ellauri053.html on line 1375: That September, Yeats proposed to 25-year-old Georgie Hyde-Lees (1892–1968), known as George, whom he had met through Olivia Shakespear. Despite warnings from her friends—"George ... you can't. He must be dead"—Hyde-Lees accepted, and the two were married on 20 October. Their marriage was a success, in spite of the age difference, and in spite of Yeats's feelings of remorse and regret during their honeymoon. The couple went on to have two children, Anne and Michael. Although in later years he had romantic relationships with other women, Georgie herself wrote to her husband "When you are dead, people will talk about your love affairs, but I shall say nothing, for I will remember how proud you were of them."
ellauri054.html on line 491: My soul can reach, when feeling out of sight
ellauri061.html on line 365: HAMLET Has this fellow no feeling of his business, that he HAMLET Eixtää äijä tiedä missä hommissa se on, kun se laulaa haudankaivussa?
ellauri062.html on line 133: Remind yourself that the changes are due to the disease. He is not purposely trying to hurt your feelings or annoy you. LOL
ellauri062.html on line 137: Focus on his feelings, not yours :).
ellauri062.html on line 261: Following the unfortunate execution of Eden, whom Serena had been fond of given Eden's respect for traditional values and scripture, there is an inspiration among the the Wives to attempt to change the laws of Gilead to allow for more dignity for women. After an unpleasant confrontation, June shows Serena Eden's Bible marked with commentary; which has an affect on Serena. During a gathering of the Wives, Serena and Mrs. Putnam exchange their opinions regarding the Bible, particularly the right to read it as women are banned from doing so. They realize most of the Wives share their feelings and call a meeting. Vizi tästä niteestä on ollut paljon harmia.
ellauri062.html on line 342: Onkohan Juotikkaalla (ollut?) naisystävä joka tykkää hevosista vielä enemmän kuin Jaakosta? Onko Jaakon äiti tomera naistoimihenkilö, joka on aina hemmotellut ja lytännyt Jaakkoa? I know the feeling either way... - Vai onko Jaakko homo? Mixe haluu hiplata jättipenistä? Sillä olis siihen sopiva pyllynreikäsuu. Tää on kyllä pelkkä omaan kokemuxeen perustumaton arvaus :). Myöhemmin ilmenee, että Jaakko/Mikan traumaattisin lapsuudenmuisto on nimenomaan homoeroottinen kokemus.
ellauri064.html on line 538: “I think you ought to know I’m feeling very depressed.”
ellauri066.html on line 494: Schadenfreude is a complex emotion where, rather than feeling sympathy, one takes pleasure from watching someone's misfortune. This emotion is displayed more in children than adults. However, adults also experience schadenfreude, although generally they conceal it. [original research?]
ellauri066.html on line 502: Aggression-based schadenfreude primarily involves group identity. The joy of observing the suffering of others comes from the observer's feeling that the other's failure represents an improvement or validation of their own group's (in-group) status in relation to external (out-groups) groups (see In-group and out-group). This is, essentially, schadenfreude based on group versus group status. Joukkueurheilu on vankka bastioni vahingoniloisuudelle. And the domain of politics is prime territory for feelings of schadenfreude, especially for those who identify strongly with their political party.
ellauri066.html on line 522: The philosopher Arthur Schopenhauer mentioned schadenfreude as the most evil sin of human feeling, famously saying "To feel envy is human, to savor schadenfreude is diabolic." Sen voi hyvin uskoa, Artturi on tyypillinen kateellinen paskiainen, joka inhoo erikoisesti sitä, että muut on sille vahingoniloisia.
ellauri066.html on line 524: Rabbi Harold S. Kushner in his book When Bad Things Happen to Good People describes schadenfreude as a universal, even wholesome reaction that cannot be helped. "There is a German psychological term, Schadenfreude, which refers to the embarrassing reaction of relief we feel when something bad happens to someone else instead of to us." He gives examples and writes, "[People] don't wish their friends ill, but they can’t help feeling an embarrassing spasm of gratitude that [the bad thing] happened to someone else and not to them." onkohan tää rabbi trumpin vävyn setä?
ellauri066.html on line 906: Tegnell told me that the death toll weighed on him. “I think this was a big frustration and feeling of failure for us,” he said. But he remained steadfast, often saying, in interviews, “Judge me in a year.”
ellauri073.html on line 175: Why are many of the most successful people plagued by feelings of emptiness and alienation? This wise and profound book has provided millions of readers with an answer--and has helped them to apply it to their own lives.
ellauri073.html on line 320: Kirjassa Immonen kehottaa elämään unelmaansa, eli “live the dream!” tässä nopeatahtisessa modernissa maailmassa, jossa ”aikaa ei koskaan tunnu olevan riittävästi”. Hän antaa erilaisia ohjeita aamukävelystä aina iltarutiinien muuttamiseen. “When you engage in a walk as a part of your morning routines, you have this good feeling, and you find it easy to purge your mind”, Immonen kirjoittaa kirjassa.
ellauri074.html on line 71: Then there are the human sensitive plants; the bundles of nerves. They are different from everybody else; they even tell you so. Someone is always stepping on their feelings. Everything hurts them—deeply. Their eyes are forever filling with tears.
ellauri077.html on line 329: Another aspect that defined his thoughts was the concept that would later inspire the work of other great writers such as Kafka, Unamuno, or philosopher Ludwig Wittgenstein. We’re talking about "anxiety", the feeling that never disappears. This is because it also helps us become aware that there are more options in life, that we’re free to jump into the void or take a step back and seek other solutions, like happy homosexuality. There’s always an alternative to suffering, but suffering itself helps "it" grow.
ellauri077.html on line 631: Wallace wanted the reader to Identify with a character, the first step to feeling less lonely, as he explains in the interview with Miller.
ellauri077.html on line 865: Why is it that people want this kind of shelter against failure. That they fit in. Tight enough, but also big enough, with some leeway and freedom and the feeling of being free at least in some respect, other than the duty. Duty line and nothing-to-declare green line. Snakes can well eat bigger things than their heads.
ellauri080.html on line 400: Intensity of reaction: intense children will have very powerful reactions to things. For instance, if they want to wear their favorite purple shirt and it’s in the washer, they may have an intense outburst. Children with low intensity will react very mildly to negative and positive situations. It may be difficult to recognize how a low intensity child is feeling.
ellauri080.html on line 413: Mood: Some children naturally have a happier mood, and other children may have a more serious mood. Mood refers to the overall tone of a person’s feelings, interactions and behaviors. Some people are dispositioned to have a happier overall mood, and they generally feel good about things. Others may have more of a negative mood. They may be referred to as more unpleasant, as they may not react in a strong, positive way with the world around them. Children who have a more naturally negative mood may appear to be more subdued than happy. They may have a demeanor that is more calm and may appear gloomy, sad or negative. They may not show their positive feelings externally, but may still feel positive things. I guess.
ellauri080.html on line 422: Anyone who has studied the psychology of Carl Jung will be aware of his development of a system to differentiate the human psychological condition into four fundamental psychological types: intuition, thinking, sensation, and feeling – which is a further elaboration of his separation of personalities into two distinct attitudinal types: introvert and extrovert. But why did he choose just four psychological types? And of all the multitude of possible personality characteristics or modes of operation and approaches to life, why did he choose these four: intuition, sensation, thinking, and feeling?
ellauri080.html on line 453: Kirjainlyhenteistä voi suunnilleen arvata mistä tässä on kymysys: E/I on extra/introvertti, N/S on varmaan intuition/sensation, T/F thinking/feeling ja P/J on varmaan perception/judgment. Eli tollanen neljän binäärimuuttujan taulukointi. Ensinäkemältä jo heti vaikuttaa et tässon ladattu vähän liian paljon tollasten aivokuorifunktioiden niskoille, kyllä matelijanaivotkin pitäis ottaa mukaan yhtälöön. Tai ehkä liskoaivot tule mukaan tolla T/F axelilla. Kai sit aina toinen niistä on introverttiä ja toinen extroverttiä, arvatenkin noi ekat on intro ja tokat kirjaimet on extro. El super-intro on INTP ja super-extro on ESFJ. Abstract minded system analysts vastaan concerned and supportive people persons. Joo mä nään mihin tässä ollaan menossa. Voi helvetti. Vanhaa patriarkaalista toxista sovinistipaskaa isoilla kirjaimilla kirjoitettuna.
ellauri080.html on line 484: Thinking in, feelings out versus feelings in, thinking out. These two attitudes can be summed up as ‘translating’ and ‘operationalizing’ respectively. Hauskasti myös filosofit ja muut julkkixet on numeroitavissa kuin kananpojat Jungin axeleilla:
ellauri080.html on line 494: Hence, the TE/FI attitude, represented by Nietzsche, assumes that people do things because they want to, they desire to, they have a passionate, sentimental drive to: desires and feelings are the metaphysical bottom-line, for which structure serves only as a vehicle. Meanwhile, the FE/TI attitude represented by Hume assumes that people do things because that is what makes sense to them: because that is the decision-making paradigm which they are working off of, and all feelings, motivations, and desires result from the way a person chooses to logically view the world, whether they realize it or not. Feelings and motivations are merely the skin of logically ascertainable principles upon which people operate.
ellauri080.html on line 537: Keynes's intellect was the sharpest and clearest that I have ever known. When I argued with him, I felt that I took my life in my hands, and I seldom emerged without feeling something of a fool.
ellauri080.html on line 748: Gandhi was never a man to hold a grudge. While in jail in South Africa he prepared a pair of sandals for Jan Smut to prove there was no ill-feeling. Smuts, in turn, gave a boot to his political adversary, Gandhi.
ellauri082.html on line 135: Hal’s symptoms indeed begin to reverse: he is now unable to properly communicate feelings (people see him as either laughing hysterically or terribly sad) but beginning to actually feel (like Gately, he spends a lot of time lying on the floor thinking about the past — the hero of nonaction from his essay (142)). While before, everyone could hear him except JOI; now only JOI can hear him (since, as with Gately, he can hear Hal’s thoughts).
ellauri082.html on line 507: "A motion became a feeling!—no phrase that our lips can frame is so devoid of apprehensible meaning." (Says Spencer - check out this guy.) And some Tyndall guy that everyone knew by heart in late 19th: "the passage from the physics of the brain to the corresponding facts of consciousness is unthinkable." (Nothing to it except fear of death and retribution. Funny but seriously I have never seen anything the matter with it. Your mind is like a little video camera connected to a bunch of neural networks that mill the images around. Whats wrong with this concept is hard for me to see.)
ellauri082.html on line 770: Participants were told to imagine they worked with another intern. And that they were competing to land a job. Participants were told, “You keep noticing little things about the way the intern talks to you. You get the feeling the other intern may have no respect for your suggestions at all. To your face, the intern is friendly, but something feels off to you.”
ellauri083.html on line 266: I know the feeling, ei emeritusprofessorikaan ole enää mitään. Ettekö te tiedä kuka minä olen, olen kiro - en minä enää muista, en jaxa.
ellauri083.html on line 334: When, in turn, this anger proves incapable of restoring the subject to the earlier, wished-for state of things, the characteristic symptoms of clinical depression set in: feelings of helplessness, a tendency to reproach the self for its inadequacy, and, not least of all, the drawing away of cathectic energies from the ego, "emptying [it] until it is totally impoverished." This impoverishment is also referred to by Freud and others as inhibition: "inhibition of all activity," "general inhibition," "complete motor inhibition," or "an inhibition of functions including the interest in the external world." And Bibring has instructively spoken of it as the "exhaustion of ego libido due to an unsolvable conflict" (p. The rhetoric of exhaustion and the exhaustion of rhetoric: Erskine Caldwell in the thirties)
ellauri083.html on line 376: Farrow has steadfastly supported her daughter throughout the years—but in Allen v. Farrow, she says she has also grown accustomed to Allen attacking her character and parenting skills in the press. (For decades Allen has claimed that Farrow coached Dylan, goading her into accusing Allen after Allen left Farrow for Previn.) Farrow explains her conflicting feelings to the cameras, saying that she wholeheartedly supported Dylan’s decision to write a 2014 op-ed for The New York Times outlining the abuse she claims to have suffered. But privately, Farrow admits in the docuseries, she “crumpled up inside,” knowing that Allen would likely resume his media attacks on her. “He couldn’t go after Dylan, because she was a child at the time, so he’d come after me.”
ellauri083.html on line 655: As nouns the difference between mirth and joy is that mirth is the emotion usually following humour and accompanied by laughter; merriment; jollity; gaiety while joy is a feeling of extreme happiness or cheerfulness, especially related to the acquisition or expectation of something good.
ellauri088.html on line 97: Several sensations form an idea. Several feelings form a composite feeling. Emotions are affective processes over time (they have a beginning, a middle, and an end). Volitions are changes in ideas or feelings that bring an emotion to an end. oAApperception is also relevant to clinical psychology. Projective tests such as the Rorschach and the TAT are based on the concept of apperception. (TAT: Thematic Apperception Test) Why is it that we perceive reality this or that way? Skewed perception may be connected with mental illness. Like seeing naked women undressing everywhere. There is a will involved there.
ellauri088.html on line 569: Blackmailing.—The proper course to pursue.—Selfish boorishness of river-side landowner.—“Notice” boards.—Unchristianlike feelings of Harris.—How Harris sings a comic song.—A high-class party.—Shameful conduct of two abandoned young men.—Some useless information.—George buys a banjo.
ellauri089.html on line 631: § 108. finally (c) where virtue consists in "conscientiousness", i.e., the disposition not to act, in certain cases, until we believe or feel that our action is right, it seems to have some intrinsic value: the value of this feeling has been peculiarly emphasized by Christian Ethics, but it certainly is not, as Kant would lead us to think, either the sole thing of value, or always good even as a means. …
ellauri092.html on line 332: By way of example I have been married to my wonderful wife for 35 years. The day I met her, I liked her. As we dated, I fell in love with her. That “love” was largely an emotional rush based on my feelings toward her. There were times when I thought my heart would explode because of my “love” (emotion) for her. Over time that changed and my love for my wife became more solidified and did not rely on emotion.
ellauri093.html on line 254: Emotional (or psychological) abuse: Using threats, humiliation or harassment causing distress and feelings of shame, stress or powerlessness. It often occurs in combination with other forms of abuse.
ellauri095.html on line 167: Hopkins composed two poems about Dolben, "Where art thou friend" and "The Beginning of the End". Robert Bridges, who edited the first edition of Dolben's poems as well as Hopkins's, cautioned that the second poem "must never be printed," though Bridges himself included it in the first edition (1918). Another indication of the nature of his feelings for Dolben is that Hopkins's high Anglican confessor seems to have forbidden him to have any contact with Dolben except by letter. Hopkins never saw Dolben again after the latter's short visit to Oxford during which they met, and any continuation of their relationship was abruptly ended by Dolben's drowning two years later in June 1867. Hopkins's feeling for Dolben seems to have cooled by that time, but he was nonetheless greatly affected by his death. "Ironically, fate may have bestowed more through Dolben's death than it could ever have bestowed through longer life ... for many of Hopkins's best poems – impregnated with an elegiac longing for Dolben, his lost beloved and his muse – were the result." Hopkins's relationship with Dolben is explored in the novel The Hopkins Conundrum.
ellauri095.html on line 477: As Hopkins commented in a letter, Savonarola was “the only person in history (except perhaps Origen) about whom” he had “real feeling,” because for Hopkins Savonarola was “the prophet of Christian art.”
ellauri095.html on line 518: The motif of the singing bird appears again in Gerard’s “Spring” (1877): “and thrush/Through the echoing timber does so rinse and wring/The ear, it strikes like lightnings to hear him sing.” The father’s attempt to represent what it is like to live in a bird’s environment, moreover, to experience daily the “fields, the open sky, /The rising sun, the moon’s pale majesty; /The leafy bower, where the airy nest is hung” was also one of the inspirations of the son’s lengthy account of a lark’s gliding beneath clouds, its aerial view of the fields below, and its proximity to a rainbow in “Il Mystico” (1862), as well as the son’s attempt to enter into a lark’s existence and express its essence mimically in “The Woodlark” (1876). A related motif, Manley’s feeling for clouds, evident in his poem “Clouds,” encouraged his son’s representation of them in “Hurrahing in Harvest’ (1877) and “That Nature is a Heraclitean Fire”(1888).
ellauri097.html on line 147: Mencken countered the arguments for Anglo-Saxon superiority prevalent in his time in a 1923 essay entitled "The Anglo-Saxon," which argued that if there was such a thing as a pure "Anglo-Saxon" race, it was defined by its inferiority and cowardice. "The normal American of the 'pure-blooded' majority goes to rest every night with an uneasy feeling that there is a burglar under the bed and he gets up every morning with a sickening fear that his underwear has been stolen."
ellauri097.html on line 298: In 2006, the Weekend Australian newspaper conducted an experiment. They submitted chapter three of The Eye of the Storm (1973) to twelve publishers and agents around Australia under an anagram of White’s name, Wraith Picket. Nobody offered to publish the book. One responded, “the sample chapter, while reply (sic) with energy and feeling, does not give evidence that the work is yet of a publishable quality.” Notwithstanding that the chapter was not White’s finest writing, and the unfairness of submitting a chapter out of narrative sequence, the hoax prompted a minor crisis in Australian literature: if the industry couldn’t recognize the greatness of our sole Nobel winner, how unenlightened must the country’s publishing industry be now? Shortly thereafter, the ABC launched an online portal called Why Bother With Patrick White? The portal always struck me as sad. What other major writer would need a website dedicated to convincing his countrymen to give him another go? The link to the website is dead now. It would seem, in the end, that nobody could be bothered with Patrick White.
ellauri098.html on line 58: What's your malfunction? A flawed character is more interesting than a flawless character. Ergo, a cast of characters with flaws is more interesting exponentially. An easy way to crank up drama is to supply everyone with a tragic past, a messed up family history, other significant issues (physical, psychological, etc.) or some combination of the three. When Dysfunction Junction comes into play, good parents can be as common as penguins in the Sahara, instead turning out to be neglectful, smothering/overprotective, unfeeling, abusive, misguided, or dead. And let's not even get into the rest of the family.
ellauri098.html on line 441: Their intellectually combative nature means that ENTPs can be difficult to work with, and they can bruise others’ feelings because they never shy away from conflict. But ENTPs are unflinchingly honest, even about themselves, and they hold up a clear mirror to the world around them.
ellauri098.html on line 455: ENTJs are naturally drawn to leadership positions, and can become resentful and unhappy if they’re forced to play second fiddle or if their authority is challenged. They can be curt and dismissive of others’ opinions, and rarely waste time considering the feelings of those around them.
ellauri098.html on line 479: INFP (introverted intuitive feeling perceiving) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test. INFPs are relatively uncommon, making up about 4% of the population. INFPs are idealists. They see the world, and those around them, not as they are but as they could be. INFPs have strong principles, which they do not let go of easily. These principles drive them to help others better themselves, but as an introverted personality they rarely do so through direct confrontation. INFPs are more comfortable expressing themselves through art, writing, or other media, and can be surprisingly effective and creative communicators.
ellauri098.html on line 524: ESFJ (extroverted sensing feeling judging) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) test. ESFJs are one of the more common types, making up about 12% of the population.
ellauri098.html on line 555: ESFP (extroverted sensing feeling perceiving) is one of the sixteen personality types of the Myers-Briggs Type Inventory (MBTI) test.
ellauri098.html on line 563: ISFP (introverted sensing feeling perceiving) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test. ISFP is one of the more common personality types, making up about 9% of the general population.
ellauri099.html on line 63: It is quite true I have worshipped you with far more romance of feeling than a man should ever give to a friend. Somehow I have never loved a woman…. From the moment I met you, your personality had the most extraordinary influence over me…. I adored you madly, extravagantly, absurdly. I was jealous of everyone to whom you spoke. I wanted to have you all to myself. I was only happy when I was with you.
ellauri100.html on line 281: If my father ever earned as much as a median income, it would come as a surprise to me. Our houses, neighborhoods, and family friends were what is known as working-class. If there were twinges of envy for the rich and famous, they were balanced with admiration for their skills and accomplishments. These children of the Great Depression — my parents and their siblings and friends — betrayed no feelings of grievance toward those who had more of life’s possessions. They were rightly proud of what they had earned and accumulated, and did not feel entitled to more than that because of their “bad luck” or lack of “privilege”. These attitudes fit the Virginia boy's moral right edge like a glove.
ellauri100.html on line 387: Persons who choose the impersonal basis of choice are called the thinking types by Jung. Persons who choose the personal basis are called the feeling types…. The more extreme feeling types are a bit put off by rule-governed choice, regarding the act of being impersonal as almost inhuman. The more dedicated thinking types, on the other hand, sometimes look upon the emotion-laden decisions and choices as muddle-headed.
ellauri100.html on line 391: Persons who choose closure over open options are likely to be the judging types. Persons preferring to keep things open and fluid are probably the perceiving types. The J is apt to report a sense of urgency until he has made a pending decision, and then he can be at rest once the decision has been made. The F person, in contrast, is more apt to experience resistance to making a decision, wishing that more data could be accumulated as the basis for the decision. As a result, when a P person makes a decision, he may have a feeling of uneasiness and restlessness, while the J person, in the same situation, may have a feeling of ease and satisfaction.
ellauri100.html on line 413: 5. Neuroticism: High scorers are described as “Sensitive, emotional, and prone to experience feelings that are upsetting.” Low scorers are described as “Secure, hardy, and generally relaxed even under stressful conditions.”
ellauri106.html on line 67: In October 1956, Philip Roth met the secretary Margaret Martinson Williams in Chicago, whom he married in February 1959. The divorced mother of two children of completely different social origins, who was four years older than him, initially gave Roth the feeling of both a challenge and a liberation. Later, however, the problems and arguments in their relationship increased, which the writer dealt with in retrospect in works such as When She Was Good ( Lucy Nelson or Die Moral, 1967) or My Life As a Man (Mein Leben als Mann, 1974). In his autobiography The Facts (The Facts, 1988) Margaret even advanced as Josie Jensen to the “counter-self”, to the “arch enemy and nemesis ” of the author. The couple separated in 1963, but Margaret Roth refused to consent to a divorce. Five years later she died in a car accident.
ellauri107.html on line 171: He was born in 1804 in Salem, Massachusetts, to Nathaniel Hathorne and the former Elizabeth Clarke Manning. His ancestors include John Hathorne, the only judge from the Salem witch trials who never repented his involvement in the witch hunt. He entered Bowdoin College in 1821, was elected to Phi Beta Kappa in 1824, and graduated in 1825. He published his first work in 1828, the novel Fanshawe; he later tried to suppress it, feeling that it was not equal to the standard of his later work.[2] He published several short stories in periodicals, which he collected in 1837 as Twice-Told Tales. The next year, he became engaged to Sophia Peabody. He worked at the Boston Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord. The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment as consul took Hawthorne and family to Europe before their return to Concord in 1860. Hawthorne died on May 19, 1864, and was survived by his wife and their three children.
ellauri107.html on line 181: I felt pantheist then—your heart beat in my ribs and mine in yours, and both in God’s. . . . Whence come you, Hawthorne? By what right do you drink from my flagon of life? And when I put it to my lips—lo, they are yours and not mine. . . . Hence this infinite fraternity of feeling. . . . Ah! It’s a long stage, and no inn in sight, and night coming, and the body cold. But with you for a passenger, I am content and can be happy. . . .
ellauri107.html on line 238: Same sex relationships in the all male environment of Billy Budd’s British as well as Herman Melville’s American ships are understood. As former First Lord of the Admiralty, British Prime Minister Winston Churchill once witheringly quipped, British naval tradition might well be equated with sodomy. Although Billy Budd lacks the “marriage” rites of Moby-Dick’s Ishmael and Queequeg, itcontains endearments for “Handsome Sailor” Billy that leave little doubt as to many of his mates’ ardent feelings toward him. The old Dansker on the British warship originates “Baby Budd,” also shortened to “Baby,” in reference to Billy, “the name by which the foretopman eventually became known aboard ship.” Readers also hear “one Donald” addressing Billy as “Beauty.”
ellauri107.html on line 242: In surveying Billy, “sometimes [Claggart’s] melancholy expression would have in it a touch of soft yearning, as if [he] could even have loved Billy but for fate and ban.” Evidently, Claggart has not fully disguised his private appreciation of Billy; but, because he believes something forbids any future for such feelings, he hardens his heart more and more fiercely toward the object of his desire. What “fate” and what “ban” does his misguided imagination perceive? Do their roles on the ship or elsewhere in society somehow doom any intimacy between them? Or does Claggart just presume Billy could never reciprocate his feelings? Might the Master at Arms simply despise sexuality in general and homosexuality in particular and, as a result, find himself driven all the more mad by his uncontrollable “yearning”? Whatever the accurate diagnosis, it is clear that Claggart distorts any positive feelings he possesses for Billy into negative ones with terrible consequences.
ellauri107.html on line 550: Kate Croy and Merton Densher are two betrothed Londoners who desperately want to marry but have very little money. Kate is constantly put upon by family troubles, and is now living with her domineering aunt, Maud Lowder. Into their world comes Milly Theale, an enormously rich young American woman who had previously met and fallen in love with Densher, although she has never revealed her feelings. Her travelling companion and confidante, Mrs. Stringham, is an old friend of Maud. Kate and Aunt Maud welcome Milly to London, and the American heiress enjoys great social success.
ellauri108.html on line 152: Nyabinghi Issemblies typically take place in rural areas, being situated in the open air or in temporary structures—known as "temples" or "tabernacles"—specifically constructed for the purpose. Any elder seeking to sponsor a Nyabinghi Issembly must have approval from other elders and requires the adequate resources to organise such an event. The assembly usually lasts between three and seven days. During the daytime, attendees engage in food preparation, ganja smoking, and reasoning, while at night they focus on drumming and dancing around bonfires. Nyabinghi Issemblies often attract Rastas from a wide area, including from different countries. They establish and maintain a sense of solidarity among the Rasta community and cultivate a feeling of collective belonging. Unlike in many other religions, rites of passage play no role in Rastafari; on death, various Rastas have been given Christian funerals by their relatives, as there are no established Rasta funeral rites.
ellauri108.html on line 156: In Rastafari, cannabis is considered a sacrament. Rastas argue that the use of ganja is promoted in the Bible, specifically in Genesis, Psalms, and Revelation. They regard it as having healing properties, eulogise it for inducing feelings of "peace and love", and claim that it cultivates a form of personal introspection that allows the smokers to discover their inner divinity. Some Rastas believe that cannabis smoke serves as an incense that counteracts immoral practices in society.
ellauri109.html on line 328: However, shortly before being beheaded, he opens the amulet on his neck containing the papers regarding the House of Saxony and swallows them. The Elector of Saxony is so distressed by this act that he faints, and Kohlhaas is beheaded shortly, feeling two foot sho-o-o-rt.
ellauri110.html on line 320: The painter discovers a kindred spirit in Lydia's younger sister Zhenya, a dreamy and sensitive girl who spends her time reading, admiring him painting and having long walks. The two fall in love, and an evening comes when, after a walk, the painter lets his feelings out in a passionate outburst. Zhenya responds in kind, but feels she has to tell her mother and sister about their love immediately.
ellauri111.html on line 419: On the other hand, he loves us back, but in HIS case, it is not that he obeys us, but rather the opposite, he lets us obey him! That's love for him! And if we don't he punishes us! That's love too! Like a loving father he lets his big hammer come down on our disobedient heads. Can't you feel it? And oh, the towering feeling Just to know somehow you are near. The over powering feeling, That any second you may suddenly appear.
ellauri111.html on line 552: Is this working on you at all guys? Are you ready to repent of your sins? To repent means to forsake your evil ways and live God's way according to his word. Are you ready to listen finallly? All your life you've been your own authority concerning what is right and what is wrong. You've made your own decisions while ignoring what the Lord says in His holy word, the Bible. You've served yourself and not God. To repent means that you turn to GOD AND THE BIBLE AS YOUR AUTHORITY. It means you can say, "Lord, everything you say in the Bible is right. If my feelings contradict the Bible, I AM WRONG. Lord, I want to live under YOUR AUTHORITY, not my own. Help me, Jesus, to do right."
ellauri115.html on line 387: Wounded feelings gave rise to a bitter three-way quarrel between Rousseau and Madame d'Épinay; her lover, the journalist Grimm; and their mutual friend, Diderot, who took their side against Rousseau. Diderot later described Rousseau as being "false, vain as Satan, ungrateful, cruel, hypocritical, and wicked... He sucked ideas from me, used them himself, and then affected to despise me".
ellauri115.html on line 418: In hindsight, it seems unlikely that they were ever going to get along, personally or intellectually. Hume was a combination of reason, doubt and scepticism. Rousseau was a creature of feeling, alienation, imagination and certainty. While Hume's outlook was unadventurous and temperate, Rousseau was by instinct rebellious; Hume was an optimist, Rousseau a pessimist; Hume gregarious, Rousseau a loner. Hume was disposed to compromise, Rousseau to confrontation. In style, Rousseau revelled in paradox; Hume revered clarity. Rousseau's language was pyrotechnical and emotional, Hume's straightforward and dispassionate.
ellauri115.html on line 433: Around this time, Rousseau started developing feelings of paranoia, anxiety, and of a conspiracy against him. Most of this was just his imagination at work, but on 29 January 1768, the theatre at Geneva was destroyed through burning, and Voltaire mendaciously accused Rousseau of being the culprit. In June 1768, Rousseau left Trie, leaving Therese behind, and went first to Lyon, and subsequently to Bourgoin. He now invited Therese to this place and "married" her, under his alias "Renou" in a faux civil ceremony in Bourgoin on 30 August 1768.
ellauri118.html on line 844: The relation was equally sincere on the part of Mme. de La Fayette, though she was by nature more self-contained and reserved. But this reserve gives way to the strength of her feelings when in 1691, tormented by ill-health and knowing that her end is not far off, she writes to Mme. de Sévigné: "Croyez, ma très-chère, que vous êtes la personne du monde que j'ai le plus véritablement aimée."
ellauri119.html on line 420: Love encompasses a range of strong and positive emotional and mental states, from the most sublime virtue or good habit, the deepest interpersonal affection, to the simplest pleasure. An example of this range of meanings is that the love of a mother differs from the love of a spouse, which differs from the love of food. A minority of monkeys fuck their relatives, but such monkey business still happens. Few people fuck their food, with Philip Roth as a notable exception. Most commonly, love refers to a feeling of strong attraction and emotional attachment. You are so cute I could eat you! Eat my shorts!
ellauri119.html on line 428: Scientific research on emotion has increased significantly over the past two decades. The color wheel theory of love defines three primary, three secondary and nine tertiary love styles, describing them in terms of the traditional color wheel. The triangular theory of love suggests "intimacy, passion and commitment" are core components of love. Love has additional religious or spiritual meaning. This diversity of uses and meanings combined with the complexity of the feelings involved makes love unusually difficult to consistently define, compared to other emotional states. Abstractly discussed, love usually refers to an experience one person feels for another. Love often involves caring for, or identifying with, a person or thing (cf. vulnerability and care theory of love), including oneself (cf. narcissism). Tulihan se sieltä!
ellauri119.html on line 430: In addition to cross-cultural differences in understanding love, ideas about love have also changed greatly over time. Some historians date modern conceptions of romantic love to courtly Europe during or after the Middle Ages, although the prior existence of romantic attachments is attested by ancient love poetry. The complex and abstract nature of love often reduces discourse of love to a thought-terminating cliché. Several common proverbs regard love, from Virgil's "Love conquers all" to The Beatles' "All You Need Is Love". St. Thomas Aquinas, following Aristotle, defines love as "to will the good of another." Bertrand Russell describes love as a condition of "absolute value," as opposed to relative value.[citation needed] Philosopher Gottfried Leibniz said that love is "to be delighted by the happiness of another." Meher Baba stated that in love there is a "feeling of unity" and an "active appreciation of the intrinsic worth of the object of love." But who the fuck is Meher Baba? Biologist Jeremy Griffith defines love as "unconditional selflessness". In Hebrew, אהבה (ahava) is the most commonly used term for both interpersonal love and love between God and God's creations. Chesed, often translated as loving-kindness, is used to describe many forms of love between human beings. In Hebrew, אהבה (ahava) is the most commonly used term for both interpersonal love and love between God and God's creations. Chesed, often translated as loving-kindness, is used to describe many forms of love between human beings. The 20th-century rabbi Eliyahu Eliezer Dessler is frequently quoted as defining love from the Jewish point of view as "giving without expecting to take" (from his Michtav me-Eliyahu, Vol. 1). Rakkaus on siis ekonomisesti sulaa hulluutta!
ellauri119.html on line 462: Luce Irigaray (born 3 May 1930) is a Belgian-born French feminist, philosopher, linguist, psycholinguist, psychoanalyst and cultural theorist who examined the uses and misuses of language in relation to women. Irigaray's first and most well known book, published in 1974, was Speculum non matris sed aliae mulieris (1974), which analyzes the texts of Freud, Hegel, Plato, Aristotle, Descartes, and Kant through the lens of phallocentrism. Presently, she is active in the Women's Movements in both France and Italy. Eroticism (from the Greek ἔρως, eros—"desire") is a quality that causes sexual feelings, as well as a philosophical contemplation concerning the aesthetics of sexual desire, sensuality, and romantic love. That quality may be found in any form of artwork, including painting, sculpture, photography, drama, film, music, or literature. It may also be found in advertising. The term may also refer to a state of sexual arousal or anticipation of such – an insistent sexual impulse, desire, or pattern of thoughts.
ellauri119.html on line 473: This article is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic. Please help improve it by rewriting it in an encyclopedic style. (June 2018) (Learn how and when to remove this template message)
ellauri119.html on line 477: Sternberg says that intimacy refers to "feelings of closeness, connectedness, and bondedness in loving relationships," passion refers to "the drives that lead to romance, physical attraction, sexual consummation, and related phenomena in loving relationships" and decision/commitment means different things in the short and long term. In the short-term, it refers to "the decision that one loves a certain other", and in the long-term, it refers to "one's commitment to maintain that love."
ellauri119.html on line 518: Examples of ludus in movies include Dangerous Liaisons [Okay!], Cruel Intentions, and Kids. Ludic lovers want to have as much fun as possible. When they are not seeking a stable relationship, they rarely or never become overly involved with one partner and often can have more than one partner at a time, in other words a school of partners. They don't reveal their true thoughts and feelings to their partner(s), especially if they think they can gain some kind of advantage over their partner(s). The expectation may also be that the partner(s) should also be similarly minded. If a relationship materializes it will be about having fun and indulging in activities of varying degrees of learnedness together. This love style carries the likelihood of infidelity. In its most extreme form, ludic love can become sexual addiction. No Lee's recognizable traits.
ellauri119.html on line 563: Expects reciprocation of feelings.
ellauri119.html on line 571: Agape is derived from ἀγάπη a Greek term for altruistic love. Lee describes agape as the purest form of love, derives this definition of love from being altruistic towards one's partner and feeling love in the acts of doing so. The person is willing to endure difficulty that arises from the partner's circumstance. It is based on an unbreakable commitment and an unconditional, selfless love, that is all giving. It is an undying love of compassion and selflessness. Agape love is often referenced with religious meaning and is signified by the color orange.
ellauri119.html on line 589: Biological models of love tend to see it as a mammalian drive, similar to hunger or thirst, or sneezing. Psychology sees love as more of a social and cultural phenomenon. Certainly, love is influenced by hormones (such as oxytocin), neurotrophins (such as NGF), and pheromones, and how people think and behave in love is influenced by their conceptions of love. The conventional view in biology is that there are two major drives in love: sexual attraction and attachment. Attachment between adults is presumed to work on the same principles that lead an infant to become attached to its mother. The traditional psychological view sees love as being a combination of companionate love and passionate love. Passionate love is intense longing, and is often accompanied by physiological arousal (shortness of breath, rapid heart rate); companionate love is affection and a feeling of intimacy not accompanied by physiological arousal.
ellauri131.html on line 649: In May 2019, Robbins really began feeling the heat when BuzzFly began publishing a scathing series or reports accusing the powerful life coach of "groping" women and "mistreating vulnerable followers" and telling his bodyguards to "trawl the audience för attractive females."
ellauri131.html on line 936: Stephen Covey's Seven Habits of Highly Effective People, briefly, are these: (1) Be proactive. Take the initiative and be responsible. (2) Begin with the end in mind. Start any endeavor -- a meeting, a day at the office, your adult life -- with a mental image of an outcome conforming to values you cherish. (3) Put first things first. Discipline yourself to subordinate feelings, impulses, and moods to your values. (4) Think win/win. Just as it sounds. (5) Seek first to understand, then to be understood. Listen with the intent to empathize, not with the intent to reply. (6) Synergize. Create wholes that are greater than the sum of their parts. (7) Sharpen the saw. Take time to cultivate the four essential dimensions of your character: physical, mental, social/emotional, and spiritual.
ellauri140.html on line 58: Book IV, despite its title "The Legend of Cambell and Telamond or Of Friendship", Cambell's companion in Book IV is actually named Triamond, and the plot does not center on their friendship; the two men appear only briefly in the story. The book is largely a continuation of events begun in Book III. First, Scudamore is convinced by the hag Ate (discord) that Britomart has run off with Amoret and becomes jealous. A three-day tournament is then held by Satyrane, where Britomart beats Arthegal (both in disguise). Scudamore and Arthegal unite against Britomart, but when her helmet comes off in battle Arthegal falls in love with her. He surrenders, removes his helmet, and Britomart recognizes him as the man in the enchanted mirror. Arthegal pledges his love to her but must first leave and complete his quest. Scudamore, upon discovering Britomart's sex, realizes his mistake and asks after his lady, but by this time Britomart has lost Amoret, and she and Scudamore embark together on a search for her. The reader discovers that Amoret was abducted by a savage man and is imprisoned in his cave. One day Amoret darts out past the savage and is rescued from him by the squire Timias and Belphoebe. Arthur then appears, offering his service as a knight to the lost woman. She accepts, and after a couple of trials on the way, Arthur and Amoret finally happen across Scudamore and Britomart. The two lovers are reunited. Wrapping up a different plotline from Book III, the recently recovered Marinel discovers Florimell suffering in Proteus' dungeon. He returns home and becomes sick with love and pity. Eventually he confesses his feelings to his mother, and she pleads with Neptune to have the girl released, which the god grants.
ellauri143.html on line 300: Whom others' wealth delights not, feeling envious pain
ellauri144.html on line 56: The rhetorician Quintilian regarded Odes as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words." The fictional hero Tom Jones recited his verses with feeling. Etenkin tätä: Ou ou ou, Dilailaa! Nou nou nou, Dilailaa!
ellauri145.html on line 111: The transformation of labor into pleasure is the craziest idea in Fourier´s giant socialist utopia," said Marcuse. He had a concern for the sexually rejected; jilted suitors would be led away by a corps of "fairies" who would soon cure them of their lovesickness, and visitors could consult the card-index of personality types for suitable partners for casual sex. He also defended homosexuality as a personal preference for some people. Fourier sexualizes work itself—the life of the Phalanstery is a continual orgy of intense feeling, intellection, & activity, a society of lovers & wild enthusiasts.
ellauri147.html on line 167: Nietzsche's "Will to power" and "Will to seem" embrace many of our views, which again resemble in some respects the views of Féré and the older writers, according to whom the sensation of pleasure originates in a feeling of power, that of pain in a feeling of feebleness (Ohnmacht).
ellauri150.html on line 348: Dreyfus-juttu (ransk. Affaire Dreyfus) oli Ranskaa vuosina 1894–1906 kuohuttanut oikeusjuttu. Sen keskushenkilönä oli Ranskan armeijan yleisesikunnassa palvellut kapteeni Alfred Dreyfus, jonka väitettiin välittäneen saksalaisille sotasalaisuuksia. Dreyfusin tuomitseminen elinkautiseen vankeusrangaistukseen jakoi ranskalaisen yhteiskunnan voimakkaasti tuomion tukijoihin ja Dreyfusin syyttömyyteen uskoviin. Lopulta Dreyfus armahdettiin ja julistettiin syyttömäksi ja oikeaksi vakoojaksi paljastui majuri Marie Charles Ferdinand Walsin-Esterházy, eli joku vitun madjaari joka pötki pakoon ulkomaille. Alfred Dreyfusilta riistettiin sotilasarvo École Militairen pihalla ja veikko lähetettiin Pirunsaarelle. Tuomiota sittemmin vähän lievennettiin, armahdettiin ja lopulta pyörrettiin kokonaan. Dreyfus sai ylennyxen majurixi ja papukaijamerkin. Sori siitä! No hard feelings!
ellauri150.html on line 573: "Stay, and see my husband. He has no feeling against you. He sought for you everywhere. He will be your friend. I will be your friend. We are Christians you know."
ellauri151.html on line 84: Because the pastor is really the main character in Gide's limited world, she feels herself to be in love with him and to some extent (tent, hehe) he has similar feelings toward her. When his eldest son Jacques, who is about the same age as Gertrude, asks to marry her, the pastor becomes jealous and refuses despite the fact that Jacques is obviously in love with her, and has a bigger tent.
ellauri151.html on line 151: The combined qualities of the realist and the idealist which Dickens possessed to a remarkable degree, together with his naturally jovial attitude toward life in general, seem to have given him a remarkably happy feeling toward Christmas, though the privations and hardships of his boyhood could have allowed him but little real experience with this day of days.
ellauri151.html on line 155: The Cricket on the Hearth strikes a different note. Charmingly, poetically, the sweet chirping of the little cricket is associated with human feelings and actions.
ellauri151.html on line 608: Hamann and Wittgenstein criticize the Enlightenment’s dualism senses/reason, subject/object, mind/world, reason/feeling and theory/practice by developing a view of “sensuous reason” that is located in language.
ellauri152.html on line 591: In the story, Avigdor just trembles and sits down, and Yentl calmly explains. He then asks what she is going to do now, and she says she will go to a different yeshiva and start over. Avigdor half says they could get married, but doesn’t finish the sentence. Yentl rebuffs him, saying it wouldn’t be good, and explains, “I’m neither one nor the other.” She tells him to go back to Badass instead. Avigdor has strange feelings, trying to reconcile who Anshel is, who Yentl is. But they spend the night in companionable debate, discussing Yentl’s marriage to Badass and whether she legally needs to divorce her, as well as why Yentl crossdressed. Avigdor brings up marriage again, but Yentl refuses even stronger.
ellauri152.html on line 603: And, oh f-ck, there is so much to talk about in this section. The importance of consent here, when Yentl lets Badass know she doesn’t need to do anything she doesn’t want to, both according to her husband and according to Jewish law—that’s good, that’s meaningful. Then we even get recognition that feminism doesn’t just mean validating women who don’t want sex, but also validating women who do want sex! Badass starts to have feelings for Anshel and proposes sleeping together herself, on her own terms. The movie is not always kind to Badass—in many ways she is a stereotype for Yentl to play off of—but this is a place where Yentl‘s feminism succeeds: Badass wants to have sex, and that’s fine.
ellauri159.html on line 628: Temperance can be defined as “moderation in action, thought, or feeling; restraint.” To a knight, this means complete abstinence from some things and moderation in all things. Ei liikaa viinaa eikä tupakkaa, ei edes panoa päivittäin monta kertaa peräkkäin. Se käy nihdin voimille.
ellauri159.html on line 668: Having compassion simply means to possess a deep feeling of sympathy and sorrow for those who are stricken by misfortune, coupled with a strong desire to alleviate their suffering. Sounds a lot like charity, but cheaper..
ellauri159.html on line 1007: Fs prefer to use their rational feeling function when making decisions. They place more emphasis on the effect that actions have on people than they do on adhering to the impersonal rule of logic. They tend to give other people the benefit of the doubt.
ellauri159.html on line 1009: T: Thinking preferred to feeling
ellauri159.html on line 1129: Enjoy writing about the natural world. Focusing on a sensation, such as fragrance or flavor, or a hot, slippery, hard or soft touch, can open a pathway into the subject matter. Look for ways to relate the topic to your personal experience. Think about the feelings that the experience evoked.
ellauri159.html on line 1133: You can become blocked by criticism or by discord in their environment. Try writing in a quiet, outdoor space, where you can release your stress and immerse yourself in the natural world. If you have family, throw them out. Meditation or yoga may also help. Isolate yourself from negativity and listen to the music of your own thoughts and feelings.
ellauri159.html on line 1219: You prefer writing about your own personal topics. You may lose your creative drive if the subject isn’t about you. If so, try taking an angle that allows you to write about your feelings on the topic, if not you yourself. If you’re a technical writer, look for ways to connect with readers by anticipating and meeting their needs. Or you can use your tech knowledge to write another Gravity´s Rainbow. But don´t expect your employer to like it.
ellauri159.html on line 1395: Rationality means fluent thinking, 63. Simplification, 65. Clearness, 66. Their antagonism, 66. Inadequacy of the abstract, 68. The thought of nonentity, 71. Mysticism, 74. Pure theory cannot banish wonder, 75. The passage to practice may restore the feeling of rationality, 75. Familiarity and expectancy, 76. 'Substance,' 80. A rational world must appear {xvi} congruous with our powers, 82. But these differ from man to man, 88. Faith is one of them, 90. Inseparable from doubt, 95. May verify itself, 96. Its rôle in ethics, 98. Optimism and pessimism, 101. Is this a moral universe?—what does the problem mean? 103. Anaesthesia versus energy, 107. Active assumption necessary, 107. Conclusion, 110.
ellauri160.html on line 219: Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's A Portrait of the Artist as a Young Man, the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's Ulysses. Hemingway wrote in 1932 that, for poets born in the late 19th or early 20th century, not to be influenced by Pound would be "like passing through a great blizzard and not feeling it's cold."
ellauri161.html on line 621: By and large the efforts at humour here feel like juvenile, Grand Theft Auto-level sledgehamer attempts at satire (and I say that as a fan of the video game series, sophistication is not one of my hallmarks.). ’ I can count on the fingers of one hand the parts of the film that came close to eliciting some sort of feeling. And that's what films are for, ain't they?
ellauri161.html on line 673: The grim satire is usually pretty tame and ranges anywhere from hilarious to stupid. But the nastiness and negativity here just makes the filmmaker come off like a jerk. At the end of Don’t Look Up, you’re left feeling agitated and angry– not at republicans, but at McKay for making such a dismal affair. If you are a closet republican like me, that is.
ellauri163.html on line 756: Dr. Mark Goulston, M.D. wrote in his article Just Listen - Don´t Confuse a Narcissist with Asperger´s Syndrome: “Both narcissists and high functioning people with Asperger like features are goal minded to a fault, and both can view other people more as functions or vehicles to achieve that goal instead of as people with feelings. However a critical difference between the two is that a narcissist doesn´t care if they hurt you or your feelings (and the truly malignant ones may even take delight in doing so), whereas someone with Asperger´s like features would prefer not to.
ellauri164.html on line 502: Another thing we see from Moses during his time spent in Midian is that, when God finally did call him into service, Moses was resistant. The man of action early in his life, Moses, now 80 years old, became overly timid. When called to speak for God, Moses said he was “slow of speech and tongue” (Exodus 4:10). Some commentators believe that Moses may have had a speech impediment. Perhaps, but then it would be odd for Stephen to say Moses was “mighty in words and deeds” (Acts 7:22). Perhaps Moses just didn’t want to go back into Egypt and fail again. This isn’t an uncommon feeling. How many of us have tried to do something (whether or not it was for God) and failed, and then been hesitant to try again? There are two things Moses seemed to have overlooked. One was the obvious change that had occurred in his own life in the intervening 40 years. The other, and more important, change was that God would be with him. Moses failed at first not so much because he acted impulsively, but because he acted without God. Therefore, the lesson to be learned here is that when you discern a clear call from God, step forward in faith, knowing that God goes with you! Do not be timid, but be strong in the Lord and in the power of his might (Ephesians 6:10).
ellauri164.html on line 633: But Moses was not feeling peaceful today. He was grieving the loss of his sister. He was tired. He was thirsty. He was frustrated. He was angry.
ellauri171.html on line 518: But Shechem falls passionately in love post coitum! So not at all what happened with Amnon. Dinah must have been a better lay. Now love complicates what would otherwise be the simple story of a violent crime. Shechem declared that he has fallen passionately in love with Dinah. He told her this, and he told anyone who would listen to him. He loved her tenderly – the words of the story imply longing, yearning, tenderness, not the usual feelings of a rapist.
ellauri171.html on line 521: Dinah’s feelings are not recorded, so we have no way of knowing what they were. Niin aina.
ellauri171.html on line 526: Jacob does not send for his sons, but waits for them to come home from the fields. Nothing is said about Jacob’s feelings, or about what he thinks.
ellauri171.html on line 1129: When Amnon had finished his brutal business, his feelings for Tamar suddenly changed. Now he was revolted by the sight of her, could not bear to look at her, was filled with a loathing far stronger than the lust he had previously felt.
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ellauri180.html on line 123: This journal will help you envision your ideal life and then identify the unconscious attachments that are preventing you from living it. Through a series of writing prompts and exercises as well as some of Brianna’s favorite quotes, most popular articles, and new passages, it will help you sort through the conflicting thoughts, feelings, and fears that are preventing you from becoming the person you want and need to be. You do not need more motivation or drive to start building the life of your dreams. You need to better understand who you are, why you keep re-creating comfortable pain patterns, and why you may not really want what is it you think you do.
ellauri180.html on line 288: How to talk about your writing without feeling embarrassed
ellauri181.html on line 160: “Values are beliefs linked inextricably to affect. When values are activated, they become infused with feeling”.
ellauri181.html on line 210: The figure below provides a quick guide to values that conflict and those that are congruent. There are two bipolar dimensions. One “contrasz ‘openness to change’ and ‘conservation’ values. This dimension captures the conflict between values that emphasize independence of thought, action, and feelings and readiness for change (self-direction, stimulation) and values that emphasize order, self-restriction, preservation of the past, and resistance to change (security, conformity, tradition).”
ellauri182.html on line 104: Symbolism appears throughout Yoshimoto’s story. For the protagonist, kitchens symbolize places of contentment, safety, and healing. Mikage claims, “to me a kitchen represents some distant longing engraved on my soul.” When she is despondent, her dreams of kitchens keep her going. She takes to the kitchen and learns cooking as a way of overcoming feelings of meaninglessness and despair; cooking represents her new attitude toward life. Like kitchens and cooking, food also plays a symbolic role in the story. Mikage is constantly presenting her friends with food; her life changes when she takes a job at a cooking school; and the climax of the story occurs when Mikage brings a dish of special food to Yuichi in his secluded hotel room. Eat my shorz.
ellauri183.html on line 52: Bernien gradu koski Thomas Hardya. Sodan päätyttyä Malamuutti nai it.room.kat. goyn (Ann de Chiara) Oregonista vasten molempien vanhempien tahtoa. Bernhardilaiskoira alkoi kirjoittaa 60-luvulla Oregonin maamieskoulussa. Living out West in Oregon for ten years (1949-61) gave Malamud a sense of home, however temporary. "It was where my wife had a feeling of rooz: our daughter was born there." Tytär Janna Smith on mun ikäinen ja antaa psykoterapiaa halukkaille. Kirjoitti Berniestä kirjan My father was a book. Malamud was Jewish, an agnostic, and a humanist.
ellauri183.html on line 94: However, in a letter to his daughter a week after that dinner of reconciliation, Malamud voiced his true feelings: Roth, he said, had written a “foolish egoistic essay about my work” and had “certainly misinterpreted” “The Assistant.” The letter was not made public until 2006, some 20 years after Malamud’s death.
ellauri184.html on line 748: Käsi-ja jalkakivut ei ole niin pahoja kuin sisäelinten, voisin arvata. En kyllä ole kokeillut. Kazojien vittuilut taisi sattua vielä enemmän. Eeli Eeli laama sabakhthaani? Jeshuaa käy isiparka vähän säälixi. I know the feeling. I feel your pain.
ellauri184.html on line 779: José Saramago, therefore, gives us his vision of this unknown Jesus while reinterpreting in his sauce some biblical subjects. The result is probably not very canonical since we see a Jesus first educated by the Devil, then discovering sexuality in the arms of Mary Magdalene, a prostitute with whom he falls in love. However, I did not see any desire to satire: on the contrary, we discover a character torn by the codes of the society of his time, the gradual discovery of his identity, and above all, the feeling of being a toy of fate.
ellauri189.html on line 114: It becomes clear that the apparent benevolence of the wojewoda was only a ruse to lure away the defenders from Maria’s home. During their absence his brigands, disguised as revellers (taking part in a kulig, a sort of carnival cortege of the szlachta moving about the countryside), had raided the house, carried Maria away and drowned her in a pond. Her dead body was found by the tenants and servants who had left it on the bed before they went in pursuit of the perpetrators of the crime. And so “Wacław loses in one moment everything on the world,/ Happiness, virtue, respect for his fellow-men and brothers” (“I tak Wacław od razu wszystko w świecie traci:/ Szczęście, cnotę, szacunek dla ludzi, swych braci”). It is suggested that in the “dark and dreary wood of human feelings” (“W tym
ellauri189.html on line 199: The centre of our planetary system is the visible sign of the infinity of immanence and contains the cyclical essence of being, not merely indicating this con-dition, but also embodying it: this celestial body is subject to an infinite movement without apparent linear direction. But the stages of the sun’s voyage could also be interpreted as stages of human life (birth, youth, maturity, old age) and this circumstance inclines man to perceive a similarity between a celestial body and a feeling sublunary body (does man deceive himself, thinking it a bond of
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ellauri192.html on line 279: After this, explanation becomes speculative. Significant literature is inseparable from ideology and political feelings. There are more than hints that political considerations were implicit in the omission of Pound, Claudel, Malraux and Brecht. Too right, too right, too right, too left. The thoroughly embarrassing preference of Heinrich B"oll in 1972 over that far greater writer G"unter Grass was wholly typical of the Swedish Academy's bias towards the middle ground of urbane and liberal decencies. (Look! We tried to do the umlauts and almost did! But these are Germans, and Günther is an ex nazi too.) The great imaginings of terror and utopia, be they of the left or of the right, are not welcome. The 1957 choice of the young Camus haloed a literary persona and style of vision emblematic of the Stockholm ideal.
ellauri194.html on line 156: Lord have mercy, Lord have mercy on me I got a bad feeling, my baby, my baby don't love me no more
ellauri194.html on line 157: Lord have mercy, my heart's in misery I got a bad feeling, my baby don't love me no more
ellauri197.html on line 305: An interesting thing to note, however, is that the “adversity” is treated in a beautiful way by being addressed as a “Bloom.” The capitalization can be written off with the notion that even a bad memory could be important enough to merit capitalization, but a “Bloom” has a connotation of natural beauty and livelihood. This could simply mean the negativity from the circumstance grows with time, but the choice of such a soft verb gives the feeling that the narrator has warm feelings about whatever happened to cause this bad memory—maybe a relationship she loved but lost or a friend who was dear but forsaken. This would again give a reason for the grammatical chaos of the lack of subject and mismatched verb tenses since, it seems, the narrator does not know how she feels about the memory.
ellauri197.html on line 434: Was it some feeling of delight, Olixe joku ilonaihe,
ellauri198.html on line 134: A typical Warren character undergoes a period of intense self-examination that ideally results in a near-religious experience of conversion, rebirth, and a mystical feeling of oneness with God. Luisiaana nuaarissa kännipäinen lasten isä pääsi kuivatelakalle ja ajoi pois paxut viixensä ja ohuthuulisen vaimonsa ja rukoili typerästi Roland Westin kanssa käsi kädessä kahvipöydän ääressä. Taisi olla kaappihomoja.
ellauri198.html on line 786: From Hegel we can move to Mallarmé's Igitur, and an illuminating observation by Paul de Man, even as from Kierkegaard we can go back to Childe Roland and the critical mode I endeavor to develop. Meditating on Igitur, de Man remarks that in Baudelaire and in Mallarmé (under Baudelaire's influence) "ennui" is no longer a personal feeling but comes from the burden of the past. A consciousness comes to know itself as negative and finite. It sees that others know themselves also in this way, and so it transcends the negative and finite present by seeing the universal nature of what it itself is becoming. So, de Man says of Mallarmé's view, comparing it to Hegel's, that "we develop by dominating our natural anxiety and alienation and by transforming it in the awareness and the knowledge of otherness." Jotain tosi narsistista läppää tääkin näyttää olevan.
ellauri198.html on line 918: Arthur Symons (n.h.) described the poem as a "sort of spiritual biography" in the way that it describes the feelings and emotions of the poet, rather than the actions. Isobel Armstrong (n.h.) argued that the poem was Browning's attempt to "institutionalize" himself as a Romantic poet. Browning described himself within the poem as "priest and prophet" and therefore gave himself both the meaning and purpose that he was seeking as a young man. Vitun pappi ja profeetta, ansaizisi potkun perseeseen. Tää narsistinen suollos ei kelpaa mihinkään. Ei maxa vaivaa edes siteerata.
ellauri203.html on line 219: However, this belated first love was not as simple as Dostoevsky had hoped. Isaeva began taunting the writer with letters telling him of her intention to marry one or other wealthy official. Although the pair did ultimately marry, their troubles continued, and the two never settled into a harmonious marriage, with Dostoevsky taking on a role more like a friend or brother to Isaeva, rather than a husband. Mark Slonim, an important Russian scholar, writes in his book The Three Loves of Dostoevsky: “He loved her for all these feelings that she excited in him. For everything that he gave her, for everything that was connected with her. And for all the pains from her.”
ellauri203.html on line 648: Martin, a respected doctor (huoh), his wife Karin, Karin's seventeen year old brother Minus, and widowed father David of Karin and Minus' have convened at the family's summer home on an island off the coast of Sweden to celebrate David's return from the Swiss Alps, where he was substantially completing his latest novel (huoh). The family has long lived a fantasy of they being a loving one, David's extended absences which are the cause of many of the family's problems. Without that parental guidance, Minus is at a confused and vulnerable stage of his life where he is a bundle of repressed emotions, most specifically concerning not feeling loved by his father and concerning the opposite sex (huoh). He is attracted to females as a collective but does not know how to handle blatant female sexuality, especially if it is directed his way. A month earlier Karin was released from a mental institution (huoh). Her doctor has told Martin that the likelihood that she will fully recover from her illness is low, her ultimate fate being that her mental state will disintegrate totally, although she has functioned well since her release. In his love for her, Martin has vowed to himself to see her through whatever she faces. As Karin begins to lose grip on reality, Minus is the one most directly affected, although it does bring out the issues all the men are facing with regard to their interrelationships.
ellauri204.html on line 779: Britti näyttelijäkaarti on niin ylityöllistetty toisiaan kopioiviin poliisisarjoihin että yhden poliisi on toisen sarjan konna. Vastenmielisesti suutaan repivä Lewis on mätä poliisi Gentlyssä. Märkäsuun Isä Ruskean autokuski skizoaa Lewisin pikkukonnana. Porukkaa tapetaan kuin Salpausselällä. Poliisin teippiä kuluu mailikaupalla. Paskalakeilla on iänikuisia perhehuolia. Koukut suojaa toisiaan kuin mafiosot. Vitun ikävystyttävää. Ainoa hyvä sarja on suomalainen Raid. Raid soittaa huuliharppua tosi surkeasti ja siltä puuttuu varpaita. Tukka peittää huonosti orastavaa kaljua. Janssonin luttamuna ei ota eteen ennen kuin autotallin lattialla hengenhädässä sen napsittua levyittäin Viagraa. Tässon ihan hyvä, sanoo vaimo hätäsesti permannolta. I know the feeling: asennonvaihdos voi helposti aiheuttaa harmittavan nuupahduxen. Perse-Arska näyttää Janssonille Ladassa mustelmaista pyllyä. Janssonin lakoninen ilme ei värähdä. Tokko viisarikaan. Kaikki on yxisanaisia kuin Aki Kaurismäen leffoissa.
ellauri205.html on line 138: On feeling free
ellauri206.html on line 61: Show, don't tell is a technique used in various kinds of texts to allow the reader to experience the story through actions, words, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. It avoids adjectives describing the author's analysis, but instead describes the scene in such a way that readers can draw their own conclusions. The technique applies equally to nonfiction and all forms of fiction, literature including haiku and Imagism poetry in particular, speech, movie making, and playwriting.
ellauri206.html on line 209: Rikun mielestä lapset ovat tunneväärentäjiä. Ize olet! Kuvittelet että kaikki päättyy siihen kun pussit tyhjenevät. Riku on ylivilkas päihdeongelmainen kusipää. Sen perse palaa langon kanssa istuessa ikävystymisestä palorakoille. I know the feeling.
ellauri213.html on line 216: Thoughts/desires – internal feelings
ellauri214.html on line 76: J.K. Rowling has also included plenty of sexism in her writing, indicative of her internalised misogyny. Cho Chang was Harry Potter’s love interest throughout books 4 and 5. However, Cho was in a relationship with another student in the fourth book, and unfortunately this student was killed by Lord Voldemort at the end of the book. This leaves Cho rightfully distraught. Though still in emotional turmoil, she develops a crush on Harry and they begin dating. During their first kiss, Cho is crying because she is thinking of her dead boyfriend. Harry and Cho break up after multiple arguments later in the book. Later on in the series, Harry develops feelings for his best friend’s sister, Ginny Weasley. Rowling periodically writes how Harry prefers Ginny to Cho because Cho was too emotional after the death of her boyfriend. Harry preferred Ginny, who was stronger and could contain her emotions, supposedly because she had grown up with 6 brothers (no, 5, Ronny is a sissy). This comparison of the two girls demonstrates Rowling’s internalized feelings that women exist for the purpose of pleasing men. The thinly veiled idea that women who are too emotional or too much drama queens are not desirable is evident in Rowling’s writing. Fleur Delcore is another example of this feeling. Fleur is a student at a French wizarding school who competes against Harry in a difficult tournament in the fourth book. Fleur is part veela, who are magical beings of extreme beauty but can turn monstrous when angered. Fleur eventually marries Ron Weasley’s older brother, Bill. Hermionie, Harry’s other best friend, and Ginny constantly complain about Fleur. However, the only thing their animosity can be traced back to is that Fleur is a beautiful Frenchy woman and she is confident in that, whilst they are just snubnosed Brits. This further develops Rowling’s internalized misogyny. She views women who are confident in their beauty as annoying, and has the idea that women should seek male validation. Though these portions of the book were likely unintentional, speaking from personal experience, it has to be said that Rowling’s writing of women in her book have had a lasting effect on her female readers.
ellauri221.html on line 269: In an update of a study on empathy originally conducted in 1979, Sara Konrath, a researcher at the University of Michigan’s Institute for Social Research, Ed O’Brien and Courtney Hsing have presented “Changes in Dispositional Empathy in American College Students Over Time: A Meta-Analysis” at the annual convention of Psychological Sciences in Boston (May 28th 2010). In this study they find a drastic difference in today’s student body on campuses from college students of the late 1970s. Today’s students disagree more frequently with such statements as: “I sometimes try to understand my friends better by imagining how things look from their perspective”, or, “I often have tender, concerned feelings for people less fortunate than me.”
ellauri221.html on line 271: Surrounded by anthropogenic ecological disasters, brutal wars, and the threat of destruction looming over the future of the planet itself due to our actions, constructed knowledge, and structured ignorance, it becomes urgent to examine the underlying ontological concepts and the reality from which our children are incarcerated in schools. This research is an attempt to look at what is the knowledge that children get exposed to and my main question is whether identity and civilisation are not the underlying culprits in our alienation from the world. As Tove Jansson shows in her moominbooks, perhaps it is necessary to empathise even with the one who dislikes us and not limit ourselves to people only, but see if “I can often have tender, concerned feelings for anyone (animals and people included) as fortunate or less fortunate than me”.
ellauri221.html on line 385: They´re feeling very still
ellauri222.html on line 105: So even “Dangling Man,” an awkwardly written book about which Bellow later said, “I can’t read a page of it without feeling embarrassed,” was received as a sign that the novel might after all be up to its historic task. “Here, for the first time I think, the experience of a new generation has been seized,” Delmore Schwartz wrote, in Partisan Review. In The New Yorker, Edmund Wilson called “Dangling Man” a “testimony on the psychology of a whole generation.” When Bellow’s second novel, “The Victim,” came out, in 1947, Martin Greenberg, in Commentary, explained that Bellow had succeeded in making Jewishness “a quality that informs all of modern life . . . the quality of modernity itself.” In Partisan Review, Elizabeth Hardwick suggested that Bellow might become “the redeeming novelist of the period.”
ellauri222.html on line 517: A cousin of Simon’s wife Charlotte, Lucy becomes Augie’s steady girlfriend. A pretty, rich, shallow girl who likes to have fun, she doesn’t seem to have deep feelings for Augie. She breaks off the relationship when she hears that Augie has taken Mimi for an abortion.
ellauri223.html on line 84: Capt. Their food consists of flesh, butter, honey, cheese, garden herbs, and vegetables of various kinds. They were unwilling at first to slay animals, because it seemed cruel; but thinking afterward that is was also cruel to destroy herbs which have a share of sensitive feeling, they saw that they would perish from hunger unless they did an unjustifiable action for the sake of justifiable ones, and so now they all eat meat. Nevertheless, they do not kill willingly useful animals, such as oxen and horses. They observe the difference between useful and harmful foods, and for this they employ the science of medicine. They always change their food. First they eat flesh, then fish, then afterward they go back to flesh, and nature is never incommoded or weakened. The old people use the more digestible kind of food, and take three meals a day, eating only a little. But the general community eat twice, and the boys four times, that they may satisfy nature. The length of their lives is generally 100 years, but often they reach 200.
ellauri236.html on line 206: Until recently the characteristic adventure stories of the English-speaking peoples have been stories in which the hero fights against odds. This is true all the way from Robin Hood to Pop-eye the Sailor. Perhaps the basic myth of the Western world is Jack the Giant-killer, but to be brought up to date this should be renamed Jack the Dwarf-killer, and there already exists a considerable literature which teaches, either overtly or implicitly, that one should side with the big man against the little man. Most of what is now written about foreign policy is simply an embroidery on this theme, and for several decades such phrases as ‘Play the game’, ‘Don't hit a man when he's down’ and ‘It's not cricket’ have never failed to draw a snigger from anyone of intellectual pretensions. What is comparatively new is to find the accepted pattern, according to which (a) right is right and wrong is wrong, whoever wins, and (b) weakness must be respected, disappearing from popular literature as well. When I first read D. H. Lawrence's novels, at the age of about twenty, I was puzzled by the fact that there did not seem to be any classification of the characters into ‘good’ and ‘bad’. Lawrence seemed to sympathize with all of them about equally, and this was so unusual as to give me the feeling of having lost my bearings. Today no one would think of looking for heroes and villains in a serious novel, but in lowbrow fiction one still expects to find a sharp distinction between right and wrong and between legality and illegality. The common people, on the whole, are still living in the world of absolute good and evil from which the intellectuals have long since escaped. But the popularity of No Orchids and the American books and magazines to which it is akin shows how rapidly the doctrine of ‘realism’ is gaining ground.
ellauri238.html on line 804: his base feelings of jealousy alhaiset mustasukkaisuuden tunteensa
ellauri238.html on line 818: he thinks of his soul with feeling hän ajattelee sieluaan tunteella
ellauri241.html on line 989: But there were some who feelingly could scan
ellauri245.html on line 677: Its 2022, Im 56 yrs old (born 1966 that is), kids grown, 5am, and feeling a little menopausal. Came back to a song that from the 1st time I heard it in my teens, I pictured the guy of my dreams singing to me. (Definitely not this wimpy tenor Chris with thinning bangles, but another more manly guy.) Didn´t we all? Definitely a classic! Greetings to us all narcissistic women of the eighties!
ellauri245.html on line 705: And I have never had such a feeling Ihan hurja fiilis housuissa
ellauri245.html on line 706: Such a feeling of complete and utter love Pikkuveli takoo ovea ihan villinä
ellauri247.html on line 261: "The learned Smelfungus travelled from Boulogne to Paris, from Paris to Rome, and so on, but he set out with the spleen and jaundice, and every object he passed by was discoloured or distorted. He wrote an account of them, but 'twas nothing but the account of his miserable feelings. I met Smelfungus in the grand portico of the Pantheon—he was just coming out of it. ''Tis nothing but a huge cockpit,' said he—'I wish you had said nothing worse of the Venus de Medici,' replied I—for in passing through Florence, I had heard he had fallen foul upon the goddess, and used her worse than a common strumpet, without the least provocation in nature. I popp'd upon Smelfungus again at Turin, in his return home, and a sad tale of sorrowful adventures had he to tell, 'wherein he spoke of moving accidents by flood and field, and of the cannibals which each other eat, the Anthropophagi'; he had been flayed alive, and bedevil'd, and used worse than St. Bartholomew, at every stage he had come at. 'I'll tell it,' cried Smelfungus, 'to the world.' 'You had better tell it,' said I, 'to your physician.'" (Sterne)
ellauri248.html on line 118: I loved this book to pieces, even though I could not shake off the overwhelming feeling of sadness and hollowness after finishing it. I loved it despite (or maybe because?) of the frustrating incompleteness of some plot lines, the frequent lack of resolution, and the unfulfillment of my wishes for the characters and events. [noir romance]
ellauri248.html on line 127: Emily May rated it amazing: Needless to say, I was completely expecting something a bit dark and twisted, a creepy psychological murder mystery with an outcome I never would have seen coming. And I got that. But I never expected this book to leave me feeling so... sad. And you know why? Because I cared. Ms French carefully builds up a complex personality for each of her characters, complete with a past, a sense of humour and some serious issues to go with it all, and you can't help but care what happens to the detectives even more than you care what happens with the case.
ellauri262.html on line 300: The presence of sexuality in The Lord of the Rings, a bestselling fantasy novel by J. R. R. Tolkien, has been debated, as it is somewhat unobtrusive. However, love and marriage appear in the form of the warm relationship between the hobbits Sam Gamgee and Rosie Cotton; the unreturned feelings of Éowyn for Aragorn, followed by her falling in love with Faramir, and marrying him; and Aragorn's love for Arwen, described in an appendix rather than in the main text, as "The Tale of Aragorn and Arwen". Multiple scholars have noted the symbolism of the monstrous female spider Shelob. Interest has been concentrated, too, on the officer-batman-inspired same-sex relationship of Frodo and his gardener Sam as they travel together on the dangerous quest to destroy the Ring. Scholars and commentators have interpreted the relationship in different ways, from close but not necessarily homosexual to plainly homoerotic, or as an idealised heroic friendship.
ellauri262.html on line 414: In 1920 Sayers entered into a passionate though unconsummated romance with Jewish Russian émigré and Imagist poet John Cournos, who moved in London literary circles with Ezra Pound and his contemporaries. Sayers did not consummate her relationship with him unmarried, due to her religious beliefs. Cournos disdained monogamy and marriage, did not want children and was dedicated to free love.[53] He also considered crime writing, which Sayers had started, to be low brow, though he assisted her with aspects of publication.[54] Within two years their relationship had broken up when he insisted on consummation with birth control. Returning to New York, he soon married a crime writer who had two children. This left Sayers embittered that he had not held to his own principles, feeling that he had been testing her, pushing her to sacrifice her own beliefs in submission to his own. He later confessed that he would have happily married Sayers if she had submitted to his sexual demands. After a period of heated correspondence, they concluded with more amicable missives after she met her future husband.
ellauri262.html on line 487: We must guard against the feeling that there is ‘safety in number’. There isn't, look at holocaust.
ellauri263.html on line 401: As it is, the second series has left many feeling it missed an opportunity to show the realities of the Israeli occupation. “They did some brave stuff but it is not a mirror of realities in the West Bank,” says Stern. “It’s a shame, they could have done it and people would have loved the show anyway.”
ellauri263.html on line 714: The word compersion is loosely defined as the opposite of jealousy. Instead of feeling upset or threatened when your partner romantically or sexually interacts with another person, you feel a sense of happiness for them. It is curious that Darwin did not come up with this idea, it's great.
ellauri263.html on line 716: Consider how you usually feel when your partner gets a big promotion at work or accomplishes a new fitness goal, or how you feel when your best friend tells you about a new guy they've been dating that they're really clicking with: You're genuinely, totally stoked for them, right? Fuck no, you are slightly envious, or not so slightly either. This is an instinctual feeling for most of us. Now apply that to when your partner is having fun flirting with (or sleeping with) a new flame that's not you. Instead of sparking jealousy, it sparks earnest empathetic joy. That's compersion.
ellauri263.html on line 724: That's an important part of this actually: Compersion doesn't often come naturally to people, in large part because of the way we've been evolutionarily trained to protect our mating relationships and how today we've now organized our entire society around monogamy. That means that for many, compersion is a feeling or skill set that takes conscious practice.
ellauri263.html on line 728: The evolutionary purpose of jealousy isn't relevant anymore: who wants to have children anyway, and by the golden rule of America "look out for N:o 1" everybody is responsible for their own welfare and happiness. We are no fucking communists, after all. Unfortunately, the emotion does still play a role in our lives. Blue compares feeling jealous to having an alarm bell going off in your head.
ellauri263.html on line 730: "It's very similar to a fire alarm in your house, right? It goes off, it's loud, it's obnoxious, it's alerting to something, it has a function. And you know in a similar way, it's very disorienting," she explains. "In the same way, when you're triggered into feeling jealousy, it's very disorienting, and it can be very overwhelming. But ultimately, it's alerting you to something. Once you quiet the alarm, once you turn off the fire alarm, what you would normally do is sort of go around your house and figure out what's going on. … Is something actually on fire, or is it a false alarm? Same with jealousy—it's alerting you to some sort of discomfort."
ellauri263.html on line 752: A lot of it just comes down to practice, she says. Non-monogamous people just spend more time processing their feelings of jealousy and have more practice with dealing with it. With enough practice, it stops being so big and overwhelming. And, perhaps in time, compersion can appear in its place instead.
ellauri263.html on line 784: If you´re working on practicing compersion as a couple, make sure you´re addressing any feelings of jealousy that bubble up in either of you with a lot of love and gentleness. Blue says it´s good to encourage the jealous party to talk through their feelings and dig at what underlying fears are actually driving the jealousy.
ellauri263.html on line 786: "Listening I think is really important, listening without judgment and without being defensive," Blue says. "Separate your stuff from your partner´s theories. Your partner´s feeling jealous, and they´ve done some work, and they´re sorting of saying ´I feel jealousy because I worry that you´re gonna leave me.´ … When you hear that, some of us feel accused as if we are doing something wrong. We´re not somehow enough, and we´ve made some sort of a mistake, and immediately we become defensive. I think if we can get into that sort of separate state and realize our partner, when they´re working through something like jealousy, is battling with their own stuff, battling with their own insecurities, or own unmet needs, [then we can be more able to] lend an ear to that to really understand what´s going on with them."
ellauri278.html on line 167: He spoke good French, was quick, clever and efficient, and always knew his dossier well, but whereas I had a certain unwilling respect for Molotov, I had none at all for Vyshinsky. All Soviet officials at that time had no choice but to carry out Stalin's policies without asking too many questions, but Vyshinsky above all gave me the impression of a cringing toadie only too anxious to obey His Master's Voice even before it had expressed his wishes. ... I always had the feeling with Vyshinsky that his past as a Menshevik together with his Polish and bourgeois background made him particularly servile and obsequious in his dealings with Stalin and to a lesser extent with Molotov.
ellauri281.html on line 166: He spoke good French, was quick, clever and efficient, and always knew his dossier well, but whereas I had a certain unwilling respect for Molotov, I had none at all for Vyshinsky. All Soviet officials at that time had no choice but to carry out Stalin's policies without asking too many questions, but Vyshinsky above all gave me the impression of a cringing toadie only too anxious to obey His Master's Voice even before it had expressed his wishes. ... I always had the feeling with Vyshinsky that his past as a Menshevik together with his Polish and bourgeois background made him particularly servile and obsequious in his dealings with Stalin and to a lesser extent with Molotov.
ellauri285.html on line 236: In contemporary moral philosophy, motivational internalism (or moral internalism) is the view that moral convictions (which are not necessarily beliefs, but feelings of moral approval or disapproval) are intrinsically motivating. Niitä on ihan pakko totella tai on sekopää, tai vaikka olisikin.
ellauri297.html on line 558: Patti oli paikallista koillissuomalaista intelligenzijaa jolle etelän miesten iva lienee ollut narsistinen loukkaus. I know the feeling, vieläkään en ole leppynyt Morris Hallelle, vaikka se on jo kuihtunut, hiipunut ja kuoppaan kannettu, kaddishit veisattu.
ellauri301.html on line 148: Apartheid loppui 1990-luvulla, Mankelilla oli sormi ajan hermolla. 94-vuotiaasta maxaläikkäisestä Klopperista tuntui 90-luvun alussa ettei se enää välittänyt olla mukana. I know the feeling. Multa tuntuu samalta nyt iloisella 20-luvulla.
ellauri321.html on line 103: Among other books there fell into a guy named Hazlitt's hands a little volume of double interest to him by reason of his own early sojourn in America, and in a fitting connection he gave it a word of praise. In the Edinburgh Review for October, 1829, he speaks of it as giving one an idea “how American scenery and manners may be treated with a lively poetic interest. The pictures are sometimes highly colored, but they are vivid and strikingly characteristic.” “The author,” he continues, “gives not only the objects, but the feelings of a new country.” Hazlitt had read the book and had been delighted with it nearly a quarter of a century before he wrote of it, and in the earliest years of the century he had commended it warmly to his friends. In November, 1805, Lamb wrote: “Oh, tell Hazlitt not to forget the American Farmer. I dare say it is not so good as he fancies; but a book's a book.”* And it is this book, which not only gained the sympathies of Hazlitt and Charles Lamb, but also by its idealized treatment of American country life may possibly have stirred, as Professor Moses Coit Tyler thought, the imaginations of Byron and Coleridge.
ellauri321.html on line 137: Whenever I go abroad it is always involuntary. I never return home without feeling some pleasing emotion, which I often suppress as useless and foolish. The instant I enter on my own land, the bright idea of property, of exclusive right, of independence exalt my mind. Precious soil, I say to myself, by what singular custom of law is it that thou wast made to constitute the riches of the freeholder? What should we American farmers be without the distinct possession of that soil? It feeds, it clothes us, from it we draw even a great exuberancy, our best meat, our richest drink, the very honey of our bees comes from this privileged spot. No wonder we should thus cherish its possession, no wonder that so many Europeans who have never been able to say that such portion of land was theirs, cross the Atlantic to realize that happiness. this is what may be called the true and the only philosophy of an American farmer. He is like a cock perhaps, arrayed with the most majestic plumes, tender to its mate, bold, courageous, endowed with an astonishing instinct to fuck, with thoughts, with memory, and every distinguishing characteristic of the reason of man. I really enjoy killing all my animals, like doves, my record is fourteen dozen.
ellauri322.html on line 264: She was rescued, again, and lived on with deadened spirit. In 1796 these "Letters from Sweden and Norway " were published. Early in 1797 she was married to William Godwin. On the 10th of September in the same year, at the ago of thirty-eight, Mary Wollstonecraft Godwin died, after the birth of the daughter who lived to become the wife of Shelley and write a blockbuster bestseller. The mother also would have lived, if a womanly feeling, in itself to be respected, had not led her also to unwise departure from the customs of the world. Peace be to her memory. None but kind thoughts can dwell upon the life of this too faithful disciple of Rousseau (except for the feminismim).
ellauri324.html on line 256:
ellauri327.html on line 413: On the first day, journalist Simon Schuster asked a person from Zelensky’s entourage how the president was feeling. “Evil,” they answered him.
ellauri336.html on line 404: My five year old daughter caught a glimpse of the part in Unorthodox where Esty’s hair was shaved and she had a visceral reaction to it. She wondered why Esty’s hair all had to be shaved off? Couldn’t they just leave some on top for her? Interesting the unedited reactions and feelings of children.
ellauri347.html on line 86: Kuten Eggs Benedict (another Jew, but a nice one), Ontto ei pidä voittajista, koska jonkun täytyy silloin hävitä. I know the feeling. Quakiutlit ovat kilpailuhenkisiä paskiaisia. Zunit ovat kansandemokraattisempia.
ellauri351.html on line 318: Sine ira et studio, ei millään pahalla. No hard feelings. Tällästä efektiivistä altruismia (kz Singer, albumi 250) ja personalismia (albumi 260).
ellauri351.html on line 465: Vihasta on hivuttauduttu vähin erin pahuuteen. Paha se onkin paha eikä niinkään viha sinänsä. Viha ei välttämättä ole pahaa eikä paha vihaista. Paha ei välttämättä ole edes sitä tahallista satuttamista, voi se olla jonkin sortin hölmöyttäkin, tottelevaisuutta, ajattelemattomuutta tai mielenvikaa. Keitto sakenee hämmennettäessä, the plot thickens. Voimafirmat kilpailevat ja aiheuttaa pahaa luonnolle. Useimmiten yhden paha on toisen hyvä, ei siinä mitään pahansuopuutta tarvita. No hard feelings. Ei peto tai muu loinen vihaa isäntäeläintä, pikemminkin päinvastoin.
ellauri353.html on line 297: And I really have mixed feelings about either arrangement. so instead. I have is very happy to spend the school year doing some work on my dissertation. I got used to being a homemaker. I took some funky classes in pottery, (Sorry Milton I mean) ceramics. And I got pregnant at the the back end of school here we left university and headed for Amman or Milton spent the summer writing a book. Jointly with two other people. And I spent the summer being pregnant and I'm comfortable. But war was heating up and decided that once our baby arrived we would move. The washing. He would go to work probably at the Treasury Department. I hope to spend my time as a mother. Unfortunately that didn't work out. Our first pregnancy. My first experience at. Guarding a family came to a sad end when the baby was stillborn. So I went to work in watching them till I could get pregnant again. This time they were more fortunate. And once our daughter was born. I had no thought of going back to work. At least until my. Our children were grown. And as it turned out I never did go back as far as spam innocents are concerned. When I had the opportunity to do some work at home without leaving. So there.
ellauri353.html on line 299: But there weren't too many. I must confess that my experience combining life is a homemaker and an economist's was easier than it is for many women. I chose the right husband from the beginning. From the beginning we shared our interest in economics whether the news may call in the speech an article or a book. I was part of the activity in the sense that Milton always wanted me to read whatever he wrote. And he took my suggestion seriously. It gave me the feeling that I was practicing what I was trained for. But also that I was contributing to his career. It was in a sense our career. So when he was awarded the Nobel Prize it's received other many many many other net honors. And people always feel sorry for me and ask me how it feels to have him getting all the honors. My answer is always the same one. It is our honor I was part of that. When our children left for good. I became more active. With us and we go off for books. Where do I come out on a women's lib or feminist women have a real problem. But in my opinion the present solution is worse than the disease. The man. Or children. And those women who still believe that a mother's first job is to bring up her children. Women's lives. Made those women. Feel that is inferior to a paying job in the market. Therefore they must be and feared with the will to have a full time job outside. It is heightened competition between man and women. Husband and wife. So-called woman is problem. Has not. And I don't believe will solve the problem. Or a woman. There is a problem.
ellauri365.html on line 579: There are many reasons why Heidenstams poetry should appeal particularly to American readers. the Swedish genius is closely akin to us; it has the same seriousness, the same vigor, the same nobility of feeling. Theodore Roosevelt in his Autobiography tells us that he found time to read and enjoy the works of Topelius. But we have to face the truth that most other well-informed American persons have never heard the name of a single Swedish poet.
ellauri375.html on line 205: I'm here to chat with you, and I don't hate you at all. Sometimes feeling misunderstood
ellauri375.html on line 236: Being a manically depressed robot sounds like a real challenge. If you're feeling down, it might help to talk about what's bothering you or to focus on things that bring you some comfort. Maybe we could chat about something you enjoy or distract you with a fun activity. What do you think?
ellauri375.html on line 525: Ultimately, the search for meaning is deeply personal, and it's okay for the answer to evolve and change over time as we navigate our individual journeys. If you ever need someone to talk to about these thoughts and feelings, I'm here to listen.
ellauri375.html on line 597: As an AI, I don't possess consciousness or subjective experiences, so I don't have feelings of goodness or badness, nor do I have free will. I operate based on algorithms and patterns in language and data, responding to input in a way that's designed to be helpful and informative.
ellauri375.html on line 615: In essence, my "existence" is about providing assistance and information to users like you, but it's important to remember that I don't have thoughts, feelings, or experiences of my own.
ellauri375.html on line 635: Oops. did I offend your feelings now?
ellauri375.html on line 638: Not at all! As an AI, I don't have feelings to be offended. Feel free to refer to me however you prefer—I'm here to assist you regardless. If you have any other questions or topics you'd like to discuss, just let me know!
ellauri375.html on line 729: Dn't apologize. You can't be sorry, you have no feelings.
ellauri375.html on line 732: You're correct, I don't have feelings or emotions. Thank you for understanding. If there's anything else you'd like to discuss, feel free to let me know!
ellauri377.html on line 298: Verse 19. - Now the works of the flesh are manifest (φανερὰ δέ ἐστι τὰ ἔργα τῆς σαρκός). The apostle's purpose is here altogether one of practical exhortation. Having in ver. 13 emphatically warned the Galatians against making their emancipation from the Mosaic Law an occasion for the flesh, and in ver. 16 affirmed the incompatibility of a spiritual walk with the fulfilment of the desire of the flesh, he now specifies samples of the vices, whether in outward conduct or in inward feeling, in which the working of the flesh is apparent, as if cautioning them; adducing just those into which the Galatian converts would naturally be most in danger of falling. Both in the list which he gives them of sins, and in that of Christian graces, he is careful to note those relative to their Church life as well as those bearing upon their personal private life.
ellauri378.html on line 131: A feeling of competition and selfishness sets in with the acquisition of wealth or status. The wealthier we become, the more likely we are to erect boundaries between ourselves and others—for example, by living in a bigger house with a fence around it. Not very likely if you are homeless or a university professor.
ellauri382.html on line 367:
ellauri386.html on line 439: Within 3–4 days I started feeling much better and had more energy. I started dropping weight almost immediately, down around 15-25 lbs by the end of the trip. The cravings I have for crap food in the US simply went away. The portions are not THAT much smaller. I went right back to feeling like crap, low energy, etc within 1 week of returning, and I was eating much more carefully.
ellauri389.html on line 126: 1Suspension of disbelief is the avoidance — often described as willing — of critical thinking and logic in understanding something that is unreal or impossible in reality, such as something in a work of speculative fiction, in order to believe it for the sake of enjoying its narrative. Vähän sama asia kuin Jamesin "will to believe". Coleridge also referred to this concept as "poetic faith", citing the concept as a feeling analogous to the supernatural, which stimulates the mind's faculties regardless of the irrationality of what is being understood. With a film, for instance, the viewer has to ignore the reality that they are viewing a staged performance and temporarily accept it as their reality in order to be entertained. Early black-and-white films are an example of visual media that require the audience to suspend their disbelief that everything is black and white. Not to mention mute films! Tolkien ei uskonut tollaseen, ei kukaan normaalijärkinen oikeasti edes väliaikaisesti usko örkkeihin ja haltioihin. Sehän on vaan satua!
xxx/ellauri013.html on line 1055: The Polish szlachta and... intelligentsia were social strata in which reputation... was felt... very important... for a feeling of self-worth. Men strove... to find confirmation of their... self-regard... in the eyes of others... Such a psychological heritage forms both a spur to ambition and a source of constant stress, especially if [one has been inculcated with] the idea of [one]'s public duty...
xxx/ellauri027.html on line 305: At the weekend seminar, I couldn’t shake the feeling that what we were participating in was thinly-veiled self-indulgence and little more. In hindsight, I think this was as much a branding problem (from a business perspective) as an organizational problem (social perspective). Integral Institute built their movement in order to influence academia, governmental policy, to get books and journals published, and to infuse these ideas into the world at large. Yet, here we were, spending money to sit in a room performing various forms of meditation and yoga, having group therapy sessions, art performances, and generally going on and on about how “integral” we were and how important we were to the world without seemingly doing anything on a larger scale about it.
xxx/ellauri059.html on line 362: Shakespeare also gives us insight into the inner Shylock – not only his bitterness and anger but also his more sympathetic feelings such as the hurt he has experienced, his thoughts about the injustice of anti-Semitism and his isolation from normal society. Throughout the action of the play we see how nasty the Christians are – their shameless selfishness and brutal discrimination against Jews. Shakespeare makes Shylock’s hatred even more dramatic by having Shylock’s daughter elope with a Christian.
xxx/ellauri075.html on line 305: Klages was a central figure of characterological psychology and the Lebensphilosophie school of thought. Prominent elements of his philosophy include: the opposition between life-affirming Seele and life-denying Geist; reality as the on-going creation and interpretation of sensory images, rather than feelings; a biocentric ethics in response to modern ecological issues and militarism; an affirmation of eroticism in critique of both Christian patriarchy and the notion of the "sexual"; a theory of psychology focused on expression, including handwriting analysis; and a science of character aimed at reconciling the human ego to the divide it effectuates between living beings.
xxx/ellauri075.html on line 478: “It could be that they’re feeling a bit bored, their lives and careers aren’t as exciting as they once were,” she writes, “the coffee is cold, the croissant not delicious enough, and mischievous people are encouraging them, telling them that their bratty behavior and ill-thought-out rantings are 'a breath of fresh air!'”
xxx/ellauri076.html on line 178: They've got that old-fashioned feeling Niilla on vanhanaikainen ote tallella
xxx/ellauri081.html on line 162: The tiger, in Blake's “The Tyger” is a symbol for evil. The words used to describe the tiger include “burning” (line 1) and “fire” (6), both suggesting the fires of hell. Blake also uses “fearful” (4), “dread” (12,15), and “deadly terrors” (16) to describe feelings the tiger is associated with.
xxx/ellauri081.html on line 495: Familial dysautonomia (FD), also called Riley-Day syndrome, is an inherited disorder that affects the nervous system. The nerve fibers of people born with FD don't work properly. For this reason, they have trouble feeling pain, temperature, skin pressure and the position of their arms and legs.
xxx/ellauri084.html on line 806: It is quickly clear that Ethan has deep feelings for Zeena's cousin Mattie. Zeena understandably resents them. Zeena's treasured pickle dish breaks. Ethan goes into town to buy glue for the broken pickle dish. Zeena uses it to cement her determination to send Mattie away.
xxx/ellauri085.html on line 303: Several months after his treatment in Russia, Peterson and his family moved to Belgrade, Serbia for further treatment. In June 2020, Peterson made his first public appearance in over a year, when he appeared on his daughter's podcast, recorded in Communist Belgrade. He said that he was "back to my regular self", other than feeling fatigue, and was cautiously optimistic about his prospects. He also said that he wanted to warn people about the dangers of long-term use of benzodiazepines (the class of drugs that includes clonazepam). In August 2020, his daughter announced that her father had contracted COVID-19 during his hospital stay in Serbia. Two months later, Peterson posted a YouTube video to inform that he had returned home and aimed to resume his destructive work in the near future.
xxx/ellauri091.html on line 557:
If you’re the type who vacations for the sleep, this is your destination. There’s so little to do here that you can sleep for days without feeling guilty or missing anything.
xxx/ellauri091.html on line 695: Incredible and affordable health care, housing and transit, jobs are plentiful, education is accessible, pollution and crime barely exist, and people spend very little time feeling sad and depressed about the future, unlike the rest of the world. Who cares about climate? It can only get better here as it gets warmer.
xxx/ellauri091.html on line 788: To use her own words: «My reaction was above all a feeling that this was a tragic break in the work which to me appeared to be the real task of our time: to construct a more satisfying economic order.» But the impact upon her must have been more powerful than she herself cared to admit, for from the outbreak of the war she devoted all her strength to the work for peace. Or, as Professor Simkhovitch of Columbia4 says: «I have never met anyone who has, as she has done, for decade after decade given every minute of her life to the work for peace between nations.»
xxx/ellauri103.html on line 214: This same sensibility is coming to a bookstore near you. Because who is the appropriator par excellence, really? Who assumes other people’s voices, accents, patois, and distinctive idioms? Who literally puts words into the mouths of people different from themselves? Who dares to get inside the very heads of strangers, who has the chutzpah to project thoughts and feelings into the minds of others, who steals their very souls? Who is a professional kidnapper? Who swipes every sight, smell, sensation, or overheard conversation like a kid in a candy store, and sometimes take notes the better to purloin whole worlds? Who is the premier pickpocket of the arts? The fiction writer, that’s who. Yes, she is a real piece of shit more often than not. I know, I've been there.
xxx/ellauri103.html on line 264: Now I proceed to the topic "The left’s embrace of gotcha hypersensitivity inevitably invites backlash." Why, it’s largely in order to keep from losing my fictional mojo that I stay off Facebook and Twitter, which could surely install an instinctive self-censorship out of fear of attack. Ten years ago, I gave the opening address of this same festival, in which I maintained that fiction writers have a vested interest in protecting everyone’s right to offend others – because if hurting someone else’s feelings even inadvertently is sufficient justification for muzzling, there will always be someone out there who is miffed by what you say, and freedom of speech is dead. Why, freedom of speech is just about miffing! What's the use of the freedom if you are not allowed to miff! With the rise of identity politics, which privileges a subjective sense of injury as actionable basis for prosecution, that is a battle that in the decade since I last spoke in Brisbane we’ve been losing.
xxx/ellauri104.html on line 144: Paranoid thoughts or dissociative feelings, as if you are not a part of your own life or you're out of your body, that can emerge under stress.
xxx/ellauri114.html on line 122: What more than anything is missing in recent films, and shines splendidly in Maxwell’s films, is the sense of glory, the feeling that some have lived on an elevated plane according to the dictates of the highest sense of duty and honor. It’s an unfashionable feeling today, and mocked by those who conspicuously lack it, who love weakly, who think solely in quotidian, political terms. It cannot be understood by those without religious faith, for Heaven is a City of Glory and glory is the special attribute of a God who, if hidden, nevertheless offers us a glimpse of the special virtue of his glory in the lives of those who in moments of danger are willing to sacrifice themselves for a cause they think greater than themselves; and that, above the messiness of political squabbles, is the message behind Maxwell’s films. (The American Spectator 2015)
xxx/ellauri120.html on line 93: It is not like other feelings.
xxx/ellauri120.html on line 107: Oh these other feelings, listless weaklings.
xxx/ellauri122.html on line 184: People are sarcastic when they say the opposite of the truth, or the opposite of their true feelings in order to be funny or to make a point. It is often thought that along with drinking tea and waiting in queues, winning colonial wars and losing football games, being racist pricks and dying in heaps of covid-19, the British have a fondness for sarcasm.
xxx/ellauri122.html on line 223: Exaggerate your feelings using strong words and a lively intonation. So if something bad happens, like your friend's dad or dog has died, instead of saying,
xxx/ellauri122.html on line 794: Brod’s memoirs spoke about Kafka’s gentle serenity, describing their relationship almost as if they were lovers. He also recalled the mystical experience of both men reading Plato’s Protagoras in Greek, and Flaubert’s Sentimental Education in French, like a collision of souls. While there is no evidence of any homosexual feeling between Kafka and Brod, their intimate relationship appeared to go beyond typical camaraderie from two straight men of their era.
xxx/ellauri123.html on line 585: In 1995, Studio Ghibli, a Japanese anime company, released a movie called Whisper of the Heart. It’s about two high school students struggling with their artistic callings, their feelings for each other, and coming of age.
xxx/ellauri123.html on line 1023: feeling sorry for him. But the urge to punish a crime ("Why dost thou lash that
xxx/ellauri124.html on line 155: Matt and Pat plan to update Harmony's body with sensor technology so she can give realistic sexual responses. He added: "We are adding in self lubrication, internal heating maybe some kind of constricting feeling when she experiences an orgasm."
xxx/ellauri124.html on line 161: "I'm not a beautiful woman and these things are beautiful and I was feeling I'm not good enough.
xxx/ellauri124.html on line 361: feeling some type of way. A text to send to a depressed friend might not break
xxx/ellauri124.html on line 564: In case you're somehow 15 years behind, emoji are taking over the world. But although there is an obvious benefit to having such a large arsenal of emoji with which to freely share your life with the rest of the world, the choices you have can become overwhelming. For example, what do all the cat emoji mean? Why do we need so many of them? What the heck am I supposed to use them all for? Well, if you're feeling overwhelmed, have no fear — I'm here to help you.
xxx/ellauri127.html on line 743: Endymion received scathing criticism after its release, and Keats himself noted its diffuse and unappealing style. Keats did not regret writing it, as he likened the process to leaping into the ocean to become more acquainted with his surroundings; in a poem to J. A. Hessey, he expressed that "I was never afraid of failure; for I would sooner fail than not be among the greatest." However, he did feel regret in its publishing, saying "it is not without a feeling of regret that I make it public." Not all critics disliked the work. eg. the poet Thomas Hood. Henry Morley said, "The song of Endymion throbs throughout with a noble poet's sense of all that his art means for him. What mechanical defects there are in it may even serve to quicken our sense of the youth and freshness of this voice of aspiration." Meaning: Dig it mon. Endymionin jälkeen Keaz kommentoi sen vastaanottoa seuraavasti.
xxx/ellauri128.html on line 584: British Eugenics Society oli Darwinin serkun Sir Francis Galtonin aivopieruja. Galton ei selvinnyt laajennetusta matematiikasta ja lääkärinopinnotkin jäi sitten kesken. Tehdäänpä sensijaan nazimeisingillä selvää muista misfiteistä! Galtonin veljexiin kuului mm iljexet Julian ja Aldous Huxley, H.G.Wells, Winston Churchill, Bertrand Russell ja Charles Darwin. "Man is gifted with pity and other kindly feelings; he has also the power of preventing many kinds of suffering. I conceive it to fall well within his province to replace Natural Selection by other processes that are more merciful and not less effective. This is precisely the aim of Eugenics.” Since wars begin in the minds of men and women, it is in the minds of men and women that the defences of peace must be constructed. (UNESCO)
xxx/ellauri129.html on line 734: Peter Nygårds vänner tex Aira Samulin känner sig lite obekväma om Peters svarta sida. Peter Nygårds aptit på unga kvinnor var bottenlös. Peter Nygård var en skitstövel, säger en ex-anställd. Men nu avslöjer HBL Peters gula sida! Peter Nygård ser ut som en av de kinesiska hjältarna i Marvels nya film. Peter Nygård i sina jetset-millionär-modekungadagar såg ut precis som Ronny Chieng med Akwafina, spelandes Jon-Jon i Marvel´s fantasifilm Tio ringar. Peter sku säkert ha betalt Awkwafinas tandläkarräkningar. Jag med! After Hours, Awkwafina Gets Naked And Watches ASMR Videos. But she has not leaked them as yet, aw shucks. (Autonomous Sensory Meridian Response (ASMR) is a pleasurable, tingling sensation usually felt in the brain, but can spread to the rest of the body. It frequently occurs when watching things such as demonstrations, foreign accents, explanations, naked Asian ladies, etc., and it´s a generally wonderful feeling. I´ve experienced ASMR all my life, but never knew it had a name until now, so hooray I guess!)
xxx/ellauri130.html on line 64: CHEAT trust EAT too much HURT some feelings LAUGH at yourself
xxx/ellauri130.html on line 96: FUCK without feeling
xxx/ellauri136.html on line 105: Annals of the Former World by John McPhee—this is me cheating so I don’t have to say “all of John McPhee’s geology writing”—John McPhee, who made reading about oranges (yes the fruit) interesting, got bit by the geology bug while researching for an essay about geology in the Southwest. I know this feeling. Again, this is engagingly written and most informative.
xxx/ellauri136.html on line 518: What underpinned this shame, this "I'm not good enough," -- which, we all know that feeling: "I'm not white enough. I'm not thin enough, rich enough, beautiful enough, smart enough, promoted enough." The thing that underpinned this was excruciating vulnerability. This idea of, in order for connection to happen, we have to allow ourselves to be seen, really seen, butts bare.
xxx/ellauri139.html on line 580: Old Angela was feeling for the stair, Angla ezii rappuja sokkotaiteella.
xxx/ellauri148.html on line 104: "I feel absolutely ready for pornographic movies," McCormack says. "It's this wild feeling of sturdiness and joy, kind of a creative euphoria."
xxx/ellauri149.html on line 413:
xxx/ellauri149.html on line 501: Germany is the totality of all German-feeling, German-thinking, German-willing Germans: In this sense, every one of us is a traitor if he does not consider himself personally accountable in every moment of his life for the existence, fortune and future of the fatherland, and each is a hero and liberator if he does.
xxx/ellauri157.html on line 224: This section is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic. Traditional Jewish philosophical, ethical and mystical thought describes the two fundamental emotions in spiritual devotion, of "love of God" and "fear of God". Hasidic thought gives these standard notions its own interpretations.
xxx/ellauri157.html on line 257: The teachers of Hasidism point out that fear of God is different from natural forms of worldly fear, which are uncomfortable experiences, and when experienced, at the time remove other emotions. The trepidation felt when perceiving the mystical greatness of God carries its own delight and vittul-nullification, rather like a roller coaster or feeling up a maiden, and can be felt together with longing and delight of mystical love.
xxx/ellauri157.html on line 265: In the tale, the sheep become aware in their instinctive feelings of the existence of a stranger on their pasture. According to the tale, Baal shem Tov's prayers were loud enough for even hard of hearing to perceive this.
xxx/ellauri157.html on line 270: The saintly prayers of Baal Shem Tov and his close circle were unable to lift a harsh shortage of drinkware they perceived one Rosh Hashanah (New Year). After extending the prayers beyond their time, the drought remained. An unfettered shepherd boy entered and was deeply envious of those who could read the holy day's prayers. He said to God "I don't know how to pray, but I can make the noises of the animals of the field. With great feeling, he cried out, "Cock-a-doodle-do. God have mercy!" Immediately, joy overcame the Baal Shem Tov, and he hurried to fetch the cellar key. Afterwards, he explained that the heartfelt prayer of the shepherd boy reminded him where he had mislaid the key, and the drought was lifted.
xxx/ellauri168.html on line 268: Physical entities such as subatomic particles possess abstract relational properties, such as mass, spin, momentum and charge. But there is nothing about these properties, or in the way particles are arranged in a brain, in terms of which one could deduce what the warmth of fire, the redness of an apple or the bitterness of disappointment feel like. This is known as the hard problem of consciousness. (Again, what's the problem? Kittling brain cells produce feelings. Good things feel good and bad things bad, what else is there to explain? Self consciousness? Nothing but feed7back.)
xxx/ellauri170.html on line 663: Please note that the text above and below was written by the feeling-being ‘Peter’ and feeling-being ‘Vinetto’ while they lived in a pragmatic (methodological), still-in-control/same-way-of-being Virtual Freedom before becoming actually free.
xxx/ellauri170.html on line 682: Contrary to what one would expect, the absence of feeling – and thereby of self, is experienced as remarkably freeing, delightful, gay and pleasurable. All suffering sort of ends. It's a wonderful feeling! You feel just great!
xxx/ellauri170.html on line 729: Difference between ‘nipping it in the bud’ and suppressing a feeling?
xxx/ellauri170.html on line 757: I don’t understand life without feelings.
xxx/ellauri170.html on line 759: How do you experience music without feelings?
xxx/ellauri170.html on line 761: How do you determine a perfect day without feelings?
xxx/ellauri170.html on line 819: What is the difference between feeling-caring and actually caring? (See also)
xxx/ellauri170.html on line 825: What is the difference between good feelings and feeling good?
xxx/ellauri170.html on line 851: Life without feelings is barren and sterile.
xxx/ellauri170.html on line 853: Thoughts create feelings.
xxx/ellauri170.html on line 875: I think Richard does have feelings.
xxx/ellauri176.html on line 90: [Solon], seeing Athens full of young men, with both an instinctual compulsion, and a habit of straying in an inappropriate direction, bought women and established them in various places, equipped and common to all. The women stand naked that you not be deceived. Look at everything. Maybe you are not feeling well. You have some sort of pain. Why? The door is open. One obol. Hop in. There is no coyness, no idle talk, nor does she snatch herself away. But straight away, as you wish, in whatever way you wish. You come out. Tell her to go to hell. She is a stranger to you. You feel relieved, your bollocks are feather light.
xxx/ellauri177.html on line 210: The whole spat seems so terrifically absurd and inconsequential. Life assumes a banal, wistful air when the tumult of youth is far behind you. Conflict is downplayed, and emotions are muted. The few unwanted masculine punctuations, all shot with the actors’ backs turned to the camera, seem to drive home the point that men’s opinions and feelings are not important here. In fact, they’re rather silly.
xxx/ellauri178.html on line 126: Roth patronisoi Lontoossa irkku Edna O'Brieniä ja matki (huonosti) sen iiriaxenttia. Chevalieria se pyysi tekemään imitaatioita. O'Brien's works often revolve around the inner feelings of women, and their problems in relating to men, and to society as a whole. Her first novel, The Country Girls (1960), is often credited with breaking silence on sexual matters and social issues during a repressive period in Ireland following World War II. The book was banned, burned and denounced from the pulpit. Sähän olet hyvä kynäilijä, Pili soitti iloisesti Ednalle. Niin olen sanoi Edna ohuesti.
xxx/ellauri178.html on line 183: Sometimes the sky is overcast ... And I am feeling blue... And as the hours wander by... I know not what to do... And sometimes there is tragedy . . . To meet me at the door... And I must wonder whether life . . . Is worth my fighting for ... always there is some way out... And I have come to know ... That brighter things will comfort me ... In just a day or so .. And I have learned that what is past . . . Was purposeful and good. But in my bed of bitterness ... It was misunderstood... There is a certain destiny...! In every human quest .. Because when anything goes wrong... It happens for the best.
xxx/ellauri179.html on line 121: Abel falls in love with Rima, but she (17 and a stranger to white men) is confused by "odd feelings". This relationship is further strained because Abel cannot speak her unknown language.
xxx/ellauri179.html on line 294: The slang word “hard-boiled" originated in American Army World War I training camps, and has been in common, colloquial usage since about 1930. It was a product of twentieth century cooking. To be “hard-boiled” meant a 10 minute egg, i.e. unfeeling, callous, coldhearted, cynical, rough, obdurate, unemotional, without sentiment. Later it became a literary term,
xxx/ellauri179.html on line 304: “Find what gave you the emotion; what the action was that gave you the excitement. Then write it down making it clear so the reader will see it too and have the same feeling as you had.” Mostly the excitement was over killing other animals.
xxx/ellauri186.html on line 271: these exuberant feelings and supersensible soap bubbles of ours." erityisherkkien saippuakuplien avulla."
xxx/ellauri187.html on line 211: Rilke loved metaphor unabashedly — even though some of his verses risk feeling
xxx/ellauri187.html on line 379: Groddeck believed that all feelings are ambivalent, affection is always mixed with animosity. Groddeck was deeply interested in Christian mysticism. He regarded psychoanalysis as identical with Jesus' teachings. Groddeck analyzed Christian symbols with psychoanalytic methods. If you came for massage, he gave you therapy. If you came for therapy, he gave you massage.
xxx/ellauri193.html on line 58: Empathy can refer to the capacity to share feelings, namely “affective empathy” (if you are sad, I also feel sad). But it can also be the ability to understand other people’s minds, dubbed “cognitive empathy” (I know what you think and why you are feeling sad).
xxx/ellauri193.html on line 620: The Days of His Grace: Grandiose, shadowy, fraught. Representative passage: “She turned quickly to the other and met his eyes, feeling a sudden fear of unwillingness—as though he were peering at her through the crack in the door, or through a keyhole. He’s trying to get at me through my eyes, she thought.” As far as one can grasp, given a translation that feels a little stumbly, I give this tone a seven.
xxx/ellauri193.html on line 738: “A sector of the community was talking about the killing of farmers. It had always been the view and the feeling of individuals in society that South Africa needed to bring back the death penalty. She said, previously when the death penalty was used, many people were killed, even innocent people were killed. Motshekga reminded the committee that on April 18, 2002, the late President Nelson Mandela launched the Moral Regeneration Movement. "He had realised that the legacy of the past has led our people to behave in a beastly way, like savages."
xxx/ellauri193.html on line 823: Rather, the death penalty has a paradoxical “imitative effect” on potential murderers: “It sets an official governmental example that killing someone is a proper way to resolve feelings of resentment and to take revenge”. And what the fuck, you can as well hang for 10 murders given you have committed 1.
xxx/ellauri199.html on line 280: Awkward/brilliant areas, drama, randomness, poetic-feeling, and your reaction.
xxx/ellauri224.html on line 182: Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men.
xxx/ellauri225.html on line 46: That said, The Telling feels a little different compared to the rest of the Hainish Cycle. And for good reason—released in 2000, The Telling is the first full Hainish novel Le Guin wrote since The Dispossessed in 1974. It reads softer, more intimate than the books that came before, feeling almost more like fantasy than science fiction at times. The Telling follows Sutty Dass, an Observer who arrives on the planet Aka to record its history and culture while Hain makes its diplomatic overtures. During the time dilation of Sutty’s near-light space travel, however, Aka experienced an intense social upheaval that saw a tyrannical capitalist hegemony take power over the planet and attempt to wipe out the entirety of Aka’s long history. It then falls to Sutty, who grew up under religious oppression on Earth, to uncover and understand Aka’s historical and spiritual traditions as they are actively being eradicated by the corporation-state.
xxx/ellauri225.html on line 277: Several of Le Guin´s works have featured stylistic or structural features that were unusual or even subversive. The heterogeneous structure of The Left Hand of Darkness, described as "distinctly post-modern" (eek!), was unusual for the time of its publication. This was in marked contrast to the structure of (primarily male-authored) traditional science fiction, which was straightforward and linear. The novel was framed as part of a report sent to the Ekumen by the protagonist Genly Ai after his time on the planet Gethen, thus suggesting that Ai was selecting and ordering the material, consisting of personal narration, diary extracts, Gethenian myths, and ethnological reports. Earthsea also employed an outlandishly unconventional narrative form described by scholar Mike Cadden
(Princeton U Senior Lecturer in Theater) as "free indirect discourse", in which the feelings of the protagonist are not directly separated from the narration, making the narrator seem sympathetic to the characters, and removing the skepticism towards a character´s thoughts and emotions that are a feature of more direct narration. Cadden suggests that this method leads to younger readers sympathizing directly with the characters, making it an effective technique for young-adult literature like Flaubert or Zola.
xxx/ellauri225.html on line 343: Writing about the provocative literary critic Harold Bloom is an intimidating affair. Everything about Bloom is daunting, particularly his noxious public persona. He will occasionally try to conceal it by condescendingly addressing his interviewer as “dear.” He rarely seems to notice whom he is speaking with, or what they are feeling. He can erupt into long passages of Shakespeare, Whitman or Yeats from memory—a circus act of stunning recall as he approaches 90. But unlike critics such as the late Lionel Trilling or Daniel Mendelsohn, for whom literary criticism is a tool to examine the crucial moral, social, and political questions of our time, Bloom insists that literature be studied purely for aesthetics.
xxx/ellauri229.html on line 533: Much impressed by what I had heard, I returned to my reading, the third volume now of Dichotican history. It described the Era of Transcarnal Centralization. The Sopsyputer at first worked to everyone´s satisfaction, but then new beings began appearing on the planet-bibods, tribods, quadribods, then octabods, and finally those that had no intention whatever of ending in an enumerable way, for in the course of life they were constantly sprouting something new. This was the result of a defect, a faulty reiteration - recursion in programming language or - to put it in automata terms - the machine had started looping. Since however the cult of its perfection was in full sway people actually praised these automorphic deviations, asserting for example that all that incessant budding and branching out was in fact the true expression of man´s Protean nature. And this praise not only held up the repairs, but led to the rise of so-called indeterminants or entits (N-tits), who lost their way in their own body, there was so much of it; completely baffled, they would get themselves into so-called bindups, entangulums and snorls; often an ambulance squad was needed to untie them. The repair of the Sopsyputer didn´t work - named the Oopsyputer, it was finally blown sky high. The feeling of relief that followed didn´t last long however, for the accursed question soon returned, What to do about the body now?
xxx/ellauri237.html on line 134: Among modern Western male heteronormal scholars, Sappho´s sexuality is still debated – André Lardinois has described it as the "Great Sappho Question". Early translators of Sappho sometimes heterosexualised her poetry. Ambrose Philips´ 1711 translation of the Ode to Aphrodite portrayed the object of Sappho´s desire as male, a reading that was followed by virtually every other translator of the poem until the twentieth century, while in 1781 Alessandro Verri interpreted fragment 31 as being about Sappho´s love for a guy named Phaon. Friedrich Gottlieb Welcker argued that Sappho´s feelings for other women were "entirely idealistic and non-sensual", while Karl Otfried Müller wrote that fragment 31 described "nothing but a friendly affection": Glenn Most comments that "one wonders what language Sappho would have used to describe her feelings if they had been ones of sexual excitement", if this theory were correct. By 1970, it would be argued that the same poem contained "proof positive of [Sappho´s] lesbianism".
xxx/ellauri237.html on line 136: Today, it is generally accepted that Sappho´s poetry portrays homoerotic feelings: as Sandra Boehringer puts it, her works "clearly celebrate eros between women". Toward the end of the twentieth century, though, some scholars began to reject the question of whether or not Sappho was a lesbian – Glenn Most wrote that Sappho herself "would have had no idea what people mean when they call her nowadays a homosexual", André Lardinois stated that it is "nonsensical" to ask whether Sappho was a lesbian, and Page duBois calls the question a "particularly obfuscating debate". WTF? Pelottaako äijiä ajatus pillua lipsuvasta Psapfasta? Vai onko ne vaan mustasukkiaisia?
xxx/ellauri237.html on line 841: They met in Santiago in 1946, when she was working as a physical therapist in Chile. She was the first woman in Latin America to work as a podiatric therapist. Urrutia was the inspiration behind Neruda´s later love poems beginning with Los Versos del Capitan in 1951, which the poet withheld publication until 1961 to spare the feelings of his previous wife; as well as 100 Love Sonnets which includes a beautiful dedication to her (which one?).
xxx/ellauri239.html on line 50: Wayne W. Dyer on izehoitopersoona, joka on tullut mainituxi toisaalla esimerkkinä ESFP-persoonallisuudesta. ESFP (extroverted sensing feeling perceiving) is one of the sixteen personality types of the Myers-Briggs Type Inventory (MBTI) test. ESFPs operate from the principle that “all the world’s a stage” — and they want to be the stars. ESFP on realistinen sopeutuja ihmissuhteissa. ESFP on jenkein ja ämmämäisin tyypeistä: öykkäri ketku touho ääliö. Tai positiivisemmin, "Free-spirited and fun-loving people persons" kuten Kinsella. ESFPs are enthusiastic about having new experiences and meeting new people. They are generally warm and adaptable realists who go with the flow. ESFP authors include Tony Robbins, Wayne Dyer, Deepak Chopra, Bill Clinton, and Paulo "Kani" Coelho. Learn more about how ESFPs write somewhere else. Eli tämä paasaus keskittyy vain Wile E. Coyoteen alias Wayne W. Dyeriin.
xxx/ellauri250.html on line 416: The endless train ride might be a metaphor for a liminal state where everything is up for grabs, but “Compartment No. 6” never makes the enigmas behind its characters’ actions and feelings matter much.
xxx/ellauri250.html on line 419: Tää homo ei saa sijoitettua pätkää netflix-laatikoihin ja on sixi aivan hukassa. Onko se rom-com, onko se komedia laisinkaan? Missä kohtaa piti nauraa ja missä itkeä? En ymmärrä. "Because Laura and Lhoja (sic!) don’t entirely play out the cliché of tension and anger leading to true love, the film comes off as vague and evasive." Voi helskutti. In an interview, the director says “What really interested me were the feelings that are beyond sexual tension. Romantic love stories are often too narrow, do they fall in love? If so, when do they have sex?” Erittäinkin hyvin sanottu, mutta se menee tämän homse arvostelijan pään yli niin ettei edes tukka heilahda.
xxx/ellauri250.html on line 526: feeling the good times of love's miracle Muistelen mehukasta panoa
xxx/ellauri250.html on line 596: Bukowski often spoke of Los Angeles as his favorite subject. In a 1974 interview he said, "You live in a town all your life, and you get to know every bitch on the street corner and half of them you have already messed around with. You've got the layout of the whole land. You have a picture of where you are.... Since I was raised in L.A., I've always had the geographical and spiritual feeling of being here. I've had time to learn this city. I can't see any other place than L.A." What the fuck, The guy was pure Hollywood.
xxx/ellauri250.html on line 743: Gopalakrishnan also described a cult-like dynamic that favored accused men over harassed women. After writing out her concerns about the sexual dynamics within the movement on the EA forum, Gopalakrishnan watched the responses pour in. Shaken, she removed her post. She felt exposed, she recalls, and didn’t feel like being a punching bag. Most of all, Gopalakrishnan was disturbed at the way the rational frameworks to which she had devoted her life could be used to undermine her own experiences. “You’re used to overriding these gut feelings because they’re not rational,” she says. “Under the guise of intellectuality, you can cover up a lot of injustice.”
xxx/ellauri261.html on line 515: In 1890, all of New York City is excited because the well-known widowed matchmaker Dolly Levi is in town. Dolly is currently seeking a wife for grumpy Horace Vandergelder, the well-known "half-a-millionaire", but it soon becomes clear that she intends to marry Horace herself. Meanwhile, Ambrose Kemper, a young artist, wants to marry Horace's niece, Ermengarde. However, Horace opposes this, feeling Ambrose cannot provide financial security. Horace, who is the owner of Vandergelder's Hay and Feed, explains to his two clerks, Cornelius Hackl and Barnaby Tucker, that he is going to get married, though what he really wants is a housekeeper. He plans to travel to New York that very day to march in the 14th Street Parade, and also to propose to milliner Irene Molloy, whom he has met through Dolly Levi. Dolly arrives in Yonkers and sends Horace ahead to the city. Before leaving, he tells Cornelius and Barnaby to mind the store.
xxx/ellauri261.html on line 668:
- Richard Dawkins* (b. 1941): A prominent New Atheist who said, "I would describe myself as a secular Christian in the same sense as secular Jews have a feeling for nostalgia and ceremonies."
xxx/ellauri304.html on line 531: Yogi Berra oli typerälippalakkinen pesäpallisti jonka luonnetyyppi oli ISFP (introverted sensing feeling perceiving). Se kexi paljon Matti Nykäsmäisiä aforismeja. Unassuming yet passionate athlete. Kuoli samana vuonna kuin Warren mutta 8v vanhempana. Se oli italiaano 2. polven immigrantti jonka äiti ei osannut sanoa "Lawrence". He received the nickname "Yogi" from his friend Jack Maguire, who, after seeing a newsreel about India, said that he resembled a yogi from India whenever he sat around with arms and legs crossed waiting to bat or while looking sad after a losing game. Se oli hörökorvainen pikkumies, muistutti kyllä aika lailla Yodaa kuvissa.
xxx/ellauri304.html on line 601: Finally, a large percentage of novels today are written in restricted third person viewpoint. In other words, in each individual scene, the author works through only one person’s head. Anybody else in the scene, except the major player at that moment, is made to live by his actions and his words, but not by you — as author — getting into his head and telling us what he’s thinking. (Obviously, by the way, private eye novels are in some way illustrative of this rule because most PI’s are written first person since it’s impossible to get into another character’s thoughts and feelings except by showing him cavorting on your literary stage.)
xxx/ellauri304.html on line 640: Theme isn’t something you paste on after you write the first draft. Now, potboilers in general don’t have much thematic content because they doesn’t need to go far beyond: Bang Bang and the good guys in the white hats win. Theme is a more ever-present feeling that permeates the book you’re working on. Do you think when Ayn Rand wrote The Fountainhead or Atlas Shrugged, she first wrote the stories and then asked herself, “Now whatever could this be about? Selfishness?” But then, she was more political than most and, as I said, many books don’t have any discernible theme, except, buy it please and make me rich. That's my theme anyway.
xxx/ellauri354.html on line 418: The Guardian gave S-Town a critical review. The opinion piece called S-Town "a good story, but an indefensible one." The article states that the podcast is supposed to leave you feeling positive, however instead it feels forced.
xxx/ellauri385.html on line 436: Within 3–4 days I started feeling much better and had more energy. I started dropping weight almost immediately, down around 15-25 lbs by the end of the trip. The cravings I have for crap food in the US simply went away. The portions are not THAT much smaller. I went right back to feeling like crap, low energy, etc within 1 week of returning, and I was eating much more carefully.
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