ellauri050.html on line 303: Even the linked fantasies, in whose blossomy twist Nekin mielikuvituxen lennot, joiden voimalla
ellauri058.html on line 803: The family unit, however defined, is itself a comparatively recent invention or convention; for whereas the bond of mother and child remains for our kind as for each of us the earliest form of attachment, among adults — and we should never forget that adulthood began much earlier in earlier times — it was the group, the horde, or that most decried yet most prevalent group, the gang. Gangs, first I suppose for hunting game, are to be found not only on streetcorners but in board rooms, the most common and powerful type of the gang being the committee. The group for and within which these poems were composed and circulated was neither a gang nor a committee — itself a martial term originally — but a court, neither an academy nor yet an institute; these rather than those high-flown heterosexual fantasies of the twelfth century represented the first form quite literally of courtly love.
ellauri106.html on line 403: Religion was a lie that he had recognized early in life, and he found all religions offensive, considered their superstitious folderol meaningless, childish, couldn´t stand the complete unadultness — the baby talk and the righteousness and the sheep, the avid believers. No hocus-pocus about death and God or obsolete fantasies of heaven for him. There was only our bodies, born to live and die on terms decided by the bodies that had lived and died before us. If he could be said to have located a philosophical niche for himself that was it - he'd come upon it early and intuitively, and however elemental, that was the whole of it. Should he ever write an autobiography, he'd call it The Life and Death of a Male Body.
ellauri106.html on line 472: “From enfant terrible to elder statesman. Time heals all wounds,” Rabbi David Wolpe of Sinai Temple in Los Angeles remarked to JTA via email. No hocus pocus about death and God or obsolete fantasies of heaven for him. There was only our bodies, born to live and die on terms decided by the bodies that had lived and died before us. If he could be said to have located a philosophical niche for himself, that was it — he’d come upon it early and intuitively, and however elemental, that was the whole of it. Should he ever write an autobiography, he’d call it ‘The Life and Death of the Male Body.’ Well actually he called it "My life as a man".
ellauri109.html on line 551: Kleinschmidt published a journal article in which he describes the case of a “successful Southern playwright” with an overbearing mother: “His rebellion was sexualized, leading to compulsive masturbation which provided an outlet for a myriad of hostile fantasies. These same masturbatory fantasies he both acted out and channeled into his writing.” Roth, who was obviously Kleinschmidt’s “playwright,” saw the article just after finishing the novel. He spent multiple sessions berating Kleinschmidt for this “psychoanalytic cartoon” and yet continued his analysis with him for years.
ellauri147.html on line 261: Megan Garber of The Atlantic was critical of the character Emily, writing, "An expat who acts like a tourist, she judges everything against the backdrop of her own rigid Americanness. You might figure that those moments are evidence of a show poking fun at its protagonist´s arrogance, or setting the stage for her to grow beyond her initial provincialism. But: You would be, as I was, mostly incorrect. Instead, other people change around her, becoming French-American. They grudgingly concede that her way (strident, striving, teeming with insistent individualism) is the right way. The show — the latest from the Sex and the City creator Darren Star — is selling several fantasies. Primary among them is the notion that Emily can bulldoze her way through France and be celebrated for it.
ellauri156.html on line 461: King David and Diana Garland argue that, "Taking remarkable license with the story, the screenwriters changed Bathsheba from the one who is ogled by David into David's stalker." They go on to suggest that "the movie David and Bathsheba, written, directed and produced by males, makes the cinematic Bathsheba conform to male fantasies about women."
ellauri207.html on line 361: Years later, he runs a criminal empire based on drugs and prostitution, with his son Ronald Neiderman as his enforcer. El Sapo continues to cover for him in order to have him as a national asset, meaning that he is never arrested for his crimes but just patted on the back. This part of the story sounds fully believable. Some feminists blamed Mia for spreading bourgeois fantasies. The story did not specify which, and Lisbet hadn´t got the foggiest what they might be. Nor Stieg for that matter.
ellauri244.html on line 424: USA Today and #1 bestselling contemporary romance author Madison Faye is the dirty alter ego of the very wholesome, very normal suburban housewife behind the stories. While she might be a wife, mom, and PTA organizer on the outside, there’s nothing but hot, steamy, and raunchy fantasies brewing right beneath the surface!
ellauri245.html on line 275: Nach den im Vorgängerroman beschriebenen Ereignissen und insbesondere der Bedrohung durch den Serienmörder, dessen Freundin Rakel und Sohn Oleg von Harry abgeschlachtet worden waren, verlässt Harry Hole Oslo und zieht nach Hongkong, wo er verschuldet sowie fantasiespiel- und drogensüchtig lebt.
ellauri262.html on line 215: In addition to his scholarly work, Lewis wrote several popular novels, including the science fiction Space Trilogy for adults and the Narnia fantasies for children. Most deal implicitly with Christian themes such as sin, humanity's fall from grace, and redemption.
ellauri360.html on line 74: “A Sentimental Novel,” the final published work of the novelist and theorist Alain Robbe-Grillet, appeared in France four months before his death, in 2008, and in English translation last spring. The content of the novel contributed to the lag in its translation: “A Sentimental Novel” (reviewed this summer in Briefly Noted) is a compendium of Robbe-Grillet’s sadistic fantasies, which, he said, he had catalogued since adolescence. The work consists of two hundred and thirty-nine numbered paragraphs that form a sort of sadist’s rhapsody about the sexual initiation of a fourteen-year-old girl, Gigi. Gigi’s travails are recounted in exacting detail, against a lushly imagined mise-en-scène, with elaborate furnishings, torture devices, and a proliferation of young companions. Okei siis Robbe liittyy pitkään jonoon kynäilijäpedofiilejä. Ei siinä mitään, kukapa ei pitäisi latuskarintaisista teinitytöistä. Mutta pakkoko niitä on silleen rääkätä?
xxx/ellauri116.html on line 276: At night, she partakes of her husband's rich sexual rituals and fantasies and is a passive yet willing partner to his imaginative sensual flights of fancy and constant experimentation. Dona Lucrecia, a warm, sensual...
xxx/ellauri123.html on line 372: Weinreb grew up in Scheveningen, Netherlands, to which his family had moved in 1916, and became notorious for selling a fictitious escape route for Jews from the occupied Netherlands in the Second World War. When his scheme fell apart in 1944, he left his home in Scheveningen and went into hiding in Ede. He was imprisoned for 3½ years after the war for fraud as well as collaboration with the German occupier. In his memoirs, published in 1969 he maintained that his plans were to give Jews hope for survival and that he had assumed that the liberation of the Netherlands would take place before his customers were deported. The debate about his guilt or innocence—called the “Weinreb affair”—was very heated in the Netherlands in the 1970s, involving noted writers like Renate Rubinstein and Willem Frederik Hermans. In an attempt to end this debate, the government asked the Rijksinstituut Oorlogsdocumentatie (Netherlands institute for war documentation) to investigate the matter. in 1976 the institute issued a report (of which a part already was leaked to the press in 1973), which determined that his memoirs were "a collection of lies and fantasies," and that his collaboration had caused 70 deaths. Although his activities did contribute to some Jews' survival, most Jews who fell for Weinreb's swindle were deported and killed.
xxx/ellauri125.html on line 446: provided an outlet for a myriad of hostile fantasies. These same masturbatory
xxx/ellauri125.html on line 447: fantasies he both acted out and channeled into his writing.” Roth, who was
xxx/ellauri128.html on line 546: But then he fell in love! Emppu rakastui Geneven lomalla 16-vuotiaaseen koulutyttöön kuin Vladi Lolitaan. Janine matched a template that he had got from a book that influenced his erotic fantasies permanently. With her Slavic features and her cool, rather fey manner, Wanda "Janine" de Szymkiewicz (though Polish) made a perfect Russian queen. She called him Minou, he called her Ginou. Sini ja mini. Sometime in the early nineteen-twenties, Maurois began having affairs. Janine had them, too, or at least flirtations, aquarels of fucking, especially on their seaside vacations in Deauville. Maurois put a lot of his own personality into Shelley, and wrote of Harriet as a “child-wife” made bitter by unhappiness. Emil could be savage: “Even when she had the air of being interested in ideas, her indifference was proved by the blankness of her gaze. Worst of all, she was coquettish, frivolous, versed in the tricks and wiles of woman.” Fortunately, becoming pregnant again in late 1922, Janine developed septicemia, was operated on unsuccessfully, and died on February 26, 1923. Maurois was bereaved, and free. Jahuu! Vihelteliköhän sekin koko matkan hautajaisiin kuten Peppy? Rakkaus on hassuttelua yhdessä.
xxx/ellauri137.html on line 634: Dancing to Mozart is a satire of Hollywood values and fantasies, Latin American dictatorships, Da Vinci Code conspirators, movie violence, magical realism, televangelists, mixed wrestling, extreme cosmetic surgery, and a host of other sensational idiocies that thrive on 21st century self-delusion. This whimsical contemporary “Candide” offers a trip through the world of out-of-control egos to a final revelation of ordinary common sense. The send-up is a mix of shrewd perception, lampoon, and wacko action that includes the Society of the Crystal Skull, the Opus Dopus, a female wrestling Amazon with one breast, an Arab who wants to recruit Islamic converts like an American billboard evangelist, two energetic film directors with crazy ideas, a rescue from captivity through “mind-invasion” (á la Inception) and a Hindu swami who tries to set all straight with a Bhagavad burrito. And a lot more.
xxx/ellauri215.html on line 133: Kleinschmidt published a journal article in which he describes the case of a “successful Southern playwright” with an overbearing mother: “His rebellion was sexualized, leading to compulsive masturbation which provided an outlet for a myriad of hostile fantasies. These same masturbatory fantasies he both acted out and channeled into his writing.”
xxx/ellauri225.html on line 281: A number of Le Guin´s writings, including the Earthsea series, challenged the conventions of epic fantasies and myths. Many of the protagonists in Earthsea were dark-skinned individuals, in comparison to the white-skinned heroes more traditionally used; some of the antagonists, in contrast, were white-skinned, a switching of race roles that has been critically remarked upon by multiple critics. In a 2001 interview, Le Guin attributed the frequent lack of character illustrations on her book covers to her choice of non-white protagonists. LOL haha! She explained this choice, saying: "most people in the world aren't white. Why in the future would we assume they are?" Her 1985 book Always Coming Home, described as "her great experiment", included a story told from the perspective of a young protagonist, but also included poems, rough drawings of plants and animals, myths, and anthropological reports from the matriarchal society of the Kesh, a fictional people living in the Napa valley after a catastrophic global flood.
xxx/ellauri265.html on line 376: More generally they mention a research finding that at least one-third of males "admit they would rape under specific conditions" and that other surveys find that many men[quantify] state having coercive sexual fantasies. They, as have others, "propose that rape is a conditional strategy that may potentially be deployed by any man.
xxx/ellauri268.html on line 366: Still, Jewish stereotypes and prejudice persist. That is reflected, and to some degree advanced, by fictional narratives and imagery that (unconsciously or otherwise) associate goodness with Christian charity and evil with supposed Jewish greed. In his "lighthearted" criticism of Rowling, Stewart reminded us that our fantasies remain structured around antisemitism. As long as that’s the case, Jewish people will be at risk, and defeating Voldemort will be that much harder.
xxx/ellauri410.html on line 176: But are they worth reading? Does a little ‘bolo’ go a long way? a New York Times reporter asked Anthony Julius, the litigation lawyer specializing in anti-defamation and anti-Semitism. His doctoral dissertation, charging Eliot with antiSemitism, resulted in the notorious publication of T.S. Eliot, Anti-Semitism and Literary Form. ‘‘They are not worth reading,’’ Mr. Julius said. ‘‘They tap, in the most puerile way imaginable, racist fantasies of the sexual superiority of blacks’’ (Lyall). Here is an example of feeling the elephant without contact, because if he had read the verse, he would see that Columbo the Jew was the one with the biggest cock. “And he refuses to acquit Eliot of anti-Semitism in this case merely because the poet has managed to be superior to the black bigotry his poem evokes” (Menand).
xxx/ellauri417.html on line 247: "self-indulgent, fear-of-death-driven fantasies of these thinkers,
xxx/ellauri417.html on line 262: Reflecting a strain of feminist criticism of the transhumanist program, the homely lady philosopher Susan Bordo and her dog point to "contemporary obsessions with slenderness, youth and physical perfection", which she sees as affecting both men and women, but in distinct ways, as "the logical (if extreme) manifestations of death anxieties and fantasies fostered by our culture." Southpaw political scientist Klaus-Gerd Giesen has asserted that transhumanism's concentration on altering the human body represents the logical yet tragic consequence of atomized individualism and body commodification within a consumer culture.
25