Coucoupha est employé comme nom masculin singulier. Employé comme nom. 1. dans l'Antiquité, en Égypte, animal mythique à longue oreilles figurant sur les sceptres des souverains. Quelques mots au hasard. Lisää henkiolentoja. In old pharmacy, a cucupha or cucufa was a cap, or cover for the head, with cephalic spices quilted in it, worn for certain nervous distempers, particularly those affecting the head. Saint Cucuphas is a martyr of Spain. His feast day is 25 July but in some areas it is celebrated on 27 July to avoid conflict with the important feast day of Santiago, the patron saint of Spain. His name is said to be of Phoenician origin with the meaning of "he who jokes, he who likes to joke."
ellauri061.html on line 712: Il grande successo letterario arrivò con la pubblicazione del suo primo romanzo, Il piacere a Milano presso l'editore Treves, nel 1889. Tale romanzo, incentrato sulla figura dell'esteta decadente, inaugura una nuova prosa introspettiva e psicologica che rompe con i canoni estetici del naturalismo e del positivismo allora imperanti.
ellauri062.html on line 789: Amália da Piedade Rodrigues GCSE • GCIH (Lisboa, 23 de julho de 1920– Lisboa, 6 de outubro de 1999) foi uma cantora, actriz e fadista portuguesa, geralmente aclamada como a voz de Portugal e uma das mais brilhantes cantoras do século XX. Está sepultada no Panteão Nacional, entre outras ilustres figuras portuguesas.
ellauri063.html on line 282: Musiken till "Den stora makabern" inte atonal men inte heller en återgång till tonaliteten. Den närmar sig popkonsten. Den är på ett bestämt sätt konkret, det finns linjer och melodiska sammanhang i den som behandlas figurativt. Stycket är fullt av traditionella citat, även av pseudocitat, ofta rent av falska citat. Intrigant, tidvis tom Över-Lurigt.
ellauri077.html on line 590: Ekfrasis (kreik. ἔκφρασις, ek + frasis > ekfrazein 'mainita, kuvailla') on laajassa mielessä kirjallinen ja retorinen esitystapa, jonka avulla jotain esitetään kuvallisesti tai figuratiivisesti. Ekfrasis tarkoittaa ennen kaikkea taideteoksen kirjallista kuvausta, kuvan kuvaamista, sanallista deskriptiota. Ekfrasis on siis kirjallinen keino, jossa teksti vastaa tai kuvaa toista taideteosta, hyvin usein maalausta tai veistosta.
ellauri090.html on line 350: Suas mulheres são "capazes de conduzir a ação, apesar do predomínio da trama romanesca não ter se esvaziado." As personagens femininas de Machado de Assis, ao contrário das mulheres de outros românticos — que faziam a heroína dependente de outras figuras e indisposta à ação principal na narrativa — são extremamente objetivas e possuem força de caráter.
ellauri097.html on line 814: Tää juttu on pitkä kuin nälkävuosi eikä kovin kummonen. Niinkuin Frostin proosarunotkin. Ei noi muutkaan perheaiheiset pöpötyxet paljon hetkauta. Jääköön Frost nyt rauhaan homoepäilyxiltä. Vaik epäilemättä homo sekin oli, vaikka sitten kaapissa. Kyllä se niin söpö oli pienenä. Bella figura kuten Philip Roth. Mutta lieventävänä asianhaarana voi mainita, eze kävi ahkerasti masis vaimon luukulla. Sen voi siitä todeta, että vaikka runoilijan hommissa ei tarvi välttämättä olla hullu, on siitä paljon apua.
ellauri131.html on line 644: Tony Robbins is giant man who's had an equally huge impression on the millions of people he's helped over the years. His empire includes books, motivational seminars, and the ownership of multiple companies "which combined take in $5 billion annually," according to Vulture, but this self-help guru's reputation has come under fire — literally and figuratively.
ellauri147.html on line 727: Reiche näkee nostalgisessa transfiguraatiossa "ehjän neuroosin ehjässä kulttuurissa"(11) alkuperämyytin – historiallisesti katoavasta – itsenäisestä egosta, joka liittyy loppuajan tunnelmiin, joka ei enää kykene konflikteihin ja sublimaatioon ilman auktoriteetin ja arvosuuntautuneisuuden asianmukaista sisäistämistä ja ilmaisee itsensä varhaisten narsististen häiriöiden muodossa – ja hän tunnistaa tässä ennen kaikkea diagnostisen tehtävän riippuvuuden Piilevä maailmankuva psykoanalyytista.
ellauri158.html on line 509: -------- axiom. 3. Quo partes individui vel corporis compositi secundum maiores vel minores superficies sibi invicem incumbunt, eo difficilius vel facilius cogi possunt, ut situm suum mutent, et consequenter eo difficilius vel facilius effici potest, ut ipsum individuum aliam figuram induat. Atque hinc corpora, quorum partes secundum magnas superficies invicem incumbunt, dura, quorum autem partes secundum parvas, mollia, et quorum denique partes inter se moventur, fluida vocabo.
ellauri159.html on line 1201: You enjoy colorful and figurative language, and like to infuse your work with images of your personal underware. At the same time, however, your writing may be too abstract for their readers, they want to see you inside them. During revision, add concrete details. In creative writing, appeal to the five senses and the 9 mortal sins. In freelance writing, include specifics like percentages and dollar amounts to get the audience´s attention. In technical writing, find out whether the customer needs to use a flat-head or a cross-head screwdriver (our dishwasher installer guys did not have a flathead anymore, I had to loan them one), and what the recommended torque is. These may be boring details to you, but they’re essential for your male reader. Wrong head, no screw.
ellauri164.html on line 497: The above is only a brief sketch of Moses’ life and does not talk about his interactions with God, the manner in which he led the people, some of the specific ways in which he foreshadowed Jesus Christ, his centrality to the Jewish faith, his appearance at Jesus’ transfiguration, and other details. But it does give us some framework of the man. He is somewhat recalcitrant, to put it mildly.
ellauri164.html on line 510: Finally, it is interesting to note that, even though Moses never set foot in the Promised Land during his lifetime, he was given an opportunity to enter the Promised Land after his death. On the mount of transfiguration, when Jesus gave His disciples a taste of His full glory, He was accompanied by two Old Testament figures, Moses and Elijah, who represented the Law and the Prophets. Moses is, this day, experiencing the true Sabbath rest in Christ that one day all Christians will share (Hebrews 4:9).
ellauri164.html on line 925: Yet this is the same Moses who was allowed to come and speak to Jesus on the Mount of Transfiguration. It was the same Moses who received the wonderful testimony that “Moses indeed was faithful in all his house as a servant.” So, it is abundantly clear that God forgave him of this sin and still considered him to be among His greatest servants (Lk. 9:30-31; Heb. 3:5). This makes this event very important as it can bring hope and comfort to us when we have fallen short, and after repentance feel that we are no longer worthy and might still be cast away forever. This event reveals that this cannot happen as long as we repent and seek forgiveness in confession.
ellauri185.html on line 166: In sostanza, il Cortegiano si presenta quale «moderno erede della pedagogia umanistica» in quanto l'uomo che vi si raffigura è «un uomo versatile e aperto, duttile e completo; è esperto di armi e di politica, ma sa anche di lettere, filosofia ed arti, è raffinato ma senza affettazione, è coraggioso e valente, ma senza ostentazione». In sostanza, è un trattato di pedagogia rivolto a chi vive nel mondo ristretto ed elitario delle corti.
ellauri197.html on line 321: Overall in ‘How Happy I Was If I Could Forget’, the lack of clear details about what has happened to affect the narrator so, in addition to the confusion of verb tenses, subjects, and figurative language, creates an unclear work that perfectly depicts how unclear the narrator herself feels about her memory. Does she hate it? Does she want to keep it? Was it good? Was it bad? She does not seem to know, just as the reader cannot know the memory’s most vivid details.
ellauri210.html on line 718: Annalisa Chirico è una giovane e brillante giornalista dalla lingua schietta. Dietro la sua bella presenza si cela un personaggio preparatissimo, nel suo campo: la scrittura. La giornalista è sempre stata decisa riguardo il suo futuro e suo padre è stato la figura che l’ha spronata maggiormente. Pugliese originaria di Brindisi, a soli diciotto anni, Annalisa sale un pezzo di stivale fino a Roma per frequentare la Luiss Guido Carli, laureandosi in Scienze Politiche.
ellauri210.html on line 729: Di Chirico è un lottatore completo, efficace sia nella lotta a piedi che in quella a terra. Tra i suoi principali punti di forza figurano l'abilità nelle prese e un ottimo striking.
ellauri210.html on line 1329: Gisèle Prassinos comparte con Mansour una revisión del complejo de Edipo, donde matricidios, parricidios y castraciones simbólicas se suceden continuamente. La madre aparece en los relatos, como un leitmotiv, muere o está alienada por la desgracia o la locura. Los personajes desarrollan una relación de dependencia hacia ella, entrando en territorios edípicos. La madre se configura como una pieza clave en el entramado psicológico de estos personajes, casi siempre débiles, deformes, desamparados, las madres ponen en marcha el complejo de castración.
ellauri210.html on line 1344: Gisèle Prassinos también nos ha dejado unas buenas dosis de personajes desordenados, donde afloran ciertas desviaciones. En ese “collage” entre cuentos de hadas y aromas baudelerianos, la autora jugará sobre todo con la metamorfosis, así sus mujeres “pseudo-femmes castratrices” se transforman en animales o en seres extraños, fantásticos. Prassinos ataca a los mitos del psicoanálisis, muestra imágenes híbridas, animales que se convierten en hombre, objetos que se convierten en animales, etc. Destaca la hostilidad hacia la figura autoritaria del padre. Nos habla de venganzas mediante el asesinato, los cuerpos difuntos son despedazados o transformados, dejando traslucir sentimientos intensos, donde se perfila la imagen de la muerte y se exorciza el miedo. La misma autora confesaba en una entrevista personal la distancia que había entre ella y su padre, destacando la importancia que tiene la figura masculina en las culturas orientales, sensación que refleja en el cuento “La Tête” (op. cit., 1987): “Lucas vit qu’entre elle et son père s’ouvrait un écart plus large que ceux qui séparaient les autres personnes”.
ellauri271.html on line 115: Setämies Geodakyan oletti, että seksuaalinen dimorfismi sisältää fenotyyppien jakautumisen vähintään kahteen toiminnalliseen tyyppiin: naaras (joka johtuu lajin hyödyllisten ominaisuuksien säilymisestä) ja uros (syntyy vaihtelevimmissa olosuhteissa). Miessukupuolen oletetaan olevan lajin "kokeellinen" osa, mikä antaa sille mahdollisuuden laajentaa ekologista markkinarakoaan useissa eri raoissa ja saada aikaan vaihtoehtoisia konfiguraatioita. Tämä teoria korostaa miesten suurempaa vaihtelua ja kuolleisuutta naisiin verrattuna.
ellauri300.html on line 757: Amalek uppfattas som både en fysisk nation och som en andlig ideologisk kraft. Lärda inom judendomen kan därför dela upp Amalek i två kategorier; den genetiska Amalek och den figurativa Amalek. Den genetiska Amalek är de människor som är fysiska ättlingar till Amalek och den figurativa Amalek är de övriga ”antisemiterna”. Den genetiska Amalek måste utrotas på Yahwehs order vilket bekräftas av rabbi Joseph B. Soloveitchik när han säger att ”varje individ som är bärare av Amaleks gener måste utraderas”. Den figurativa Amalek är de andra folkens antisemiter, de som endast i sinnelaget är påverkade av ärkefiendens antijudiska idéer. Bland dessa räknas araber och andra icke-ariska nationer som agerar mot Israels intressen.
ellauri377.html on line 342: Strong's 4202: Fornication, whoredom, porn; met: idolatry. From porneuo; harlotry; figuratively, idolatry.
ellauri408.html on line 402: Paul was trying to prove to the world that Jesus was the Messiah, but he never mentioned the virgin birth, or any of the “miracles” of Jesus, or the Transfiguration, or the ZOMBIE APOCALYPSE, or the even loopier Ascension, with Jesus soaring into the clouds like Superman.
ellauri408.html on line 418: There is no contemporary evidence outside the Bible that Jesus was a real person, and certainly not a person of any consequence. But there are parts of the gospels that sound like a real person. If I had to guess, I would say that Jesus was an unconventional rabbi who had table fellowship with prostitutes and rogues (a “sin” in the eyes of the hypocritical Pharisees), and went around ministering to the sick and the poor. When he died there may have been an empty grave and some sort of NDE (which are not uncommon) in which he saw something like heaven. That could account for the genesis of the Christian religion. Paul might have communicated with Jesus, or sincerely thought he did, such things are not all that uncommon. But the virgin birth, the massacre of the innocents, walking on water, the transfiguration and ascension, were all obviously made up and added later, since Paul knew nothing about such things and the four gospels and Acts do not agree on such “super miracles.”
ellauri408.html on line 424: The reason is obvious: All the “miracles” of Jesus were backdated, since Paul knew nothing about the “virgin birth,” nor the “star of Bethlehem,” nor the Magi, nor angels singing carols at Jesus’s birth, nor Jesus walking on water and raising the dead, nor the loopy “Transfiguration,” nor the even loopier ZOMBIE APOCALYPSE, which was followed by Jesus flying around like Superman as angels preached sermons, etc.
ellauri412.html on line 602: Vastaus: Tuotin kirjoittaja viittaa todennäköisesti Matteus 16:28:iin, jossa Jeshua sanoo: "Täydellisesti kerron teille, että jotkut, jotka seisovat täällä, eivät maista kuolemaa, ennen kuin he näkevät Ihmisen Pojan tulevan hänen valtakuntaansa." Kirjailija näyttää ehdottaneen, että tässä kohdassa Jeshua viittasi lopulliseen paluusuun. Mutta Raamatullinen tieto viittaa siihen, että hän viittasi sen sijaan vaan hänen transfiguraatioonsa.
ellauri412.html on line 604: Tämä Jeshuan lupaus on kuvattu kaikissa kolmessa synoptisessa evankeliumissa (Matthew, Luke ja Mark), ja jokaisessa tapauksessa sitä seuraa välittömästi Jeshuan transfiguraatio. Tässä, kuten Matteus kuvailee, Jesua johdatti heidät korkealle vuorelle, ja "Sinä siellä hänet oli siirretty heidän eteensä. Hänen kasvonsa loistuivat kuin aurinko, ja hänen vaatteensa muuttuivat yhtä valkoisiksi kuin valo. Juuri silloin heidän eteensä ilmestyi Mooses ja Elia, jotka keskustelivat Jeesuksen kanssa" (Matt.17:3-3).
ellauri412.html on line 625: Toiseksi lause, joka pidentää hänen päivistään, löytää täyttymystä Kristuksen ylösnoussista kuolleista. Se puhuu Hänen aikaansa maan päällä, joka päättyi hänen ylösnouskuun ja ylösnousstumiseensa Jumalan oikeaan käteen. Jumalan päiviä ei tietenkään kirjaimellisesti pidentää, koska Hän on ikuinen. Tämä on jälleen kerran profetian figuratiivinen kieli.
xxx/ellauri068.html on line 191: Jorge Francisco Isidoro Luis Borges (Buenos Aires, 24 de agosto de 1899-Ginebra, 14 de junio de 1986) fue un escritor de cuentos, ensayos y poemas argentino, extensamente considerado una figura clave tanto para la literatura en habla hispana como para la literatura universal.​ Sus dos libros más conocidos, Ficciones y El Aleph, publicados en los años cuarenta, son recopilaciones de cuentos conectados por temas comunes, como los sueños, los laberintos, las bibliotecas, los espejos, los autores ficticios y la mitología europea, con argumentos que exploran ideas filosóficas relacionadas, por ejemplo, con la memoria, la eternidad, la posmodernidad y la metaficción.​ Las obras de Borges han contribuido ampliamente a la literatura filosófica, al género fantástico y al posestructuralismo. Según marcan numerosos críticos, el comienzo del realismo mágico en la literatura hispanoamericana del siglo XX se debe en gran parte a su obra.​
xxx/ellauri087.html on line 380: Among his major contributions to linguistic theory was the hypothesis that not all langages are like English, which Noam Chomsky found difficult to believe. Hale suggested that certain languages were non-configurational, lacking the phrase structure characteristic of such languages as English. Some people were Indians and aboriginals, and some were Finns with a baby and no place to put it in.
xxx/ellauri237.html on line 859: La psicología humanista es, sin duda, una de las corrientes de pensamiento más importantes de la psicología. Pero para saber de qué trata, es necesario conocer el trabajo de otra gran figura de esta escuela. Es difícil entender el humanismo sin Rogers y Maslow. Por eso, antes de profundizar en las propuestas teóricas de Maslow, vamos a adentrarnos en la teoría de Carl Rogers.
xxx/ellauri237.html on line 927: En la base de esta figura se encuentran las primeras y en la parte más alta las segundas. De abajo arriba éstos son los distintos niveles de necesidades:
xxx/ellauri239.html on line 510: Kristiina tädin kanssa tuli nokkapokkaa tästä lipevä-sanasta. Kristiina täti puolusti antamaansa taidearvostelua, siis että vaikka sananvalinta oli ehkä vähän väärä, niin mun esittävä piirustus oli "sovinnainen" verrattuna Petterin nonfiguratiiviseen tekeleeseen. Kiitti vaan. No sanat siitä sakenivat, ja ollaan taas pen päl väleissä. Mikä ehkä oli tavoitteenakin. En kyllä oikeastikaan usko että taivaan isi antaa Kristinalle anteexi. Luulen että se jää kuoppaan pölisemään vanhempien seuraxi.
xxx/ellauri250.html on line 741: Prominent figures in EA have cast polyamory as a more “rational” romantic arrangement. The philosopher Peter Singer, whose writing is a touchstone for EA leaders, seemed to endorse polyamory in a July 2017 interview in which he argued that monogamy may be increasingly anachronistic in the age of birth control. Caroline Ellison, the CEO of the FTX-tied Alameda Research, who reportedly was romantically involved at times with Bankman-Fried, apparently posted on her blog that the ideal configuration for romantic relationships would resemble an “imperial Chinese harem” in which “everyone should have a ranking of their partners.”
xxx/ellauri280.html on line 459: E fabulis de Alexandro Magno, qui in nummis ut Ammonis filius cum cornubus duobus figuratur, fabulam Bicornis multa sumpsisse nemo dubitat; etiam murus in vita Alexandri Graeca memoratur.
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