It was wonderful—I loved him & I think he liked me. He talked a great deal about his work & life & aims, & about sother writers. Then we went for a little walk, & somehow grew very intimate. I plucked up courage to tell him what I find in his work—the boring down into things to get to the very bottom below the apparent facts. He seemed to feel I had understood him; then I stopped & we just looked into each other's eyes for some time, & then he said he had grown to wish he could live on the surface and write differently, that he had grown frightened. His eyes at the moment expressed the inward pain & terror that one feels him always fighting. Then he talked a lot about Poland, & showed me an album of family photographs of the 60's—spoke about how dream-like all that seems, & how he sometimes feels he ought not to have had any children, because they have no roots or traditions or relations.
ellauri008.html on line 824: <figure>
ellauri008.html on line 832: <figcaption>Tom of Finland, Jerry of Finland, Queen of U.S.A, Blackheart of Poland, Tournesol Belgique
ellauri008.html on line 833: figcaption>
ellauri008.html on line 834: figure>
ellauri008.html on line 876:

You said that giving your life up to them (them meaning all of mankind with skins brown, yellow or black in colour) was like selling your soul to a brute. You contended that that kind of thing was only endurable and enduring when based on a firm conviction in the truth of ideas racially your own, in whose name are established the order, the morality of an ethical process. We want its strength at our backs, you said. We want a belief in its necessity and its justice, to make a worthy and conscious sacrifice of our lives. In other words, you maintained that we must fight in the ranks or our lives don't count. You should know who came out cleverly without singeing your wings.
ellauri008.html on line 883: <figure>
ellauri008.html on line 888: <figcaption>Braunin tytöt Eva ja Päivi
ellauri008.html on line 889: figcaption>
ellauri008.html on line 890: figure>
ellauri009.html on line 5: figcaption {
ellauri009.html on line 152: <figure>
ellauri009.html on line 154: <figcaption>Historiker
ellauri009.html on line 155: figcaption>
ellauri009.html on line 156: figure>
ellauri009.html on line 1104: <figure style="width:30%;float:right">
ellauri009.html on line 1106: <figcaption>Onko koira ystävä?figcaption>
ellauri009.html on line 1107: figure>
ellauri011.html on line 5: figcaption {
ellauri011.html on line 566: In his central figure, not-quite-Paulo, he has created (I imagine by mistake) a devastating portrait of a man whose stock in trade is spirituality but who is worldly to his very toenails, exquisitely attuned to his own status. He is constantly reminding himself how many books he has sold, how many languages they have been translated into, and that he is 'despite all the adverse reviews, a possible candidate for a major literary prize'. When he takes up with another woman (strictly to dispel the Zahir, of course), he chooses a successful French actress of 35, on the grounds that she was the only candidate to enjoy his status, 'because she too was famous and knew that celebrity counts'. Celebrity is an aphrodisiac. 'It was good for a woman's ego to be with a man and know that he had chosen her even though he had had the pick of many others.' And the man's ego, does that come into it? Not-quite-Paulo is too gallant to reveal his own age, but if he is indeed a refraction of the author then he is 20 years Marie's senior. It's adorable that he should regard himself so solemnly as the trophy in this pairing.
ellauri011.html on line 727: En prutt är en ensam och sorglig figur.

ellauri011.html on line 1134: Flight or fight? Turvallisempaa on lähtee vetää, neuvoo P. Coelho, liueta mieluummin kuin laota. Ja koska elämä on satua, neiti Prym saa siitä vielä palkinnon, nimittäin vieraspaikkakuntalaisen setämiehen ja repullisen kultaharkkoja. Paxulle Bertalle pystytetään korvauxex kivusta ja särystä suihkukaivo, jossa se pissii pormestarin suuhun. Häpi end.
ellauri011.html on line 1311: <figure>
ellauri011.html on line 1313: <figcaption>
ellauri011.html on line 1318: figcaption>
ellauri011.html on line 1319: figure>
ellauri012.html on line 5: figcaption {
ellauri012.html on line 35: <figure>
ellauri012.html on line 37: <figcaption style="width:75%">Kohu-proffa Lauri "niiskunenä" Carlson nautiskelee huumepulloistaan. Lähde: Pirkanmaan Ilta-Sanomat, 2019
ellauri012.html on line 38: figcaption>
ellauri012.html on line 39: figure>
ellauri012.html on line 77: <figure>
ellauri012.html on line 79: <figcaption style="width:75%">Ei minuuttiakaan NBA:ssa – Koponen listattiin huonoimmaksi 30. varaukseksi
ellauri012.html on line 80: figcaption>
ellauri012.html on line 81: figure>
ellauri012.html on line 704: <figure>
ellauri012.html on line 706: <figcaption>Jouluna 2019 pikku CEC eli Charlotte oli meillä jouluna. Se oli niin iso jo että tykkäs laulaa joululauluja. Innostuin vähän (khrm) hyräilemään mukana. Charlotte puukki mua ja komensi INTE SJUNGA! Samma på svenska, så att säja.
ellauri012.html on line 707: figcaption>
ellauri012.html on line 708: figure>
ellauri014.html on line 5: figcaption {
ellauri014.html on line 141: <figure>
ellauri014.html on line 146: <figcaption>Valkonaama persu ilkiöt / tappaa matut kyykäärmeen sikiöt.
ellauri014.html on line 147: figcaption>
ellauri014.html on line 148: figure>
ellauri014.html on line 245: <figure>
ellauri014.html on line 247: <figcaption style="width:100%">Neljäs tuotantokausi. Julia katsoo haikeana kun Wolmar läksi. Pröö lähestyy Juliaa varovasti takaapäin. Pönkkähameko se pönköttää.
ellauri014.html on line 248: figcaption>
ellauri014.html on line 249: figure>
ellauri014.html on line 1184: Iltapäivällä vielä Wokulla ja Sirkalla on kimppakivaa terminaalipotilaansa kaa. Julle käy läpi uraansa, tarkoitan elämäänsä. Se kiittää taivasta että sillä oli niin mahtava pulla: hyvä sydän, terve järki, upee figuuri, hieno suku, sveitsin kansalaisuus, riitttävästi pätäkkää. Edelleen hyvät vanhemmat, joilta se onnekthi ei ole perblbrlinyt puhevikoja, eikä edes ääliömäisiä mielipiteitä (?), vaan tän kartanon, maat ja paroonin linnan. Edelleen oikee uskonto (kuten kaikilla, omasta miälestä).
ellauri015.html on line 5: figcaption {
ellauri015.html on line 66: Alle Kunst is politisch, vahvistavat teutonit. Karl Marx sanoo iskevästi: Kunst ist nicht ein Spiegel, den man der Wirklichkeit vorhält, sondern ein Hammer, mit dem man sie gestaltet. Sosialistinen realismi ei ole realismia, vaan idealismia, ei vaan materialismia, siis materialistista idealismia, tai idealistista materialismia, äh, ompa sekavaa. Totaalista Wissenschaftkäseä. Mutta kauniita maisemia! Ei mitään si och så, vaan siin oli soo. (fig. 1.)
ellauri015.html on line 109: Että tää on tahallista eikä vahinko, näkyy joskus sananvalinnoista ja sanojen järjestyxestä. Ne on silloin omituiset tavalla, jonka ainoastaan selittää eurytmia. (Katso vaikka tätä edellistä virkettä, ja fig. 2.)
ellauri015.html on line 471: <figure>
ellauri015.html on line 473: <figcaption style="width:100%">Sovjetskij Sojuz lehden takakansi 4/1952
ellauri015.html on line 474: figcaption>
ellauri015.html on line 475: figure>
ellauri015.html on line 704: <figure>
ellauri015.html on line 706: <figcaption style="width:100%">DDR: Miehekkyyttä, aistikkaita asuja ja tehokkaat autot
ellauri015.html on line 707: figcaption>
ellauri015.html on line 708: figure>
ellauri015.html on line 785: <figure>
ellauri015.html on line 787: <figcaption style="width:100%">Tweedledum (left) and Tweedledee
ellauri015.html on line 788: figcaption>
ellauri015.html on line 789: figure>
ellauri016.html on line 5: figcaption {
ellauri016.html on line 34: <figure style="display:flex;flex-direction:row;">
ellauri016.html on line 38: <figcaption>Jeparit työssä
ellauri016.html on line 39: figcaption>
ellauri016.html on line 40: figure>
ellauri016.html on line 318: <figcaption>Ex-pariskunta Jorma Uotinen ja Helena Lindgren kaljuna ja läskinä. Helena ojentaa kaulaa kuin hanhi jotta kaularypyt siliäisivät.figcaption>
ellauri016.html on line 581: <figure>
ellauri016.html on line 583: <figcaption>
ellauri016.html on line 585: figcaption>
ellauri016.html on line 586: figure>
ellauri016.html on line 837: <figure style="float:right">
ellauri016.html on line 839: <figcaption>Pieni lapsi on heitä johtava

ellauri016.html on line 841: figcaption>
ellauri016.html on line 842: figure>
ellauri016.html on line 943: Mamujen pankki on patjan alla. Sielläkin käy verottaja, varastaminen on yksi vastaanottokeskuksen ajankuluja. Paikallispankki voisi myöntää niille säästöpossun. Tai roopeankan, jos sikafiguurista tulee sanomista.
ellauri017.html on line 5: figcaption {
ellauri017.html on line 27: <figure>
ellauri017.html on line 29: <figcaption>
ellauri017.html on line 31: figcaption>
ellauri017.html on line 32: figure>
ellauri017.html on line 472: <figcaption>Armeenien ruoka maistui Georgille.figcaption>
ellauri017.html on line 785: <figure>
ellauri017.html on line 788: figure>
ellauri017.html on line 854: <figcaption>Huomaa siunaus kädet ristissä. Aika luikuri!figcaption>
ellauri018.html on line 5: figcaption {
ellauri018.html on line 287: <figure>
ellauri018.html on line 289: <figcaption>Erakkorapu istuu Pamela piukkapepun päällä.figcaption>
ellauri018.html on line 290: figure>
ellauri018.html on line 585: <figure>
ellauri018.html on line 587: <figcaption>Mikko Meriahven joutui pulaan.figcaption>
ellauri018.html on line 588: figure>
ellauri018.html on line 785: <figure>
ellauri018.html on line 787: <figcaption>Store bajskorvfigcaption>
ellauri018.html on line 788: figure>
ellauri018.html on line 792: <figure>
ellauri018.html on line 794: <figcaption>Paavi torjuu ahnaan gerontofiilin lähentelytfigcaption>
ellauri018.html on line 795: figure>
ellauri019.html on line 5: figcaption {
ellauri019.html on line 202: <figure>
ellauri019.html on line 204: <figcaption>Nebukadnesar II vie kuningas Jojakimia

ellauri019.html on line 205: Baabelin vankeuteenfigcaption>
ellauri019.html on line 206: figure>
ellauri019.html on line 384: han fiffigt fick det till. Även han hörde till en immigrantsläkt från Tyskland. Nu har de finska urinvånarna fått överhand i Finland. Elamiter ledda av Poudiainens familj och vänner.
ellauri019.html on line 428: I been to Yokohama, been a fightin' in the war

ellauri019.html on line 486: <figure>
ellauri019.html on line 488: <figcaption>Urin kaupungintalo täynnä siirojafigcaption>
ellauri019.html on line 490: <figcaption>Operaatio Iraqi Freedomfigcaption>
ellauri019.html on line 491: figure>
ellauri019.html on line 541: <figure>
ellauri019.html on line 543: <figcaption>Etkö sinää muiista mitä sinää lupaasit?figcaption>
ellauri019.html on line 544: figure>
ellauri019.html on line 654: <figure>
ellauri019.html on line 656: <figcaption>Tell your kids the truth: Santa is realfigcaption>
ellauri019.html on line 657: figure>
ellauri019.html on line 729: <figure>
ellauri019.html on line 731: <figcaption>Unihahmot ilman kaapujafigcaption>
ellauri019.html on line 732: figure>
ellauri019.html on line 1030: <figure>
ellauri019.html on line 1032: <figcaption>Apinat leikkisodassafigcaption>
ellauri019.html on line 1033: figure>
ellauri019.html on line 1041: <figure>
ellauri019.html on line 1043: <figcaption>Apinat huolestuu taiteestafigcaption>
ellauri019.html on line 1044: figure>
ellauri019.html on line 1050: <figure>
ellauri019.html on line 1052: <figcaption>Apinat huutaa toisilleen loukkauksiafigcaption>
ellauri019.html on line 1053: figure>
ellauri019.html on line 1104: <figure>
ellauri019.html on line 1106: <figcaption>Loppusointu siunaa aseemmefigcaption>
ellauri019.html on line 1107: figure>
ellauri020.html on line 5: figcaption {
ellauri020.html on line 54: <figure>
ellauri020.html on line 56: <figcaption>Puh ottaa koronaetäisyyttä Nasuun.figcaption>
ellauri020.html on line 57: figure>
ellauri020.html on line 167: Kirjan tapahtumat sijoittuu 90-luvun alun lamaan, niissä on siis vähän näyteikkunoiden kuolauksen makua. Silloin juuri epäonnexeen tuli somalien iso maahantunkeutuja-aalto Suomeen. Mut karkoitettiin Kouvolaan sillä toiveella, että ahtaalle joutunut verstas pian karsis rönsyjä. Fred Karlsson yrittikin sitä, mut sai turpiinsa. Hirtettiin in effigie. Minä myös. Sittemmin poispotkittu ylopistolehden päätoimittaja vittuili oikein nimellä. Sitä lähtien olen vihannut meedioita, julkisuutta ja toimittajia. Koko homma haisi taivaisiin. Minä myös. Meillä oli muuten siellä töissä yxi somali. En muista mitä se siellä teki. Ehkä vahtimestaroi.
ellauri020.html on line 199: <figure>
ellauri020.html on line 202: <figcaption>Valttikortit käsissäfigcaption>
ellauri020.html on line 203: figure>
ellauri020.html on line 301: Ivana, a Czeck immigrant, met Donald Trump in 1976 while attending a fashion show in New York, according to the New York Post. By the next year, the couple had married, and in short order had had three kids and became steady figures in the New York socialite scene. Trump had been at the bar in Maxwell’s Plum. Maxwell’s Plum is gone now, but the very name evokes the era of frantic singles underneath the Art Nouveau ceiling. It was the place where flight attendants hoped to find bankers, and models looked for dates. Donald met his model, Ivana Zelnickova, visiting from Montreal. She liked to tell the story of how she had gone skiing with Donald, pretending to be a learner like him, and then humiliated him by whizzing past him down the slopes.
ellauri020.html on line 661: Liz Smith had broken the story of the Trumps’ separation. The entire sordid history of Marla Maples and Ivana fighting on the Aspen ski slopes was all over the papers.
ellauri020.html on line 712: Enough people went looking for similarities between the real Trump marriage and the fictional Graham marriage that it became a legal scuffle within the larger war that was the ugly Trump divorce, with Donald’s lawyers fighting to preserve a gag order keeping Ivana from talking about their marriage. For her part, Ivana insisted she wasn’t writing about her ex. She told the Los Angeles Times: “There is no way he can prove that he’s Adam because he’s not Adam and I make sure that he’s not Adam,” adding that, “And even I think I have constitutional rights of speech in America. I did not abuse them.”
ellauri020.html on line 714: <figure>
ellauri020.html on line 716: <figcaption>Valtit pöydässäfigcaption>
ellauri020.html on line 717: figure>
ellauri020.html on line 848: <figure>
ellauri020.html on line 850: <figcaption>
ellauri020.html on line 852: figcaption>
ellauri020.html on line 853: figure>
ellauri021.html on line 4: figcaption {
ellauri021.html on line 61: <figcaption>Tässä kuvassa Tex Willer miehineen lassoaa karanneita notmiitä.figcaption>
ellauri021.html on line 378: <figure>
ellauri021.html on line 380: <figcaption>Anti-muusa huutaa kuiskaamalla alakerrasta:

ellauri021.html on line 383: figcaption>
ellauri021.html on line 384: figure>
ellauri021.html on line 751: <figure>
ellauri021.html on line 753: <figcaption>Jare ennen, James nytfigcaption>
ellauri021.html on line 754: figure>
ellauri021.html on line 796: <figure>
ellauri021.html on line 798: <figcaption>James ennen, Jare nytfigcaption>
ellauri021.html on line 799: figure>
ellauri021.html on line 827: <figure>
ellauri021.html on line 829: <figcaption>Luotathan?figcaption>
ellauri021.html on line 830: figure>
ellauri021.html on line 874: <figure>
ellauri021.html on line 877: figure>
ellauri021.html on line 991: <figure>
ellauri021.html on line 993: <figcaption>Moolokin kita muodostuu kirjoistafigcaption>
ellauri021.html on line 994: figure>
ellauri021.html on line 997: <figure>
ellauri021.html on line 1000: figure>
ellauri022.html on line 4: figcaption {
ellauri022.html on line 481: <figure>
ellauri022.html on line 483: <figcaption>Inga Sulinin juuret pysyvät Aitoossa.

ellauri022.html on line 487: figcaption>
ellauri022.html on line 488: figure>
ellauri022.html on line 936: <figcaption>Nizamin mattokuvafigcaption>
ellauri023.html on line 5: figcaption {
ellauri023.html on line 29: <figure>
ellauri023.html on line 31: <figcaption>Potra poikafigcaption>
ellauri023.html on line 32: figure>
ellauri023.html on line 568: <figure>
ellauri023.html on line 570: <figcaption style="width:100%">fig 1. Siin oli soo
ellauri023.html on line 571: figcaption>
ellauri023.html on line 572: figure>
ellauri023.html on line 596: <figure>
ellauri023.html on line 598: <figcaption style="width:100%">fig 2. Lassin silosäkeet
ellauri023.html on line 599: figcaption>
ellauri023.html on line 600: figure>
ellauri024.html on line 4: figcaption {
ellauri024.html on line 26: <figure>
ellauri024.html on line 28: <figcaption>Martha is carrying the fish. Mary is paying close attention.

ellauri024.html on line 30: figcaption>
ellauri024.html on line 31: figure>
ellauri024.html on line 127: <figure>
ellauri024.html on line 130: <figcaption>Maila ja Yrjö Talvio ovat hyvän ruuan ystäviä. Rousseau poimi mamanin kaa talvioita. Hevoset syö sinimailasta eli alfalfaa. Sinimailasen idut ovat pienestä koostaan huolimatta melko voimakkaita. Ne ovat koostumukseltaan rapean mehukkaita ja vilisevät erilaisia vitamiineja. figcaption>
ellauri024.html on line 131: figure>
ellauri024.html on line 155: <figure style="float:right;width:30%" >
ellauri024.html on line 157: <figcaption>mustaleimainen juusto tippa silmässä

ellauri024.html on line 158: suu ympyränä kuin Puupperän puljullafigcaption>
ellauri024.html on line 159: figure>
ellauri024.html on line 160: <figure>
ellauri024.html on line 162: <figcaption>Harjoituksissa ennen Barbarossaa: SS-luutnantti

ellauri024.html on line 164: Puuperän takana toisena vasemmalta. Kirjan kuvitusta.figcaption>
ellauri024.html on line 165: figure>
ellauri024.html on line 353: <figure>
ellauri024.html on line 356: <figcaption>Arskan isä muistutti aika lailla Alois Hitleriä.
ellauri024.html on line 357: figure>
ellauri024.html on line 361: <figure>
ellauri024.html on line 364: <figcaption>Adamson ja Sallefigcaption>
ellauri024.html on line 365: figure>
ellauri024.html on line 722: <figcaption>Simo Häyhä oli talvisodan legendaarinen tarkka-ampuja, ja nyt palkittu yhdys­valtalais­kirjailija käsittelee häntä homo­eroottisessa tarinassafigcaption>
ellauri024.html on line 780: <figure>
ellauri024.html on line 782: <figcaption>Kaikki vizit ovat sallittuja paizi mauttomatfigcaption>
ellauri024.html on line 783: figure>
ellauri024.html on line 894: <figure>
ellauri024.html on line 896: <figcaption>
ellauri024.html on line 901: figcaption>
ellauri024.html on line 902: figure>
ellauri024.html on line 990: <figure>
ellauri024.html on line 992: <figcaption>Positiivarit laittaa päähän skeptikkofyysikolta puuttuvat hengelliset antennit.

ellauri024.html on line 994: figcaption>
ellauri024.html on line 995: figure>
ellauri024.html on line 1197: <figure>
ellauri024.html on line 1199: <figcaption>
ellauri024.html on line 1201: figcaption>
ellauri024.html on line 1202: figure>
ellauri024.html on line 1453: <figure>
ellauri024.html on line 1455: <figcaption>Jesus gör likstädning. Jesus limpia el tiemplo. Jesus is cleaning the temple.

ellauri024.html on line 1457: figure>
ellauri025.html on line 5: figcaption {
ellauri025.html on line 335: <figure>
ellauri025.html on line 337: <figcaption>Hesiodos palkkaa piianfigcaption>
ellauri025.html on line 338: figure>
ellauri025.html on line 456: <figure>
ellauri025.html on line 459: <figcaption>Laureja kaksi Sivuafigcaption>
ellauri025.html on line 460: figure>
ellauri025.html on line 746: <figcaption>Joan Crawford oli tämä leghorn kana.figcaption>
ellauri025.html on line 855: <figure>
ellauri025.html on line 857: <figcaption>Monika Fagerholm röhnöttää kotisohvalla Tenholassa.figcaption>
ellauri025.html on line 858: figure>
ellauri026.html on line 5: figcaption {
ellauri026.html on line 236: <figure>
ellauri026.html on line 238: <figcaption>
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ellauri026.html on line 372: On sellasia pytagoralaisia, joille kaikki on niin yhteistä et ne ottaa mitä vaan messiin mekon alla, ne ei tee siitä isompaa numeroa kuin jos ne olis perintökamoja. Toiset on vaan olevinaan rikkaita, ja tää kuvitelma riittää niille onnexi. Joillakuilla on hienot talot Helsingissä ja sen vuoxi pihistelee mökillä. Jotkut panee menee kaiken samantien, toiset kerää kokoon hyvällä tai pahalla. Yx ährää kerätäxeen julkkismainetta, toinen makaa nokisena uunin takana. A great many undertake endless suits and outvie one another who shall most enrich the dilatory judge or corrupt advocate. One is all for innovations and another for some great he-knows-not-what. Another leaves his wife and children at home and goes to Jerusalem, Rome, or in pilgrimage to St. James´s where he has no business. In short, if a man like Menippus of old could look down from the moon and behold those innumerable rufflings of mankind, he would think he saw a swarm of flies and gnats quarreling among themselves, fighting, laying traps for one another, snatching, playing, wantoning, growing up, falling, and dying. Nor is it to be believed what stir, what broils, this little creature raises, and yet in how short a time it comes to nothing itself; while sometimes war, other times pestilence, sweeps off many thousands of them together.
ellauri026.html on line 635: <figure>
ellauri026.html on line 637: <figcaption>
ellauri026.html on line 643: figcaption>
ellauri026.html on line 644: figcaption>
ellauri028.html on line 5: figcaption {
ellauri028.html on line 584: <figure>
ellauri028.html on line 586: <figcaption>Haraldin vizit on enimmäxeen huonoja tai hirmuisen huonoja.figcaption>
ellauri028.html on line 587: figure>
ellauri028.html on line 668: <figure>
ellauri028.html on line 670: <figcaption>Hopealahnan platinaafigcaption>
ellauri028.html on line 671: figure>
ellauri029.html on line 5: figcaption {
ellauri029.html on line 496: <figure>
ellauri029.html on line 498: <figcaption>väpelöt väinömäiset patriarkat ennen ja jälkeen kuvissafigcaption>
ellauri029.html on line 499: figure>
ellauri029.html on line 673: <figure>
ellauri029.html on line 675: <figcaption>Optimistit suu messingilläfigcaption>
ellauri029.html on line 676: figure>
ellauri029.html on line 677: <figure>
ellauri029.html on line 679: <figcaption>Optimistit suu viivanafigcaption>
ellauri029.html on line 680: figure>
ellauri029.html on line 922: Therefore, we can say that irony is fine; irony is a figure of speech that can bring attention and clarity to a situation. Sometimes, irony can be painful because the truth it reveals is convicting. Satire, which uses irony to gently deride and prompt needful change, can be appropriate on occasion; we have examples of satire in Scripture.
ellauri030.html on line 4: figcaption {x
ellauri030.html on line 491: <figure>
ellauri030.html on line 494: <figcaption>Artussa oli nuorena Jari Sarasvuon näköä.figcaption>
ellauri030.html on line 495: figure>
ellauri031.html on line 4: figcaption {
ellauri031.html on line 308: <figure>
ellauri031.html on line 310: <figcaption>Il Duce ryhmäkuvassa toinen vasemmalta.

ellauri031.html on line 311: Käsi yhä pystyssä mutta pää nyt alaspäin.figcaption>
ellauri031.html on line 312: figure>
ellauri032.html on line 5: figcaption {
ellauri032.html on line 261: <figure>
ellauri032.html on line 265: figure>
ellauri032.html on line 390: <figure>
ellauri032.html on line 392: <figcaption>Hyperbeli tyylikeinona figcaption>
ellauri032.html on line 393: figure>
ellauri032.html on line 580: <figure>
ellauri032.html on line 592: figure>
ellauri033.html on line 4: figcaption {
ellauri033.html on line 205: d´en retracer la changeante figure qu´il n´existe déjà plus. Ils n´ont
ellauri033.html on line 462: <figure>
ellauri033.html on line 465: <figcaption>Samixetfigcaption>
ellauri033.html on line 466: figure>
ellauri033.html on line 482: <figure>
ellauri033.html on line 485: <figcaption>Fin de snobisme. Paavalilla on Fifi sylissä. Markulla risuja. Pikku Markku näyttää tyynemmältä.figcaption>
ellauri033.html on line 486: figure>
ellauri033.html on line 498: Hirvee mulkero. Esipuheessa vähäpätöisempi mulkero Bourget jo paljastaa karvansa, se setäilee nuorelle (mies)lukijalle ihan vimmatusti, tärkeilee ja puhuu pyhistä pataljoonista, vaikkei se ei ize 19-vuotiaana heilauttanut evääkään kun Ranska kärsi rökäletappion Saxalle 1871. Täähän oli entiselle suurvallalle tosi nolo sauma kun surkea Saxa pisti niin pahasti turpaan aurinkokunkun ja Napsun perikunnalle. Tämmösiä nolostuneita herrakansoja on läjäpäin, eikä niissä ole kovin kiva tunnelma. Parempi ois kun eivät eläis niin tiimihengessä. Futismazienkin häviäjät menee särkemään nakkikojuja ja autoja. Huligaanit ja graffitien piirtelijät kuseskelevat in effigie voittajien reviirille huonoina häviäjinä.
ellauri033.html on line 644: <figure>
ellauri033.html on line 648: <figcaption>Tanagran taiteilijalla Geromella telttaa tanakastifigcaption>
ellauri033.html on line 649: figure>
ellauri033.html on line 1110: <figure>
ellauri033.html on line 1112: <figcaption>La Gloire complètement deshabillée tirant Auguste de Villiers de l´Isle Adam de son cravate éternel - Musée Carnavaletfigcaption>
ellauri033.html on line 1113: figure>
ellauri034.html on line 4: figcaption {
ellauri034.html on line 101: <figure>
ellauri034.html on line 103: <figcaption>Vihdoinkin maalla on kunnollinen hallitus.

ellauri034.html on line 104: Kolme AIVAN hullua SS-miestä on korvattu viidellä suht järkevällä naisella.figcaption>
ellauri034.html on line 105: figure>
ellauri034.html on line 121: <figure>
ellauri034.html on line 124: <figcaption>Bile-Dani ja Eve paiskii hartiavoimin töitä suoramainonnan ja somen parissa
ellauri034.html on line 125: figcaption>
ellauri034.html on line 126: figure>
ellauri034.html on line 217: Äidittömät isän pojat eli isixet ovat julmia yrmyjä hierarkisia heteroja uskovia fasisti kovixia setämiehiä ja isättömät äidin pojat eli mamixet kesyjä kilttejä demokriittisiä jumalattomia homoja vasuri pehmyreitä. Isättömyyttä ja äidittömyyttä täytyy vähän mulkata, riittää että toinen vanhempi on karussa, sairas, alakynnessä tai muuten näkymätön, ja toinen päsmäröi lapsen kasvatuxessa yxinomaisesti tai ihan sikana. Isoäiti kelpaa äitifiguurixi kuten Russellilla ja Proustilla. Tehdäänpä sekoitusmatriisi, jota voidaan sitten aina täydentää lisäilemällä nimiä. Sekin pitäs täsmentää millaset on kovixia eli kylmiöitä kuivureita ja mitkä pehmyreitä eli lälläreitä sylkyreitä. Karkeasti ottaen kovixet on cro magnoneja ja pehmyreitä neanderthalit. Coelhokin luetaan kovixiin vaixe on hippi vetelys, kert se kumartelee izekuria ja jumalankuvia. Puolikova ainakin. (Muuten, VA Koskenniemi väitti Goethe-sepustuxessaan että runoilijat on enimmäxeen mammanpoikia. Varmaan oli izekin.)
ellauri034.html on line 318: <figure>
ellauri034.html on line 320: <figcaption>Haraldisk planeringfigcaption>
ellauri034.html on line 321: figure>
ellauri034.html on line 547: Chinua Achebe was a Nigerian novelist, poet, and critic who is regarded as the dominant figure of modern African literature. His first novel and magnum opus, Things Fall Apart, occupies a pivotal place in African literature and remains the most widely studied, translated and read African novel. If Conrad or his novel is racist, it is only in a weak sense, since Heart of Darkness acknowledges racial distinctions "but does not suggest an essential superiority" of any group.
ellauri035.html on line 5: figcaption {
ellauri035.html on line 1050: <figcaption>Martti Vainio ja Krister Linden? Ei vaan Zizek ja Butler.figcaption>
ellauri035.html on line 1213: <figure>
ellauri035.html on line 1215: <figcaption>Hiljaista kuin huopatossutehtaassafigcaption>
ellauri035.html on line 1216: figure>
ellauri036.html on line 4: figcaption {
ellauri036.html on line 190: <figure>
ellauri036.html on line 195: <figcaption>Piipunrassejafigcaption>
ellauri036.html on line 196: figure>
ellauri036.html on line 2066: <figure>
ellauri036.html on line 2069: <figcaption>Paapa avas instagram-tilin taivaaseen ja katuu sitä nyt. Tuli virus.figcaption>
ellauri036.html on line 2070: figure>
ellauri036.html on line 2128: <figure>
ellauri036.html on line 2131: figure>
ellauri036.html on line 2177: <figure>
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ellauri036.html on line 2192: figure>
ellauri037.html on line 4: figcaption {
ellauri037.html on line 26: Kay Bojesen var især kendt for design og legetøj i træ, f.eks. hans livgarder fra 1942, aben fra 1951 og elefanten og papegøjen fra 1950´erne. Herudover designede han børnemøbler og gyngeheste. Mange af disse figurer er ikke længere i produktion og indhenter derfor høje priser på auktion.
ellauri037.html on line 610: Seine beiden Eltern waren dickköpfig, intelligent und leicht
ellauri038.html on line 4: figcaption {
ellauri038.html on line 21: <figcaption>Nietzsche ja Schopenhauer puhuttelee ernujafigcaption>
ellauri038.html on line 35: <figure style="float:right">
ellauri038.html on line 37: figure>
ellauri038.html on line 93: <figure>
ellauri038.html on line 97: <figcaption>Ari pyllistelee ennakoiden Nietzscheä. Liisa pahexuu.figcaption>
ellauri038.html on line 98: figure>
ellauri038.html on line 143: Nietzschefänit on enimmäxeen hölmöjä ja/tai kusipäitä: Martin Heidegger, Jacques Derrida and Michel Foucault; Carl Jung and Sigmund Freud, two of the founding figures of psychiatry; and writers such as Albert Camus, Jean-Paul Sartre, Thomas Mann and Hermann Hesse. Nippu narsisteja plus koko dritter Reich riippuu psykopaatin wiixissä. Sis tän mursuwiixisen, sen H-alkuisen Lassi Hiekkala-tyyppisissä viixissä ei kukaan kauan roikkunut.
ellauri039.html on line 4: figcaption {
ellauri039.html on line 28: <figure style="float:right">
ellauri039.html on line 29: figure>
ellauri039.html on line 254: <figure>
ellauri039.html on line 256: <figcaption>Martta poikineen? Riku ja Max on rehtorin puheilla.figcaption>
ellauri039.html on line 257: figure>
ellauri039.html on line 330: <figure>
ellauri039.html on line 333: <figcaption>Häkkikuntoisia japsulaisia jenkeissä. Hatsipompponen ja Yoda.figcaption>
ellauri039.html on line 334: figure>
ellauri039.html on line 439: <figure>
ellauri039.html on line 441: <figcaption>This is Us. Iloisesti virnistäviä jenkkejä hampaisiin asti aseistettuina maailman vapaimmassa maassa. Niitä neuvotaan hymyilemään valokuvissa niin, että alahampaat näkyvät, se vaikuttaa avoimemmalta. Tyyppi oikealla osaa konstin. Eläköön perustuslain 2. korjaus! Eläkööt ne joita korona ei tapa! Se on kaikki kotiinpäin! God bless America! MAGA MAGA!
ellauri039.html on line 442: figcaption>
ellauri039.html on line 443: figure>
ellauri039.html on line 496: <figure>
ellauri039.html on line 499: <figcaption>Heidi, Nikke, Jyri sekä käsidesifigcaption>
ellauri039.html on line 500: figure>
ellauri039.html on line 559: <figure>
ellauri039.html on line 561: <figcaption>Uroteko terveydenhuollon sarallafigcaption>
ellauri039.html on line 562: figure>
ellauri039.html on line 756: <figure>
ellauri039.html on line 760: <figcaption>Intellectual yet idiotic.figcaption>
ellauri039.html on line 761: figure>
ellauri039.html on line 812: <figure>
ellauri039.html on line 815: <figcaption>Koronavirus?figcaption>
ellauri039.html on line 817: figure>
ellauri040.html on line 5: figcaption {
ellauri040.html on line 50: <figure>
ellauri040.html on line 52: <figcaption>
ellauri040.html on line 57: figcaption>
ellauri040.html on line 58: figure>
ellauri040.html on line 236: <figure>
ellauri040.html on line 239: <figcaption>Ennen ja jälkeen -mökitfigcaption>
ellauri040.html on line 240: figure>
ellauri040.html on line 338: <figcaption>Deleuze ja Guattari nenäkkäinä 60-lukulaisinafigcaption>
ellauri041.html on line 5: figcaption {
ellauri042.html on line 4: figcaption {
ellauri042.html on line 604: <figure>
ellauri042.html on line 607: <figcaption> Monet ja Manet oli partapozoja. Monet kuoli keuhkosyöpään röökinvedosta, Manet hermokuppaan viixeenvedosta. Entäs Minet?figcaption>
ellauri042.html on line 608: figure>
ellauri042.html on line 652: Pope's choice of new 'hero' for the revised Dunciad, Colley Cibber, the pioneer of sentimental drama and celebrated comic actor, was the outcome of a long public squabble that originated in 1717, when Cibber introduced jokes onstage at the expense of a poorly received farce, Three Hours After Marriage, written by Pope with John Arbuthnot and John Gay. Pope was in the audience and naturally infuriated, as was Gay, who got into a physical fight with Cibber on a subsequent visit to the theatre. Pope published a pamphlet satirising Cibber, and continued his literary assault until his death, the situation escalating following Cibber's politically motivated appointment to the post of poet laureate in 1730.
ellauri042.html on line 721: <figure>
ellauri042.html on line 723: <figcaption>Fedja-sedän hypergrafiaa. Seija piirtää Riitan paasatessa luurissa sivun täyteen kukkia.figcaption>
ellauri042.html on line 724: figure>
ellauri042.html on line 766: <figure>
ellauri042.html on line 769: <figcaption>Mengeles tvillingarfigcaption>
ellauri042.html on line 770: figure>
ellauri042.html on line 975: The last sestet presents a turn, commonly referred as volta, in the poem. The lyrical voice presents god God as a jealous lover who fears that he/she will be tempted away by someone or something else. The ninth line questions this figure (“But why should I beg more love, whenas thou”). Furthermore, there is a romantic imagery to express how the lyrical voice feels about the figure of God (“whenas thou/Dost woo my soul”). God’s interest in the lyrical voice is referred as a “fear” and as “tender” because of the possibility of the lyrical voice being tempted by the “devil” or by “flesh”.
ellauri043.html on line 4: figcaption {
ellauri043.html on line 88: <figure>
ellauri043.html on line 92: <figcaption>Brueghel vanhemman (?) ja nuoremman kiusauxet ja Bosch.figcaption>
ellauri043.html on line 93: figure>
ellauri043.html on line 98: <figure>
ellauri043.html on line 100: <figcaption>Anttu ei kazo kameraan (kolleegat kuiskivat)figcaption>
ellauri043.html on line 101: figure>
ellauri043.html on line 110: <figure>
ellauri043.html on line 112: <figcaption>Erakkomajava on autisti, ei paranoidi.figcaption>
ellauri043.html on line 113: figure>
ellauri043.html on line 650: <figure>
ellauri043.html on line 652: <figcaption>Väärinkäsitys on vääruskoisuuden alkufigcaption>
ellauri043.html on line 653: figure>
ellauri043.html on line 2656:

Jokaisessa isojen oxiensa hangassa se kannattelee ilmassa paria henkeä. Oxat niiden ympärillä risteilee kuin suonet ruumiissa; ja ne kazoo kuinka ikuinen elämä kiertää hämärään sukeltavista juurista aina auringon ohi ulottuvaan latvaan. Mä 2. oxalla valaisin figuurillani kuin Katariina noita kesäöitä ihaniia. Ja mälli lensi kattoon asti.
ellauri043.html on line 4125:

Sillä oli muuta menoa, mutta sen pojat tuli, — hirveitä, suomupeitteisiä, yököttäviä kuin joukkohauta, möykkääviä, viheltäviä, töräytteleviä, rämistäen haarniskoja ja kuolleiden luita. Jotkut sylkevät tulta nenänreijistä, jotkut tekee pimeyttä siivillä, joilla kuilla on sormenpäät katkaistut, jotkut juo käärmeenmyrkkyä kourasta; niillä on päät porsaalta, sarvikuonolta tai rupikonnalta, kaikenlaisilta figuureilta jotka herättää inhoa tai kauhua.
ellauri043.html on line 4191:

Antonius on maassa, figuuri käsissään. Seisaallaan sen vieressä, selkä ristiin päin, Hilarion kazoo sitä.
ellauri043.html on line 4483: leur front par un médaillon à figurine; des
ellauri043.html on line 4783:

Coucoupha est employé comme nom masculin singulier. Employé comme nom. 1. dans l'Antiquité, en Égypte, animal mythique à longue oreilles figurant sur les sceptres des souverains. Quelques mots au hasard. Lisää henkiolentoja. In old pharmacy, a cucupha or cucufa was a cap, or cover for the head, with cephalic spices quilted in it, worn for certain nervous distempers, particularly those affecting the head. Saint Cucuphas is a martyr of Spain. His feast day is 25 July but in some areas it is celebrated on 27 July to avoid conflict with the important feast day of Santiago, the patron saint of Spain. His name is said to be of Phoenician origin with the meaning of "he who jokes, he who likes to joke."
ellauri045.html on line 5: figcaption {
ellauri045.html on line 315: <figure>
ellauri045.html on line 318: figure>
ellauri045.html on line 825: <figure>
ellauri045.html on line 827: <figcaption>Mitä on karisma? – Olen luottanut aina luonnollisuuteen – paitsi meikissä ja hatuissa, sanoo Samulin.figcaption>
ellauri045.html on line 828: figure>
ellauri046.html on line 4: figcaption {
ellauri046.html on line 170: <figure>
ellauri046.html on line 172: figure>
ellauri046.html on line 177: <figure>
ellauri046.html on line 179: figure>
ellauri046.html on line 280: <figcaption>Read more existential comicsfigcaption>
ellauri046.html on line 442: <figure>
ellauri046.html on line 447: <figcaption>Veronica otti Jeesuxesta Golgatalla kuvia. Vas. Jeesuxen kallosta tehty kuvatus tiedelehdestä.
Seurr. 2 1400-l., vika moderni yhden italiattaren tekele. Rva Sakeus on siinä aika sexikäs.

ellauri046.html on line 449: figcaption>
ellauri046.html on line 450: figure>
ellauri047.html on line 4: figcaption {
ellauri047.html on line 51: <figure>
ellauri047.html on line 54: <figcaption>Ennen-jälkeen kuvat Jöötistäfigcaption>
ellauri047.html on line 55: figure>
ellauri047.html on line 888: <figure>
ellauri047.html on line 890: <figcaption>Krister ja minä Pariisissa anno dazumalfigcaption>
ellauri047.html on line 891: figure>
ellauri047.html on line 931: <figure>
ellauri047.html on line 933: <figcaption style="width:100%">Omat apinat purevat
ellauri047.html on line 934: figcaption>
ellauri047.html on line 935: figure>
ellauri048.html on line 5: figcaption {
ellauri048.html on line 161: <figure>
ellauri048.html on line 165: <figcaption>Jotain huvittavaa tässä kiilusilmäisessä pöllössä kyllä on...figcaption>
ellauri048.html on line 166: figure>
ellauri049.html on line 4: figcaption {
ellauri049.html on line 22: <figcaption>Oodi vihreämmille laitumille ja elegia sähköaidallefigcaption>
ellauri049.html on line 374: <figure>
ellauri049.html on line 381: <figcaption>Nuoria neroja: Pahan kukkanen, Villamato, Päihtynyt alus, Seilorin Jussi, Salosen Unski, Sulinin Kallefigcaption>
ellauri049.html on line 382: figure>
ellauri049.html on line 449: Illuminant de longs figements violets, maxoittuneita pilviviiruja valaisseen,
ellauri049.html on line 675: <figcaption>Jatkuu numerossa 173figcaption>
ellauri049.html on line 751: <figure>
ellauri049.html on line 754: <figcaption>Vanhoja pieruja: Saarisen Calle, Näkymätön Viänänenfigcaption>
ellauri049.html on line 755: figure>
ellauri049.html on line 766: <figure>
ellauri049.html on line 770: <figcaption>Je suis fou de toi (Mallarmé-Valéry, Valéry-Voillier)figcaption>
ellauri049.html on line 771: figure>
ellauri049.html on line 795: <figure>
ellauri049.html on line 797: <figcaption>Möljän hautuumaafigcaption>
ellauri049.html on line 798: figure>
ellauri049.html on line 995: <figure>
ellauri049.html on line 999: <figcaption>Viisikon ryhmädynamiikan syväanalyysi nyt videonafigcaption>
ellauri049.html on line 1002: figure>
ellauri049.html on line 1031: <figure>
ellauri049.html on line 1033: <figcaption>Kodittomat käteismiehet parkkiruudussafigcaption>
ellauri049.html on line 1034: figure>
ellauri049.html on line 1110: <figure>
ellauri049.html on line 1112: <figcaption>Julkkuja kuin nippu kyrpiä. Esalla on isoin prenikka.figcaption>
ellauri049.html on line 1113: figure>
ellauri050.html on line 4: figcaption {
ellauri050.html on line 26: <figcaption>Elsa Olaf-merkkisellä bideellä...figcaption>
ellauri050.html on line 31: <figure>
ellauri050.html on line 37: <figcaption>Pakastekanoja ja erikokoisia muftejafigcaption>
ellauri050.html on line 38: figure>
ellauri050.html on line 370: <figcaption>Paramahansa Yogananda Standard Påsefigcaption>
ellauri050.html on line 398: <figure>
ellauri050.html on line 401: <figcaption>OMG symbolsfigcaption>
ellauri050.html on line 402: figure>
ellauri050.html on line 412: <figure style="float:right">
ellauri050.html on line 414: <figcaption>Renen lätystä tulee mieleen yx
aivan tärähtänyt jatko-opiskelija
Pohjanmaalta.figcaption>
ellauri050.html on line 415: figure>
ellauri050.html on line 485: <figure style="float:right">
ellauri050.html on line 487: <figcaption>Mami lies mir das! Papi will nicht!figcaption>
ellauri050.html on line 488: figure>
ellauri051.html on line 5: figcaption {
ellauri051.html on line 221: <figure>
ellauri051.html on line 225: <figcaption>Valtionkoomikko ja 3 hanttapuliafigcaption>
ellauri051.html on line 226: figure>
ellauri051.html on line 331: <figure>
ellauri051.html on line 333: <figcaption>Elävän kirjallisuuden festivaalissa runoilijat esiintyivät lähinnä toisilleenfigcaption>
ellauri051.html on line 334: figure>
ellauri051.html on line 526: <figure>
ellauri051.html on line 528: <figcaption>Wanha Wilt Whatman poseeraa nakukuvissafigcaption>
ellauri051.html on line 529: figure>
ellauri051.html on line 1109: 518 Voices indecent by me clarified and transfigur'd. 518 Minun sopimatonta ääntä selkeytettynä ja muutettuna.
ellauri051.html on line 1499: 897 Would you hear of an old-time sea-fight? 897 Kuulisitko vanhasta meritaistelusta?
ellauri051.html on line 1509: 907 Fighting at sun-down, fighting at dark, 907 Taistelu auringonlaskun aikaan, taistelu pimeässä,
ellauri051.html on line 1516: 914 If our colors are struck and the fighting done? 914 Jos väreihimme lyötiin ja taistelu on tehty?
ellauri051.html on line 1518: 916 We have not struck, he composedly cries, we have just begun our part of the fighting. 916 Emme ole lyöneet, hän huutaa tyynesti, olemme juuri aloittaneet oman osamme taistelussa.
ellauri051.html on line 1855: 1241 First-rate to ride, to fight, to hit the bull's eye, to sail a skiff, to sing a song or play on the banjo, 1241 Ensiluokkainen ratsastaa, taistella, lyödä häränsilmää, purjehtia skiffillä, laulaa laulua tai soittaa banjolla,
ellauri052.html on line 5: figcaption {
ellauri052.html on line 64: A week before the novel appeared in book stores, Saul Bellow published an article in the New York Times titled “The Search for Symbols, a Writer Warns, Misses All the Fun and Fact of the Story.” Here, Bellow warns readers against looking too deeply for symbols in his piece of shit. This has led to much discussion among critics as to why Bellow warned his readers against searching for symbolism just before the symbol-packed Rain King hit the shelves. Because there ain't any, its just Solomon's idea of fun and fact. The ongoing philosophical discussions and ramblings between Henderson and the natives, and inside Henderson's own head, prefigure elements of Bellow's next novel Herzog, which includes many such inquiries into life and meaning. And which is an even worse piece of narcissisim than this one.
ellauri052.html on line 66: As in all Bellow's novels, death figures prominently in Henderson the Rain King. Also, the novel manifests a few common character types that run through Bellow's literary works. One type is the Bellovian Hero, often described as a schlemiel. Eugene Henderson, in company with most of Bellow's main characters, can be given this description, in the opinion of some people, and Bellow was another one himself for sure. Another is what Bellow calls the "Reality-Instructor"; in Henderson the Rain King, King Dahfu fills this role. In Seize the Day, the instructor is played by Dr. Tamkin, while in Humboldt's Gift, Humboldt von Fleisher takes the part.
ellauri052.html on line 102: <figcaption>Laughing all the way to the bank.figcaption>
ellauri052.html on line 473: <figure>
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ellauri052.html on line 560: <figure>
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ellauri052.html on line 590: <figure>
ellauri052.html on line 592: <figcaption>Ihmisyyden edustaja. Puolijalkainen sojottaa oikealle.figcaption>
ellauri052.html on line 593: figure>
ellauri052.html on line 753: So they wrestled swiftly, rapturously, intent and mindless at last, two essential white figures working into a tighter closer oneness of struggle, with a strange, octopus-like knotting and flashing of limbs in the subdued light of the room; a tense white knot of flesh gripped in silence between the walls of old brown books. Now and again came a sharp gasp of breath, or a sound like a sigh, then the rapid thudding of movement on the thickly-carpeted floor, then the strange sound of flesh escaping under flesh. Often, in the white interlaced knot of violent living being that swayed silently, there was no head to be seen, only the swift, tight limbs, the solid white backs, the physical junction of two bodies clinched into oneness. Then would appear the gleaming, ruffled head of Gerald, as the struggle changed, then for a moment the dun-coloured, shadow- like head of the other man would lift up from the conflict, the eyes wide and dreadful and sightless.
ellauri052.html on line 840: Birkin laughed. He was looking at the handsome figure of the other man, blond and comely in the rich robe, and he was half thinking of the difference between it and himself -- so different; as far, perhaps, apart as man from woman, yet in another direction. But really it was Ursula, it was the woman who was gaining ascendance over Birkin´s being, at this moment. Gerald was becoming limp again, lapsing out of him.
ellauri053.html on line 5: figcaption {
ellauri053.html on line 106: Pakerran taas Carassuxen väitöskirjaa snobeista, Proustista ja Bergeristä. Päästyään rahoihin herrasväet pyrkivät vallasväen piireihin. Aristokattien tyylin (le style) sijaan tuli muoti (la mode), ja omaperäisyyden (originalité) tilalle nimekkyys (distinction). Kuten Kierkegard saa fiffigt fick det till: Det Erhvervede on parempi kuin det Oprindelige. Tämän päivän luokattomilla talouslipilaareilla muodin korvaa nyttemmin trendi ja distinctionin celebrity. Kielikin on vaihtunut.
ellauri053.html on line 496: <figure>
ellauri053.html on line 497: figures/panofsky-stockholm.jpg" height="200px"/>
ellauri053.html on line 500: <figcaption>Working on “Ovide moralisé” in verse in Stockholmfigcaption>
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ellauri053.html on line 648: <figcaption>Carolee Schneeman performing her piece Interior Scroll.

ellauri053.html on line 649: Modernisti puzaa paikat putkimiehen sudilla Nyy Jookissa.figcaption>
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ellauri053.html on line 780: <figcaption>Rampe ja Naukkis tauollafigcaption>
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ellauri053.html on line 820: Prince Dwarkanath Tagore, my great-grandfather, was a romantic figure. Contemporary of Rammohan Roy, the Father of the Renaissance Movement of Bengal, he was closely associated with him in all his activities and rendered financial help when- ever required. The East India Company were by this time firmly established in Bengal and were rapidly building up their trade. Dwarkanath’s knowledge of English helped him to take advantage of the conditions prevailing under the Company’s rule and he was able at quite an early age not only to amass a fortune but also to gain high offices under the British. With Rammohan Roy he took a leading part in all the movements for the promotion of higher education and social welfare. There was hardly any institution founded during his life-time that did not owe its existence to the generous charity of Dwarkanath. He came to be known as Prince Dwarkanath in recognition of his benefactions. His business enterprises extended to fields unexplored by Indians in those days. He had a fleet of cargo boats for trading between India and England. To improve his business connections and gain further concessions from the Company, he himself went to England accompanied by his youngest son, Nagendranath. I have had occasion to read the diary kept by this grand-uncle of mine. It describes vividly and in very chaste English the social life Of the aristocracy of England in the early Victorian age as seen through the eyes of an Indian. There is also an interesting description of his adventurous journey across the country from Bombay to Calcutta at a time when India was in a very disturbed condition on the eve of the Sepoy Mutiny.
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“Rabindranath only became a temporary craze, but never a serious literary figure in the Western scene. He was intrinsically an outsider to the contemporary literary tradition of the West, and after a short, misunderstood visit to the heart of the West, he again became an outsider.”
ellauri053.html on line 1095: <figure>
ellauri053.html on line 1097: <figcaption>Saisko olla metrilakua? (Huom. hieno pipo.)figcaption>
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ellauri053.html on line 1191: Eliot needed to put a considerable distance between himself and Yeats, each of whom could be regarded as a Symbolist, however differently they responded to French Symbolism as Arthur Symons expounded it in The Symbolist Movement in Literature. It is my understanding that Symons led Yeats through the early chapters, with Mallarmé as the main figure, and that Eliot made his own way quickly through the several chapters until he reached Laforgue, the poet he found most useful in his attempt to discover his own voice. Still, Eliot’s animosity is hard to explain.
ellauri053.html on line 1201: <figure>
ellauri053.html on line 1203: <figcaption>Runoilija-asuissa Wilfrid Blunt eli Tylsä keskellä, Jästi vasemmalla ja Dobby oikealla puolella.figcaption>
ellauri053.html on line 1357: <figcaption>See a problem on this page?figcaption>
ellauri054.html on line 5: figcaption {
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ellauri054.html on line 166: <figcaption>Ransu Pekoni hatulla ja ilmanfigcaption>
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ellauri054.html on line 261: <figure style="float:right;width:25%">
ellauri054.html on line 263: <figcaption>Matilla oli tosi röyheät pulisongit.figcaption>
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ellauri054.html on line 453: 1. Ainakin vielä eilen järjestelmän lähettämät viestit on konfiguroitu väärin: kun esihenkilö *hyväksyy* budjetin, järjestelmä lähettää hakijalle viestin budjetin *hylkäämisestä*. Hakemuksen todellisen tilan näkee Fiorin lokista (avaa hakemus -> Kommentit).
ellauri054.html on line 457: Lopuksi vielä henkilökohtainen mielipide: tämä järjestelmä on juuri niin surkea kuin SAP-pohjaiselta järjestelmältä voi olettaa. En todellakaan ymmärrä, miksi huolimattomasti konfiguroitu järjestelmä otetaan käyttöön kesken vuoden kiireisintä rahoitushakukautta.
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ellauri055.html on line 40: Momus (/ˈmoʊməs/; Greek: Μῶμος Momos) was in Greek mythology the personification of satire and mockery, two stories about whom figure among Aesop's Fables. During the Renaissance, several literary works used him as a mouthpiece for their criticism of tyranny, while others later made him a critic of contemporary society. Onstage he finally became the figure of harmless fun.
ellauri055.html on line 104: Les notions baha’ies de révélations (wahī (en)) religieuses progressives leur font accepter la validité de la plupart des religions du monde, dont les fondateurs ou figures centrales sont considérées comme des manifestations de Dieu. Ces manifestations sont, par exemple : Moïse, Jésus, Mahomet, Krishna, Zoroastre et Bouddha.
ellauri055.html on line 208: <figure>
ellauri055.html on line 210: <figcaption>Pyhä vossikka oli misogyyni. Peräpukamatko vaivasi?figcaption>
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ellauri055.html on line 213: Saint Fiacre's relics were preserved in his original shrine in the local church of the site of his hermitage, garden, oratory, and hospice, in present Saint-Fiacre, Seine-et-Marne, France, but later transferred in 1568 to their present shrine in Meaux Cathedral in Meaux, which is near Saint-Fiacre and in the same French department, because of fear that fanatical Calvinists endangered them. Saint Fiacre had a reputation for healing haemorrhoids, which were denominated "Saint Fiacre's figs" in the Middle Ages. Cardinal Richelieu venerated his relics hoping to be relieved of the infirmity.
ellauri055.html on line 1216: <figure>
ellauri055.html on line 1218: <figcaption>Herras-Ragnar kuvan vasemmassa reunassa, Murtomäki äärioikealla. Hipsu sytyttelee kynttilöitä.figcaption>
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ellauri058.html on line 62: <figcaption>Maailmansotien voittajat on aseveljiä, uusia axelivaltoja. Hitler ja Mussolini nauraisivat iloisesti jos näkisivät. Huomatkaa yhdennäköisyys. figcaption>
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ellauri058.html on line 71: <figcaption>Ollaanpa sitä turskia. Limainen vonkale on noussut syvyyxistä. Ahdistaa viimeistä kalaparkaa. Huomatkaa yhdennäköisyys.
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ellauri058.html on line 531: <figure>
ellauri058.html on line 534: <figcaption>Kuin 2 marjaa: Valentin-Louis-Georges-Eugène-Marcel Proust ja Kaarlo (Kalle) Alvar Päätalo. Aika tuunattuja kuvia.figcaption>
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ellauri058.html on line 575: <figure>
ellauri058.html on line 577: <figcaption>Kalle Päätalo kotonaan Tampereen Messukylässä joulukuussa 1985. Vertaa Hannu Mäkelästä näpättyyn yhtä hömelöön potrettiin. figcaption>
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ellauri058.html on line 718: Dr. Hirschmann said he decided to focus on the symptom of itching. “At first, I considered Hodgkin’s disease and some diseases of the liver.” Chronic kidney disease covered all of Herod’s symptoms except gangrene of the genitalia. Dr. Hirschmann figured that the most probable cause of King Herod’s death was chronic kidney disease complicated by Fournier’s gangrene, which is an unusual infection affecting the male genitalia.
ellauri058.html on line 722: Hirschmann presented his research at the Clinical Pathologic Conference in Baltimore, US. Since 1995, the annual conference has examined the cause of death of famous figures, including Alexander the Great (typhoid fever from a contaminated pork chop) and Edgar Allen Poe (rabies).
ellauri060.html on line 5: figcaption {
ellauri060.html on line 160: Lama passitti mut Kouvolaan. Fred the Gross teki parhaansa lopettaaxeen senkin. Ei osannut, hirtettiin in effigie. Yliopistolehti vittuili vielä mulle. Sen paska päätoimittaja sai lentopotkut. Siitä lähin oon vihannut tyhjäntoimittajia.
ellauri060.html on line 343: <figure>
ellauri060.html on line 345: <figcaption>Iloinen leski ja sen iloisempi mies.figcaption>
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ellauri060.html on line 458: <figure>
ellauri060.html on line 461: <figcaption>Iloinen dementti haukkaa jo koiranputkea. Toinen ei.figcaption>
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ellauri060.html on line 920: <figure>
ellauri060.html on line 923: <figcaption>Mitä iso paska kultapöntössä sitä pieni kökkö potassafigcaption>
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ellauri060.html on line 929: <figure>
ellauri060.html on line 932: <figcaption>White supremacists and members of the alt-right, like those pictured here in a wire photo from a rally in D.C. on August 12th, 2018, have found a home on the social media site MeWe.
ellauri060.html on line 933: Nordic white dwarfs at alt-right. figcaption>
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ellauri060.html on line 936: Last month, Sheila McNallen posted that her husband, Steve, had been kicked off of Facebook, “apparently forever.” Steve is the founder of the Ásatrú Folk Assembly, a group headquartered in California that advocates for a return to Germanic Paganism, including an espousal of what they have deemed traditional, Nordic white values. The Asatru Folk Assembly has been classified as a hate group by the Southern Poverty Law Center, and in one YouTube video with more than 30,000 views, McNallen enumerates his theories on race, point by point, including his belief that racial differences are inherent to biology and his desire to defend the white race against “numerous threats to our future.” “I will fight for my race, primarily with words and ideas, but I will fight more literally if I have to,” he vows.
ellauri060.html on line 957: <figure>
ellauri060.html on line 960: <figcaption>Richard Gere's Son Homer Is Probably The Most Handsome Man To Ever Exist, After Hjallis and Mark.
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ellauri060.html on line 1162: The phrase is also used as the first line of one of the extra cod Latin verses added in 1953 to an unofficial school song at Harvard University, "Ten Thousand Men of Harvard". This most frequently played fight song of the Harvard University Band is, to some extent, a parody of more solemn school songs like "Fair Harvard thy Sons to your Jubilee Throng". (voi helvetti, tää oli tosi paha.) The first verse is a nonsense sequence of Latin clichés:
ellauri060.html on line 1191: <figure>
ellauri060.html on line 1193: <figcaption>UK politician Nigel Farage wearing a necktie that reads Non Illegitimi Carborundum.figcaption>
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ellauri060.html on line 1222: <figure>
ellauri060.html on line 1224: <figcaption>So this is our idea of a man?figcaption>
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ellauri061.html on line 5: figcaption {
ellauri061.html on line 584: HAMLET Why I will fight with him upon this theme HAMLET Mit vit, mä tappelen sen kanssa tästä aiheesta
ellauri061.html on line 593: Woo't weep? woo't fight? woo't fast? woo't tear thyself? Etkö itke? Etkö flaidaa? Etkö paastoa? Etkö revi pelihousuja?
ellauri061.html on line 712: Il grande successo letterario arrivò con la pubblicazione del suo primo romanzo, Il piacere a Milano presso l'editore Treves, nel 1889. Tale romanzo, incentrato sulla figura dell'esteta decadente, inaugura una nuova prosa introspettiva e psicologica che rompe con i canoni estetici del naturalismo e del positivismo allora imperanti.
ellauri061.html on line 714: <figure>
ellauri061.html on line 719: <figcaption>Vitun nenäkkään näkönen jo pienenä. Vanhana kukkoili kuin Aatu univormussa.figcaption>
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ellauri061.html on line 1670: <figcaption>Imugeeni makkarissa aktissa II, skene ii, kun Iachimo huomaa luomen sen daisarissa.
Maalasi muna soikeana Wilhelm Ferdinand Souchon (German, 1825-1876).figcaption>
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ellauri062.html on line 5: figcaption {
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ellauri062.html on line 221: <figcaption>Close but no cigar, Peggyfigcaption>
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ellauri062.html on line 273: In the hospital, June attempts to stab Serena Waterfront with a scalpel she had stolen from the medical waste disposal box. Serena fights back and cuts June in the arm. Serena alerts Dr. Yates telling him that June stabbed herself.
ellauri062.html on line 365: <figure>
ellauri062.html on line 367: <figcaption>Kaljuuntunut Clint sateessa sanoo "jep".figcaption>
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ellauri062.html on line 722: <figure>
ellauri062.html on line 726: <figcaption>Tältä Jake näyttää suu messingillä. Siitä löytyy pääasiassa muikkukuvia, jossa suu on pyllynreikänä. Epävarma hymy kuuluu Makelle.figcaption>
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ellauri062.html on line 789: Amália da Piedade Rodrigues GCSE • GCIH (Lisboa, 23 de julho de 1920– Lisboa, 6 de outubro de 1999) foi uma cantora, actriz e fadista portuguesa, geralmente aclamada como a voz de Portugal e uma das mais brilhantes cantoras do século XX. Está sepultada no Panteão Nacional, entre outras ilustres figuras portuguesas.
ellauri062.html on line 822: <figcaption>Parempi kuin Günther Grassin versiofigcaption>
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ellauri062.html on line 866: <figcaption>Viivi (tai siis Gurnemanz) ja Wagnerfigcaption>
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ellauri062.html on line 910: <figure>
ellauri062.html on line 913: <figcaption> Obama and Trump proclaim national days honoring racist rabbit, Menachem Schneerson. For 42 years presidents from both parties have proclaimed a national day to honor Rabbi Schneerson. All male panel back in 2018. Obama jututtaa Olavia ja Wilhoa. Olavi ja Wilho tuovat Trumpille askartelukirjan.
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ellauri063.html on line 154: figcaption>figure>
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ellauri063.html on line 242: fig_005.jpg" height="400px"/>
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ellauri063.html on line 269: Golem is a playable character in the fighting arcade game Mutant Fighter.
ellauri063.html on line 282: Musiken till "Den stora makabern" inte atonal men inte heller en återgång till tonaliteten. Den närmar sig popkonsten. Den är på ett bestämt sätt konkret, det finns linjer och melodiska sammanhang i den som behandlas figurativt. Stycket är fullt av traditionella citat, även av pseudocitat, ofta rent av falska citat. Intrigant, tidvis tom Över-Lurigt.
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ellauri064.html on line 242: <figure>
ellauri064.html on line 244: <figcaption>Agentti 86 Markwell Smartia briiffaa KIA:n rikostutkija Ikkim Iriih alias Mike (oikeasti Jake Super-Juonikas sankarillisessä valepuvussa).
ellauri064.html on line 245: figcaption>
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ellauri064.html on line 257: <figure>
ellauri064.html on line 259: <figcaption>Grab Lothar von Trothas auf dem Poppelsdorfer Friedhof in Bonnfigcaption>
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ellauri064.html on line 294: <figure>
ellauri064.html on line 297: <figcaption>Suurmiestemme kuolinmökkejäfigcaption>
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ellauri064.html on line 551: <figure>
ellauri064.html on line 555: <figcaption>Siltalan poka Jaakko Yli-Juonikasfigcaption>
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ellauri065.html on line 5: figcaption {
ellauri065.html on line 29: <figure style="float:right;width:30%">
ellauri065.html on line 31: <figcaption>Pelle pisilläfigcaption>
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ellauri065.html on line 186: <figure>
ellauri065.html on line 188: <figcaption>ALOITA JOTAIN TODELLISTA! Nouse junaan Ashleyn ja Jennyn kaa!figcaption>
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ellauri065.html on line 248: <figure>
ellauri065.html on line 253: <figcaption>
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ellauri065.html on line 453: <figure>
ellauri065.html on line 456: <figcaption>Toinen näistä on Dieter Laser ja toinen Juha Seppälä.figcaption>
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ellauri065.html on line 522: <figure>
ellauri065.html on line 525: <figcaption>JALKATERÄTÖN PEDONALLE JA PAISUVAINEN SPURGO SPERDEfigcaption>
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ellauri066.html on line 5: figcaption {
ellauri066.html on line 170: <figure style="float:left">
ellauri066.html on line 172: <figcaption>Aarolla oli Dantemainen riippunenä. Ceci n'est pas une pipe.figcaption>
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ellauri066.html on line 222: <figure>
ellauri066.html on line 224: <figcaption>Hauki paasaafigcaption>
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ellauri066.html on line 402: <figure>
ellauri066.html on line 404: <figcaption>– He luulivat pääsevänsä pälkähästä kokonsa vuoksi.figcaption>
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ellauri066.html on line 460: <figure>
ellauri066.html on line 463: <figcaption>Apinaserkuxet käyttää omaa järkeä eikä ota ikävästi pistäviä rokotuxiafigcaption>
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ellauri066.html on line 668: Glittriga Gullan: Tyvärr är det inte vuxna som håller på så här! Finns det inget sunt förnuft längre! Är så oändligt tacksam att vi har Anders Tegnell som frontfigur då det inte är en lätt uppgift med tanke på att få stå ut med de påhopp som han oförskyllt får stå ut med.
ellauri066.html on line 688: In the dark days of April, Covid deaths in a single day peaked at 115. Now, some days, that figure is zero. And while Britain’s economy shrank by 20 per cent in the first three months of lockdown, Sweden’s reduced by only nine.
ellauri066.html on line 701: Panicked Britain locked down hard. Tegnell kept Sweden open — relying largely on public goodwill rather than tough new laws to fight the virus.
ellauri066.html on line 942: <figcaption>Sweden's Covid Experiment is Now a Certified Failurefigcaption>
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ellauri067.html on line 54: <figure>
ellauri067.html on line 56: <figcaption>Kun nuoret pojat ovat saaneet kengän opastusta, he oppivat olemaan nopeita.figcaption>
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ellauri067.html on line 198: <figure>
ellauri067.html on line 201: <figcaption>On Mikki nyt merille lähtenyt, kaarnapurrellaan. Hiuuli hei!figcaption>
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ellauri067.html on line 256: <figcaption>Nipsu ja sen fäni ennen-jälkeen kuvissafigcaption>
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ellauri067.html on line 287: <figure>
ellauri067.html on line 289: <figcaption>Novi Pasar Prvomajska ulica sa pogledom na Altum-alem džamijufigcaption>
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ellauri067.html on line 298: Called today "the Father of Connecticut", Rev. Thomas Hooker was a towering figure in the early development of colonial New England. He was one of the great preachers of his time, an erudite writer on Christian subjects, the first minister of Cambridge, Massachusetts, one of the first settlers and founders of both the city of Hartford and the state of Connecticut.
ellauri067.html on line 351: <figure>
ellauri067.html on line 353: <figcaption>Eduxeen takaapäin Cecil Beatonin valokuvassa.figcaption>
ellauri067.html on line 354: figure>
ellauri067.html on line 441: “I was so fucked up while I was writing it . . . that now I go back over some of those sequences and I can’t figure out what I could have meant.”
ellauri067.html on line 454: Schwarzkommando: (p. 359) supposed herero fighters in the service of the nazis. It is propaganda like King Kong or the black science man Neil Degrasse Tyson to make black people seem intelligent. The Schwarzkommando in Gravity´s Rainbow is fictional. Schrödinger´s douchebag is a guy who says offensive things and decides whether he is joking based on the reaction of people around him.
ellauri067.html on line 487: Hey, I just figured out that "Who Framed Roger Rabbit" might be making a sly allusion.... that Roger and Jessica Rabbit are named after Roger Mexico and Jessica Swanlake from Gravity´s Rainbow by Pynchon. Posted by ergomatic at 7:16 AM on March 16, 2016. Why it's obvious! just look at Roger's incisors!
ellauri067.html on line 511: Sentimentaalista soopaa. Yllättäen nää on ensimmäiset sanat jotka putkahtivat mieleen kun olin lukenut 83 ekaa sivua. Seuraava oivallus s. 109 päästyä on että Thuomas on emotionaalisesti teini-ikäinen. Enemmän vielä kakkajuttuja kuin naintia. S. 131 käy selväxi että Pynchon on samanlainen pervo paskiainen kuin esim olmimainen Rilke, ja kaikki myöhemmätkin teutonit ja anglosaxit. (Oliko James Joyce saxi vaiko keltti? Ei se kovin keltti ollut, kakkaa se ojensi eikä suolaa.) Koko 2. maailmansota oli iso farssi, jossa aivan samixet vaan eri kokardeilla varustetut germaanit otti mittaa toisistaan. Noniinhän se oli sen Rilken ihannoima ensimmäinenkin. Siirtomaasotia ne olivat. Aivan vittua. Mix ton Pynchoninkin pitää noin intoilla maailmansodasta, johon se ize ei edes ehtinyt mukaankaan? Varmaan se kazoi matruusina liikaa sotaleffoja. Kaikista Rilken runoista se rakastaa eniten Duinon 10. elegiaa, joka on ruikelipaska. Oh boy, oh boy, Tomppa huutaa, ja muuta vastaavaa teini-intoilua. Sillä on muurahaisen munasuojat. Sivulla 435 on infantiili food fight kermakakuilla. Mä en jaxa.
ellauri067.html on line 630: Tiiliskiven tuhannella sivulla Blicero/Weissman paljastuu yhen nuoren hererokoiraan rakastajaxi siirtomaistetussa Lounais-Afrikassa, ja sitten avainhahmoxi nazien raketin rakennusohjelmassa, minä aikana se kidutti jonkun teknikon suunnittelemaan räätälöidyn V2-raketin omiin tarkoituxiinsa. Lainaillen suosikkirunoilijaansa Rilkeä (ällökki), Weissman leikkaa yxiköllisen kuvion (cuts a singular figure). Hän kuvataan sekä "kaljuuntuvaxi koulumestarixi, joka kurkkii ylös pullonpohjalaseista" että "upiuudexi sotilaallisexi tyypixi, osaxi myyntimies, osaxi tiedemies". Se on brutaali: "sadisti jonka vastuulla on kekata uusia pelikuvioita kohti maximijulmuutta".
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ellauri069.html on line 40: Postmodernism is the Swiss Army knife of critical concepts. It’s definitionally overloaded, and it can do almost any job you need done. This is partly because, like many terms that begin with “post,” it is fundamentally ambidextrous. Postmodernism can mean, “We’re all modernists now. Modernism has won.” Or it can mean, “No one can be a modernist anymore. Modernism is over.” People who use “postmodernism” in the first, “mission accomplished,” sense believe that modernism—the art and literature associated with figures like Picasso and Joyce—changed the game completely, and that everyone is still working through the consequences. Modernism is the song that never ends. Being postmodernist just means that we can never be pre-modernist again. People who use it in the second sense, as the epitaph for modernism, think that, somewhere along the line, there was a break with the assumptions, practices, and ambitions of modernist art and literature, and that everyone since then is (or ought to be) on to something very different. Being postmodernist means that we can never be modernist again.
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ellauri069.html on line 192: <figcaption>Wissow Klinken, Rügenfigcaption>
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ellauri069.html on line 224: Fisk, Jubilee Jim (1834-1872) 285; Known popularly as the "Barnum of Wall Street" and "Jubilee Jim," Fisk was one of the most outrageous figures of the Gilded Age. The most notorious plot of Fisk's short career was the attempt to corner the gold market during 1868 and 1869. Fisk's and Jay Gould's effort collapsed when President U.S. Grant intervened to halt the Black Friday scandal. Fisk brazenly refused to honor his contracts, leaving thousands ruined.
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ellauri069.html on line 242: <figcaption>Historia toistaa väsyttävästi izeään.figcaption>
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ellauri069.html on line 250: <figure>
ellauri069.html on line 252: <figcaption>Helgoland mereltä nähtynä. Muistuttaa Harmajan majakkaa.figcaption>
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ellauri069.html on line 265: <figure>
ellauri069.html on line 267: <figcaption>Yecch...figcaption>
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ellauri069.html on line 518: <figure>
ellauri069.html on line 523: <figcaption>Lisää vettä myllyyn fysiognomiallefigcaption>
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ellauri069.html on line 574: And now, The Romance of Helen Trent, the real-life drama of Helen Trent, who, when life mocks her, breaks her hopes, dashes her against the rocks of despair, fights back bravely, successfully, to prove what so many women long to prove, that because a woman is 35 or more, romance in life need not be over, that romance can begin at 35.
ellauri069.html on line 716: <figure>
ellauri069.html on line 719: <figcaption>George Petty maalasi 50-luvulla herutuskuvia työkalumainoxiin ym. Ihan vesirajan tuntumassa muttei full frontal nudity.
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ellauri069.html on line 728: <figure>
ellauri069.html on line 731: <figcaption>Queen Anne Salute on typerää äxeerausta pyllyt ojossa ja pyssyt handussa. Makes you feel proud.

ellauri069.html on line 732: Prinsessa Anne ei suostunut moikkaamaan Donald Trumpia. Right on Ann with an e!figcaption>
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ellauri069.html on line 783: Other putative allegorical devices of the book include the Wicked Witch of the West as a figure for the actual American West; if this is true, then the Winged Monkeys could represent another western danger: Indigenous peoples of the Americas. The King of the Winged Monkeys tells Dorothy, "Once we were a free people, living happily in the great forest, flying from tree to tree, eating nuts and fruit and doing just as we pleased without calling anybody master. ... This was many years ago, long before Oz came out of the clouds to rule over this land."
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ellauri070.html on line 90: <figure style="float:right">
ellauri070.html on line 92: <figcaption>Papaija tuoxahtaafigcaption>
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ellauri070.html on line 189: Und des behübschten Glücks figürliche Schießstatt, Sievistellyn riemun kuvaannollinen ampumateltta,
ellauri070.html on line 304: <figure style="float:right">
ellauri070.html on line 306: <figcaption>Skippyfigcaption>
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ellauri070.html on line 331: <figure style="float:right">
ellauri070.html on line 333: <figcaption>Päivää lapset! Nimeni on Husu Hussein!figcaption>
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ellauri070.html on line 442: <figure>
ellauri070.html on line 444: <figcaption>Kas tässä Spike Jonesin ja Hollywoodin panos sotapropagandaan!figcaption>
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ellauri070.html on line 449: <figure style="float:right" />
ellauri070.html on line 451: <figcaption>Does not know shit from Shinolafigcaption>
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ellauri071.html on line 118: <figcaption>Noel Coward entertains the men Ceylon 1 August 1944 / Joulupelkuri kiittää ylpeitä poikia Washington 1 December 2020figcaption>
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ellauri071.html on line 127: Had the Germans invaded Britain, Coward was scheduled to be arrested and killed, as he was in The Black Book along with other figures such as Virginia Woolf, Paul Robeson, Bertrand Russell, C. P. Snow and H. G. Wells.
ellauri071.html on line 224: Junior G-Men was part of the larger "war on crime" campaign being waged through the mass media, which included movies, comic books and strips, radio programs, and pulp books, all of which was encouraged by the FBI and especially its director, J. Edgar Hoover prior to World War II. Most of these featured adult "G-Men" even when marketed to children. The difference with the Junior G-Men was that it was designed to give boys a sense of participating in the exciting adult world of crime-fighting. That said, aside from the original radio program, a book, Junior 'G' Men's Own Mystery Stories (by Gilbert A. Lathrop, Edward O'Connor, and Norton Hughs Jonathan) was published in 1936 and a big little book by Morrell Massey and Henry E. Vallely the following year. Eventually they also appeared on the big screen.
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ellauri071.html on line 514: <figcaption>Hölmöilyä Californiassafigcaption>
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ellauri071.html on line 573: <figure>
ellauri071.html on line 575: <figcaption>Nipsun roketti laukesi ennen lähtöä. Lolita on pettynyt.figcaption>
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ellauri071.html on line 590: <figcaption>Merkabah on israelilainen tankki. Se on myös tämmönen jutkujen mystinen texti, Maaseh Merkabah ("kuinka vaunu toimii") jonka "löysi" joku Gershom Sholem. Se on hellenististä pre-kabbala mystiikkaa jostain Hesekielin reisuista.figcaption>
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ellauri072.html on line 127: <figcaption>Arsenikkiä ja vanhoja vizejäfigcaption>
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ellauri072.html on line 198: <figcaption>Eleven! Please repeat that. Beatrice does not get it. Dante and Vergilius get quite pissed.figcaptoin>
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ellauri072.html on line 206: What has gone mainly unnoticed in the various discussions of the problem is something that has puzzled me for some time. Why does Dante treat the homosexual Florentines in Inf. 16 with greater respect than any other infernal figures except those in Limbo? I do not have an answer to that question, but would like to bring it forward. Let me begin with Purg. 26. We have probably not been surprised enough at Dante's insistence that roughly half of those who sinned in lust, repented, and were saved (and are now on their way to that salvation) were homosexual. It would have been easy for him to have left the homosexuals out of Purgatory, and it is hard to imagine an early (or a later) commentator who would have objected to the omission, especially since, in Hell, homosexuality is treated, not as a sin of the flesh, but as one of violence against nature. However, for a unique instance of a commentator who is aware of Dante's unusual gesture see Trifon Gabriele on Inf. 15.46: "Non e' dubbio che 'l Poeta vuol applaudere a questo vitio quanto egli puo'. Puopa hyvinkin. Ecco, gli fa parlare di belle cose e gli fa tutti grand'uomini nelle lettere e nell'arme e nella religione, e finalmente non e' peccato ne l'Inferno o Purgatorio che egli men danni con le parole sue che questo; anzi lo polisce quanto puo' con suoi versi".
ellauri072.html on line 208: This surprising, even shockingly "liberal" view of homosexual love as being the counterpart of the heterosexual kind should cause more notice than it generally does; perhaps even greater surprise should attend the extraordinarily generous gestures made toward the three Florentine homosexual politicians, Iacopo Rusticucci, Guido Guerra, and Tegghiaio Aldobrandi, whom we encounter in Inf. 16. They are presented as being among the most admirable figures in Hell. Let us examine the scene briefly. Virgil, who so often warns Dante when the latter begins to admire or become sympathetic (or overly concerned with) the damned, here is urgent in his approbation of these three sinners: "a costor si vuole esser cortese." This is the only time in Hell in which cortesia is mentioned as a fitting response to the damned except for Beatrice's and Dante's use of "cortese" for Virgil (Inf. 2.58, 2.134). The following tercet only emphasizes the guide's appreciation of their worthiness.
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ellauri072.html on line 658: figures---averell-dalton-p-image-263122-grande.jpg" height="200px" />
ellauri072.html on line 659: <figcaption>Averell, loppui jo!figcaption>
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ellauri073.html on line 416: <figcaption>Samantha ennen-jälkeen kuvissa figcaption>
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ellauri074.html on line 462: <figcaption>Shulem joka kirjoitti lyhennetyn Shulham Aruchinfigcaption>
ellauri074.html on line 510: Skicka foto av dottern så jag kan se om jag kanske kan hjälpa henne lite grann. Att må dåligt tillhör också livet och det kan bli ett allt för stort sökande att behandla något som kan gå över av sig själv. Tex den här sk "pandemin", som min kollega Mengele alltid säger. Ni gör ett fint jobb genom att finnas där och stötta och hjälpa henne med det lilla ni kan. Läs på om depression mm och se vad ni själva kan hjälpa henne med. Jag rekommenderar Emil Cioran, Paul Celan och Louis-Ferdinand Celine som kvällsläsning. Som Cioran fiffigt fått det till:
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ellauri077.html on line 333: <figcaption>Me Naiset: Mixi homous on väärin?figcaption>
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ellauri077.html on line 348: <figure>
ellauri077.html on line 352: <figcaption>Unomuna Dosmuna ja Tresmunafigcaption>
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ellauri077.html on line 590: Ekfrasis (kreik. ἔκφρασις, ek + frasis > ekfrazein 'mainita, kuvailla') on laajassa mielessä kirjallinen ja retorinen esitystapa, jonka avulla jotain esitetään kuvallisesti tai figuratiivisesti. Ekfrasis tarkoittaa ennen kaikkea taideteoksen kirjallista kuvausta, kuvan kuvaamista, sanallista deskriptiota. Ekfrasis on siis kirjallinen keino, jossa teksti vastaa tai kuvaa toista taideteosta, hyvin usein maalausta tai veistosta.
ellauri077.html on line 791: the "best people" from the gentlemen´s clubs, and all the frantic fascist captains, united in common hatred of Socialism and bestial horror at the rising tide of the mass revolutionary movement, have turned to acts of provocation, to foul incendiarism, to medieval legends of poisoned wells, to legalize their own destruction of proletarian organizations, and rouse the agitated petty-bourgeoise to chauvinistic fervor on behalf of the fight against the revolutionary way out of the crisis.
ellauri077.html on line 816:

1. Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
   ellauri078.html on line 5: figcaption {
   ellauri078.html on line 44: The infinity symbol ( ∞ {\displaystyle \infty } \infty , ∞, or in unicode ∞) is a mathematical symbol representing the concept of infinity. In algebraic geometry, the figure is called a lemniscate.
   ellauri078.html on line 50: The consideration of curves with a figure-eight shape can be traced back to Proclus, a Greek Neoplatonist philosopher and mathematician who lived in the 5th century AD. Proclus considered the cross-sections of a torus by a plane parallel to the axis of the torus. As he observed, for most such sections the cross section consists of either one or two ovals; however, when the plane is tangent to the inner surface of the torus, the cross-section takes on a figure-eight shape, which Proclus called a horse fetter (a device for holding two feet of a horse together), or "hippopede" in Greek. The name "lemniscate of Booth" dates to its study by the 19th-century mathematician James Booth.
   ellauri078.html on line 61: Analemma, the figure-eight shaped curve traced by the noontime positions of the sun in the sky over the course of a year
   ellauri078.html on line 83: <figure style="width:30%;float:right">
   ellauri078.html on line 86: <figcaption>Emily on Kummelien Heikki Silvennoisen näköinenfigcaption>
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   ellauri078.html on line 91: <figure>
   ellauri078.html on line 94: <figcaption>Common Meter, by the way, is the meter of Amazing Grace, and Christmas Carol.figcaption>
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   ellauri079.html on line 117: <figure>
   ellauri079.html on line 119: <figcaption>Elokuvassa 1981 mäkitupalaiset on urbanisoituneet. Missä luuraa Ellie May? Varmaan eläintarhassa tai painisalilla.figcaption>
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   ellauri079.html on line 155: Sit on toi ulkoasuvaurioteema. Koko Mario/Joelle dysfigure kuvio on jotain Wallun ulkonäköskizoa.
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   ellauri080.html on line 674: <figure>
   ellauri080.html on line 677: <figcaption>Räätälin kyhmy on pikkuvarpaan puolella oleva vaivaisenluu.
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   ellauri080.html on line 744: For his service in the Boer War, Gandhi was awarded the Queen’s South Africa Medal. What the fuck was he doing fighting a colonial war for the British? On the other hand, Boers were no better than Brits in that respect. They took turns on sitting on the natives, with the Indian middle class sitting in the middle.
   ellauri080.html on line 884: <figure>
   ellauri080.html on line 886: <figcaption>It was all started by a mouse!figcaption>
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   ellauri082.html on line 118: WARNING: This whole thing is one gigantic spoiler. Only read it if you’ve already tried to figure it out for yourself first.
   ellauri082.html on line 147: After the A.F.R. releases roaches into his giant glass tumbler, Orin cuts a deal with the A.F.R. and gives them the tape in return for letting him live. (He’s apparently still alive on p. 14.) The A.F.R. uses the tape to set off some sort of intracontinental conflagaration (16: “some sort of ultra-mach fighter too high overhead to hear slices the sky from south to north”) which apparently topples the Gentle administration (n114: “[Y.G. is] the very last year of Subsidized Time”).
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   ellauri082.html on line 489: <figure>
   ellauri082.html on line 490: <figcaption>Vemputtaja/Vemparen: suomenruozalaista noiriafigcaption>
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   ellauri083.html on line 336: For all their profusion, these paled in comparison with Sachs's newest display pieces: The Cabinet, 2014, and The Rockeths, 2017. The former was a folding case fashioned from orange-and-white striped barricades and festooned with hundreds of tools, hung in groups and inscribed with the names of individuals who have "inspired, influenced, or frightened" the artist--from Le Corbusier and Louis Kahn to the members of the Wu-Tang Clan--while the latter was less a cabinet than a kind of portable workbench and shelving unit, similarly jam-packed with the tools of the artist's trade, as well as a collection of model rockets, all again labeled to namecheck various figures of personal importance--scientists, musicians, artists; Apollo, Dionysus, Stringer Bell. The fetishistic frisson the assembled materials (pens, pliers, drill bits, tape measures) clearly provoke in Sachs was made even more explicit in McMasterbation, 2016, one of a trio of scale-model space modules arrayed on plinths. Featuring a copy of the legendarily comprehensive McMaster-Carr hardware catalogue spread open like a porn mag centerfold designed for lonely gearheads--alongside a ready supply of Vaseline and a handy tissue dispenser--it was part cathectic confession of objectophilia and part self-derogating indictment of his own work's tendencies toward sometimes masturbatory excess. Smart and stupid, funny and somehow a bit sad, it was classic Sachs: too much information, in every sense of the phrase.
   ellauri083.html on line 338: Hendershot recalls that, in the Schreber case, God was believed to manifest his creative and destructive power as celestial rays (Freud 22). As with spider-webs and hedgehogs quills, this radial pattern describing dilation and contraction, movement back and forth from center to circumference and from circumference to center, is the essential figure for the paranoid narcissism of a subject who feels threatened by the world and guilty for having taken "his own body [...] as his love-object" (Freud 60). Signaling Fistule's repressed homosexuality, the rays of his intelligence had first been focused on the masochistic annihilation of his genitals, which he denies were the original object of his love ("organes hideux," "vomitoires de dejections"), and then had been used in reconstructing a sexless new reality. Insisting on his exemption from the Naturalist law of biological determinism, Fistule denies his human parentage and maintains that he was born of a star, which, shining like the rays of his genius, had inseminated him and allowed him to be the father of himself, causa sui. Homosexual guilt initially projected as the corruptibility of matter is overcome by Fistule's principle of Stellogenesis, which turns flesh into radiance and bodies into starlight. As Hendershot concludes: "In Freud's theory, the paranoiac withdraws from the world (decathexis), directs his or her cathectic energy to the ego resulting in self-aggrandizement, and then attempts to reestablish a cathectic relationship with the world in the form of a delusional system"
   ellauri083.html on line 383: <figure>
   ellauri083.html on line 385: <figcaption>Woody Allen ennen-jälkeen kuvissafigcaption>
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   ellauri083.html on line 405: <figure>
   ellauri083.html on line 407: <figcaption>Woody Guthrie laulaa amerikansuomalaisistafigcaption>
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   ellauri089.html on line 351: <figure>
   ellauri089.html on line 353: <figcaption>Siinä oli meitä poikia, mm. sikapaska Hongisto ja Wexin Wolwon wasen etulokasuojafigcaption>
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   ellauri090.html on line 44: <figcaption>Paulinho ja Luu Ruoholahdessa keväällä 2021figcaption>
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   ellauri090.html on line 293: <figure style="float:right;width:20%">
   ellauri090.html on line 295: <figcaption>Aika koruton kuva Karoliinasta nuorempana jota vanha Roope-setä hipsi joka ilta kuikkimaan. figcaption>
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   ellauri090.html on line 350: Suas mulheres são "capazes de conduzir a ação, apesar do predomínio da trama romanesca não ter se esvaziado." As personagens femininas de Machado de Assis, ao contrário das mulheres de outros românticos — que faziam a heroína dependente de outras figuras e indisposta à ação principal na narrativa — são extremamente objetivas e possuem força de caráter.
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   ellauri092.html on line 36: <figcaption>Lepää rauhassa pikku porkkanammefigcaption>
   ellauri092.html on line 73: <figure>
   ellauri092.html on line 75: <figcaption>D.L. Moody (1837-99) as stout young Yankeefigcaption>
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   ellauri092.html on line 88: He became very settled and successful in ministry in Chicago. He sat on at least ten separate committees while at the same time fighting the gall of Cod to step out as an itinerant Evangelist. Cash flow was becoming mechanical. In June 1871 a great burden came upon two older ladies in his congregation to pray that he would receive the baptism of the Holy Ghost and fire. These two hot ladies became very obvious to Moody as they sat on the front pew and prayed as he preached. When he enquired about their praying they informed him that they needed the power of the Spirit.
   ellauri092.html on line 368: <figure>
   ellauri092.html on line 370: <figcaption>Tää kai se oli. Vai?figcaption>
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   ellauri092.html on line 432: <figcaption>Suomennoxessa Västerås oli muistaaxeni Kouvola.figcaption>
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   ellauri093.html on line 140: This list consists of mostly nineteenth-century figures who were associated with the Brethren movement before the 1848 schism. They are the leading historical figures common to both the Open and Exclusive Brethren.
   ellauri093.html on line 142: Two exceptions are H.A. Ironside and Watchman Nee, twentieth-century preachers who spent time associated with both the Open and Exclusive Brethren. See the respective articles for other more recent figures who have functioned primarily or entirely in either the Open Brethren or Exclusive Brethren.
   ellauri093.html on line 217: One of the most defining elements of the Brethren is the rejection of the concept of clergy. Their view is that all Christians are ordained by God to serve and therefore all are ministers, in keeping with the doctrine of the priesthood of all believers. The Brethren embrace the most extensive form of that idea, in that there is no ordained or unordained person or group employed to function as minister(s) or pastors. Brethren assemblies are led by the local church eiders (fig. 1) within any fellowship.
   ellauri093.html on line 218: <figure>
   ellauri093.html on line 220: <figcaption>Grass Eider Oiva Toikka Signature: O.Toikka Nuutajarvi. Size: 205 x 85 mm.figcaption>
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   ellauri093.html on line 431: <figcaption>Näistä herttaisista kuvista ajatus luiskahtaa väistämättä John Keazin lammashaan tunnelmiin... figcaption>
   ellauri093.html on line 451: These various forms and figures are borrowed from it. Niiden toiveikkaat muodot ja kuviot kaikki hieroo sitä.
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   ellauri094.html on line 41: <figcaption>Todellinen yllätys yliopistolla: liito-orava kipusi kolmanteen kerroxeen ilman hissiä.figcaption>
   ellauri094.html on line 43: <figcaption>Liito-orava puhuttaa Hartolassa: Aggressiivinen liito-orava puri peukaloa.figcaption>
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   ellauri094.html on line 255: Reign of Jehoiakim (succeeded Jehoahaz, who replaced Josiah but reigned only 3 months) Began giving tribute to Nebuchadnezzar in 605 BCE. First deportation, purportedly including figure)" title="Daniel (biblical figure)">Daniel.
   ellauri094.html on line 316: <figcaption>Tää löyty täältä. There Is No Dog.figcaption>
   ellauri094.html on line 390: <figure>
   ellauri094.html on line 392: <figcaption>Depiction of Jews mourning the exile in Babylon. Ei nappaa musa yhtään. Harjoitellaan mieluummin heittoja tolla piscuisella. figcaption>
   ellauri094.html on line 393: figure>
   ellauri094.html on line 484: <figcaption>Doh nyt ottaa eteen! Sun pojat ei enää ole apeita.figcaption>
   ellauri094.html on line 658: “Super Flumina Babylonis” celebrates the release of Italy from bondage in imagery that recalls the resurrection of Christ. The open tomb, the folded graveclothes, the “deathless face” all figure in this interesting poem that sings out, “Death only dies.” In “Quia Multum Amavit,” France, shackled by tyranny, is personified as a harlot who has been false to liberty. She has become “A ruin where satyrs dance/ A garden wasted for beasts to crawl and brawl in.” The poem ends with France prostrate before the spirit of Freedom, who speaks to her as Christ spoke to the sinful woman in the Pharisee’s house, in a tone of forgiveness.
   ellauri094.html on line 694: The figure of speech is a kind of anaphora.
   ellauri094.html on line 758: And the stark evil of the atheist Communists becomes even more stark when considering the fact that Nazi Germany and Imperial Japan were fighting for what most wars are fought for: Wealth and Empire. Which is A-OK. The Israeli did the same with the help of Jehovah. The atheist regimes slaughtered their own people simply to impose their will upon their less powerful compatriots. Which the Christians never do. Well, not nearly as many got killed anyway. I guess. Haven't really toted up all the Christian wars. The colonial ones too, and the U.S. neocolonial ones like Korea and Vietnam, or the Desert Storm. Should one use the absolute body count or percentages? Ethics is not an exact science after all. It's more like economics.
   ellauri095.html on line 5: figcaption {
   ellauri095.html on line 29: <figcaption>Mitäs Mänlin kuvassa on tarjolla vasemmalla laidalla? Ettei vaan ole myna karvapedillä? Vaiko filosofin kivi?figcaption>
   ellauri095.html on line 147: The image of the poet´s estrangement from God figures in "I wake and feel the fell of dark, not day", in which he describes lying awake before dawn, likening his prayers to "dead letters sent To dearest him that lives alas! away." The opening line recalls Lamentations 3:2: "He hath led me, and brought me into darkness, but not into light." "No Wurst, There is None" and "Carrion Comfort" are also counted among the "terrible sonnets".
   ellauri095.html on line 386: <figcaption>Gabriel Charles Dante Rossetti muistutti taannoista komediaklassikkoa Pulkkista. Menox sanoi Annie Lenox! Pikapalaverin paikka!figcaption>
   ellauri095.html on line 487: John Henry Newman (21 February 1801 – 11 August 1890) was an English theologian and poet, first an Anglican priest and later a Catholic priest and cardinal, who was an important and controversial figure in the religious history of England in the 19th century. He was known nationally by the mid-1830s, and was canonised as a saint in the Catholic Church in 2019.
   ellauri096.html on line 5: figcaption {
   ellauri096.html on line 33: <figure>
   ellauri096.html on line 36: <figcaption>Nro 96: Hippo ja Juotikas heppahöperöinä. Pekka ja Pätkä neekereinä.figcaption>
   ellauri096.html on line 41: figure>
   ellauri096.html on line 315: <figcaption>Kankkunen ruttokuopassafigcaption>
   ellauri096.html on line 429: <figure>
   ellauri096.html on line 433: <figcaption>Seikkailu Suezillafigcaption>
   ellauri096.html on line 434: figure>
   ellauri096.html on line 456: <figure>
   ellauri096.html on line 458: <figcaption>Jaskan mielikuva heppatytöstä ja valokuvafigcaption>
   ellauri096.html on line 459: figure>
   ellauri096.html on line 540: <figure>
   ellauri096.html on line 546: <figcaption>Jaska lookalikejäfigcaption>
   ellauri096.html on line 547: figure>
   ellauri096.html on line 548: <figure>
   ellauri096.html on line 550: <figcaption>Jaska ennen/jälkeen kuvissafigcaption>
   ellauri096.html on line 551: figure>
   ellauri096.html on line 589: Les Chants de Maldoror (The Songs of Maldoror) is a French poetic novel, or a long prose poem. It was written and published between 1868 and 1869 by the Comte de Lautréamont, the nom de plume of the Uruguayan-born French writer Isidore Lucien Ducasse. The work concerns the misanthropic, misotheistic character of Maldoror, a figure of evil who has renounced conventional morality.
   ellauri096.html on line 593: Maldoror is a modular (sic) work primarily divided into six parts, or cantos; these parts are further subdivided into a total of sixty chapters, or verses. Parts one through six consist of fourteen, sixteen, five, eight, seven and ten chapters, respectively. With some exceptions, most chapters consist of a single, lengthy paragraph.[b] The text often employs very long, unconventional and confusing sentences which, together with the dearth of paragraph breaks, may suggest a stream of consciousness, or automatic writing. Over the course of the narrative, there is often a first-person narrator, although some areas of the work instead employ a third-person narrative. The book's central character is Maldoror, a figure of evil who is sometimes directly involved in a chapter's events, or else revealed to be watching at a distance. Depending on the context of narrative voice in a given place, the first-person narrator may be taken to be Maldoror himself, or sometimes not. The confusion between narrator and character may also suggest an unreliable narrator.
   ellauri096.html on line 706: Il est l´un des fondateurs du courant de pensée tiers-mondiste, et une figure majeure de l´anticolonialisme. Il a inspiré les études postcoloniales. Il cherche à analyser les conséquences psychologiques de la colonisation à la fois sur le colon et sur le colonisé. Dans ses livres les plus connus comme Les Damnés de la Terre, il analyse le processus de décolonisation sous les angles sociologique, philosophique et psychiatrique. Il a également écrit des articles importants en psychiatrie.
   ellauri097.html on line 5: figcaption {
   ellauri097.html on line 176: <figure>
   ellauri097.html on line 178: <figcaption>Hirvi hotkimassa hiilinielua. Diversiteetti ei näy kuvassa, se on jo syöty.figcaption>
   ellauri097.html on line 179: figure>
   ellauri097.html on line 210: <figcaption>Pään tautifigcaption>
   ellauri097.html on line 289: <figcaption>Manoly, Patrick ja 3 perunaafigcaption>
   ellauri097.html on line 308: <figure>
   ellauri097.html on line 310: <figcaption>Taxonomy of Uranismusfig>
   ellauri097.html on line 311: figure>
   ellauri097.html on line 402: Der jüngere Kant hatte eine überdurchschnittliche Freude daran, sich auffallend und schick zu kleiden. Deshalb wurde er "eleganter Magister" genannt. In der Zeit bis 1765 trug er häufig einen (hell)braunen Rock - sehr unüblich unter Magistern - und die dazu passende gelbe Weste. Er ließ auch die Röcke mit Goldschnur einfassen und trug, solange es modern war, einen Degen. Ein dänischer Besucher bescheinigte 1791 noch dem älteren Kant eine "etwas übertriebene Galanterie im Anzuge". Noch im höchsten Alter sagte Kant, er wolle keine schwarzen Strümpfe tragen, weil die Farbe schwarz seine dünnen Waden noch dünner erscheinen lasse.
   ellauri097.html on line 814: Tää juttu on pitkä kuin nälkävuosi eikä kovin kummonen. Niinkuin Frostin proosarunotkin. Ei noi muutkaan perheaiheiset pöpötyxet paljon hetkauta. Jääköön Frost nyt rauhaan homoepäilyxiltä. Vaik epäilemättä homo sekin oli, vaikka sitten kaapissa. Kyllä se niin söpö oli pienenä. Bella figura kuten Philip Roth. Mutta lieventävänä asianhaarana voi mainita, eze kävi ahkerasti masis vaimon luukulla. Sen voi siitä todeta, että vaikka runoilijan hommissa ei tarvi välttämättä olla hullu, on siitä paljon apua.
   ellauri097.html on line 820: <figure>
   ellauri097.html on line 823: <figcaption>Roope Pakkanen ennen-jälkeen -kuvissa. Old devil time.figcaption>
   ellauri097.html on line 824: figure>
   ellauri098.html on line 5: figcaption {
   ellauri098.html on line 32: <figcaption>Marile. Tarkastele oikeassa koossa.figcaption>
   ellauri098.html on line 380: Ei tää riitä oikein mihinkään, tarvitaan vielä lisää muuttujia, esim hyvis/pahis tai peto/saalis, ja viisas/tyhmäkin erixeen, koska viisaita on sekä ovelia että harkizevia, edelliset on kuumia ja toiset kylmiä. Joo nää Hippokrateen tyypit riittää kuvaamaan vaan tunne-elämää. Eli tarvitaan vähintään jotain jungilaista kamaa lisäxi. Mitäs sillä oli: intro/extro, joka jakautui vielä intuitio/sensaatio, tieto/tunne, ja tuomio/havainto axeleille. Ei hemmetti ei tääkään riitä, tässä tulee enintään mukaan fixu/tyhmä, eli intro typet on nörttejä ja extro typet on action figuureja. Vielä puuttuu kiltti/ilkeä eli hyvis/pahis. Mites sitten alkais elukoita kuvata?
   ellauri098.html on line 386: Samoin lukemattomissa kissa ja hiiri-asetelmissa, missä hiiri on neuvokas sankari joka voittaa tyhmänovelan kissan sen omassa leipälajissa. Tipi ja Sylvesteri, meep meep aavikkojuoxija ja Kelju K. Kojootti. Härkä mörkö tiikeri, ne on kaikki pahoja ja vahvoja. Härkä ei kuitenkaan ole peto. Lohikäärmeet on, ja käärmekin, vaikka se on pikemminkin nörtti kuin action figuuri. Voittaa kieroudella kuin kirppu eikä haballa kuin härkä. Jatkuvien pelien teoriassa härkä ja kirppu oli tärkeitä pelaajatyyppejä. Wallun tennishahmoja.
   ellauri098.html on line 413: Uskonnoliset figuurit ja sosiaaliaktivistit
   ellauri098.html on line 447: INTP (introverted inntuitive thinking perceiving) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test. INTPs are a relatively rare type, making up about 4% of the population. INTPs are creatures of logic. Calm, controlled, and studious, INTPs are driven by the search for reason. For INTPs, the principles behind anything can be figured out given enough time. In fact, INTPs often get caught up on thinking for its own sake; the stereotypical figure of the “absent-minded scientist” is based on INTP behavior.
   ellauri098.html on line 737: The Manual has lots of very useful material, but it costs close to $100 (gasp!). Here are the latest figures based on a random sample using the Form M. 16,000 people were contacted. The forms of 3,009 people u with "best fit" as determined by the client, the results of this survey were not shown to the individuals to see if they indeed did fit. Nevertheless, the survey does give us a good cross section of results to work from. The sample is corrected for the demographics of the USA. (Did some Es not hand in their form because they were talking too much. Did some of the Is get so caught up in their inner world? Did the Ss get so obsessed with details they didn´t hand it in? Did the Ns get so caught up in the big picture? Did the Ts figure it was too airy-fairy people stuff? Did the Fs focus so much on how they felt that they didn't get theirs off? Maybe the Js didn't like the way it was organized? The Ps just may not have found the right moment to get down to doing the inventory.)
   ellauri098.html on line 749: <figcaption>Catherine Cook Briggs on lähinnä sen yhden Monty Pythonin kaverin näkönen joka esitti ex-leperiä. Ihanko totta tää heppuli kexi 10-kantaisen logaritmitaulukon? Aika jehu, ei mikään turha iisebel.figcaption>
   ellauri099.html on line 5: figcaption {
   ellauri099.html on line 39: <figure>
   ellauri099.html on line 41: <figcaption>The world's oldest written melody -ON A BANJO! (mus. alkaa 3 min. kohalla)figcaption>
   ellauri099.html on line 42: figure>
   ellauri099.html on line 59: Deciding that only full confession will absolve him of wrongdoing, Dorian decides to destroy the last vestige of his conscience and the only piece of evidence remaining of his crimes; the picture. In a rage, he takes the knife with which he murdered Basil Hallward and stabs the picture. The servants of the house awaken on hearing a cry from the locked room; on the street, a passerby who also heard the cry calls the police. On entering the locked room, the servants find an unknown old man stabbed in the heart, his figure withered and decrepit. The servants identify the disfigured corpse by the rings on its fingers, which belonged to Dorian Gray. Beside him, the portrait is now restored to its former appearance of beauty.
   ellauri099.html on line 170: Although the splendidly unreliable Diogenes Laertius says that Plato possessed no property other than what is mentioned in his will, he received a large sum of money from Dionysius I. Plato had a significant fund of money at his disposal (the exorbitant figure of 80 talents is mentioned). Indeed, Plato is also said to have had a banker called Andromedes. In other words, Plato was rich and had wealthy patrons and very probably wealthy students.
   ellauri099.html on line 174: And behind his extraordinary inventiveness, Plato performs a characteristic disappearing trick. Truth to tell, we know very little about Plato. According to Plutarch, he was a lover of figs. Big deal! Plato is mentioned only a couple of times in the many dialogues that bear his name. He was present at Socrates’ trial but — in a beautifully reflexive moment that he describes in the Phaedo — absent from the moment of Socrates’ death, because he was sick.
   ellauri099.html on line 194: <figure>
   ellauri099.html on line 196: <figcaption>Speusippos keskiaikaisessa valokuvassafigcaption>
   ellauri099.html on line 197: figure>
   ellauri099.html on line 209: Expressing ancient money values in modern terms presents a perennial puzzle for historians of economics, so I called on my colleague, the economist Duncan Foley, for help. He very roughly calculated that the annual gross domestic product of classical Athens was about 4,400 talents. If that is right, then 800 talents is a vast figure, 32 times the expenditure on the Academy. Foley is somewhat skeptical of the figure, though. Ancient sources for numerical data (like the size of armies) are notoriously inaccurate, so perhaps a excited copyist simply added a zero.
   ellauri099.html on line 224: <figcaption>Persepoliiseja liikkeellä!figcaption>
   ellauri100.html on line 5: figcaption {
   ellauri100.html on line 31: <figcaption>Kyllä minä mieleni pahoitin.figcaption>
   ellauri100.html on line 149: <figcaption>Examples of physical properties. Left: the three body types of ectomorph, mesomorpf, and endomorph (Sheldon, Stevens, & Tucker, 1940). Upper right: three different outfits transforming the experience of one and the same character as to age, personality, social position, education, etc. Lower right: variations of the same character by means of outfit, hair cut, hair colour, and use of lipstick and glasses, dramatically changing the experience of the character and characteristics attributed. (The six characters to the right were put together by means of the SitePal Demo Tool, www.sitepal.com.)
   ellauri100.html on line 150: figcaption>
   ellauri100.html on line 236: Apologies, but YourMorals.org is not available for use by people in the European Union until we figure out how to comply with GDPR guidelines. But you can read Politics and Prosperity.com instead! Now there is a straight-backed American if there ever was one! (Was there?)
   ellauri100.html on line 256: Marriage (and family): Met my first love at the think-tank and married her 56 years later. Our happy union was blessed by two grown children — whose sad lives invalidate the (sometimes tough) support we gave them — and twelve fighting, shoving, and enraging grandchildren. 17-vuotiaat rakastuivat ensi silmäyxellä. Nyt Aune ei enää muista kuka Paavo on.
   ellauri100.html on line 271: <figcaption>Memoir: See “You Can’t Go Home Again“figcaption>
   ellauri100.html on line 317: At about the same time, my eyes were opened fully to the essential incompetence of government by LBJ’s inept handling of the war in Vietnam. (Gradualism, phooey — either fight to win or get out.)
   ellauri100.html on line 368: Why did fat Dana Scott fall out with Alfred Tarski? Why did he leave for Princeton and Alonso Church? Was it a gay fight over Richard Montague? They were not mad at one another, they had problems.
   ellauri100.html on line 871: You cannot think what figs
   ellauri100.html on line 1072: Pomegranates, figs.”—
   ellauri100.html on line 1307: <figure>
   ellauri100.html on line 1309: <figcaption>Greimaxen virhepainamafigcaption>
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   ellauri100.html on line 1340: <figure>
   ellauri100.html on line 1342: <figcaption>Rolan Barthesin loppumerkkifigcaption>
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   ellauri101.html on line 5: figcaption {
   ellauri101.html on line 120: <figcaption>Thomas Erikson näyttääkin psykopaatilta idiootilta huijarilta.figcaption>
   ellauri101.html on line 142: <figure>
   ellauri101.html on line 144: figure>
   ellauri101.html on line 684: <figure>
   ellauri101.html on line 690: <figcaption>Koronapeikkoja ja ex-peikkojafigcaption>
   ellauri101.html on line 691: figure>
   ellauri102.html on line 5: figcaption {
   ellauri102.html on line 33: <figcaption>Seija ja Lauri koronatukat päässä ennen parturilla käyntiä.figcaption>
   ellauri102.html on line 202: <figure>
   ellauri102.html on line 212: <figcaption>
   ellauri102.html on line 214: figcaption>
   ellauri102.html on line 215: figure>
   ellauri102.html on line 324: <figure>
   ellauri102.html on line 328: <figcaption>Todella ilkeännäköisiä koukkunokkia.figcaption>
   ellauri102.html on line 329: figure>
   ellauri102.html on line 380: <figcaption>Microsoftin pääjohtaja saa kermapiirakasta päähän. Naiminko kermapiirakasta? 😃 Ei se oli jonkun muun.figcaption>
   ellauri102.html on line 455: <figcaption>Kompakysymys: mikä näistä antimainoxista ei ole antimainos, vaan "controversial ad"??figcaption>
   ellauri102.html on line 666: Köyhälistökorttelien lapset käytti veiziä saadaxeen Niken Polon Hilfigerin ja Gantin tuotteita. Hölmöäkin hölmömpää. Golfkerhoja jahteja ja julkkixia. Ne on kaikki totaalisen hanurista. Hölmöistä baseballin pelaajan lakeista tuli talismaani ja ase.
   ellauri102.html on line 675: Ms. has been reporting and truth-telling from the front lines of the fight for women’s equality for nearly 50 years. Join us and lend your support to our common cause.
   ellauri102.html on line 688: <figure>
   ellauri102.html on line 690: <figcaption>Roryn isoäiti ei halunnut olla mikään "Ms.", se oli sentään "Missus".figcaption>
   ellauri102.html on line 691: figure>
   ellauri105.html on line 6: figcaption {
   ellauri105.html on line 55: <figure>
   ellauri105.html on line 57: <figcaption>Juurikin näin.figcaption>
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   ellauri105.html on line 261: The Hebrew prophets frequently compared the sin of idolatry to the sin of adultery, in a reappearing rhetorical figure.[2]:317 Ezekiel's rhetoric directed against these two allegorical figures depicts them as lusting after Egyptian men in explicitly sexual terms in Ezekiel 23:20–21:[3]:18
   ellauri105.html on line 497: <figcaption>Mefodissa ja Mikko Könkkölässä on jotain samaa.figcaption>
   ellauri105.html on line 548: En piffig spatsergång med tvenne stavar
   
   ellauri106.html on line 5: figcaption {
   ellauri106.html on line 113: <figure>
   ellauri106.html on line 115: <figcaption>Thomas Browne vaimonsa Dorothyn kanssa.figcaption>
   ellauri106.html on line 116: figure>
   ellauri106.html on line 136: <figure>
   ellauri106.html on line 139: <figcaption>Phillun äiskä (tai sen lookalike), äiskän herutusbiisi.figcaption>
   ellauri106.html on line 140: figure>
   ellauri106.html on line 167: <figure>
   ellauri106.html on line 169: <figcaption>Philip Roth with his mother at the beach 1935figcaption>
   ellauri106.html on line 170: figure>
   ellauri106.html on line 246: <figure>
   ellauri106.html on line 248: <figcaption>An extremely rare photo of Margaret Martinsonfigcaption>
   ellauri106.html on line 249: figure>
   ellauri106.html on line 250: <figure>
   ellauri106.html on line 252: <figcaption>Actress Claire Bloom with her hubby Philipfigcaption>
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   ellauri106.html on line 351: That Dylan line was also the title of a position paper distributed at an SDS convention in Chicago on June 18, 1969. This founding document called for a "White fighting force" to be allied with the "Black Liberation Movement" and other radical movements to achieve "the destruction of U.S. imperialism and form a classless communist world".
   ellauri106.html on line 470: <figcaption>Phillu kalkkiviivoilla muistuttaa ankarasti hirmuliskoa. Jutkukolleegoja naurattaa. figcaption>
   ellauri106.html on line 628: “Roth’s misogyny infuses everything that he writes,” according to Meg Elison, a novelist recently described by the Times as “re-examining Roth”. This is typical of the all-or-nothing approach that is popular today, where if you don’t like everything about a public figure, then you can’t like anything. (Uskokaa tai älkää tää mielipide tulee naiselta. Se oli varmaan käynyt modernin kirjallisuuskritiikin koulua.)
   ellauri107.html on line 5: figcaption {
   ellauri107.html on line 31: <figcaption>Tähtäysviivat kuvaan lisännyt Kari Rydmanfigcaption>
   ellauri107.html on line 55: <figure>
   ellauri107.html on line 57: <figcaption>Lyle Van puhuu haudan takaafigcaption>
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   ellauri107.html on line 106: In 1963, Mailer wrote two regular columns: one on religion called "Responses and Reactions" for Commentary and one called "Big Bite" for Esquire. Mailer also divorced from his third wife Jeanne Campbell and met Beverly Bentley who would become his fourth wife. Bentley had known Hemingway in Spain and briefly dated Miles Davis in New York before she met Mailer. Bentley and Mailer took a long car trip, notably visited an army buddy "Fig" Gwaltney in Arkansas, viewed an autopsy of a cancer victim, watched the Sonny Liston and Floyd Patterson fight in Las Vegas, and spent time with the Beats in San Francisco. While in San Francisco, Mailer "walked narrow ledges, testing his nerve and balance".
   ellauri107.html on line 114: Rojack vomits over the balcony at a party and considers suicide. Rojack has sex with Ruta in her room. Later Rojack sees Cherry again. He is drawn to her. She and Rojack flirt and kiss. They have sex, and after emptying the load Rojack realizes he has fallen in love with her. Rojack goes back to Cherry and they make love. Cherry tells her life story viz her finally having a vaginal orgasm with Rojack. Rojack and nigger Shago fight. He returns to Cherry's only to find out from Roberts she has been killed. No more vaginal orgasms from her. Rojack travels to Las Vegas where he wins big at the tables, paying off all his debts. He imagines speaking with Cherry in Heaven before he heads south to Guatemala and the Yucatán. Y asi finaliza esta historia.
   ellauri107.html on line 470: “A good labor union is of value because it keeps out radical unions, which would destroy property. No one ought to be forced to belong to a union, however. All labor agitators who try to force men to join a union should be hanged. In fact, just between ourselves, there oughtn't to be any unions allowed at all; and as it's the best way of fighting the unions, every business man ought to belong to an employers'-association and to the Chamber of Commerce. In union there is strength. So any selfish hog who doesn't join the Chamber of Commerce ought to be forced to.”
   ellauri107.html on line 484: Finkelstein asserted that five dollars was not too great a sum, not for a really high-class lighter which was suitably nickeled and provided with connections of the very best quality. “I always say—and believe me, I base it on a pretty fairly extensive mercantile experience—the best is the cheapest in the long run. Of course if a fellow wants to be a Jew about it, he can get cheap junk, but in the long RUN, the cheapest thing is—the best you can get! Now you take here just th' other day: I got a new top for my old boat and some upholstery, and I paid out a hundred and twenty-six fifty, and of course a lot of fellows would say that was too much—Lord, if the Old Folks—they live in one of these hick towns up-state and they simply can't get onto the way a city fellow's mind works, and then, of course, they're Jews, and they'd lie right down and die if they knew Sid had anted up a hundred and twenty-six bones. But I don't figure I was stuck, George, not a bit. Machine looks brand new now—not that it's so darned old, of course; had it less 'n three years, but I give it hard service; never drive less 'n a hundred miles on Sunday and, uh—Oh, I don't really think you got stuck, George. In the LONG run, the best is, you might say, it's unquestionably the cheapest.”
   ellauri107.html on line 507: Put your John Hancock on that line! To sign one's name on a document or other item. John Hancock, an influential figure in the American Revolution, is known for his especially large and legible signature on the Declaration of Independence. As soon as you put your John Hancock on these papers, you'll be the proud owner of a brand new car!
   ellauri108.html on line 5: figcaption {
   ellauri108.html on line 54: <figcaption>The Pledge of Allegiance
   ellauri108.html on line 56: figcaption>
   ellauri108.html on line 94: Jesus is an important figure in Rastafari. However, practitioners reject the traditional Christian view of Jesus, particularly the depiction of him as a white European, believing that this is a perversion of the truth. They believe that Jesus was a black African, and that the white Jesus was a false god. Many Rastas regard Christianity as the creation of the white man; they treat it with suspicion out of the view that the oppressors (white Europeans) and the oppressed (black Africans) cannot share the same God. Many Rastas take the view that the God worshipped by most white Christians is actually the Devil, and a recurring claim among Rastas is that the Pope is Satan or the Antichrist. Rastas therefore often view Christian preachers as deceivers and regard Christianity as being guilty of furthering the oppression of the African diaspora, frequently referring to it as having perpetrated "mental enslavement".
   ellauri108.html on line 98: From its origins, Rastafari was intrinsically linked with Haile Selassie, the Emperor of Ethiopia from 1930 to 1974. He remains the central figure in Rastafari ideology, and although all Rastas hold him in esteem, precise interpretations of his identity differ. Understandings of how Haile Selassie relates to Jesus vary among Rastas. Many, although not all, believe that the Ethiopian monarch was the Second Coming of Jesus, legitimising this by reference to their interpretation of the nineteenth chapter of the Book of Revelation. By viewing Haile Selassie as Jesus, these Rastas also regard him as the messiah prophesied in the Old Testament, the manifestation of God in human form, and "the living God". Some perceive him as part of a Trinity, alongside God as Creator and the Holy Spirit, the latter referred to as "the Breath within the temple". Rastas who view Haile Selassie as Jesus argue that both were descendants from the royal line of the Biblical king David, while Rastas also emphasise the fact that the Makonnen dynasty, of which Haile Selassie was a member, claimed descent from the Biblical figures Solomon and the Queen of Sheba.
   ellauri108.html on line 143: Rastas refer to their cultural and religious practices as "livity". Rastafari does not place emphasis on hierarchical structures. It has no professional priesthood, with Rastas believing that there is no need for a priest to act as mediator between the worshipper and divinity. It nevertheless has "elders", an honorific title bestowed upon those with a good reputation among the community. Although respected figures, they do not necessarily have administrative functions or responsibilities. When they do oversee ritual meetings, they are often responsible for helping to interpret current events in terms of Biblical scripture. Elders often communicate with each other through a network to plan movement events and form strategies.
   ellauri108.html on line 187: Rastas use their physical appearance as a means of visually demarcating themselves from non-Rastas like the whites. Male practitioners will often grow long beards, and many Rastas prefer to wear African styles of clothing, such as dashikis, rather than styles that originated in Western countries. However, it is the formation of hair into dreadlocks that is one of the most recognisable Rasta symbols. Rastas believe that dreadlocks are promoted in the Bible, specifically in the Book of Numbers, and regard them as a symbol of strength linked to the hair of the Biblical figure of Samson. They argue that their dreadlocks mark a covenant that they have made with Jah, and reflect their commitment to the idea of 'naturalness'. They also perceive the wearing of dreads as a symbolic rejection of Babylon and a refusal to conform to its norms regarding grooming aesthetics. Rastas are often critical of black people who straighten their hair, believing that it is an attempt to imitate white European hair and thus reflects alienation from a person's African identity. Sometimes this dreadlocked hair is then shaped and styled, often inspired by a lion's mane symbolising Haile Selassie, who is regarded as "the Conquering Lion of Judah".
   ellauri108.html on line 205: Howell has been described as the "leading figure" in the early Rastafari movement. He preached that black Africans were superior to white Europeans and that Afro-Jamaicans should owe their allegiance to Haile Selassie rather than to George V, King of Great Britain and Ireland. The island's British authorities arrested him and charged him with sedition in 1934, resulting in his two-year imprisonment. Following his release, Howell established the Ethiopian Salvation Society and in 1939 established a Rasta community, known as Pinnacle, in Saint Catherine Parish. Police feared that Howell was training his followers for an armed rebellion and were angered that it was producing cannabis for sale. They raided the community on several occasions and Howell was imprisoned for a further two years. Upon his release he returned to Pinnacle, but the police continued with their raids and shut down the community in 1954; Howell himself was committed to a mental hospital.
   ellauri108.html on line 209: <figure>
   ellauri108.html on line 211: <figcaption>Emperor Haile Selassie looking a little haunted in Addis Abeba after he got back to Ethiopiafigcaption>
   ellauri108.html on line 212: figure>
   ellauri108.html on line 299: As a survivor of genocide in Zimbabwe who went on to build a career as a human rights activist and lawyer on three continents, Moyo was seen not only as an impeccable hire to carry on the museum’s vision but also as a bearer of racial progress for the Jewish community as many of its institutions attempt to increase their diversity. She pledged to use her position to fight racism, especially in the wake of last year’s Black Lives Matter protests.
   ellauri108.html on line 391: <figure>
   ellauri108.html on line 394: <figcaption>
   ellauri108.html on line 396: figcaption>
   ellauri108.html on line 397: figure>
   ellauri108.html on line 455: Rastas who view Haile Selassie as Jesus argue that both were descendants from the royal line of the Biblical king David, while Rastas also emphasise the fact that the Makonnen dynasty, of which Haile Selassie was a member, claimed descent from the Biblical figures Solomon and the Queen of Sheba.
   ellauri108.html on line 469: <figure>
   ellauri108.html on line 471: <figcaption>A map of Ethiopia, the "Zion" of the Rastasfigcaption>
   ellauri108.html on line 472: figure>
   ellauri109.html on line 5: figcaption {
   ellauri109.html on line 393: <figure>
   ellauri109.html on line 398: <figcaption>Söpöjä naisia pyöreäpäisiäfigcaption>
   ellauri109.html on line 399: figure>
   ellauri109.html on line 410: C’est en Égypte, durant le règne de Méhémet Ali Pacha, qu’une délégation française débarque en terre des pharaons dans l’intention de moderniser le pays du Nil. Parmi ses membres, y figurent Maxime Du Camp en tant que photographe, mais aussi Gustave Flaubert, qui n’a pas encore 30 ans et surtout qui n’est pas encore devenu un écrivain notoire. Sa mission au sein de la délégation reste peu claire. L’occasion pour Mohamed Taan, en prenant certaines libertés de romancier, de parler sans ambages de l’homosexualité de l’auteur de La tentation de saint Antoine…
   ellauri109.html on line 429: [...] Pauvre cher bougre, j’ai bien envie de t’embrasser. Je serai content quand je reverrai ta figure. [...] Adieu, je t’embrasse et suis plus que jamais "Maréchal de Richelieu, juste-au-corps bleu, Mousquetaire gris, régence et cardinal Dubois", sacrebleu !
   ellauri109.html on line 511: Many literary figures have dreaded the spectre of the biographer. Charles Dickens, Wilkie Collins, Walt Whitman, Henry James, and Sylvia Plath are but a few who put their letters and journals into the fire. Lea poltti päiväkirjansa kommunistien pelossa ja repi lottapuvun matonkuteixi. James admitted to his nephew and literary executor that his singular desire in old age was to “frustrate as utterly as possible the postmortem exploiter.”
   ellauri109.html on line 710: At around 8pm on 18 December 1679, Dryden was attacked in Rose Alley behind the Lamb & Flag pub, near his home in Covent Garden, by thugs hired by the Earl of Rochester, with whom he had a long-standing conflict. The pub was notorious for staging bare-knuckle prize fights, earning the nickname "The Bucket of Blood."
   ellauri110.html on line 5: figcaption {
   ellauri110.html on line 79: <figure>
   ellauri110.html on line 81: <figcaption>Vihaisuus ja väsymysfigcaption>
   ellauri110.html on line 82: figure>
   ellauri110.html on line 128: <figure>
   ellauri110.html on line 130: <figcaption>Houyhnhnms driving a herd of Yahoos into the Metropolitan Museum of Art.figcaption>
   ellauri110.html on line 131: figure>
   ellauri110.html on line 312: <figure style="width:20%;float:right;padding:5px">
   ellauri110.html on line 314: <figcaption>Leviatanin omakuvafigcaption>
   ellauri110.html on line 315: figure>
   ellauri110.html on line 339: <figure style="width:20%;float:right;padding:5px">
   ellauri110.html on line 341: <figcaption>Peter Pepys-Goodchild, who has been made an MBE, is related to Samuel Pepys and knew Margaret Thatcher, John Major and Morris Mini-Minor.figcaption>
   ellauri110.html on line 342: figure>
   ellauri110.html on line 884: <figure>
   ellauri110.html on line 887: <figcaption>Kuin 2 mustaviinimarjaafigcaption>
   ellauri110.html on line 888: figure>
   ellauri111.html on line 5: figcaption {
   ellauri111.html on line 31: <figcaption>Onx toi muka Fedja pienenä? Kuka toi naisoletettu on? Mikä playboy-juoma on sillä kädessä?figcaption>
   ellauri111.html on line 41: <figure>
   ellauri111.html on line 43: <figcaption>Dosto koitti piirtää Shakespearea. Ei tullut hääppönen.figcaption>
   ellauri111.html on line 44: figure>
   ellauri111.html on line 192: Geronimo (Mescalero-Chiricahua: Goyaałé Athabaskan pronunciation: [kòjàːɬɛ́] "the one who yawns, June 16, 1829 – February 17, 1909) was a prominent leader and medicine man from the Bedonkohe band of the Apache tribe. From 1850 to 1886, Geronimo joined with members of three other Chiricahua Apache bands—the Tchihende, the Tsokanende and the Nednhi—to carry out numerous raids, as well as fight against Mexican and U.S. military campaigns in the northern Mexico states of Chihuahua and Sonora and in the southwestern American territories of New Mexico and Arizona. Geronimo's raids and related combat actions were a part of the prolonged period of the Apache–United States conflict, which started with American settlement in Apache lands following the end of the war with Mexico in 1848.
   ellauri111.html on line 271: “Not ‘just’ like that. No. If you’d read my Diary” (not said reproachfully, but matter of factly) “you’d have read how I imagined the judge speaking to such a person. He makes it clear that it’s not a matter of going home and forgetting about it, going back to the way things were before. No. There has to be change. In my time, the father was the authority figure in the family, but, as I—or my imaginary judge—pointed out, even fathers sometimes need to be re-educated by their children until they learn to listen to their children’s needs. I know that families are very different in your time, but, yes, parents, whoever they are, must learn to be parents to their children. I disagree with much that the prosecutor said about the Karamazov family, but he was right on one point: parents can’t just be parents by virtue of procreation, they have to become parents. And when they abuse their position and their power, they cannot hide behind their rights as parents—they have to own up. The guilty have to know that they are guilty.”
   ellauri111.html on line 741: I have been in kundalini awkening for 10 years by a so called healer . I was very sick . So I went to a healer. Well she happened to be a shaman yogi I was only 24 years old I have been fighting for my life ever since the kundalini rose I can't even begin to tell you ...they say once you open your kundalini you can't shut It well I have not been able to shut mine... Yoga is a very sick religion and spiritually you feel dead you were right when you said nothing good comes from Yoga. Guru 's are extremly dangerous individuals. Let Christians know it could hurt your faith even just the excercise...
   ellauri112.html on line 5: figcaption {
   ellauri112.html on line 31: <figcaption>Siinä oli meitä kulttuurikoneita, siinä oli Hande, Erkon Jussi, Eno Kala, vitaali muotifilosofi Bergson ja Renan Ernest. Hämärinä taustaheppuina Hyntti, Alpi ja Tuntti. Juopporemmistä jää uupumaan Matti Viikari ja Erno Pee.figcaption>
   ellauri112.html on line 55: Alexander Bain (11 June 1818 – 18 September 1903) was a Scottish philosopher and educationalist in the British school of empiricism and a prominent and innovative figure in the fields of psychology, linguistics, logic, moral philosophy and education reform. He founded Mind, the first ever journal of psychology and analytical philosophy, and was the leading figure in establishing and applying the scientific method to psychology. Bain was the inaugural Regius Chair in Logic and Professor of Logic at the University of Aberdeen, where he also held Professorships in Moral Philosophy and English Literature and was twice elected Lord Rector of the University of Aberdeen.
   ellauri112.html on line 68: <figure>
   ellauri112.html on line 70: <figcaption>Wundt (istuallaan) ohjeistaa kolleegoja psykan labrassa, ensimmäisessä laatuaan.figcaption>
   ellauri112.html on line 71: figure>
   ellauri112.html on line 660: As a nation, we’re well-used to the stereotype of the Irish mammy. Generally speaking though, the mother as a comical, level-headed supporting character is not unique to us, Jews and Italians have them too, and Latinos, I bet. Sometimes she’s the self-sacrificing figure who will do anything for her children, sometimes she’s neurotic and controlling, suppressing the growth and social development of her kids, who are typically the leads. Rarely has she ever taken front-of-stage.
   ellauri112.html on line 808: <figure>
   ellauri112.html on line 810: <figcaption>Dr. Welch in his sweet beardfigcaption>
   ellauri112.html on line 811: figure>
   ellauri112.html on line 831: <figure>
   ellauri112.html on line 833: <figcaption>Brad Whittington in his sweet toothy smilefigcaption>
   ellauri112.html on line 834: figure>
   ellauri112.html on line 848: <figure>
   ellauri112.html on line 850: <figcaption>Moderate drinking and womanizing is a moderate sinfigcaption>
   ellauri112.html on line 851: figure>
   ellauri112.html on line 867: <figure>
   ellauri112.html on line 869: <figcaption>Bishop Wayne T. Jackson from Detroit womanizing moderately. He wanted to hear out Donald Trump on diet coke.figcaption>
   ellauri112.html on line 870: figure>
   ellauri115.html on line 5: figcaption {
   ellauri115.html on line 31: <figcaption>Nuoren Jean-Jacquesin polvihousut ahistaa. Pian se jo pääsee melomaan. Annapa se pussikeppi tänne niin mä näytän miten me katoliset pyllistellään.figcaption>
   ellauri115.html on line 93: <figure>
   ellauri115.html on line 95: <figcaption>Litomaanfigcaption>
   ellauri115.html on line 96: figure>
   ellauri115.html on line 174: Therese war Rousseau bemerkenswert ergeben, wenn man seine schwierige Natur und sein herzloses Verhalten gegenüber den fünf gemeinsamen ausserehelich geborenen Kindern betrachtet. Trotz der Proteste seiner Frau (nicht aber Ehefrau) bestand Rousseau darauf, dass die Kinder jeweils nach der Geburt einem Findelhaus übergeben wurden. Seine Begründungen waren philosophisch - zum Beispiel sei das der einzige Weg, "ihre Ehre zu retten", da sie nicht verheiratet waren. Er nannte Therese "Tante" und "Herrin", nicht aber "Königin", doch ging seine Unterwürfigkeit nie so weit, dass er sie um Prügel bat, und er klagte dass sie im Bett kalt war. Kreivitär Houdetotin perään J-J läähätti niin kovasti, että sai elinikäisen nivuskohjun jatkuvasta stondista. Sophie Houdetot oli schrecklich moralische Julien esikuva kirjassa Uusi Heloise.
   ellauri115.html on line 296: One of the most important figures of the Renaissance was Michel de Montaigne. The writer not only gets the credit for popularizing the essay, but for being the father of Modern Skepticism, coining the phrase "What do I know?". Well, what do you know!
   ellauri115.html on line 310: <figcaption>Keltakitkerö, jänönputki, vata, Vatasiafigcaption>
   ellauri115.html on line 420: Among Rousseau's numerous charges were Hume's misreading of a key letter from Rousseau about a royal pension. That error embroiled King George III. The king was just one of the many prominent figures to be sucked into the quarrel: others included Diderot, D'Holbach, Smith, James Boswell, D'Alembert and Grimm. Walpole became a key player. Voltaire piled in too, unable to resist the chance to strike at Rousseau.
   ellauri115.html on line 669: <figure>
   ellauri115.html on line 672: <figcaption>Kaxi samanhenkistä tuomenmarjaa rintakuvissafigcaption>
   ellauri115.html on line 673: figure>
   ellauri115.html on line 985: <figure style="float:right;width:10%">
   ellauri115.html on line 987: <figcaption>Caput mortuumfigcaption>
   ellauri115.html on line 988: figure>
   ellauri115.html on line 1218: <figcaption>Metatron koittaa Abrahamin pulssia sen lähtiessä viipaloimaan Iisakkia. Ihan normaali. Iisakin vaipat kyllä meni varmaan vaihtoon. Rembrandt 1635figcaption>
   ellauri117.html on line 5: figcaption {
   ellauri117.html on line 31: <figcaption>Termiittiapina on maailman vaarallisin eläin.figcaption>
   ellauri117.html on line 138: <figcaption>Jättetöntig historia: blabla min syster, blabla min kusin, blabla trollkarl.figcaption>
   ellauri117.html on line 157: Herrmann Kafka erscheint in den Schriften seines Sohnes als gefühlloses Ungeheuer. Die Art und Weise, in der der Vater seinem Sohn sexuelle Aufklärung zuteil werden ließ, bestätigt zweifellos diese Ansicht. Franz war von seinen heranwachsenden Schulfreunden wegen seiner offensichtlichen Ahnungslosigkeit in sexuellen Fragen geneckt worden. Daher begann er, sich mit Hilfe von Büchern die biologischen Grundlagen der Sexualität anzueignen, und versuchte dann, seinen Vater ganz beiläufig über die
   ellauri117.html on line 251: So they wrestled swiftly, rapturously, intent and mindless at last, two essential white figures working into a tighter closer oneness of struggle, with a strange, octopus-like knotting and flashing of limbs in the subdued light of the room; a tense white knot of flesh gripped in silence between the walls of old brown books. Now and again came a sharp gasp of breath, or a sound like a sigh, then the rapid thudding of movement on the thickly-carpeted floor, then the strange sound of flesh escaping under flesh. Often, in the white interlaced knot of violent living being that swayed silently, there was no head to be seen, only the swift, tight limbs, the solid white backs, the physical junction of two bodies clinched into oneness. Then would appear the gleaming, ruffled head of Gerald, as the struggle changed, then for a moment the dun-coloured, shadow- like head of the other man would lift up from the conflict, the eyes wide and dreadful and sightless.
   ellauri117.html on line 338: Birkin laughed. He was looking at the handsome figure of the other man, blond and comely in the rich robe, and he was half thinking of the difference between it and himself -- so different; as far, perhaps, apart as man from woman, yet in another direction. But really it was Ursula, it was the woman who was gaining ascendance over Birkin´s being, at this moment. Gerald was becoming limp again, lapsing out of him.
   ellauri117.html on line 546: <figcaption>Pitta, kapha ja vata sekä niiden inkkarilainen meriselitysfigcaption>
   ellauri117.html on line 549: <figcaption>Adrenal, Ovary, Thyroid and Liver tyypit läskiponzoinafigcaption>
   ellauri117.html on line 620: Locke's theory of mind is often cited as the origin of modern conceptions of identity and the self, figuring prominently in the work of later philosophers such as Jean-Jacques Rousseau, David Hume, and Immanuel Kant. Lipilaari kusipäitä koko konkkaronkka. Locke was the first to define the self through a continuity of consciousness. He postulated that, at birth, the mind was a blank slate, or tabula rasa. Contrary to Cartesian philosophy based on pre-existing concepts, he maintained that we are born without innate ideas, and that knowledge is instead determined only by experience derived from sense perception. Eli tääkin vielä.
   ellauri117.html on line 625: <figcaption>Locke totesi että unissa ei tunnu maxapala eikä kipu. Sixi varmaan
   Michelangelon unta näkevällä jäbällä on aivan mitättömän pieni pipu. figcaption>
   ellauri117.html on line 644: No ei tästä kyllä tule juuri hullua hurskaammaxi, puolet sanastosta on liiketoimisanoja, puolet jotain narsistista tiimimotivaatiopuhetta ja in effigie omakehua. Oisko tässä kuiteskin vähän sitä predestinaatio-oppia, minkä Hipon Aku kekkasi just Patulta ja mistä Lassi eli Calvin kuumeni ja mistä se riiteli leväperäisemmän ansaintalogiikka-Arminiuxen kaa. Sillä esivalintaopilla oli joku hassumpi nimi, mikäs se oli? Hulluhan se Peeveli tod.näk. oli, tai sitten huippuovela, kalansilmä Hararin heimoveljiä.
   ellauri118.html on line 5: figcaption {
   ellauri118.html on line 35: <figure>
   ellauri118.html on line 37: <figcaption>Päivät lyhenee jouluun. Muistan jäätelökesää kuin Wagner sika. figcaption>
   ellauri118.html on line 38: figure>
   ellauri118.html on line 442: Jakobsonin miälestä Majakovski oli posetiivari, Pasternak taas pessimisti, ja tää näkyy Romanin mukaan siitä että Pasternakilla on paljon metonymiaa. Kirjoittiko Palsternakka runojakin? Juu, vaikka niiden suosio on laskenut kuin lehmän häntä (fig .1).
   ellauri118.html on line 452: Pasternak opiskeli filosofiaa Marburgin yliopistossa Saksassa Hermann Cohenin oppilaana, mutta kieltäytyi hänelle tarjotusta filosofian tutkijan urasta [lähde?]. Hän palasi Moskovaan vuonna 1914 ja julkaisi ensimmäisen runokokoelmansa tuona vuonna. Ensimmäisen maailmansodan aikana hän opetti ja työskenteli Uralilla sijainneessa kemiantehtaassa, mistä hän epäilemättä nyysi Tohtori Živagoon materiaalia [lähde?]. Vuoden 1917 Venäjän vallankumouksen jälkeen Pasternakin maine runoilijana kasvoi. Vuoden 1990 Venäjän hajoamisen jälkeen se romahti [fig. 1].
   ellauri118.html on line 528: Metalepsis (from Greek: μετάληψις, lat. transsumption) is a figure of speech in which a metaphor is used as a metonym. Metalambanein on ottaa messiin. Examples:
   ellauri118.html on line 558: Ensimmäinen style indirect librestä ranskan kielessä kirjoittanut tutkija Charles Bally nimittääkin ”style indirect librea” kaunokirjalliseksi ajattelun figuuriksi (ei ”puheen esittämiseksi”), ”figure de pensée” (Bally 1914, 407). Ei ole enää kyse kieliopillisesta muodosta, vaan kirjallisesta ajattelun kuviosta. Kuvion ymmärrän tapana saadaan aikaan ja ilmaista jokin esitys, joka ei noudata objektiivista todellisuutta eikä kielitieteellistä
   ellauri118.html on line 956: "She was so astonishing in her audition," Miller said. "She made me feel sorry for Serena Joy, which is seemingly an impossible task. I felt bad for her. She was so wonderful and terrifying. And she's quite tall, so that works really well with Lizzie who is more small. Serena Joy wears heels and Lizzie doesn't. To have this towering viking standing over her ... she's physically intimidating." Yvonne is a whip-strong woman. Lizzie [Elizabeth Moss] is also quite strong but on the pudgy side. The two of them together, you feel like, 'I'd love to see them go toe-to-toe in a cage match.'" A mud fight with nothing on, now that would be the thing. Maybe in the next season, stay tuned.
   ellauri118.html on line 1169: "Hännystelijän kokemuxia" suomennoxessa ei tule alkuperäisestä, vaan on suomentajan lame yritys tavoittaa "Handmade Tail" sanaleikkiä. Maininta Chaucerista (Canterbury Tails) samassa yhteydessä got lost in translation. (Taputuxia.) Käsineiti-sarja on sopivan kauhistuttava ja tehokas keino, jolla naispuolinen asujaimisto saa puhalletuxi liiat höyryt ulos izestään. Näille muissa suhteissa tiukassa kurissa pidetyille orjattarille on varmaan erittäin mieluista aina silloin tällöin repiä mies paljain käsin kappaleixi, edes in effigie. Sarjassa on Gileadin patriarkaalisesta järjestyxestä huolimatta myös paljon matriarkaalisia ainexia. Lapset vaan puuttuvat, vaikka niistä on paljon puhetta, mikä kertoo kohdeyleisöstä paljonkin. Siitä puhe mistä puute.
   ellauri119.html on line 5: figcaption {
   ellauri119.html on line 137: In season two's "Hot off the Griddle," Catwoman captures Batman and Robin in a room where the floor is red hot. They hop up and down while trying to figure out a plan and Robin shouts out "holy bunions!" Just the sight of the two of them hopping up and down while Robin is shouting out nonsense is delightful.
   ellauri119.html on line 160: In the season one episode "True or False Face," when Batman and Robin figure out that False Face's next robbery target is the Ladd Armored Car Company, Robin shouts out "holy bouncy boilerplate!" Yes, you are correct. That does, indeed, not make any sense.
   ellauri119.html on line 164: Now we reach the point in the countdown where Robin references obscure figures from history! Here, while playing chess with Batman in their secret identities of Dick Grayson and Bruce Wayne, Dick remarks "holy Reshevsky!" This is a reference to the great Polish-born American chess grandmaster of the early 20th century Samuel Reshevsky.
   ellauri119.html on line 363: <figure>
   ellauri119.html on line 365: <figcaption>Fig. 1. Vaginal intercourse in the missionary position for sexual pleasure.figcaption>
   ellauri119.html on line 366: figure>
   ellauri119.html on line 597: <figcaption>Paperiton ryssämatu ex-communist ex-jutku jauhaa paskaafigcaption>
   ellauri119.html on line 756: <figcaption>Fluffyhaired talk host sounds dumber yet than decrepit Alisa. But it is a close contest.figcaption>
   ellauri119.html on line 773: <figcaption>In her last speech, Ayn Rand denounced Ronald Reaganfigcaption>
   ellauri131.html on line 5: figcaption {
   ellauri131.html on line 242: <figure>
   ellauri131.html on line 244: <figcaption>Pahoja pystyapinoita sodan ajaltafigcaption>
   ellauri131.html on line 245: figure>
   ellauri131.html on line 270: <figure>
   ellauri131.html on line 272: <figcaption>Eiku tää onkin Simo Knuuttilan tytär Nonna ekasta avioliitosta.figcaption>
   ellauri131.html on line 273: figure>
   ellauri131.html on line 278: <figure>
   ellauri131.html on line 282: <figcaption>Hajaantukaa ei täällä ole mitään nähtävää. Se on vaan pro life Canafield vanhana.figcaption>
   ellauri131.html on line 283: figure>
   ellauri131.html on line 644: Tony Robbins is giant man who's had an equally huge impression on the millions of people he's helped over the years. His empire includes books, motivational seminars, and the ownership of multiple companies "which combined take in $5 billion annually," according to Vulture, but this self-help guru's reputation has come under fire — literally and figuratively.
   ellauri131.html on line 770: <figure style="width:40%;float:right;padding:1em">
   ellauri131.html on line 772: <figcaption style="width:100%">Hibiskusenkeli kiskoo aamuhämärissä partapozoa persevaijerilla helvettiin ja kusee samalla sen naamalle.figcaption>
   ellauri131.html on line 773: figure>
   ellauri131.html on line 892: <figcaption>Isi!figcaption>
   ellauri132.html on line 5: figcaption {
   ellauri132.html on line 123: <figure>
   ellauri132.html on line 126: <figcaption>Töllö näyttää tosi paljon ET:ltä.figcaption>
   ellauri132.html on line 127: figure>
   ellauri132.html on line 494: he was fighting back tears hän taisteli takas kyyneliä
   ellauri132.html on line 628: <figcaption>Margie @woodin kynäilykehote ize teossafigcaption>
   ellauri132.html on line 745: 10 hahmoa. Nää vois olla hahmoja joita sä oot jo pompittanut aiemmmin, sun näkemiä tyyppejå joille et oo koskaan puhunu, tai vaikka historiallisia figuureja jotka "kiehtoo" sua.
   ellauri132.html on line 853: <figcaption style="padding-top:2em;clear:both">Infotaulu skeneistä. Tästä näkyy et jenkeille kynäily on kirjaimilla filmausta. Pelkkää filmikässäreiden tekoa.figcaption>
   ellauri132.html on line 1009: <figcaption>Freytagin Sexin ammattilainen-runon juonenkuljetus. Freytagin kliimax oli kiimaiselle lukijalle vähän antikliimax.figcaption>
   ellauri133.html on line 5: figcaption {
   ellauri133.html on line 52: <figure>
   ellauri133.html on line 55: <figcaption>Grinch näyttää Tepoltafigcaption>
   ellauri133.html on line 56: figure>
   ellauri133.html on line 559: <figure>
   ellauri133.html on line 562: <figcaption>Tabitha King, kupera ja kovera versiofigcaption>
   ellauri133.html on line 563: figure>
   ellauri133.html on line 802: <figcaption>Paremman puutteessa lettipäisiä pikkukoululaisia. Maistuis varmaan Tepollekin.figcaption>
   ellauri133.html on line 807: <figcaption>Jokilaivan kapteeni artisti Lavrovin maalaamana. Se on kuin mom&son videon nukkuva muumimamma.figcaption>
   ellauri133.html on line 811: <figcaption>Tässä kuvassa on vahva homoeroottinen viritys. Miten ihanaa kaikki onkaan! Tai oli.figcaption>
   ellauri133.html on line 830: <figcaption>Äännä Teemu Kurkela englannixifigcaption>
   ellauri135.html on line 5: figcaption {
   ellauri135.html on line 31: <figcaption>Paremman puutteessa lettipäisiä pikkukoululaisia. Maistuis varmaan Tepollekin.figcaption>
   ellauri135.html on line 70: <figcaption>Jokilaivan kapteeni artisti Lavrovin maalaamana. Se on kuin mom&son videon nukkuva muumimamma.figcaption>
   ellauri135.html on line 110: <figcaption>Tässä kuvassakin on vahva homoeroottinen viritys. Miten ihanaa kaikki onkaan! Tai oli.figcaption>
   ellauri135.html on line 135: <figcaption>Ja kauniin Jelizavetan vokaalimusiikki kirjailijoiden talossa.figcaption>
   ellauri135.html on line 200: <figcaption>Nikke, Maurice ja Fjodorin veljenpojat. Friedrich Georg Magnus von Berg valis maaelu. Erik lammas päässä.figcaption>
   ellauri135.html on line 433: <figcaption>Näitä kyläkarhiaisia kasvoi katkonhajuisessa Iljitshin syvänteessä miehenkorkuisina.figcaption>
   ellauri135.html on line 585: <figcaption>Richterin peli. Britten struck Rikhter as 'extremely modest'. Brittenin sormi on puoliveteessä.figcaption>
   ellauri135.html on line 882: <figcaption>Suuren suuri rakkaus ilman luomiafigcaption>
   ellauri135.html on line 906: <figcaption>Lermontov on Kummelien Heikki Silvennoisen näköinenfigcaption>
   ellauri140.html on line 5: figcaption {
   ellauri140.html on line 52: Book I is centered on the virtue of Holiness as embodied in the Redcrosse Knight. Largely self-contained, Book I can be understood to be its own miniature epic. The Redcrosse Knight and his lady Una travel together as he fights the monster Errour, then separately after the wizard Archipelago tricks the Redcrosse Knight into thinking that Una is unchaste using a false dream. After he leaves, the Redcrosse Knight meets Duessa, who feigns distress in order to entrap him. Duessa leads the Redcrosse Knight to captivity by the giant Orgigolo. Meanwhile, Una overcomes peril, meets Arthur, and finally finds the Redcrosse Knight and rescues him from his capture, from Duessa, and from Despair. Una and Arthur help the Redcrosse Knight recover in the House of Holiness, with the House's ruler Caelia and her three daughters joining them; there the Redcrosse Knight sees a vision of his future. He then returns Una to her parents' castle and rescues them from a dragon, and the two are betrothed after resisting Archipelago one last time.
   ellauri140.html on line 54: Book II is centred on the virtue of Temperance as embodied in Sir Guyon, who is tempted by the fleeing Archipelago into nearly attacking the Redcrosse Knight. Guyon discovers a woman killing herself out of grief for having her lover tempted and bewitched by the witch Acrasia and killed. Guyon swears a vow to avenge them and protect their child. Guyon on his quest starts and stops fighting several evil, rash, or tricked knights and meets Arthur. Finally, they come to Acrasia's Island and the Bower of Bliss, where Guyon resists temptations to violence, idleness, and lust. Guyon captures Acrasia in a net, destroys the Bower, and rescues those imprisoned there.
   ellauri140.html on line 56: Book III is centred on the virtue of Chastity as embodied in Britomart, a lady knight. Resting after the events of Book II, Guyon and Arthur meet Britomart, who wins a joust with Guyon. They separate as Arthur and Guyon leave to rescue Florimell, while Britomart rescues the Redcrosse Knight. Britomart reveals to the Redcrosse Knight that she is pursuing Sir Artegall because she is destined to marry him. The Redcrosse Knight defends Artegall and they meet Merlin, who explains more carefully Britomart's destiny to found the English monarchy. Britomart leaves and fights Sir Marinell. Arthur looks for Florimell, joined later by Sir Satyrane and Britomart, and they witness and resist sexual temptation. Britomart separates them with a stick and meets Sir Scudamore, looking for his captured lady Amoret. Britomart alone is able to rescue Amoret from the wizard Busirane. Unfortunately, when they emerge from the castle Scudamore is gone. (The 1590 version with Books I–III depicts the lovers' happy reunion, but this was changed in the 1596 version which contained all sex books.)
   ellauri140.html on line 67: <figcaption>"Where more is meant than meets the ear." (Milton)figcaption>
   ellauri140.html on line 80: Artefact M+ (or Artegal or Arthegal or Arthegall), a knight who is the embodiment and champion of Justice. He meets Britomart after defeating her in a sword fight (she had been dressed as a knight) and removing her helmet, revealing her beauty. Artefact quickly falls in love with Britomart. Artefact has a companion in Talus, a metal man who wields a flail and never sleeps or tires but will mercilessly pursue and kill any number of villains. Talus obeys Artefact's command, and serves to represent justice without mercy (hence, Artefact is the more human face of justice). Later, Talus does not rescue Artefact from enslavement by the wicked slave-mistress Radigund, because Artefact is bound by a legal contract to serve her. Only her death, at Britomart's hands, liberates him. Chrysaor was the golden sword of Sir Artefact. This sword was also the favorite weapon of Demeter, the Greek goddess of the harvest. Because it was "Tempred with Adamant", it could cleave through anything.
   ellauri140.html on line 88: Brit-o-mart F+, a female knight, the embodiment and champion of Chastity. She is young and beautiful, and falls in love with Artefact upon first seeing his face in her father's magic mirror. Though there is no interaction between them, she travels to find him again, dressed as a knight and accompanied by her nurse, Glauce. Britomart carries an enchanted spear that allows her to defeat every knight she encounters, until she loses to a knight who turns out to be her beloved Artefact. (Parallel figure in Ariosto: Bradamante.) Britomart is one of the most important knights in the story. She searches the world, including a pilgrimage to the shrine of Isis, and a visit with Merlin the magician. She rescues Artefact, and several other knights, from the evil slave-mistress Radigund. Furthermore, Britomart accepts Amoret at a tournament, refusing the false Florimell.
   ellauri140.html on line 97: Gambrina F+, Gambrina, la reine des bières! daughter of Agape and sister to Priamond, Diamond, and Triamond. Cambina is depicted holding a caduceus and a cup of nepenthe, signifying her role as a figure of concord. She marries Cambell after bringing an end to his fight with Triamond.
   ellauri140.html on line 101: <figcaption>Herpexen kerykeion ja huurteinen nepenthekupponenfigcaption>
   ellauri140.html on line 195: <figcaption>Improve Expat Health with Marinell Cool Corean Water Dispenser. 4 Minutes left of water pause.figcaption>
   ellauri140.html on line 249: Dass weit von hier der Vollmond scheint Men who fight by night and day Miehet jotka taistelevat yötä päivää
   ellauri140.html on line 290: <figcaption>Deaths in Vietnam War (1965–1974) per Guenter Lewy.figcaption>
   ellauri140.html on line 293: <figcaption>Lesin aseveli Kenny.figcaption>
   ellauri140.html on line 540: His forces faile, ne can no lenger fight. Sen voimat pettivät, ei mätkiä se enää jaxanut.
   ellauri140.html on line 659: And well I wote, that of your later fight Kai sua väsyttää äskeinen toi ottelu,
   ellauri140.html on line 943: At last, dull wearinesse of former fight Lopulta väsähtäneenä päivän painieristä
   ellauri140.html on line 985: Without regard of armes and dreaded fight: Viis veisaisi aseista ja nahisteluista.
   ellauri141.html on line 5: figcaption {
   ellauri141.html on line 31: <figcaption>Mesenaatti mielirunoilijani Horatiuxen parissa. Maecenas/tis on etruskilainen sukunimi.figcaption>
   ellauri141.html on line 57: <figcaption>Muhkeat premissit!figcaption>
   ellauri141.html on line 79: <figcaption>Tää tönö (yllä) on jäljellä Mesenaatin puutarhakartanosta (ylempänä). Siellä oli jopa kylpypalju. Siitä Seneca jr oli sille kade. Siinäpä olisi ollut hyvä tehdä harakiri.figcaption>
   ellauri141.html on line 85: Maecenas : Dear soldiers! I have prepared us all drinks and space to rest after our long weary day of fighting...
   ellauri141.html on line 104: <figcaption>Juu nyhveröitä ovat.figcaption>
   ellauri141.html on line 262: esto beata, funus atque imagines May you be blessed with wealth! May effigies
   ellauri141.html on line 636: <figcaption>Hilda Huntuvuori esittää tervehdyksen Jyväskylän seminaarin 100-vuotisjuhlien tervetuliaisjuhlassa 8.6.1963.figcaption>
   ellauri141.html on line 727: <figcaption>Opetusneuvos Hilda Huntuvuori (oik.) ja elämäntoverinsa Saimi Hämäläinen Toijalassa. Kuva: Akaa-Seuran arkisto.figcaption>
   ellauri142.html on line 5: figcaption {
   ellauri142.html on line 34: <figcaption>karm na karane se, karm karana shreshth hai. Konservatiivinen henkilö näkee vaikeuksia vain kaikissa tilaisuuksissa, kun taas optimistinen henkilö näkee mahdollisuuksia kaikissa vaikeuksissa. Kapt. Kalpa on quite a dish, tuumaa kers. Ärjylä.figcaption>
   ellauri142.html on line 36: fig1"/>
   ellauri142.html on line 41: <figcaption>Fig. 1figcaption>
   ellauri142.html on line 69: <figcaption>Tässä kuvassa Lexa muistuttaa vähän Shrekkiä. Korvavahakynttilöihin olis ainesta.figcaption>
   ellauri142.html on line 75: In the 1870s, Tolstoy experienced a profound moral crisis, followed by what he regarded as an equally profound spiritual awakening, as outlined in his non-fiction work A Confession (1882). His overly literal interpretation of the ethical teachings of Jesus, centering on the Sermon on the Mount, caused him to become a fervent Christian anarchist and pacifist. His ideas on nonviolent resistance, expressed in such works as The Kingdom of God Is Within You (1894), had a profound impact on such pivotal 20th-century figures as Mahatma Gandhi, Martin Luther, and Stephen King.
   ellauri142.html on line 108: The United States Masons, otherwise known as The Freemasons, were a highly political society in the 1700s. The first US lodge was opened in 1730 in New Jersey, where they initiated early plans and strategies used to fight the British. With its growing vault of secrets, expanding political influence, and stealth missions, it was an exciting time to be a Freemason.
   ellauri142.html on line 205: <figcaption>Rekkamies on erimies! Rekkamiehen hymy on eri jymy! Ei itäintiaani täällä vaani!figcaption>
   ellauri142.html on line 434: <figcaption>Epäilemättä Tuomas Kempenistä kalansilmineen tekee jeesusimitaatiota.figcaption>
   ellauri142.html on line 618: <figcaption>H.P. Blavatsky nostaa päätä kirstusta.figcaption>
   ellauri142.html on line 821: <figcaption>Carlsoneilla jouluna.figcaption>
   ellauri142.html on line 995: <figcaption>Piis! Seija Pylkkänen juo Coca-Colaa ja valkkaa singlejä, Princess Kristina ja Markku Graae joraa taustalla.figcaption>
   ellauri143.html on line 5: figcaption {
   ellauri143.html on line 35: <figcaption>Valttu Mursu hinduna, bambuna ja banaanina. Ruskea tikku on käynyt kuralla.figcaption>
   ellauri143.html on line 41: <figcaption>Hämärämpi kuva on näpätty Holménin Hildan seinältä. Toinen esittää Valttu Mursua väsäämässä kuraa.figcaption>
   ellauri143.html on line 842: The king that foes would crush, needs fitting time to fight
   ellauri144.html on line 5: figcaption {
   ellauri144.html on line 56: The rhetorician Quintilian regarded Odes as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words." The fictional hero Tom Jones recited his verses with feeling. Etenkin tätä: Ou ou ou, Dilailaa! Nou nou nou, Dilailaa!
   ellauri144.html on line 104: <figcaption>3-finger salute.figcaption>
   ellauri144.html on line 132: <figcaption>Juuri tälläisillä patrioottisilla loizuilla minä nukutan izeni iltaisin runkattuani sukkaani.figcaption>
   ellauri144.html on line 185: <figcaption>Guantanamera kuubalaisittain ja in the USfigcaption>
   ellauri144.html on line 347: Agamemnon oli kusipää nilkki, joka sai ansionsa mukaan uhrattuaan tyttärensä Ifigeneian. Äiti Klytaimnestra jauhoi sen jyvix ja syötti sen pullasorsille. Olis lähtenyt paremmalla tuulella. Mut jos tyypit olis järkeviä ei olis pukkilauluja.
   ellauri144.html on line 526: <figcaption>Petsku ja Kikka nuorena?figcaption>
   ellauri144.html on line 546: A prolific and versatile writer, Bierce was regarded as one of the most influential journalists in the United States, and as a pioneering writer of realist fiction. For his horror writing, Michael Dirda ranked him alongside Edgar Allan Poe and H. P. Lovecraft. S. T. Joshi speculates that he may well be the greatest satirist America has ever produced, and in this regard can take his place with such figures as Juvenal, Swift, and Voltaire. His war stories influenced Stephen Crane, Ernest Hemingway, and others, and he was considered an influential and feared literary critic. In recent decades Bierce has gained wider respect as a fabulist and for his poetry.
   ellauri144.html on line 680: <figcaption>Silverfish credo is technology. It makes his life better. Absolutely go for it. Retaperse äänessä.figcaption>
   ellauri144.html on line 844: <figcaption>Legado de la unua ĉapitro de Platero kaj mifigcaption>
   ellauri145.html on line 5: figcaption {
   ellauri145.html on line 86: <figcaption>Anteron peukuttama Pousada on puiseva,
   saku surrealistimaalari Max Ernst on ällöttävä,
   kuin myös jättimäinen narsisti Charlie Chaplin.
   
   ellauri145.html on line 87: Ei vittu ei tää Breton kyllä ole mitään huumormiehiä.figcaption>
   ellauri145.html on line 156: <figure style="width:30%;float:right" />
   ellauri145.html on line 158: <figcaption>
   ellauri145.html on line 160: figcaption>
   ellauri145.html on line 161: figure>
   ellauri145.html on line 173: Baudelaire: j´ai toujours eu quelque sympathie pour ce malheureux écrivain dont le génie manqué, plein d´ambition et de maladresse, n´a su produire que des ébauches minutieuses, des éclairs orageux, des figures dont quelque chose de trop bizarre… altère la native grandeur.»
   ellauri145.html on line 184: « Phus phoyez, - dit-il, gue le mié hait de phus dénir dranguile; et maintenant phus zaurez gui che zuis. Recartez-moâ ! che zuis l´Ange ti Pizarre. - Assez bizarre, en effet, - me hasardai-je à répliquer; mais je m´étais toujours figuré qu´un ange devait avoir des ailes.
   ellauri145.html on line 227: <figcaption>Je suis Charlie -sarjakuvafigcaption>
   ellauri145.html on line 238: <figcaption>Stella ja Eugene Delacroixfigcaption>
   ellauri145.html on line 431: <figure style="float:left">
   ellauri145.html on line 433: <figcaption>Readership of Charlie Crosfigcaption>
   ellauri145.html on line 434: figure>
   ellauri145.html on line 505: <figure style="float:right;width:30%">
   ellauri145.html on line 507: <figcaption>Mom does not get Fredfigcaption>
   ellauri145.html on line 508: figure>
   ellauri145.html on line 678: Les Chants de Mal Odor. Ce sont un ouvrage poétique en prose de 1869, composé de six parties nommées « chants ». Il s´agit de la première des trois œuvres de l´auteur Isidore Ducasse plus connu sous le pseudonyme de comte de Lautréamont. Le livre ne raconte pas une histoire unique et cohérente, mais est constitué d´une suite d´épisodes dont le seul fil conducteur est la présence de Maldoror, un personnage mystérieux et maléfique. The misanthropic, misotheistic character Maldoror is a figure of evil who has renounced conventional morality. Tulee tosta mieleen että Figura-liivejä mainostettiin ennen lehdissä.
   ellauri145.html on line 727: During his schooling at the Imperial Lycée of Saint-Brieuc where he studied from 1858 until 1860, he fell prey to a deep depression, and, over several freezing winters, contracted the severe rheumatism which was to disfigure him severely. He blamed his parents for having placed him there, far from his family´s care and affection. Difficulties in adapting to the harsh discipline of the college´s noble débris (distinguished relics, i.e., teachers) gradually developed those characteristics of anarchic disdain and sarcasm which were to give much of his verse its distinctive voice.
   ellauri145.html on line 947: Je me l´écris sur la figure Mä kirjoitan sen ozaani, en kumita;
   ellauri145.html on line 1057: The impact of Arthur Rimbaud´ s poetry has been immense. His influence on the Surrealist movement has been widely acknowledged, and a host of poets, from André Breton to André Freynaud, have recognized their indebtedness to Rimbaud´ s vision and technique. He was the enfant terrible of French poetry in the second half of the 19th century and a major figure in symbolism.
   ellauri145.html on line 1086: Ulsterin poka väittää että Rimbaud rienatessaankin pysyy izelleen uskonnollisena. Distancing himself in an at times sacrilegious or blasphemous way from conventional western attachment to the Bible and to the figure of Christ as saviour, Rimbaud nevertheless proceeds to create for himself a radically different spiritual alternative. No voihan se niinnii olla, musta tossa loppupäässä vois olla jotain homostelua. Noi 2 ekaa naista on varmaan sen kuolleet siskot Vitalie (17v) ja Victorine (4kk). Toi Bau on varmaan joku niiden keskinäinen sana. Isabellesta se ei rukoile, koska se on elossa. Ellei se sitten oo toi Lulu, mutta epäilen. Olisko to Madame *** sit tän rimpulan tiukka äitykkä? - Mut no hei! Ulsterin poka on tullut samaan johtopäätöxeen kuin mä että tässä runon lopussa on kuin onkin homostelua! Spunk tarkoittaa kuin tarkoittaakin runkkua! Se oli Rimbaudilla pahe ainainen, esim seuraavassa runossa on sama idea:
   ellauri145.html on line 1158: <figcaption>The Prince of Thinkers welcomed and applauded in Paris.figcaption>
   ellauri145.html on line 1182: <figcaption>- Mixi älykkäät ihmiset haluavat jutella kanssani vaikka olen tyhmä?
   
   ellauri145.html on line 1184: figcaption>
   ellauri146.html on line 5: figcaption {
   ellauri146.html on line 257: <figcaption>Ilmetty Krister Lindénfigcaption>
   ellauri146.html on line 298: Der Autor setzt beim Auftritt bzw. der Erwähnung vieler Personen und bei Bezügen auf ihre Lebensgeschichten die Kenntnis des Alten und Neuen Testaments voraus. Bei den von ihm erdichteten surrealen Szenen beruft er sich auf Mitteilungen seiner Muse Sionitin, der Seherin Gottes. Oft wird das Geschehen aus beiden Quellen gespiegelt, indirekt beschrieben, so erlebt der Leser die Jungen Jesu anfangs mit den Augen ihrer Schutzengel, die mit dem Engelboten über sie sprechen, oder in der Beobachtung einer anderen Person, z. B. Petrus Verleugnung aus der Perspektive Portias (6. Gesang). Eingearbeitet in solche Gespräche sind Informationen beispielsweise über Jesus Lebensgeschichte und über die Charaktere der Retterjugend (3. Gesang), aber auch frei erfundene Marzipanfiguren. Wie in einem großen Mysterienspiel betreten immer wieder die Seelen alttestamentlicher LakrizFiguren, z. B. der Urväter und Urmütter, der Propheten, der Könige, aber auch der zum Zeitpunkt der Kreuzigung noch ungeborenen zukünftigen Christen die Szenerie.
   ellauri146.html on line 400: One of the outstanding features of the Romantic era in France was the re-evaluation of the feminine. It was widely assumed that man's capacity for rational thought and scientific achievement needed to be tempered by woman's capacity for sentiment. Indeed, the beneficial influence of woman's love and compassion was considered a necessary precondition to moral development, both for the individual and for all mankind. Woman thus had redemptive qualities (cash value). Perhaps the purest expression of this constellation of ideas is to be found in the utopian religious sects of the period and in the Romantic epic. Alfred de Vigny's Eloa (1824) may be read in this context. Eloa is the first of a series of angel women appearing in the Romantic epic. She is followed by Rachel in Edgar Quinet's Ahasvérus (1833), Sémida in Alexandre Soumet's La Divine Epopée (1840), Marie in Alphonse Constant's La Mère de Dieu (1844) and Liberté in Victor Hugo's La Fin de Satan (fragments written in 1854 and 1859, published posthumously in 1886). The mission of these quasi-divine female figures is to help put an end to evil.
   ellauri146.html on line 616: <figcaption>Ruta del viaje de Núñez de Balboa al Mar del Sur en 1513. Lugar del primer avistamiento del Mar del Sur.figcaption>
   ellauri146.html on line 620: <figcaption>Vasco Núñez de Balboa reclamando el Océano Pacífico para España en 1513 junto a sus soldados. Playa de Buena Vista, lugar de 1º toma de posesión del Mar del Sur por Balboa en 1513figcaption>
   ellauri146.html on line 624: <figcaption>Ejecución de Vasco Núñez de Balboa. Un cuarto de balboa (cuara), moneda de curso legal en Panamá.figcaption>
   ellauri146.html on line 648: But it is dangerous to attempt to separate any historical figure from his setting. No individual can ever be understood fully until the subtle influences of his formal education, his reading, his associates, and his time and country (with his heredity) are traced and synthesized. Too much has been said, perhaps, about Poe’s “detachment” from his environment and too little about his background—his heritage from Europe and the influences of his early life in Virginia. Elizabeth Arnold, Poe’s mother, was born in England in 1787 and was brought to this country when she was a girl of nine. “In speaking of my mother,” Poe wrote years later to Beverley Tucker of Virginia, “you have touched a string to which my heart fully responds.” Judging from his spirited defense of Elizabeth Poe, it appears that Poe never became unmindful of his immediate English origins on the maternal side.
   ellauri146.html on line 854: <figcaption>Politically Incorrectfigcaption>
   ellauri147.html on line 5: figcaption {
   ellauri147.html on line 85: <figure style="float:right;padding:1em;width:20%">
   ellauri147.html on line 87: <figcaption>Aake pienenä ja söpösenä väsää jotain lehdistä.figcaption>
   ellauri147.html on line 88: figure>
   ellauri147.html on line 113: <figcaption>Hyypiö näyttää surkealta kotivalolta. Ei ihme että Aaken muikkuhymy tehosi. Samanlaisia imukaloja beide zwei.figcaption>
   ellauri147.html on line 261: Megan Garber of The Atlantic was critical of the character Emily, writing, "An expat who acts like a tourist, she judges everything against the backdrop of her own rigid Americanness. You might figure that those moments are evidence of a show poking fun at its protagonist´s arrogance, or setting the stage for her to grow beyond her initial provincialism. But: You would be, as I was, mostly incorrect. Instead, other people change around her, becoming French-American. They grudgingly concede that her way (strident, striving, teeming with insistent individualism) is the right way. The show — the latest from the Sex and the City creator Darren Star — is selling several fantasies. Primary among them is the notion that Emily can bulldoze her way through France and be celebrated for it.
   ellauri147.html on line 282: <figcaption>Phil lapsitähteenä. Jompikumpi puluista on Andrea, mutta kumpi?figcaption>
   ellauri147.html on line 287: <figcaption>1. Moos., arkkienkeli ja langennut.figcaption>
   ellauri147.html on line 292: <figcaption>Phil ja Andrea 40v myöhemmin.figcaption>
   ellauri147.html on line 299: <figcaption>Jill Tavelman Diana-lookissa ja pikku Lili.figcaption>
   ellauri147.html on line 321: <figcaption>Aladdinin heila on vähän lösähtänyt.figcaption>
   ellauri147.html on line 328: <figcaption>2 ensimmäistä vaimoa. Lavinia puuttuu kuvasta.figcaption>
   ellauri147.html on line 335: <figcaption>He Dumped Her By FAX? Nono, it was an SMS.figcaption>
   ellauri147.html on line 348: <figcaption>Phil on taas pölähtäneen näköinenfigcaption>.
   ellauri147.html on line 351: In 2008, Phil Collins and Orianne Cevey finalized their divorce, with Collins paying a staggering figure – the equivalent of about $32 million. At the time, this was the largest settlement in British celebrity history.
   ellauri147.html on line 354: <figcaption>Lili ja paha äitipuoli, pahempi kuin paapa.figcaption>.
   ellauri147.html on line 362: <figcaption>All I need is another stick and new eardrums.figcaption>.
   ellauri147.html on line 373: <figcaption>Damn that Paul. Fucking bigmouth.figcaption>
   ellauri147.html on line 378: <figcaption>Too early to gloat, my dear.figcaption>
   ellauri147.html on line 703: In der Geschichte der Psychoanalyse als einer klinischen Wissenschaft wird der Begriff der narzisstischen Störung häufig mit der Kategorie der „frühen Störung“ verbunden oder gleichgesetzt. Er dient zur Kennzeichnung eines säkularen Strukturwandels seelischer Krankheit, der als Verschiebung der Fixierungsstellen auf frühere präödipale Ebenen beschrieben wird, als Störung bei der frühen Ich-Bildung gegenüber den später entstandenen ödipalen Konflikten. Die Frage, ob die klassischen Übertragungsneurosen, an denen Freud die Psychoanalyse als Behandlungsmethode und klinische Theorie entwickelt hat, historisch im Schwinden begriffen sind und psychopathologischen Zustandsbildern weichen, deren Pathogenese früher anzusiedeln ist, ist bereits seit den dreissiger Jahren eine chronische Streitfrage im psychoanalytischen Diskurs. Es gebe einen historischen Wandel in den Formen seelischer Krankheiten – so die Dauerthese -, der sich in einer Abnahme von hysterischen, phobischen und zwangsneurotischen Erkrankungen einerseits, einer Zunahme von sog. „frühen Störungen“ zeige, zu denen Selbstwert- und Identitätsstörungen, Suchterkrankungen, Perversionen, Borderline-Persönlichkeits-Strukturen und narzisstische Störungen gezählt werden.
   ellauri147.html on line 727: Reiche näkee nostalgisessa transfiguraatiossa "ehjän neuroosin ehjässä kulttuurissa"(11) alkuperämyytin – historiallisesti katoavasta – itsenäisestä egosta, joka liittyy loppuajan tunnelmiin, joka ei enää kykene konflikteihin ja sublimaatioon ilman auktoriteetin ja arvosuuntautuneisuuden asianmukaista sisäistämistä ja ilmaisee itsensä varhaisten narsististen häiriöiden muodossa – ja hän tunnistaa tässä ennen kaikkea diagnostisen tehtävän riippuvuuden Piilevä maailmankuva psykoanalyytista.
   ellauri147.html on line 825: In langjähriger Arbeit mit schwer gestörten psychiatrischen Patienten habe ich die Erfahrung gemacht, dass der psychotische Rückzug häufig archaische Spuren eines Bedürfnisses nach Anerkennung trägt, das in einem elementaren Sinn unbeantwortet geblieben ist. Die so unterschiedlichen Symptome der narzisstischen Störung lassen sich m. E. als vielfältige Varianten eines Kampfes um dieses Gesehen-, Beachtet-, Anerkannt-werden entschlüsseln, der verdeckt und in mehr oder weniger gekonnten Inszenierungen geführt wird. Der Sozialphilosoph Axel Honneth (1994) hat den „Kampf um Anerkennung“ als Konstruktionsprinzip von Identität aus den Entwicklungstheorien von G.H.Mead (symbolischer Interaktionismus, „Me“ als generalisierter Anderer, Modell der Perspektivenübernahme) und Winnicott – herauspräpariert und sich als gemeinsamer Quelle auf Hegel berufen: bei Hegel gehört zum Selbst konstitutiv, dass es anerkannt ist.
   ellauri147.html on line 888: <figcaption>Povi törrötti kuin parveke.figcaption>
   ellauri150.html on line 5: figcaption {
   ellauri150.html on line 35: <figcaption>Äh! Nngh! Kylläpäs on sitkeää terästä!figcaption>
   ellauri150.html on line 369: <figure>
   ellauri150.html on line 375: <figcaption>Kukas näistä on konnimman näköinen? Takinkääntäjästä tuli kielenkääntäjä. Brittejä se ei haitannut. Kolmas wiixiwallu Daltonin veljes on Juha-Risto. Loput 2 on esiintyviä taiteilijasnobeja. Parrakas mies ei saa naista, mutta parratonpa sai, yhden ainakin. Punaisesta tekonenästä on apua.figcaption>
   ellauri150.html on line 376: figure>
   ellauri150.html on line 390: <figcaption>Voiko äijä olla enää limaisemman näkönen? figcaption>
   ellauri150.html on line 474: <figcaption>Fig. 1. Karlilla oli iso koiro ja paljon kirjoja.figcaption>
   ellauri150.html on line 524: He heard again, or seemed to hear, the saying of the Nazarene, "I am the resurrection and the life." And as men repeat a question to grasp and fix the meaning, he asked, gazing at the figure on the hill fainting under its crown, What resurrection? and what life?
   ellauri150.html on line 526: "I am Henry The Eight I am", the figure seemed to say.
   ellauri150.html on line 563: The two gazed at each other. We know what Esther presented—a beautiful woman, a happy mother, a contented wife. On the other side, it was very plain that fortune had not dealt so gently with her former rival. The tall figure remained with some of its grace; but an evil life had tainted the whole person. The face was coarse; the large eyes were red and pursed beneath the lower lids; there was no color in her cheeks, no makeup. The lips were cynical and hard, and general neglect was leading rapidly to premature old age. Her attire was ill chosen and draggled. The mud of the road clung to her sandals. Iras broke the painful silence.
   
   ellauri150.html on line 627: There is a firefight with real fire. Things are burning all over the place. The ship gets rammed; for some reason, instead of trying to get the ship out of the way, those slaves who are chained try to remove the chains. Since the enemy ship appears to be holding up their ship, it almost works out. Ben-Hur is unlocking slaves, and major fighting is going on on deck. Then Quintus is shoved overboard. Ben-Hur goes to save him, shoving a torch into the face of a mercenary along the way.
   ellauri151.html on line 5: figcaption {
   ellauri151.html on line 40: <figcaption>Pastori ojentaa kovakantista taskukirjaa sokealle hoidolle tunnusteltavaxifigcaption>
   ellauri151.html on line 57: <figure style="width:20%;float:left;padding:1em">
   ellauri151.html on line 59: <figcaption>Näkymä pastorin ikkunastafigcaption>
   ellauri151.html on line 60: figure>
   ellauri151.html on line 129: Gide was, by general consent, one of the dozen most important writers of the 20th century. Moreover, no writer of such stature had led such an interesting life, a life accessibly interesting to us as readers of his autobiographical writings, his journal, his voluminous correspondence and the testimony of others. It was the life of a man engaging not only in the business of artistic creation, but reflecting on that process in his journal, reading that work to his friends and discussing it with them; a man who knew and corresponded with all the major literary figures of his own country and with many in Germany and England; who found daily nourishment in the Latin, French, English and German classics, and, for much of his life, in the Bible; [who enjoyed playing Chopin and other classic works on the piano;] and who engaged in commenting on the moral, political and sexual questions of the day. Monsters lead an interesting li-i-fe.
   ellauri151.html on line 306: <figcaption>André kädet taskussa poimimassa kadulta katamiittejafigcaption>
   ellauri151.html on line 1011: <figure>
   ellauri151.html on line 1013: <figcaption>Mamma Margit möläjää joululapsi sylkyssäfigcaption>
   ellauri151.html on line 1014: figure>
   ellauri151.html on line 1034: <figcaption>Helmi, Emilia, Marwanin Kiki ja Löken. Eskari-ikäiset tytöt ovat apinoista parhaita.figcaption>
   ellauri151.html on line 1077: <figure>
   ellauri151.html on line 1080: <figcaption>Kiitos osmo kovista paketeista koko Massien perheeltä! Syrjäytynyt osmo mustassa tonttulakissa kerjää oikeistolta huomiota joulun allafigcaption>
   ellauri151.html on line 1081: figure>
   ellauri152.html on line 5: figcaption {
   ellauri152.html on line 260: <figcaption>Corydon öljykangasteltassa ja keppi kädessä kazoo kiinteästi Alexista, joka haistelee sormenpäitä.figcaption>
   ellauri152.html on line 375: atque humilis habitare casas, et figere cervos, ja lättänöissä majoissa asustella, käydä hirvimezällä,
   ellauri152.html on line 449: <figcaption>Iisakki vähäpuheisen vanhemmat Yoda ja Muna, Iisakki ja sen ainoa 50% kopio joka löytyi munalla kaivamalla jostain haarovälistäfigcaption>
   ellauri152.html on line 535: <figcaption>Haman hängs symbolisk under Purim i Israel. Pitkävihaisia noi jehoviitit.figcaption>
   ellauri152.html on line 541: <figcaption>Haman hamuilee Esterin persettä. Siitä ei Ahasverus pitänyt. Eikä Esterikään.figcaption>
   ellauri152.html on line 574: Ce mythe, qui paraît fort ancien et dont certains érudits vont chercher l'origine jusque dans l'Inde bouddhique, se précise à partir du xiiie siècle dans l'Historia major du bénédictin anglais Matthieu Pâris. sous diverses formes. C'est dans les pays de langue allemande que la figure d'Ahasvérus connaît la plus grande faveur, à la suite d'une version de la légende due à Chrysostomus Dudulaeus qui présente l'aventure du « Juif éternel » (1602) comme un récit quasiment autobiographique. La traduction française de ce livre imposera l'expression « Juif errant » (1609). Dès lors, la légende se répand par l'imagerie populaire et les estampes, les complaintes, dont la plus célèbre est celle d'Isaac Laquedem. Le Juif errant, qui personnifie le destin du peuple juif depuis le christianisme, a inspiré de nombreux écrivains : Wordsworth, Goethe, Eugène Sue, Apollinaire. Cette figure légendaire n'a cessé d'alimenter, à l'encontre des Juifs, une dangereuse satire sociale. Elle est, pour une part, responsable de la genèse de l'agitation antisémite des temps modernes. Pour en savoir plus, voir l'article antisémitisme.
   ellauri152.html on line 651: How can we control our fiery evil urge and channel it towards serving dog? Through "fighting fire with fire." In other words, through using the positive spiritual energies of harshness, of din, as it states, "Everything that comes into the fire, you shall pass through the fire (in order to purify it)" (Bamidbar 31:23). To harness our most basic urges towards spirituality we must revert to the earliest system of creation: strict justice, severity, din.
   ellauri153.html on line 5: figcaption {
   ellauri153.html on line 44: <figure>
   ellauri153.html on line 47: <figcaption>Urho eivaan Yrjö Hietasessa on aika mojovasti samaa torpedomiehen näköä kuin Tytissä.figcaption>
   ellauri153.html on line 48: figure>
   ellauri153.html on line 236: <figure style="float:right;padding:1em;width:20%">
   ellauri153.html on line 238: <figcaption>Rendez-vous ruusutarhassa. Kumpi myttypäistä on Sanaseppo?figcaption>
   ellauri153.html on line 239: figure>
   ellauri153.html on line 358:
2. “God is omnipotent” is true at game history w if and only if God has a winning strategy in the justice-of-God game G. Tässähän se tapahtuu se suuri lässähdys. Muka omnipotentti jumala saa häthätää saatanasta matin loppupeleissä. Matkan varrella isokyrpäinen valas voi syödä vaikka kaikki sen nappulat paizi kurkon, joka jää viimeisenä laudalle. Aika lohduttavaa sen muulle tiimille. One can make a few clarifying remarks about the structure of the game. The form of the game is relatively simple: it’s an ordinary extended-form perfect information game. tuskinpa Jobilla oli täydellistä informaatiota pelitilanteesta tai edes pelin säännöistä, muista pelaajista puhumattakaan. Aika isoja informaatiojoukkoja oli niiden kalloissa. Sitäpaizi ei luonnossa pelaajat siirrä vuoronperään, vaan koko ajan, niinkuin differentiaalipeleissä. . The goal is here not to go deeply into technical details, but to construct an übersichtlich representation for the theological grammar of biblical stories and to highlight the uses of terms like “good” and “omnipotent” in them. The game or model can then be used as a simplified fragment that can be projected onto, contrasted with and used to interpret biblical stories. The point of this clarification is to highlight the grammar of the divine properties “good” and “omnipotent” within the logic of the struggle myth, and to get the consistency of {God is good, God is omnipotent, There is chaotic evil} as in the Book of Job. The argument needs two assumptions. First, the games between God, humans and creation are genuine dialogues. Paskanmarjat, ei nää ole edes mitään signaling gameja, puhumattakaan dialogipeleistä. Olis kannattanut lukea mun väitöskirja Dialogue Games, siinä on oikeeta sananvaihtoa. The players answer each other and thus have to take turns in making moves and participating in them. Then the game of Job and the struggle against chaos is in extended form to represent the sequence of the debate, and its resolution gives the drama of the fight against kid chaos. Second, the properties of God like “omnipotent” and “good” are defined against the background of Job’s encounter with God and the struggle against chaos. This redefinition builds on both James’ reinterpretation of the properties of God in terms of religious practices, and also of Job’s new world of faith in the encounter. Job’s encounter with God and the struggle against chaos are modelled in the game, so such properties of God as “good” and “omnipotent” are then internal to the game. Missä kohtaa Jopilla on tässä jotain pelivaraa? Montako valintaruutua Jobilla edes on: Marise-älä marise, ja Pyllistä-älä pyllistä. Siinä kaikki. Jotta jumalan tiimi voittaisi, sen pitää ensin marista ja sit pyllistää. Nain on meidankin elamassamme! Marise mitä mariset, mut muista pyllistää!
   ellauri153.html on line 554: Now that the problem of evil has been exposed as a conceptual confusion, the way is clear for a Jamesian science of religions and worldviews. The methods of grammatical description can be extended to the practices and ways of sense-making in different worldviews: how they give meaning to moral practices and how do they approach the intelligibility of the world? What practical responses do they have for coping with evil? For example, the grammar of seeing-as for models and metaphors can be applied to the metaphors in the Hebrew Bible for God’s activity to understand what it is to see the world as God’s creation. The grammar of virtues can be used to describe Buddhist practices and explore, how these approaches contribute to the human good. Similar approaches can be taken to secular worldviews as well. These descriptions can then be used to assess the worldviews through dialogical encounters between them. However, one thing should be clear. There is no point in devaluing the world by arguing for the meaninglessness of life or atheism on the basis of evil, or in giving justifications for evils that can stand in the way of divine or human meliorist projects of fighting for justice. To paraphrase the judgment of the Divine Judge in the Book of Job, such approaches are not even wrong. They are as meaningless as life itself.
   
   ellauri153.html on line 814: Even with extra blankets, the elderly King David could not generate enough body heat on his own to maintain a healthy temperature. A lifetime that had included being a fugitive, living in caves, being exposed to the elements, and fighting hard-fought battles had finally taken its toll on his aging body (see 1 Samuel 20:1; 22:1; 2 Samuel 21:17). David’s condition, called hypothermia, is not unusual in older people: toward the end of his long life, former President Ronald Reagan requested that his favorite electric blanket be returned from the ranch he had sold. Of course, no technology in ancient Israel would provide a continual source of warmth through the cool Judean nights. Only a human body had the capacity to do that.
   ellauri153.html on line 822:
3. Why not a concubine? Though concubines had a lesser status than wives, they, too, possessed a certain rank and dignity. Abishai fortunately had neither. Absalom demonstrated this fact when, as part of his attempted coup, he slept with his father’s concubines (2 Samuel 16:21–22). Moreover, the personal dynamics within harems were infamous for the jealousy and infighting they engendered. To select one wife or concubine over another would be a mark of favoritism that would likely incite resentment and squabbling in the household. Don't even try this at home!
   ellauri153.html on line 861: For Hegel, Napoleon as a world-historic figure is fulfilling a destiny, he is the bloodthirsty vessel with which history and the Geist unfold itself. For Schopenhauer, Napoleon is just one more bloodthirsty conqueror in a long line of bloodthirsty conquerors without a special purpose. He is not special because he is just as egoistic and ambitious as the rest of mankind (except Arttu). Hegel saw N. on the way up, Sope on his way down.
   ellauri155.html on line 5: figcaption {
   ellauri155.html on line 34: <figcaption>Ne, jotka tuntevat historiaa tietävät, että eräs edustaja nimeltään Veikko Vennamo kannettiin vahtimestarien toimesta ulos salista tämän vastustelusta huolimatta. Kyllä kansa tietää!figcaption>
   ellauri155.html on line 357: <figcaption>Hi! Katso mitä sain! Olisittepa nähneet ne jotka pääsivät karkuun!figcaption>
   ellauri155.html on line 363: <figcaption>Hyvää joulua! Ano jeesuslapsena saamassa koronatazkaa.figcaption>
   ellauri155.html on line 373: <figcaption>Kylläpä tälläkin turskalla on viro törösuu! Kyllä siinä on jotain takana! Vinosuisten salaliitto.figcaption>
   ellauri155.html on line 379: <figcaption>Anteexi viivästys. Tässä menee nyt tovi. Koronapassimme eivät ole kunnossa.figcaption>
   ellauri155.html on line 387: <figcaption>Aiming at black xmas with swinging Jew Irving Berlin and crooning Andrea Pucelli on Classic channelfigcaption>
   ellauri155.html on line 500: <figcaption>
   ellauri155.html on line 503: figcaption>
   ellauri155.html on line 516: <figcaption>Jehuu!figcaption>
   ellauri155.html on line 623: <figcaption>Rodullistetut pohtivat sukupuolittumista. Are you gay? Why are you gay?figcaption>
   ellauri155.html on line 667: <figcaption>"Jürgen" Habermas oli er. epäm. vinosuinen lällypää.figcaption>
   ellauri155.html on line 814: <figcaption>Piisamirotta riippukeinussafigcaption>
   ellauri156.html on line 5: figcaption {
   ellauri156.html on line 34: <figcaption>Jean-Leon Geromen 1889 näkemys suht isopyllyisestä Bathshebasta alapesulla. David stalkkaa palkonkilla takuulla kulli ulkona.figcaption>
   ellauri156.html on line 68: Many tragic incidents occur as the unexpected outcome of a sequence of events. Certainly that is the case with King David. A little vacation from war leads to a day spent in bed, followed by a stroll along the roof of his palace as night begins to fall on Jerusalem. By chance, David sees a woman bathing herself, a sight which David fixes upon, his pecker coming instantly to attention, and then follows up on with an investigation as to her identity. The woman is shortly summoned to the palace and then to his bedroom, where David sleeps with her (well no, actually he spends time with her very much awake; what is meant by this euphemism is that he fucks the lady crazy.) Even though he has discovered she is the wife of Uriah, a warrior who is fighting for the army of Israel. Never mind. The woman becomes pregnant, and so David calls Uriah home, hoping it will be thought that he has gotten his wife pregnant. When this does not work, David gives orders to Joab, the commander of the army, which arranges for Uriah's death in battle. It looks like the perfect crime, but David's sin is discovered and dealt with by Nathan, the prophet of God. Nathan is Philip Roth's alter ego's name, Nathan Zuckerman! Can this be an accident? Jehova knows, it's too late to ask Phil.
   ellauri156.html on line 90: Every man who is able to fight goes to war, except one -- David. David, we are told, “stayed in Jerusalem” (11:1). David's decision to stay at home in Jerusalem becomes a devastating one. The author of Samuel does not include this fact, but the Chronicler does. In 1 Chronicles 20, we read these words:
   ellauri156.html on line 110: 19 Nevertheless, the people refused to listen to the voice of Samuel, and they said, “No, but there shall be a king over us, 20 that we also may be like all the nations, that our king may judge us and go out before us and fight our battles” (1 Samuel 8:19-20).
   ellauri156.html on line 116: Saul shrunk back from pursuing the enemies of Israel at times, and it was sometimes David who stood in Saul's shoes, leading the nation in battle. This was the case, for example, when David fought Goliath, a battle that should have been fought by Saul, Israel's giant (see 1 Samuel 9:2). Up until now, David has been leading his men in battle, but in chapter 11, David suddenly steps back, sending others to fight for him. In 2 Samuel 12:26-31, the author makes it clear that David may not have been planning to be present for the formal surrender of Rabbah. Joab sends David a message, urging him to come and at least give the appearance of leading his army. If David does not come, Joab warns, David will not receive the glory, and it may go to Joab. Joab knows that David knows this is not the way it was meant to be. And so it is that David makes a formal appearance to be the “official” leader at the time of the surrender of the city of Rabbah.
   ellauri156.html on line 209: A second reason may be boredom. Something you my dear remaining readers know by now. It is one thing to fight battles in which the enemy is quickly overcome. But the besieging of Rabbah is a whole different kind of war. This battle will not be won so quickly. It will take time to starve the Ammonites to the point that they surrender. It is not a very exciting kind of war to wage. And while they wait, the Israelite soldiers (which includes David) have to pitch their tents outside the city, living in the open field. This is no picnic, and David knows it. David's attitude seems reflected in the advertising slogan of a major hamburger chain, “You deserve a break today.”
   ellauri156.html on line 213: David is starting to become Saul-like, in that he is willing to let others go out and fight his battles for him. Among those David is willing to send in his place are Joab and Abishai. This Joab, we should recall, is a violent man. Joab was not the commander of the army of Israel by David's choice. David had distanced himself from Joab and Abishai because of the death of li'l Abner (2 Samuel 3:26-30). Joab had become the commander of Israel's armed forces because he was the first to accept David's challenge to attack Jebus (1 Chronicles 11:4-6). Suddenly, David is willing to stay at home and leave the whole of Israel's armed forces under Joab's command. I do not think David is motivated by trust in Joab as much as he is his disdain for the hardship of the campaign to take Rabbah.
   ellauri156.html on line 236: King David makes the mistake of staying in Jerusalem, rather than fighting the Ammonites with his army. He does not stay home to meditate on the Law of Moses or to write another psalm or two; he seems to stay home to stay in bed. We know Uriah went to bed when it was evening (that is, when it got dark), and it is very likely that he got up at first light (see 11:13). With David, it is very different. David does not get up until evening, that is, until it is time for a soldier to go to bed. (As a friend of mine pointed out, this is probably a habit developed over days and not just a one-time event.) It is very unlikely that David is doing any “kingly work” in the wee hours of the night. From all appearances, David is simply indulging himself. Whaddya mean? Fucking maidens is kingly work if anything. Surely he wasn't watching late night shows, since all he had was his TV mama. Sitting up and adjusting the screen until the picture was completely right.
   ellauri156.html on line 295: It is obvious that Uriah had forsaken his own people and their gods to live in Israel, marry an Israelite woman, and fight in David's army. He is no pagan, to be put to death. He is a proselyte. In spite of all this, I believe David looks down upon him. David has grown accustomed to having the finest of everything. His palace is the finest around. His furnishings, his food, his help, are all the finest. Now, he looks from his penthouse and sees a woman whom he regards as “fine.” How can a woman so “fine” belong to this Hittite? She is fit for a king. And this king intends to have her.
   ellauri156.html on line 315: Incidentally, Bathsheba is washing herself in Jerusalem, from which all the men of fighting age have gone to war. Remember the words of verse 1:
   ellauri156.html on line 382: Throughout history, many attempts have been made to cover up incompetence, immorality, and crimes. In the Bible, cover-ups appear very early. Adam and Eve sought to cover their nakedness and to hide from God, not realizing their slimy fig leaves betrayed their sin and guilt.
   ellauri156.html on line 396: (1) It seems likely that David and Uriah are hardly strangers, but that they know each other, to some degree at least. Uriah is listed among the mighty warriors of David (2 Samuel 23:39; 1 Chronicles 11:41). Some of the “mighty men” came to David early, while he was in the cave of Adullam (1 Samuel 22:1-2), and we suspect that among them were Joab, Abishai, and Asahel, the three brothers who were mighty men (see 2 Samuel 23:18, 24; 1 Chronicles 11:26).39 Others joined David at Ziklag (1 Chronicles 12:1ff.), and still other great warriors joined with David at Hebron (1 Chronicles 12:38-40).40 We do not know when and where Uriah joined with David, but since his military career ends in 2 Samuel 12, his military feats must have been done earlier. It seems very unlikely that David and Uriah are strangers; rather, it would seem these two men know each other from fighting together, and perhaps even from fleecing Saul together, or maybe Uriah had been a dear brother to David like his old Jonathan.
   ellauri156.html on line 442: Dunno says his original conception was for a film that would encompass David's life and go into three main chapters: David as a boy fighting Goliath; a more mature David and his friendship with Jonathan, ending with the affair with Bathsheba; and an older David and his relationship with his son Absalom. Dunno wrote a treatment which he estimated would make a four hour movie. Zanuck was not enthusiastic so Dunno then pitched the idea of doing a film just on David and Bathsheba, which Zanuck loved.
   ellauri156.html on line 539: His One Sin: The rabbis agree that Abner deserved this violent death, though opinions differ concerning the exact nature of the sin that entailed so dire a punishment on one who was, on the whole, considered a "righteous man" (Gen. R. lxxxii. 4). Some reproach him that he did not use his influence with Saul to prevent him from murdering the priests of Nob (Yer. Peah, i. 16a; Lev. R. xxvi. 2; Sanh. 20a)—convinced as he was of the innocence of the priests and of the propriety of their conduct toward David, Abner holding that as leader of the army David was privileged to avail himself of the Urine and Thumbeline (I Sam. xxii. 9-19). Instead of contenting himself with passive resistance to Saul's command to murder the priests (Yalḳ., Sam. 131), Abner ought to have tried to restrain the king by the balls. Others maintain that Abner did make such an attempt, but in vain (Saul had not enough to get a proper hold of), and that his one sin consisted in that he delayed the beginning of David's reign over Israel by fighting him after Saul's death for two years and a half (Sanh. l.c.). Others, again, while excusing him for this—in view of a tradition founded on Gen. xlix. 27, according to which there were to be two kings of the house of Benjamin—blame Abner for having prevented a reconciliation between Saul and David on the occasion when the latter, in holding on to the skirt of Saul's robe (I Sam. xxiv. 11), showed how unfounded was the king's mistrust of him, seeing Saul had no balls to speak of. Old Saul was inclined to be happy with a pacifier; but Abner, representing to him that the naked David might have found a piece of garment anywhere — even just a piece of sackcloth caught on a thorn — prevented the reconciliation (Yer. Peah, l.c., Lev. R. l.c., and elsewhere). Moreover, it was wrong of Abner to permit Israelitish youths to kill one another for sport (II Sam. ii. 14-16). No reproach, however, attaches to him for the death of Asahel, since Abner killed him in self-defense (Sanh. 49a).
   ellauri156.html on line 544: <figcaption>A theoretical map of the region around 830 BCE. Moab (aka West Bank) is shown in purple on this map, between the Arnon and Zered rivers.figcaption>
   ellauri156.html on line 560: And so in verses 22-25 we are given an account of the messenger's arrival, of his report to David, and of David's response. I must point out that the messenger does not do as he is told, at least the way I read the account. The messenger goes to David and tells the king how the Ammonites prevailed against them as they left the city and pursued the Israelites into the open field. The Israelites then pursued the Ammonites, pushing them back toward the city as far as the city gate. It was here that Uriah and those with him were fighting. It was here that they were within range of the archers, who shot at them and killed a number of servants. And quickly the servant adds, “and your servant Uriah the Hittite is also dead” (verse 14).
   ellauri156.html on line 562: Now why does this messenger not wait for David to respond in anger, as Joab instructed? Why does he inform David that Uriah has been killed, before he even utters a word of criticism or protest? I believe the messenger gives the report in this way because he understands what is really going on here. I think he may know about David and Bathsheba, and perhaps even of her pregnancy. He certainly knows that Uriah was summoned to Jerusalem. I think he also figures out that David wants to get rid of Uriah, and that Joab has accomplished this by this miserable excuse for an offensive against the enemy. I think the messenger figures out that if David knows Uriah has been killed, he will not raise any objections to this needless slaughter. And so, rather than wait for David to hypocritically rant and rave about the stupidity of such a move, he just goes on and tells him first, so that he will not receive any reaction from David.
   ellauri156.html on line 586: Man (and exceptionally, woman) has been seeking to cover up his sins ever since the Garden of Eden. Adam and Eve thought they could cover their sins by hiding their nakedness behind the fig leaves (hardly large enough for Adam's snake), and if not this, by hiding themselves from God behind Eve's bush. But God "lovingly" sought them out, not only to rebuke them and to pronounce some select curses upon them, but to give them a lame promise of forgiveness when the flagpoles start to bloom. It was God who provided a covering for their sins, in the form of snappy sackcloth jeans. The sacrificial death, burial, resurrection, and feasting on rumpsteaks cut from our Lord Jesus Christ's butt is God's provision for covering our sins. Have you experienced it, my friend? If not, why not confess your sin now and receive God's gift of forgiveness from him in person (in pirsuna pirsunalmente), and work henceforward with Jesus Christ in the cross factory of Cavalry? How 'bout that? A. Yokum, frost-bite travelers re-skewered reasonable. Ask for rates!
   ellauri156.html on line 679: Second, note that Nathan is sent to David. Twelve times in the last chapter the word “sent” is employed by the author. A number of these instances refer to David “sending” someone or “sending” for someone. David is a man of power and authority, and so he can “send out” for whatever he wants, including the death of Uriah. Now, it is God who does the “sending.” Herra se on herrallakin. Is David impressed with his power and authority? Has he gotten used to “sending” people to do his work for him (like sending Joab and all Israel to fight the Ammonites)? Let David take note that God is sending Nathan. He is a godsend to Dave.
   ellauri158.html on line 5: figcaption {
   ellauri158.html on line 509: -------- axiom. 3. Quo partes individui vel corporis compositi secundum maiores vel minores superficies sibi invicem incumbunt, eo difficilius vel facilius cogi possunt, ut situm suum mutent, et consequenter eo difficilius vel facilius effici potest, ut ipsum individuum aliam figuram induat. Atque hinc corpora, quorum partes secundum magnas superficies invicem incumbunt, dura, quorum autem partes secundum parvas, mollia, et quorum denique partes inter se moventur, fluida vocabo.
   ellauri158.html on line 694: Hence also it follows, that everyone thought out for himself, according to his abilities, a different way of worshipping God, so that God might love him more than his fellows, and direct the whole course of nature for the satisfaction of his blind cupidity and insatiable avarice. Thus the prejudice developed into superstition, and took deep root in the human mind; and for this reason everyone strove most zealously to understand and explain the final causes of things; but in their endeavor to show that nature does nothing in vain, i.e. nothing which is useless to man, they only seem to have demonstrated that nature, the gods, and men are all mad together. Consider, I pray you, the result: among the many helps of nature they were bound to find some hindrances, such as storms, earthquakes, diseases, &c.: so they declared that such things happen, because the gods are angry at some wrong done to them by men, or at some fault committed in their worship. Experience day by day protested and showed by infinite examples, that good and evil fortunes fall to the lot of pious and impious alike; still they would not abandon their inveterate prejudice, for it was more easy for them to class such contradictions among other unknown things of whose use they were ignorant, and thus to retain their actual and innate condition of ignorance, than to destroy the whole fabric of their reasoning and start afresh. They therefore laid down as an axiom, that God´s judgments far transcend human understanding. Such a doctrine might well have sufficed to conceal the truth from the human race for all eternity, if mathematics had not furnished another standard of verity in considering solely the essence and properties of figures without regard to their final causes. There are other reasons (which I need not mention here) besides mathematics, which might have caused men´s minds to be directed to these general prejudices, and have led them to the knowledge of the truth.
   ellauri158.html on line 699: The Southern Journal of Philosophy (U of Memphis) has provided a forum for a long list of suspect figures including Hans-Georg Gadamer, Hubert Dreyfus, George Santayana, Wilfrid Sellars, and Richard Sorabji.
   ellauri159.html on line 5: figcaption {
   ellauri159.html on line 569: It’s almost like the knightly virtues are the ideal masculine character. And in my opinion these virtues are a good ideal to strive towards. This is something to keep in mind. This code wasn’t meant for everyone. It’s for soldiers on horses, you know, knights… This combination of virtues is supposed to be the best possible behavior of a knight, a soldier, a fighting man. There is no mention of women and children anywhere. Naiset ja lapset ja homot ruikulikakat älkööt vaivautuko. Tää on kovien poikien leikkiä.
   ellauri159.html on line 738: <figure>
   ellauri159.html on line 740: <figcaption>Vintage tribal family.figcaption>
   ellauri159.html on line 741: figure>
   ellauri159.html on line 750: First, because men will never be pregnant or nursing, they will always be hypothetically the most battle-ready and most able to leave home at any time to fight many miles away.
   ellauri159.html on line 761: If there are females in your group, they will have plenty of hard and necessary work to do. Ev­eryone will have to pull their own weight, but the hunting and fighting is almost always going to be up to the men. When lives are on the line, people will drop the etiquette of equality and make that decision again and again because it makes the most sense…
   ellauri159.html on line 767: Living without the aid of advanced technology requires strong backs and elbow grease. You’ll need strong men to fight off other strong men.
   ellauri159.html on line 768: You won’t want the men in your gang to be reckless, but you’ll need them to be courageous when it matters. A man who runs when the group needs him to fight could put all of your lives in jeopardy.
   ellauri159.html on line 769: You’ll want men who are competent, who can get the job done. Who wants to be surrounded by morons and f**k-ups? The men who hunt and fight will have to demonstrate mastery of the skills your group uses to hunt and fight. A little inventiveness couldn’t hurt, either.
   ellauri159.html on line 772: To the description of the ideal perimeter-keeper outlined above, Donovan assigns four “tactical virtues”: strength, courage, mastery, and honor. These are “simple, amoral, and functional virtues” — “the practical virtues of men who must rely on one another in a worst case scenario.” They are “amoral” because they are crucial to the success of any gang — no matter if what they’re fighting for is right or wrong. Strength, courage, mastery, and honor are the attributes needed in a team of Navy SEALs just as much as a family of Mafioso. If you’ve ever wondered why we are fascinated by gangsters, pirates, bank robbers, and outlaws of all stripes, and can’t help but think of them as pretty manly despite their thuggery and extralegal activities, now you know; they’re not good men, but they’ve mastered the core fundamentals of being good at being men. So they are good men, though they are bad men. I mean.
   ellauri159.html on line 780: Mastery: Skill and adeptness in using the techniques and technology employed in hunting and fighting; a deft understanding of knowledge that saves lives and furthers the interests of your group.
   ellauri159.html on line 1193: You work best in a quiet environment where you cannot be interrupted. You reflect on the topic before you begin writing, mentally structuring the material and looking for patterns. Don’t allow yourself to be rushed into starting a project before you’re ready. You are generally good at estimating how long this preparation stage will take. When you finally sit down to write, their ideas tend to be well-developed and organized. Their language may seem formal at first. If that’s the case for you, don’t fight it—you can soften this tendency during revision.
   ellauri159.html on line 1201: You enjoy colorful and figurative language, and like to infuse your work with images of your personal underware. At the same time, however, your writing may be too abstract for their readers, they want to see you inside them. During revision, add concrete details. In creative writing, appeal to the five senses and the 9 mortal sins. In freelance writing, include specifics like percentages and dollar amounts to get the audience´s attention. In technical writing, find out whether the customer needs to use a flat-head or a cross-head screwdriver (our dishwasher installer guys did not have a flathead anymore, I had to loan them one), and what the recommended torque is. These may be boring details to you, but they’re essential for your male reader. Wrong head, no screw.
   ellauri159.html on line 1238: Enjoy making decisions! No need to respond to new data once you’ve got a clear, big-picture view of the topic. Others may seek feedback from you but do not give it, nor act on other people´s feedback, rely instead on your own judgment. This strategy can cause you to miss unimportant information — a drawback no real Marshal finds mortifying. Be aware of this tendency before you start unconsciously fighting it.
   ellauri159.html on line 1289: You are a conceptualizer who tends to explore a narrow topic deeply. Guys like you take a systems approach, rather than a linear one, during the planning stage. They do a website not just a text! You start a project early to test the concept, then quickly drive toward the conclusion. Once the competitors´ bones are in place, you further develop the content, adding facts to flesh out their ideas. You may find it useful during revision to challenge yourself to consider alternatives, rather than locking yourself in to your original premise. Oh, why bother, since you got it all figured out already.
   ellauri159.html on line 1307: <figcaption>Avatar socialising in the 2003 virtual world for a Second Life.figcaption>
   ellauri159.html on line 1312: <figcaption>Hei Aapo ei saa eka tainnuttaa! Se ei ole kosheria! Yxi viilto vaan ja veri pois! Älä hosu sen veitin kaa!figcaption>
   ellauri159.html on line 1345: I was born here in Amsterdam. My father was a land holder of 700 acres [2.8 km²] here, adjoining the city on both sides of the river, and lived, as I now live, in a large brick house on the south bank of the Mohawk visible as you enter Amsterdam from the east. I was his only child, and went a good deal my own way. I ran to machinery, by fancy; patented among other devices a swathing reaper which is very successful. I was of loose and wandering ways. And was a successful gambler through the Tweed regime -- made "bar'ls" of money, and threw it away. I was a fancy gymnast also, and have had some heavy fights, notable one of forty minutes with Ed. Mullett, whom I left senseless. This was mere fancy. I never lifted an angry hand against man, woman or child -- all fun -- for me. ....I do farming in a way, but am much idle. I have been a sort of pet of the city, and think I should be missed. In a large vote taken by one of the daily papers here a month or so ago as to who were the 12 leading citizens, I was 6th in the 12, and sole in my class. So you see, if Sparta has many a worthier son, I am still boss in the department I prefer.
   ellauri160.html on line 5: figcaption {
   ellauri160.html on line 39: <figcaption>Ra ennen-jälkeen kuvissafigcaption>
   ellauri160.html on line 122: Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972), modernin ajan Li Bai, was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a fascist collaborator in Italy during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his 800-page epic poem, The Cantos (c. 1917–1962). Hizi noi cantothan on selvä kokoelma paasauxia!
   ellauri160.html on line 141: Mornings might be spent in the British Museum Reading Room, followed by lunch at the Vienna Café on Oxford Street, where Pound first met Wyndham Lewis in 1910. "There were mysterious figures / that emerged from recondite recesses / and ate at the WIENER CAFÉ". Ford Madox Ford described Pound as "approaching with the step of a dancer, making passes with a cane at an imaginary opponent":
   ellauri160.html on line 491: ⁷The golden bough of Argicida - Formula of address for Hermes. "Argicida" is the Latin translation of the epithet Ἀργειφόντης ("Argeiphontes" - slayer of Argus) which is always applied to him, whereas the golden bough is Hermes´ caduceus, or wand. PL. Hermes has an appearance in the other Hymn to Aphrodite (no. V), printed in the Divus volume. Eli se em. kyrvännäköinen tirso-sauva. It all figures. Mua ärsyttää Dos Vidaxen Tirson musta pässintukka, menis parturiin. Luupää.
   ellauri160.html on line 566: <figcaption>Amanda Hörhön haavoittuvainen puoli kurkistaa liivistäfigcaption>
   ellauri160.html on line 581: <figcaption>A Visual Guide to the Demons That Spooked the Jews of Babylonfigcaption>
   ellauri160.html on line 592: <figure style="float:right;width:30%">
   ellauri160.html on line 594: <figcaption>Lilith kannattelee puolijäykkää käärmettäfigcaption>
   ellauri160.html on line 595: figure>
   ellauri160.html on line 697: <figcaption>Martina Aitolehti, Susanna Ingerttilä (ex Sievinen), Henna Kalinainen, Sara Sieppi, Anni Uusivirta, Susanna Penttilä, Maisa Torppa, Marianne Harjula, Iida Ketola ja Susanna Ruotsalainen Viidakon tähtöset -televisiosarjan lehdistötilaisuudessa Helsingissä 1. maaliskuuta 2012. © Lehtikuvafigcaption>
   ellauri160.html on line 780: <figcaption>Viidakon tiikerit -joukkueesta pudonnut Susanna Ingerttilä paljasti halunneensa lähteä kisasta pois. Susanna Ingerttilä joutui heittämään hyvästit viidakolle toisena hänen joukkueestaan. Mikä oli Susannan mielestä kamalinta kisoissa? Löysän käärmeen nostaminen. Nainen on pidemmän aikaa valitellut selkäkipuja. Hän on tottuneempi izestään kohoaviin jäykähköisin käärmeisiin.
   ellauri160.html on line 781: figcaption>
   ellauri160.html on line 792: <figcaption>Pyllynruma kylppäri hämeenlinnalaisessa kolmiossafigcaption>
   ellauri160.html on line 806: It is really sweet that Germans and others have adopted something and that this sketch is special for them. I respect that and don’t doubt for a second the genuine love and admiration some have for Dinner for One. But I am really surprised to see Monty Python compared with Dinner for One. I have to say it was painful to sit through. Painfully, painfully bad and unfunny. That’s why it has never caught on in Britain. I suppose we must have a very different sense of humour to that of Scandinavia and the German-speaking countries. We don’t consider it funny if someone falls over something. There’s nothing subtle or clever or nuanced about it (Rowan Atkinson’s absurdist physical comedy went down so well due to its complexity, think of the sketch where Mr. Bean makes the sandwich on the park bench and it gets progressively more and more absurd, he gets the fish out of water and slaps it against the bench to kill it before eating it, etc. now that is funny, and food fights in general). It’s not funny the first time the butler falls over the tiger-skin rug and it gets progressively more and more irritating each time he does it. You can spot the punchline a mile off and so the end of the sketch falls very flat. It’s nothing whatever to do with the length of the sketch or its obscurity or difficulty finding it: people still seek out all the comic greats on Youtube, like that fat man watsisname, or Charlie Chaplin who bravely made fun of your Hitler.
   ellauri161.html on line 5: figcaption {
   ellauri161.html on line 31: <figcaption>Larsmon liito-oravien koordinaatteja. Lännimmäisessä pöntössä asuvat Naker ja Lusto. figcaption>
   ellauri161.html on line 233: <figcaption>Andy dandynä frizuliina kaulassa. Lippis näyttää pieneltä. Onx mun tukka hyvin? Punaisen ristin miehiä.figcaption>
   ellauri161.html on line 317: <figcaption>Terveisiä syvältä!figcaption>
   ellauri161.html on line 462: <figcaption>Nälkäpelaajan opiskelijaozatukka on söpönen. On se söpö muutenkin. Ja kivan asiallinen, ei juuri amer. naiselkeitä.figcaption>
   ellauri161.html on line 614: and overly alarmist but nothing that the film places on the table can be dismissed as a figment of a fevered imagination running away from the facts on the ground.
   ellauri161.html on line 631: I’ve seen some people criticise Don’t Look Up for lacking subtlety. I’m not bothered by this. I don’t necessarily need or want the communications about climate change to be subtle. The issue itself certainly is not subtle. We are heading towards—and, again, already are in the midst of—unprecedented death and destruction. Our systems and rulers are not just woefully ill-equipped to deal with this or to prevent the worst of it, they are actively complicit in bringing it about. Those communities around the world that are the most vulnerable and that have had the least part to play in causing the crisis will be the ones to suffer the first and the worst. This isn’t subtle sh*t! This is horrifying, grotesque, psychologically debilitating stuff to ponder—if you even have the privilege to ponder in the first place! I don’t necessarily need subtlety here. Sometimes, to fight propaganda, you need to go loud and bold. But you still have to be effective. We are fighting an almightily powerful enemy. Competence is a necessary minimum. Regrettably, Don’t Look Up does not meet those standards. Its central metaphor doesn’t even make sense! Yes, capitalism is responding as dreadfully to climate change in real life as it does to the comet in the film—the key difference is that capitalism didn’t cause that comet to come hurtling out of the sky in the first place.
   ellauri161.html on line 655: <figcaption>Do I look like a jerk? I do? Is it the drooping mouth?figcaption>
   ellauri161.html on line 819: <figcaption>Hello, Léon, Kari-Jori, Andy, neljä katolista dändyä. Sen ne ovat näkösiäkin.figcaption>
   ellauri161.html on line 1032: <figcaption>Asterix-sarjakuvassa rohkeat gallialaiset eivät pelänneet mitään muuta kuin sitä, että taivas putoaa niskaan. Vaikka Taivas putoaa, tämä pooka se vaan porskuttaa.figcaption>
   ellauri161.html on line 1090: <figcaption>This page intentionally left blankfigcaption>
   ellauri161.html on line 1096: <figcaption>Kärähtikö Taulapäältä lakihaivenet kaikessa kiireessä?figcaption>
   ellauri161.html on line 1110: <figcaption>Gerson tiukkana. Timo T.A. Mikkonen ja Tarkki-koira lukevat myhäillen Vartija-lehteä.figcaption>
   ellauri162.html on line 5: figcaption {
   ellauri162.html on line 30: <figcaption>figcaption>
   ellauri162.html on line 62: <figcaption>Fetishikirjahkoa selataan Maunulan puolikellarissa.figcaption>
   ellauri162.html on line 592: <figcaption>
   ellauri162.html on line 593: PST! Näytät lukevan Catholic Onlinea paljon; Sepä hienoa! On hieman nolo kysyä, mutta tarvitsemme rahasi. Jos olet jo lahjoittanut, kiitämme lämpimästi. Emme ole kamasaxoja, mutta olemme riippuvaisia lahjoituksista, jotka ovat keskimäärin 14,76 dollaria ja alle 1 % lukijoista antaa. Jos lahjoitat vain 5,00 dollaria, vittu kahvikupin hinta, katolinen verkkokoulu voi jatkaa menestystä. Kiitos. Apua nyt! Vai haluatko helvettiin? Tämä ei ole uhkaus, vaan varoitus.figcaption>
   ellauri162.html on line 662: Dick Masaru KIEMURA Was surrounded by his loving family on September 11, 2006 as he peacefully departed after courageously fighting a lengthy penis.
   ellauri162.html on line 779: <figcaption>Guess who´d win!figcaption>
   ellauri163.html on line 5: figcaption {
   ellauri163.html on line 31: <figcaption>Pelastetun kahvimukikin on puhtaan valkoinenfigcaption>
   ellauri163.html on line 91: Suuri käsky: "Rakasta Herraa" (jne, kz. fig.1) (6)
   ellauri163.html on line 480: <figcaption>Map showing location of Srinagarfigcaption>
   ellauri163.html on line 531: Jules Payot, né le 10 avril 1859, mort le 30 janvier 1940 à Aix-en-Provence, est un pédagogue et universitaire français. Payot est né en 1859 à Chamonix. Il fut une figure de premier plan dans l´enseignement laïque et en 1907, il fut nommé recteur des académies de Chambéry et d´Aix-en-Provence.
   ellauri163.html on line 778: <figure style="width:30%;float:left">
   ellauri163.html on line 780: <figcaption>Mouchette on mun ikätoveri, 15vee vuonna 1967. Kyllä silloin viimeistään panohommat alkaa kiinnostaa.figcaption>
   ellauri163.html on line 781: figure>
   ellauri163.html on line 864: A precocious student, Durkheim entered the École Normale Supérieure (ENS) in 1879, at his third attempt. The entering class that year was one of the most brilliant of the nineteenth century, as many of his classmates, such as Jean Jaurès and Henri Bergson, went on to become major figures in France's intellectual history as well. At the ENS, Durkheim studied under the direction of Numa Denis Fustel de Coulanges, a classicist with a social-scientific outlook, and wrote his Latin dissertation on Montesquieu. At the same time, he read Auguste Comte and Herbert Spencer, whereby Durkheim became interested in a scientific approach to society very early on in his career. The writer of this exposition likes the word whereby.
   ellauri163.html on line 970: <figcaption>Tuomari nuijii liputtomia laivoja.figcaption>
   ellauri164.html on line 5: figcaption {
   ellauri164.html on line 31: <figcaption>Rimpulan Ding on pipi kipä. Sen porsliini on varmaan sängyn alla.figcaption>
   ellauri164.html on line 35: <figure style="float:left;width:20%">
   ellauri164.html on line 37: <figcaption>Menestynyt opiskelutoverini Hans Uszkoreit oli Wundtin doppelgängeri ilman silmälaseja.figcaption>
   ellauri164.html on line 38: figure>
   ellauri164.html on line 185: <figcaption>Berkeley näytti sahramipullalta Authorityn lipereissäfigcaption>
   ellauri164.html on line 198: <figcaption>Ajain ja jaloin apostolin kyydillä länteenpäin. Ällöttävää kihinää.figcaption>
   ellauri164.html on line 324: <figcaption>Tilanne ennen Jeannen ulostuloa. Emily ei olis ollut Ranskassa vaan briteissä.figcaption>
   ellauri164.html on line 379: I wanted to like this book so much more than I did. I actually found it incredibly difficult to understand. Some of it, I think, was that it was poorly translated. I read a 1962 edition that doesn't even cite a translator -- so many of the sentences were so convoluted as to be utterly obtuse. Poor translation or witless reader? I never could figure out why Mlle Chantal was such an angry bitch and why she insisted on tormenting the priest. What was her secret? Was the priest an alcoholic or just terminally sick? Gay? Why did M le Comte come to hate the priest? These are just some of the basic narrative issues I couldn't figure out. Forget the whole spiritual aspect--much of what the priest mused on and felt was incomprehensible to me as he described it. I can't help wondering if I'd have understood it if I had read it in French. Or maybe I'm just so spiritually challenged (in a God believing, Catholic way) that I can't comprehend it when it's described. All of that said, there were profoundly moving passages here and there, but over all I don't begin to know what I read. It's rather embarrassing actually--I feel so simple! (less)
   ellauri164.html on line 455: The film was produced solely by Mosfilm, without a direct participation of DEFA, and yet several East German actors were invited to play the German historical figures. Fritz Diez, who appeared as Hitler on screen for the sixth time in his career, was given also the role of Otto Hahn.
   ellauri164.html on line 483: Moses is one of the most prominent figures in the Old Testament. While Abraham is called the “Father of the Faithful” and the recipient of God’s unconditional covenant of grace to His people, Moses was the man chosen to bring redemption to His people. God specifically chose Moses to lead the Israelites from captivity in Egypt to salvation in the Promised Land. Moses is also recognized as the mediator of the Old Covenant and is commonly referred to as the giver of the Law. Finally, Moses is the principal author of the Pentateuch, the foundational books of the entire Bible. Moses’ role in the Old Testament is a type and shadow of the role Jesus plays in the New Testament. As such, his life is definitely worth examining.
   ellauri164.html on line 497: The above is only a brief sketch of Moses’ life and does not talk about his interactions with God, the manner in which he led the people, some of the specific ways in which he foreshadowed Jesus Christ, his centrality to the Jewish faith, his appearance at Jesus’ transfiguration, and other details. But it does give us some framework of the man. He is somewhat recalcitrant, to put it mildly.
   ellauri164.html on line 510: Finally, it is interesting to note that, even though Moses never set foot in the Promised Land during his lifetime, he was given an opportunity to enter the Promised Land after his death. On the mount of transfiguration, when Jesus gave His disciples a taste of His full glory, He was accompanied by two Old Testament figures, Moses and Elijah, who represented the Law and the Prophets. Moses is, this day, experiencing the true Sabbath rest in Christ that one day all Christians will share (Hebrews 4:9).
   ellauri164.html on line 524: Now there was no water for the congregation. And they assembled themselves together against Moses and against Aaron. And the people quarreled with Moses and said, “Would that we had perished when our brothers perished before the Lord! Why have you brought the assembly of the Lord into this wilderness, that we should die here, both we and our cattle? And why have you made us come up out of Egypt to bring us to this wretched place which has neither grain nor figs nor vines nor pomegranates? Here there is not even water to drink!” But Moses and Aaron went way from the assembly to the entrance of the meeting tent, where they fell prostrate.
   ellauri164.html on line 564: They angrily inquired, "Why have ye brought up the congregation of the Lord into this wilderness, that we and our cattle should die there? And wherefore have ye made us to come up out of Egypt, to bring us in unto this evil place? it is no place of seed, or of figs, or of vines, or of pomegranates; neither is there any water to drink. What the fuck, you call this a promised land?
   ellauri164.html on line 802: In the first month the whole Israelite community arrived at the Desert of Zin, and they stayed at Kadesh. There Miriam died and was buried. (2) Now there was no water for the community, and the people gathered in opposition to Moses and Aaron. (3) They quarreled with Moses and said, "If only we had died when our brothers fell dead before the LORD! (4) Why did you bring the LORD's community into this desert, that we and our livestock should die here? (5) Why did you bring us up out of Egypt to this terrible place? It has no grain or figs, grapevines or pomegranates. And there is no water to drink!" (6) Moses and Aaron went from the assembly to the entrance to the Tent of Meeting and fell facedown, and the glory of the LORD appeared to them. (7) The LORD said to Moses, (8) "Take the staff, and you and your brother Aaron gather the assembly together. Speak to that rock before their eyes and it will pour out its water. You will bring water out of the rock for the community so they and their livestock can drink." (9) So Moses took the staff from the LORD's presence, just as he commanded him. (10) He and Aaron gathered the assembly together in front of the rock and Moses said to them, "Listen, you rebels, must we bring you water out of this rock?" (11) Then Moses raised his arm and struck the rock twice with his staff. Water gushed out, and the community and their livestock drank. (12) But the LORD said to Moses and Aaron, "Because you did not trust in me enough to honor me as holy in the sight of the Israelites, you will not bring this community into the land I give them." (13) These were the waters of Meribah, [1] where the Israelites quarreled with the LORD and where he showed himself holy among them.
   ellauri164.html on line 871: This pattern shows itself again in the beginning of Numbers 20 after the death of Miriam. Once more Israel rebels against Moses and Aaron, this time over a lack of water in the desert of Zin. They claim that it would have been better to have died with Korah’s rebellion rather than wander without food and water, and they express regret over leaving Egypt, a land of “grain, figs, vines, and pomegranates.” This might seem a bold claim, since in our reading Korah has just died a few chapters earlier. Careful reading, however, indicates that there’s actually been a quiet time skip; Numbers 33:38 indicates that Aaron died in “the fortieth year after the sons of Israel had come from the land of Egypt, on the first day in the fifth month.” Given that Aaron’s death is recorded in Chapter 20, just a few verses after the episode at Meribah, this would indicate that the episode at Meribah occurred in year 38 of the 40 year wandering in the wilderness (remember that Israel had spent more than a year at Sinai in addition to travel time from Egypt to Sinai and from Sinai to the Promised Land before the wandering). This means that this rebellious generation of Israelites aren’t referencing a recent event, but instead wishing they had died nearly forty years earlier with Korah! Moses and Aaron have been dealing with this wicked and hard group of people for a very long time, and they are now claiming it would have been better to have died with Korah: a fate they were only spared because of Moses and Aaron’s own intercession!
   ellauri164.html on line 900: “The smitten rock was a figure of Christ, and through this symbol the most precious spiritual truths are taught. As the life-giving waters flowed from the smitten rock, so from Christ, ‘smitten of God,’ ‘wounded for our transgressions,’ ‘bruised for our iniquities’ (Isaiah 53:4–5), the stream of salvation flows for a lost race. As the rock had been once smitten, so Christ was to be ‘once offered to bear the sins of many.’ Hebrews 9:28.” –Patriarchs and Prophets, p. 411
   ellauri164.html on line 908: “By his rash act Moses took away the force of the lesson that God purposed to teach. The rock, being a symbol of Christ, had been once smitten, as Christ was to be once offered. The second time it was needful only to speak to the rock, as we have only to ask for blessings in the name of Jesus. By the second smiting of the rock the significance of this beautiful figure of Christ was destroyed.” –Patriarchs and Prophets, p. 418
   ellauri164.html on line 925: Yet this is the same Moses who was allowed to come and speak to Jesus on the Mount of Transfiguration. It was the same Moses who received the wonderful testimony that “Moses indeed was faithful in all his house as a servant.” So, it is abundantly clear that God forgave him of this sin and still considered him to be among His greatest servants (Lk. 9:30-31; Heb. 3:5). This makes this event very important as it can bring hope and comfort to us when we have fallen short, and after repentance feel that we are no longer worthy and might still be cast away forever. This event reveals that this cannot happen as long as we repent and seek forgiveness in confession.
   ellauri164.html on line 965: First the comparison: this generation’s complaint about the lack of water is very different from that of the first generation. Although in both cases the people ask rhetorically why they have been brought out of Egypt, in this case, they bitterly object that in ” . . . this wretched place, a place with no grain or figs or vines or pomegranates. There is not even water to drink!” (Num. 20:5). This is a generation that is ready to enter the Land, and is worried that it will not live to do so.
   ellauri171.html on line 5: figcaption {
   ellauri171.html on line 35: <figcaption>Foinikian portto Iisebel laittamassa kukkaa tukkaan ja silmiin kajalia. Varmaan maalaa kohta varpaankynnetkin. Hyi häpeä! Ihan kuin Laina-täti.figcaption>
   ellauri171.html on line 57: <figcaption>God's Curse softened by neat fur shorts and Tissot wristwatch courtesy of Mr. Snake (left).figcaption>
   ellauri171.html on line 67: <figcaption>
   ellauri171.html on line 68: Sarah salakuuntelee kolmea vierailijaa jotka vahvistaa, että hän odottaa. Cod (kasvot kameraan) kuulee hänen nauravan.figcaption>
   ellauri171.html on line 77: <figcaption>
   ellauri171.html on line 78: Rebeka kaataa vettä samalla kun Eliezer tutkii hänen tissään. Lehmät osoittavat lievää kiinnostusta meininkiä kohtaan.figcaption>
   ellauri171.html on line 87: <figcaption>Jacob declares his love for Rachel. Jaakopin kalukukkaro pilkistää Easaulta förbitystä nahkatakista. Luotathan? Aladdin pikemmin kuin Saladdin.figcaption>
   ellauri171.html on line 95: <figcaption>Raakelin nukella oli päässä Afrikan tähden pelinappula. figcaption>
   ellauri171.html on line 111: <figcaption>Lea ei ollut yhtään hullumman näköinen saatuaan moniteholasit. Liisa on mustasukkainen Marjasta.figcaption>
   ellauri171.html on line 119: <figcaption>Ei minun poikani, löysin tämän vain Amazonista.figcaption>
   ellauri171.html on line 129: <figcaption>Miriam: Paha tapaus spitaalista ja henkisestä egostafigcaption>
   ellauri171.html on line 140: <figcaption>Makuuhuoneeni on tuollapäin. Älkää unohtako alapesua!figcaption>
   ellauri171.html on line 152: <figcaption>Ei tässä Barak Obamaa kaivata, me selvitään Jaelin kanssa hyvin kaxistaan.figcaption>
   ellauri171.html on line 161: <figcaption>Samsonin kampaus alkaa olla valmis. Huomaa hieno kellonranneke.figcaption>
   ellauri171.html on line 173: <figcaption>Ruth Spirits Away the Barley by James J. Tissot. Vatipää Boas yllättää sen ize teosta. Rumempi neizyt kazoo vahingoniloisena sivusta.figcaption>
   ellauri171.html on line 188: <figcaption>Answers: Vastaukset: Lopeta valittaminen. Ole hiljaa ja jatka puimista. Pyllistä jotta sadon herra voi jatkaa naimista. Sinun arvauksesi on yhtä hyvä kuin minun, pelottava.figcaption>
   ellauri171.html on line 194: <figcaption>Hannah vie Samuelin päivähoitoon. Elin jalka pilkistää surtuutista. Samu tarraa mamin hameeseen..figcaption>
   ellauri171.html on line 204: <figcaption>Bathsheba was quite a dish. Uriel released her to Public Domain.figcaption>
   ellauri171.html on line 213: <figcaption>Iisebel "neuvoo" James Tissotin Ahabia. Pane merkille puolipaljaat tissit ja lantio. Ahab on "ottamassa neuvot vastaan" silmä kovana.figcaption>
   ellauri171.html on line 215: Jacques Joseph Tissot (French: [tiso]; 15 October 1836 – 8 August 1902), Anglicized as James Tissot (/ˈtɪsoʊ/), was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and figures from the Bible.
   ellauri171.html on line 227: <figcaption>
   ellauri171.html on line 228: Esther feasts with Ahasverus the king by James Tissot. Söpöt juutalaistytöt pyörittää purim-räikkiä. Karvanaama vas. on joko Mordechai tai Haman. Vaikea sanoa.figcaption>
   ellauri171.html on line 237: <figcaption>Mary's assumption turned out correct, after a long patriarchal controversy in the consile. The penetrator was Archangel Gabriel.figcaption>
   ellauri171.html on line 246: <figcaption>Kroppsvisitation av Carl Heinrich Bloch. Look! Olisitpa nähnyt sen joka pääsi karkuun!figcaption>
   ellauri171.html on line 259: <figcaption>Vizi se on nyt sun vuoro tiskata Mary! Martha, älä jaxa! Jeesus tarvizee mua nyt kipeästi.figcaption>
   ellauri171.html on line 268: <figcaption>Juudas: - Vizi Jepa extoi mee nyt jo vähän pitkälle? Noikin rahat ois voinu käyttää köyhille.
   Jeesus: - Älä nyt tuu! Tää tuntuu tosi kivalta! Ei meiltä köyhät lopu!figcaption>
   ellauri171.html on line 281: <figcaption>Muinaista jalkafetishishmiä ja modernimpaa podofiliaa. Jeesus kazoo Mariaa syrjäsilmällä vaikkei sen T:t ole kovin kummoset.figcaption>
   ellauri171.html on line 388: What’s the story really about? At the time the story of Cain and Abel developed, there was constant friction between farmers and herdsmen, both of them fighting for the limited resources of the land. Cain kills Abel. A herd of goats in a stony, barren landscape The herdsmen were angry when the farmers took over the best land for their crops the farmers were angry when the flocks trampled their crops.This friction leads to violence in which people get killed. Notice that the story was developed by the herdsmen, the keepers of flocks. This explains why Abel, the herdsman, is portrayed as the injured party. Lucky Luke-tarinassa Piikkilankoja preerialla skooparit repi pelihousunsa kun jyväjemmarit pystyttivät piikkilankoja preerialle. Sillä kertaa oli maajussit hyvixiä. Nyt on keskusta taas paha.
   ellauri171.html on line 391: <figcaption>Bugger it!figcaption>
   ellauri171.html on line 410: <figcaption>Saisiko olla pikkuleipiä... Saisiko olla veiziä...figcaption>
   ellauri171.html on line 433: <figcaption>Faaraon tytär uimasillaan ilman uimapukua? Kuka sitten kazoo päältä rannalla? Selityxen mukaan se on Mirjami. Ketä ne 2 muuta nakupelleä sitten ovat? Kotisisarharjottelijoitako? Onko hahmo vasemmalla miekkonen? Jos ne on isäfaarao ja äitifaarao.figcaption>
   ellauri171.html on line 451: <figcaption>Bible Murders: Judith and Holofernes. Caravaggio's graphic painting of the moment when Judith hacks off the head of Holofernes; notice her maidservant waiting grimly in the background!figcaption>
   ellauri171.html on line 471: <figcaption>Dog's dinner. Serve her right, goddam immigrant!figcaption>
   ellauri171.html on line 495: <figcaption>Oh fuck.figcaption>
   ellauri171.html on line 557: They ask that Shechem and all the able-bodied men of in his territory, all the men capable of going out to fight in an emergency, be circumcised.
   ellauri171.html on line 594: <figcaption>Confusing pic. What gives? Ah, this is not Jacob's bad boys revenging on the skinned guys but rather the motivating scene, naughty foreigner kidnapping Dinah, giving cause to the subsequent genocide. Figures. Dinah looks a little heavy for Shechem. figcaption>
   ellauri171.html on line 671: <figcaption>Ang babaeng IPINAGAHASA at KINATAY ng kanyang asawa 😢 (The Levite’s Concubine)figcaption>
   ellauri171.html on line 735: <figcaption>Jael ei ole ensimmäistä kertaa pappia kyydissä!figcaption>
   ellauri171.html on line 752: <figcaption>Pizza the Hut. No shit!figcaption>
   ellauri171.html on line 768: <figcaption>Daddy! Help! Mom is dying! Uncle Harry is trying to blow mommy's balloons and mommy is crying: Oh lord I'm coming!figcaption>
   ellauri171.html on line 920: <figcaption>The last days of Ugaritfigcaption>
   ellauri171.html on line 961: Canaanite deities such as Baal were represented by figures which were placed in shrines, often on hilltops, or 'high places' surrounded by groves of trees, such as is condemned in the Hebrew Bible, in Hosea (v 13a) which would probably hold the Asherah pole, and standing stones or pillars.
   ellauri171.html on line 1024: In recent years, scholars have tried to reclaim the shadowy female figures whose tales are often only partially told in the Bible. Rehabilitating Jezebel’s stained reputation is an arduous task, however, for she is a difficult woman to like. She is not a heroic fighter like Deborah, a devoted sister like Miriam or a cherished wife like Ruth. Jezebel cannot even be compared with the Bible’s other bad girls—Potiphar’s wife and Delilah—for no good comes from Jezebel’s deeds. These other women may be bad, but Jezebel is the worst.
   ellauri171.html on line 1092: <figcaption>Judah scents no foul play. Nothing out of the ordinary.figcaption>
   ellauri171.html on line 1147: <figcaption>I'm feeling a lot better already! Please some more cake sis!figcaption>
   ellauri172.html on line 5: figcaption {
   ellauri172.html on line 41: <figcaption>Viimeinenkin pala palapelistä on paikoillaan. Nyt voi alkaa loppurytistys.figcaption>
   ellauri172.html on line 206: Saul, coraggioso guerriero, fu incoronato re di Israele su richiesta del popolo e consacrato dal sacerdote Samuele, che lo unse in nome di Dio. Col tempo, però, Saul si allontanò da Dio finendo per compiere diversi atti di empietà. Allora Samuele, su ordine del Signore, consacrò re un umile pastore: David. Questi fu chiamato alla corte di Saul per placare con il suo canto l'animo del re, e lì riuscì ad ottenere l'amicizia di Gionata, figlio del re, e la mano della giovane figlia di Saul, Micol.
   ellauri172.html on line 214: Nell'ultimo atto, Saul prevede in un incubo la propria morte e quella dei suoi figli e con una visione piena di sangue si ridesta, e coglie la realtà dei fatti: i Filistei li stanno attaccando, e l'esercito israelita non riesce a difendersi. A questo punto Saul ritrova se stesso, e uccidendosi riconquista l'integrità di uomo e di re.
   ellauri172.html on line 217: <figcaption>2 vihtoria kukkoilee pikkuhousuissa. Ei tosiaankaan mitään sanskulotteja.
   Vänskä on toi millä on tommottii turkkulaine Tommi Taberman-Sauli Niinistö frisyyri. figcaption>
   ellauri172.html on line 270: <figcaption>
   ellauri172.html on line 272: figcaption>
   ellauri172.html on line 616: Palataxemme sarvijäärään: elle se mit à briller au milieu de ces filles brunes d’Espagne, comme un diamant dans une torsade de jais. Ce fut là qu’elle commença de produire sur les hommes ces effets d’acharnement qui tenaient, sans doute, à la composition diabolique de son être, et qui faisaient d’elle la plus enragée des courtisanes, avec la figure d’une des plus célestes madones de Raphaël.
   ellauri172.html on line 652: « — Bah ! — fit-elle lentement, quoique la teinte d’incarnat que je voulais boire sur son adorable et exécrable visage se fût foncée à la pensée que je lui donnais. — Bah ! vos frénésies à vous sont finies. — Et elle mit le cachet sur la cire bouillante de la lettre, qui s’éteignit et se figea.
   ellauri172.html on line 690: « — Eh bien ! puisque tu le veux, le voilà, le cœur de ton marmot, catin déhontée ! — dit le major. Et il lui battit la figure de ce cœur qu’il avait adoré, et le lui lança à la tête comme un projectile. L’abîme appelle l’abîme, dit-on. Le sacrilège créa le sacrilège. La Pudica, hors d’elle, fit ce qu’avait fait le major. Elle rejeta à sa tête le cœur de cet enfant, qu’elle aurait peut-être gardé s’il n’avait pas été de lui, l’homme exécré, à qui elle eût voulu rendre torture pour torture, ignominie pour ignominie ! C’est la première fois, certainement, que si hideuse chose se soit vue ! un père et une mère se souffletant tour à tour le visage, avec le cœur mort de leur enfant !
   ellauri172.html on line 871: Les Paysans, 1844-1854, roman inachevé d'Honoré de Balzac, terminé par sa veuve la Comtesse Hanska : le personnage de l'abbé Brossette. Il vit pauvrement dans un village où les paysans le méprisent, mais il est reçu par le comte de Montcornet riche propriétaire. Dans Béatrix, ce même abbé est directeur de conscience de Béatrix de Rochefide, une figure de la haute société parisienne.
   ellauri180.html on line 5: figcaption {
   ellauri180.html on line 43: <figcaption>Vampyyrityttöjä kaikkia makuja. Elena Dobrov (kesk.) on Balkanilta. figcaption>
   ellauri180.html on line 55: Elena has received mainly positive reviews. Steve West of the Cinema Blend compared the story of The Young Adult Vampire Diaries and the character of Elena to the 10 years older popular vampire franchise, Twilight, and its protagonist Bella Swan. West said "Clearly Elena is way hotter than Bella, she has two immortal young adult vampires fighting over her". (Täähän on jo moneen kertaan nähty: chick litissä tytöllä pitää ollä väh. 2 kosijaa, ei se muuten ole mistään kotoisin.) After the vampire episodes, Elena established her own medical practice, specialising in blood diseases.
   ellauri180.html on line 59: <figcaption>Bella ja Elena poikaystävineen. Jotenkin mä pidän Bellasta silti ehkä enemmän. Sen vampyyrikin näyttää kiltimmältä.figcaption>
   ellauri180.html on line 111: <figure style="float:right;width:20%">
   ellauri180.html on line 113: figure>
   ellauri180.html on line 187: Others believe that circumcision arose as a mark of defilement or slavery (fig. 1). In ancient Egypt captured warriors were often mutilated before being condemned to the slavery. Amputation of digits and castration was common, but the morbidity was high and their resultant value as slaves was reduced. However, circumcision was just as degrading and evolved as a sufficiently humiliating compromise. Eventually, all male descendents of these slaves were circumcised. The Phoenicians, and later the Jews who were largely enslaved, adopted and ritualized circumcision. In time, circumcision was incorporated into Judaic religious practice and viewed as an outward sign of a covenant between God and man (Genesis XVI, Fig. 2).
   ellauri180.html on line 200: The turn of the 19th century was also an important time in laying the foundations of surgical technique. Sir Frederick Treves (1903) provides us with a comprehensive account of basic surgical principles that remain today. Like most of his contemporaries, he used scissors to remove the prepuce (fig. 5) and describes ligation of the frenular artery as being mandatory' in the adult. He also warns against the excess removal of skin, as this may lead to chordee.
   ellauri180.html on line 228: However, during the two World Wars, governments became increasingly interested in reducing the risk of venereal disease amongst their soldiers. Clearly, such pathology can have a profound effect on the efficiency of fighting armis. Indeed, in 1947 the Canadian Army found that whereas 52% of their soldiers had foreskins intact, 77% of those treated for venereal disease were uncircumcised. Persuasive arguments to circumcise all conscripts were proposed. Furthermore, it was an age-old observation, and indigenous African healers had promoted circumcision to prevent the transmission of sexually transmitted disease for centuries. As might be expected, the evidence did not withstand further scientific scrutiny and numerous contradictions were provided. However, there has recently been startling evidence that HIV infection is significantly associated with the uncircumcised status. Indeed, one author has recently suggested routine neonatal circumcision on a world-wide scale as a long-term strategy for the control of AIDS: a whole new chapter opens in this ancient debate!
   ellauri180.html on line 307: <figure style="float:right;width:30%">
   ellauri180.html on line 309: <figcaption>Things to note: Bobby looks far away, Lori (or whatever) looks at him. Bobby is up front, Lori stands back. Bobby is fully dressed, Lori shows tits and navel. Bobby is white & has neat white clothes, Lori is WOC & wears dirty neolithic gear. Bobby frowns, Lori smirks like a puppy. Zadaa! By the rivers of Babylon...figcaption>
   ellauri180.html on line 310: figure>
   ellauri180.html on line 603: <figcaption> A Skeleton in the Closet: A Novel by Emma Dorothy Eliza Nevitte Southworthfigcaption>
   ellauri181.html on line 5: figcaption {
   ellauri181.html on line 78: <figcaption>Max ja Franz Speedo-uimahousuissa in dieser schlechten Montage.figcaption>
   ellauri181.html on line 91: „Ist ja eh wurscht“, könnte man sagen, wie jener Kustode der kleinen Ausstellung in Kafkas Sterbehaus bei Wien. Auf das Kürzel „mos.“ in der Sterbeurkunde hingewiesen, grübelt er vor laufender Kamera, ob Kafka wohl Moslem gewesen sei. Die Religionszugehörigkeit „mosaisch“ ist ihm nicht geläufig. Wer es mit Franz Kafka und Max Brod genau nimmt, muss sie ärgerlich finden.
   ellauri181.html on line 115: Must tuntuu et tää apinaraportti on Kafkan oma tarina. Se kexi juonen käydessään varieteessa kazomassa jotain Petteri-nimistä apinaa. Se oli ize mielestään apina joka ezi ulospääsytietä kodin käfigistä, vaihtoehtoina vakuutusfirman Zoo ja kirjailijanelämän varietee. Isä oli ampunut sitä naamaan sekä housuihin. Ransu ezi ulospääsytietä puskista.
   ellauri181.html on line 139: <figcaption>Theory of Basic Human Values Graphicfigcaption>
   ellauri181.html on line 210: The figure below provides a quick guide to values that conflict and those that are congruent. There are two bipolar dimensions. One “contrasz ‘openness to change’ and ‘conservation’ values. This dimension captures the conflict between values that emphasize independence of thought, action, and feelings and readiness for change (self-direction, stimulation) and values that emphasize order, self-restriction, preservation of the past, and resistance to change (security, conformity, tradition).”
   ellauri182.html on line 5: figcaption {
   ellauri182.html on line 35: <figcaption>Japanilainen kärpäspaperikääröfigcaption>
   ellauri182.html on line 100: <figcaption>Venla selittää Banaanin leffan eiku kirjan juontafigcaption>
   ellauri182.html on line 335: <figcaption>Facial expressions showing frustration and determination are subconscious calls for help.figcaption>
   ellauri182.html on line 399: <figcaption>Ukrainan selkkaus. Putin oikealla. Taka-alalta lähestyy Sale Niinistö rauhanlehvä suussa.figcaption>
   ellauri182.html on line 452: <figcaption>Touhosu! This is the enlightened mind. The mind that is beyond duality. Limitless and formless. Infinite.figcaption>
   ellauri183.html on line 5: figcaption {
   ellauri183.html on line 86: In a 1974 New York Review of Boox essay, Roth took on Malamud, his friend and literary father-figure, criticizing him for creating characters that were suffering Jews, virtuous victims, full of “righteousness and restraint,” lacking their stereotypical “libidinous or aggressive activities.” Though he didn’t use the phrase, Malamud had painted them as Christ-like in their poverty, pain, moral goodness, and quest for redemption. By contrast, the Christian characters, like Frank Alpine, were full of sexual lust and transgressive behavior — the bad goy to Morris Bober’s good Jew. “The Assistant,” Roth wrote, was a book of “stern morality.”
   ellauri183.html on line 137: <figcaption>Shylock ja Jessica kristittyjen silminfigcaption>
   ellauri183.html on line 142: <figcaption>Shylock ja Jessica juutalaisten silminfigcaption>
   ellauri183.html on line 174: However, Kierkegaard's Abraham does not just provide a paradigm of religious faith. If he is an admirable figure in spite of his murderous intentions, this is because he confronz with courage the loss of the person whom he loves most dearly. According to Kierkegaard, Abraham is a hero not by virtue of his obedience to God's command, but because he maintains his relationship to Isaac after giving him up.
   
   ellauri183.html on line 178: <figcaption>Clare Carlisle saarnaa saxalaisille Kierkegaard faneillefigcaption>
   ellauri183.html on line 198: <figure>
   ellauri183.html on line 201: <figcaption>Claire on melkoinen Sören-lookalike. Tulee mieleen Bananan Eriko.figcaption>
   ellauri183.html on line 202: figure>
   ellauri183.html on line 281: <figcaption>Calvin Cohnin kanttori-isä lauloi tätä Sederinä levyltä. Apinat tanssivat.figcaption>
   ellauri183.html on line 358: <figcaption>Tätä biisiä Cohnin levytetty isä joihkasi simpanssien syömälle paviaanityttö Sara Kolehmaiselle. Babiaanit eivät tulleet peijaisiin vaan luskuttivat kalliolta vihaisesti chimpeille.figcaption>
   ellauri183.html on line 543: <figcaption>Bobov Rebbe Shlita dancing Mitzva Tantz at Weddingfigcaption>
   ellauri183.html on line 571: <figcaption>Uppistalallaa!figcaption>
   ellauri184.html on line 5: figcaption {
   ellauri184.html on line 48: During his time in the Philippines, Mailer was first assigned to regimental headquarters as a typist, then assigned as a wire lineman. In early 1945, after volunteering for a reconnaissance platoon, he completed more than two dozen patrols in contested territory, and engaged in a few firefights and skirmishes. After the Japanese surrender, he was sent to Japan as part of the army of occupation, was promoted to sergeant, and became a first cook and argued about his girth.
   ellauri184.html on line 244: <figcaption>Mixi Manassella on tässä kartassa 2 aluetta kun muilla on vaan 1? Mikä on olotilanne? Mixi yxityisajattelijaa näin suositaan?figcaption>
   ellauri184.html on line 253: <figcaption>Tässä kartassa Manassen porukoilla on 1 tosi iso pala muttei Kennerethin itärantaa, se on aramealaisilla. Ketä uskoa?figcaption>
   ellauri184.html on line 261: Ukraine’s foreign minister tells his US counterpart in a meeting that his country needs fighter jets and air defence systems and has called NATO’s refusal to implement a no-fly zone over Ukraine a “sign of weakness”. Buk-buk-buk chickens!
   ellauri184.html on line 646: Jesus was crucified between two other “robbers”. The original Greek texts speak of lestai (Mt, Mk). Lestes is the Greek translation of the Latin latro. Both terms have a similarly broad semantic meaning. What is important in our context is that latro and lestes denote not only a street robber but also a resistance- and guerilla fighter. It is likely that no one perceived Jesus as a guerilla fighter, but the term lestes is even broader than the English terms robber, bandit, or resistance fighter, it includes terrorist.
   ellauri184.html on line 651: To the average inhabitant of the Roman Empire, the manifold itinerant groups of magicians, sophists, cynics, other philosophers, astrologers, prophets, and eventually also Christians, must have appeared basically the same. These oscillating and enigmatic figures were simultaneously admired and despised for their "otherness". Why was Jesus able to appear as a radical itinerant preacher? He did not call for a political upheaval. Nevertheless, his messianic “program” was radical in its postulation of a proximity to God that had hitherto been unheard of and was based on the deliberate breaking of taboos and social conventions.
   ellauri184.html on line 671: figure mentioned in the New Testament, in
   ellauri185.html on line 5: figcaption {
   ellauri185.html on line 121: <figcaption>Daavid lyrisoi Saulille aika karkkipoikana.figcaption>
   ellauri185.html on line 166: In sostanza, il Cortegiano si presenta quale «moderno erede della pedagogia umanistica» in quanto l'uomo che vi si raffigura è «un uomo versatile e aperto, duttile e completo; è esperto di armi e di politica, ma sa anche di lettere, filosofia ed arti, è raffinato ma senza affettazione, è coraggioso e valente, ma senza ostentazione». In sostanza, è un trattato di pedagogia rivolto a chi vive nel mondo ristretto ed elitario delle corti.
   ellauri185.html on line 857: Bellow’s bad temper in the late ’60s was by no means directed exclusively at would-be biographers, radical students and aggrieved wives. Bellow had so many targets to attack, whether insulting them face to face or in blistering letters or put-downs circulated through intermediaries. One of his favorite one-liners ran: “Let’s you and him fight.” The most salient recipients of Bellow’s bad temper in this biography were his three sons, each from a different mother — the oldest 21 when this volume starts, the youngest just 1 year old and about to be abandoned after yet another divorce.
   ellauri188.html on line 5: figcaption {
   ellauri188.html on line 130: It is perhaps appropriate to describe briefly, in this connection, the agricultural conditions in Typee Vai, the valley on Nukuhiva made famous by Melville's classie "Typee." It will be remembered by those who have read his narrative that he escaped from his ship. in Taiohae Bay in 1842 and was held a prisoner for many months by the eannibals of Typee. At that time he figured the inhabitants of the valley as repre sented by about 2,000 souls, with perhaps 2,000 more in the neighboring valley of Houmi. A period of 80 years has elapsed (not a long time historically) be tween his sojourn there and my visit in 1922. In November of that year I found 44 people in Typee, and 65 in Houmi, though from Pere Simeon Delmar, the charming and self-sacrificing priest at Taiohae, who is in close touch with all his people, I learned. that the death rate in Typee had been normal for several years and that one or two families there had many children. I was astonished at the appearance of Typee Valley; for, from reading "White Shadows" and from
   ellauri188.html on line 142: Referring to the last paragraph in Mr. Wester's communication-It would appear that if one is dependent, as was the writer, upon trading schooners to get from Tahiti to the Marquesas, then amongst these islands and return to Tahiti, his program for work in these two groups would take more than a year and his estimate of expense might, in consequence, be exceeded. Sometimes one is obliged to wait from one month to three to get the opportunity to move from one island in the Marquesas to another forty or fifty or eighty miles away, so rare and uncertain are the visits of these schooners. Further, in the absence of any regular means of communication, one has to seize any chance opportunity of transportation or run the risk of being marooned for a long period. On the other hand, if a schooner were chartered, which is the best possible way of visiting and working among the South Sea Islands, schooner, captain, crew and provisions would cost about $1,000 per month (this figure was obtained from an authoritative source) and a year on shipboard might not be needed. Under such conditions Mr. Wester's calculation of $8,500 for a year's work in the Marquesas and Societies may not be far out of the way.
   ellauri188.html on line 380: <figcaption>Melvillen kanssa Acushnet-alukselta Nuku Hivalla karannut Richard Tobias "Toby" Greene ja Hermanni. Söpöjä meripoikia.figcaption>
   ellauri189.html on line 5: figcaption {
   ellauri189.html on line 35: <figcaption>Imutusta 2 vuosisadan takaa...figcaption>
   ellauri189.html on line 42: <figcaption>Muslimit ripustivat kasakoita koukkuun. Vuoroin vieraissa käydään! Long live free Ukraine!figcaption>
   ellauri189.html on line 79: In 1825 Antoni Malczewski published a long poem, Maria (Marya: A Tale of the Ukraine), which constitutes his only contribution to Polish poetry but occupies a permanent place there as a widely imitated example of the so-called Polish-Ukrainian poetic school. In the poem, Wacław, a young husband, goes to fight the Tatars and, after routing the raiders, hurries home to his wife, Maria. All he finds is a cold corpse. Yeah, great. Oh fuck. What's the use. The poem makes use of diversified rhythms and carefully chosen rhymes; and its Byronic hero, as well as its picture of Ukraine as a land of sombre charm, assured Malczewski both popularity and critical applause.
   ellauri189.html on line 112: Before engaging in battle Wacław visits his father-in-law and Maria (who slowly fades away, feeding on an ever-diminishing hope) to bring them the good news. The patriotic miecznik cannot, in spite of his advanced age, refrain from joining the band of his son-in-law, leaving his home and daughter without protection. The Tartars are finally (but not without difficulty) defeated and Wacław, in exultant mood, rides by night over the boundless steppe to unite with his wife as the messenger of victory. When he arrives, the manor-house of the miecznik appears to be abandoned. There are no signs of life. Entering a room, he discovers Maria, lying on a couch, her clothes in disorder, like a marble statue. It is evident that her vital strength has been extinguished, but he tries to make himself believe that she has only fainted and rushes out of the house, shouting: “O, water, water!”. Thereupon the “small figure” of a melancholy youth (“pacholę”) jumps from the thicket and relates to Wacław the events that have happened.
   ellauri189.html on line 442: <figcaption>Please be respectful of copyright, says National Geographic. Samaa voisi sanoa J. Kastaja.figcaption>
   ellauri189.html on line 601: <figcaption>Telenor (norjalainen telealan konserni): ravaan Pakistanissafigcaption>
   ellauri189.html on line 720: <figcaption>Im a Kurd and Baluchis are our Brothers. Big Respect with Love!figcaption>
   ellauri189.html on line 743: <figcaption>Im a Jew and Pashtuns are our Brothers. Big Respect with Love!figcaption>
   ellauri189.html on line 849: <figcaption>Im a Russian and Ukrainians are our Brothers. Big Respect with Love!figcaption>
   ellauri190.html on line 5: figcaption {
   ellauri190.html on line 35: <figcaption>Tällä kertaa on kasakalla tataarin irtopää koukussa.figcaption>
   ellauri190.html on line 46: <figcaption>Koko tarina pähkinänkuoressa.figcaption>
   ellauri190.html on line 93: <figcaption>Käpsekkien reviirifigcaption>
   ellauri190.html on line 108: <figcaption>Petsenegien palstafigcaption>
   ellauri190.html on line 122: <figcaption>Laukkutsuhna.figcaption>
   ellauri190.html on line 143: <figcaption>Tsuhniafigcaption>
   ellauri190.html on line 154: <figcaption>Kiovan ryssiäfigcaption>
   ellauri190.html on line 183: <figcaption>Hevosmiesten areenafigcaption>
   ellauri190.html on line 208: <figcaption>Novgorodin länttifigcaption>
   ellauri190.html on line 271: Also, during the 16th century, many thousands of random men, mostly young, robust, and adventure-seeking guys from all over Ukraine (compare today's immigrants), traveled to the lower Dnipro river, where the enormous rapids prevented the movement of battleships up from the Black Sea, and decided to call themselves, say, Kozaks. These Kozaks warriors wanted to defend the Orthodox Christian Ukrainian lands from the attacks of the Ottoman Turks. They founded their own city and fortress, called Sich, on the island of Khortytsya in the middle of the Dnipro river. There, they gathered in summertime, trained, and raided the steppes, fighting the Turkish and the Tatar troops from the Crimea. They also built ships and made sea raids on Istanbul and on Crimean seaports, freeing Christian captives whom the Turks and the Tatars enslaved. In winter, the Kozaks dispersed and lived close to the Dnipro banks as independent owners of their hamlets. At the beginning of the 17th century, the Kozaks became a formidable military force and a kind of a self-governing state with their own elected leaders and laws.
   ellauri190.html on line 320: <figcaption>Hra Petteri oli suuri syntinenfigcaption>
   ellauri190.html on line 329: <figcaption>Hra Melperi oli Marlboroughin herttua, muuten suht synnitön mutta kova malboromies.figcaption>
   ellauri190.html on line 448: Alp Arslan was the second Sultan of the Seljuq Empire and great-grandson of Seljuq, the eponymous founder of the dynasty. His real name was Muhammad bin Dawud Chaghri, and for his military prowess, personal valour, and fighting skills he ob...
   ellauri191.html on line 6: figcaption {
   ellauri191.html on line 36: <figcaption>To Alfred Nobel in 1866, in recognition of a step forward into making bombs, which has helped growth explosion in a lot of ways.figcaption>
   ellauri192.html on line 6: figcaption {
   ellauri192.html on line 36: <figcaption>Trubezh-joki Jaroslavissa. Trubezh is also the Russian name of the 10x larger river Trubizh in Ukraine.figcaption>
   ellauri192.html on line 121: Je perds le goût de la poésie. Je la trouve de plus en plus puérile, comparé aux austères travaux de la science; les plus grands génies littéraires me semblent des enfants auprès du génie scientifique, qui, au lieu d’imiter et de défigurer la nature sous prétexte de la transfigurer par l’idéal et l’humain, l’étreint corps à corps, telle qu’elle est, et lui ouvre, doigt par doigt, ses mains fermées pour en arracher des lambeaux de vérité.
   ellauri192.html on line 249: <figcaption>Swedish academy member Katarina Frostenson and her husband, Jean-Claude Arnault, who is doing time for of multiple sexual assaults.figcaption>
   ellauri192.html on line 277: It is this natural parochialism that accounts for the awkward plethora of Scandinavian winners. Charity does seem to begin at home. The catalogue runs from the Swedish poet Verner von Heidenstam, crowned in 1916, and the Danish novelist Karl Gjellerup, chosen a year later, to Frans Eemil Sillanpaa of Finland and the more recent ''in-house'' choice of Harry Martinson. Of this longish list, only Knut Hamsun (1920) is an undoubtedly major nazi figure. Sillanpaa is so pathetic we don't even bother to find the outlandish dots that apparently mar his name.
   ellauri192.html on line 287: Lastly, there is the rumor of the blacklist. No outside observer can show that any such list exists, let alone how and when it was explicitly arrived at. But there are stubborn, unsettling indications. Behind them stands the enigmatic figure and afterlife of Dag Hammerskjold. In one or two cases, the choice of laureate seems to have been largely his. His chill displeasures seem not only to have had great influence, but to persist beyond the grave. The list of lepers, for motives which may, in some masked degree, go back to Hammarskjold's own politics and arcane sexuality, is rumored to include Graham Greene, G"unter Grass and Borges, as it did Malraux (passed over, to de Gaulle's just anger, in favor of a French poet-diplomat close to Hammarskjold, viz. Saint-John Perse). The mere fact that the Nobel Prize in Literature has long passed Borges by suffices to put the whole institution in doubt. But whether any such blacklist is real remains baffled conjecture.
   ellauri192.html on line 301: 2014 also marked the release of Tokarczuk’s most ambitious work, “The Books of Jacob,” the novel that set off much of the rancor directed at her by Polish nationalists. The book, which has yet to appear in English, is centered on the historical figure of Jakub Frank, a Jewish-born 18th-century religious leader. Frank, believed to have been born with the name Jakub Leibowicz, oversaw a messianic sect that incorporated significant portions of Christian practice into Judaism; he led mass baptisms of his followers. As Ruth Franklin reported in a New Yorker profile this past summer, Tokarczuk spent almost a decade researching Frank and the Poland in which he lived. The result is a book that, by the account of those who have read it, delivers a picture of the many intricate and unpredictable ways in which the story of Poland is tied to the story of its Jews. “There’s no Polish culture without Jewish culture,” Tokarczuk told Franklin. What else is new, asks Isaac Singer. Tokarczuk is not a Jewess, Tokarczuk considers herself a disciple of Carl Jung and cites his psychology as an inspiration for her literary work.
   ellauri192.html on line 323: Though the following list consists of notable literary figures deemed worthy of the prize, there have been some celebrated writers who were not considered nor even nominated such as Anton Chekhov, Jules Verne, Mark Twain, Robert Hugh Benson, Arthur Conan Doyle, Alexander Blok, Marcel Proust, Joseph Conrad, Rainer Maria Rilke, Federico García Lorca, Lu Xun, Sarat Chandra Chattopadhyay, Antonio Machado, Francis Scott Fitzgerald, James Joyce, Virginia Woolf, Simone Weil, Willa Cather, George Orwell, Galaktion Tabidze, Richard Wright, Flannery O'Connor, Langston Hughes and Jack Kerouac.
   ellauri192.html on line 534: <figcaption>Tässä kuvassa on Ivan Klima, ei siis Jaroslav, joka oli aivan eri sukupolvea.figcaption>
   ellauri192.html on line 719: <figcaption>Rohmutokon levinneisyys. Alkuperäinen levinneisyys vihreällä, punaisilla alueilla vieraslaji.figcaption>
   ellauri192.html on line 755: Охраняют лето, бьются до утра Defending the summer, fighting till the morning
   ellauri192.html on line 757: Джа Растафарай бьются до рассвета Jah Rastafari fighting till dawn
   ellauri192.html on line 770: Охраняют лето, бьются до утра Defending the summer, fighting till the morning
   ellauri192.html on line 772: Джа Растафарай бьются до рассвета Jah Rastafari fighting till dawn
   ellauri192.html on line 775: Охраняют лето, бьются до утра Defending the summer, fighting till the morning
   ellauri192.html on line 780: Охраняют лето, бьются до утра Defending the summer, fighting till the morning
   ellauri192.html on line 782: Джа Растафарай бьются до рассвета Jah Rastafari fighting till dawn
   ellauri192.html on line 833: <figcaption>Belarus President Lukashenko speaks ill of Lyapis during the Dazhynki harvest festival in Gorki, in September 2012.figcaption>
   ellauri194.html on line 6: figcaption {
   ellauri194.html on line 58: <figcaption>Jeesuxella saattaa olla modernia aseistusta ja kuolemansäteitä, mutta todennäköisemmin enimmäxeen hevosia nuolia ja jousia. Pedon miehillä ei ole kuin kaljut ilman kypäriä.figcaption>
   ellauri194.html on line 66: <figcaption>Rikkinäinen moottoritiesilta valtatie 66:lla. Surkeaa.figcaption>
   ellauri194.html on line 80: <figcaption>Tässä kuvassa pikku efelantit halailevat toisiaan järkyttyneinä silmät suizirenkaina. Mixi apinoiden synnit lasketaan meidän päällemme? Emmehän me maistaneet kiellettyä omenaa!?figcaption>
   ellauri194.html on line 82: <figcaption>Surulliset neuvostosotilaat riiputtavat käsiään. Ei tainnut tulla Ukrainan retkestä lasta eikä paskaakaan. Paska reisu mutta tulipahan tehtyä.figcaption>
   ellauri194.html on line 126: <figcaption>Uusintaottelu käydään nähtävästi 11 vuoden kuluttua. Siihen mennessä pitäisi ilmaston lämpenemisen olla pysäytetty apinoiden yhteisponnistuxella . Hahaa LOL. Huomaa masentuneen nuoren apinan kotipyssyt. Tagline should go here.figcaption>
   ellauri194.html on line 134: <figcaption>Aku Ankka visioi miltä näyttäisi Suomi 100 vuoden kuluttua. Nätti-Jussi työn touhussa.figcaption>
   ellauri194.html on line 354: <figcaption>जलता है साला मुझे मजनू Lanko poltteleeko vitun hullufigcaption>
   ellauri194.html on line 594:
4. Amarendranath Chatterjee – freedom fighter
   ellauri194.html on line 620:
5. Jogesh Chandra Chatterjee – Indian freedom fighter, activist and member of Rajya Sabha
   ellauri194.html on line 644:
6. Sarojini Naidu née Chattopadhyay – freedom fighter, poet
   ellauri194.html on line 684: <figcaption>Rypistynyt Niina Banerjee puhui suu kiinni mikissä Turun kirjailijapäivillä 2009 kätöset intialaisittain mytyssä.figcaption>
   ellauri194.html on line 735: <figcaption>Jenni Banerjee on Suomen Julie Roberts. Luupäistä saisi hyvän aisaparin jos omistaisi pienet kiesit.figcaption>
   ellauri194.html on line 750: <figcaption>Mihin sijoitit viimexi Jasmin Hamid? Jasmin on juoni tataari, ei se siihen sijoita mihin se kyykistyy.figcaption>
   ellauri194.html on line 814: <figcaption>Bill Gates ja Richard Branson keskustelivat Bitcoin Buyer CES 2020 -konferenssissa: Toimiiko Järjestelmä Oikeasti?figcaption>
   ellauri194.html on line 1008: <figcaption>SORRY we could not find that page.figcaption>
   ellauri194.html on line 1016: <figcaption>Meet our Company's Leader'sfigcaption>
   ellauri194.html on line 1039: Company Description: Cooler Technologies, Inc. is located in Venice, CA, United States and is part of the Computer Systems Design and Related Services Industry. Cooler Technologies, Inc. has 4 total employees across all of its locations and generates $269,745 in sales (USD). (Sales figure is modelled).
   ellauri196.html on line 6: figcaption {
   ellauri196.html on line 36: <figcaption>Pieter Brueghel, The Fall of Icarus (bottom right)figcaption>
   ellauri196.html on line 189: <figcaption>Auden elämänsä kunnossafigcaption>
   ellauri196.html on line 484: <figcaption>Valokuva henkilöstä Oma Profiili nuolemassa "jäzkiä".figcaption>
   ellauri196.html on line 738: Montale ha scritto relativamente poco. Il poeta può solo dire "ciò che non siamo": è la negatività esistenziale vissuta dall'uomo novecentesco dilaniato dal divenire storico. Pieni negatiivisuus ei ole ylläri, kun muistaa maailmansodat. Vaikkei tää 21. vuosisata juuri näytä positiivisemmalta. Il poeta crede di trovare una risposta, una soluzione al problema del "male di vivere": ad esempio, frutti di mare o alcune figure di donne. Montale esalta lo stoicismo etico di chi compie in qualsiasi situazione storica e politica il proprio dovere. Perche no il epicurismo? Tärkeintä sille oli la ricerca di propria dignità. No se pääsikin elinkautisexi senaattorixi. Eli taas tätä tuttua: tiukka mutru huuleen ja selkä vastatuuleen. Paska reisu mutta tulipahan tehtyä. Se trendas sotavuosina.
   ellauri196.html on line 743: <figcaption>Il poeta del male di vivere bon vivantfigcaption>
   ellauri196.html on line 818: Ahimè figlia adorata, vera mia Valitettavasti, rakas tyttäreni, todellinen
   ellauri196.html on line 844: <figcaption>Meningen med livetfigcaption>
   ellauri196.html on line 911: Manchmal vulgär, manchmal jugendlich-trotzig; hin und wieder obszön, häufig auch recht kühl. Die Gedichte als ihre frühesten Arbeiten sind weitgehend unbekannt und kaum besprochen. Dabei löste schon die erste Gedichtpublikation in der Zeitschrift der katholischen Jugend Aspekte 1967 einen kleinen Skandal aus. Die redaktionelle Verantwortliche Heide Pils wurde entlassen. Begründung: sittliche Gefährdung der jungen Leser, insbesondere der Priesterseminaristen..
   ellauri196.html on line 930: Damit hat der sexualisierte Gewaltakt ein Ende gefunden. Er zeigt aber noch Spuren, die in den Abschnitten sechs, sieben und acht deutlich werden. Es ist naheliegend, dass es sich um die Beine der zitierten Frauenfigur handelt, an denen das Ejakulat als „sein saft“ herabrinnt. „ein blasser nagel lieb / im frauen weiß / noch steckt / im talg“.
   ellauri197.html on line 6: figcaption {
   ellauri197.html on line 321: Overall in ‘How Happy I Was If I Could Forget’, the lack of clear details about what has happened to affect the narrator so, in addition to the confusion of verb tenses, subjects, and figurative language, creates an unclear work that perfectly depicts how unclear the narrator herself feels about her memory. Does she hate it? Does she want to keep it? Was it good? Was it bad? She does not seem to know, just as the reader cannot know the memory’s most vivid details.
   ellauri197.html on line 600: <figcaption>Tervetuloa länteen Andrei, hanttihommiin meidän landeen. Tää on tie taivaankanteen, tämä on tie vapauteen.figcaption>
   ellauri197.html on line 691: <figcaption>On Mikki merelle lähtenyt kaarnapurrellaan!figcaption>
   ellauri198.html on line 6: figcaption {
   ellauri198.html on line 36: <figcaption>Juankosken rautakaupan myymälänhoitajafigcaption>
   ellauri198.html on line 245: In 1934, strikers in Toledo, San Francisco and Minneapolis had all stood up to the police and National Guard from the start, done battle in the streets, and come out victorious. In 1936 and 1937, strikers at General Motor’s Flint, Michigan factories did the same, taking over plants and beating back police attacks. When workers were united and prepared to fight against the forces of their class enemies, they won!
   ellauri198.html on line 260: Esim Roland was the name of a real-life medieval military leader under Charlemagne who, more importantly, was the subject of the oldest surviving major work of French literature: an epic poem titled The Song of Roland. Roland was a loyal and trusting knight who was told to bring up the rear guard and burst his own temples open while sounding a horn too vigorously. What a way to go! In 1855, Robert Browning made the warrior the subject of his poem “Childe Roland to the Dark Tower Came,” which leads us back to Stephen King, of all the U.S. turds. It’s a bit incongruous to think of Dorff’s Roland West—an uncouth man who refers to “Saigon trim” and is eager to start a fight.
   ellauri198.html on line 473: As a man calls for wine before he fights, Kuten tyyppi joka juo ennen mazia
   ellauri198.html on line 476: Think first, fight afterwards - the soldier's art: Ammu ensin, kysy sitten - toimi näin!
   ellauri198.html on line 536: The fight must so have seemed in that fell cirque. Siltä näiden poikien sirkus näytti.
   ellauri198.html on line 594: Crouched like two bulls locked horn in horn in fight; Noi kaxi pakaraa on vihje mutkaton,
   ellauri198.html on line 667: <figcaption>Slughorn is the name of openSUSE's mascot for the YaST2 setup tool.figcaption>
   ellauri198.html on line 706: <figcaption>Robert Browning shortly after deathfigcaption>
   ellauri198.html on line 720: Beginning where book six left off, Jake Chambers and Father Callahan battle the evil infestation within the Dixie Pig, a vampire lounge in New York City featuring roast human flesh and doors to other worlds. After fighting off and destroying numerous "Low-Men" and Type One Vampires, Callahan sacrifices himself to let Jake survive. In the other world—Fedic—Mia, her body now physically separated from Susannah Dean, gives birth to Mordred Deschain, the biological son of Roland Deschain and Susannah. The Crimson King is also a "co-father" of this prophetic child, so it is not surprising when "baby" Mordred's first act is to shapeshift into a spider-creature and feast on his birth-mother. Susannah shoots but fails to kill Mordred, eliminates other agents of the Crimson King, and escapes to meet up with Jake at the cross-dimensional door beneath the Dixie Pig which connects to Fedic. Maturing at an accelerated rate, Mordred later stalks Roland and the other gunslingers throughout this adventure, shifting from human to spider as the need arises, seething with an instinctive rage toward Roland, his "white daddy."
   ellauri198.html on line 885: Hyperion was, along with his son Helios, a personification of the sun, with the two sometimes identified. John Keats's abandoned epic poem Hyperion is among the literary works that feature the figure.
   ellauri203.html on line 6: figcaption {
   ellauri203.html on line 105: <figcaption>Istochnikfigcaption>
   ellauri203.html on line 611: <figcaption>Claude Lorraine: Acis ja Galatea (mutta missä luuraa kyklooppi?)figcaption>
   ellauri203.html on line 695: Lewis is married, with children, and lives in Hastings, with a holiday apartment in Bad Ischl, Austria. He is a lover of good art and bullfighting. Mä luulen että se ajattelee olevansa vähän kuin Ernest Hemingway.
   ellauri204.html on line 6: figcaption {
   ellauri204.html on line 37: <figcaption>Viheriä Heikkifigcaption>
   ellauri204.html on line 146: <figcaption>Aiheeseen liittyvä kuva.figcaption>
   ellauri204.html on line 361: <figcaption>Odeysseuxella on päässä suivapoliisin korzumyssy. Kirke näyttää Tytti Yli-Viikarilta.figcaption>
   ellauri204.html on line 365: Hedwig von Beit vermutet nach Vergleich mit ähnlichen Märchen in Eisenhans einen Lar oder Gibbon, ursprünglichen Seelenbruder, dessen Verzauberung durch eine negative Muttergestalt noch in dem Schlüssel unter ihrem Kopfkissen angedeutet ist. Der alte König fängt ihn seines prophetischen Wissens wegen, wie Midas den Silenos, König Numa die Walddämonen Faunus und Picus, Salomo den Geisterfürsten Aschmodai oder König Rodarchus den Waldmann Merlin. Naturgeister bei Frühlings- und Erntefesten heißen oft wilder Mann, tragen zottelige Schamhaare oder Moospimmel. Im Mittelmeerraum ähneln sie Pan, Silen und Faunus, in Russland Ljeschi. Auch Ulla Wittmann sieht in Held und Eisenhans ein mythologisches Freundespaar, das sich parallel jeweils vierstufig entwickelt, und vergleicht Chadir (18. Koran sure enough).
   ellauri204.html on line 367: Für Christa Siegert ist Eisenhans der Wille, der im Käfig der Gebote kultiviert wird, aber unfrei bleibt. Frei kann er der begreifenden Seele das Vollkommene reichen, die sich aber daran verletzt und das geistige Lebenswasser egoistisch einsetzt. Wilhelm Salber sieht eine Dialektik zwischen verschlingendem Einheitspfuhl und lebender Entwicklung. Nach dem Schema vom verlorenen Sohn suche man „Revolte und Dennoch-geliebt-Werden, Gefahr und treue Rettung im letzten Augenblick zu verbinden.“ Edith Helene Dörre vergleicht Der Eisenhans mit der Heilkraft des Aquamarin (wieso?). Psychotherapeut Jobst Finke denkt auch an Sagengestalten wie Rübezahl und sieht die Entwicklung des weltfremd erzogenen Knaben zum starken Ritter durch väterlichen Beistand und Identifikation. Der Text half einem vaterlos aufgewachsenen, wenig durchsetzungsfähigen Angestellten, seine Konflikterfahrungen zu verbalisieren.
   ellauri204.html on line 376: Er bringt ihn an den Hof des Königs, wo er in einen Käfig eingesperrt wird. Den Schlüssel bewahrt die Königin höchstpersönlich unter ihrem Kopfkissen auf. Eines Tages, als das Königspaar verreist ist, landet der goldene Ball des kleinen Königssohns beim Spielen in den Käfig. Der Eisenhans will den Ball nur herausgeben, wenn der Junge den Käfig aufschließt. Er verrät ihm, wo der Schlüssel versteckt ist, und da der Junge unbedingt seinen Ball wiederhaben will, lässt er sich überreden. Doch als er den Eisenhans in Richtung Wald davonlaufen sieht, begreift er, dass er eine Dummheit gemacht hat und jammert: »Wilder Mann, geh nicht fort, sonst bekomme ich Schläge!« Daraufhin kommt der Eisenhans zurück, setzt sich den Jungen Huckepack und nimmt ihn mit in den Wald.
   ellauri204.html on line 676: <figcaption>Pahisfigcaption>
   ellauri204.html on line 702: <figcaption>Keekoilijafigcaption>
   ellauri204.html on line 704: Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud, was a French writer, poet, dramatist, visual artist, essayist, actor and theatre director. He is widely recognized as one of the major figures of the European avant-garde. In particular, he had a profound influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy, the occult, mysticism and indigenous Mexican practices. Hirveää scheissea.
   ellauri204.html on line 782: <figcaption>Pupu on huomannut kuvaajan.figcaption>
   ellauri204.html on line 787: <figcaption>Vulture on huomannyt pickaninnyn.figcaption>
   ellauri205.html on line 6: figcaption {
   ellauri205.html on line 36: <figcaption>Ruumiikkaita lölleröitä koko sonniporukka.figcaption>
   ellauri206.html on line 6: figcaption {
   ellauri206.html on line 36: <figcaption>Riannan hemmottelupäivä.figcaption>
   ellauri206.html on line 150: <figcaption>Alille ei tule jalkapallossa käsivirheitäfigcaption>
   ellauri206.html on line 454: Selon le témoignage de ses contemporains, Gassendi se levait régulièrement à trois heures du matin, jamais plus tard que quatre heures, et quelquefois à deux. Il étudiait jusqu'à onze heures, à moins de recevoir une visite et se remettait à l'étude vers deux ou trois heures après midi jusqu'à huit. Il soupait légèrement (une tisane tiède, des légumes, rarement de la viande) et se couchait entre neuf et dix. On le disait pieux, et pratiquant avec scrupule ses devoirs de prêtre ; ses paroissiens l'appelaient le saint prêtre. Par sa pauvreté, sa modestie, sa douceur, son humanité, sa bienfaisance, sa charité et sa simplicité, il faisait figure d'un anachorète, vivant dans le monde selon la règle d'un monastère. « Le plus grand philosophe parmi les hommes de lettres, et le plus grand homme de lettres parmi les philosophes », sanoi gibboni. Peu d'auteurs ont imaginé qu'il s'agissait là d'une posture, ou d'un masque.
   ellauri207.html on line 5: figcaption {
   ellauri207.html on line 39: <figcaption>Nuorella Vilho Sorvarilla oli hieno päähine.figcaption>
   ellauri207.html on line 57: Gruppen bestod vid bildandet av Sven Svärd (trummor), Ingvar Karlsson (dragspel, bas och elgitarr) och Sven-Erik Magnusson (sång, gitarr, klarinett och saxofon). Så småningom utökades bandet med ytterligare två medlemmar, basisten Rune Bergman 1958 och saxofonisten Sven-Olof Petersson 1962. Sven-Erik Magnusson, som var med i bandet sedan starten 1956, var frontfigur i Sven-Ingvars fram till sin död i mars 2017. Under en kort period 1962 hade bandet också en kvinnlig vokalist - Marianne Nilsson, sedermera Marianne Kock.
   ellauri207.html on line 63: <figcaption>Sven-Ingvars näyttää Pulttiboisien Rampelta ja Naukkixelta. Yhdellä sormella soittaa syntikkaa.figcaption>
   ellauri207.html on line 172: Näistä on ehkä kädellinen ennestään tuttuja. Vinosuinen Michael Douglas näyttää olevan aika veijari. Douglas and Zeta-Jones hosted the annual Nobel Peace Prize concert in Oslo, Norway, on December 11, 2003. In August 2014, Douglas was one of 200 public figures who were signatories to a letter to The Guardian opposing Scottish independence in the run-up to September´s referendum on that issue.
   ellauri207.html on line 186: <figcaption>Joxeenkin komea muttei erityisen puoleensavetäväfigcaption>
   ellauri207.html on line 215: <figcaption>Kuvassa Mikin veli ja isä, jotka eivät Stigin kuoltua ole selvää päivää nähneet.figcaption>
   ellauri207.html on line 384: <figcaption>Hollanninnos on sattuvasti 2-mielinen. Saxalaisen version sankarien kampauxet on samixet. Eikös toi ahdistuneen näköinen jäbä ole nyttemmin James Bond? Sen naiset on yleensä enempi Camillamaisia.figcaption>
   ellauri210.html on line 6: figcaption {
   ellauri210.html on line 36: <figcaption>Andre Breton. Läppä, oikeasti lyonilainen sätkynykke Guignol.figcaption>
   ellauri210.html on line 95: Freud ei oikeastaan tykännyt food fighteistä eikä banskunkuorista. Kunnon vizissä on FUCK! ja KILL! ainexia.
   ellauri210.html on line 301: <figcaption>Google Lensin mielestä Pablo Picasso muistuttaa eniten tätä maapähkinää. Fair enough.figcaption>
   ellauri210.html on line 343: <figcaption>Ainut Pablon runo joka löytyi netistä oli tääfigcaption>
   ellauri210.html on line 347: <figcaption>Kaikki Pabloon liittyvä "huumori" oli tätä tyyppiä.figcaption>
   ellauri210.html on line 371: When Jack Johnson fled racially motivated prosecution in the U.S. in 1913, he arrived in Paris to a hero’s welcome. After he’d beaten Jim Jeffries to become the first black heavyweight champion of the world in 1910, he’d been tarred as a threat to social order back home. A film of the fight had been a hit in France but was banned in America for fear that images of a black man schooling a white man in the ring would cause grave insult and incite sedition.
   ellauri210.html on line 381: In the summer of 1914, Cravan began another phase of wandering. In 1916, he found himself in Barcelona where he somehow managed to book himself a high-profile fight against Jack Johnson. Johnson was in the midst of a celebrated stay in Spain, during which he was received by royalty and starred in movies. Photographs from the fight give some idea of the scale of the event, which was held at Barcelona’s huge bullfighting arena La Monumental. What the photos don’t convey is what a mismatch the fight was. Even a ring-rusty, thirty-eight-year-old Johnson was leagues ahead of Cravan. Johnson won with a sixth-round knockout, though it could’ve been over much sooner had he wished it. There are reports that Cravan shook with fear before the contest began, knowing how out of his depth he was. One writer has suggested that “Johnson and Cravan were more collaborators than competitors,” and that the event was a con, just a hype-fueled payday for an aging legend and a flamboyant interloper with no credible chance of a win—the Mayweather-McGregor of its day. Olikos tää se mazi josta toinen nyrkkipelle Heminwau kirjoitti siinä sonniromaanissa?
   ellauri210.html on line 383: The money Cravan earned from the Johnson fight helped him buy his passage out of Europe, and what he thought was safety from the war. In January 1917, he sailed for New York. Dozens of other European artists and intellectuals were making the same journey at the time; one of Cravan’s shipmates was Leon Trotsky, who noted in his diary that he’d met a man who claimed to be related to Oscar Wilde and “who frankly declared that he would rather smash a Yankee’s face in the noble art of boxing than be done in by a German.” Cravan didn’t stay in New York long; just long enough to put several noses metsphorically out of joint. He split his time between sleeping rough in Central Park and hobnobbing with Greenwich Village bohemians. Among them was the poet Mina Loy, with whom Cravan began an intense love affair.
   ellauri210.html on line 718: Annalisa Chirico è una giovane e brillante giornalista dalla lingua schietta. Dietro la sua bella presenza si cela un personaggio preparatissimo, nel suo campo: la scrittura. La giornalista è sempre stata decisa riguardo il suo futuro e suo padre è stato la figura che l’ha spronata maggiormente. Pugliese originaria di Brindisi, a soli diciotto anni, Annalisa sale un pezzo di stivale fino a Roma per frequentare la Luiss Guido Carli, laureandosi in Scienze Politiche.
   ellauri210.html on line 729: Di Chirico è un lottatore completo, efficace sia nella lotta a piedi che in quella a terra. Tra i suoi principali punti di forza figurano l'abilità nelle prese e un ottimo striking.
   ellauri210.html on line 758: <figcaption>Fraenkel (gauche), Breton (droit), Vaché (milieu).figcaption>
   ellauri210.html on line 833: Tristan Tzara captured the inspired lunacy in his 1921 Dada Manifesto on Lukewarm Love. Marcel Duchamp’s “Readymades,” or Francis Picabia’s canvases of human figures as functionless machines belong here. Dada began as a limited franchise, with key outposts in Zurich, Berlin, Paris, and New York. Preceding the Surrealist movement by several years, and often inspired by the Communist Party (though not tied to it), its origins lay in a militant nostalgia for a pre-war lost Eden. Dadaists sought “an art based on fundamentals to cure the madness of the age and a new order of things that would restore the balance between heaven and hell." (Jean Arp).
   ellauri210.html on line 839: Rigaut — a drug addict, gigolo, dandy, man-about-town — was a cult figure in Paris, a status that intensified when he was made the subject of Louis Malle’s brilliant 1966 film Le Feu Follet.
   ellauri210.html on line 998: <figcaption>
   ellauri210.html on line 999: Yves Montandilla oli isot korvat kuin efelantilla, varsinaiset raparperinlehdet.figcaption>
   ellauri210.html on line 1054: <figcaption>V.I.Lenin ilman housujafigcaption>
   ellauri210.html on line 1056: <figcaption>Hitlerin huulikarvoitusfigcaption>
   ellauri210.html on line 1083: <figcaption>Pyhän Antoniuksen kiusaus, 1946figcaption>
   ellauri210.html on line 1088: <figcaption>San Juan de la Cruzin Kristus, 1951figcaption>
   ellauri210.html on line 1127: <figcaption>Viimeinen kala / Tahdon olla hyönteinenfigcaption>
   ellauri210.html on line 1138: <figcaption>Man Ray la photographie lisant ses poèmes au Café Dynamo.figcaption>
   ellauri210.html on line 1155: <figcaption>“J’aime le goût de ton sang épais/ Je le garde longtemps dans ma bouche sans dents”figcaption>
   ellauri210.html on line 1167: Dès l'âge de quinze ans, Jean-Pierre Duprey compose ses premiers poèmes. Il part pour Paris en 1948 sur l'invitation d'André Breton et participe au mouvement surréaliste. Au cours de l'été 1948, il rencontre, en Normandie, Jacqueline Sénart qui deviendra sa femme et partagera sa vie jusqu'à la fin. Il figure sur les photographies du groupe surréaliste prises par Man Ray en 1953 au café de la place Blanche[réf. nécessaire]. Näistä Brétonin loppupään kirotuista oppilaista tulee vähän mieleen Jaakko Hintikka ja sen sekundaoppilaiden sukupolvet: L. Carlson, E. Saarinen, Mike Hand, Gabriel Sandu.
   ellauri210.html on line 1272: Shaw was born at 3 Upper Synge Street in Portobello, a lower-middle-class part of Dublin. The Shaw family was of English descent and belonged to the dominant Protestant Ascendancy in Ireland. George Carr Shaw, Bernir's dad, an ineffectual alcoholic, was among the family's less successful members. By the time of Shaw's birth, his mother had become close to George John Lee, a flamboyant figure well known in Dublin's musical circles. Shaw retained a lifelong obsession that Lee might have been his biological father. Shaw made a negligible income from writing, and was subsidised by Lee plus his mother. In 1881, for the sake of economy, and as a matter of principle, he became a vegetarian. He grew a beard to hide a facial scar left by smallpox.
   ellauri210.html on line 1329: Gisèle Prassinos comparte con Mansour una revisión del complejo de Edipo, donde matricidios, parricidios y castraciones simbólicas se suceden continuamente. La madre aparece en los relatos, como un leitmotiv, muere o está alienada por la desgracia o la locura. Los personajes desarrollan una relación de dependencia hacia ella, entrando en territorios edípicos. La madre se configura como una pieza clave en el entramado psicológico de estos personajes, casi siempre débiles, deformes, desamparados, las madres ponen en marcha el complejo de castración.
   ellauri210.html on line 1344: Gisèle Prassinos también nos ha dejado unas buenas dosis de personajes desordenados, donde afloran ciertas desviaciones. En ese “collage” entre cuentos de hadas y aromas baudelerianos, la autora jugará sobre todo con la metamorfosis, así sus mujeres “pseudo-femmes castratrices” se transforman en animales o en seres extraños, fantásticos. Prassinos ataca a los mitos del psicoanálisis, muestra imágenes híbridas, animales que se convierten en hombre, objetos que se convierten en animales, etc. Destaca la hostilidad hacia la figura autoritaria del padre. Nos habla de venganzas mediante el asesinato, los cuerpos difuntos son despedazados o transformados, dejando traslucir sentimientos intensos, donde se perfila la imagen de la muerte y se exorciza el miedo. La misma autora confesaba en una entrevista personal la distancia que había entre ella y su padre, destacando la importancia que tiene la figura masculina en las culturas orientales, sensación que refleja en el cuento “La Tête” (op. cit., 1987): “Lucas vit qu’entre elle et son père s’ouvrait un écart plus large que ceux qui séparaient les autres personnes”.
   ellauri210.html on line 1370: <figcaption>Joyce ja Kedifigcaption>
   ellauri210.html on line 1382: Jean Benoît (1922-2010) was a Canadian artist known as "The Enchanter of Serpents", most famous for his surrealist sculptures. One sculpture called "Book Cover for Magnetic Fields" features demonic figures ripping an egg from a book. Magnetic Fields was the name of the book Breton wrote with Philippe Soupault, which Breton called the first surrealist book. Many of his works include demonic figures, brutal sexual images, exaggerated phalluses, and so on. Benoît was active and remained productive, working every day on his art until he died on August 20, 2010, in Paris. He was 88.
   ellauri211.html on line 6: figcaption {
   ellauri211.html on line 36: <figcaption>Marjatta Leppänen: "Ruskea tuuli kantaa kauas!"figcaption>
   ellauri211.html on line 185: <figcaption>Duchamp Hauhontielläfigcaption>
   ellauri211.html on line 305: <figcaption>Mies voi tulla räkänokastakin vaan ei piipunrassista.figcaption>

   "Säälittävää Panu. Vaikka Katri-Helena olisi tehnyt mitä, niin tässä katseet kääntyvät Panun huomiohakuisuuteen ja katkeruuteen. Olisit ollut mies!!"
   ellauri211.html on line 309: <figcaption>
   ellauri211.html on line 310: Apu: Panu Rajalan ei tarvitse piilotella sivistyneisyyttään nykyisen vaimovainajansa kanssa - Viihde - Ilta-Sanomat.figcaption>
   ellauri213.html on line 6: figcaption {
   ellauri213.html on line 36: <figcaption>Bruno (parturissa käytyään) on väsähtäneen näköinen kaveri alaoikealla. Mommo pitelee hautakynttilää.figcaption>
   ellauri213.html on line 49: Spannendes Astrologie-Wissen rund um das Sternzeichen Steinbock Ob Glücksbringer, Tipps zu Selbstfürsorge und Ernährung oder Antworten auf Fragen wie »Was braucht der Steinbock, um sich geliebt zu fühlen? Eine Scheide - Entschuldigung, ich wollte sagen einen Auflag von Schinken. « Das Sternzeichen-Buch steckt voller spannendem Wissen über den Steinbock (22. Dezember bis 20. Januar). Natürlich führt es auch ganz allgemein in die Astrologie ein und erklärt unter anderem, wie man sein Geburtshoroskop liest oder was hinter dem »rückläufigen Merkur« steckt. Das Horoskop-Buch ist hochwertig mit Douche sowieso auch ohne Douche.
   ellauri213.html on line 62: Dma-lapset eivät tunne häpeää eivätkä ole ylpeitä. Se on hyvin paha. Häpeä on peitettävä siionistien verellä. Isä olisi ylpeä kameleontistaan. Kunnia on pelastettava. Sählämit GT ja ilman kärhämöivät silmittömästi arvottomasta maapalasta. Public displays of aggression. Dan on erittäinkin kyyninen. Venäläiset ovat pahoja. Kuubalaiset hoitavat likaisen työn KGBn puolesta. Danilla on likainen mielikuvitus. Dankin paistatteli mielellään kameroiden loisteessa kuin Ranu Pajala. Mikähän siinä oikein viehättää? Kysy peipolta. Ja kysynkin. Se vastaa: lähtee hereästi pillua. Vanha Dan on vanhan jutkun näköinen. Siitä tuli konsulentti, globalisaation agentti. Aziz the combat fighter söi epähuomiossa sikanautapurilaisia. Ei olis kannattanut.
   ellauri213.html on line 119: <figcaption>Eläinten hätyytystä Pertti Mezärinteen orkesteri 1970figcaption>
   ellauri213.html on line 202: <figcaption>Joo noi on kaikki tosi ällöjä.figcaption>
   ellauri213.html on line 309: <figcaption>Ex-glamour. Lyssna till anden inom dig. (Pocahontas II)figcaption>
   ellauri213.html on line 317: <figcaption>Glamour halfways clothed. Never eat anything bigger than your head. Melonit ovat Linzin karusellin päädystä.
   ellauri213.html on line 318: figcaption>

   
ellauri213.html on line 328: <figcaption>Dan liked her looks as a foreskinned 14-year old.figcaption>
ellauri213.html on line 342: <figcaption>Hän teki tarpeensa.figcaption>
ellauri213.html on line 395: It is used in the Arabic language to cuss someone else and is considered one of the strongest most offensive phrase you can say to a person. Always expect a fight after it.
ellauri213.html on line 410: <figcaption>Voiko näin söpö misu olla 1 maailman pahimmista naisista?figcaption>
ellauri214.html on line 6: figcaption {
ellauri214.html on line 48: <figcaption>Sovjetiska Världsfreden hamnade bakom skjul i Sibbo.figcaption>
ellauri214.html on line 94: <figcaption>Feifei Wang (1 mehukkaimmista)figcaption>
ellauri214.html on line 154: The protagonist of the movie, who's actual family are fridged to create cheap motivation, will serves as my surrogate father or brother figure. And I will be his replacement family.
ellauri214.html on line 721: <figcaption> Oliver Helander är besviken efter sin insats i herrarnas final i spjutkastning.figcaption>
ellauri216.html on line 6: figcaption {
ellauri216.html on line 36: <figcaption>
ellauri216.html on line 37: Imugeeni Hariton ja neljä skeemamunkkia saunahatuissa vanhan munkkikahvilan edessä 1940-luvulla. Kolmantena ei vaan toisena jonossa hiihtää skeemapappismunkki Jefrem.figcaption>
ellauri216.html on line 132: <figcaption>Bysanttilainen mosaiikki pyhästä Dionysios Areiopagiitasta 1000-luvun alusta. Heppu on vähän vauhkon näköinen.figcaption>
ellauri216.html on line 203: <figcaption>Kuljeskeleva profeetta leipäpalkallafigcaption>
ellauri216.html on line 340: <figcaption>
ellauri216.html on line 342: figcaption>
ellauri216.html on line 484: <figcaption>Ex-imugeeni kirjamessuilla 2017figcaption>
ellauri216.html on line 798: <figcaption>Hariton on kuvassa alla vas. Haritonin muotokuvamaalari Dosifei nukkui kuolinuneen sienen vierelle.figcaption>
ellauri217.html on line 6: figcaption {
ellauri217.html on line 144: <figcaption>Vastasyntynyt Muhammed äitinsä sylissä. Huppu pois! Hyvä palaveri. Turkkilainen kirjankuvitus.figcaption>
ellauri217.html on line 196: <figcaption>"Taiteellinen projekti", LOLfigcaption>
ellauri217.html on line 217: <figcaption>”Jaakko oli rempseä ja todella hauska seuramies. Hänellä oli aina erilaisia juttuja kerrottavana. Hänellä oli erinomainen huumorintaju”, Dahlgren sanoo HS:lle.figcaption>
ellauri217.html on line 313: <figcaption>Jörkan hymy hyytyi iän ja munasyövän mukanafigcaption>
ellauri219.html on line 6: figcaption {
ellauri219.html on line 183: Crowley gained widespread notoriety during his lifetime, being a recreational drug user, bisexual, and an individualist social critic. Crowley has remained a highly influential figure over Western esotericism and the counterculture of the 1960s, and continues to be considered a prophet in Thelema. He is the subject of various biographies and academic studies.
ellauri219.html on line 205: <figcaption>Admiral Schneider in mug photofigcaption>
ellauri219.html on line 241: Having made a name for himself designing posters for the Ziegfield Follies that appeared on Broadway across the 1910s to the 30s, Peruvian painter Joaquin Alberto Vargas Y Chávez went on to create a series of paintings of pin-ups. Known as the Varga Girls, they gained widespread exposure in Esquire magazine during the 40s, and also inspired a number of paintings that would appear on World War II fighter jets. P.S. Ahha! esim. Long Tall Sally, Lollon ykkös nastatyttö.
ellauri219.html on line 244: <figcaption>I never met a man I didn't like - sehän oli se 1 myöntyväisyyspunanahka joka sanoi näin! Juu Will Rogers albumissa 194". I never ate a pussy I didn't like.figcaption>
ellauri219.html on line 384: Designed by George Petty, like the Vargas Girls (No.11), Petty Girls were pin-up paintings that appeared in Esquire, between 1933 and 1956, and also found a home on the front of World War II fighter planes – notably on the B-17 fighter jet nicknamed Memphis Belle.
ellauri219.html on line 439: An American sculptor who served in the US Marine Corps in both World War II and the Korean War, HC Westermann took the skills he learned as a carpenter and turned them to creating Expressionist sculptures that criticized the horrors he had witnessed while fighting overseas.
ellauri219.html on line 475: The very definition of a “triple threat,” Shirley Temple was an actress, singer, and dancer who became a child star in the 30s. She also appears on the Sgt. Pepper album cover three times over, her hair poking out from between the wax figures of John Lennon (No.62) and Ringo Starr (No.63), and also standing in front of the model of Diana Dors (No.70). There’s also a cloth figure of the star off to the far right, wearing a jumper emblazoned with the slogan “Welcome The Rolling Stones.”
ellauri219.html on line 508: <figcaption>Britti-Tuxu 50-luvulta. Mitkä muffinsit!figcaption>
ellauri219.html on line 512:

   72: Cloth grandmother figure

   
   ellauri219.html on line 526: 76, 77, and 78: stone figures
   ellauri219.html on line 528: Along with the stone figure (No.77) that can be seen below the feet of the Shirley Temple doll (No.73), the stone figure of a girl (No.76) was one of a number of statues that John Lennon (No.62) and George Harrison (No.65) brought from their homes for inclusion on the cover. The most prominent of these is the bust positioned to the right of the bass drum (No.78), which came from Lennon’s house Kenwood, in Weybridge, Surrey, where he lived from 1964 to 1969.
   ellauri219.html on line 560:

   85: Stone figure of Snow White

   
   ellauri219.html on line 769: <figcaption>Marilyn ilman rihman kiertämää 1955, regrettably only partial sagittal nudityfigcaption>
   ellauri219.html on line 1018: Then there’s Moonman 157 and Klara Sax, a feminist ideal of Land Art. What do they have in common? Smudging useful things with paint. An artistic version of food fight. What do Jayne Mansfield’s breasts remind adolescent Eric of? The bumper bullets on a Cadillac. What does Dumb of Dumb and Dumber take for a cute lady's boobs? A semi trailer's fog lights. Meanwhile, Eric masturbates into a condom that reminds him of a missile (with his tiny wiener all loaded and cocked inside). Dad polishes his Buick, the son his dick. The clammy hand of coincidence.
   ellauri219.html on line 1033: <figcaption>The lately discovered Peking man. Some eugenics is clearly indicated.figcaption>
   ellauri220.html on line 6: figcaption {
   ellauri220.html on line 37: <figcaption>Lyhyen matkan ohjusten häpykolot pursuavat ulos paketista.figcaption>
   ellauri220.html on line 117: <figcaption>Eipä juuri tissejä tai muutakaan paljasta ihoa, silti sikari on ojossa ja housut telttaavat.figcaption>
   ellauri220.html on line 123: <figcaption>Jean Harlow ja Norma Shearer, juuri parempia näpäyxiä ei löytynyt. Kotirouvatasoa.figcaption>
   ellauri220.html on line 128: <figcaption>Ursula undressing. Nätimpi pää on jo esillä.figcaption>
   ellauri220.html on line 149: <figcaption>Linda ei meinaa ulettua soittimeen.figcaption>
   ellauri220.html on line 155: <figcaption>Mrs. Mansfieldin houkuttelevat alahuuletfigcaption>
   ellauri220.html on line 160: <figcaption>Mikki lukee Jaynelle iltasatua.figcaption>
   ellauri220.html on line 170: <figcaption>Marilynin hurlumhei on hiukka pettymys. Ei Jaynekaan ollut kummosenkaan näköinen perspuolelta.figcaption>
   ellauri220.html on line 475: <figcaption>"Oh, you speak English! Good! [in German] You can turn off the subtitles now."
   
   ellauri220.html on line 476: — German Policeman, The Man with Two Brainsfigcaption>
   ellauri220.html on line 494: <figcaption>
   ellauri220.html on line 498: figcaption>
   ellauri220.html on line 509: <figcaption>"And you never have Romans who are Italians! They´re always played by some English actor going ´Oh Thomas, where is my brother, Fellatio? Bring him hither.´"
   
   ellauri220.html on line 511: figcaption>
   ellauri220.html on line 522: <figcaption>
   ellauri220.html on line 525: figcaption>
   ellauri220.html on line 594: <figcaption>Saapasmaan matukatulapsia 50-luvulla Bronxissa treenaamassa MANGIA! FOTTI! MAZZA! leikkejä takapihalla ennen autoistumista. Ämmä kaataa niskaan jätteitä.figcaption>
   ellauri220.html on line 605: <figcaption>Hemmetin isot housut misseillä vielä 60-luvun alussa. Eikö p-pillereihin vielä täysin luotettu?figcaption>
   ellauri221.html on line 6: figcaption {
   ellauri221.html on line 37: <figcaption>Nyt sattuu Jamesia leukaan.figcaption>
   ellauri221.html on line 81: <figcaption>Portrait once thought to be Mrs Fitzsherbet by Romney. Aika perseen näköinen, ja lyhkänen jos tää näpäys on full length. Luultavammin paremmin onnistunut alapää on jollain muulla klupilla.figcaption>
   ellauri221.html on line 89: <figcaption>Iloisella leskellä on iso diasteema kuin Hugo Draxilla.figcaption>
   ellauri221.html on line 131: <figcaption>”On ok olla nuiva akka. Silloin ei menetä arvoa naisena tai ihmisenä.”figcaption>
   ellauri221.html on line 140: <figcaption>Se alkaa jo lapsena. figcaption>
   ellauri221.html on line 296: Goodhead is a scientist and astronaut working undercover for the CIA on Sir Hugo Drax´s Moonraker 5 space shuttle, to gather intelligence on Drax´s plan to exterminate the human race. Bond is also working undercover in Drax´s organization, for the British Secret Intelligence Service, and he gets good head from Jolly, until she introduces him to a centrifugal force chamber, where astronauts get to grips with Gräfenberg spot sucking, and invites him to have a try. Without her knowledge, however, Drax´s henchman, Charlie Chan, tampers with the sucking machine´s controls to send it into overdrive; by the time Goodhead comes, Bond has nearly been killed. Bond later meets Goodhead in her hotel room and is able to guess her identity when he sees standard CIA underwear and dildo gadgetry there. Bond and Goodhead are at first reluctant to bonk together, fighting who is to be on top, but they are working well enough as a 2-person team by the end of the film.
   ellauri221.html on line 302: Bond meets Goodhead again once Drax puts them under ´Moonraker 5´ to be incinerated by the lift-off. They escape and are able to pilot ´Moonraker 6´. After following Drax to his space station, Goodhead and Bond listen to Drax´s speech and leave. Jaws later captures them after the first globe is launched. Drax tells Bond about his plan about having perfect human beings on his earth, with no physical peculiarity or ugliness, but this is overheard by Jaws. He sees that because of his ugly steel teeth, he will be destroyed alongside his ugly girlfriend, Dolly, so turns on Drax and helps Bond and Goodhead to fight Drax´s men. After Bond goes to defeat Drax, Goodhead helps him, and Dolly and Jaws get off on the self-destructing space station, escaping on a pod of their own into Earth´s atmosphere. Bond and Goodhead go after the globe, nearly destroying its inhabitants, but not quite. Bugger it.
   ellauri221.html on line 315: <figcaption>James Bond lookalike soittaa potpurria.figcaption>
   ellauri221.html on line 409: <figcaption>3 katolista vesilintuafigcaption>
   ellauri221.html on line 428: <figcaption>Pentti-Otto häröilee rähmällään, mutta missä pulut luuraavat?figcaption>
   ellauri222.html on line 5: figcaption {
   ellauri222.html on line 70: Bellow’s bad temper in the late ’60s was by no means directed exclusively at would-be biographers, radical students and aggrieved wives. Bellow had so many targets to attack, whether insulting them face to face or in blistering letters or put-downs circulated through intermediaries. One of his favorite one-liners ran: “Let’s you and him fight.” The most salient recipients of Bellow’s bad temper in this biography were his three sons, each from a different mother — the oldest 21 when this volume starts, the youngest just 1 year old and about to be abandoned after yet another divorce.
   ellauri222.html on line 155: Bellow must have been tickled to death. The inventive feature of “Herzog” is a series of letters that the protagonist, in his misery, composes not only to Madeleine and Gersbach but to famous people (like President Eisenhower) and philosophers (like Heidegger and Nietzsche). These long letters, unfinished and unmailed, are sendups of an intellectual’s effort to understand human behavior by means of the conceptual apparatus of Mortimer Adler’s Great Books. Herzog is a comic figure, a holy fool, a schlimazel with a Ph.D. The whole point of his story is that when you are completely screwed the best you can hope for is a little sex and sympathy. The Western canon isn’t going to be much help.
   ellauri222.html on line 237: But to keep it short – the reason: the reason lay in the hatred of one's own country. Among the French it was the old confrontation of "free spirits", or artists, with the ruling bourgeoisie. In America it was the fight against the McCarthys, the House Committees investigating subversion, etc that justified the left, the followers of Henry Wallace, etc. The main enemy was at home (Lenin's WWI slogan). If you opposed the CP you were a McCarthyite, no two ways about it.
   ellauri222.html on line 298: <figcaption>Ethelred ei ole valmis, älä tuu vielä pyyhkimäänfigcaption>
   ellauri222.html on line 369: Sailor Bulba is an accomplice in the robbery committed by Joe Gorman and Augie. Brute-nosed and bearish, he is a menacing, dangerous figure.
   ellauri222.html on line 389: Dingbat is the half brother of William Einhorn. He dresses like a gangster and is taken up with gang events and crime, although not a criminal himself. He spends much of his time hanging around the family’s poolroom, Einhorn Billiards. He also tries work as a fight promoter, but is not successful.
   ellauri222.html on line 425: Cissy Flexner is Simon’s fiancée. She is beautiful and tall, with an impressive figure, but dumb and conceited. Her father, Joe Flexner, is a dry-goods shopkeeper who also lost everything in the crash. Cissy marries Five Properties instead of Simon.
   ellauri222.html on line 553: Nails Nagel is a fighter promoted by Dingbat. He loses nearly all of his fights.
   ellauri222.html on line 673: Marston's character was a native of an all-female utopia of Amazons who became a crime-fighting U.S. government agent, using her superhuman strength and agility, and her ability to force villains to submit and tell the truth by binding them with her magic "lasso". Wonder Woman's golden "lasso" and Venus Girdle in particular were the focus of many of the early stories and have the same capability to reform people for good in the short term that Transformation Island and prolonged wearing of Venus Girdles offered in the longer term. The Venus Girdle was an allegory for Marston's theory of "sex love" training, where people can be "trained" to embrace submission through eroticism.
   ellauri222.html on line 715: Apart from that, this character demands perfection only from other people, he never attempts to apply this principle to himself and it makes him a slightly comic figure. Lord Pococurante is neither artist, nor writer, but he takes faults with the world masterpieces, which is absurd in its core. Nevertheless, many people deem themselves quite competent for criticizing, having never created any work of art.
   ellauri222.html on line 768: <figcaption>A major philosopher of the time was Liam Dieghan,figcaption>
   ellauri222.html on line 811: <figcaption>Tutun näköinen kaveri?figcaption>
   ellauri222.html on line 894: <figcaption>Mursuwiixinen Clemenceau astelee tuulta vasten isomahaisena.figcaption>
   ellauri222.html on line 965: <figcaption>Rasistilta se näyttikin turpa rullalla kaljuineen ja hitlerwiixineen.figcaption>
   ellauri222.html on line 1006: Henry admired Timmendiquas. He respected the Wyandots. He could not blame the Indian who fought for his hunting grounds, but, with all the strength of his strong nature, he despised and hated every renegade. Girty knew that the great White Lightning did not like him, and he knew why. Timmendiquas believed that a man should be loyal to his own race, and in his heart he must regard the renegade as what he was—a traitor. "The youth called the Ware fights for his own people," said Timmendiquas gravely.
   ellauri222.html on line 1059: <figcaption>Ghibertin paratiisin ovikoriste. Abraham on juuri vetämässä turpaan Iisakkia kuin Salen samanniminen isäpappa Salea. Enkeli on ehtimässä hätiin.figcaption>
   ellauri222.html on line 1080: <figcaption>American presidents singing La Cucarachafigcaption>
   ellauri223.html on line 5: figcaption {
   ellauri223.html on line 35: <figcaption>Tää voisi olla Vartiotornin kansikuvasta.figcaption>
   ellauri223.html on line 42: <figcaption>Tommason frisyyristä tulee mieleen Haju Pisilä. Samanlaisia taisivat olla kusitolppia. Italia nousuun!figcaption>
   ellauri223.html on line 218: <figcaption>Kumpikas Ransu Pekoni tässä potretissa? Kz. albumia 54.figcaption>
   ellauri226.html on line 5: figcaption {
   ellauri226.html on line 35: <figcaption>Ankka, Ankka, Brian Wilson, Mike Love, Simo Silakkafigcaption>
   ellauri226.html on line 78: <figcaption>Brian Wilson, Mike Lovefigcaption>
   ellauri226.html on line 188: <figcaption>Döttrarna Carin och Andrea, knappast.figcaption>
   ellauri226.html on line 193: <figcaption>Per Gunnar Evander, bilden knappast från 1977.figcaption>
   ellauri236.html on line 5: figcaption {
   ellauri236.html on line 35: <figcaption>Jair virnuilee vielä ennen vaalejafigcaption>
   ellauri236.html on line 39: <figcaption>Voittaja on Lula! Bebop-a lula, he's my baby!figcaption>
   ellauri236.html on line 48: Bolsonaro ran for his first term as president in 2018 with the conservative Liberal Party, campaigning as a political outsider and anti-corruption candidate, and gaining the moniker "Trump of the Tropics." A divisive figure, Bolsonaro has become known for his bombastic statements and conservative agenda, which is supported by important evangelical leaders in the country.
   ellauri236.html on line 54: Environmentalists also warned that the future of the rainforest could be at stake in this election, as Bolsonaro's government had become known for its support of ruthless exploitation of land in the Amazon, leading to record deforestation figures.
   ellauri236.html on line 98: One man interviewed by The New York Times played a video he received on WhatsApp that said Mr. Bolsonaro had visited Russia this year to get President Vladimir V. Putin’s help in fighting the Brazilian left’s plans to steal Sunday’s election.
   ellauri236.html on line 139: <figcaption>Chasen pulppia. Taisi olla viinamäen miehiä.figcaption>
   ellauri236.html on line 146: <figcaption>Ime munatotia. Isokukko kohta mättähälle käy, pikkujalka pilkahtaa.figcaption>
   ellauri236.html on line 163: <figcaption>Chase muistuttaa aika lailla Esukkaa sekä modernia Phileas Foggia.figcaption>
   ellauri236.html on line 202: In a book like No Orchids one is not, as in the old-style crime story, simply escaping from dull reality into an imaginary world of action. One's escape is essentially into cruelty and sexual perversion. No Orchids is aimed at the power-instinct, which Raffles or the Sherlock Holmes stories are not. At the same time the English attitude towards crime is not so superior to the American as I may have seemed to imply. It too is mixed up with power-worship, and has become more noticeably so in the last twenty years. A writer who is worth examining is Edgar Wallace, especially in such typical books as The Orator and the Mr. J. G. Reeder stories. Wallace was one of the first crime-story writers to break away from the old tradition of the private detective and make his central figure a Scotland Yard official. Sherlock Holmes is an amateur, solving his problems without the help and even, in the earlier stories, against the opposition of the police. Moreover, like Lupin, he is essentially an intellectual, even a scientist. He reasons logically from observed fact, and his intellectuality is constantly contrasted with the routine methods of the police. Wallace objected strongly to this slur, as he considered it, on Scotland Yard, and in several newspaper articles he went out of his way to denounce Holmes by name. His own ideal was the detective-inspector who catches criminals not because he is intellectually brilliant but because he is part of an all-powerful organization. Hence the curious fact that in Wallace's most characteristic stories the ‘clue’ and the ‘deduction’ play no part. The criminal is always defeated by an incredible coincidence, or because in some unexplained manner the police know all about the crime beforehand. The tone of the stories makes it quite clear that Wallace's admiration for the police is pure bully-worship. A Scotland Yard detective is the most powerful kind of being that he can imagine, while the criminal figures in his mind as an outlaw against whom anything is permissible, like the condemned slaves in the Roman arena. His policemen behave much more brutally than British policemen do in real life — they hit people with out provocation, fire revolvers past their ears to terrify them and so on — and some of the stories exhibit a fearful intellectual sadism. (For instance, Wallace likes to arrange things so that the villain is hanged on the same day as the heroine is married.) But it is sadism after the English fashion: that is to say, it is unconscious, there is not overtly any sex in it, and it keeps within the bounds of the law. The British public tolerates a harsh criminal law and gets a kick out of monstrously unfair murder trials: but still that is better, on any account, than tolerating or admiring crime. If one must worship a bully, it is better that he should be a policeman than a gangster. Wallace is still governed to some extent by the concept of ‘not done’. In No Orchids anything is ‘done’ so long as it leads on to power. All the barriers are down, all the motives are out in the open. Chase is a worse symptom than Wallace, to the extent that all-in wrestling is worse than boxing, or Fascism is worse than capitalist democracy.
   ellauri236.html on line 206: Until recently the characteristic adventure stories of the English-speaking peoples have been stories in which the hero fights against odds. This is true all the way from Robin Hood to Pop-eye the Sailor. Perhaps the basic myth of the Western world is Jack the Giant-killer, but to be brought up to date this should be renamed Jack the Dwarf-killer, and there already exists a considerable literature which teaches, either overtly or implicitly, that one should side with the big man against the little man. Most of what is now written about foreign policy is simply an embroidery on this theme, and for several decades such phrases as ‘Play the game’, ‘Don't hit a man when he's down’ and ‘It's not cricket’ have never failed to draw a snigger from anyone of intellectual pretensions. What is comparatively new is to find the accepted pattern, according to which (a) right is right and wrong is wrong, whoever wins, and (b) weakness must be respected, disappearing from popular literature as well. When I first read D. H. Lawrence's novels, at the age of about twenty, I was puzzled by the fact that there did not seem to be any classification of the characters into ‘good’ and ‘bad’. Lawrence seemed to sympathize with all of them about equally, and this was so unusual as to give me the feeling of having lost my bearings. Today no one would think of looking for heroes and villains in a serious novel, but in lowbrow fiction one still expects to find a sharp distinction between right and wrong and between legality and illegality. The common people, on the whole, are still living in the world of absolute good and evil from which the intellectuals have long since escaped. But the popularity of No Orchids and the American books and magazines to which it is akin shows how rapidly the doctrine of ‘realism’ is gaining ground.
   ellauri236.html on line 208: Several people, after reading No Orchids, have remarked to me, ‘It's pure Fascism’. This is a correct description, although the book has not the smallest connexion with politics and very little with social or economic problems. It has merely the same relation to Fascism as, say Trollope's novels have to nineteenth-century capitalism. It is a daydream appropriate to a totalitarian age. In his imagined world of gangsters Chase is presenting, as it were, a distilled version of the modern political scene, in which such things as mass bombing of civilians, the use of hostages, torture to obtain confessions, secret prisons, execution without trial, floggings with rubber truncheons, drownings in cesspools, systematic falsification of records and statistics, treachery, bribery, and quislingism are normal and morally neutral, even admirable when they are done in a large and bold way. The average man is not directly interested in politics, and when he reads, he wants the current struggles of the world to be translated into a simple story about individuals. He can take an interest in Slim and Fenner as he could not in the G.P.U. and the Gestapo. People worship power in the form in which they are able to understand it. A twelve-year-old boy worships Jack Dempsey. An adolescent in a Glasgow slum worships Al Capone. An aspiring pupil at a business college worships Lord Nuffield. A New Statesman reader worships Stalin. There is a difference in intellectual maturity, but none in moral outlook. Thirty years ago the heroes of popular fiction had nothing in common with Mr. Chase's gangsters and detectives, and the idols of the English liberal intelligentsia were also comparatively sympathetic figures. Between Holmes and Fenner on the one hand, and between Abraham Lincoln and Stalin on the other, there is a similar gulf.
   ellauri236.html on line 214: <figcaption>Ryssän kannet keskittyvät enempi "K!" kuin "F!" motiiviin.figcaption>
   ellauri236.html on line 223: <figcaption>Näpein kohta on Y maalitaulun keskellä.figcaption>
   ellauri236.html on line 382: Upon publication, the book was an instant commercial success, selling over half a million copies within five years, despite wartime pulp shortages (thanx to Finland fighting on the other side). It was also controversial, due to its violence and risqué content. In 1944, it was the subject of an essay by George Orwell in Horizon, Raffles and Miss Blandish, in which Orwell claimed that the novel bordered on the obscene.
   ellauri236.html on line 398: While he waited, Eddie noticed a girl standing by a nearby bus stop. She immediately attracted his attention: every good-looking girl did. She was a tall, cool-looking blonde with a figure that made him come in his pants twice. She had a pert prettiness that appealed to Eddie. He studied her face for a brief moment. Her make-up was good. Her mouth was a trifle large, but Eddie didn’t mind that. He liked the sexy look she had and the sophisticated way she wore her yellow summery whore dress.
   ellauri236.html on line 462: Paula Dolan, an attractively ugly girl with raven black wavy hair, large suggestive blue eyes had a figure that Fenner declared was the only asset of value in the newly established business.
   ellauri236.html on line 508: He found Paula anxiously waiting for him. One of the important facts of life that Paula had learned the hard way was not to keep any man waiting. She was looking cute in a black dress, relieved by a red carnation. The cut of the dress accentuated her figure so that Fenner took a second look.
   ellauri236.html on line 543: <figcaption>Arvaa kumpaa lounaskioskin myyjäneitosta vetäisin wiixeen mieluummin, Jessicaa vai Lanaa?figcaption>
   ellauri238.html on line 5: figcaption {
   ellauri238.html on line 33: <figcaption>Paul Auster ja Pena Saarikoski näkevät tulevaanfigcaption>
   ellauri238.html on line 47: <figcaption>Vilkuileeko Olkimarsalkka lesboa vähän silmäkulmasta?figcaption>
   ellauri238.html on line 109: <figcaption>Tuula Saarikoski piirtää ja kertoofigcaption>
   ellauri238.html on line 317: <figure style="width:30%;float:right;padding:1em">
   ellauri238.html on line 319: <figcaption>Name This Actor, Who Is Famous For His Role In "The Big Bang Theory"figcaption>
   ellauri238.html on line 320: figure>
   ellauri238.html on line 392: <figcaption>Näppää jo, täällä on vitusti itikoita, enkä nyt tarkoita lehmiäfigcaption>
   ellauri238.html on line 436: <figcaption>Blauer Jaguar. Indianer. Krieger. Abigail. Tino von Bagdad. Prinz Jussuf von Thebenfigcaption>
   ellauri238.html on line 442: <figcaption>Mitglieder*innen mit Lasker*in-Schüler*innen zuhause bei der/dem Dichter*infigcaption>
   ellauri238.html on line 455: Der/die von den Nazi*nnen als Jüd*in ins Exil „Verscheuchte“ stirbt am 22. Januar 1945 im Alter von 75 Jahren in Jerusalemer Hadassah (Esther)-Hospital. Aber der Tod hat in diesem Buch nicht das letzte Wort! Else Lasker*in-Schüler*in lebt in Gedichten. Else Lasker-Schüler lebt, wenn noch nur virtual, dadurch dass ihre Dichtung zwar immer weniger gelesen wird. Aber ihre Gedichte leben weiter, sehnsüchtig nach Leben und Lieben. Wie wir (und ich der/die Unterzeichnete, Hajoo Hahn besonders), vorläufig. „Längst lebe ich vergessen im Gedicht“, schreibt der/die aus Nazideutschland vertriebene Dichter*in. Nach seinem/ihrem Tod rühmt Gottfried Benn ihn/sie als „die größte Lyriker*in, den/die Deutschland je hatte“.
   ellauri238.html on line 493: Sarah Kirschs Lyrik ist von hinten offen, meist ohne Reim und in freiem Versmaß. Dennoch spielt der Rhythmus im Sinne des Atemtempos eine große Rolle, ebenso Zeilenumbrüche und Zeilensprünge, durch die ein Strömen oder eine Atemlosigkeit erzeugt wird. Kirsch kombiniert häufig fachsprachliche oder altmodische Ausdrücke mit einem saloppen Ton. Als literarisches Vorbild nannte Kirsch Annette von Droste-Hülshoff, daneben ist ihr Werk durch Johannes Bobrowski und Wladimir Majakowski beeinflusst.
   ellauri238.html on line 566: <figcaption>Turun kirjallisuusmatinean esiintyjiä vuonna 1962: punkkitohtori Armo Hormia (vas.), kynäilijä Paavo Rintala, kynäilijä Antti Hyry (tasku pullottaa taskubiljardista kai), runoilija Selvä Pyy, tyhjäntoimittaja Pekka Tarkka ja kynäilijä Kaarlo Isotalo. Pekka Tarkan selfiekokoelmat.figcaption>
   ellauri238.html on line 697: <figcaption>Valkoiset luttaperseet hautaamassa teloittamaansa Algot Untolaa Santahaminassa toukokuussa 1918.figcaption>
   ellauri238.html on line 735: <figcaption>The song "Sat in Your Lap" by Kate Bush from the album The Dreaming includes the lines: "My cup, she never overfloweth / It is I that moan and groaneth".figcaption>
   ellauri238.html on line 769: 1993, already in a wheelchair, Herbert became a member of the American Academy of Arts and Sciences. The last years of his life he spent in bed fighting with severe asthma. Herpertti olis saanut taistelustaan punaisia vastaan valkoisen kotkan pinssin postuumisti vasemmistopresidentiltä, mutta leski ei huolinut pinssiä ennenkuin presidentti oli vaihtunut oikeistolaisexi.
   ellauri240.html on line 5: figcaption {
   ellauri240.html on line 69: <figure style="width:20%;float:left">
   ellauri240.html on line 71: <figcaption>Niing se ong!figcaption>
   ellauri240.html on line 72: figure>
   ellauri240.html on line 105: Bullshit artist David B. Miller designed Krueger's disfigured face based on photographs of burn victims obtained from the UCLA Medical Center. The film was inspired by several newspaper articles printed in the Los Angeles Times in the 1970s about Hmong refugees, who, after fleeing to the United States because of U.S. war and genocide in Laos, Cambodia, and Vietnam, suffered disturbing nightmares and refused to sleep. Some of the men died in their sleep soon after. Medical authorities called the phenomenon Asian Death Syndrome.
   ellauri240.html on line 112: <figcaption>Suuhunpantavia kisumisuja Vietnamissafigcaption>
   ellauri240.html on line 117: Vang Pao, mercenary soldier, born 8 December 1929; died 6 January 2011. Vang Pao, the Laotian general who marshalled a CIA mercenary army to fight a "secret war" against communist insurgents in the remote mountains of Laos in the 1960s, has died aged 81. Although Vang Pao's supporters portrayed him as a father figure uniting all his people, the Hmong (an ethnic minority in Laos), on the side of the US against the communist world, his critics regarded him as a charismatic but ruthless opium warlord, who made arrogant and misleading claims to speak on behalf of all Hmong. Far from uniting the Hmong, they say, he divided them. Some historians argue that he allowed his "secret army" to be used as cannon-fodder, played as pawns on a CIA geopolitical chessboard.
   ellauri240.html on line 121: Reality soon dispersed that dreamworld. Vang Pao later admitted that his Hmong soldiers suffered appalling losses fighting around the Plain of Jars, in Xieng Khouang province. He put the figure at 17,000 dead by 1968. But his CIA controllers urged him to keep on fighting. US sources, including the historian Alfred McCoy, have noted that younger and younger fighters were forcibly enrolled. By 1968, 30% of the new recruits were only 14 years old.
   ellauri240.html on line 139: The leak Wednesday of photos of a what appears to be a prototype of China’s first stealth fighter jet attracted immediate attention worldwide, but many note that China is years away from moving that jet into service.
   ellauri240.html on line 146: "It is not of concern that they are working on a fifth-generation fighter," since the Chinese are "still having difficulties with their fourth-generation fighter, LOL," Marine Col. Dave Lapan, a Pentagon spokesman, told the Associated Press.
   ellauri240.html on line 147: The prototype jet pictured in the leaked photos, known as a J-20, is notable because, like the US F-22, it would be undetectable by radar and antiaircraft defenses. The F-22 is currently the world’s only operational next-generation stealth fighter jet.
   ellauri240.html on line 179: <figcaption>Robert Englund: "Estoy demasiado viejo para volver a ser Freddy Krueger" / Johnny Depp: "Paljonko otetaan täältä takaa"figcaption>
   ellauri240.html on line 186: <figcaption>Oikeakin Allison eli Grace Metalious oli ruma ja arkipäiväisen näköinen.figcaption>
   ellauri240.html on line 197: <figcaption>Oo Glendora Oo Glendora Oo Glendora kuinka sua palvonkaanfigcaption>
   ellauri240.html on line 240: <figcaption>Allison and Allen split in 1992. Let me explain. Seli seli.figcaption>
   ellauri240.html on line 245: <figcaption>
   ellauri240.html on line 246: When Mia and Allen first began their relationship, the Korean chick was 11.
   They married when she was 21, Mia 47 and the mocky 57.figcaption>
   ellauri240.html on line 565: <figcaption>Kummalla partapozolla on hienompi kananpesähattu?figcaption>
   ellauri241.html on line 5: figcaption {
   ellauri241.html on line 37: <figcaption>Miekka on jo kokoveteessä. Tohon maaliin on kyllä paha tuikata kun ei saa levitettyä haaroja.figcaption>
   ellauri241.html on line 823: <figcaption>Tässä Herpertin kuvassa on Lamialla tissit ojennuxessa kuin 50-luvn lamellitalot Mannerheimintiellä.figcaption>
   ellauri241.html on line 919: <figcaption>Endymionin ase on lepoasennossa. Selene miettii kärsiskö herätellä. Onx toi valkonen ruilake tossa runkkua?figcaption>
   ellauri242.html on line 5: figcaption {
   ellauri242.html on line 37: <figcaption>Kalveat immet kirveshommissa.figcaption>
   ellauri242.html on line 159: <figcaption>Kalpea impi ja ylpeä kampi liput korkeallafigcaption>
   ellauri242.html on line 266: <figcaption>Revanshistinen Wikipedia.fi puhuu nätistä Shura Kollontaista hyvin rumasti. Stalinin houkutuslintu muka, tshort vazmi!figcaption>
   ellauri243.html on line 5: figcaption {
   ellauri243.html on line 37: <figcaption>Kansakunnan ylpeys Simo Häyhä. Tuo ei näytä tarkkuuskivääriltä.figcaption>
   ellauri243.html on line 127: <figcaption>Battle Mountain, Nevada could have been battle-torn Iraq ot Afganistan, but it wasn't, it was just America recently robbed from the Indians.figcaption>
   ellauri243.html on line 157: <figcaption>Törni kärkeen!figcaption>
   ellauri243.html on line 164: <figcaption>Licking Marina's ice cream conefigcaption>
   ellauri243.html on line 209: <figcaption>The original Charleston rattlesnakefigcaption>
   ellauri243.html on line 547: <figcaption>Bob at his most motivational in this video about Perp Potential.
   ellauri243.html on line 548: But is he among the world´s top 50 most motivational speakers? See album 272! figcaption>
   ellauri243.html on line 605: <figcaption>
   ellauri243.html on line 607: figcaption>
   ellauri243.html on line 652: <figcaption>Tervetuloa Pornaisiin! Tästä vasemmalle pääset Manseen!figcaption>
   ellauri243.html on line 672: <figcaption>Aatun näköinen mies on Mises. Punaparta on selkeästi Moosexen huonetta ja sukua. Mäkin sidon rusetin paremmin. Lew ei ole mikään rocket scientist vaikka sen sukulaiset on. Sen kannattaisi puzata noita laseja.figcaption>

   
   ellauri243.html on line 697: <figcaption>U.S.Marshal suojaa toista jollain vitun karbiinilla tyhmä baseball-lippalakki päässä. Kaikilla on maatyöläisen lökäpöxyt jalassa.figcaption>
   ellauri243.html on line 717: <figcaption>Sense oli näkönenkin.figcaption>
   ellauri243.html on line 730: Endymion is very like Benjy´s autobiography, with his boring English politics woven into the thread of the story. The action and conversations are distributed between characters who had figured in English politics and the fashionable romances of Europe during the last forty years.
   ellauri243.html on line 732: Endymion is Disraeli in his youth except in the story he is a true-blood British aristocrat. Zenobia, a queen of fashion, is based on his Lady Blessington with a combination of some other great lady. She was Benjamin Disraeli´s first great patroness, who opened the avenue of his wonderful career. Zenobia later retires to the background to give place to Lady Montfort. She is a combination of Lady Blessington and Mrs. Wyndham Lewis (the latter Disraeli married) so we have in Lady Montfort at once the patroness and the wife. It would be interesting to know if the rabbis got to cut Benjy´s prepuce before the falling-out with the synagogue? Maybe that is what the fight was all about?
   ellauri243.html on line 736: Job Thornberry comes into the story with the Anti-Corn-Law League, representing the remarkable change in English politics from the time before Napoleonic wars when the 10% richest guys were local landowners to after the wars when the merchants and industrialists had become the nobs (am. head honchos). This change of mens of production necessitated the passage of Reform Bills that favored Millian laissez-faire by the Conservative Derby-Disraeli ministries. Job Thornberry may be Richard Cobden; for he certainly has much of Cobden´s subject in him. The energetic and capable minister Lord Roehampton is taken to be Lord Palmerston, and Count Ferrol is perhaps Bismarck. Neuchatel, the great banker, is the historical Rothschild; Cardinal Henry Edward Manning figures as the tendentious papist Nigel Penruddock.
   ellauri244.html on line 5: figcaption {
   ellauri244.html on line 37: <figcaption>Klicheitä, klicheitä.figcaption>
   ellauri244.html on line 125: <figcaption>Joku otti meistä valokuvan. Näytimme aivokuolleilta, Harri ainakin.figcaption>
   ellauri244.html on line 132: <figcaption>Ripakintut puoli senttaalia myöhemminfigcaption>
   ellauri244.html on line 170: <figcaption>Piispa S. Butler muistutti habituxeltaan maallikkopiispa E. Saaristafigcaption>
   ellauri244.html on line 539: <figcaption>Harry Millerin viimeinen Jonna sexiterapeutin asussafigcaption>
   ellauri244.html on line 620: After his move to Ocampo Drive, he held dinner parties for the artistic and literary figures of the time. His cook and "caretaker" was a young artist's model named Twinka Thiebaud, 54 years his junior, who later wrote a book about his evening "chats." In relation to reaching 80 years of age, Miller explains:
   ellauri244.html on line 633: <figcaption>Anaïs, June, Lipska, Hoki, Venus, just to name a few. Miller piti ohuthuulisista tytöistä kuin myös Harri Sirola. Viimeisessä kuvassa Harry polvillaan Venuxen tonttuovella hölmössä golfinpelaajan hatussa.
   figcaption>
   ellauri245.html on line 5: figcaption {
   ellauri245.html on line 43: <figcaption>Australian neekeri ja Harry Holefigcaption>
   ellauri245.html on line 47: <figure>
   ellauri245.html on line 49: <figcaption>Jonne Nääsböö med krigersk blikkfigcaption>
   ellauri245.html on line 50: figure>
   ellauri245.html on line 84: <figcaption>Mijailo tar raska steg i den blå kepan där det sitter Annas mockafiber på.figcaption>
   ellauri245.html on line 129: <figcaption>Vanhettunut Jo Nesbö hölmössä golfinpelaajan lippalakissa sepustaa seuraavasta Harri Reikä-niteestä. Hän on luonnevammainen alkoholisti josta ei voi olla pitämättä.figcaption>
   ellauri245.html on line 138: <figcaption>Tiukkapipoinen ex-meklari luimistelee nuorempana muttei kovin nuorena.figcaption>
   ellauri245.html on line 210: <figcaption>Kumpiska on Svante Pääbo ja kumpi Jo Nesbø?figcaption>
   ellauri245.html on line 265: <figcaption>Verstümmelte Kongolesen. Ein Vater starrt auf die kleine Hand und den Fuß seiner fünfjährigen Tochter, die von „Wachen“ zur Eintreibung von Kautschuk getötet wurde – eine bildkräftige Fotografie!figcaption>
   ellauri245.html on line 282: <figcaption>Harry Hole in 2010figcaption>
   ellauri245.html on line 371: Jeg finner det svært interessant at politiets etterforskningsarbeid ikke har vært et like populært felt i politiforskningen (se Høigård, 2005 og Valland, 2011), mens det samtidig finnes mange medierte bilder av hva det angivelig handler om. Selv om politiforskningen har vist lite oppmerksomhet til etterforskere og deres arbeid, vies det en enorm interesse for feltet fra andre ikke-akademiske områder. Det skrives flere bøker om fiktive etterforskere, og TV-serier og film sendes ofte på TV i beste sendetid. I en undersøkelse foretatt i 2012, ble kriminalromaner rangert som nummer to, etter bøker i den bestselgende sjangeren Skjønnlitterære romaner og noveller (Bokhandlerforeningen, 2012). Forfatteren og musikeren Jo Nesbø har gitt ut ti bøker om fiktiv figuren Harry Hole, en dyktig politietterforsker. Leserne følger Hole gjennom alle sakene han etterforsker, og får også innblikk i hans personlige problemer, som er kjæmpemange.
   ellauri245.html on line 454: <figcaption>En kvinnelig nynazistisk aktivist noe paradoksalt iført finlandshette (balaklava) i en protestdemontrasjon mot bruken av hijab (muslimsk skaut), Calgary i Canada 2007.figcaption>
   ellauri245.html on line 509: <figcaption>Harry "Varaosa" Holefigcaption>
   ellauri245.html on line 516: <figcaption>
   ellauri245.html on line 518: figcaption>
   ellauri245.html on line 541: <figcaption>Elissa ja Alvar Aalto 1960-luvulla. Pariskunnan yhteiselo oli ensimmäisinä vuosina leppoisaa, mutta Alvar Aallon vanhetessa hän alkoi juoda liikaa ja muuttui Elsaa kohtaan jopa ilkeäksi.figcaption>
   ellauri245.html on line 627: <figcaption>Lake Kivu Ruanda — Яндекс: нашлось 15 тыс. результатовfigcaption>
   ellauri245.html on line 640: <figcaption>Ring ring goes the bell! Up in the morning and out to school! Lake Kivu is on FIRE!figcaption>
   ellauri245.html on line 656: Women formed a core part of the Mau Mau, especially in maintaining supply lines. Initially able to avoid the suspicion, they moved through colonial spaces and between Mau Mau hideouts and strongholds, to deliver vital supplies and services to guerrilla fighters including food, ammunition, medical care, and of course, information. An unknown number also fought in the war, with the most high-ranking being Field Marshal Muthoni.
   ellauri245.html on line 761: <figcaption>Harry Hole näyttää dorkalle palaafigcaption>
   ellauri246.html on line 5: figcaption {
   ellauri246.html on line 37: <figcaption>Julius Oldenburgin vessanpönttötehdas Gustafsbergissä.figcaption>
   ellauri246.html on line 142: <figcaption>Vanha Nelly lukee runojaan laahaavalla nuotillafigcaption>
   ellauri246.html on line 268: For in the background figures vague and vast Sillä hämärinä isoina takapiruina
   ellauri246.html on line 286: <figcaption>Destruction at kibbutz Be'eri. The homes at kibbutz Be’eri are now broken and violated. Photograph: Quique Kierszenbaum/The Guardian, Israel
   ellauri246.html on line 287: ‘It was a pogrom’: Be’eri survivors on the horrific attack by Hamas terrorists. Bagged bodies of Hamas militants lying everywhere cluttering the place.figcaption>
   ellauri247.html on line 5: figcaption {
   ellauri247.html on line 45: <figcaption>Pikkuserkkumme valokuvattuna meidän mielipuuhissafigcaption>
   ellauri247.html on line 99: As he neared his camp, two little sisters of his wives ran out to meet him, thinking their sisters would be with him, and that they would give them a taste of the honey they knew they had gone out to get. But to their surprise Narahdarn came alone, and as he drew near to them they saw his arms were covered with blood. And his face had a fierce look on it, which frightened them from ​even asking where their sisters were. They ran and told their mother that Narahdarn had returned alone, that he looked fierce and angry, also his arms were covered with blood. Out went the mother of the Bilbers, and she said, "Where are my daughters, Narahdarn? Forth went they this morning to bring home the honey you found. You come back alone. You bring no honey. Your look is fierce, as of one who fights, and your arms are covered with blood. Tell me, I say, where are my daughters?"
   ellauri247.html on line 118: <figcaption>How to say Sir in Cantonese: seafood figcaption>
   ellauri247.html on line 312: <figcaption>Dr. Johnson was a twin of Boris Johnson, like yet another pair of Tweedledum and Tweedledee.figcaption>
   ellauri247.html on line 391: <figcaption>Disneyn Alicessa on vahvaa pedofiilistä. Siihenhän Zimmermankin syyllistyi nuorempana juippina. Pippelipom ja pippelipyy.figcaption>
   ellauri247.html on line 484: <figcaption>Figura di ebreo terrorizzato nel famoso quadro di Vernets - presumibilmente una rappresentazione del barone James Rothschild (foto in bianco e nero) da Horace (after) Vernetfigcaption>
   ellauri247.html on line 528: <figcaption>Vervet-apina tai yksinkertaisesti vervet on vanhan maailman apina Cercopithecidae-heimosta, joka on kotoisin Afrikasta. Termiä "vervet" käytetään myös viittaamaan kaikkiin Rotschild-suvun jäseniin.figcaption>
   ellauri248.html on line 5: figcaption {
   ellauri248.html on line 138: <figcaption>Ihmisainesta tulee Kallikakilta molemmista lahkeistafigcaption>
   ellauri248.html on line 168: <figcaption>No ei nää Retun kinkut kyllä olleet mitään kaunottaria, pikemminkin päinvastoin.figcaption>
   ellauri248.html on line 182: In den Jahren 1860/61 lebte Malwida von Meysenbug mit Olga in Paris, dem damaligen kulturellen Zentrum Europas. Sie war dort häufig Gast bei Richard Wagner, dessen vertrauteste Freundin sie neben Marie von Schleinitz war. Auch mit Charles Baudelaire und Hector Berlioz stand sie in Beziehung; über Wagner kam sie in Kontakt mit der schweinidealistische Philosophie Arthur Schopenhauers, welche sie – in eigener Interpretation – für sich selbst übernahm.
   ellauri249.html on line 5: figcaption {
   ellauri249.html on line 43: <figcaption>An example of a sōpio (see below), the god Mercury was depicted with an enormous penis on this fresco from Pompeii. figcaption>
   ellauri254.html on line 5: figcaption {
   ellauri254.html on line 41: <figcaption>Neuvostoliiton kauhukertomuxen aloittaja. Hän oli iso.figcaption>
   ellauri254.html on line 103: <figcaption>Serapion-veljiä yhteiskuvassa. Joku siskokin on vahingossa kuvaan lipsahtanut.figcaption>
   ellauri254.html on line 113: <figcaption>Gorki eli, Remizov teeskenteli. He olivat antipodeja.figcaption>
   ellauri254.html on line 118: <figcaption>We zijn allemaal Trotskistenfigcaption>
   ellauri254.html on line 138: <figcaption>Ivanovin panssarijuna postimerkissä ja Kaverin lätty potretissafigcaption>
   ellauri254.html on line 169: <figcaption>Blok otti permanentteja Zinaidan salongissa näyttääxeen maximisti Pushkinilta.figcaption>
   ellauri254.html on line 297: <figcaption>Yxi Blokin käsineistä näyttää myrkyn nielleeltäfigcaption>
   ellauri254.html on line 307: <figcaption>Tälle troikalle kävi ohrasesti Teräs-Joosepin päästyä ohjaxiin. Lev Trotski, Kamenev ja Grigori Zinovjev (edessä keskellä) 1920-luvulla kuvattuina.figcaption>
   ellauri254.html on line 325: <figcaption>Troikka ~ Annette Tuominen (1966). Erittäin komiasti laulaa.figcaption>
   ellauri254.html on line 336: <figcaption>Irkki-gallerian herutuskuva Zinovjevista joulukuulta 1934.figcaption>
   ellauri254.html on line 381: <figcaption>But enough of smut, now back to Fyodor Sologub!figcaption>
   ellauri254.html on line 453: <figcaption>Stefan George sah sehr böse aus.figcaption>
   ellauri254.html on line 461: Nach seinem Abitur im Jahre 1888 bereiste George die europäischen Metropolen London, Paris und Wien. In Wien lernte er 1891 Hugo von Hofmannsthal kennen. In Paris traf er auf den Symbolisten Stéphane Mallarmé und dessen Dichterkreis, der ihn nachhaltig beeinflusste und ihn seine exklusive und elitäre Kunstauffassung des l’art pour l’art entwickeln ließ. Seine Dichtungen sollten sich jeglicher Zweckgebundenheit und Profanierung entziehen. Zu Georges Pariser Kontaktpersonen gehörte auch Paul Verlaine. Unter dem Einfluss der Symbolisten entwickelte George eine Abneigung gegen den in Deutschland zu jener Zeit sehr populären Realismus und Naturalismus. Maxim Gorki wäre sehr böse gewesen, hätte er das gewusst. Seit 1889 studierte er drei Semester lang an der Philosophischen Fakultät der Friedrich-Wilhelms-Universität Berlin, brach sein Studium jedoch bald ab. Danach blieb er sein Leben lang ohne festen Wohnsitz, wohnte bei Freunden und Verlegern (wie Georg Bondi in Berlin), auch wenn er sich zunächst noch relativ häufig in das Elternhaus in Bingen zurückzog. Zwar hatte er von seinen Eltern ein beträchtliches Erbe erhalten, doch lebte er stets sehr genügsam. Als Dichter identifizierte er sich früh mit Dante (als der er auch beim Münchner Fasching auftrat), dessen Divina Comedia er in kleine Teile zerriss. Samanlainen ilkeä riippunokka se olikin kuin Dante.
   ellauri254.html on line 499: <figcaption>Siinä oli meitä poikia. Stefun ikävä lätty näkyy näpeimpänä pisteenä taulun oikeassa ylänurkassa. Pullanaamainen Brando lookalike vauvaessussa on Schwuler ja dinaarinen pikkumies Klages. Koukkunokka vasemmassa laidassa on syväkurkkuinen Karl Wolfskehl, joka sittemmin ajoi pois röyhypartansa kuten Soologubbe. Toinen partapozo ei ole sikapaska Hongisto eikä vekkulin Volvon etulokasuoja vaan Albert Verwey Amsterdamista joka ei saanut Nobel-palkintoa. Verwey was a close friend of Willem Kloos, and an affair developed between the two poets, which is unprecedented in Dutch literature. Siinä ehkä syy.figcaption>
   ellauri254.html on line 528: <figcaption>Ohi on! Päiviä nolla! Tänne jäätte! Nyt Roomaan takaisin.figcaption>
   ellauri254.html on line 540: <figcaption>Pajarinrouva Morozova vieraili Avvakumin luona vankilassa. Avvakumin tybeteikka lojuu lattialla.figcaption>
   ellauri254.html on line 550: <figcaption>Vitun pellejä sekä Lexa että Maximi. Lexalla ei traagisesti enää seiso. Maximi näyttää Charles Chaplinilta surtuukissa.figcaption>
   ellauri254.html on line 629: <figcaption>Valkoiset kyrvänpäät Virossa brittien maxamissa nutuissa vielä nupit tallella. Roikkuviixi kalju protonazi keskellä on Judenits.figcaption>
   ellauri254.html on line 634: <figcaption>Pjotr Wrangel oli hyvin ruma mies. Se oli ruozalaista sukua.figcaption>
   ellauri254.html on line 639: <figcaption>Ei meidän esi-isäkään ollut näöllä pilattu.figcaption>
   ellauri254.html on line 719: <figcaption>Наша Дарья - Гимн коминтернаfigcaption>
   ellauri254.html on line 755: <figcaption>Meidän Darja riisuutuu oikeutetusti intin vaatteista. Konsta ja Maxim kangistuisivat. Niin minäkin jos vielä kykenisin.figcaption>
   ellauri254.html on line 794: <figcaption>Kummallista väkeä...figcaption>
   ellauri254.html on line 801: <figcaption>Hyvät meikit Lunz!figcaption>
   ellauri254.html on line 820: Viktor Borisovich Shklovsky (Russian: Ви́ктор Бори́сович Шкло́вский, IPA: [ˈʂklofskʲɪj]; 24 January [O.S. 12 January] 1893 – 6 December 1984) was a skinhead Russian and Soviet literary theorist, critic, writer, and pamphleteer. He is one of the major figures associated with Russia formalism.
   ellauri254.html on line 915: <figcaption>Amerikkalaisen vartijan ampuma bolshevikkisotilas 8. tammikuuta 1919figcaption>
   ellauri254.html on line 1004: <figcaption>Nikke Nikitin ennen/jälkeen kuvissa aina yhtä tyytyväisenä.figcaption>
   ellauri254.html on line 1011: <figcaption>Miten niin heikko? Mä en ala enää mitään.figcaption>
   ellauri256.html on line 5: figcaption {
   ellauri256.html on line 41: <figcaption>Lady Ceepu. Onkohan käteen jäänyt kalu pelkkää sattumaa?figcaption>
   ellauri256.html on line 185: <figcaption>Julmettu! Tuli huti! ei osunutkaan vazanpohjaan. No uusi yritys. Yrittänyttä ei laiteta.figcaption>
   ellauri256.html on line 207: <figcaption>Vitun pellejä sekä Lexa että Maximi. Lexalla ei traagisesti enää seiso. Maxim on Chaplinin surtuukissa. Vähän siinä on Vasilin eiku Vitalin näköä.figcaption>
   ellauri256.html on line 330: <figcaption>Tämä ei ole dyspeptinen Harry Potter vaan Mitja Shostakovitsh joka soitti Fediniä puukottaneen kirurgi Grekovin luona poikasena pianoa.figcaption>
   ellauri256.html on line 353: <figcaption>Majakovski Brikillä ja taitavasti retusoituna ilman Brikkiäfigcaption>
   ellauri256.html on line 380: Contemporaries' attitude to Lilya was mixed. Men adored her: the list of Brik's admirers included practically the entire circle of Russian avant-garde artists and prominent culture figures, from Alexander Rodchenko to Sergey Diaghilev. In Italy, she was friends with Pasolini, in France, with Louis Aragon (who would eventually marry her sister Elsa) and Yves Saint Laurent, who used to say: “I know three women who can be elegant outside of fashion - Catherine Deneuve, Marlene Dietrich and Lilya Brik.”
   ellauri256.html on line 430: <figcaption>Majakovski Brikin valkkaamassa puvussa ja salmiakkikuvioisessa pujoliivissä.figcaption>
   ellauri256.html on line 499: <figcaption>Mitä sinisempi sitä länkkärimpi maa. Höhlät ja moskaljit editoimatta.figcaption>
   ellauri256.html on line 511: <figcaption>Mitä sinisempi sitä varakkaampi maa. Krimi editoitu.figcaption>
   ellauri257.html on line 5: figcaption {
   ellauri257.html on line 59: <figcaption>Ukrainalaissyntyinen Gogol on noussut yxinäisen miehen junaan.
   Perävaunumies tihrustaa tarkkaavaisesti sen pitkää nenää.
   ('Nenä' taisi kyllä Gogolilla tarkoittaa jotain kättä pitempää.)figcaption>
   ellauri257.html on line 71: In 1550, after centuries of fighting for possession of the Ukraine with the Turks, the Cossacks under the leadership of Taras Bulba (Yul Brynner) aid the Polish Army in the battle of the steppes (Argentina subbing for the Ukraine, where reportedly some 10,000 Argentinean extras were employed) and are victorious. Invited to a Polish feast to celebrate, the Cossacks are betrayed by their cunning hosts and flee under cannon fire to safety across the steppes.
   ellauri257.html on line 145: <figcaption>Tarastin tuumat ennen ja jälkeen demilitarisaationfigcaption>
   ellauri257.html on line 335: <figcaption>Ukrainalaisia bardeja soittamassa kopsilla.figcaption>
   ellauri257.html on line 365: <figcaption>Der polnische Schriftsteller Witold Gombrowicz im Jahr 1965
   (hinter ihm steht dem Autor Slawomir Mrozek sein Schwanz).figcaption>
   ellauri257.html on line 408: <figcaption>Gonzo oli jo teininä suht ilkeännäköinen otus.figcaption>
   ellauri257.html on line 537: <figcaption>Kaljumpi on Iisakki, Joosua on nelisilmäinen.figcaption>
   ellauri257.html on line 579: <figcaption>Se tunne, kun olet kartalla omaisuutesi tulo- ja menojonoistafigcaption>
   ellauri258.html on line 5: figcaption {
   ellauri258.html on line 54: <figcaption>Fodder for thoughtfigcaption>
   ellauri258.html on line 92: <figcaption>US Pilots Rush for Their Massive Stealth Bombers and Takeoff at Full Throttle. Ukraina ei voi voittaa Venäjää ilman häivepommittajia! figcaption>
   ellauri258.html on line 228: <figcaption>Minkäs teit Pekka lensit liian lähellä sikariporrasta, minähän varoitin.figcaption>
   ellauri258.html on line 301: Fasismin kaaduttua Johann monarkistina antoi lizareita sekä oikealle että vasemmalle kuin isä Camillo ja Peppone. Slap fighting on terveydelle vaarallista, on sittemmin selvinnyt. Era uno degli scrittori italiani più venduti nel mondo (con oltre 20 milioni di copie, melkein yhtä paljon kuin ruozalaiset dekkaristit.).
   ellauri258.html on line 313: <figcaption>
   ellauri258.html on line 315: figcaption>
   ellauri258.html on line 322: <figcaption>Länkkäreissä Baba Jaga on hyvin paha, Lumikin vastustaja, slaaveissa se on lasten ja janoisten ystävä.figcaption>
   ellauri258.html on line 474: <figcaption>Samin myymälä (Sami Storehouse). Malli Skansenin puistossa (Tukholma)figcaption>
   ellauri258.html on line 551: <figcaption>"Baba Yaga talonpojan kanssa, tanssii kaljun vanhan miehen kanssa." Miehellä on sarvi suussa.figcaption>
   ellauri258.html on line 577: <figcaption>Heus puer digitos ex vagina! toppuuttelee Anita Hirvonen.figcaption>
   ellauri258.html on line 749: <figcaption>Sepolla on melko pitkä ylähuuli.figcaption>
   ellauri260.html on line 5: figcaption {
   ellauri260.html on line 45: <figcaption>Stm Masi, kers Ärjylä, vänr Nappula, kapt Kalpa, kenr Kaluuna.figcaption>
   ellauri260.html on line 241: <figcaption>Köpfe der frühen deutschen Arbeiterbewegung: August Bebel, Wilhelm Liebknecht (oben), Karl Marx (Mitte), Carl Wilhelm Tölcke, Ferdinand Lassalle (unten) Minnekäs Kautsky on jäänyt? Ehkä se ei ole varhainen.figcaption>
   ellauri260.html on line 296: New York is the city of million- aires, and their number increases steadily ; but it has also been established on medical authority in New York that in the year 1914 five per cent, of the children examined were underfed, and that by the year 1919 the proportion had risen to nineteen per cent. Surely such figures give ground for reflection !
   ellauri260.html on line 341: This is done in two ways : by the construction of a personality superior to and embracing the world and by the opening of a kingdom of God which essentially transcends the entire political and social order. In order to buy any of this, a man has to be content with figures of speech and suggestions, and the heart needs a heroism that confidentlv sustains its affirmation in spite of all contradiction.
   ellauri262.html on line 5: figcaption {
   ellauri262.html on line 41: <figcaption>Rakastan tätä Aslanin muotokuvaafigcaption>
   ellauri262.html on line 67: Minkä takia toi yxi tukallinen pienipää on jäänyt haaviin? Ehkä silläkin on tupee? No ei. Se on Former Chicago Bears Matt Mayberry to Support Bike Bald Charity Fun ... Matthew Mayberry (born August 6, 1987) is a former American football linebacker for the Indiana Hoosiers of the NCAA and Chicago Bears of the NFL. He is now a keynote speaker and business consultant on the topics of leadership, peak performance, culture, and teamwork. So "why the name?" Bike Bald Group was founded in 2004 by a bald multiple time cancer survivor who was taught to fight even on the toughest days, while never forgetting those that helped along the way.
   ellauri262.html on line 93: <figcaption>Tyylikäs Lewisin rintakuva. Hän olisi ollut niin nolostunut, kun hän olisi saanut tietää, että joku teki tämän.figcaption>
   ellauri262.html on line 96: <figcaption>CS Lewisin kynä. Ihmettelen mitä loistoa tuosta kärjestä tuli.figcaption>
   ellauri262.html on line 99: <figcaption>Tolkienin kynä, jonka hänelle antoi Humphrey Carpenter.figcaption>
   ellauri262.html on line 102: <figcaption>Lewisin teekannu, jota hän käytti teen aikana veljensä Warnien ja ystävien, kuten JRR Tolkienin, kanssa.figcaption>
   ellauri262.html on line 105: <figcaption>Mukava näyttö, joka on somistettu Chestertonin Fr. Ruskeat mysteeritarinat -kirjoillafigcaption>
   ellauri262.html on line 108: <figcaption>Dorothy Sayerin (sic) ikoniset silmälasit. A.F. oli Dottyn avioton poika. figcaption>
   ellauri262.html on line 113: <figure>
   ellauri262.html on line 117: figure>
   ellauri262.html on line 119: <figcaption>(vas.) CS Lewis, (kesk.) GK Chesterton, (oik.) JRR Tolkien.figcaption>
   ellauri262.html on line 125: <figcaption>Jackie before stapling and after being unstapledfigcaption>
   ellauri262.html on line 153: Within months of entering Oxford, he was shipped by the British Army to France to fight in the First World War. In the midst of the German spring offensive, Lewis was wounded and two of his colleagues were killed by a British shell falling short of its target. He was depressed and homesick during his convalescence and, upon his recovery in October, he was assigned to duty in Andover, England. He was demolished in December 1918 and soon restarted his studies. Later, Lewis stated that his experience of the horrors of war, along with the loss of his mother and unhappiness in school, were the basis of his pessimism and atheism.
   ellauri262.html on line 171: <figcaption>Alistair Cookiefigcaption>
   ellauri262.html on line 179: <figcaption>MacDonald with his wife Louisa in 1901 at their 50th wedding anniversary at McDonald's.figcaption>
   ellauri262.html on line 208: The second novel, Perelandra, depicts a new Garden of Eden on the planet Venus, a new Adam and Eve, and a new "serpent figure" to tempt Eve. The story can be seen as an account of what might have happened if the terrestrial Adam had defeated the serpent and avoided the Fall of Man, with Ransom intervening in the novel to "ransom" the new Adam and Eve from the deceptions of the enemy. The third novel, That Hideous Strength, develops the theme of nihilistic science threatening traditional human values, embodied in Arthurian legend.
   ellauri262.html on line 386: <figcaption>Dorothyn nenäkin oli tynkä. Muuten siinä on melkoisesti Aale Tynnin näköä.figcaption>
   ellauri262.html on line 438: <figcaption>Well it's all sorted thenfigcaption>
   ellauri262.html on line 469: Lewis then talks about the nature of nature/matter. Because there are things outside an individual and God, things cannot be configured to suit the individual perfectly. WTF? God is responsible for that too! He also introduces the concept of Free Will and how that further inhibits everyone being pain-free all the time, although he does allow and say miracles do exist. Bullshit! Free will is that you can do what you want (lähde). If you want to be pain-free and you aren't, then your will is not free.
   ellauri262.html on line 530: <figcaption>Ensimmäisen painoksen pölykäärefigcaption>
   ellauri262.html on line 612: But Mr Neeson, who provided the voice of Aslan in the recent Narnia films, said: “Aslan symbolises a Christlike figure, but he also symbolises for me Mohammed, Buddha and all the great spiritual leaders and prophets over the centuries.”
   ellauri263.html on line 4: figcaption {
   ellauri263.html on line 40: <figcaption>Judith and her friend dividing up Holophernesfigcaption>
   ellauri263.html on line 78: <figcaption>Onko Topi pannut jo Rafaelan paxuxi? Huomaa söpö Atman-koiro.figcaption>
   ellauri263.html on line 387: This kind of blurring brings to mind US war-on-terror films such as Zero Dark Thirty, with its depiction of Osama bin Laden’s capture serving as a PR exercise for the use of torture during interrogations. Meanwhile, Fauda’s Isis storyline stretches credibility, at the same time feeding the worst stereotypes. “It’s a bit lazy. Isis is not really active in Gaza or the West Bank,” says Stern. Buttu adds that the effect is to reinforce the absence of a Palestinian cause. “We don’t have any legitimate grievances. It’s all Islamic-driven,” she says, noting that it “turns Palestinians into irrational figures who want only to kill Israelis”.
   ellauri263.html on line 389: Claims by Raz that writing the series was his real therapy, after suffering with PTSD, help locate Fauda in an Israeli genre dubbed “shooting and crying” – laments over the effect of wars on the morality and sanity of Israelis fighting them. But Fauda is different. Let’s call it “viewing while cursing”, into which category we can also place the US hit series Homeland Security.
   ellauri263.html on line 445: <figcaption>Sansibarilainen mumslimimamu Abdulrazak Gurnah Hebronissafigcaption>
   ellauri263.html on line 453: Today, Hebron is the capital of the Hebron Governorate, the largest governorate of the State of Palestine, with an estimated population of around 782,227 as of 2021. It is a busy hub of West Bank trade, generating roughly a third of the area's gross domestic product, largely due to the sale of limestone from quarries in its area. It has a local reputation for its grapes, figs, limestone, pottery workshops and glassblowing factories. The old city of Hebron features narrow, winding streets, flat-roofed stone houses, and old bazaars. The city is home to Hebron University and the Palestine Polytechnic University.
   ellauri263.html on line 497: <figcaption>Planeettaketjun seitsemän palloa ja keppi. Manvantaraa (ruiskaus) seuraa aina pralaya (lepokausi). Elimet on kuin pattereita, ne pitää ladata aina välillä, tiesi Iisak Bashevis.figcaption>
   ellauri263.html on line 511: <figcaption>Никифор Васильевич Блаватский 1810-1873(?)figcaption>
   ellauri263.html on line 518: <figcaption>Jelena 20 veefigcaption>
   ellauri263.html on line 524: <figcaption>Onko se Moria vai Jelena joulupukin parrassa? figcaption>
   ellauri263.html on line 624: <figcaption>H. P. Blavatskyn kootut teoxet. Blavatskyn elämästä ja merkityksestä on kiistelty. Joidenkin mukaan hän oli huijari, toisaalta vastakkainen näkemys Blavatskysta pyhimyksenä syntyi hänen viimeisinä vuosinaan hänen seuraajiensa parissa (paizi Col. Olcottin).figcaption>
   ellauri263.html on line 661: <figcaption>H. P. Blavatsky and Col. Olcott together in London, 1887.figcaption>
   ellauri263.html on line 672: <figcaption>Col. Olcott at his desk with framed photo of late HPBfigcaption>
   ellauri263.html on line 677: <figcaption>William Judge and Col. Olcott in happier times after demise of HPBfigcaption>
   ellauri263.html on line 730: "It's very similar to a fire alarm in your house, right? It goes off, it's loud, it's obnoxious, it's alerting to something, it has a function. And you know in a similar way, it's very disorienting," she explains. "In the same way, when you're triggered into feeling jealousy, it's very disorienting, and it can be very overwhelming. But ultimately, it's alerting you to something. Once you quiet the alarm, once you turn off the fire alarm, what you would normally do is sort of go around your house and figure out what's going on. … Is something actually on fire, or is it a false alarm? Same with jealousy—it's alerting you to some sort of discomfort."
   ellauri263.html on line 836: <figcaption>Kelly Gonzales poised for contributing mixed-race Asian-American sexfigcaption>
   ellauri263.html on line 838: Kelly Gonsalves is a multi-certified sex educator and relationship coach helping people figure out how to create dating and sex lives that actually feel good — more open, more optimistic, and more pleasurable. In addition to working with individuals in her private practice, Kelly serves as the Sex & Relationships Editor at mindbodygreen. She has a degree in journalism from Northwestern University, and she’s been trained and certified by leading sex and relationship institutions such as The Gottman Institute and Everyone Deserves Sex Ed, among others. Her fork has been featured at The Cut, Vice, Teen Vogue, Cosmopolitan, and elsewhere.
   ellauri264.html on line 5: figcaption {
   ellauri264.html on line 75: <figcaption>Kuvan pulu ei liity paasauxeen.figcaption>
   ellauri264.html on line 130: A children's book appropriating the Pepe character, The Adventures of Pepe and Pede, advanced "racist, Islamophobic and hate-filled themes", The book's author, a vice-principal with the Denton Independent School District, was reassigned after the publicity. In January 2019, the video game Jesus Strikes Back: Judgment Day was released, which allows players to play as Pepe the Frog, among other figures, and murder various target groups including feminists, minorities, and liberals.
   ellauri264.html on line 159: Lakshmi Srinivas, a professor of Asian American studies (another Indian lady) at the University of Massachusetts, felt that Kaling was being held to unfair standards as one of the few leading Asian figures in the entertainment industry.
   ellauri264.html on line 376: <figcaption>Meilloli tää. Näistä hukkapätkä Peter oli (on) Ukrainan juutalainen pedofiili.figcaption>
   ellauri264.html on line 385: <figcaption>I am a poor pilgrim of sorrowfigcaption>
   ellauri264.html on line 390: <figcaption>I am a poor lonesome cowboyfigcaption>
   ellauri264.html on line 407: <figcaption>Alex, Saif ja Norm, vasemmalta oikeallefigcaption>
   ellauri264.html on line 418: <figcaption>Funny and free speechfigcaption>
   ellauri264.html on line 433: The festival´s chair, Caroline Michel stated on 18 October 2020 that the event would not return to Abu Dhabi, in support of a curator Caitlin McNamara´s allegation of sexual assault against the tolerance minister of UAE, Sheikh Nahyan bin Mubarak Al Nahyan. McNamara claimed that she was assaulted by the minister when they met at a remote island villa in February 2019 concerning work. The Emirati Foreign Ministry declined to comment on personal matters. When reached out, Britain´s Metropolitan Police confirmed receiving a report of alleged rape on July 3 by a woman. Rape by a woman, WTF??? In November 2020, Caitlin McNamara vowed to fight on following the CPS October 2020 decision to not prosecute the UAE minister because the alleged attack had occurred outside its jurisdiction. McNamara said the decision sent a message to Sheikh Nahyan and others who commit similar crimes "that as long as they´re of economic value to the UK, they can do whatever they want". In an interview with The Sunday Times McNamara said she felt "abandoned" by the Hay Festival, and in an interview on Channel 4 stated that "mistakes" had been made in the way the festival handled her reporting the sexual assault to them which were "very distressing". What a pile of turds.
   ellauri264.html on line 473: <figcaption>Ruma mies ja karsee puujalkavärssyfigcaption>
   ellauri264.html on line 488: <figcaption>“Me, exploited? By this pixie?”figcaption>
   ellauri264.html on line 605: <figcaption>Bill Gates och Richard Branson diskuterar Bit Auto Soft 360 vid CES 2021.figcaption>
   ellauri264.html on line 624: <figcaption>Max och Niklas Roth tummar upp för Busch och AutoSoftfigcaption>
   ellauri264.html on line 669: <figcaption>Äntligen på gräddbunkens yta. Obs: skev mun!figcaption>
   ellauri264.html on line 698: It wasn’t until the McDonald brothers knew they couldn’t fight a multinational corporate giant who would kill them in legal fees that they were forced to sell at a significant discount. They had allegedly agreed to give the brothers 1% of all sales, but even then, the company screwed the brothers out of that.
   ellauri264.html on line 774: <figcaption>Venäjä nousee viimeisinä päivinä liittoumansa kanssa.figcaption>
   ellauri266.html on line 5: figcaption {
   ellauri266.html on line 67: <figcaption>Clueless but not completely hairless apesfigcaption>
   ellauri266.html on line 72: <figcaption>Desmond kotioloissa. Olisittepa nähneet sen joka pääsi karkuun.figcaption>
   ellauri266.html on line 82: <figcaption>Picasson lunastama Congo-simpassin signeeraama taulu esittää ihmisen hiilijalanjälkeä.figcaption>
   ellauri266.html on line 93: <figcaption>Apinakaveruxet ovat yhtä mieltä esittävästä taiteesta.figcaption>
   ellauri266.html on line 207: <figcaption>Istumasessioiden välillä Virpi kävelee kaupungissa, metsissä, missä tahansa.figcaption>
   ellauri266.html on line 241: <figcaption>Virpi tietää nyt. Se tietää vaikkei kysellyt.figcaption>
   ellauri266.html on line 262: In a world of superhero movies, this film stands out and reminds you of what the art of filmmaking is all about. No explosions, gunfights, or unnecessary sexual content, simply a group of phenomenal actors. The story is both sad and uplifting and it says more about PTSD (post-traumatic stress disorder) than any film I've seen in years. The fact that this film was so underappreciated is an indictment of the viewing public.
   ellauri266.html on line 349: The real frustration of women, so well expressed by the lady from Oakland, is their exclusion from the mainstream. It is a frustration that women experience in common with Negroes. The solution to these frustrations lies partly in the re-education of menfolk on the one hand and white folk on the other to enable them to adjust gracefully to the inevitable changes that lie ahead. It also lies in the determination of courageous women and courageous Negroes to fight their way into the mainstream despite all our attempts to keep them in their places.
   ellauri266.html on line 360: Throughout 1993, the role of NATO forces in Bosnia gradually grew. On February 28, 1994, the scope of NATO involvement in Bosnia increased dramatically. In an incident near Banja Luka, NATO fighters operating under Deny Flight shot down four Serb jets. This was the first combat operation in the history of NATO and opened the door for a steadily growing NATO presence in Bosnia. In April, the presence of NATO airpower continued to grow during a Serb attack on Goražde. In response, NATO launched its first close air support mission on April 10, 1994, bombing several Serb targets at the request of UN commanders.
   ellauri266.html on line 372: <figcaption>Mitä helvettiä? WTF! Palefaceja!figcaption>
   ellauri266.html on line 385: <figcaption>Boullen luovuus on jatkunut tähän päivään asti.figcaption>
   ellauri266.html on line 452: <figcaption>Älä ammu mua, mä lupaan selvittää kuka on Jimin murhaaja...figcaption>
   ellauri266.html on line 465: <figcaption>Annas kaveri toi staili nahkatakki tänne tai pamahtaa.figcaption>
   ellauri266.html on line 468: Le narrateur commence à apprendre le langage simien. Profitant d’une visite de routine, il dessine à Zira des figures géométriques et les théorèmes qui en découlent, puis le Système solaire et celui de Bételgeuse, la trajectoire de son vaisseau et son origine, la Terre. Zira comprend son message et lui demande de garder le secret car Zaïus pourrait lui causer des problèmes. Zira commence à apprendre le français et les deux peuvent communiquer facilement. Elle lui apprend comment les singes se sont développés sur cette planète alors que l’homme est resté à un stade d’animalité. Enfin, le narrateur retrouve l’air libre lorsque Zira l´amène en promenade, après trois mois d’enfermement, pour lui présenter Cornélius, son fiancé, un chimpanzé biologiste très intelligent et intuitif. Il se laisse tenir en laisse comme le lui a recommandé Zira et tente de dissimuler son intelligence. Zira lui apprend que Zaïus voulait le transférer à la division encéphalique pour pratiquer sur son cerveau des opérations délicates mais qu’elle l’en a empêché. Avec Cornélius, elle lui conseille de faire très attention et d´attendre le congrès des savants biologistes qui va se tenir dans les jours suivants où il sera présenté par Zaïus, pour révéler son secret.
   ellauri266.html on line 473: <figcaption>Sun kannattaisi poistaa varmistin ennenkuin alat osotella pyssyllä.figcaption>
   ellauri266.html on line 502: <figcaption>When the Lone Ranger shouted "Hi-ho, Silver-away!" Tonto would mumble "Get-um up, Scout".figcaption>
   ellauri267.html on line 5: figcaption {
   ellauri267.html on line 205: <figcaption>Ostaisitko tältä mieheltä pillereitä tai tilaistko oikeausapua?figcaption>
   ellauri267.html on line 245: <figcaption>Don Sebastian Montoya High Chaparralistafigcaption>
   ellauri267.html on line 1399: <figcaption>Statue of King Sebastian of Portugal on the façade of the Rossio station. The statue was accidentally destroyed in 2016 by a person who knocked it over by climbing up for a photograph. The person was arrested and subsequently decapitated.figcaption>
   ellauri267.html on line 1406: <figcaption>Prinssi Harryn näköinen Dom Sebastian hullunkurisissa sorzeissa.figcaption>
   ellauri269.html on line 5: figcaption {
   ellauri269.html on line 39: <figcaption style="text-align:center;background:#a85740">World of Warcraftin pelihahmoja Warsaw Gulch Battlegroundin edustalla.figcaption>
   ellauri269.html on line 65: <figcaption>Talk to the hand! Tämä ahimsa-käsi kieltää jainalaisilta väkivaltateot.figcaption>
   ellauri269.html on line 121: Mulla on toi Leech King (suom. Verijuotikas) kirjana joka löytyi Emmauxen hyllystä. Siitä on tämän paasauxen motto. Astaroth (also Ashtaroth, Astarot and Asteroth), in demonology, was known to be the Great Duke of Hell in the first hierarchy with Beelzebub and Lucifer; he was part of the evil trinity. He is known to be a male (or female) figure most likely named after the Near Eastern goddess Astarte. Hazeroth (Nu. 11:35, 12:16, 33:17-18) oli Moosexen porukoiden taukopaikka missä Mirja sai ihotaudin, oisko ollut siihen yhteen paikkaan? Voiko pitaali tarttua hurlumheihin? Mirjan ihotaudista on ollut puhe myös albumissa 171. Miriam on Maria hepreaxi, tai turkixi. Se on turkkilaisen Ecemin toinen nimi.
   ellauri269.html on line 145: <figcaption>Alfasusi ja tiskipöydän alla asustava dräänifigcaption>
   ellauri269.html on line 151: <figcaption>New races for our mongoloid clients, inspired by Andy Panda and Charlie Chickenfigcaption>
   ellauri269.html on line 252: <figcaption>Tuisku Viihteen örkit auttoivat South Parkin hahmoja pelaamaan Wow peliä. Ne oli tosi viileitä! People emoting!figcaption>
   ellauri269.html on line 265: <figcaption>Everyone starts somewhere.. Beginner (left) gets harassed by an old hand (right). You can also choose your gender.figcaption>
   ellauri269.html on line 276: Paying With Gold: You can also buy game time with the gold that you earn in game. Visit the Auction House and select WoW Token. The price fluctuates quite a bit, so you may have to keep a careful eye on it to figure out your best deal.
   ellauri269.html on line 307: <figcaption>Which WoW race are you? I guess they are all sorta humanoid from the belt down. And that's what counts.figcaption>
   ellauri269.html on line 345: The Wagner Group (Russian: Группа Вагнера, romanized: Gruppa Vagnera), also known as PMC Wagner (Russian: ЧВК[a] «Вагнер», romanized: ChVK «Vagner»; lit. 'Wagner Private Military Company'), is a Russian privately owned paramilitary organization. It is variously described as a private military company (PMC), a network of mercenaries, or a de facto private army of Russian President Vladimir Putin, depending how hawkish you are. The group operates beyond the law in Russia, where private military contractors are officially forbidden. While the Wagner Group itself is not ideologically driven, various elements of Wagner have been linked to neo-Nazis and far-right extremists, now fighting the Ukrainian neo-Nazis and far-right extremists in a war which is just unjust.
   ellauri269.html on line 347: The group came to prominence during the Donbas War in Ukraine, where it helped pro-Russian separatist forces of the self-declared Donetsk and Luhansk People's Republics from 2014 to 2015. Its contractors have reportedly taken part in various conflicts around the world—including the civil wars in Syria, Libya, the Central African Republic (CAR), and Mali, often fighting on the side of forces aligned with the Russian government. Wagner operatives have committed war crimes in areas where they are deployed. The accusations include rapes and robberies of civilians, and torturing accused deserters.
   ellauri269.html on line 349: Because it operates in support of Russian interests, receives military equipment from the Russian Ministry of Defence (MoD) and uses installations of MoD for training, Wagner Group is frequently considered a de facto unit of the MoD or Russia's military intelligence agency, the GRU. It is widely speculated that the Wagner Group is used by the Russian government to allow for plausible deniability in certain conflicts, and to obscure from public the number of casualties and financial costs of Russia's foreign interventions. It has played a significant role in the 2022 Russian invasion of Ukraine, where, among other activities, it has been reportedly deployed to assassinate Ukrainian leaders, and has widely recruited prisoners and convicts for frontline combat. In December 2022, Pentagon's John Kirby claimed Wagner group has 50,000 fighters in Ukraine, including 10,000 contractors and 40,000 convicts. Others put the number of recruited prisoners at more like 20,000, with the overall number of PMCs present in Ukraine estimated at 20,000. After years of denying links to the Wagner group, Yevgeny Prigozhin, a businessman with close links to Putin, admitted in September 2022 that he "founded" the paramilitary group. Now (Feb 2023) he is angry because he is not getting all the attention and financial support he wants. He says that the Kreml nomenclature are thereby guilty of high treason. *This article may be too long to read and navigate comfortably, so I stop here.
   ellauri269.html on line 351: The Wagner Group reportedly recruited a unit known as the Black Russians from imprisoned UPC rebels in the Central African Republic to fight in Ukraine and Mali. They may end up fighting equally black American mercenaries on the Ukrainian side. Mali voted with Russia, Central Africa abstained.
   ellauri269.html on line 431: <figcaption>Siis tätä ei oikeasti tapahdu Wow-pelissä, vaikka monet siitä haaveilevat. Kuuensaan kurkku.figcaption>
   ellauri269.html on line 520: <figcaption>Hasidit ninguttavat niuluafigcaption>
   ellauri269.html on line 575: There is literally a track in the WoD soundtrack called ‘Messenger’ in Hebrew (Malach), which features traditional Jewish liturgical singing. They are led by a Moses figure, and literally came to Azeroth on a ship named after the Exodus. It’s not subtle, I don’t see why you’re denying it.
   ellauri269.html on line 656: <figure style="width:20%;float:right;padding:1em">
   ellauri269.html on line 658: <figcaption>Prinsessa Kaljafigcaption>
   ellauri269.html on line 659: figure>
   ellauri269.html on line 762: <figcaption>-- 'Wow, Harry -- that must've been fifty feet....'"figcaption>
   ellauri269.html on line 805: Confusedly, and which thus must ever fight, sekaisin velloin, riehuin ikuisesti,
   ellauri270.html on line 5: figcaption {
   ellauri270.html on line 61: <figcaption>Ćuprija ja Višegrad kuten ne ennen olivat, mustavalkoisiafigcaption>
   ellauri270.html on line 82: <figcaption>Ei Kwai- vaan Drina-joen siltafigcaption>
   ellauri270.html on line 106: <figcaption>Eikä mikään asia Kwai-joen sillan legendassa pidä paikkaansa! - Seura.fifigcaption>
   ellauri270.html on line 187: <figcaption>Eversti Saito presidentti Reaganin kanssa Valkoisessa talossa 1981figcaption>
   ellauri270.html on line 210: <figcaption>Epävireisiä viheltäjiä Ceylonilla ja Suomessa. Virran Olavin sanat on tahmaisemmat kuin Repe Helismaan sotaisemmat alkuperäiset.figcaption>
   ellauri270.html on line 296: <figcaption>Shirley oli eri kauhean näköinenkin.figcaption>
   ellauri270.html on line 302: The irony in “The Daemon Lover” is that the female protagonist becomes suspect as she hunts for the mysterious young man “who promised to marry her” (DL 23). Everywhere she searches, she encounters couples who mock her with not-so-subtle insinuations that she is crazy. Indeed, at the end of the story she may well have become insane; the narrative is ambiguous on this point. Significantly, however, if the nameless woman has indeed lost her mind, it is James who is responsible. Although some critics speculate that the disruptive male figure—both in this story and in the others in the collection—is a hallucination of a sexually repressed character, the epilogue to The Lottery, a ballad entitled “James Harris, The Daemon Lover,” suggests otherwise: He is, in fact, the devil himself.
   ellauri270.html on line 434: <figcaption>Shocking Bluen Venus oli sentään vähän parempi kuin näistä kumpikaan. Karppi ei ehdi käydä edes suihkussa. Pitäisiköhän sen vaihtaa alaa?figcaption>
   ellauri270.html on line 537: <figcaption>Eenokki ja Nefilim. Tapa se Eenokki!figcaption>
   ellauri270.html on line 553: <figcaption>H. Norman Schwarzkopf, father of H. Norman Schwarzkopf. Served Pres. George Bush, father of Pres. George Bush. Naah, actually this guy died 1958.figcaption>
   ellauri270.html on line 570: <figcaption>Louis D. Brandeisin (Brandeis University) suu on tosi vino!figcaption>
   ellauri271.html on line 5: figcaption {
   ellauri271.html on line 41: <figcaption>Kumpi apinoista on vinosuisempi? Kyllä se on tuo jolla on tuo huppari.figcaption>
   ellauri271.html on line 75: <figcaption>
   ellauri271.html on line 76: Vuonna 1960 Neuvostoliitossa julkaistiin naistenpäivän kunniaksi oma postimerkki. Dodi! I rest my case.figcaption>
   ellauri271.html on line 95: <figcaption>Kumpi apinoista on vinosuisempi? Kyllä se on tuo jolla on tuo banaani.figcaption>
   ellauri271.html on line 115: Setämies Geodakyan oletti, että seksuaalinen dimorfismi sisältää fenotyyppien jakautumisen vähintään kahteen toiminnalliseen tyyppiin: naaras (joka johtuu lajin hyödyllisten ominaisuuksien säilymisestä) ja uros (syntyy vaihtelevimmissa olosuhteissa). Miessukupuolen oletetaan olevan lajin "kokeellinen" osa, mikä antaa sille mahdollisuuden laajentaa ekologista markkinarakoaan useissa eri raoissa ja saada aikaan vaihtoehtoisia konfiguraatioita. Tämä teoria korostaa miesten suurempaa vaihtelua ja kuolleisuutta naisiin verrattuna.
   ellauri272.html on line 5: figcaption {
   ellauri272.html on line 41: <figcaption>Zane Grey pitelee harmaansävyistä koalaa vieraillessaan Australiassa. Zane on siis mies etualalla.figcaption>
   ellauri272.html on line 310: of the idealized child"; Alexie's protagonist is the opposite of this figure.
   ellauri272.html on line 735: <figcaption>SAS:n erityisilmapalvelun cabin crew pohjois-Aahrikassa miettimässä riimiä.figcaption>
   ellauri272.html on line 740: Unlike many others, we have no billionaire owner except you, meaning we can fearlessly chase truth away and report alternative ones instead. 2023 will be no different; we will work with trademark theft and passion fruit to bring you journalism that’s always free from commercial (LOL) or political (commie) interference. No one edits our editor or diverts our attention from what’s most important for The West. With your support, we’ll continue to keep Gilead Guardian journalism open and free for everyone to read. When access to information is made equal, greater numbers of people can understand global events our way and their impact on good people but also communists. Together, we can demand better for the powerful and fight for laissez-faire democracy.
   ellauri274.html on line 5: figcaption {
   ellauri275.html on line 4: figcaption {
   ellauri275.html on line 54: <figcaption>Martti J. Kari puhuu amerikkalaisen naistekoälyn äänellä, kun ei oma äly riittänyt. Mixi venäläiset tekee kaiken hullusti?
   Mixi venäläiset ei käytä pipoa sisätiloissa vaan venelakkia? Mixi presidentti Putin ja Frodo Oades ovat kuin kaxi jagodaa?
   ellauri275.html on line 55: figcaption>
   ellauri275.html on line 112: <figcaption>fig1"/>Fig 1. Iljan salamurhan tangentiaalinen laukausrata.figcaption>
   ellauri275.html on line 262: Saat kudin sydämeen ja selästä ulos (fig1">Fig. 1) Onko täällä jotain mitä tarvitset!
   ellauri275.html on line 451: Prince Alexander Chavchavadze (Georgian: ალექსანდრე ჭავჭავაძე, Russian: Александр Чавчавадзе; 1786 – November 6, 1846) was a Georgian poet, public benefactor and military figure. Regarded as the "father of Georgian romanticism", he was a pre-eminent Georgian aristocrat and a talented general in the Imperial Russian service.
   ellauri275.html on line 458: <figcaption>Chavchavadze's residence in Tsinandali where the still functioning famous winery serves today as a major tourist attraction in Kakheti.figcaption>
   ellauri275.html on line 473: <figcaption>Aleksanteri Kazbegi. Kuva: A. Roinashvili, 1880-lukufigcaption>
   ellauri275.html on line 507: <figcaption>Ukrainan SSR 1922 ja Ukraina nyt Donbass-röllisilmin kazottuna.figcaption>
   ellauri275.html on line 514: <figcaption>Nikita kuikkii Josipin selän takaa 30-luvulla. Pioneerilla on omat epäilyxensä.figcaption>
   ellauri275.html on line 690: <figcaption>Svetlana oli iskän lemmikki.figcaption>
   ellauri275.html on line 709: <figcaption>A zariba (from Arabic: زَرِيْـبَـة, romanized: zarībah, lit. 'cattle-pen') is a fence which is made of thorns. Historically, it was used to defend settlements or property against perpetrators in Sudan and neighbouring places in Africa. An example would be a pen to protect cattle and other livestock from predators such as lions, albeit often unsuccessfully.
   ellauri275.html on line 710: figcaption>
   ellauri276.html on line 4: figcaption {
   ellauri276.html on line 342: <figcaption>2 Josephia ja Adam English Campbellin yliopistosta, N.C. Hilpeästä Josephista on lujasti kuvia, irkkua sai eziä.
   ellauri276.html on line 343: figcaption>
   ellauri276.html on line 498: <figcaption>Kavanaghin vahapatsas Dublinin kansallisessa vahamuseossafigcaption>
   ellauri276.html on line 570: <figcaption>Tämä anglosaxirenkutus saattaa olla vähän 2-mielinen.figcaption>
   ellauri276.html on line 615: <figcaption>Tää sensijaan on 1-mielisen misogyyninenfigcaption>
   ellauri276.html on line 879: <figcaption>Kyntäjän lounas. Kuvitus: Koko kaupungin Vinsenttifigcaption>
   ellauri276.html on line 1269: <figcaption>Kiina ja Aahrikka antaa parastaanfigcaption>
   ellauri276.html on line 1309: <figcaption>Aputuomarit ennen-jälkeen kuvissafigcaption>
   ellauri277.html on line 4: figcaption {
   ellauri277.html on line 65: <figcaption>Kahlil Gibran ploughman - top education!figcaption>
   ellauri277.html on line 136: <figcaption>Hyväntekijä ja pahantekijä (maroniiteille hyvinkin)figcaption>
   ellauri277.html on line 170: <figcaption>Mie en ole mikkään alistunut luopio! Mie piirrän pillunkuvan niinku se on. Paizi karvaviirun jätän pois, se ei ole symbolinen.figcaption>
   ellauri277.html on line 217: Khalil senior seems to have been a violent drinker and a gambler; rather than tend to his walnuts he went to be a collector of taxes for the village headman, a job that was not considered reputable. In 1891 he was convicted of some fiscal irregularity, and his property was confiscated. Gibran later described his father to his women friends as a descendant of cavaliers, a romantic figure, who got into trouble with the law for refusing to compromise with corrupt village authorities. BUAHAHAHA.
   ellauri277.html on line 238: After Paris, Gibran found Boston provincial and stifling. Haskell arranged for him to visit New York in April 1911; he moved there in September, using $5,000 that Haskell gave him to rent an apartment in Greenwich Village. He immediately acquired a circle of admirers that included the Swiss psychiatrist and psychologist Carl Gustav Jung and several Baha’is; the latter introduced him to the visiting Baha’i leader ‘Abd al-Baha’, whose portrait he drew. New York was the center of the Arabic literary scene in America; Rihani was there, and Gibran met many literary and artistic figures who lived in or passed through the city, including the Irish poet and dramatist William Butler Yeats.
   ellauri277.html on line 240: In the spring of 1913 he visited the International Exhibition of Modern Art—the “Armory Show”—which introduced European modern art to America. He approved of the show as a “declaration of independence” from tradition, but he did not think most of the paintings were beautiful and did not care for the artistic ideologies behind movements such as cubism. The reviews of an exhibition of his own work in December 1914 were mixed. Hedevoted most of his time to painting for the next eighteen years but remained loyal to the symbolism of his youth and became an isolated figure on the New York art scene.
   ellauri277.html on line 401: <figcaption>Clockwise: Christian cross, Islamic star and crescent, Baháʼí nine-pointed star, and Jewish Star of Davidfigcaption>
   ellauri277.html on line 412: <figcaption>Abdul-i-baha sanoi että loppuun mennessä selviää mixi naisia koskeva rajoitus oli järkevä.figcaption>
   ellauri278.html on line 4: figcaption {
   ellauri278.html on line 39: <figcaption>Chicherin ja Litvinov. Arvaa kumpi oli juutalainen?figcaption>
   ellauri278.html on line 75: <figcaption>Nippu neuvostoroistoja. Boris Mihailovits ylh. oik. figcaption>
   ellauri278.html on line 147: <figcaption>Aika sulotonta ulinaa.figcaption>
   ellauri278.html on line 157: Vyshinsky first became a nationally known public figure as a result of the Semenchuk case of 1936. Konstantin Semenchuk was the head of the Glavsevmorput station on Wrangel Island. He was accused of oppressing and starving the local Yupik and of ordering his subordinate, the sledge driver Stepan Startsev, to murder Dr. Nikolai Vulfson, who had attempted to stand up to Semenchuk, on 27 December 1934 (though there were also rumors that Startsev had fallen in love with Vulfson's wife, Dr. Gita Feldman, and killed him out of jealousy). The case came to trial before the Supreme Court of the RSFSR in May 1936; both defendants, attacked by Vyshinsky as "human waste", were found guilty and shot, and "the most publicised result of the trial was the joy of the liberated Eskimos."
   ellauri278.html on line 236: <figcaption>Molotov-Ribbentrop sopimuxen allekirjoitus. Toinen vas. marsalkka Shaposhnikov.figcaption>
   ellauri278.html on line 271: <figcaption>Molotov, Stalin ja Voroshilov 1937 suunnittelevat remuiltaa Sotshissa.figcaption>
   ellauri278.html on line 304: <figcaption>Neuvostotaiteilijan näkemys Hatynin polakkien likvidoinnista. Etualalla vapautettu ukrainalainen ja valkovenäläinen. Huomaa valkoiset paperinarut ranteissa.figcaption>
   ellauri278.html on line 332: <figcaption>Parfyon Kiseljov puhuu epämukavia professorien Orshoshin ja Markovin kanssa Katyn uudemmista toimista.figcaption>
   ellauri278.html on line 364: <figcaption>Prof. Orshosh ruumiinavauksessa. Lähistöllä ovat prof. Markov (Bulgaria) ja prof. Arno Saxen (Suomi, verikauhassa). Professori F. Orshoshin käyttämä kallon tilan mukainen ajoitusmenetelmä ei löytänyt riittävää myöhempää vahvistusta lääketieteellisessä käytännössä, mistä prof. Saxen kyllä huomautti.figcaption>
   ellauri278.html on line 411: <figcaption>Mug shot of Päz in prisonfigcaption>
   ellauri278.html on line 443: <figcaption>Prikaatinkenraali Thompson pitelee polleana Tommy-pyssyä yhdellä kädellä.figcaption>
   ellauri279.html on line 4: figcaption {
   ellauri279.html on line 39: <figcaption>Solženitsyn jää vallankumousjunasta Vladivostokissa kesällä 1994 palattuaan Venäjälle lähes 20 vuotta kestäneen karkotuksen jälkeen.figcaption>
   ellauri279.html on line 125: <figcaption>Pavlik liian iso koppalakki päässä. Pioneerisolmio on hävyxissä.figcaption>
   ellauri279.html on line 192: <figcaption>Juri Alperovich in memoriamfigcaption>
   ellauri279.html on line 197: When Yuri joined the faculty of the Department of German and Russian at UCD in January, 1989, none of his colleagues had any idea of the remarkable fifty-five years of his life that had preceded his arrival in Davis. Some of us were aware of the fact that he had been censored for his writing in the Soviet Union, but most, if not all of us, were ignorant of the attack leveled against him in 1974 by the newspaper Izvestiya, which accused him of having slandered the Soviet people, or of his having been removed from the Writers Union of the USSR in 1977 and declared “a traitor to the motherland” for his participation in the Samizdat underground publishing movement. In 1986, he was threatened by the KGB with either incarceration in a prison camp or confinement to a psychiatric ward, where he might well have languished had it not been for the intervention of Western writers such as Kurt Vonnegut and Arthur Miller, as well as, the International PEN-Club. Yuri was banished from his homeland a year later. He became a leading literary figure among Russian émigré writers while in exile, living first in Vienna, and then in Texas, before coming to California.
   ellauri279.html on line 199: In his sensational exposé, Informer 001 or the Myth of Pavlik Morozov, a product of research carried out clandestinely in the Soviet Union between 1980 and 1984, he demolished the long-standing, “official” Soviet version of the young, thirteen-year old “pioneer” (who never was) and communist martyr – designated, in 1934, a Soviet literary hero at the First Congress of Soviet Writers – who had turned in his father to the authorities for treasonable activity. The boy was subsequently murdered, according to the authorities, by members of his own family. The young Pavlik did, in fact, denounce his father, but, as Yuri demonstrates, he appears to have been put up to it by his mother, seeking revenge for her husband’s infidelity. As to who actually killed Pavlik, Yuri establishes that it was certainly not family members who were hauled before a Soviet court and subsequently executed. No less a literary figure than Alexander Solzhenitsyn hailed the publication of the book in 1987, claiming that it was “through books such as this that as many Soviet lies will eventually be told as revealed.”

   
   ellauri279.html on line 206: <figcaption>Vale-Dimitrifigcaption>
   ellauri279.html on line 211: <figcaption>Jose Alperovich es el más rico del congreso de Argentina.figcaption>
   ellauri279.html on line 257: <figcaption>Seuraavana ärhäkän sotaministeri Farian lukulistassa on "Vesipää."figcaption>
   ellauri279.html on line 269: <figcaption>M.D. Ryuminia esittänyt hassuttelijafigcaption>
   ellauri279.html on line 303: <figcaption>"Ensimmäisessä ympyrässä" on ensimmäinen laaja sovitus A. I. Solzhenitsynin teoksesta, jonka käsikirjoituksen on kirjoittanut kirjoittaja itse. Katkelmat romaanista "Ensimmäisessä ympyrässä" kuullaan näytön ulkopuolisessa tekstissä Solženitsynin lukemana äänikirjana.figcaption>
   ellauri279.html on line 316: <figcaption>Kirjailija varixenpelättinä.figcaption>
   ellauri279.html on line 351: <figcaption>Solzhenizynin punainen Jopo-pyörä. Kasarmikadun Etolenillla ei ollut näitä pyöriä.figcaption>
   ellauri281.html on line 4: figcaption {
   ellauri281.html on line 39: <figcaption>Antonio Banderaxen ääni sopii latino matukonnalle.figcaption>
   ellauri281.html on line 74: <figcaption>Nippu neuvostoroistoja. Boris Mihailovits ylh. oik. figcaption>
   ellauri281.html on line 146: <figcaption>Aika sulotonta ulinaa.figcaption>
   ellauri281.html on line 156: Vyshinsky first became a nationally known public figure as a result of the Semenchuk case of 1936. Konstantin Semenchuk was the head of the Glavsevmorput station on Wrangel Island. He was accused of oppressing and starving the local Yupik and of ordering his subordinate, the sledge driver Stepan Startsev, to murder Dr. Nikolai Vulfson, who had attempted to stand up to Semenchuk, on 27 December 1934 (though there were also rumors that Startsev had fallen in love with Vulfson's wife, Dr. Gita Feldman, and killed him out of jealousy). The case came to trial before the Supreme Court of the RSFSR in May 1936; both defendants, attacked by Vyshinsky as "human waste", were found guilty and shot, and "the most publicised result of the trial was the joy of the liberated Eskimos."
   ellauri281.html on line 235: <figcaption>Molotov-Ribbentrop sopimuxen allekirjoitus. Toinen vas. marsalkka Shaposhnikov.figcaption>
   ellauri281.html on line 270: <figcaption>Molotov, Stalin ja Voroshilov 1937 suunnittelevat remuiltaa Sotshissa.figcaption>
   ellauri281.html on line 303: <figcaption>Neuvostotaiteilijan näkemys Hatynin polakkien likvidoinnista. Etualalla vapautettu ukrainalainen ja valkovenäläinen. Huomaa valkoiset paperinarut ranteissa.figcaption>
   ellauri281.html on line 331: <figcaption>Parfyon Kiseljov puhuu epämukavia professorien Orshoshin ja Markovin kanssa Katyn uudemmista toimista.figcaption>
   ellauri281.html on line 363: <figcaption>Prof. Orshosh ruumiinavauksessa. Lähistöllä ovat prof. Markov (Bulgaria) ja prof. Arno Saxen (Suomi, verikauhassa). Professori F. Orshoshin käyttämä kallon tilan mukainen ajoitusmenetelmä ei löytänyt riittävää myöhempää vahvistusta lääketieteellisessä käytännössä, mistä prof. Saxen kyllä huomautti.figcaption>
   ellauri281.html on line 410: <figcaption>Mug shot of Päz in prisonfigcaption>
   ellauri281.html on line 442: <figcaption>Prikaatinkenraali Thompson pitelee polleana Tommy-pyssyä yhdellä kädellä.figcaption>
   ellauri282.html on line 4: figcaption {
   ellauri282.html on line 39: <figcaption>ἐν τούτῳ νίκα! In hoc signo vinces! figcaption>
   ellauri282.html on line 46: <figcaption>Takaisinko kolmen ässän hallituspohjaan taas?figcaption>
   ellauri282.html on line 51: Tää menee tosiaan prikulleen niinkuin ennakoin: lopun ajat tuo termiittiapinan pahimmat puolet pinnalle. Yhteen hiilijalanjälkeen puhaltaminen ei nappaa enää, sen sijasta trendaa julmuus izekkyys ja isänmaallisuus. Reviiriään partioivat Gog ja Magog käy toistensa turkkiin kuin terrierit sidostesukkaan, hälläväliä hengessä syömään izensä kuin kezut ja muunkin elävän siinä samalla. Urpo alkaa nälkäisenä purra omaa nilkkaa. Stressed people fight like rats in a shoe. Olin oikeassa mutten kuitenkaan järin voitonriemuinen.
   ellauri282.html on line 222: <figcaption>NKVD: n tekemä mukilaukaus pidätyksen jälkeen 1940. Andersin habitus on ihan 2020-lukua.figcaption>
   ellauri282.html on line 240: <figcaption>Wojtek the bearfigcaption>
   ellauri282.html on line 250: <figcaption>Entäs sittenfigcaption>
   ellauri282.html on line 295: <figcaption>Haitannoonkoon tuo... miettii Abu Lähjä Lapinlahden raitilla.figcaption>
   ellauri282.html on line 318: <figcaption>Tony on kuin Kari Wellman töhrittynä kenkäplankilla. Ja moniteholinssit.figcaption>
   ellauri282.html on line 340: <figcaption>Tämä mies oli luihun näköinen. Sen mielestä tarkoitus pyhitti keinot.figcaption>
   ellauri282.html on line 462: <figcaption>Sihteeri ja trappi Bangcockissa. Outoja lintuja.figcaption>
   ellauri282.html on line 502: <figcaption>Merton oli muuten vinosuu!figcaption>
   ellauri282.html on line 520: <figcaption>Keating tekee tahattomasti offensiivisen eleenfigcaption>
   ellauri282.html on line 546: <figcaption>Tricky Dickin ja Trumpin tuolissa istuu Cunk. Washington ei ollut ostanut paikkalippua. Sai seistä Delaware-joen lautalla. Ei suostunut edes auttamaan airoissa.figcaption>
   ellauri282.html on line 577: <figcaption>John pysyi uskollisena modernistiwiixillefigcaption>
   ellauri283.html on line 4: figcaption {
   ellauri283.html on line 226: <figcaption>Alkuperäiskansojen riidanratkaisumekanismi on korvautunut länsimaisella.figcaption>
   ellauri283.html on line 305: <figcaption>Blemmyt tänä päivänä.figcaption>
   ellauri283.html on line 441: <figcaption>Garangin lehmätfigcaption>
   ellauri283.html on line 463: <figcaption>På bilden en annan igelkott.figcaption>
   ellauri284.html on line 4: figcaption {
   ellauri284.html on line 39: <figcaption>
   ellauri284.html on line 41: figcaption>
   ellauri284.html on line 76: <figcaption>Eräs hevonen ja galantti itäintiaani saavat Viktorian ristin turpiinotosta. Ristiä sanoi kissa kun jäälle kuoli.figcaption>
   ellauri284.html on line 87: <figcaption>Liukkaalta stasikaverilta näyttäis kiemurtavan ankerias takapuolesta.figcaption>
   ellauri284.html on line 97: <figcaption> Turkin sulttaani ja Ebyktin matkakhediivi törtelöhatuissa.figcaption>
   ellauri284.html on line 124: <figcaption>
   ellauri284.html on line 125: Turhautuneet sakut kävi 1. maailmansodassa ampumassa brittikaupunkia mereltä laivatykeillä. The Sarborough Esplanade suffered terribly. 2. maailmansodan jo käytännössä ratkettua anglosaxit kävivät Dresdenissä maxamassa sakuille Scarboroughin vauriot potut pottuina ja ehkä vähän potti nokkiinkin? figcaption>
   ellauri284.html on line 154: <figcaption>1. maailmansota oli 1. täysin mekanisoitu apinateurastamo. Koneet päihitti kädelliset 6-0. (lähde: Philomena Cunk)figcaption>
   ellauri284.html on line 170: <figcaption>Saksalainen Bismarckin linnoituksessa, Tsing-Taussa, rypistynyt Japanin laivaston pommituksesta.figcaption>
   ellauri284.html on line 178: <figcaption>Dead Russians lying in a trench defending Warsaw, the capital of Russian Polandfigcaption>
   ellauri284.html on line 186: <figcaption>Польша назвала освобождение Варшавы в 1945 году «коммунистическим пленом», tokaisi Jablonski.figcaption>
   ellauri284.html on line 192: <figcaption>SHOT FOR SELLING INFORMATION TO THE GERMANS: A FRENCH TRAITOR.figcaption>
   ellauri284.html on line 197: <figcaption>THE END OF THE SEARCH: A GERMAN FOUND AND SHOTfigcaption>
   ellauri284.html on line 202: <figcaption>HIGH TREASON: AN EX-GERMAN TRAITOR FOUND AND HANGEDfigcaption>
   ellauri284.html on line 207: <figcaption>EX-GALLANT TRAITOR DROWNED IN THE VAAL DE WET'S FELLOW-CONSPIRATOR, GENERAL BEYERSfigcaption>
   ellauri284.html on line 209: General Beyers perished a traitor-in-arms, drowned in the Vaal, while hotly pursued and trying to cross the flooded river with some of his men. They were fired on, and Beyers fell from his horse but caught hold of the tail of another, but was soon seen in difficulties and calling for help. Before the fighting was over, General Beyers had diappeared under water. No one came to help.
   ellauri284.html on line 239: <figcaption>THE SAVING OF SOLDIERS WHO FALL IN BATTLE: In action the stretcher-men keep moving close in rear of the firing line, picking up men as they fall. A machine with human sympathy. Admirable. What excrement? It is shit! Repeat 3x! Shit shit shit!figcaption>
   ellauri284.html on line 287: <figcaption>Sankaripoliisit Pekka Erkkilä ja Raimo Majuri figcaption>
   ellauri284.html on line 301: <figcaption>Raimo Majuri huumeoikeudenkäynnissä. Äänessä asianajaja Herbert Gumpler.figcaption>
   ellauri284.html on line 380: <figure style="float:right;width:30%">
   ellauri284.html on line 382: <figcaption>Kaljuuntunut Clint sateessa sanoo taas "jep".figcaption>
   ellauri284.html on line 383: figure>
   ellauri284.html on line 554: <figcaption>KÖYHIMYXET MUUTETAAN TOISEEN SLUMMIIN NCR:N SKYLINEN VUOKSIfigcaption>
   ellauri284.html on line 556: <figcaption>IZEPÄISET KYYKKYILIJÄT AMMUTAAN PAIKAN PÄÄLLÄ. Taiteellinen vaikutelma 9+figcaption>
   ellauri284.html on line 724: <figcaption>Luutnantti Frederick Roberts löytää luultavasti haavoittuneen kenraali Nicholsonin Kashmirin portilta piileskelemästä pöydän alta Delhin piirityksen aikana.figcaption>
   ellauri284.html on line 754: <figcaption>Uulalaa! ulvahtivat fanit.figcaption>
   ellauri285.html on line 4: figcaption {
   ellauri285.html on line 41: <figcaption>
   ellauri285.html on line 43: figcaption>
   ellauri285.html on line 145: The objects included coins, pipes, boxes, figurines and cuneiform tablets that depicted various biblical scenes, including Moses handing out the tablets of the Ten Commandments. On November 14, 1907, the Detroit News reported that Soper and Scotford were selling copper crowns they had supposedly found on heads of prehistoric kings, and copies of Noah's diary.
   ellauri285.html on line 258: <figcaption>Kuvan perusteella Mirja saattaa hyvin olla lesoileva kiipijä.figcaption>
   ellauri285.html on line 334: <figcaption>Geach oli pelottavan ruma mies.figcaption>
   ellauri285.html on line 347: Mary Robinson (née Darby; 27 November 1757 – 26 December 1800) was an English actress, poet, dramatist, novelist, and celebrity figure. She lived in England, in the cities of Bristol and London; she also lived in France and Germany for a time. She enjoyed poetry from the age of seven and started working, first as a teacher and then as actress, from the age of fourteen. She wrote many plays, poems and novels. She was a celebrity, gossiped about in newspapers, famous for her acting and writing. During her lifetime she was known as "the English Sappho". She earned her nickname "Perdita" for her role as Perdita (heroine of Shakespeare's The Winter's Tale) in 1779. She was the first public mistress of King George IV while he was still Prince of Wales.
   ellauri285.html on line 450: <figcaption>Erno heittämässä tikkaa Perunkajärven kirjailijakokouxessa 1963 Matti Tuhdin näköisenä.figcaption>
   ellauri285.html on line 677: <figcaption>Régis libéréfigcaption>
   ellauri285.html on line 694: <figcaption>Mitterrand irvistelee myyriäisenä sirkku poskessafigcaption>
   ellauri285.html on line 708: Les États-Unis auraient ainsi su échapper à cette crise du sacré, par leur civisme et leur patriotisme, même s´ils se sont mis au service de mauvaises causes. L’effigie du dollar des États-Unis en est un exemple : « In God We Trust, All Others Pay Cash ». C’est cette symbolique patriotique qui ferait la force des États-Unis. Debray prétend appliquer le théorème d´incomplétude de Gödel à l´ordre social pour « démontrer » sa théorie. Régis Debray a été vivement critiqué pour son utilisation du théorème d´incomplétude de Gödel, jugée au mieux infondée sinon fallacieuse par Alan Sokal et Jean Bricmont dans leur livre Impostures intellectuelles, et par Jacques Bouveresse dans Prodiges et vertiges de l´analogie.
   ellauri285.html on line 718: <figcaption>Vanha Reggie nojailee lundioihinsa.figcaption>
   ellauri285.html on line 772: the butterfly-like first figure provided by Fredrickson and Losada is not a model of the data taken from their human participants, but "the results of computer simulations of the Lorenz equations, nothing more"; and based on the maths, even if precise positivity/negativity ratios could be derived, several "windows" of desirable and undesirable positivity/negativity ratios above a certain value should exist, rather than a simple range of ratios in which "flourishing" should occur.
   ellauri285.html on line 784: <figcaption>Fredriksson still more than 3/4 positive about her thesisfigcaption>
   ellauri286.html on line 4: figcaption {
   ellauri286.html on line 39: <figcaption>Sofi on pienikokoinen mutta jalkaterät sillä on kuin hobitilla.figcaption>
   ellauri286.html on line 47: <figcaption>Tämmöinen namupala näyttäytyi aamusella unessa, jossa oli joku Risto tai sinnepäin henkilö jolla oli joku nolo vaiva, oliskohan ollut impotenssi tai puolikuntoinen erektio ainakin (en kommentoi). Ensin tällä oli mustat pikkarit, niiden alla tämmöinen mehukas tuuhea musta pehko. Vihreä hamonen nousi reisiltä ja näytti kaiken. figcaption>
   ellauri286.html on line 91: <figcaption>Sofi Oksasen kirjoitus infosodasta – Tätä on kirjoittaa Venäjästä. Kivaa! Tilaa Turun Sanomat niin saat lisää tällästä länsipropagandaa kotiin kannettuna! Mixhän Sofilla on Urho Kekkosen pinssi rinnassa?figcaption>
   ellauri286.html on line 200: <figcaption>Rivo nukke Moskovastafigcaption>
   ellauri286.html on line 353: <figcaption>Mä herutuskuvassa. Ei täysin onnistunut selfie.figcaption>
   ellauri286.html on line 380: <figcaption>Mies on perheen pää mutta vaimo kääntää sitä.figcaption>
   ellauri286.html on line 402: <figcaption>Elefantti ui [lähde: Turun kaluste]figcaption>
   ellauri286.html on line 547: <figcaption>Munkin Eetu oli tollanen rajatilainen.figcaption>
   ellauri288.html on line 4: figcaption {
   ellauri288.html on line 39: <figcaption>
   ellauri288.html on line 40: figcaption>
   ellauri288.html on line 59: <figcaption>Sofi Oksasen edustaja yritti purra naisen kasvot irti!figcaption>
   ellauri288.html on line 122: <figcaption>
   ellauri288.html on line 124: figcaption>
   ellauri288.html on line 234: <figcaption>Kirjailija Sofi Oksanen ja hänen aviomiehensä Juha Korhonen riitelivät kännissä Tallink Megastarilla. Sohvi on tavanomaisen ilkeän ja Korhonen väpelömäisen näköinen. Juhan mirri on druupahtanut. Sofin pehko on nähtävästi ollut tukkamallina.
   ellauri288.html on line 235: figcaption>
   ellauri288.html on line 409: <figcaption>Jaanin kaukainen juutalainen sukulainenfigcaption>
   ellauri288.html on line 576: <figcaption>Jumalan kämmenellä -virsi päätti Kanalan siunaustilaisuuden.figcaption>
   ellauri290.html on line 5: figcaption {
   ellauri290.html on line 41: <figcaption>Kuvattu Seutulassa Rudus-yhtiön sorakuopalla pahvikulisseissa.figcaption>
   ellauri290.html on line 71: <figcaption>Muuten meni hyvät maat kiitettävästi juutalaisille, paizi Gazan suikale jäi harmillisesti rättipäille. Akko on sittemmin saanut juutalaismiehityxen. figcaption>
   ellauri290.html on line 110: Israel's primary objective was to re-open the blocked Straits of Tiran. WTF, they occupied and consequently expropriated most of Palestinian land property. After the fighting had started, political pressure from the United States, the Soviet Union, and the United Nations led to a withdrawal by the three invaders. The episode humiliated the United Kingdom and France and strengthened Nasser. Joka sai sitten kyllä kunnolla nenuun USA:n varustamilta Jehovan sotajoukoilta 10v myöhemmin 7 päivän salamasodassa 1967 (kz. esim. albumia 263).
   ellauri290.html on line 328: (see map in fig. 1)10,4356,756,755100.00%)
   ellauri290.html on line 484: To this figure should be added those refugees who are not registered with the Agency because they are either self-supporting, or had emigrated to other parts of the world. Those refugees a e estimated as follows:
   ellauri294.html on line 5: figcaption {
   ellauri294.html on line 40: <figcaption>Julmat selzhukkisulttaanit eivät pidä pissataukoja.figcaption>
   ellauri294.html on line 115: <figcaption>Ghazi¹ päässään selzhukkimainen kalpakki.figcaption>
   ellauri294.html on line 255: <figcaption>Mixkähän superpahixet on tollasia nenättömiä kuten Voldemort? Tai sit mutrusuita.figcaption>
   ellauri294.html on line 343: <figcaption>Tästäkin on detaljit ärsyttävästi kumattu.figcaption>
   ellauri294.html on line 378: <figcaption>Sir Alma Tademan puhdasnaamaisia viktoriaanisia kreikkalaisia puhtaissa ja silitetyissä vaatteissa. Sittemmin on kaikenkarvainen balkanilainen veri vetelöittänyt rotua. Kreikkalaisempia profiileja läytää nykyään Oxbridgen soutujoukkueista. Morton tietää, se on ezinyt.figcaption>
   ellauri294.html on line 465: <figcaption>He tekivät mihin pystyivät. figcaption>
   ellauri294.html on line 472: <figcaption>Pidettiin pikapalaveri ja kexittiin Priscillalle toinen toimenkuva. Priscilla ryhtyi Uuden Korinton matkaoppaaxi!figcaption>
   ellauri294.html on line 498: <figcaption>Harvinaisen elävä esitys Big Mama "Pöllö" Thorntonilta. Hän oli ensimmäinen Koirakoiran laulaja. Laulu teki tähden hänestä muttei tehnyt hänelle yhtään rahaa siitä.figcaption>
   ellauri294.html on line 593: <figcaption>Brian Bysouthin alkuperäinen brittiläinen mönkijäfigcaption>
   ellauri294.html on line 640: <figcaption>Marja Liisa Swanz sai Unescolta ysikymppisenä hopeisen lautasen.figcaption>
   ellauri294.html on line 649: <figcaption>Kaunis iso vahva valkoinen naishahmo heläyttää karvakanneltafigcaption>
   ellauri294.html on line 656: <figcaption>Samoalaisäiti kusettamassa Margaret Meadiafigcaption>
   ellauri294.html on line 675: <figcaption>Amelia (Newport) Wagner on kenties vähän Margaret Meadin kaltainen? Tai Synnöven.figcaption>
   ellauri294.html on line 681: <figcaption>Amelia (Newport) Wagner on kenties vähän myös Louisa May Alcottin kaltainen?figcaption>
   ellauri294.html on line 708: <figcaption>Chautauqua!figcaption>
   ellauri297.html on line 5: figcaption {
   ellauri297.html on line 35: <figcaption>Muutama musta lammas pyrkii helmiäisportista valkoisten joukossa.figcaption>
   ellauri297.html on line 44: Materialism is the butt of every Dad joke. A child comes to the father of their youth, and say, “Dad, I’m hungry,” to which the beloved father figure replies, “Hello Hungry, I’m Dad!” It pokes fun at the idea that our whole identity could be the sum total of our physical markers, desires and chemical reactions. This would be akin to someone ‘coming out,’ to us and us responding, “Hello Gay! I’m Cis!” It’s ludicrous! But, our culture still does it–quite a bit, actually. We define ourselves and others concretely based on what we own rather than on what we cannot see; our souls.
   ellauri297.html on line 67: <figcaption>Найдено в Яндекс Картинках по запросу «Lygia nude». Lygia Fazio; nännit. What's your reaction? Dojonggjongg? figcaption>
   ellauri297.html on line 88: <figcaption>If an Imp could speak, it would echo Marlon Brando’s
   ellauri297.html on line 91: figcaption>
   ellauri297.html on line 371: <figcaption>Ex-geezer wearing tefillinfigcaption>
   ellauri297.html on line 404: <figcaption>Kokovartalotefiliini. Enemmän kuin käsivarren mittainen, silti ahas.figcaption>
   ellauri297.html on line 415: <figcaption>Märsäpusu!figcaption>
   ellauri297.html on line 600: <figcaption>Frank on viekkaan näköinen. Varmaan kelju kaveri.figcaption>
   ellauri297.html on line 613: <figcaption>Aika izekeskeisesti, epäselvästi ja epäomaperäisesti muotoiltu. Kukahan toikin karvaturri on?figcaption>
   ellauri299.html on line 5: figcaption {
   ellauri299.html on line 35: <figcaption>Länkkäreiden kauhunaiheita: iso neekeri, Stalinin kynttilä, itä on punainen, pahimpana kuitenkin ruiskahtava musta torni.figcaption>
   ellauri299.html on line 48: <figcaption>Plug Powers vd Andy Marsh kommenterade bla Finlands Nato-medlemskap när han besöktes Helsingfors i tisdags, Det är en av flera saker som stärkt Marshs tro på att Finland är ett land som delar Plug Powers vision och värderingar.figcaption>
   ellauri299.html on line 167: <figcaption>Virallinen arvosananifigcaption>
   ellauri299.html on line 352: Sitten joku viranomainen päätti, että Pentagonin portaat oli raivattava. Kiväärin perät putosivat ihmisten päähän tylsillä, rumilla, märän kuuloisilla töksyillä. Veri roiskui portaille. Kuului huutoja "Linkitä kädet! Yhdistä kädet!" sekoitettuna kivun huutoon ja kiroukseen. Ihmisiä raahattiin ja pidätettiin. Julmuus oli kauhistuttavaa, ja portailla seisovat ihmiset alkoivat heitellä sotilaita roskilla. Näin roskakorin purjehtivan pääni yli. Food fight! Pelkäsin, että ihmiset poljettiin paniikissa, kun he yrittivät paeta pesismailoilta ja kiväärin tukeilta.
   ellauri299.html on line 390: <figcaption>Turistiapinat Norjan Preikestolenilla näyttää aivan termiiteiltä, hyi helvetti.figcaption>
   ellauri299.html on line 397: <figcaption>Enbuske valittaa että vain rumat naiset eivät pidä kikkelikuvista. Taustalla voi olla Enbusken omien selfieiden ongelma: niistä ei erota mistä päästä ne on otettu. Tuomas Enbuske (vas.) ize vizaileekin yhdennäköisyydestään prinssi Danielin prinssinnakin kaa (oik.)figcaption>
   ellauri299.html on line 541: <figcaption> U.S. köyhiä virikehäkissä kannanhoidollisena toimenpiteenä.figcaption>
   ellauri299.html on line 608: <figcaption>Epävirallinen muotokuva Mark Twainista arkimekossa.figcaption>
   ellauri299.html on line 634: <figcaption>Como se forma un zunami? Muy interesante.figcaption>
   ellauri300.html on line 4: figcaption {
   ellauri300.html on line 41: <figcaption>Jotain jutkuporukoita retkuu reelingillä New Yorkissa.figcaption>
   ellauri300.html on line 330: <figcaption>Huonopartainen Rabbi Shmuel Posner, Shliach to Boston University, with students. (Photo: Pinselsabad on Campus)figcaption>
   ellauri300.html on line 343: <figcaption>Pensselihännättömiä shluchoja fotoshopatussa ryhmäkuvassa. New York 2018.
   ellauri300.html on line 345: <figcaption>Kristittyjä coed-opiskelijoita retusoimattomassa ryhmäkuvassa. London 1954. 4. oikealta keskirivissä on Sirkka Pylkkänen.
   ellauri300.html on line 581: <figcaption>Don McLean's wife files for divorce.figcaption>
   ellauri300.html on line 614: <figcaption>New Yorkissa ilma oli tiistaina 6. kesäkuuta 2023 täynnä Kanadan maastopaloista levinnyttä savua.figcaption>
   ellauri300.html on line 630: <figcaption>Den onde Titus som tog kandelabern.figcaption>
   ellauri300.html on line 647: Conduct for the congregants (Titus 2:1-10, 3:1-11). Older women are encouraged to avoid slander or excessive drinking and must encourage younger women to be good wives and mothers. Slaves are exhorted to be trustworthy and obedient. The church as a whole is exhorted to submit to authorities and avoid fighting and “foolish discussions” (Titus 3:9).
   ellauri300.html on line 658: <figcaption>Tämä se on! Oikea pahaTitus näyttää OK-merkkiä särjettyään juutalaisten temppelin.figcaption>
   ellauri300.html on line 671: <figcaption>
   ellauri300.html on line 674: figcaption>
   ellauri300.html on line 676: <figcaption>
   ellauri300.html on line 678: figcaption>
   ellauri300.html on line 683: <figcaption>Tulokset ovat sekä valaisevia että huolestuttavia. Antonio Flores heitti kalsarinsa linnan juhlissa vessan roskixeen!figcaption>
   ellauri300.html on line 757: Amalek uppfattas som både en fysisk nation och som en andlig ideologisk kraft. Lärda inom judendomen kan därför dela upp Amalek i två kategorier; den genetiska Amalek och den figurativa Amalek. Den genetiska Amalek är de människor som är fysiska ättlingar till Amalek och den figurativa Amalek är de övriga ”antisemiterna”. Den genetiska Amalek måste utrotas på Yahwehs order vilket bekräftas av rabbi Joseph B. Soloveitchik när han säger att ”varje individ som är bärare av Amaleks gener måste utraderas”. Den figurativa Amalek är de andra folkens antisemiter, de som endast i sinnelaget är påverkade av ärkefiendens antijudiska idéer. Bland dessa räknas araber och andra icke-ariska nationer som agerar mot Israels intressen.
   ellauri300.html on line 827: <figcaption>A cumshotfigcaption>
   ellauri300.html on line 876: <figcaption>Elisa kiroaa nuoria miehiäfigcaption>
   ellauri300.html on line 889: <figcaption>Ei olis kannattanut! Nuo rahat kuuluivat minulle.figcaption>
   ellauri300.html on line 928: <figcaption>Characters Henry Bear (better known as Papa Bear) is the father of Junior Bear and the husband of Mama Bear. Papa Bear is a loud-mouthed, short-tempered, psycholic and abusive dwarf bear. He usually abuses Junior if he says or does something wrong.figcaption>
   ellauri301.html on line 5: figcaption {
   ellauri301.html on line 35: <figcaption>Huvittavaa miten hyönteismyrkkyvalmistaja morffaa hyönteisistä apinannäköisiä roistoja. Apinat ovatkin ainoat apinoiden uhkaajat jotka eivät ole vielä sukupuutossa tai sen partaalla. Vaan ei enää kauan.figcaption>
   ellauri301.html on line 182: Schartaulaisuus on muovaillut hartauselämää ja jopa mentaliteettia sekä kulttuuria Länsi-Ruotsissa. Armonjärjestys on Lutherin ideoima vuorisaarnaan perustuva katumuxentekijän marssijärjestys. Ensin ota vuoteesi ja sitten kävele. Sana armonjärjestys esiintyy miljoona kertaa Lestadiuxella. Mankelilla esiintyy naispoliisi nimeltä Lestadius. Ordning och reda. It all figures.
   ellauri301.html on line 263: De Klerk was a controversial figure among many sections of South African society, all for different reasons. He received many awards, including the Nobel Peace Prize for dismantling apartheid and bringing universal suffrage to South Africa. Conversely, he received criticism from anti-apartheid activists for offering only a qualified apology for apartheid, and for ignoring the human rights abuses by state security forces. He was also condemned by South Africa´s Afrikaner nationalists, who contended that by abandoning apartheid, he betrayed the interests of the country´s Afrikaner minority. South Africa´s Conservative Party came to regard him as its most hated adversary.
   ellauri301.html on line 292: <figcaption>En äldre man som ingen någonsin sett skrattafigcaption>
   ellauri301.html on line 294: Eugène Ney Terrace Blanche ([ɪə‌ˈʒɛn ˈnɛj tərˈblɑ‌ːʃ], 31 January 1941– 3 April 2010) was an Afrikaner nationalist and white supremacist who founded and led the Afrikaner Weerstandsbeweging (AWB; Afrikaner Resistance Movement in English). Prior to founding the AWB, Terrace Blanche served as a South African Police officer, was unsuccessful as a farmer, and an unsuccessful Herstigte Nasionale Party (Reconstituted National Party) candidate for local office in the Transvaal. He was a major figure in the right-wing backlash against the collapse of apartheid. His beliefs and philosophy have continued to be influential amongst White supremacists in South Africa and across the world.
   ellauri301.html on line 416: <figcaption>Camilla oli menestyttyään mielestään namupala vaikka vyötärö on tasapaxu ja nappisilmät liian lähekkäin. Mutta niin ne ovat Kata Kärkkäiselläkin. Katakaan ei enää tiedä lintuko se on vai kala.figcaption>
   ellauri301.html on line 436: <figcaption>Ekberg vi minns...figcaption>
   ellauri301.html on line 441: <figcaption>Siamo sbagliando tuttifigcaption>
   ellauri302.html on line 5: figcaption {
   ellauri302.html on line 35: <figcaption>Mielenosoitus Kakal bulevardilla. LGBTQ ei ole oikein juutalaisten juttu. Gays go home! Marttyyri Yishai Shlissel puukotti 16-vuotiaan lepakko-Shiran Jerushalaimin prideparaatissa 2015.figcaption>
   ellauri302.html on line 106: <figcaption>David Kessler (1860 – 1920) was a prominent actor in the first great era of Yiddish theater. As a star Yiddish dramatic performer in New York City, he was the first leading man in Yiddish theater to dispense withincidental kletschmer music. Porukat läpyttivät Kesslerille ja vihelsivät tytöille.
   ellauri302.html on line 107: figcaption>
   ellauri302.html on line 113: <figcaption>Pyllynmyynti rullaa niin hyvin että sedällä on varaa kirjoituttaa pyhä rulla, josta tulee näytelmän päätähti.figcaption>
   ellauri302.html on line 184: <figcaption>Yeshiva-opiskelijat pohdiskelevat mitä Mishna ja Gemara sanoisivat moisesta.figcaption>
   ellauri302.html on line 535: <figcaption>3. vuosituhannen alussa lesboilusta tuli pääasia.figcaption>
   ellauri302.html on line 559: <figcaption>Shulemissa oli vähän Max Rothin näköä, tai kääntäen.figcaption>
   ellauri302.html on line 645: <figcaption>Kieronnäköinen kaveri tää Bukharin, vähän kuin Lassi Hiekkala.figcaption>
   ellauri302.html on line 669: <figcaption>Elijahun koirankoppi Hebronin takapihallafigcaption>
   ellauri308.html on line 5: figcaption {
   ellauri308.html on line 36: <figcaption>Huumori on keino selviytyä suihkuun astifigcaption>
   ellauri308.html on line 40: <figcaption>Sovietskiye devushki erotika! Vapaana kasvanut röyheä karvatuhero taustana Marxin kootut teoxet, pesukomuutti ja emaliämpäri, ei mitään nekulturnuju dekadenttia länsimaista porsliinia.figcaption>
   ellauri308.html on line 159: <figcaption>Последней женой Куусинена стала врач Марина Амирагова, с которой он заключил брак в 1936 г. Их единственная дочь Виолетта умерла в возрасте менее двух лет.figcaption>
   ellauri308.html on line 241: <figcaption>
   ellauri308.html on line 243: figcaption>
   ellauri308.html on line 294: <figcaption>Pikku väpelö pulskien nazikommarien keskelläfigcaption>
   ellauri308.html on line 309: <figcaption>Veikko Hyyskä Ikaalinen, historianharrastaja,
   ellauri308.html on line 310: tanakasti ajassa.figcaption>
   ellauri308.html on line 320: <figcaption>Raimo Myöhänen, Vantaa, Roskanpoimijafigcaption>
   ellauri308.html on line 343: <figcaption>Rauno Taskinen Kristillisdemokraatit Kuopiofigcaption>
   ellauri308.html on line 356: <figcaption>Matti Viikari, haudan takaafigcaption>
   ellauri308.html on line 363: <figcaption>Juhani Pentikäinen haudan takaafigcaption>
   ellauri308.html on line 369: <figcaption>Esko Karinenfigcaption>
   ellauri308.html on line 374: <figcaption>Markku Savikivifigcaption>
   ellauri308.html on line 380: <figcaption>Nea Uusitalofigcaption>
   ellauri308.html on line 385: <figcaption>Juha Hytönenfigcaption>
   ellauri308.html on line 408: <figcaption>Markku Savikivifigcaption>
   ellauri308.html on line 413: <figcaption>Olipa perusteellinen kirjoitus. Kiitos!figcaption>
   ellauri308.html on line 428: <figcaption>Seuraava Putin on tämä Jönsyn ikäinen, meidän ikäistämme Putinia vuoden vanhempi Patrushev, Arvo ennustaa. Nuorempia nämä ovat kuin lentokoneen portaissa kompuroivat veripusseilla varmistetut vapaan maailman johtajat.figcaption>
   ellauri308.html on line 462: <figcaption>Radekin mustan villakoiran nimi oli "Piru".figcaption>
   ellauri308.html on line 469: <figcaption>Henryk Sienkiewicz safarilla Afrikassa 1890.figcaption>
   ellauri308.html on line 496: <figcaption>Hans Hildebrand, porträtt målad av Elisabeth Engdahl 1897.figcaption>
   ellauri308.html on line 504: <figcaption>Staffan Hildebrand förgrep sig på pojkar: ”Jag har gjort fel”figcaption>
   ellauri308.html on line 559: <figcaption>Pozner on ilkeän näköinen kaljupää, lähes ysikymppinen ja onnexi ihan kohta vainaja.figcaption>
   ellauri308.html on line 574: <figcaption>The depth behind Jewish jokes, Larry David and Jon Stewartfigcaption>
   ellauri308.html on line 723: <figcaption>
   ellauri308.html on line 724: Kapinantekotaitoa, katumellakoita, työväenliikkeen kaappaamista ja muuta vehkeilyä opetti Lenin-koulussa Tuure Lehén.figcaption>
   ellauri308.html on line 774: <figcaption>Sääli ettet voi katsoa tätä videona. Oh, actually you can, thanx to Youtube and the Hoover foundation!figcaption>
   ellauri308.html on line 778: <figcaption>
   ellauri308.html on line 780: figcaption>
   ellauri308.html on line 783: <figcaption>
   ellauri308.html on line 785: figcaption>
   ellauri308.html on line 787: <figcaption>
   ellauri308.html on line 789: figcaption>
   ellauri308.html on line 791: <figcaption>Kaikki meni päin persettä kun tuli televisio. Porukat kokoontui niskat jäykkinä tuijottamaan ikonia huoneen nurkassa.
   ellauri308.html on line 792: figcaption>
   ellauri308.html on line 794: <figcaption>
   ellauri308.html on line 796: figcaption>
   ellauri308.html on line 798: <figcaption>
   ellauri308.html on line 800: figcaption>
   ellauri309.html on line 5: figcaption {
   ellauri309.html on line 82: <figcaption>Peter Ridgeway hiess der Erste, gross und gut aussehend, mit goldenem Haar und charmantem Lächeln.figcaption>
   ellauri309.html on line 89: <figcaption>Third part of the Laura Templeton trilogy. Third time is a charm.figcaption>
   ellauri309.html on line 190: <figcaption>Nora, Bruce ja Noran kolleegan Peter Piiskula ovat kuin 3 marjaa.figcaption>
   ellauri309.html on line 330: <figcaption>Lucky girl. All is well.figcaption>
   ellauri309.html on line 349: <figcaption>Peter Panin Wendy internally screamingfigcaption>
   ellauri309.html on line 364: <figcaption>Kuka? Kai Mykkänen. Ihmishirviö.figcaption>
   ellauri309.html on line 487: <figcaption>"Anal" on Sysmän linnanherran ilmetty kaxoisolento. Huomaa isältä peritty vino suu. Lindsaylla on 200 neliön vaatehuone kengille.figcaption>
   ellauri309.html on line 501: <figcaption>Billy Graham-puurollakin oli vino suu.figcaption>
   ellauri309.html on line 755: <figcaption>Following Agrama, we understand the religious/secular divide as a 'problem space' that is subject to continuous negotiation (Agrama 2012).figcaption>
   ellauri309.html on line 761: <figcaption>Hahaa ne nielivät senkin!figcaption>
   ellauri309.html on line 788: <figcaption>Mikin paras kaveri Max.figcaption>
   ellauri309.html on line 954: <figcaption>Pikku Keila kiertää Alp-Öhiä sormen ympärille.figcaption>
   ellauri309.html on line 974: <figcaption>Eine der größten Liebesgeschichten des 20. Jahrhunderts ist Haben und Nichthaben zuzuschreiben: Das spätere Ehepaar Humphrey Bogart und Lauren Bacall lernte sich während der Dreharbeiten kennen. Bogart spielt darin den romantischen Helden Harry Morgan, der sich vom zynischen Beobachter zum aktiven Kämpfer wandelt. Morgan, Besitzer eines Kabinenbootes auf der Insel Martinique, wird von dem Gaullisten Gerard gebeten, einen französischen Untergrundkämpfer einzuschmuggeln. Morgan weigert sich, Politik ist nicht seine Sache. Seine Meinung ändert sich, als er die junge Amerikanerin Marie kennen lernt. Um ihr ein Flugticket zu kaufen, nimmt er den abenteuerlichen Job an. Nach einer Vorlage von Ernest Hemingway entstand ein Film voller Dramatik und erotischer Spannung.figcaption>
   ellauri309.html on line 1002: <figcaption>Bogartit ja Harveyfigcaption>
   ellauri309.html on line 1004: <figcaption>Bacallit kasarilla. Lapsiparat perivät Laurenin leukaperät.figcaption>
   ellauri309.html on line 1006: <figcaption>Lauren kuoli 2014figcaption>
   ellauri309.html on line 1008: <figcaption>Stephen Bogart todayfigcaption>
   ellauri310.html on line 3: