ellauri071.html on line 496: Ja sama enkuxi: Galium odoratum, the sweetscented bedstraw, is a flowering perennial plant in the family Rubiaceae, native to much of Europe from Spain and Ireland to Russia, as well as Western Siberia, Turkey, Iran, the Caucasus, China and Japan. It is also sparingly naturalized in scattered locations in the United States and Canada. It is widely cultivated for its flowers and its sweet-smelling foliage. It is also used, mainly in Germany, to flavour May wine (called "Maibowle" or "Maitrank" in German), sweet juice punch, syrup for beer (Berliner Weisse), brandy, jelly, jam, a soft drink (Tarhun, which is Georgian), ice cream, and herbal tea. Also very popular are Waldmeister flavoured jellies, with and without alcohol. In Germany it is also used to flavour sherbet powder, which features prominently in Günter Grass´ novel The Tin Drum.
ellauri073.html on line 271: A later performance (February 19, 1994) features Foley in prison attempting to motivate troubled teens in a scared straight program; he was imprisoned for three to five years for non-payment of alimony (consistent with him being “thrice divorced”). Before entering the sketch, Foley is introduced by his cellmate Deshawn Powers (Martin Lawrence) as “just finished a week in solitary, eating nothing but coffee beans.” Foley attempts to scare the juvenile delinquents by commenting in a slightly different manner that he “wished to dear God, that he was living in a van down by the river!” The sketch followed the usual Foley routine with him falling through the prison wall instead of a coffee table, which eventually led to his and the other inmates' escape.
ellauri073.html on line 273: In the only cold open featuring Foley (April 15, 1995), the character attempts to motivate a pair of Venezuelan teens. Foley attempts to get through to them by motivating them in their native Spanish, saying “¡Yo vivo en van cerca de un rio!” However, the teenagers' father (Michael McKean) informs Matt that he and his children are fluent in English, to which Foley responds "¡Padre, dame un favor, y cállate su grande YAPPER!" The sketch again features Foley mocking his audience, breaking household objects, and somehow succeeding in his motivational goals.
ellauri080.html on line 135: This trait features characteristics such as imagination and insight. People who are high in this trait also tend to have a broad range of interests. They are curious about the world and other people and eager to learn new things and enjoy new experiences.
ellauri080.html on line 166: Standard features of this dimension include high levels of thoughtfulness, good impulse control, and goal-directed behaviors. Highly conscientious people tend to be organized and mindful of details. They plan ahead, think about how their behavior affects others, and are mindful of deadlines.
ellauri083.html on line 344: It follows a team of doctors and support staff stationed at the "4077th Mobile Army Surgical Hospital" in Uijeongbu, South Korea, during the Korean War (1950–53). The show's title sequence features an instrumental-only version of "Suicide Is Painless," the original film's theme song.
ellauri095.html on line 209: The typical Hopkins drawing is what Ruskin called the “outline drawing”; as Ruskin put it, “without any wash of colour, such an outline is the most valuable of all means for obtaining such memoranda of any scene as may explain to another person, or record for yourself, what is most important in its features.” Many such practical purposes for drawing were advanced by Ruskin, but his ultimate purpose was to unite science, art, and religion.
ellauri095.html on line 256: Christina Georgina Rossetti (5 December 1830 – 29 December 1894) was an English poet who wrote romantic, devotional, and children´s poems. "Goblin Market" and "Remember" remain famous. She also wrote the words of two Christmas carols well known in the UK: "In the Bleak Midwinter", later set by Gustav Holst and by Harold Darke, and "Love Came Down at Christmas", also set by Darke and by other composers. She was little sister (2 years junior) of the artist and poet Dante Gabriel Rossetti and features in several of his paintings.
ellauri099.html on line 71: Dulness and dirt are the chief features of Lippincott’s this month: The element that is unclean, though undeniably amusing, is furnished by Mr. Oscar Wilde’s story of The Picture of Dorian Gray. It is a tale spawned from the leprous literature of the French decadents—a poisonous book, the atmosphere of which is heavy with the mephitic odours of moral and spiritual putrefaction—a gloating study of the mental and physical corruption of a fresh, fair and golden youth, which might be fascinating but for its effeminate frivolity, its studied insincerity, its theatrical cynicism, its tawdry mysticism, its flippant philosophizings. . . . Mr. Wilde says the book has “a moral.” The “moral,” so far as we can collect it, is that man’s chief end is to develop his nature to the fullest by “always searching for new sensations,” that when the soul gets sick the way to cure it is to deny the senses nothing.
ellauri099.html on line 86: How to Get Rid of Barn Swallows? Hire an Exterminator. For as beautiful as their song is, barn swallows also bring a lot of less attractive features when they move into your property. The early-morning noise and piles of droppings and feathers they create are reason enough to want these birds gone. As an Amazon Associate, this site earns from qualifying purchases.
ellauri102.html on line 471: The Problem: Controversy for this ad campaign arose in many different ways. The first was the use of world leaders without their consent. In fact, one of the ads features Pope Benedict XVI kissing a top Egyptian imam which was quickly removed after being condemned by the Vatican.
ellauri107.html on line 200: Coverdale describes Hollingsworth's "dark complexion, his abundant beard, and the rude strength with which his features seemed to have been hammered out of iron, rather than chiselled or moulded from any finer or softer material." He adds that in Hollingsworth's "gentler moods, there was a tenderness in his voice, eyes, mouth, in his gesture, and in every indescribable manifestation, which few men could resist, and no woman."
ellauri117.html on line 608: Maxa-Shaftesburyn (1621-1683) pojanpoika, 3. Earl of Shaftesbury (1671—1713) oli mieltä että: Hobbes had set the agenda of British moral philosophy (a search for the grounding of universal moral principles), and Locke had established its method (empiricism). Shaftesbury’s important contribution was to focus that agenda by showing what a satisfactory response to Hobbes might look like but without giving up too much of Locke’s method. Shaftesbury showed the British moralists that if we think of moral goodness as analogous to beauty, then (even within a broadly empiricist framework) it is still possible for moral goodness to be non-arbitrarily grounded in objective features of the world and for the moral agent to be attracted to virtue for its own sake, not merely out of self-interest. In Shaftesbury’s aesthetic language, the state of having the morally correct motives is the state of being “morally beautiful,” and the state of approving the morally correct motives upon reflection is the state of having “good moral taste.” Shaftesbury argues that the morally correct motives which constitute moral beauty turn out to be those motives which are aimed at the good of one’s society as a whole. This good is understood teleologically. Furthermore Shaftesbury argues that both the ability to know the good of one’s society and the reflective approval of the motivation toward this good are innate capacities which must nevertheless be developed by proper socialization.
ellauri118.html on line 589: George kannattaa nykyään tämmöstä kuin embodied mind ajatusta: Many features of cognition are embodied in that they are deeply dependent upon characteristics of the physical body of an agent, such that the agent's beyond-the-brain body plays a significant causal role, or a physically constitutive role, in that agent's cognitive processing. No tottahan se on, ainakin miesten ajatteluun osallistuu voimakkaasti pikkuveli.
ellauri118.html on line 994: The show features flashbacks to the origin of Gilead, revealing a new storyline for Serena and the Commander.
ellauri119.html on line 766: Ayn Rand was short—squat, really. At the time I thought she might be a dwarf. She stood stout though with manly features. She spoke with a thick Russian accent and chain-smoked.
ellauri132.html on line 612: sadness clouded his features surullisuus samensi hänen piirteensä
ellauri146.html on line 400: One of the outstanding features of the Romantic era in France was the re-evaluation of the feminine. It was widely assumed that man's capacity for rational thought and scientific achievement needed to be tempered by woman's capacity for sentiment. Indeed, the beneficial influence of woman's love and compassion was considered a necessary precondition to moral development, both for the individual and for all mankind. Woman thus had redemptive qualities (cash value). Perhaps the purest expression of this constellation of ideas is to be found in the utopian religious sects of the period and in the Romantic epic. Alfred de Vigny's Eloa (1824) may be read in this context. Eloa is the first of a series of angel women appearing in the Romantic epic. She is followed by Rachel in Edgar Quinet's Ahasvérus (1833), Sémida in Alexandre Soumet's La Divine Epopée (1840), Marie in Alphonse Constant's La Mère de Dieu (1844) and Liberté in Victor Hugo's La Fin de Satan (fragments written in 1854 and 1859, published posthumously in 1886). The mission of these quasi-divine female figures is to help put an end to evil.
ellauri146.html on line 662: “I am a Virginian,” declared Poe; and “the distinguishing features of Virginian character at present-features of a marked nature—not elsewhere to be met with in America-and evidently akin to that chivalry which denoted the Cavalier—can be in no manner so well accounted for as by considering them the debris of a devoted loyalty.” Poe’s Virginia background may or may not have rendered him typically American, but it seems reasonable to think that it fostered in him a Virginian Anglo-American attitude as opposed to an Anglophobic Americanism so common at that time in New England.
ellauri147.html on line 862: In physical attractiveness studies, averageness describes the physical beauty that results from averaging the facial features of people of the same gender and approximately the same age. The majority of averageness studies have focused on photographic overlay studies of human faces, in which images are morphed together. The term "average" is used strictly to denote the technical definition of the mathematical mean. An averaged face is not unremarkable, but is, in fact, quite good looking. Nor is it typical in the sense of common or frequently occurring in the population, though it appears familiar, and is typical in the sense that it is a good example of a face that is representative of the category of faces.
ellauri147.html on line 864: A possible evolutionary explanation for averageness is koinophilia, in which sexually-reproducing animals seek mates with primarily average features, because extreme and uncommon features are likely to indicate disadvantageous mutations.
ellauri163.html on line 756: Dr. Mark Goulston, M.D. wrote in his article Just Listen - Don´t Confuse a Narcissist with Asperger´s Syndrome: “Both narcissists and high functioning people with Asperger like features are goal minded to a fault, and both can view other people more as functions or vehicles to achieve that goal instead of as people with feelings. However a critical difference between the two is that a narcissist doesn´t care if they hurt you or your feelings (and the truly malignant ones may even take delight in doing so), whereas someone with Asperger´s like features would prefer not to.
ellauri164.html on line 372: I blew through this novel myself, which in retrospect was somewhat of a grave mistake, as the book alternates between compelling and highly engaging dialogues to unrealistically long monologues which to me resemble a Rimbaud poem in translation than anything else, which is to say: hard to parse. That they got more than what they bargained for is what the ordinary reader will be struck by first when they read this. The complexity of each of the conversations cannot be overstated, which I think will inevitably result in readers just mechanically scanning the sentences rather than internalizing the arguments, with the final result being the great part of the novel sliding off like rain, leaving only vague impressions like it did with me unfortunately, but the parts that did affect me left me very humbled. And chiefly this impression will not be helped by another one of the defining features of the novel, which is its vagueness. It deliberately leaves a lot of key details unheard and leaves a lot to the ability to infer events by the reader. Though sometimes frustrating to a reader like me who reads history and biography, I recognize that it should be so for this novel, for the main conflict in it is a psychological one, so I wouldn't have it any other way.
ellauri180.html on line 181: Anthropologists do not agree on the origins of circumcision. The English egyptologist, Sir Graham Elliot Smith, suggested that it is one of the features of a heliolithic' culture which, over some 15 000 years ago, spread over much of the world. Others believe that it may have originated independently within several different cultures; certainly, many of the natives that Columbus found inhabiting the New World' were circumcised. However, it is known that circumcision had been practised in the Near East, patchily throughout tribal Africa, among the Moslem peoples of India and of south-east Asia, as well as by Australian Aborgines, for as long as we can tell. The earliest Egyptian mummies (1300 BCE) were circumcised and wall paintings in Egypt show that it was customary several thousand years earlier than that.
ellauri181.html on line 156: Description: Six main features, relevant to all values, are described first. This is followed by an outline of ten basic personal values, with a guide to which are congruent and which conflict. These six features are relevant to all values.
ellauri181.html on line 158:

Six main features of values