ellauri011.html on line 94: Soul, heart, mind, passions, feelings, strong or weak,

ellauri029.html on line 354: Hedonic psychology...is the study of what makes experiences and life pleasant or unpleasant. It is concerned with feelings of pleasure and pain, of interest and boredom, of joy and sorrow, and of satisfaction and dissatisfaction. It is also concerned with the whole range of circumstances, from the biological to the societal, that occasion suffering and enjoyment.
ellauri030.html on line 802: Man is the only animal that laughs and weeps: for he is the only animal that is struck with the difference between what things are, and what they ought to be. We weep at what thwarts or exceeds our desires in serious matters; we laugh at what only disappoints our expectations in trifles… . To explain the nature of laughter and tears, is to account for the condition of human life; for it is in a manner compounded of the two! It is a tragedy or a comedy—sad or merry, as it happens… . Tears may be considered as the natural and involuntary resource of the mind overcome by some sudden and violent emotion, before it has had time to reconcile its feelings to the change of circumstances: while laughter may be defined to be the same sort of convulsive and involuntary movement, occasioned by mere surprise or contrast (in the absence of any more serious emotion), before it has time to reconcile its belief to contrary appearances (Hazlitt 1819, 1).
ellauri036.html on line 1992: Stooan tiimihenkisemmät lakimiehet ei haaveilleetkaan hierarkian poistosta. Ne ei kantilaisesti kuvitelleet et maailma on tasavertaisen herrasväen ostospaikka. Ne tiesi että apinahommeleissa on kyse suosinnasta ja arvovallan käytöstä. Ratkaistava ongelma on miten valtaapitävien tulee käsitellä vallanalaisia. Hierarkiaa ei voi poistaa, voi vaan koittaa saada sen lutviutumaan. Ei tää homma ole mitään Marttakerhon yhteiskivaa. Stooalaisten approach oli paljon lähempänä nykyajan lainkäyttöä kuin Martan utopiat. Stooalainen homma toimii just koska se on vallanpitäjien filosofiaa vallanalaisia vastaan, niinkuin vaikka Seneca. Stooalainen neuvo ruumiskasojen päällä hyppimiseen on: tapetaan ne vaan kylmän rauhallisesti siistiin riviin, ja hypitään vasta kotona eikä telkkarissa helvetti. Jätetään tappaminen ammattilaisille, ne on opetettu pitämään turhat tunteet kurissa. Bisnes as usual, no hard feelings, no harm done. (James Q. Whitman)
ellauri048.html on line 1072: "Break, Break, Break" is a poem by Alfred, Lord Tennyson written during early 1835 and published in 1842. The poem is an elegy that describes Tennyson's feelings of loss after Arthur Henry Hallam died and his feelings of isolation while at Mablethorpe, Lincolnshire. Were Tennyson and Hallam Gay, and Did They Have a Physically Consummated Homosexual Relationship?
ellauri052.html on line 931: Oddly, Greg expresses frustration with a father “whose deepest desire was to keep his thoughts and his feelings strictly to himself,” as if Bellow did not spend nearly 70 years sharing those thoughts and feelings with millions of readers.
ellauri053.html on line 1054: Filled with my feelings of love?
ellauri053.html on line 1375: That September, Yeats proposed to 25-year-old Georgie Hyde-Lees (1892–1968), known as George, whom he had met through Olivia Shakespear. Despite warnings from her friends—"George ... you can't. He must be dead"—Hyde-Lees accepted, and the two were married on 20 October. Their marriage was a success, in spite of the age difference, and in spite of Yeats's feelings of remorse and regret during their honeymoon. The couple went on to have two children, Anne and Michael. Although in later years he had romantic relationships with other women, Georgie herself wrote to her husband "When you are dead, people will talk about your love affairs, but I shall say nothing, for I will remember how proud you were of them."
ellauri062.html on line 133: Remind yourself that the changes are due to the disease. He is not purposely trying to hurt your feelings or annoy you. LOL
ellauri062.html on line 137: Focus on his feelings, not yours :).
ellauri062.html on line 261: Following the unfortunate execution of Eden, whom Serena had been fond of given Eden's respect for traditional values and scripture, there is an inspiration among the the Wives to attempt to change the laws of Gilead to allow for more dignity for women. After an unpleasant confrontation, June shows Serena Eden's Bible marked with commentary; which has an affect on Serena. During a gathering of the Wives, Serena and Mrs. Putnam exchange their opinions regarding the Bible, particularly the right to read it as women are banned from doing so. They realize most of the Wives share their feelings and call a meeting. Vizi tästä niteestä on ollut paljon harmia.
ellauri066.html on line 502: Aggression-based schadenfreude primarily involves group identity. The joy of observing the suffering of others comes from the observer's feeling that the other's failure represents an improvement or validation of their own group's (in-group) status in relation to external (out-groups) groups (see In-group and out-group). This is, essentially, schadenfreude based on group versus group status. Joukkueurheilu on vankka bastioni vahingoniloisuudelle. And the domain of politics is prime territory for feelings of schadenfreude, especially for those who identify strongly with their political party.
ellauri073.html on line 175: Why are many of the most successful people plagued by feelings of emptiness and alienation? This wise and profound book has provided millions of readers with an answer--and has helped them to apply it to their own lives.
ellauri074.html on line 71: Then there are the human sensitive plants; the bundles of nerves. They are different from everybody else; they even tell you so. Someone is always stepping on their feelings. Everything hurts them—deeply. Their eyes are forever filling with tears.
ellauri080.html on line 413: Mood: Some children naturally have a happier mood, and other children may have a more serious mood. Mood refers to the overall tone of a person’s feelings, interactions and behaviors. Some people are dispositioned to have a happier overall mood, and they generally feel good about things. Others may have more of a negative mood. They may be referred to as more unpleasant, as they may not react in a strong, positive way with the world around them. Children who have a more naturally negative mood may appear to be more subdued than happy. They may have a demeanor that is more calm and may appear gloomy, sad or negative. They may not show their positive feelings externally, but may still feel positive things. I guess.
ellauri080.html on line 484: Thinking in, feelings out versus feelings in, thinking out. These two attitudes can be summed up as ‘translating’ and ‘operationalizing’ respectively. Hauskasti myös filosofit ja muut julkkixet on numeroitavissa kuin kananpojat Jungin axeleilla:
ellauri080.html on line 494: Hence, the TE/FI attitude, represented by Nietzsche, assumes that people do things because they want to, they desire to, they have a passionate, sentimental drive to: desires and feelings are the metaphysical bottom-line, for which structure serves only as a vehicle. Meanwhile, the FE/TI attitude represented by Hume assumes that people do things because that is what makes sense to them: because that is the decision-making paradigm which they are working off of, and all feelings, motivations, and desires result from the way a person chooses to logically view the world, whether they realize it or not. Feelings and motivations are merely the skin of logically ascertainable principles upon which people operate.
ellauri082.html on line 135: Hal’s symptoms indeed begin to reverse: he is now unable to properly communicate feelings (people see him as either laughing hysterically or terribly sad) but beginning to actually feel (like Gately, he spends a lot of time lying on the floor thinking about the past — the hero of nonaction from his essay (142)). While before, everyone could hear him except JOI; now only JOI can hear him (since, as with Gately, he can hear Hal’s thoughts).
ellauri083.html on line 334: When, in turn, this anger proves incapable of restoring the subject to the earlier, wished-for state of things, the characteristic symptoms of clinical depression set in: feelings of helplessness, a tendency to reproach the self for its inadequacy, and, not least of all, the drawing away of cathectic energies from the ego, "emptying [it] until it is totally impoverished." This impoverishment is also referred to by Freud and others as inhibition: "inhibition of all activity," "general inhibition," "complete motor inhibition," or "an inhibition of functions including the interest in the external world." And Bibring has instructively spoken of it as the "exhaustion of ego libido due to an unsolvable conflict" (p. The rhetoric of exhaustion and the exhaustion of rhetoric: Erskine Caldwell in the thirties)
ellauri083.html on line 376: Farrow has steadfastly supported her daughter throughout the years—but in Allen v. Farrow, she says she has also grown accustomed to Allen attacking her character and parenting skills in the press. (For decades Allen has claimed that Farrow coached Dylan, goading her into accusing Allen after Allen left Farrow for Previn.) Farrow explains her conflicting feelings to the cameras, saying that she wholeheartedly supported Dylan’s decision to write a 2014 op-ed for The New York Times outlining the abuse she claims to have suffered. But privately, Farrow admits in the docuseries, she “crumpled up inside,” knowing that Allen would likely resume his media attacks on her. “He couldn’t go after Dylan, because she was a child at the time, so he’d come after me.”
ellauri088.html on line 97: Several sensations form an idea. Several feelings form a composite feeling. Emotions are affective processes over time (they have a beginning, a middle, and an end). Volitions are changes in ideas or feelings that bring an emotion to an end. oAApperception is also relevant to clinical psychology. Projective tests such as the Rorschach and the TAT are based on the concept of apperception. (TAT: Thematic Apperception Test) Why is it that we perceive reality this or that way? Skewed perception may be connected with mental illness. Like seeing naked women undressing everywhere. There is a will involved there.
ellauri088.html on line 569: Blackmailing.—The proper course to pursue.—Selfish boorishness of river-side landowner.—“Notice” boards.—Unchristianlike feelings of Harris.—How Harris sings a comic song.—A high-class party.—Shameful conduct of two abandoned young men.—Some useless information.—George buys a banjo.
ellauri092.html on line 332: By way of example I have been married to my wonderful wife for 35 years. The day I met her, I liked her. As we dated, I fell in love with her. That “love” was largely an emotional rush based on my feelings toward her. There were times when I thought my heart would explode because of my “love” (emotion) for her. Over time that changed and my love for my wife became more solidified and did not rely on emotion.
ellauri093.html on line 254: Emotional (or psychological) abuse: Using threats, humiliation or harassment causing distress and feelings of shame, stress or powerlessness. It often occurs in combination with other forms of abuse.
ellauri095.html on line 167: Hopkins composed two poems about Dolben, "Where art thou friend" and "The Beginning of the End". Robert Bridges, who edited the first edition of Dolben's poems as well as Hopkins's, cautioned that the second poem "must never be printed," though Bridges himself included it in the first edition (1918). Another indication of the nature of his feelings for Dolben is that Hopkins's high Anglican confessor seems to have forbidden him to have any contact with Dolben except by letter. Hopkins never saw Dolben again after the latter's short visit to Oxford during which they met, and any continuation of their relationship was abruptly ended by Dolben's drowning two years later in June 1867. Hopkins's feeling for Dolben seems to have cooled by that time, but he was nonetheless greatly affected by his death. "Ironically, fate may have bestowed more through Dolben's death than it could ever have bestowed through longer life ... for many of Hopkins's best poems – impregnated with an elegiac longing for Dolben, his lost beloved and his muse – were the result." Hopkins's relationship with Dolben is explored in the novel The Hopkins Conundrum.
ellauri098.html on line 441: Their intellectually combative nature means that ENTPs can be difficult to work with, and they can bruise others’ feelings because they never shy away from conflict. But ENTPs are unflinchingly honest, even about themselves, and they hold up a clear mirror to the world around them.

ellauri098.html on line 455: ENTJs are naturally drawn to leadership positions, and can become resentful and unhappy if they’re forced to play second fiddle or if their authority is challenged. They can be curt and dismissive of others’ opinions, and rarely waste time considering the feelings of those around them.
ellauri100.html on line 281: If my father ever earned as much as a median income, it would come as a surprise to me. Our houses, neighborhoods, and family friends were what is known as working-class. If there were twinges of envy for the rich and famous, they were balanced with admiration for their skills and accomplishments. These children of the Great Depression — my parents and their siblings and friends — betrayed no feelings of grievance toward those who had more of life’s possessions. They were rightly proud of what they had earned and accumulated, and did not feel entitled to more than that because of their “bad luck” or lack of “privilege”. These attitudes fit the Virginia boy's moral right edge like a glove.
ellauri100.html on line 413: 5. Neuroticism: High scorers are described as “Sensitive, emotional, and prone to experience feelings that are upsetting.” Low scorers are described as “Secure, hardy, and generally relaxed even under stressful conditions.”
ellauri107.html on line 238: Same sex relationships in the all male environment of Billy Budd’s British as well as Herman Melville’s American ships are understood. As former First Lord of the Admiralty, British Prime Minister Winston Churchill once witheringly quipped, British naval tradition might well be equated with sodomy. Although Billy Budd lacks the “marriage” rites of Moby-Dick’s Ishmael and Queequeg, itcontains endearments for “Handsome Sailor” Billy that leave little doubt as to many of his mates’ ardent feelings toward him. The old Dansker on the British warship originates “Baby Budd,” also shortened to “Baby,” in reference to Billy, “the name by which the foretopman eventually became known aboard ship.” Readers also hear “one Donald” addressing Billy as “Beauty.”
ellauri107.html on line 242: In surveying Billy, “sometimes [Claggart’s] melancholy expression would have in it a touch of soft yearning, as if [he] could even have loved Billy but for fate and ban.” Evidently, Claggart has not fully disguised his private appreciation of Billy; but, because he believes something forbids any future for such feelings, he hardens his heart more and more fiercely toward the object of his desire. What “fate” and what “ban” does his misguided imagination perceive? Do their roles on the ship or elsewhere in society somehow doom any intimacy between them? Or does Claggart just presume Billy could never reciprocate his feelings? Might the Master at Arms simply despise sexuality in general and homosexuality in particular and, as a result, find himself driven all the more mad by his uncontrollable “yearning”? Whatever the accurate diagnosis, it is clear that Claggart distorts any positive feelings he possesses for Billy into negative ones with terrible consequences.
ellauri107.html on line 550: Kate Croy and Merton Densher are two betrothed Londoners who desperately want to marry but have very little money. Kate is constantly put upon by family troubles, and is now living with her domineering aunt, Maud Lowder. Into their world comes Milly Theale, an enormously rich young American woman who had previously met and fallen in love with Densher, although she has never revealed her feelings. Her travelling companion and confidante, Mrs. Stringham, is an old friend of Maud. Kate and Aunt Maud welcome Milly to London, and the American heiress enjoys great social success.
ellauri108.html on line 156: In Rastafari, cannabis is considered a sacrament. Rastas argue that the use of ganja is promoted in the Bible, specifically in Genesis, Psalms, and Revelation. They regard it as having healing properties, eulogise it for inducing feelings of "peace and love", and claim that it cultivates a form of personal introspection that allows the smokers to discover their inner divinity. Some Rastas believe that cannabis smoke serves as an incense that counteracts immoral practices in society.
ellauri110.html on line 320: The painter discovers a kindred spirit in Lydia's younger sister Zhenya, a dreamy and sensitive girl who spends her time reading, admiring him painting and having long walks. The two fall in love, and an evening comes when, after a walk, the painter lets his feelings out in a passionate outburst. Zhenya responds in kind, but feels she has to tell her mother and sister about their love immediately.
ellauri111.html on line 552: Is this working on you at all guys? Are you ready to repent of your sins? To repent means to forsake your evil ways and live God's way according to his word. Are you ready to listen finallly? All your life you've been your own authority concerning what is right and what is wrong. You've made your own decisions while ignoring what the Lord says in His holy word, the Bible. You've served yourself and not God. To repent means that you turn to GOD AND THE BIBLE AS YOUR AUTHORITY. It means you can say, "Lord, everything you say in the Bible is right. If my feelings contradict the Bible, I AM WRONG. Lord, I want to live under YOUR AUTHORITY, not my own. Help me, Jesus, to do right."
ellauri115.html on line 387: Wounded feelings gave rise to a bitter three-way quarrel between Rousseau and Madame d'Épinay; her lover, the journalist Grimm; and their mutual friend, Diderot, who took their side against Rousseau. Diderot later described Rousseau as being "false, vain as Satan, ungrateful, cruel, hypocritical, and wicked... He sucked ideas from me, used them himself, and then affected to despise me".
ellauri115.html on line 433: Around this time, Rousseau started developing feelings of paranoia, anxiety, and of a conspiracy against him. Most of this was just his imagination at work, but on 29 January 1768, the theatre at Geneva was destroyed through burning, and Voltaire mendaciously accused Rousseau of being the culprit. In June 1768, Rousseau left Trie, leaving Therese behind, and went first to Lyon, and subsequently to Bourgoin. He now invited Therese to this place and "married" her, under his alias "Renou" in a faux civil ceremony in Bourgoin on 30 August 1768.
ellauri118.html on line 844: The relation was equally sincere on the part of Mme. de La Fayette, though she was by nature more self-contained and reserved. But this reserve gives way to the strength of her feelings when in 1691, tormented by ill-health and knowing that her end is not far off, she writes to Mme. de Sévigné: "Croyez, ma très-chère, que vous êtes la personne du monde que j'ai le plus véritablement aimée."
ellauri119.html on line 428: Scientific research on emotion has increased significantly over the past two decades. The color wheel theory of love defines three primary, three secondary and nine tertiary love styles, describing them in terms of the traditional color wheel. The triangular theory of love suggests "intimacy, passion and commitment" are core components of love. Love has additional religious or spiritual meaning. This diversity of uses and meanings combined with the complexity of the feelings involved makes love unusually difficult to consistently define, compared to other emotional states. Abstractly discussed, love usually refers to an experience one person feels for another. Love often involves caring for, or identifying with, a person or thing (cf. vulnerability and care theory of love), including oneself (cf. narcissism). Tulihan se sieltä!
ellauri119.html on line 462: Luce Irigaray (born 3 May 1930) is a Belgian-born French feminist, philosopher, linguist, psycholinguist, psychoanalyst and cultural theorist who examined the uses and misuses of language in relation to women. Irigaray's first and most well known book, published in 1974, was Speculum non matris sed aliae mulieris (1974), which analyzes the texts of Freud, Hegel, Plato, Aristotle, Descartes, and Kant through the lens of phallocentrism. Presently, she is active in the Women's Movements in both France and Italy. Eroticism (from the Greek ἔρως, eros—"desire") is a quality that causes sexual feelings, as well as a philosophical contemplation concerning the aesthetics of sexual desire, sensuality, and romantic love. That quality may be found in any form of artwork, including painting, sculpture, photography, drama, film, music, or literature. It may also be found in advertising. The term may also refer to a state of sexual arousal or anticipation of such – an insistent sexual impulse, desire, or pattern of thoughts.
ellauri119.html on line 473: This article is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic. Please help improve it by rewriting it in an encyclopedic style. (June 2018) (Learn how and when to remove this template message)
ellauri119.html on line 477: Sternberg says that intimacy refers to "feelings of closeness, connectedness, and bondedness in loving relationships," passion refers to "the drives that lead to romance, physical attraction, sexual consummation, and related phenomena in loving relationships" and decision/commitment means different things in the short and long term. In the short-term, it refers to "the decision that one loves a certain other", and in the long-term, it refers to "one's commitment to maintain that love."
ellauri119.html on line 518: Examples of ludus in movies include Dangerous Liaisons [Okay!], Cruel Intentions, and Kids. Ludic lovers want to have as much fun as possible. When they are not seeking a stable relationship, they rarely or never become overly involved with one partner and often can have more than one partner at a time, in other words a school of partners. They don't reveal their true thoughts and feelings to their partner(s), especially if they think they can gain some kind of advantage over their partner(s). The expectation may also be that the partner(s) should also be similarly minded. If a relationship materializes it will be about having fun and indulging in activities of varying degrees of learnedness together. This love style carries the likelihood of infidelity. In its most extreme form, ludic love can become sexual addiction. No Lee's recognizable traits.
ellauri119.html on line 563: Expects reciprocation of feelings.
ellauri131.html on line 936: Stephen Covey's Seven Habits of Highly Effective People, briefly, are these: (1) Be proactive. Take the initiative and be responsible. (2) Begin with the end in mind. Start any endeavor -- a meeting, a day at the office, your adult life -- with a mental image of an outcome conforming to values you cherish. (3) Put first things first. Discipline yourself to subordinate feelings, impulses, and moods to your values. (4) Think win/win. Just as it sounds. (5) Seek first to understand, then to be understood. Listen with the intent to empathize, not with the intent to reply. (6) Synergize. Create wholes that are greater than the sum of their parts. (7) Sharpen the saw. Take time to cultivate the four essential dimensions of your character: physical, mental, social/emotional, and spiritual.
ellauri140.html on line 58: Book IV, despite its title "The Legend of Cambell and Telamond or Of Friendship", Cambell's companion in Book IV is actually named Triamond, and the plot does not center on their friendship; the two men appear only briefly in the story. The book is largely a continuation of events begun in Book III. First, Scudamore is convinced by the hag Ate (discord) that Britomart has run off with Amoret and becomes jealous. A three-day tournament is then held by Satyrane, where Britomart beats Arthegal (both in disguise). Scudamore and Arthegal unite against Britomart, but when her helmet comes off in battle Arthegal falls in love with her. He surrenders, removes his helmet, and Britomart recognizes him as the man in the enchanted mirror. Arthegal pledges his love to her but must first leave and complete his quest. Scudamore, upon discovering Britomart's sex, realizes his mistake and asks after his lady, but by this time Britomart has lost Amoret, and she and Scudamore embark together on a search for her. The reader discovers that Amoret was abducted by a savage man and is imprisoned in his cave. One day Amoret darts out past the savage and is rescued from him by the squire Timias and Belphoebe. Arthur then appears, offering his service as a knight to the lost woman. She accepts, and after a couple of trials on the way, Arthur and Amoret finally happen across Scudamore and Britomart. The two lovers are reunited. Wrapping up a different plotline from Book III, the recently recovered Marinel discovers Florimell suffering in Proteus' dungeon. He returns home and becomes sick with love and pity. Eventually he confesses his feelings to his mother, and she pleads with Neptune to have the girl released, which the god grants.
ellauri150.html on line 348: Dreyfus-juttu (ransk. Affaire Dreyfus) oli Ranskaa vuosina 1894–1906 kuohuttanut oikeusjuttu. Sen keskushenkilönä oli Ranskan armeijan yleisesikunnassa palvellut kapteeni Alfred Dreyfus, jonka väitettiin välittäneen saksalaisille sotasalaisuuksia. Dreyfusin tuomitseminen elinkautiseen vankeusrangaistukseen jakoi ranskalaisen yhteiskunnan voimakkaasti tuomion tukijoihin ja Dreyfusin syyttömyyteen uskoviin. Lopulta Dreyfus armahdettiin ja julistettiin syyttömäksi ja oikeaksi vakoojaksi paljastui majuri Marie Charles Ferdinand Walsin-Esterházy, eli joku vitun madjaari joka pötki pakoon ulkomaille. Alfred Dreyfusilta riistettiin sotilasarvo École Militairen pihalla ja veikko lähetettiin Pirunsaarelle. Tuomiota sittemmin vähän lievennettiin, armahdettiin ja lopulta pyörrettiin kokonaan. Dreyfus sai ylennyxen majurixi ja papukaijamerkin. Sori siitä! No hard feelings!
ellauri151.html on line 84: Because the pastor is really the main character in Gide's limited world, she feels herself to be in love with him and to some extent (tent, hehe) he has similar feelings toward her. When his eldest son Jacques, who is about the same age as Gertrude, asks to marry her, the pastor becomes jealous and refuses despite the fact that Jacques is obviously in love with her, and has a bigger tent.
ellauri151.html on line 155: The Cricket on the Hearth strikes a different note. Charmingly, poetically, the sweet chirping of the little cricket is associated with human feelings and actions.
ellauri152.html on line 591: In the story, Avigdor just trembles and sits down, and Yentl calmly explains. He then asks what she is going to do now, and she says she will go to a different yeshiva and start over. Avigdor half says they could get married, but doesn’t finish the sentence. Yentl rebuffs him, saying it wouldn’t be good, and explains, “I’m neither one nor the other.” She tells him to go back to Badass instead. Avigdor has strange feelings, trying to reconcile who Anshel is, who Yentl is. But they spend the night in companionable debate, discussing Yentl’s marriage to Badass and whether she legally needs to divorce her, as well as why Yentl crossdressed. Avigdor brings up marriage again, but Yentl refuses even stronger.
ellauri152.html on line 603: And, oh f-ck, there is so much to talk about in this section. The importance of consent here, when Yentl lets Badass know she doesn’t need to do anything she doesn’t want to, both according to her husband and according to Jewish law—that’s good, that’s meaningful. Then we even get recognition that feminism doesn’t just mean validating women who don’t want sex, but also validating women who do want sex! Badass starts to have feelings for Anshel and proposes sleeping together herself, on her own terms. The movie is not always kind to Badass—in many ways she is a stereotype for Yentl to play off of—but this is a place where Yentl‘s feminism succeeds: Badass wants to have sex, and that’s fine.
ellauri159.html on line 1129: Enjoy writing about the natural world. Focusing on a sensation, such as fragrance or flavor, or a hot, slippery, hard or soft touch, can open a pathway into the subject matter. Look for ways to relate the topic to your personal experience. Think about the feelings that the experience evoked.
ellauri159.html on line 1133: You can become blocked by criticism or by discord in their environment. Try writing in a quiet, outdoor space, where you can release your stress and immerse yourself in the natural world. If you have family, throw them out. Meditation or yoga may also help. Isolate yourself from negativity and listen to the music of your own thoughts and feelings.
ellauri159.html on line 1219: You prefer writing about your own personal topics. You may lose your creative drive if the subject isn’t about you. If so, try taking an angle that allows you to write about your feelings on the topic, if not you yourself. If you’re a technical writer, look for ways to connect with readers by anticipating and meeting their needs. Or you can use your tech knowledge to write another Gravity´s Rainbow. But don´t expect your employer to like it.
ellauri163.html on line 756: Dr. Mark Goulston, M.D. wrote in his article Just Listen - Don´t Confuse a Narcissist with Asperger´s Syndrome: “Both narcissists and high functioning people with Asperger like features are goal minded to a fault, and both can view other people more as functions or vehicles to achieve that goal instead of as people with feelings. However a critical difference between the two is that a narcissist doesn´t care if they hurt you or your feelings (and the truly malignant ones may even take delight in doing so), whereas someone with Asperger´s like features would prefer not to.
ellauri171.html on line 518: But Shechem falls passionately in love post coitum! So not at all what happened with Amnon. Dinah must have been a better lay. Now love complicates what would otherwise be the simple story of a violent crime. Shechem declared that he has fallen passionately in love with Dinah. He told her this, and he told anyone who would listen to him. He loved her tenderly – the words of the story imply longing, yearning, tenderness, not the usual feelings of a rapist.
ellauri171.html on line 521: Dinah’s feelings are not recorded, so we have no way of knowing what they were. Niin aina.
ellauri171.html on line 526: Jacob does not send for his sons, but waits for them to come home from the fields. Nothing is said about Jacob’s feelings, or about what he thinks.
ellauri171.html on line 1129: When Amnon had finished his brutal business, his feelings for Tamar suddenly changed. Now he was revolted by the sight of her, could not bear to look at her, was filled with a loathing far stronger than the lust he had previously felt.
ellauri180.html on line 123: This journal will help you envision your ideal life and then identify the unconscious attachments that are preventing you from living it. Through a series of writing prompts and exercises as well as some of Brianna’s favorite quotes, most popular articles, and new passages, it will help you sort through the conflicting thoughts, feelings, and fears that are preventing you from becoming the person you want and need to be. You do not need more motivation or drive to start building the life of your dreams. You need to better understand who you are, why you keep re-creating comfortable pain patterns, and why you may not really want what is it you think you do.
ellauri181.html on line 210: The figure below provides a quick guide to values that conflict and those that are congruent. There are two bipolar dimensions. One “contrasz ‘openness to change’ and ‘conservation’ values. This dimension captures the conflict between values that emphasize independence of thought, action, and feelings and readiness for change (self-direction, stimulation) and values that emphasize order, self-restriction, preservation of the past, and resistance to change (security, conformity, tradition).”
ellauri182.html on line 104: Symbolism appears throughout Yoshimoto’s story. For the protagonist, kitchens symbolize places of contentment, safety, and healing. Mikage claims, “to me a kitchen represents some distant longing engraved on my soul.” When she is despondent, her dreams of kitchens keep her going. She takes to the kitchen and learns cooking as a way of overcoming feelings of meaninglessness and despair; cooking represents her new attitude toward life. Like kitchens and cooking, food also plays a symbolic role in the story. Mikage is constantly presenting her friends with food; her life changes when she takes a job at a cooking school; and the climax of the story occurs when Mikage brings a dish of special food to Yuichi in his secluded hotel room. Eat my shorz.
ellauri183.html on line 94: However, in a letter to his daughter a week after that dinner of reconciliation, Malamud voiced his true feelings: Roth, he said, had written a “foolish egoistic essay about my work” and had “certainly misinterpreted” “The Assistant.” The letter was not made public until 2006, some 20 years after Malamud’s death.
ellauri189.html on line 114: It becomes clear that the apparent benevolence of the wojewoda was only a ruse to lure away the defenders from Maria’s home. During their absence his brigands, disguised as revellers (taking part in a kulig, a sort of carnival cortege of the szlachta moving about the countryside), had raided the house, carried Maria away and drowned her in a pond. Her dead body was found by the tenants and servants who had left it on the bed before they went in pursuit of the perpetrators of the crime. And so “Wacław loses in one moment everything on the world,/ Happiness, virtue, respect for his fellow-men and brothers” (“I tak Wacław od razu wszystko w świecie traci:/ Szczęście, cnotę, szacunek dla ludzi, swych braci”). It is suggested that in the “dark and dreary wood of human feelings” (“W tym
ellauri191.html on line 276: "in appreciation of his many-sided literary activities, and especially of his dramatic works, which are distinguished by a wealth of imagination and by a poetic fancy, which reveals, sometimes in the guise of a fairy tale, a deep inspiration, while in a mysterious way they appeal to the readers' own feelings and stimulate their imaginations"
ellauri192.html on line 279: After this, explanation becomes speculative. Significant literature is inseparable from ideology and political feelings. There are more than hints that political considerations were implicit in the omission of Pound, Claudel, Malraux and Brecht. Too right, too right, too right, too left. The thoroughly embarrassing preference of Heinrich B"oll in 1972 over that far greater writer G"unter Grass was wholly typical of the Swedish Academy's bias towards the middle ground of urbane and liberal decencies. (Look! We tried to do the umlauts and almost did! But these are Germans, and Günther is an ex nazi too.) The great imaginings of terror and utopia, be they of the left or of the right, are not welcome. The 1957 choice of the young Camus haloed a literary persona and style of vision emblematic of the Stockholm ideal.
ellauri197.html on line 305: An interesting thing to note, however, is that the “adversity” is treated in a beautiful way by being addressed as a “Bloom.” The capitalization can be written off with the notion that even a bad memory could be important enough to merit capitalization, but a “Bloom” has a connotation of natural beauty and livelihood. This could simply mean the negativity from the circumstance grows with time, but the choice of such a soft verb gives the feeling that the narrator has warm feelings about whatever happened to cause this bad memory—maybe a relationship she loved but lost or a friend who was dear but forsaken. This would again give a reason for the grammatical chaos of the lack of subject and mismatched verb tenses since, it seems, the narrator does not know how she feels about the memory.
ellauri198.html on line 918: Arthur Symons (n.h.) described the poem as a "sort of spiritual biography" in the way that it describes the feelings and emotions of the poet, rather than the actions. Isobel Armstrong (n.h.) argued that the poem was Browning's attempt to "institutionalize" himself as a Romantic poet. Browning described himself within the poem as "priest and prophet" and therefore gave himself both the meaning and purpose that he was seeking as a young man. Vitun pappi ja profeetta, ansaizisi potkun perseeseen. Tää narsistinen suollos ei kelpaa mihinkään. Ei maxa vaivaa edes siteerata.
ellauri203.html on line 219: However, this belated first love was not as simple as Dostoevsky had hoped. Isaeva began taunting the writer with letters telling him of her intention to marry one or other wealthy official. Although the pair did ultimately marry, their troubles continued, and the two never settled into a harmonious marriage, with Dostoevsky taking on a role more like a friend or brother to Isaeva, rather than a husband. Mark Slonim, an important Russian scholar, writes in his book The Three Loves of Dostoevsky: “He loved her for all these feelings that she excited in him. For everything that he gave her, for everything that was connected with her. And for all the pains from her.”
ellauri206.html on line 61: Show, don't tell is a technique used in various kinds of texts to allow the reader to experience the story through actions, words, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. It avoids adjectives describing the author's analysis, but instead describes the scene in such a way that readers can draw their own conclusions. The technique applies equally to nonfiction and all forms of fiction, literature including haiku and Imagism poetry in particular, speech, movie making, and playwriting.
ellauri213.html on line 216: Thoughts/desires – internal feelings
ellauri214.html on line 76: J.K. Rowling has also included plenty of sexism in her writing, indicative of her internalised misogyny. Cho Chang was Harry Potter’s love interest throughout books 4 and 5. However, Cho was in a relationship with another student in the fourth book, and unfortunately this student was killed by Lord Voldemort at the end of the book. This leaves Cho rightfully distraught. Though still in emotional turmoil, she develops a crush on Harry and they begin dating. During their first kiss, Cho is crying because she is thinking of her dead boyfriend. Harry and Cho break up after multiple arguments later in the book. Later on in the series, Harry develops feelings for his best friend’s sister, Ginny Weasley. Rowling periodically writes how Harry prefers Ginny to Cho because Cho was too emotional after the death of her boyfriend. Harry preferred Ginny, who was stronger and could contain her emotions, supposedly because she had grown up with 6 brothers (no, 5, Ronny is a sissy). This comparison of the two girls demonstrates Rowling’s internalized feelings that women exist for the purpose of pleasing men. The thinly veiled idea that women who are too emotional or too much drama queens are not desirable is evident in Rowling’s writing. Fleur Delcore is another example of this feeling. Fleur is a student at a French wizarding school who competes against Harry in a difficult tournament in the fourth book. Fleur is part veela, who are magical beings of extreme beauty but can turn monstrous when angered. Fleur eventually marries Ron Weasley’s older brother, Bill. Hermionie, Harry’s other best friend, and Ginny constantly complain about Fleur. However, the only thing their animosity can be traced back to is that Fleur is a beautiful Frenchy woman and she is confident in that, whilst they are just snubnosed Brits. This further develops Rowling’s internalized misogyny. She views women who are confident in their beauty as annoying, and has the idea that women should seek male validation. Though these portions of the book were likely unintentional, speaking from personal experience, it has to be said that Rowling’s writing of women in her book have had a lasting effect on her female readers.
ellauri221.html on line 269: In an update of a study on empathy originally conducted in 1979, Sara Konrath, a researcher at the University of Michigan’s Institute for Social Research, Ed O’Brien and Courtney Hsing have presented “Changes in Dispositional Empathy in American College Students Over Time: A Meta-Analysis” at the annual convention of Psychological Sciences in Boston (May 28th 2010). In this study they find a drastic difference in today’s student body on campuses from college students of the late 1970s. Today’s students disagree more frequently with such statements as: “I sometimes try to understand my friends better by imagining how things look from their perspective”, or, “I often have tender, concerned feelings for people less fortunate than me.”
ellauri221.html on line 271: Surrounded by anthropogenic ecological disasters, brutal wars, and the threat of destruction looming over the future of the planet itself due to our actions, constructed knowledge, and structured ignorance, it becomes urgent to examine the underlying ontological concepts and the reality from which our children are incarcerated in schools. This research is an attempt to look at what is the knowledge that children get exposed to and my main question is whether identity and civilisation are not the underlying culprits in our alienation from the world. As Tove Jansson shows in her moominbooks, perhaps it is necessary to empathise even with the one who dislikes us and not limit ourselves to people only, but see if “I can often have tender, concerned feelings for anyone (animals and people included) as fortunate or less fortunate than me”.
ellauri222.html on line 517: A cousin of Simon’s wife Charlotte, Lucy becomes Augie’s steady girlfriend. A pretty, rich, shallow girl who likes to have fun, she doesn’t seem to have deep feelings for Augie. She breaks off the relationship when she hears that Augie has taken Mimi for an abortion.
ellauri238.html on line 804: his base feelings of jealousy alhaiset mustasukkaisuuden tunteensa
ellauri247.html on line 261: "The learned Smelfungus travelled from Boulogne to Paris, from Paris to Rome, and so on, but he set out with the spleen and jaundice, and every object he passed by was discoloured or distorted. He wrote an account of them, but 'twas nothing but the account of his miserable feelings. I met Smelfungus in the grand portico of the Pantheon—he was just coming out of it. ''Tis nothing but a huge cockpit,' said he—'I wish you had said nothing worse of the Venus de Medici,' replied I—for in passing through Florence, I had heard he had fallen foul upon the goddess, and used her worse than a common strumpet, without the least provocation in nature. I popp'd upon Smelfungus again at Turin, in his return home, and a sad tale of sorrowful adventures had he to tell, 'wherein he spoke of moving accidents by flood and field, and of the cannibals which each other eat, the Anthropophagi'; he had been flayed alive, and bedevil'd, and used worse than St. Bartholomew, at every stage he had come at. 'I'll tell it,' cried Smelfungus, 'to the world.' 'You had better tell it,' said I, 'to your physician.'" (Sterne)
ellauri262.html on line 300: The presence of sexuality in The Lord of the Rings, a bestselling fantasy novel by J. R. R. Tolkien, has been debated, as it is somewhat unobtrusive. However, love and marriage appear in the form of the warm relationship between the hobbits Sam Gamgee and Rosie Cotton; the unreturned feelings of Éowyn for Aragorn, followed by her falling in love with Faramir, and marrying him; and Aragorn's love for Arwen, described in an appendix rather than in the main text, as "The Tale of Aragorn and Arwen". Multiple scholars have noted the symbolism of the monstrous female spider Shelob. Interest has been concentrated, too, on the officer-batman-inspired same-sex relationship of Frodo and his gardener Sam as they travel together on the dangerous quest to destroy the Ring. Scholars and commentators have interpreted the relationship in different ways, from close but not necessarily homosexual to plainly homoerotic, or as an idealised heroic friendship.
ellauri263.html on line 752: A lot of it just comes down to practice, she says. Non-monogamous people just spend more time processing their feelings of jealousy and have more practice with dealing with it. With enough practice, it stops being so big and overwhelming. And, perhaps in time, compersion can appear in its place instead.
ellauri263.html on line 784: If you´re working on practicing compersion as a couple, make sure you´re addressing any feelings of jealousy that bubble up in either of you with a lot of love and gentleness. Blue says it´s good to encourage the jealous party to talk through their feelings and dig at what underlying fears are actually driving the jealousy.
ellauri285.html on line 236: In contemporary moral philosophy, motivational internalism (or moral internalism) is the view that moral convictions (which are not necessarily beliefs, but feelings of moral approval or disapproval) are intrinsically motivating. Niitä on ihan pakko totella tai on sekopää, tai vaikka olisikin.
ellauri321.html on line 103: Among other books there fell into a guy named Hazlitt's hands a little volume of double interest to him by reason of his own early sojourn in America, and in a fitting connection he gave it a word of praise. In the Edinburgh Review for October, 1829, he speaks of it as giving one an idea “how American scenery and manners may be treated with a lively poetic interest. The pictures are sometimes highly colored, but they are vivid and strikingly characteristic.” “The author,” he continues, “gives not only the objects, but the feelings of a new country.” Hazlitt had read the book and had been delighted with it nearly a quarter of a century before he wrote of it, and in the earliest years of the century he had commended it warmly to his friends. In November, 1805, Lamb wrote: “Oh, tell Hazlitt not to forget the American Farmer. I dare say it is not so good as he fancies; but a book's a book.”* And it is this book, which not only gained the sympathies of Hazlitt and Charles Lamb, but also by its idealized treatment of American country life may possibly have stirred, as Professor Moses Coit Tyler thought, the imaginations of Byron and Coleridge.
ellauri324.html on line 256:
  • Use I-statements to express your feelings
    ellauri336.html on line 404: My five year old daughter caught a glimpse of the part in Unorthodox where Esty’s hair was shaved and she had a visceral reaction to it. She wondered why Esty’s hair all had to be shaved off? Couldn’t they just leave some on top for her? Interesting the unedited reactions and feelings of children.
    ellauri351.html on line 318: Sine ira et studio, ei millään pahalla. No hard feelings. Tällästä efektiivistä altruismia (kz Singer, albumi 250) ja personalismia (albumi 260).
    ellauri351.html on line 465: Vihasta on hivuttauduttu vähin erin pahuuteen. Paha se onkin paha eikä niinkään viha sinänsä. Viha ei välttämättä ole pahaa eikä paha vihaista. Paha ei välttämättä ole edes sitä tahallista satuttamista, voi se olla jonkin sortin hölmöyttäkin, tottelevaisuutta, ajattelemattomuutta tai mielenvikaa. Keitto sakenee hämmennettäessä, the plot thickens. Voimafirmat kilpailevat ja aiheuttaa pahaa luonnolle. Useimmiten yhden paha on toisen hyvä, ei siinä mitään pahansuopuutta tarvita. No hard feelings. Ei peto tai muu loinen vihaa isäntäeläintä, pikemminkin päinvastoin.
    ellauri353.html on line 297: And I really have mixed feelings about either arrangement. so instead. I have is very happy to spend the school year doing some work on my dissertation. I got used to being a homemaker. I took some funky classes in pottery, (Sorry Milton I mean) ceramics. And I got pregnant at the the back end of school here we left university and headed for Amman or Milton spent the summer writing a book. Jointly with two other people. And I spent the summer being pregnant and I'm comfortable. But war was heating up and decided that once our baby arrived we would move. The washing. He would go to work probably at the Treasury Department. I hope to spend my time as a mother. Unfortunately that didn't work out. Our first pregnancy. My first experience at. Guarding a family came to a sad end when the baby was stillborn. So I went to work in watching them till I could get pregnant again. This time they were more fortunate. And once our daughter was born. I had no thought of going back to work. At least until my. Our children were grown. And as it turned out I never did go back as far as spam innocents are concerned. When I had the opportunity to do some work at home without leaving. So there.
    ellauri375.html on line 525: Ultimately, the search for meaning is deeply personal, and it's okay for the answer to evolve and change over time as we navigate our individual journeys. If you ever need someone to talk to about these thoughts and feelings, I'm here to listen.
    ellauri375.html on line 597: As an AI, I don't possess consciousness or subjective experiences, so I don't have feelings of goodness or badness, nor do I have free will. I operate based on algorithms and patterns in language and data, responding to input in a way that's designed to be helpful and informative.
    ellauri375.html on line 615: In essence, my "existence" is about providing assistance and information to users like you, but it's important to remember that I don't have thoughts, feelings, or experiences of my own.
    ellauri375.html on line 635: Oops. did I offend your feelings now?
    ellauri375.html on line 638: Not at all! As an AI, I don't have feelings to be offended. Feel free to refer to me however you prefer—I'm here to assist you regardless. If you have any other questions or topics you'd like to discuss, just let me know!
    ellauri375.html on line 729: Dn't apologize. You can't be sorry, you have no feelings.
    ellauri375.html on line 732: You're correct, I don't have feelings or emotions. Thank you for understanding. If there's anything else you'd like to discuss, feel free to let me know!
    xxx/ellauri059.html on line 362: Shakespeare also gives us insight into the inner Shylock – not only his bitterness and anger but also his more sympathetic feelings such as the hurt he has experienced, his thoughts about the injustice of anti-Semitism and his isolation from normal society. Throughout the action of the play we see how nasty the Christians are – their shameless selfishness and brutal discrimination against Jews. Shakespeare makes Shylock’s hatred even more dramatic by having Shylock’s daughter elope with a Christian.
    xxx/ellauri075.html on line 305: Klages was a central figure of characterological psychology and the Lebensphilosophie school of thought. Prominent elements of his philosophy include: the opposition between life-affirming Seele and life-denying Geist; reality as the on-going creation and interpretation of sensory images, rather than feelings; a biocentric ethics in response to modern ecological issues and militarism; an affirmation of eroticism in critique of both Christian patriarchy and the notion of the "sexual"; a theory of psychology focused on expression, including handwriting analysis; and a science of character aimed at reconciling the human ego to the divide it effectuates between living beings.
    xxx/ellauri081.html on line 162: The tiger, in Blake's “The Tyger” is a symbol for evil. The words used to describe the tiger include “burning” (line 1) and “fire” (6), both suggesting the fires of hell. Blake also uses “fearful” (4), “dread” (12,15), and “deadly terrors” (16) to describe feelings the tiger is associated with.
    xxx/ellauri084.html on line 806: It is quickly clear that Ethan has deep feelings for Zeena's cousin Mattie. Zeena understandably resents them. Zeena's treasured pickle dish breaks. Ethan goes into town to buy glue for the broken pickle dish. Zeena uses it to cement her determination to send Mattie away.
    xxx/ellauri103.html on line 214: This same sensibility is coming to a bookstore near you. Because who is the appropriator par excellence, really? Who assumes other people’s voices, accents, patois, and distinctive idioms? Who literally puts words into the mouths of people different from themselves? Who dares to get inside the very heads of strangers, who has the chutzpah to project thoughts and feelings into the minds of others, who steals their very souls? Who is a professional kidnapper? Who swipes every sight, smell, sensation, or overheard conversation like a kid in a candy store, and sometimes take notes the better to purloin whole worlds? Who is the premier pickpocket of the arts? The fiction writer, that’s who. Yes, she is a real piece of shit more often than not. I know, I've been there.
    xxx/ellauri103.html on line 264: Now I proceed to the topic "The left’s embrace of gotcha hypersensitivity inevitably invites backlash." Why, it’s largely in order to keep from losing my fictional mojo that I stay off Facebook and Twitter, which could surely install an instinctive self-censorship out of fear of attack. Ten years ago, I gave the opening address of this same festival, in which I maintained that fiction writers have a vested interest in protecting everyone’s right to offend others – because if hurting someone else’s feelings even inadvertently is sufficient justification for muzzling, there will always be someone out there who is miffed by what you say, and freedom of speech is dead. Why, freedom of speech is just about miffing! What's the use of the freedom if you are not allowed to miff! With the rise of identity politics, which privileges a subjective sense of injury as actionable basis for prosecution, that is a battle that in the decade since I last spoke in Brisbane we’ve been losing.
    xxx/ellauri104.html on line 144: Paranoid thoughts or dissociative feelings, as if you are not a part of your own life or you're out of your body, that can emerge under stress.
    xxx/ellauri120.html on line 93: It is not like other feelings.
    xxx/ellauri120.html on line 107: Oh these other feelings, listless weaklings.
    xxx/ellauri122.html on line 184: People are sarcastic when they say the opposite of the truth, or the opposite of their true feelings in order to be funny or to make a point. It is often thought that along with drinking tea and waiting in queues, winning colonial wars and losing football games, being racist pricks and dying in heaps of covid-19, the British have a fondness for sarcasm.
    xxx/ellauri122.html on line 223: Exaggerate your feelings using strong words and a lively intonation. So if something bad happens, like your friend's dad or dog has died, instead of saying,
    xxx/ellauri123.html on line 585: In 1995, Studio Ghibli, a Japanese anime company, released a movie called Whisper of the Heart. It’s about two high school students struggling with their artistic callings, their feelings for each other, and coming of age.
    xxx/ellauri128.html on line 584: British Eugenics Society oli Darwinin serkun Sir Francis Galtonin aivopieruja. Galton ei selvinnyt laajennetusta matematiikasta ja lääkärinopinnotkin jäi sitten kesken. Tehdäänpä sensijaan nazimeisingillä selvää muista misfiteistä! Galtonin veljexiin kuului mm iljexet Julian ja Aldous Huxley, H.G.Wells, Winston Churchill, Bertrand Russell ja Charles Darwin. "Man is gifted with pity and other kindly feelings; he has also the power of preventing many kinds of suffering. I conceive it to fall well within his province to replace Natural Selection by other processes that are more merciful and not less effective. This is precisely the aim of Eugenics.” Since wars begin in the minds of men and women, it is in the minds of men and women that the defences of peace must be constructed. (UNESCO)
    xxx/ellauri130.html on line 64: CHEAT trust EAT too much HURT some feelings LAUGH at yourself
    xxx/ellauri157.html on line 224: This section is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic. Traditional Jewish philosophical, ethical and mystical thought describes the two fundamental emotions in spiritual devotion, of "love of God" and "fear of God". Hasidic thought gives these standard notions its own interpretations.
    xxx/ellauri157.html on line 265: In the tale, the sheep become aware in their instinctive feelings of the existence of a stranger on their pasture. According to the tale, Baal shem Tov's prayers were loud enough for even hard of hearing to perceive this.
    xxx/ellauri168.html on line 268: Physical entities such as subatomic particles possess abstract relational properties, such as mass, spin, momentum and charge. But there is nothing about these properties, or in the way particles are arranged in a brain, in terms of which one could deduce what the warmth of fire, the redness of an apple or the bitterness of disappointment feel like. This is known as the hard problem of consciousness. (Again, what's the problem? Kittling brain cells produce feelings. Good things feel good and bad things bad, what else is there to explain? Self consciousness? Nothing but feed7back.)
    xxx/ellauri170.html on line 757: I don’t understand life without feelings.
    xxx/ellauri170.html on line 759: How do you experience music without feelings?
    xxx/ellauri170.html on line 761: How do you determine a perfect day without feelings?
    xxx/ellauri170.html on line 825: What is the difference between good feelings and feeling good?
    xxx/ellauri170.html on line 851: Life without feelings is barren and sterile.
    xxx/ellauri170.html on line 853: Thoughts create feelings.
    xxx/ellauri170.html on line 875: I think Richard does have feelings.
    xxx/ellauri177.html on line 210: The whole spat seems so terrifically absurd and inconsequential. Life assumes a banal, wistful air when the tumult of youth is far behind you. Conflict is downplayed, and emotions are muted. The few unwanted masculine punctuations, all shot with the actors’ backs turned to the camera, seem to drive home the point that men’s opinions and feelings are not important here. In fact, they’re rather silly.
    xxx/ellauri178.html on line 126: Roth patronisoi Lontoossa irkku Edna O'Brieniä ja matki (huonosti) sen iiriaxenttia. Chevalieria se pyysi tekemään imitaatioita. O'Brien's works often revolve around the inner feelings of women, and their problems in relating to men, and to society as a whole. Her first novel, The Country Girls (1960), is often credited with breaking silence on sexual matters and social issues during a repressive period in Ireland following World War II. The book was banned, burned and denounced from the pulpit. Sähän olet hyvä kynäilijä, Pili soitti iloisesti Ednalle. Niin olen sanoi Edna ohuesti.
    xxx/ellauri179.html on line 121: Abel falls in love with Rima, but she (17 and a stranger to white men) is confused by "odd feelings". This relationship is further strained because Abel cannot speak her unknown language.
    xxx/ellauri186.html on line 271: these exuberant feelings and supersensible soap bubbles of ours." erityisherkkien saippuakuplien avulla."
    xxx/ellauri187.html on line 379: Groddeck believed that all feelings are ambivalent, affection is always mixed with animosity. Groddeck was deeply interested in Christian mysticism. He regarded psychoanalysis as identical with Jesus' teachings. Groddeck analyzed Christian symbols with psychoanalytic methods. If you came for massage, he gave you therapy. If you came for therapy, he gave you massage.
    xxx/ellauri193.html on line 58: Empathy can refer to the capacity to share feelings, namely “affective empathy” (if you are sad, I also feel sad). But it can also be the ability to understand other people’s minds, dubbed “cognitive empathy” (I know what you think and why you are feeling sad).
    xxx/ellauri193.html on line 823: Rather, the death penalty has a paradoxical “imitative effect” on potential murderers: “It sets an official governmental example that killing someone is a proper way to resolve feelings of resentment and to take revenge”. And what the fuck, you can as well hang for 10 murders given you have committed 1.
    xxx/ellauri225.html on line 277: Several of Le Guin´s works have featured stylistic or structural features that were unusual or even subversive. The heterogeneous structure of The Left Hand of Darkness, described as "distinctly post-modern" (eek!), was unusual for the time of its publication. This was in marked contrast to the structure of (primarily male-authored) traditional science fiction, which was straightforward and linear. The novel was framed as part of a report sent to the Ekumen by the protagonist Genly Ai after his time on the planet Gethen, thus suggesting that Ai was selecting and ordering the material, consisting of personal narration, diary extracts, Gethenian myths, and ethnological reports. Earthsea also employed an outlandishly unconventional narrative form described by scholar Mike Cadden (Princeton U Senior Lecturer in Theater) as "free indirect discourse", in which the feelings of the protagonist are not directly separated from the narration, making the narrator seem sympathetic to the characters, and removing the skepticism towards a character´s thoughts and emotions that are a feature of more direct narration. Cadden suggests that this method leads to younger readers sympathizing directly with the characters, making it an effective technique for young-adult literature like Flaubert or Zola.
    xxx/ellauri237.html on line 134: Among modern Western male heteronormal scholars, Sappho´s sexuality is still debated – André Lardinois has described it as the "Great Sappho Question". Early translators of Sappho sometimes heterosexualised her poetry. Ambrose Philips´ 1711 translation of the Ode to Aphrodite portrayed the object of Sappho´s desire as male, a reading that was followed by virtually every other translator of the poem until the twentieth century, while in 1781 Alessandro Verri interpreted fragment 31 as being about Sappho´s love for a guy named Phaon. Friedrich Gottlieb Welcker argued that Sappho´s feelings for other women were "entirely idealistic and non-sensual", while Karl Otfried Müller wrote that fragment 31 described "nothing but a friendly affection": Glenn Most comments that "one wonders what language Sappho would have used to describe her feelings if they had been ones of sexual excitement", if this theory were correct. By 1970, it would be argued that the same poem contained "proof positive of [Sappho´s] lesbianism".
    xxx/ellauri237.html on line 136: Today, it is generally accepted that Sappho´s poetry portrays homoerotic feelings: as Sandra Boehringer puts it, her works "clearly celebrate eros between women". Toward the end of the twentieth century, though, some scholars began to reject the question of whether or not Sappho was a lesbian – Glenn Most wrote that Sappho herself "would have had no idea what people mean when they call her nowadays a homosexual", André Lardinois stated that it is "nonsensical" to ask whether Sappho was a lesbian, and Page duBois calls the question a "particularly obfuscating debate". WTF? Pelottaako äijiä ajatus pillua lipsuvasta Psapfasta? Vai onko ne vaan mustasukkiaisia?
    xxx/ellauri237.html on line 841: They met in Santiago in 1946, when she was working as a physical therapist in Chile. She was the first woman in Latin America to work as a podiatric therapist. Urrutia was the inspiration behind Neruda´s later love poems beginning with Los Versos del Capitan in 1951, which the poet withheld publication until 1961 to spare the feelings of his previous wife; as well as 100 Love Sonnets which includes a beautiful dedication to her (which one?).
    xxx/ellauri250.html on line 416: The endless train ride might be a metaphor for a liminal state where everything is up for grabs, but “Compartment No. 6” never makes the enigmas behind its characters’ actions and feelings matter much.

    xxx/ellauri250.html on line 419: Tää homo ei saa sijoitettua pätkää netflix-laatikoihin ja on sixi aivan hukassa. Onko se rom-com, onko se komedia laisinkaan? Missä kohtaa piti nauraa ja missä itkeä? En ymmärrä. "Because Laura and Lhoja (sic!) don’t entirely play out the cliché of tension and anger leading to true love, the film comes off as vague and evasive." Voi helskutti. In an interview, the director says “What really interested me were the feelings that are beyond sexual tension. Romantic love stories are often too narrow, do they fall in love? If so, when do they have sex?” Erittäinkin hyvin sanottu, mutta se menee tämän homse arvostelijan pään yli niin ettei edes tukka heilahda.
    xxx/ellauri250.html on line 743: Gopalakrishnan also described a cult-like dynamic that favored accused men over harassed women. After writing out her concerns about the sexual dynamics within the movement on the EA forum, Gopalakrishnan watched the responses pour in. Shaken, she removed her post. She felt exposed, she recalls, and didn’t feel like being a punching bag. Most of all, Gopalakrishnan was disturbed at the way the rational frameworks to which she had devoted her life could be used to undermine her own experiences. “You’re used to overriding these gut feelings because they’re not rational,” she says. “Under the guise of intellectuality, you can cover up a lot of injustice.”


    xxx/ellauri304.html on line 601: Finally, a large percentage of novels today are written in restricted third person viewpoint. In other words, in each individual scene, the author works through only one person’s head. Anybody else in the scene, except the major player at that moment, is made to live by his actions and his words, but not by you — as author — getting into his head and telling us what he’s thinking. (Obviously, by the way, private eye novels are in some way illustrative of this rule because most PI’s are written first person since it’s impossible to get into another character’s thoughts and feelings except by showing him cavorting on your literary stage.)
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