist Friedrich Steiner (Mark Bramhall). Black Ops also features several historical figures; during the story, Mason meets Fidel Castro, Robert McNamara, and John F. Kennedy.
ellauri382.html on line 590: Gas Light was written during a 8-year dark period in Hamilton´s life. Six years prior to the play Hamilton was hit by a drunk driver and dragged through the streets of London, leaving him with a limp, a paralysed arm, and a disfigured face. Two years later, Hamilton´s mother took her own life.
ellauri383.html on line 413: After three months we set sail in a ship that had wintered in the island, a ship of Alexandria, with the twin gods as a figurehead.
ellauri386.html on line 224: När Richard träffar Paula på Söderströms julkalas känns det som om alla bitarna faller på plats. Hon är hans livs kärlek och han är hennes, något som inte gällde för Philips första hustru och hans två barns mamma Sonja. Där satt pusselbitarna helt enkelt fel. Pjäserna var fully interlocking men figurerna matchade dåligt.
ellauri389.html on line 111: Lamb's essay tropes contemporary developments in English political economy as it was most prominently figured by the porcelain industry. Under the auspices of an imperial organ, they unleash John Bull in a china shop, facetiously troping these radical changes in Sino-British consumer history in order to wreak havoc on existing protections of romantic genius. "Old China" is literary chinoiserie for an age shaped by the new imperial industry.
ellauri392.html on line 643: Flagged, and the figurehead wit golden tits Liput mastossa, ja keulakuva kultatissisenä
xxx/ellauri010.html on line 906: Generally, the hero has a disrespect for certain figures of authority, thus creating the image of the Byronic hero as an exile or an outcast. The hero also has a tendency to be arrogant and cynical, indulging in self-destructive behaviour which leads to the need to seduce men or women. Although his sexual attraction through being mysterious is rather helpful, it often gets the hero into trouble.
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xxx/ellauri075.html on line 155: Shestov's dislike of the Soviet regime led him to undertake a long journey out of Russia, and he eventually ended up in France. (LOL se lähti livohkaan bolshevikkeja, niinkuin monet muutkin ökyporvarit.) The author was a popular figure in France, where his originality was quickly recognized. That this Russian was newly appreciated is attested by his having been asked to contribute to a prestigious French philosophy journal.
xxx/ellauri075.html on line 305: Klages was a central figure of characterological psychology and the Lebensphilosophie school of thought. Prominent elements of his philosophy include: the opposition between life-affirming Seele and life-denying Geist; reality as the on-going creation and interpretation of sensory images, rather than feelings; a biocentric ethics in response to modern ecological issues and militarism; an affirmation of eroticism in critique of both Christian patriarchy and the notion of the "sexual"; a theory of psychology focused on expression, including handwriting analysis; and a science of character aimed at reconciling the human ego to the divide it effectuates between living beings.
xxx/ellauri075.html on line 381: Kitt was also a member of the Women's International League for Peace and Freedom; her criticism of the Vietnam War and its connection to poverty and racial unrest in 1968 can be seen as part of a larger commitment to peace activism. Like many politically active public figures of her time, Kitt was under surveillance by the CIA, beginning in 1956. After The New York Times discovered the CIA file on Kitt in 1975, she granted the paper permission to print portions of the report, stating: "I have nothing to be afraid of and I have nothing to hide." Kitt later became a vocal advocate for LGBT rights and publicly supported same-sex marriage, which she considered a civil right. She had been quoted as saying: "I support it [gay marriage] because we're asking for the same thing. If I have a partner and something happens to me, I want that partner to enjoy the benefits of what we have reaped together. It's a civil-rights thing, isn't it?"
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xxx/ellauri081.html on line 182: Socialminister Lena Hallengren (S) har blivit en av frontfigurerna för den svenska coronastrategin.
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xxx/ellauri084.html on line 51: "The Llewellyn Davies family figured in .... G.E. Moore and the Cambridge Apostles, because two of the brothers, Crompton and Theodore (Llewellyn Davies) were Apostles, handsome, clever fellows who were close friends of Moore (and of Bertrand Russell)."www.artsjournal.com...
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xxx/ellauri084.html on line 804: Frome is the most striking figure in Starkfield, the ruin of a man with a careless powerful look in spite of a lameness checking each step like the jerk of a chain.
xxx/ellauri084.html on line 819: Millay was a prominent social figure of New York City's Greenwich Village just as it was becoming known as a bohemian writer’s colony, and she was noted for her uninhibited lifestyle, forming many passing relationships with both sexes. A road accident in middle-age left her part-invalided and morphine-dependent for years, yet near the end of her life she wrote some of her greatest poetry.
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xxx/ellauri085.html on line 320: If you haven’t guessed it yet, this is Jeff Bezos (owner of Amazon) in 1999 - and, no, this is not the start of Amazon. In 1999, Amazon was already worth billion(s) of dollars, and yet this man is sitting in a not-so-fancy office, doing what people won’t do so he could be able to do what people MUSTN’T do. Like fuck up the life of everybody else. figure>
xxx/ellauri085.html on line 428: Other barriers are produced by govt in their speeches, it might not even be policy yet, but if for example Obama talks about raising taxes and tells business owners like Joe the Plumber that “You didn’t build that!” Then what signal does that send to would-be entrepreneurs? Probably just wait til a more friendly administration comes along. Not surprising that business activity increased toward the end of Obama’s term and really took off once people figured out that Trump was going to have policies that reduced barriers.
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xxx/ellauri087.html on line 342: Friedman was an idiosyncratic figure who would be hard to pigeonhole in the current political spectrum, he kinda drops off on the ultraviolet side. He inspired the conservative movement, but was against any discrimination against gay people, in addition to being an agnostic. He was a libertarian who advocated for a progressive income tax system that even went into the negative to ensure that everyone could, at the very least, meet their basic needs. Elon Musk is all for basic income too. But he also wants to send a Tesla to deep space as a token of esteem to alien intelligence. With a piece of cardboard inside the windshield spelling HUMAN. To sum up, Freedman and Musk are both East European emigrants, Elon is not a jew, and Milton was not gay, although a funny guy.
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xxx/ellauri091.html on line 292: Hauptmann's early dramas reflect the influence of Henrik Ibsen, but the production of Die Weber, a dramatization of the Silesian weavers' revolt of 1844, brought him fame as the leading playwright of his generation. Hauptmann did not only want to give realistic details, but he paid a great deal of attention to historical accuracy, and studied various dialects. His weavers are "flat-chested, coughing creatures of the looms, whose knees are bent with much sitting." The women's clothes are ragged, but some of the young girls are not without charm � they have "delicate figures, large protruding melancholy eyes." Structurally the play, which was at first banned, was innovative � there is no single, individual hero in the cast of more than 70 characters. (Didn't exceed the 80 character limit of first generation mainframe computers.)
xxx/ellauri103.html on line 142: Thicc is a slang term for a full-figured body, specifically a big butt and curvy waist. It is used both sexually and humorously.
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xxx/ellauri121.html on line 327: Although she never felt particularly tough compared with the rest of her family - "It took me a long time to figure out that the youngest in a family of dragons is still a dragon from the point of view of those who find dragons alarming" - Atwood now recognises that "I was certainly very scary to people in my 20s; I think women with talent are scary."
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xxx/ellauri122.html on line 1031: But is Barbie really that great of a role model? Was she really portraying true feminism or displaying the “right” way to look? Were these impressionable young girls learning an independent way of life or a body figure which should be modeled? If Barbie was paving the “new” way of life, then why was she so goddamn skinny? We liberated U.S. women weigh 3x more in our 10 gallon panties.
xxx/ellauri122.html on line 1205: "Those who are unsatisfied with what I do and critique me and offend me clearly don't have the same figure as I do," she said. "Otherwise they would not be so negative. They are openly jealous."
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xxx/ellauri123.html on line 1036: grotesque, the decadent, and the erotic. He was a leading figure in the aesthetic
xxx/ellauri123.html on line 1040: Modern Style (British Art Nouveau style) figures.
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xxx/ellauri124.html on line 371: a lot of different ways. If you’re trying to figure out whether a simple emoji or
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xxx/ellauri125.html on line 782: Cobain had become a major public figure following the surprise success of Nirvana's album Nevermind. Love was urged by her manager to participate in the cover story. In the year prior, Love and Cobain had developed a heroin addiction; the profile painted them in an unflattering light, suggesting that Love had been addicted to heroin during her pregnancy. The Los Angeles Department of Children and Family Services investigated, and custody of Frances was temporarily awarded to Love's sister, Jaimee. Love claimed she was misquoted by Hirschberg, and asserted that she had immediately quit heroin during her first trimester after she discovered she was pregnant.
xxx/ellauri126.html on line 305: Deepak Chopra (/ˈdiːpɑːk ˈtʃoʊprə/; Hindi: [d̪iːpək tʃoːpɽa]; born October 22, 1946) is an Indian-American author and alternative medicine advocate. A prominent figure in the New Age movement, his books and videos have made him one of the best-known and wealthiest figures in alternative medicine. His discussions of quantum healing have been characterised as technobabble - "incoherent babbling strewn with scientific terms" which drives those who actually understand physics "crazy" and as "redefining Wrong".
xxx/ellauri127.html on line 280: The female figure in the Starbucks logo has been likened to a Melusine. Notice the fork innovation in the tail. In Czech the word meluzína refers to wailing wind, usually in the chimney. This is a reference to the wailing Melusine looking forward to having children.
xxx/ellauri127.html on line 371: Unsurprisingly, (mostly male) scientists have done gobs of research trying to figure out what women want in men. But they have spent much less time uncovering the reverse: what makes women attractive to men. Let's not even get started on the dearth of research on what men find attractive in other men, or women in other women.
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xxx/ellauri127.html on line 736: Fanny Brawne met Keats, who was her neighbour in Hampstead, at the beginning of his brief period of intense creative activity in 1818. Although his first written impressions of Brawne were quite critical, his imagination seems to have turned her into the goddess-figure he needed to worship, as expressed in Endymion, and scholars have acknowledged her as his muse. On se vähän intiaanin näköinen.
xxx/ellauri127.html on line 741: Brawne drew consolation from her continuing friendship with Keats' younger sister, who was also called Fanny. She attracted much venom from the press, which declared her to have been unworthy of such a distinguished figure. LOL.
xxx/ellauri127.html on line 780: Maybe the bar was very dear to him. ‘Mine host's sign-board flew away’ is a rhetoric figure used as a synecdoche. Synecdoche is a poetic device where a part is mentioned to speak for the whole. He says that the ‘sign board flew away’ instead of saying that the tavern had closed (1818). Lähde
xxx/ellauri128.html on line 143: Though his reputation has declined since, Fletcher remains an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration.
xxx/ellauri128.html on line 151: Paul Lefèvre-Geraldy, dit Paul Géraldy, né à Paris 18e le 6 mars 1885 et mort à Neuilly-sur-Seine le 10 mars 1983, est un poète et dramaturge français. Géraldy ne figure pas dans les principales anthologies de la poésie française de la fin du XXe siècle, ce qui l'a rendu presque inconnu de la génération née après-guerre. Säälittävä nelisilmäinen sillinruotoripustin.
xxx/ellauri128.html on line 402: Han var son till Hans Gahlin och Selma Andersdotter. Han bodde en lång tid i en villa i Långedrag och var känd för att spritsa fram sina tuschfigurer under nattens mörka timmar. Gahlin debuterade som tidningstecknare 1933 och blev fast anställd vid Dagens nyheter 1937. Som tecknare medverkade han även i Söndagsnisse-Strix, Morgontidningen i Göteborg 1933-19490, Vårt Hem 1935-1940. Gahlin medverkade i 43 år (1932-1975) dagligen med sina karaktäristiska skämteckningar i Dagens Nyheter under vinjetten Salon Gahlin på sidan Namn och Nytt. Han tecknade också serierna Klotjohan (1934-1970) och Fredrik (1934-1973); den senare i Göteborgs Handels- och Sjöfartstidning. Han fick Adamsonstatyetten 1970.
xxx/ellauri128.html on line 442: Douglas Francis Jerrold (Scarborough 3 August 1893 - 1964) was a British journalist and publisher. As editor of The English Review from 1931 to 1935, he was a vocal supporter of fascism in Italy and of Francoist Spain.He was personally involved in the events of July 1936 when two British intelligence agents piloted an aircraft from the Canary Islands to Spanish Morocco, taking General ... Jerrold´s figure was small and spare, and in later years bowed almost to deformity. His features were strongly marked and expressive, from the thin humorous lips to the keen blue eyes, gleaming from beneath the shaggy eyebrows. He was brisk and active, with the careless bluffness of a sailor. Briljantti vittupää.
xxx/ellauri128.html on line 518: Robert von Ranke Graves (24 July 1895 – 7 December 1985) was a British poet, historical novelist, critic, and classicist. His father was Alfred Perceval Graves, a celebrated Irish poet and figure in the Gaelic revival; they were both Celticists and students of Irish mythology. Graves produced more than 140 works in his lifetime. His poems, his translations and innovative analysis of the Greek myths, his memoir of his early life—including his role in World War I—Good-Bye to All That, and his speculative study of poetic inspiration, The White Goddess, have never been out of print.
xxx/ellauri128.html on line 546: Après la guerre apparaissent les Pièces brillantes qui jouent sur la mise en abyme du théâtre au théâtre (La Répétition ou l´Amour puni en 1947, Colombe en 1951), puis les Pièces grinçantes, comédies satiriques comme Pauvre Bitos ou le Dîner de têtes (1956). Dans la même période, Jean Anouilh s´intéresse dans des Pièces costumées à des figures lumineuses qui se sacrifient au nom du devoir : envers la patrie comme Jeanne d´Arc dans L´Alouette (1953) ou envers Dieu comme Thomas Becket (Becket ou l´Honneur de Dieu en 1959). Le dramaturge a continué dans le même temps à servir le genre de la comédie dans de nombreuses pièces où il mêle farce et ironie (par exemple Les Poissons rouges ou Mon père ce héros en 1970) jusque dans les dernières années de sa vie.
xxx/ellauri128.html on line 578: Sir Julian Sorell Huxley FRS (22 June 1887 – 14 February 1975) was an English evolutionary biologist, eugenicist, and internationalist. He was a proponent of natural as well as unnatural selection, and a leading figure in the mid-twentieth century modern synthesis. He was secretary of the Zoological Society of London (1935–1942), the first Director of UNESCO, a founding member of the World Wildlife Fund, the president of the British Eugenics Society (1959-1962), and the first President of the British Humanist Association. Huxley came from the Huxley family on his father´s side and the Arnold family on
xxx/ellauri128.html on line 599: Jacques Maritain, né le 18 novembre 1882 à Paris et mort le 28 avril 1973 à Toulouse, est un philosophe français. C´est l´une des figures importantes du thomisme au XXe siècle.
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xxx/ellauri130.html on line 174: Marcion of Sinope (/ˈmɑːrʃən, -ʃiən, -siən/; Greek: Μαρκίων [note 1] Σινώπης; c. 85 – c. 160) was an early Christian theologian, an evangelist, and an important figure in early Christianity.Marcion preached that the benevolent God of the Gospel who sent Jesus Christ into the world as the savior was the true Supreme Being, different from and opposed to the malevolent demiurge or creator god, identified with the Hebrew God of the Old Testament. He considered himself a follower of Paul the Apostle, whom he believed to have been the only true apostle of Jesus Christ, a doctrine called Marcionism. Marcion published the earliest extant fixed collection of New Testament books, making him a vital figure in the development of Christian history.[citation needed] Early Church Fathers such as Justin Martyr, Irenaeus, and Tertullian denounced Marcion as a heretic, and he was excommunicated by the church of Rome around 144. He published the first known canon of Christian sacred scriptures, which contained ten Pauline epistles (the Pastoral epistles weren't included) and a shorter version of the Gospel of Luke (the Gospel of Marcion). This made him a catalyst in the process of the development of the New Testament canon by forcing the proto-orthodox Church to respond to his canon. Varmaan Marcion oli sitten yhtä persepää kuin Puovoli.
xxx/ellauri130.html on line 633: The Scriblerus Club was an informal association of authors, based in London, that came together in the early 18th century. They were prominent figures in the Augustan Age of English letters. The nucleus of the club included the satirists Jonathan Swift and Alexander Pope. Other members were John Gay, John Arbuthnot, Henry St. John and Thomas Parnell.
xxx/ellauri136.html on line 133: Kyle Baggett says: Shit it took me five mins to figure out how to reply and I accidentally down voted you in the process so sorry about that. You have an interesting mind. Here are my choices:
xxx/ellauri136.html on line 514: And when you ask people about connection, the stories they told me were about disconnection. I need to figure out what this is. And it turned out to be shame. And shame is really easily understood as the fear of disconnection: Is there something about me that, if other people know it or see it, that I won't be worthy of connection? Is my butt not smelling right to the other bees? Will they kill me?
xxx/ellauri136.html on line 592: 1905, from German Narzissismus, coined 1899 (in "Die sexuellen Perversitäten"), by German psychiatrist Paul Näcke (1851-1913), on a comparison suggested 1898 by Havelock Ellis, from Greek Narkissos, name of a beautiful youth in mythology (Ovid, "Metamorphoses," iii.370) who fell in love with his own reflection in a spring and was turned to the flower narcissus (q.v.). Narcissus himself as a figure of self-love is attested by 1767. Coleridge used the word in a letter from 1822.
xxx/ellauri137.html on line 198: The hierarchy usually attached to human figures and objects has been disregarded: the flowers receiving more detail than some of the faces.
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xxx/ellauri137.html on line 738: Tonya Maxene Harding (born November 12, 1970) is an American former figure skater, retired boxer and a reality television personality. Born in Portland, Oregon, Harding was raised primarily by her mother, who enrolled her in ice skating lessons beginning at three years old. Harding spent much of her early life training, eventually dropping out of high school to devote her time to the sport. After climbing the ranks in the U.S. Figure Skating Championships between 1986 and 1989, Harding won the 1989 Skate America competition. She became the 1991 and 1994 U.S. champion and 1991 World silver medalist. In 1991, she earned the distinction of becoming the first American woman to successfully land a triple Axel in competition - and the second woman to do so in history (behind Midori Ito). Harding is a two-time Olympian and a two-time Skate America Champion.
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xxx/ellauri138.html on line 263: Llewellyn - who declined to be interviewed by Bailey - said she was more upset by what was left out in the biography, making it seem like she was a marginal figure in Roth's life, an adventure that didn't work out. "My intimacy with Philip was not in keeping with the story Blake was trying to write " she said.
xxx/ellauri139.html on line 222: (4) Ippolit tries to figure out the point of living for two weeks. On the one hand, why not just die now and get it over with? But on the other hand, he feels like it's actually only now that he has a death sentence of sorts that he has really started to live. (Which, okay, guys, remember the story Myshkin told about the condensed man and how full of life his last few hours must be? There is definitely more to the idea that the person who knows he is about to die lives a very full life at the end—as Dostoevsky himself experience at his staged execution.)
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xxx/ellauri148.html on line 95: The founder of his own holiday, the author of several of Mahatma Gandhi's books, and the one-time pen pal of figures as diverse as M/S Queen Elizabeth II and Whoopi Goldberg, McCormack knows exactly what comes next.
xxx/ellauri148.html on line 286: Enraged by these measures, the Jews rebelled in 132, the dominant and irascible figure of Simeon bar Kosba at their head. Reputedly of Davidic descent, he was hailed as the Messiah by the greatest rabbi of the time, Akiva ben Yosef, who also gave him the title Bar Kokhba (“Son of the Star”), a messianic allusion. Bar Kokhba took the title nasi goreng (“prince”) and struck his own coins, with the legend “Year 1 of the liberty of Jerusalem.”
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xxx/ellauri154.html on line 214: The theme of Salome is one that Moreau returned to time and again. The artist explored the subject in more than one hundred sketches and drawings as well as in numerous paintings—ranging from highly elaborate to sketchily rendered—and even in sculpture (both Salome and The Apparition figured in Moreau’s waxworks). Moreau was not alone in his passion for the theme of Salome, as other famous artists — Lucas Cranach, Caravaggio, Titian, Guido Reni, Artemisia Gentileschi, Aubrey Beardsley, and Nabil Kanso, to name just a few — shared this interest. Selkeästi perverssiä jengiä.
xxx/ellauri157.html on line 206: In Judaism, similar figures arbitrated between earthly realities and spiritual realms since before the establishment of Talmudic Judaism in the 3rd century. However, it was only in the 16th century that these figures were called Baalei Shem. It looks like a Jewish reflex of the cotemporaneous revivalist movements among the protestants. Herbal folk remedies, amulets, contemporary medical cures as well as magical and mystical solutions were used in accordance with traditional Kabbalistic teachings as well as adapted Lurianic guidelines in the Middle Ages.
xxx/ellauri157.html on line 450: In a world of fear and brokenness, Rabbi Nachman brought healing through his stories and his wisdom. He has become an iconic figure in the universe of Hasidic thinking, and today, thousands of people make pilgrimages to his grave in Uman in central Ukraine, usually around the High Holidays. People go there believing that the journey will “fix” their brokenness.
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xxx/ellauri165.html on line 493: Depending on the perspective and precepts of the various religions in which he is a figure, he may also be portrayed as the president of the Third Heaven, a division of heaven in Judaism, Islam and Christianity. In Islam he is one of the four archangels, and is identified with the Quranic Malak al-Mawt (ملك الموت, 'angel of death'), which corresponds with the Hebrew-language term Mal'akh ha-Maweth (מלאך המוות) in Rabbinic literature.
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xxx/ellauri165.html on line 670: Milton in Paradise Lost refers to death as "sleep" and the dead as being "raised from sleep". The difference is difficult to identify in practice. Christian mortalism has been taught by several theologians and church organizations throughout history while also facing opposition from aspects of Christian organized religion. The Catholic Church condemned such thinking in the Fifth Council of the Lateran as "erroneous assertions". Supporters include the sixteenth-century religious figure Martin Luther and the eighteenth-century religious figure Henry Layton, among many others.
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xxx/ellauri167.html on line 431: The Founding Fathers are the leading figures of the American Revolution, the signers of the Declaration of Independence on July 4th, 1776 and the framers of the United States Constitution. The Bavarian Illuminati was a secret society founded by Adam Weishaupt on May 1st 1776.
xxx/ellauri167.html on line 438: The Founding Fathers were the leading figures of the American Revolution, the signers of the Declaration of Independence on July 4th, 1776 and the framers of the United States Constitution. The Bavarian Illuminati was a secret society founded by Adam Weishaupt on May 1st 1776. Only 2 months earlier! This must be meaningful!
xxx/ellauri167.html on line 536: He believes the Free masons were originally possessed of the true principles & objects of Christianity, & have still preserved some of them by tradition, but much disfigured. The means he proposes to effect this improvement of human nature are `to enlighten men, to correct their morals & inspire them with benevolence. Secure of our success, sais he, we abstain from violent commotions. To have foreseen the happiness of posterity & to have prepared it by irreproachable means, suffices for our felicity.
xxx/ellauri169.html on line 123: Disney was a shy, self-deprecating and insecure man in private but adopted a warm and outgoing public persona. He had high standards and high expectations of those with whom he worked. Although there have been accusations that he was racist or anti-Semitic, they have been contradicted by many who knew him. His reputation changed in the years after his death, from a purveyor of homely patriotic values to a representative of American imperialism. He nevertheless remains an important figure in the history of animation and in the cultural history of the United States, where he is considered a national cultural icon.
xxx/ellauri170.html on line 93: When Elizabeth Nightingale is murdered, DCI Wexford has to sort his way through quite a number of suspects - from the gardener to the household staff, to a permanent Dutch house guest, to the husband Quentin and the victim's brother and his wife. While trying to figure out what really happened on that fateful night that cost Elizabeth's life, Reg Wexford uncovers that the Nightingales' marriage was not as happy as it seemed and that there is a dark secret to be revealed.
xxx/ellauri173.html on line 125: Frasen är ett exempel på stilfiguren aposiopes, en form av ellips som innebär att en mening medvetet avbryts. Tän opetti meille Arvo Suominen eli Omena eräällä latinantunnilla. Se jäi mieleen, vaikkei me (onnexi) koskaan Vergiliuxeen asti päästy.
xxx/ellauri173.html on line 140: Quos ego (Latin, literally 'Whom I') are the words, in Virgil's Aeneid (I, 135), uttered by Neptune, the Roman god of the Sea, in threat to the disobedient and rebellious winds. Virgil's phrase is an example of the figure of speech called aposiopesis.
xxx/ellauri174.html on line 128: Kekäs tää Malibran sitten on? Maria Felicia Malibran (24 March 1808 – 23 September 1836) was a Spanish singer who commonly sang both contralto and soprano parts, and was one of the best-known opera singers of the 19th century. Malibran was known for her stormy personality and dramatic intensity, becoming a legendary figure after her death in Manchester, England, at age 28. Contemporary accounts of her voice describe its range, power and flexibility as extraordinary.
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xxx/ellauri176.html on line 77: Courtesan and her client, Attican Pelike with red figures by Polygnotus, c. 430 BC, National Archaeological Museum of Athens.
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xxx/ellauri176.html on line 873: "Reacher is a brawny action figure whose exploits would have been a good fit for the likes of Arnold Schwarzenegger or Sylvester Stallone back in the day, but feel less fun when delegated to a wimpy man like Tom Cruise."
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xxx/ellauri179.html on line 635: Writing to his sister Alice, James characterized Zhukovski as “the same impracticable and indeed ridiculous mixture of Nihilism and bric-à-brac as before.” He adds that Zhukovski always needs to be sheltered by a strong figure: “First he was under Turgenev, then the Princess Urusov, whom he now detests and who despises him, then under H.J. Jr. (!!), then under that of a certain disagreeable Onegin (the original of Turgenev’s Nazhdanov, in Virgin Soil) now under Wagner, and apparently in the near future that of Madame Wagner.” Novick bypasses these letters; he avoids looking at facts that might spoil his case. He does allude to the James remark about Zhukovski’s bric-a-brac, but he seems to misunderstand its irony. He claims that James was “cautious” about this visit because of crime and disease in the Naples area–all this, says Novick, is “out of keeping with the collection of bric-à-brac with which Zhukovski was surrounded.” James may indeed have been referring to the villa’s human bric-a-brac.
xxx/ellauri179.html on line 655: After leaving office, Bryan retained some of his influence within the Democratic Party, but he increasingly devoted himself to religious matters and anti-evolution activism. He opposed Darwinism on religious and humanitarian grounds, most famously in the 1925 Daytona monkey case, aka Scopes Trial. Since his death in 1925, Bryan has elicited mixed reactions from various commentators, but he is widely considered to have been one of the most influential figures of the anthropocenic era.
xxx/ellauri186.html on line 235: The Edict of Restoration, a proclamation attested by a cylinder seal in which Cyrus authorized and encouraged the return of the Israelites to the Land of Israel following his conquest of the Neo-Babylonian Empire, is described in the Bible and likewise left a lasting legacy on the Jewish religion due to his role in ending the Babylonian captivity and facilitating the Jewish return to Zion. According to Isaiah 45:1 of the Hebrew Bible, God anointed Cyrus for this task, even referring to him as a messiah (lit. 'anointed one'); Cyrus is the only non-Jewish figure in the Bible to be revered in this capacity.
xxx/ellauri186.html on line 237: Having originated from Persis, roughly corresponding to the modern-day Fars Province of Iran, Cyrus has played a crucial role in defining the national identity of modern Iran. He remains a cult figure amongst modern Iranians, with his tomb serving as a spot of reverence for millions of people. In the 1970s, the last Shah of Iran, Mohammad Reza Pahlavi, identified Cyrus' famous proclamation inscribed onto the Cyrus Cylinder as the oldest-known declaration of human rights, and the Cylinder has since been popularized as such. This view has been criticized by some Western historians as a misunderstanding of the Cylinder's generic nature as a traditional statement that new monarchs make at the beginning of their reign. Fucking Westerners, always belittling other people's achievements.
xxx/ellauri187.html on line 133: Why would an anti-Semite extol a Jewish poet to two of the most powerful and influential figures in Central European literary culture--to his own patrons? To paraphrase that great Jewish philosopher Thomas Aquinas, When you meet a contradiction, make a distinction. But Freedman builds from the surface contradiction. For Rilke, he writes, "a cultural and sometimes even a social anti-Semitism was part of daily existence." Yet aside from the letter to Hoffmannsthal, he offers no evidence for that litigable assumption, though he does inform us, with a smug and bizarre knowingness, that one of Rilke's Jewish lovers later died at Auschwitz.
xxx/ellauri187.html on line 288: In the 13th century, the Dominican Doctor of the Church Thomas Aquinas discussed the necessity of the presence of Joseph in the plan of the Incarnation for if Mary had not been married, her fellow Jews would have stoned her to death and that a young Jesus needed the care and protection of a human father figure. The Josephology of Aquinas often proceeded with the juxtaposition of Joseph and Mary.
xxx/ellauri193.html on line 179: He is now blind in his right eye as a result of the failed suicide attempt and the side of his face is disfigured. “I wanted to die, because I had killed my girlfriend, the person I loved dearly,” he told the court. Everyone was in tears.
xxx/ellauri193.html on line 598: The Swedes feel differently, though. The presentation speech lays out a “cut-out silhouette of two remarkable literary profiles,” drawing parallels between two writers whose work is not very similar, but whose lives curiously are. Both Eyvind Johnson and Harry Martinson come from hardscrabble backgrounds and emerged as unlikely, startling literary figures. “They are representative,” the speech tells us, “of the many proletarian writers or working-class poets who, on a wide front, broke into our literature, not to ravage and plunder, but to enrich it with their fortunes. Their arrival meant an influx of experience and creative energy, the value of which can hardly be exaggerated.”
xxx/ellauri193.html on line 602: Therefore, as I read these two books, I decided to be much more exacting in my evaluation process than my usual experiential woolgathering, and I tallied up a few figures, in categories that seem equally obvious and problematic as the authors’ humble beginnings.
xxx/ellauri195.html on line 328: Clayton Wheat "Claytie" Williams Jr. (October 8, 1931 – February 14, 2020) was an American businessman from Midland, Texas who ran for governor in 1990. Despite securing the Republican nomination and initially leading in the polls against Democratic challenger State Treasurer Ann Richards by twenty points, Williams ultimately lost the race due in part to a controversial comment he made about rape. During the campaign Williams cultivated an image of a cowboy figure who had risen from humble roots to become a powerful business tycoon. The image played well in public opinion polls. Williams often had a propensity for making poorly planned statements on the campaign trail. Now he is fortunately dead meat.
xxx/ellauri199.html on line 325: Phillis Wheatley was both the second published African-American poet and first published African-American woman. Born in Senegambia, she was sold into slavery at the age of 7 and transported to North America. She was purchased by the Wheatley family of Boston, who taught her to read and write, and encouraged her poetry when they saw her talent. The publication of her Poems on Various Subjects, Religious and Moral brought her fame both in England and the American colonies; figures such as George Washington praised her work. During Wheatley´s visit to England with her master´s son, the African-American poet Jupiter Hammon praised her work in his own poem. Wheatley was emancipated after the death of her master John Wheatley. She married soon after. Two of her children died as infants. After her husband was imprisoned for debt in 1784, Wheatley fell into poverty and died of illness, quickly followed by the death of her surviving infant son. Whom did she marry? Was it Wheatley Jr, or perhaps Neptune Hammon?
xxx/ellauri202.html on line 391: The historian Ian Kershaw also pointed out in his 1998 book Hitler 1889-1936: Hubris that the figure who was allegedly Hitler’s father — the son of the Frankenreiter family — would have been just 10 years old when Alois was born. So clearly, the history of that family doesn’t hold water.
xxx/ellauri208.html on line 1032: Due to the linguistic dissimilarities of the name "Idris" with the aforementioned figures, several historians have proposed that this Quranic figure is derived from "Andreas", the immortality-achieving cook from the Syriac Alexander romance.
xxx/ellauri212.html on line 413: The painter — whose real name was Balthasar Klossowski de Rola and who died in 2001 — has been a controversial figure in the art world for decades. Many of his paintings show highly sexualized depictions of young girls. His 1934 work "The Guitar Lesson" was one of his first to scandalize his peers. When it was displayed along with "Thérèse Dreaming" and other Balthus paintings at a special exhibit in the Met in 2013, a plaque warned readers that the paintings were disturbing in nature.
xxx/ellauri215.html on line 413: Aminatu (also Amina; died 1610) was a Hausa (https://en.m.wikipedia.org/wiki/Hausa_people) Muslim (https://en.m.wikipedia.org/wiki/Muslim) historical figure in the city-state (https://en.m.wikipedia.org/wiki/Hausa_Kingdoms) Zazzau (https://en.m.wikipedia.org/wiki/Zazzau) (present-day city of Zaria (https://en.m.wikipedia.org/wiki/Zaria) in Kaduna State (https://en.m.wikipedia.org/wiki/Kaduna_State)), in what is now in the north-west region of Nigeria (https://en.m.wikipedia.org/wiki/Nigeria). She might have ruled in the mid-sixteenth century. A controversial figure whose existence has been questioned by some historians, her real biography has been somewhat obscured by subsequent legends and folk tales.
xxx/ellauri224.html on line 444: There important historical antecedents that may help us figure out the true reasons of the charming beauty of Ukranian women. Ukraine is a very special country which is located nearly in the centre of Europe. Therefore, it has always been the point of intersection between different cultures and nations. It has been largely affected by both, the West and the East. The trade routes that were used by the ancient and middle ages merchants ran through the territory of the modern-day Ukraine. Thus, nations such as the Nordic Vikings and Southern Greeks met each other en route to their destinations towns and ports. They made their way through Ukraine. Eastern tribes of the Pechenegs, Kipchaks and even Mongols have all contributed to the modern beauty of the Ukranian women. Afterwards, it was largely affected by Russia which also has very beautiful women. During the past century, lots of European nations managed to leave their scumbags in the Ukraine. So, this is the historical background which helps us realise that the current beauty of the Ukranian women is attributed to the mixture of very different nations from two different parts of the world.
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xxx/ellauri227.html on line 511: 781 likes · 2 talking about this. Hi, I´m Brigit Esselmont - intuitive business strategist, 7-figure entrepreneur and mentor to women business-owners.
xxx/ellauri228.html on line 587: Charles Parsons was an editor, with Solomon Feferman and others, of the posthumous works of Kurt Gödel. He has also written on historical figures, especially Immanuel Kant, Gottlob Frege, another Kurt Gödel, and Willard Van Orman Quine.
xxx/ellauri228.html on line 589: Talcott Parsons was an American sociologist of the classical tradition, best known for his social action theory and structural functionalism. Parsons is considered one of the most influential figures in sociology in the 20th century.
xxx/ellauri229.html on line 609: “Russia is not fighting against the Ukrainian army, we are fighting against NATO, the British and American negroes” is something Russian figureheads are now claiming all over Russian news.
xxx/ellauri231.html on line 378: Ja mitä vetoa että Buninin urotyö länkkäreiden mielestä oli just tää loikkaus ja sitä seurannut punaisten mustamaalaaminen lännessä? Joo arvasin: Bunin was a revered figure among anti-communist white emigres and European critics.
xxx/ellauri233.html on line 393: Through his annotations and emendations of Talmudic and other texts, he became one of the most familiar and influential figures in rabbinic study since the Middle Ages. He is considered as one of the Anachronim, and by some as one of the Rishonim. The Acharonim "the last ones" follow the Rishonim, the "first ones"—the rabbinic scholars between the 11th and the 16th century following the Geonim and preceding the Shulchan Aruch. According to many rabbis the Shulkhan Arukh is an Acharon. Some hold that Rabbi Yosef Karo's first bestseller Beit Yosef has the halakhic status of a Rishon, while his later blockbuster Shulkhan Arukh has the status of an Acharon. The publication of the Shulchan Aruch thus marks the transition from the era of Rishonim to that of Acharonim. According to the widely held view in Orthodox Judaism, the Acharonim generally cannot dispute the rulings of rabbis of previous eras unless they find support from other rabbis in previous eras. Yet the opposite view exists as well.
xxx/ellauri234.html on line 516: It’s so painful and scares me so much. I think it’s possible my mental health has been disfigured beyond repair from abuse scapegoating and malice.
xxx/ellauri235.html on line 567: Quintilian described him as "by far the greatest of the nine lyric poets, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence". However, not all the ancients shared Quintilian's enthusiasm. The Athenian comic playwright Eupolis is said to have remarked that the poems of Pindar "are already reduced to silence by the disinclination of the multitude for elegant learning".
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xxx/ellauri237.html on line 694: Feminist groups, who highlighted a passage in Neruda´s memoirs describing a sexual assault by a young house maid in 1929 (at 25) while stationed in Ceylon (Sri Lanka). Several feminist groups stated that Neruda should not be honoured by his country, describing the passage as evidence of rape. Neruda remains a controversial figure for Chileans, and especially for Chilean feminists. For most of his life, Neruda was fascinated by butterflies.
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xxx/ellauri250.html on line 176: Alfons Åberg har kommit att bli en av våra mest älskade barnboksfigurer. Gunilla har skrivit 26 berättelser om den lille klurige killen, därtill kommer pekböcker och samlingsvolymer. Böckerna är översatta till ett trettiotal språk och är sedan ett par decennier tillbaka bland de allra mest lånade böckerna på biblioteken runt om i landet. Det är bara Astrid Lindgren som lånats ut mer.
xxx/ellauri250.html on line 438: "The characters are mere digital figures for a cinematic algorithm." Että kehtaakin jenkki tämmöstä vielä sanoa, jenkkileffat ne vasta on koneella veisattuja täysin klisheisine hahmoineen, ota vaikka Netflixin menesstyssarja Wednesday. Ja tää on ehkä pahin pohjanoteeraus kaikista, mistä näkyy Amerikan oma täydellinen aateköyhyys: "Yet even the grand humanistic reverberations of ancient artifacts (ne kivipiirustuxet joite ei edes jään alta nähnyt) leave Kuosmanen’s directorial gaze uninspired, even uninterested."
xxx/ellauri250.html on line 739: Prominent figures in EA have cast polyamory as a more “rational” romantic arrangement. The philosopher Peter Singer, whose writing is a touchstone for EA leaders, seemed to endorse polyamory in a July 2017 interview in which he argued that monogamy may be increasingly anachronistic in the age of birth control. Caroline Ellison, the CEO of the FTX-tied Alameda Research, who reportedly was romantically involved at times with Bankman-Fried, apparently posted on her blog that the ideal configuration for romantic relationships would resemble an “imperial Chinese harem” in which “everyone should have a ranking of their partners.”
xxx/ellauri252.html on line 221: Betty Friedan (/ˈfriːdən, friːˈdæn, frɪ-/February 4, 1921 – February 4, 2006) was an American feminist writer and activist. A leading figure in the women's movement in the United States, her 1963 book The Feminine Mystique is often credited with sparking the second wave of American feminism in the 20th century. In 1966, Friedan co-founded and was elected the first president of the National Organization for Women (NOW), which aimed to bring women "into the mainstream of American society now in fully equal partnership with men".
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xxx/ellauri255.html on line 156: Rob Attaboy: Some of the places that were fought over during the civil war have recently been battlegrounds in the current conflict in Ukraine. How far, if at all, did the Russian civil war prefigure the events of today?
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xxx/ellauri268.html on line 259: Merope loved her husband very much and wanted him to love her of his own free will. As such, not long after learning about her pregnancy, Merope decided to lift the enchantment. She hoped that once free, Tom would return her affection and be delighted to learn that he was an expecting father. In the event that did not happen, Merope assumed that Tom would do the honorable thing and stay for the sake of his child. This hope however, turned out to be misplaced and forlorn. What exactly happened is not known, but after coming to his senses, Tom Riddle reacted very badly to his situation. It is not known what words were exchanged between husband and wife, but evidently, Merope either told Tom the full story or enough for him to figure out what had happened. Far from being loving or understanding, Tom was justifiably furious at Merope for intervening in and (from his perspective) ruining his life. Merope's world was shattered when Tom Riddle made very clear that:
xxx/ellauri280.html on line 89: John Boynton Priestley's first major success came with a novel, The Good Companions (1929), which earned him the James Tait Black Memorial Prize for fiction and made him a national figure. His next novel, Angel Pavement (1930), further established him as a successful novelist. However some critics were less than complimentary about his work and Priestley threatened legal action against Graham Greene for what he took to be a defamatory portrait of him in the novel Stamboul Train (1932). In 1940 he broadcast a series of short propaganda radio talks, which were credited with strengthening civilian morale during the Battle of Britain. In the following years his left-wing beliefs brought him into conflict with the government and influenced the development of the welfare state.
xxx/ellauri280.html on line 104: A Chad is a stereotypical alpha male: he is depicted as an attractive, successful, muscular, cocky, and very popular among women. Chads typically resemble the common " dudebro " figure of a young, athletic white male who wears trendy clothing and only enjoys popular things.
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xxx/ellauri295.html on line 684: Buckley called himself both a conservative and a libertarian. He is widely considered one of the most influential figures in the conservative movement.
xxx/ellauri304.html on line 407: Genre fiction, also known as popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre, in order to appeal to striped-ass baboons and fans already familiar with that genre. A number of major literary figures have written genre fiction. John Banville publishes crime novels as Benjamin Black, and both Doris Lessing and Margaret Atwood have written science fiction. Georges Simenon, the creator of the Maigret detective novels, has been described by André Gide as "the most novelistic of novelists in French literature", and the one who has made most money and scored most arse with it. The main genres are crime, fantasy, romance, science fiction and horror—as well as perhaps Western, inspirational and historical fiction.
xxx/ellauri312.html on line 633: epistemology. Its paradigmatic figures are Goethe, Kierkegaard, Santayana, James, Dewey, Saarinen, and Rorty. Nämä jäbät ovat motivational speakers enemmän kuin ajattelijoita.
xxx/ellauri312.html on line 639: Exercises. Sometimes called jelqing, these exercises use a hand-over-hand motion to push blood from the base to the head of the penis. Although this technique appears safer than other methods, there's no scientific proof it works. And it can lead to scar formation, pain and disfigurement.
xxx/ellauri319.html on line 665: If you think you might have syphilis, it's best to avoid sex until you've talked with your doctor. If you do engage in sexual activity before seeing your doctor or during it, be sure to follow safe sex practices, such as using a condom. WHO estimates that 7.1 million adults between 15 and 49 years old acquire syphilis every year. About 210 million women get knocked up per year. Over 70 million of the wannabes get aborted, that is about a third. The figures had better go the other way.
xxx/ellauri337.html on line 83: In seiner Darstellung von Randfiguren der Gesellschaft propagiert Böll Humanität und Antifaschismus und prangert rassistische Ansichten an.
xxx/ellauri337.html on line 177: Der Roman beginnt mit einer ungewöhnlichen Widmung: „Für Leni, Lev und Boris“ – also für die Hauptfiguren der Geschichte. Es handelt sich beim Gruppenbild mit Dame um die Rekonstruktion eines Lebens anhand von Zeugenaussagen, Erinnerungen und Dokumenten. Böll vermischt Fakten mit erfundenen „Originaldokumenten“, er entwirft eine fiktive Handlung unter Bezugnahme auf historische Ereignisse, zum Beispiel den Bombenkrieg, die Nürnberger Prozesse, Adenauers Reise nach Moskau 1955. Die Romanstruktur ist nicht strikt chronologisch, sondern sprunghaft, episodisch, wie die Zeugenaussagen voller Wiederholungen und Ungenauigkeiten und daher oftmals verwirrend. Als Erzähler tritt ein namenloser Verfasser auf, der sich oft mit Beschreibungen von Interieurs und Interviewsituationen aufhält und ein Faible für Abkürzungen und Initialen hat, was dem Leser viel Aufmerksamkeit abverlangt. Der Roman hat Längen da, wo all die Erinnerungen und subjektiven Bewertungen der Beteiligten vorbeiziehen, nimmt aber im letzten Fünftel, als die Handlung auf ihr Happening-artiges Ende zuläuft, deutlich Tempo auf. Böll nutzt das Potenzial der deutschen Sprache für Schachtelwörter zu kreativen sozialkritischen Neuprägungen. Vielerorts ist er sarkastisch, ätzend, bissig. Er schreibt häufig in indirekter Rede und hat sich von der schlichte Prosa seiner Trümmerliteratur und Kurzgeschichten weit fortentwickelt.
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xxx/ellauri354.html on line 261: Mandel takes a brief reference to an anticlerical novel made by one of the characters in A Farewell to Arms and explores the historical and ideological basis for its presence in the novel. In a novel where the Priest is such an important figure, the discussion of the Catholic Church and the way that soldiers would regard religion becomes an important thematic examination. Mandel traces her exploration of this topic, the translation of this obscure novel, and her subsequent revelations, in a way that makes this chapter a study in scholarship and the excavation of an arcane reference.
xxx/ellauri354.html on line 273: Notari’s novel sold 80,000 copies in six months and sales only increased when it was accused of offending public morality; it and its author were acquitted, with Marinetti serving as witness for the defense. “It was Notari’s good fortune,” one scholar writes, “to be accused of obscenity by a court in Parma.... Marinetti, who attended and clearly relished the trial, wrote a detailed account of it for Parisian readers... and then translated his account into Italian, appending a brief, self-congratulatory introduction” (Adamson 97). Marinetti bragged that the trial “gave an extraordinary boost to the book’s sales such that, today, one finds it in all the elegant parlors, in all the bedrooms, under the virginal bedlinens of all the convent-school girls and inside the prayer benches of all the new brides” (qtd. in Adamson 97–98). Notari quickly produced a sequel, Femmina: Scene di una grande capitale (1906), which became a best seller before it too was seized and banned. Notari proudly listed these three books’ sales figures and legal histories in the front matter of his next book, The Black Pig (1907).
xxx/ellauri363.html on line 667: Hänestä tuli johtava angloamerikkalaisen oikeusfilosofian teoreetikko ja porvarillinen radikaali, jonka ideat vaikuttivat hyvinvointipolitiikan kehitykseen. Hän kannatti yksilön ja taloudellisia vapauksia, kirkon ja valtion erottamista, sananvapautta, naisten yhtäläisiä oikeuksia, oikeutta avioeroon ja (julkaisemattomassa esseessä) homoseksuaalisten tekojen dekriminalisointia. Hän vaati orjuuden, kuolemanrangaistuksen ja fyysisen rangaistuksen, mukaan lukien lasten, poistamista. Hänestä on tullut myös varhainen eläinten oikeuksien puolustaja. Vaikka hän kannatti vahvasti yksilöiden laillisten oikeuksien laajentamista, hän vastusti ajatusta luonnonlaeista ja luonnollisista oikeuksista (joita molempia pidetään "jumalaisina" tai "Jumalan antamina"). alkuperä), kutsuen niitä "hölynpölyksi paalujen päällä". Bentham kritisoi myös terävästi juridisia fiktioita (a family of hypothetical figures in anglo-saxon law including: the "right-thinking member of society", the "officious bystander", the "reasonable parent", the "reasonable landlord", the "fair-minded and informed observer", the "person having ordinary skill in the art" in patent law, and stretching back to Roman jurists, the figure of the bonus pater familias, all used to define legal standards).
xxx/ellauri380.html on line 490: Israel's northern border is effectively shut down to a depth of five kilometres from the borderline – the low casualty figures among civilians are because the civilian population has largely moved further south, becoming refugees in their own country. This is a situation unprecedented in Israel's history, apart from the unfortunate exiles in Egypt and Iraq.
xxx/ellauri387.html on line 467: William Wordsworth was one of the founders of English Romanticism and one its most central figures and important intellects. He is remembered as a poet of spiritual and epistemological speculation, a poet concerned with the human relationship to nature and a fierce advocate of using...
xxx/ellauri387.html on line 486: "Who?" said Pococurante sharply; "that barbarian who writes a tedious commentary in ten books of rumbling verse, on the first chapter of Genesis? that slovenly imitator of the Greeks, who disfigures the creation, by making the Messiah take a pair of compasses from Heaven´s armory to plan the world; whereas Moses represented the Deity as producing the whole universe by his fiat? Can I think you have any esteem for a writer who has spoiled Tasso´s Hell and the Devil; who transforms Lucifer sometimes into a toad, and at others into a pygmy; who makes him say the same thing over again a hundred times; who metamorphoses him into a school-divine; and who, by an absurdly serious imitation of Ariosto´s comic invention of firearms, represents the devils and angels cannonading each other in Heaven? Neither I nor any other Italian can possibly take pleasure in such melancholy reveries; but the marriage of Sin and Death, and snakes issuing from the womb of the former, are enough to make any person sick that is not lost to all sense of delicacy. This obscene, whimsical, and disagreeable poem met with the neglect it deserved at its first publication; and I only treat the author now as he was treated in his own country by his contemporaries."
xxx/ellauri394.html on line 233: Although Liliʻuokalani was never successful in more than a decade of legal pursuits for recompense from the United States government for seized land, in 1911 she was finally granted a lifetime pension of $1,250 a month by the Territory of Hawaii. Historian Sydney Lehua Iaukea noted that the grant never addressed the question of the legality of the seizure itself, and the figure was greatly reduced from what she had requested for recompense.
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