ellauri002.html on line 1875: dämonischen, oder jedenfalls unmenschlichen

ellauri019.html on line 50: In seinem Hauptwerk Der Untergang des Abendlandes richtet sich Spengler gegen eine lineare Geschichtsschreibung, die die Geschichte „der Menschheit“ als Geschichte des Fortschritts erzählt. Stattdessen vertritt er eine Zyklentheorie, nach der immer wieder neue Kulturen entstehen, eine Blütezeit erleben und sich durch eine Phase des Verfalls vollenden und untergehen.
ellauri031.html on line 467: 1905 köper staten Trollhätte Kanal AB och ombildar det till ett statligt verk Kungliga vattenfallsstyrelsen, som sedermera kom att bli statliga Vattenfall. 1907 påbörjas byggnationen av Olidans kraftstation som stod färdig 1914.
ellauri031.html on line 470: Statens vattenfallsverk, tidigare Kungliga Vattenfallsstyrelsen, var 1909-1992 ett svensktågoä statligt affärsverk.
ellauri031.html on line 471: Kungliga Vattenfallsstyrelsen bildades 1909 efter ett riksdagsbeslut ur Trollhätte kanal- och vattenverk under namnet Kungliga Vattenfallsstyrelsen. De första vattenkraftverken låg i Trollhättan (Olidan 1910) i Göta älv, Porjus (1915) i Lule älv och Älvkarleby (1915) i Dalälven.
ellauri034.html on line 37: Tämän väittämän Otto ja Anna Quangel haastavat kuolemalla yxi kerrallaan. Otolta piilutettiin pää poikki, Annan vankila räjähti tuusannuuskaxi pommituxessa. Hegel kuoli Berliinissä koleraan kun tuli kotiin liian aikaisin. Schopenhauer kuoli yxin Berliinissä istualteen. Der Alte Fritz Potsdamissa ebenfalls. Se ei uskonut kuoleman jälkeiseen olemassaoloon ja tarrasi sixi elämään. vaikka oli kihtinen ja vesipöhöinen. Voihan sitä yrittää joukollakin kuolla, niinkuin ne coolaid hihhulit mooniet, tai rintamalla tai jossain onnettomuudessa. Mut eipä siitä seurasta siinä vaiheessa oo paljon väliä. Aika lyhyex se seurustelu siinä sitten jää. Eikä ne välttämättä kuitenkaan samaa unta nää. Yxin oot sinä ukkeli kaiken keskellä yxin, lauleskeli V.A. Koskenniemi hexametrillä ja loppusoinnulla. Ei auttanut vaikka oli vyökin, veti silti yxixensä henxelit. Ja iskä-Saarikoski oli matkalla kaiken aikaa ja kaikki kesken, ei oisi suonut olevansa yxin. Vaan oli. Mitäs oli niin izekäs. Yx kerrallaan kuoli meidänkin paitapeppu vanhemmat, vauvanvaipat leuan alle sidottuina.
ellauri035.html on line 132: Curved falls of her hair down on her white cheeks;
ellauri035.html on line 259: Of a black eagle falls her nightly hair.
ellauri041.html on line 758: er grösser wurde, ebenfalls. -

ellauri041.html on line 780: er hergekommen ebenfalls.

ellauri048.html on line 1670: My deeper anguish also falls,
ellauri051.html on line 809: 229 The sun falls on his crispy hair and mustache, falls on the black of his polish'd and perfect limbs. 229 Aurinko laskee hänen raikkaille hiuksilleen ja viiksilleen, putoaa hänen kiillotettujen ja täydellisten raajojensa mustille.
ellauri051.html on line 898: 316 Seasons pursuing each other the plougher ploughs, the mower mows, and the winter-grain falls in the ground; 316 Vuodenajat takaavat toisiaan kyntäjä auraa, niittokone niittää ja talvivilja putoaa maahan;
ellauri052.html on line 243: Film grayed. Shaking wagons, hooves’ waterfalls,
ellauri053.html on line 1251: Versatile Writer: He exhibited in his work breadth of talents and interests. His most renowned work falls into cultural theory; art history including painting, sculpture, and architecture. He wrote on the critics of the old and modern English Literature too. He even wrote lecture articles, short stories etc. William E. Buckler says that Pater “is still one of the half-dozen indispensable critics in English; from, say, 1880 to 1920, he was without equal.”
ellauri053.html on line 1314: The salmon-falls, the mackerel-crowded seas, Lohet laulavat, makrillit tungexii merissä,
ellauri073.html on line 269: In the sketch itself, Foley attempts to motivate two teens, played by Spade and Applegate, to "get themselves back on the right track" after the family’s cleaning lady finds a bag of marijuana in their home. Foley’s attempt to motivate them falls short when he repeatedly insists that they're "not going to amount to jack squat" and will end up “living in a van down by the river!” Foley attempts to endear himself to Spade's character by telling him they're "gonna be buddies" and that everywhere he goes, Foley will follow. Comparing himself to Spade's shadow, Foley jumps about where he's standing and then dives into the coffee table, though he picks himself up moments later. None of the other cast members knew that Farley was going to do this and their startled reactions are genuine. The sketch ends with Foley offering that the only solution to solve the family's problems is for him to move in with them. Horrified, Applegate begs him not to, vowing never to smoke pot again. Even so, Foley leaves the house to get his things from his van and the family locks him out, finally reconciling and admitting to how much they love each other.
ellauri089.html on line 44: Hein m. in der Wendung Freund Hein Bezeichnung für den ‘Tod’. Der Personenname Hein ist die Koseform von Heinrich und zunächst auch eine verhüllende Umschreibung für den ‘Teufel’, mhd. hein (14. Jh.), nhd. Henn (16. Jh.). Die Bedeutungsübertragung auf den Tod als ein ebenfalls gefürchtetes Wesen wird Claudius (1774) zugeschrieben, der mit dem Zusatz Freund dem Tod zugleich seine vermeintliche Dämonie nehmen und ihn als vertrauten letzten Begleiter des Menschen charakterisieren will.
ellauri090.html on line 122: Maria Benedicta, Sophia’s young cousin, is another potential wife for Rubião, but Rubião is too infatuated with Sophia to be interested in Maria Benedicta. After the incident at Santa Thereza, Rubião appears more cosmopolitan and confident. He spends his inherited money freely, often in support of others in addition to Palha and Dr. Camacho. When his impoverished friend, Freitas, falls ill, Rubião generously gives Freitas’s mother a substantial sum of money. Later, he pays Freitas’s funeral expenses.
ellauri090.html on line 130: For a time, Rubião’s friends accept his madness as he continues to provide meals and entertainment for them. Eventually, however, Rubião’s house falls into disrepair as his belief in himself as the emperor becomes constant. Doña Tonica becomes engaged to a man who dies before the wedding. Children on the street, including Deolindo, whose life Rubião had saved, make fun of him as a madman. Prodded by Doña Fernanda, a woman who barely knows Rubião, Sophia convinces Palha to set Rubião up in a little rented house on Principe Street. No one visits Rubião in his new humble residence. His former “friends” miss the luxury of Rubião’s wealthy surroundings in the house in Botafogo.
ellauri096.html on line 108: Notice that the eliminativist is more radical than the skeptic. The skeptic thinks the concept of knowledge is fine. We just fall short of being knowers. The skeptic treats ‘No man is a knower’ like ‘No man is an immortal’. There is nothing wrong with the concept of immortality. Biology just winds up guaranteeing that every man falls short of being immortal.
ellauri097.html on line 149: Mencken repeatedly identified mathematics with metaphysics and theology. According to Mencken, mathematics is necessarily infected with metaphysics because of the tendency of many mathematical people to engage in metaphysical speculation. In a review of Alfred North Whitehead's The Aims of Education, Mencken remarked that, while he agreed with Whitehead's thesis and admired his writing style, "now and then he falls into mathematical jargon and pollutes his discourse with equations," and "[t]here are moments when he seems to be following some of his mathematical colleagues into the gaudy metaphysics which now entertains them."[50] For Mencken, theology is characterized by the fact that it uses correct reasoning from false premises. Mencken also uses the term "theology" more generally, to refer to the use of logic in science or any other field of knowledge. In a review for both Arthur Eddington's The Nature of the Physical World and Joseph Needham's Man a Machine, Mencken ridiculed the use of reasoning to establish any fact in science, because theologians happen to be masters of "logic" and yet are mental defectives:
ellauri107.html on line 91: Neil Klugman is an intelligent, working-class army veteran and a graduate of Rutgers University who works as a library clerk. He falls for Brenda Patimkin, a wealthy Radcliffe student who is home for the summer. They meet by the swimming pool at Old Oaks Country Club in Purchase, New York, a private club that Neil visits as a guest of his cousin Doris. Neil phones her and asks for a date. She does not remember him but agrees. He waits as she finishes a tennis game which only ends when it gets too dark to play.
ellauri107.html on line 158: “Found it!” he announces. “Opened the book and skimmed for 10 minutes and there it was. Goes like this, and you’re ideally situated to hear it: ‘A man that is born falls into a dream like a man who falls into the sea. If he tries to climb out into the air as inexperienced people endeavor to do, he drowns. The way is to the destructive element submit yourself, and with the exertions of your hands and feet in the water make the deep, deep sea keep you up … In the destructive element immerse.’ This has been my credo, the lifeblood of my books. I knew it was from Lord Jim but didn’t know where. All I had to do was put myself in a trance and I found it: ‘In the destructive element immerse.’ It’s what I’ve said to myself in art and, woe is me, in life too. Submit to the deeps. Let them buoy you up.”
ellauri109.html on line 127: bin ich allenfalls frei von denen.
ellauri109.html on line 692: The tripartite poem falls into three parts: the first is a description of the different religious denominations, in which the Roman Catholic church appears as a milk-white hind part, the Church of England as a panther, the Independents as a bear, the Presbyterians as a wolf, the Quakers as a hare, the Socinians as a fox, the Freethinkers as an ape, and the Anababtists as a boar.
ellauri110.html on line 357: Liess mich von meiner kleinen Magd kämmen, der ich gestand, dass ich sie sehr schätze und meine mains in su dos choses de son Brust tun möchte. Ich muss es lassen, falls ich nicht alguno major inconvenience erleben will.
ellauri110.html on line 1052: It’s like when the rain falls heavily. The bubbles quickly vanish and don’t last long. In the same way, life as a human is like a bubble. …
ellauri112.html on line 665: Every day there’s more to do, less time to do it in, and the ginormous stress starts eating at her soon as her swollen feet hit the floor. It doesn’t help that her husband Drew (Ron Livingston) is of the old school variety, the kind of man who thinks he doesn’t have to do much around the house because he’s the breadwinner. That means most of the cooking, cleaning, and caring for the kids falls upon Marlo’s shoulders.
ellauri118.html on line 1128: In January of 1685, Philip Smith, a leading light of the community of Hadley, falls very ill. Based on this, Marshall says, the community decides that to help Smith, they will “do something to Mary.”
ellauri132.html on line 60: Das Inquisitionsverfahren wurde verschleppt. Das Fehlen eines Präzedenzfalls – es war noch nie ein Häresieverfahren gegen einen so hochrangigen Theologen und Ordensmann durchgeführt worden – verunsicherte anscheinend die Inquisitoren. (Hups, täähän voi vielä sattua omaan nilkkaan!) Am 24. Januar 1327 appellierte Eckhart an den Apostolischen Stuhl. Dabei beklagte er, dass die Richter immer wieder Termine ansetzten, aber zu keinem Urteil kämen. (Hidasta kuin pankissa Satu Hassin isän ja miehen kuoltua. Ekkehart ehti kuolla kesken prosessin. Se oli ehkä pankin tarkoitus.)
ellauri140.html on line 58: Book IV, despite its title "The Legend of Cambell and Telamond or Of Friendship", Cambell's companion in Book IV is actually named Triamond, and the plot does not center on their friendship; the two men appear only briefly in the story. The book is largely a continuation of events begun in Book III. First, Scudamore is convinced by the hag Ate (discord) that Britomart has run off with Amoret and becomes jealous. A three-day tournament is then held by Satyrane, where Britomart beats Arthegal (both in disguise). Scudamore and Arthegal unite against Britomart, but when her helmet comes off in battle Arthegal falls in love with her. He surrenders, removes his helmet, and Britomart recognizes him as the man in the enchanted mirror. Arthegal pledges his love to her but must first leave and complete his quest. Scudamore, upon discovering Britomart's sex, realizes his mistake and asks after his lady, but by this time Britomart has lost Amoret, and she and Scudamore embark together on a search for her. The reader discovers that Amoret was abducted by a savage man and is imprisoned in his cave. One day Amoret darts out past the savage and is rescued from him by the squire Timias and Belphoebe. Arthur then appears, offering his service as a knight to the lost woman. She accepts, and after a couple of trials on the way, Arthur and Amoret finally happen across Scudamore and Britomart. The two lovers are reunited. Wrapping up a different plotline from Book III, the recently recovered Marinel discovers Florimell suffering in Proteus' dungeon. He returns home and becomes sick with love and pity. Eventually he confesses his feelings to his mother, and she pleads with Neptune to have the girl released, which the god grants.
ellauri140.html on line 80: Artefact M+ (or Artegal or Arthegal or Arthegall), a knight who is the embodiment and champion of Justice. He meets Britomart after defeating her in a sword fight (she had been dressed as a knight) and removing her helmet, revealing her beauty. Artefact quickly falls in love with Britomart. Artefact has a companion in Talus, a metal man who wields a flail and never sleeps or tires but will mercilessly pursue and kill any number of villains. Talus obeys Artefact's command, and serves to represent justice without mercy (hence, Artefact is the more human face of justice). Later, Talus does not rescue Artefact from enslavement by the wicked slave-mistress Radigund, because Artefact is bound by a legal contract to serve her. Only her death, at Britomart's hands, liberates him. Chrysaor was the golden sword of Sir Artefact. This sword was also the favorite weapon of Demeter, the Greek goddess of the harvest. Because it was "Tempred with Adamant", it could cleave through anything.
ellauri140.html on line 88: Brit-o-mart F+, a female knight, the embodiment and champion of Chastity. She is young and beautiful, and falls in love with Artefact upon first seeing his face in her father's magic mirror. Though there is no interaction between them, she travels to find him again, dressed as a knight and accompanied by her nurse, Glauce. Britomart carries an enchanted spear that allows her to defeat every knight she encounters, until she loses to a knight who turns out to be her beloved Artefact. (Parallel figure in Ariosto: Bradamante.) Britomart is one of the most important knights in the story. She searches the world, including a pilgrimage to the shrine of Isis, and a visit with Merlin the magician. She rescues Artefact, and several other knights, from the evil slave-mistress Radigund. Furthermore, Britomart accepts Amoret at a tournament, refusing the false Florimell.
ellauri140.html on line 107: Chrysostome F+-, mother of Belphoebe and her twin Amoretta. She hides in the forest and, becoming tired, falls asleep on a bank, where she is impregnated by sunbeams (sure) and gives birth to twins. The goddesses Venus and Diana find the newborn twins and take them: Venus takes Amoretta and raises her in the Garden of Adonis, and Diana takes Belphoebe and does what she wants with her.
ellauri143.html on line 396: Is wealth that falls to men of financial liberal heart
ellauri143.html on line 1301: Aatelisen tunnistaa paizi hörökorvista niin ritarillisuudesta. Eliskä ezen pyllyn alla on hyvä hevonen. The goodly knight pricks his horse on the plain. The rain in Spain falls mainly on the plain. How kind of you to let me come.
ellauri146.html on line 98: RATTENGIFT. Herr, ich werde verrückt! – Ist die Welt ein Lustspiel, was ist denn die Hölle, die doch ebenfalls in der Welt ist?
ellauri147.html on line 249: Nevertheless, not all critics were this kind to the Emily character. Emma Gray from HuffPost called Emily a bland character, stating "The show doesn´t even make an effort to quirk her up or give her a more relatable, girl-next-door roughness: she´s always immaculately coiffed and made-up, and garbed in effortfully eye-catching outfits. But there´s not much to the character, except for enormous amounts of self-confidence and the inexplicable ability to attract new friends and love interests on every street corner." Rebecca Nicholson of The Guardian gave the series one out of five stars: "if it is an attempt to fluff up the romcom for the streaming age, then it falls over on its six-inch heels." Rachel Handler opined "Darren Star has done it yet again: centered an entire show on a thin, gently delusional white woman whimsically exploring a major metropolitan area in wildly expensive couture purchased on a mid-level salary."
ellauri147.html on line 581:
ellauri147.html on line 592: Die Ratings der anonymen Betrachter und Betrachterinnen – sowohl die eigenen als auch die der mitmachenden Freundinnen und Freunde – geben nun nicht nur die begehrte Rückmeldung aus dem virtuellen Raum, sie bilden auch interessanten Gesprächsstoff in der Clique. Die fotographische Selbstpräsentation zielt nämlich auf eine Antwort gleich in doppelter Weise: unmittelbar zielt sie auf ein Echo des Mediums, mittelbar auf das der peers, denen der geheime Seitenblick mit der Frage gilt: Wie attraktiv bin ich wirklich? Ist das nun Narzissmus, Narzissmus „pur“, wie wir vielleicht abschätzig sagen würden? Oder handelt es sich hier um Beziehung, um eine auf die virtuellen Niederungen medialen feedbacks freilich heruntergekommene Verfallsform einer Beziehung?-->
ellauri147.html on line 597: Jedenfalls geht es offensichtlich nicht um Sexualität, wie uns der Titel dieser Web-Seite glauben lassen möchte, sondern um Identität. Das interaktive Medienspiel um das eigene Bild sagt uns etwas Anderes über den Narzissmus, als das, was wir gewohnt sind, wenn wir von der Selbstverliebtheit reden. Ich werde gesehen, also bin ich! Dieses narzisstische Muster der Identitätsfindung scheint sich heute universell etabliert zu haben. Die Spiegelfunktion des Narzissmus, einst eine Domäne von Kleinkindalter, Pubertät und Adoleszenz, ist in einer Welt penetranter Medialisierung derart sozialisiert, dass wir nicht mehr unterscheiden können:
ellauri150.html on line 461: Ben-Hurista ei meinannut ensin löytyä kuin filmikäsikirjoitus. Synopsis: Judah Ben-Hur lives as a rich Jewish merchant prince in Jerusalem at the beginning of the 1st century. Together with the new governor Pontius Pilate, his old friend Messiah arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messiah knows they are not guilty as such, he sends Judah to the galleys and throws his mother and sister into prison. What the fuck, their house was a menace! Good old Hammurabi would have had their heads off. But Judah swears to come back and take revenge. Genre: Adventure, Drama, History.
ellauri150.html on line 616: There is a procession for the new Roman governor. Judah and his sister Tirzah watch. They see Messala, and Messala sees them. They see the Roman governor, but Tirzah puts too much of her weight on the roof, and a large section of it falls, knocking out the governor. In an act that is part chivalry and part Idiot Ball, Judah tells Tirzah not to say anything; he'll take responsibility. This gets all the house of Hur arrested. The servants are allowed to go free, though.
ellauri150.html on line 647: ... And it's time for the big setpiece, the Chariot Race! The first rule of the Chariot Race is: there are no rules. A demolition derby is entirely standard procedure. That's how Messala gets to have a chariot tricked out with blades on the wheels-- vroom! But does that shake Ben-Hur? No! He will have his vengeance. As the race starts, the two of them are neck-and-neck. Messala tries to destroy Ben-Hur's chariot, but in a cruel twist, his own chariot falls apart. Messala is dragged by his horses and viciously trampled by another team. As Messala's broken body is carried to the surgeon, Ben-Hur receives the victor's laurel crown.
ellauri151.html on line 135: I call a pederast the man who, as the word indicates, falls in love with young boys. I call a sodomite ("The word is sodomite, sir," said Verlaine to the judge who asked him if it were true that he was a sodomist) the man whose desire is addressed to mature men. […] The pederasts, of whom I am one (why cannot I say this quite simply, without your immediately claiming to see a brag in my confession?), are much rarer, and the sodomites much more numerous, than I first thought. […] That such loves can spring up, that such relationships can be formed, it is not enough for me to say that this is natural; I maintain that it is good; each of the two finds exaltation, protection, a challenge in them; and I wonder whether it is for the youth or the elder man that they are more profitable.
ellauri156.html on line 425: David promises Bathsheba she will not die and is willing to accept God's justice for himself, knowing that he as the hero of the book is safe. Repentant, David, seeking relief from the drought and forgiveness reaches out to touch the Ark presuming that he will die of heat stroke (or was it a short?) like the soldier. A clap of thunder is heard and there are flashbacks to David's youth depicting his anointing by Samuel and his battle with Goliath. King David removes his hands from the Ark as rain falls on the dry land. Screenwriter Dunno said he "left it to the audience to decide if the blessed rain came as the result of divine intervention or simply of a low-pressure system moving in from the Mediterranean." Well it could be both, couldn't it?
ellauri156.html on line 513: 26 When Joab came out from David, he sent messengers after Abner, and they brought him back from the well of Sirah; but David did not know it. 27 So when Abner returned to Hebron, Joab took him aside into the middle of the gate to speak with him privately, and there he struck him in the belly so that he died on account of the blood of Asahel his brother. 28 Afterward when David heard it, he said, “I and my kingdom are innocent before the LORD forever of the blood of Abner the son of Ner. 29 “May it fall on the head of Joab and on all his father's house; and may there not fail from the house of Joab one who has a discharge, or who is a leper, or who takes hold of a distaff, or who falls by the sword, or who lacks bread.” 30 So Joab and Abishai his brother killed Abner because he had put their brother Asahel to death in the battle at Gibeon (2 Samuel 3:26-30).
ellauri156.html on line 570: Our text has many applications and implications for today. Let me suggest a few as I conclude this lesson. First, “Can a Christian fall?” Yes. Some folks in the Bible may cause us to question whether they really ever came to please Dog, folks like Balaam or Samson or Saul. But we have no such questions regarding David. He is not only a believer, he is a model believer. In the Bible, David sets the standard because he is a man after God's heart. Nevertheless, this man David, in spite of his popularity in Dog's circles, in spite of his marvelous times of worship and his bea-u-utiful psalms, falls deeply into sin. If David can fall, so can we, which is precisely what Paul, another crook and tricky Dick, warns us about:
ellauri156.html on line 576: Third, “How fast can a Christian fall?” This fast [Bob flaps his hands]. It is amazing how quickly David falls into the sins depicted in this one chapter. In a matter of weeks, or months at best. Apart from God's sustaining grace, we can fall very far, very quickly. Let us be reminded of this fact from David's tragic experience.
ellauri156.html on line 635: It is not due to any intent on her part, nor even any indiscretion. She is bathing herself as darkness falls, and being poor (see 12:1-4), she does not have the privilege of complete privacy, especially when the king can look down from the lofty heights of his rooftop vantage point. David is struck with her beauty and sends messengers to inquire about her identity. They inform David of her identity, and that she is married to Uriah, the Hittite. That should have ended his interest, but it does not. David sends messengers who take her, bringing her to his palace, and there he sleeps with her. When she cleanses herself, she goes home. (Or was it the other way round? Can't remember.)
ellauri159.html on line 1029: You may experience the following pitfalls:
ellauri159.html on line 1279: You’re motivated by your search for knowledge. An unconventional thinker, you have little regard for the common way of doing things. Chances are, formulas like “Top 5 Reasons Your Blog Should Have a Top 5 List” won’t appeal to you. Instead, you strive to surpass the ordinary. As an architect, you may experience the following pitfalls:
ellauri159.html on line 1297: You are happy and motivated with your personal vision. Original thinkers have little regard for convention. They want things to make sense according to their own logical standards, and they will discard anything that doesn’t. For this reason, they tend to enjoy technical subjects. They often wear visual aids like Google spectacles that support and clarify their writing. If you’re one of these guys, one path to success as a writer is to draw on your natural curiosity about how things work and your talent for explaining this for others. But beware of the pitfalls!
ellauri160.html on line 806: It is really sweet that Germans and others have adopted something and that this sketch is special for them. I respect that and don’t doubt for a second the genuine love and admiration some have for Dinner for One. But I am really surprised to see Monty Python compared with Dinner for One. I have to say it was painful to sit through. Painfully, painfully bad and unfunny. That’s why it has never caught on in Britain. I suppose we must have a very different sense of humour to that of Scandinavia and the German-speaking countries. We don’t consider it funny if someone falls over something. There’s nothing subtle or clever or nuanced about it (Rowan Atkinson’s absurdist physical comedy went down so well due to its complexity, think of the sketch where Mr. Bean makes the sandwich on the park bench and it gets progressively more and more absurd, he gets the fish out of water and slaps it against the bench to kill it before eating it, etc. now that is funny, and food fights in general). It’s not funny the first time the butler falls over the tiger-skin rug and it gets progressively more and more irritating each time he does it. You can spot the punchline a mile off and so the end of the sketch falls very flat. It’s nothing whatever to do with the length of the sketch or its obscurity or difficulty finding it: people still seek out all the comic greats on Youtube, like that fat man watsisname, or Charlie Chaplin who bravely made fun of your Hitler.
ellauri161.html on line 647: The film also falls apart in its total runtime, with the movie being over two hours long. Two hours is a long time admittedly, it feels longer than six months, or time until 2030.
ellauri163.html on line 833: In essence, the film called Mouchette recapitulates the point of view of its character Mouchette, which allows the viewer to both ‘feel’ a bit of the character’s warp, while also being able to step back and intellectually distance oneself and ‘understand’ the character’s warp. Whether or not Bresson intended this doubled perspective on life, it, and many of the film’s other strengths more than make up for its weak ending, and lift it to a greatness that, while it falls short of the utmost in the canon of great cinema, nonetheless makes Mouchette a film for which the term “great” is applied a surety. There are, certainly, worse ways to misfire, slightly or otherwise.
ellauri171.html on line 501: The young girl Dinah is seized and raped by Shechem. Shechem tries to atone. He falls in love with Dinah and offers to marry her. He also offers compensation to her family. Jacob accepts the young man’s attempt at reconciliation, but his sons do not. They plan to murder Shechem and all the men of the city. Dinah’s brothers massacre the men of the city, including Shechem, and enslave the women and children. Dinah’s fate is unknown.
ellauri171.html on line 518: But Shechem falls passionately in love post coitum! So not at all what happened with Amnon. Dinah must have been a better lay. Now love complicates what would otherwise be the simple story of a violent crime. Shechem declared that he has fallen passionately in love with Dinah. He told her this, and he told anyone who would listen to him. He loved her tenderly – the words of the story imply longing, yearning, tenderness, not the usual feelings of a rapist.
ellauri184.html on line 779: José Saramago, therefore, gives us his vision of this unknown Jesus while reinterpreting in his sauce some biblical subjects. The result is probably not very canonical since we see a Jesus first educated by the Devil, then discovering sexuality in the arms of Mary Magdalene, a prostitute with whom he falls in love. However, I did not see any desire to satire: on the contrary, we discover a character torn by the codes of the society of his time, the gradual discovery of his identity, and above all, the feeling of being a toy of fate.
ellauri192.html on line 692: The Trubizh is a river entirely located in Ukraine, a left tributary of Dnieper. It falls into the Dnieper's Kaniv Reservoir. It is 295 kilometres long, and has a drainage basin of 5,020 square kilometres. Major cities: Pereiaslav.
ellauri194.html on line 1003: Kekä on Taflat Top joka koittaa huijata rahaa laahuxelta Elon Muskin ja Ilta-Pulun avulla? Onko se tää roistonnäköinen leadership akateemikko Jimi Terska Californiasta? The Academy For Leadership and Training? The Outfit for Dealership And Suckering? Jimi Terska on kirjoittanut kirjan WORST Practices...in Corporate Training: Spectacular Disasters...What We Do by Jim Glantz. In this kinda book, we'll laugh and you learn as you hear us successful trainers tell our most horrific training disaster stories…and what the suckers learned were the root causes of their failures. After each of our epic failure stories, Jim skillfully provides simple-to-use templates and checklists to help make sure you make the same mistakes and pitfalls in your own training programs. Like hire more snakeoil salesmen like us.
ellauri198.html on line 889: The poem as usually printed breaks off at this point, in mid-line, with the word "celestial". Keats's friend Richard Woodhouse, transcribing this poem, completed this line as "Celestial Glory dawn'd: he was a god!" Ox, nyet! nyet! The language of Hyperion is very similar to Milton's, in metre and style. However, his characters are quite different. Although Apollo falls into the image of the "Son" from Paradise Lost and of "Jesus" from Paradise Regained, he does not directly confront Hyperion as Satan is confronted. Also, the roles are reversed, and Apollo is deemed as the "challenger" to the throne, who wins it by being more "true" and thus, more "beautiful." Double yawn.
ellauri203.html on line 677: Phineas falls in love with the girl of his dreams, only to learn she is a robot sex doll.
ellauri210.html on line 505: Lotte Pritzel war weder geschäftstüchtig noch ehrgeizig. Auch zeigte sie keinerlei Ambitionen, das Wesen ihrer Puppen näher zu erläutern. Die „gern im Morphiumrausch schaffende Künstlerin“ erklärte allenfalls, ihre so graziös wie verzweifelt wirkenden Gestalten seien "Geschöpfe ihrer selbst" bzw. "Material gewordene innere Visionen". Zarte Wachs- und Stoffgebilde von raffinierter Eleganz, denen immer ein kindlich-verderbter Zug anhaftete, wie manchen Gestalten von Beardsley – fern vom Obszönen und dadurch umso reizvoller, sogar für solide Käufer. In den 1930er Jahren zog sich Lotte Pritzel, die vermutlich ein Elternteil jüdischen Glaubens hatte, aus der Öffentlichkeit zurück. Sie hatte einen Arzt geheiratet und die hatten eine Tochter Irmelin Rose. Sie starb 1952.
ellauri210.html on line 511: Im Jahr der nationalsozialistischen „Machtergreifung“ 1933 emigrierte van Hoddis’ Mutter mit seinen Schwestern Marie und Anna ebenfalls nach Palästina. Van Hoddis mussten sie aufgrund seines Zustandes zurücklassen. Am 29. September 1933 wurde van Hoddis in die „Israelitischen Heil- und Pflegeanstalten“ Bendorf-Sayn bei Koblenz verlegt. In dieser Anstalt wurden ab 1940 der größte Teil von jüdischen psychiatrischen Patienten im deutschen Reich konzentriert. Zu diesem Zeitpunkt war Hoddis wegen seiner hebephrenen Schizophrenie im Endstadium nicht mehr ansprechbar.
ellauri210.html on line 578: Ab 1904 war Kurt Hiller mit dem ebenfalls literarisch engagierten Medizinstudenten Arthur Kronfeld befreundet, über den er das Denken des Göttinger Philosophen Leonard Nelson kennenlernte. Über Kronfeld trat deswegen im Juli 1908 Magnus Hirschfeld an ihn heran. Es entstand ein Kontakt, der in den folgenden fünfundzwanzig Jahren ein intensives Engagement Hillers im Wissenschaftlich-humanitären Komitee (WhK) zur Folge hatte. Auch dem Institut für Sexualwissenschaft war Hiller aktiv verbunden.
ellauri219.html on line 635: Fassbinder continues to have group sex with his neurotics and obsessives and cannot understand why everyone falls for Michael. The group sessions get stranger—including an indoor cricket match. Michael dreams that all his sexual conquests simultaneously bombard him for attention, listing where they made love.
ellauri222.html on line 393: Arthur Einhorn is William Einhorn’s son who is in college at the University of Illinois in Champaign. An intellectual who studies poetry and wants to write scholarly books, he falls in love with Mimi. His relationship with his father is strained after Arthur has a baby and then divorces his wife, leaving the child to be raised by his parents.
ellauri222.html on line 409: Esther is the younger of the two Fenchel sisters, beautiful heiresses whom Augie meets at a resort hotel with Mrs. Renling. When she refuses to go out with him, Augie faints. Esther’s more passionate older sister, Thea, falls in love with Augie.
ellauri222.html on line 413: Thea, the elder of the two Fenchel sisters, is a glorious-looking girl with kinky black hair and a passionate spirit. She falls in love with Augie at a mineral spring resort, but Augie is in love with her sister, Esther. Thea later comes to find Augie in Chicago, and the two move to Mexico together. Thea, whose name is Greek for “goddess,” is an eccentric woman with wild ideas; she wants to hunt with an eagle and catch poisonous snakes. In the end she finds Augie too ordinary for her. After they part ways, she marries an Air Force captain.
ellauri222.html on line 653: Mimi Villars is a beautiful, tough-talking blonde from Los Angeles who lives next door to Augie in the student boarding house and becomes a close friend of Augie. Mimi has bohemian ideas and aspires to marry an intellectual. When she becomes pregnant with an unwanted child by her boyfriend Frazer, Augie takes her to an abortionist. Mimi later falls in love with Arthur Einhorn. Mimi’s name recalls the tragic heroine of the Puccini opera La Bohème.
ellauri223.html on line 72: But in the City of the Sun, while duty and work are distributed among all, it only falls to each one to work for about four hours every day. The remaining hours are spent in learning joyously, in debating, in reading, in reciting, in writing, in walking, in exercising the mind and body, and with play. They allow no game which is played while sitting or lying on top of one another, neither the single die nor dice, nor chess, nor others like these. But they play with the ball, with the sack, with the rod, with the hoop, with wrestling, with scratching matches at the stake. They say, moreover, that grinding poverty renders men worthless, cunning, sulky, thievish, insidious, vagabonds, liars, false witnesses, etc.; and that wealth makes them insolent, proud, ignorant, traitors, assumers of what they know not, deceivers, boasters, wanting in affection, slanderers, etc. But with them all the rich and poor together make up the community. They are rich because they want nothing, poor because they possess nothing. Hey is this communism or what?
ellauri236.html on line 522: In many of his novels, treacherous women play a significant role. The protagonist falls in love with one and is prepared to kill someone at her behest. Only when he is killed, does he realise that the woman was manipulating him for her own ends. He never got it into her backend well and good, despite all the promises.
ellauri245.html on line 277: Zwar fehlen Harry Beweise, er kann die Geschehnisse des Abends in der Berghütte aber recht genau rekonstruieren: Ein Unternehmer hatte in der Nacht seine Freundin mit einer Wanderin betrogen und fürchtet nun um seine mögliche Ehe mit einer Industriellentochter, die ihn finanziell sanieren kann. Der Täter lockt seine Freundin [welche? die Wanderin oder die Erbin?] dann nach Afrika und zwingt sie, einen Ehevertrag, der ihm das ganze Vermögen überschreibt, zu unterschreiben und will sie töten. Harry und Kaja fliegen daraufhin ebenfalls nach Afrika und werden beide getrennt von Handlangern des Täters überwältigt.
ellauri254.html on line 66: „Die Grundpfeiler dieses Vereins bildeten nächst Hoffmann, Contessa, Koreff, ein ausgezeichneter Arzt*) und Hitzig. Ein vortrefflicher ineinandergreifendes Quatuor mochte nicht leicht zu finden sein. Koreff war der einzige Mensch, dem Hoffmann geduldig zuhörte, weil er ihn in der Unterhaltung an sprudelndem lebendigem Witze oft und an Kenntnissen immer überbot, auch dabei gutmütig genug war, ihn reden zu lassen, so oft er wollte; Contessa, selbst wenig redend, horchte auf alles, was die Freunde an Witz ausgehen ließen, mit dem beredtesten Beifallslächeln, das ihm unaufhörlich um die Mundwinkel spielte, von Zeit zu Zeit ein kleines, aber entscheidendes Wörtchen zugebend, und Hitzig, der mit Contessa das Publikum bildete und alle drei übrigen länger und besser als sie sich untereinander kannte, verstand darum die Kunst, Lücken im Gespräch auszufüllen, und wo es matt wurde, es wieder anzuregen, sich willig jedes Anspruchs auf Solopartien begebend.“ Hoffman oli takuulla sehr narzissistisch.
ellauri257.html on line 67: Taras Bulba (1962), yhdysvaltalainen sovitus, pääosissa Yul Brynner ja Tony Curtis ja ohjaaja J. Lee Thompson. The tale of a Cossack chief who has sworn to be the eternal enemy of the treacherous Poles. So, when his son falls for a beautiful Pole who has saved his life, the father is faced with the dilemma of whether to kill his own flesh and blood as a traitor. This film reinforced the Brynner stereotype as king of the Asiatic wide open spaces.
ellauri257.html on line 73: The cocky and arrogant Taras raises two sons, Andrei (Tony Curtis) and Ostap (Perry Lopez), and eventually sends them to Kiev University to learn how their enemies think. The independent-minded Andrei falls in love with Natalia (Christine Kaufmann), a young beautiful Polish noblewoman, but her family deems him unworthy of her because of his lowly birth. The heartbroken Andrei returns home to the steppes and his bloodthirsty barbarian warrior father—definitely not a college grad.
ellauri260.html on line 335: This profound confusion shows that our human manner of life is not the whole of reality, but a special category of it in a special condition. It must be related to something larger, and only in virtue of this can it possess any meaning and derive the necessary power. Religion adopts this way. It leads beyond a special province to a new stage of life ; a stage that transcends these contradictions and opens out new contents and new forces. Hence the whole of reality which is accessible to men falls into three stages : a fundamental stage, a stage of conflict, and a stage of victorious spirituality. It is this last which alone furnishes human life with its indispensable support and an indisputable goal.
ellauri260.html on line 374: The last term of the errors of the Socialists is the humanitarian idealism which pervades the whole ideal. It treats man as a superior value, and it wants to direct every effort toward him ; but it can find no basis for this value. It falls into the contradiction of treating man as a mere piece of reality and transferring to this piece of the world that appreciation which belongs only to a standard of value. Let us rather have a firm faith in the spiritual and divine in human nature, and not this blind belief in man´s ordinary self.
ellauri270.html on line 351: A hush falls over the crowd as Mr. Summers states that he’ll read the names aloud and the heads of families should come forward and draw a slip of paper from the box. Everyone should hold his paper without opening it until all the slips have been drawn. The crowd is familiar with the ritual, and only half-listens to these directions. Mr. Summers first calls “Adams,” and Steve Adams approaches, draws his slip of paper, and returns to his family, standing a little apart and not looking down at the paper.
ellauri272.html on line 416: M.L. Rosenthal felt that although Ammons shares Wallace Stevens’s desire to intellectualize rather than simply describe, he falls short of Stevens’s success. Paul Zweig agrees that “unlike T.S. Eliot or Stevens, Ammons does not write well about ideas.” When the narrator finds the dead mole under the leaves, he says, “mercy: I’d just had / lunch: squooshy ice cream: I nearly / unhad it.” Vendler commented, “There has been nothing like this in American poetry before Ammons—nothing with this liquidity of folk voice.”
ellauri283.html on line 116: And what is to be made of Corbin Bernsen? What is his place in Christian film? Is he trolling? Is he a great mind misunderstood? Whether it’s abstract musings like Beyond the Heavens or half-hearted satire like Christian Mingle or In-Lawfully Yours, Bernsen’s motivations for making Christian films are very unclear. It’s possible that he’s smarter than us all and doesn’t know how to show it. But it’s also possible that he’s just trying to make a quick buck off of Christian audiences. Reality is probably somewhere in between. Regardless, Beyond the Heavens really needed to be rethought before anyone spent money on it, because it falls flat and is unable to properly convey whatever message it is trying to present.
ellauri302.html on line 64: Yet the essentially (though not conventionally) moral earnestness of both Shaw and Ash brings the circles of their themes in a sense tangent to each other. neither falls prey to that sentimentalization of the prostitute which Dumas helped so much to effect and which Augier strove to combat, nor the delusion of the conservative, conventional horror before an institution for the perpetuation of which conservatism and conventionalism are much to blame. Its all just business as usual. Pecunia non olet.
ellauri302.html on line 251: Manke, steals from her compartment into the basement. She is half-dressed, with a shawl thrown over her private parts. Her colored stockings are visible, and her hair is in disorder. Her eyes sparkle with wanton cunning. Her face is long, and insolently pretty; she is quite young. A lock of hair falls over her forehead. Her eyes blink as she speaks, and her whole body quivers. She looks about in surprise. What? Nobody here?
ellauri302.html on line 347: Thud! Something heavy falls down the stairs.
ellauri302.html on line 651: Ahimsalla ei pitkälle pötkitä Darwinin olympialaisissa. Försvarskrigin head count on pienempi kuin anfallskrigissä. Jos jumala ei pidä verisistä mazeista, mixi se loi näin paljon loislajeja? Eikö kasvitkin sitäpaizi kärsi ja huuda apua? Kyllähän ne niin tekevät. Äs, tää on kaikki aivan tyhjää löpinää. Älkää LÖPISKÖ! Tacete pueri! Silentium!
ellauri321.html on line 220: Set in the year before the Wall Street crash, Juan in America is a classic evocation of the final mania of prohibition, as seen through equally maniacal British eyes. The character Eric Linklater devised to be his unreliable explorer was one capable of absorbing the enormity of the American experience without being overwhelmed by its incongruities. A blithe, bastard descendent of Byron(tm)s Don Juan, Linklater´s Juan is an anti-hero with a taste for the grotesque and the ridiculous, at once both dirty and deity whose response when faced either with sudden catastrophe or miraculous survival is simply to laugh. A novel in the mode of the picaresque, this is a story of erotic discovery in the sense, as Juan puts it, that, eh, your trousers hide not only your willy but your kinship to the clown. A nation emerging as a great power is exalting in absurdist energies. In its last spasms before the great depression, America is revealed through a series of unlikely accidents as Juan stumbles from state to state, somehow evading consequences as he goes. On his first day, he falls for the daughter of a gangster, witnesses a murder in a speakeasy and watches a woman leap to her death in a New York street. He thrills to the bizarreness of each spectacle and moves on to the next in a galloping mood that is part medieval romance, part running commentary on what was still, in the 1920s, the new world.
ellauri328.html on line 52: Sentään 1 hyvä uutinen: Anställd på räddningsverket stupade i kriget i Ukraina. Den här gången kom Hobla inte ihåg at säga anfallskrig. Kanske därför att nu är det ju Ukraina som går i anfall, just liksom lilla Finland med hjälp av tyskarna i 1941. Få se om dom också ämnar krossa gamla gränsen och fortsätta hela vägen till Ural.
ellauri332.html on line 480: Prynne is a slumming-sexpot pariah, Chillingworth comes back from the woods with a clinical eye for vengeance, flabby-chinned Dimmesdale (Lou Castel) keeps fainting on the edge of the widescreen. Pearl (Yella Rottländer) giggles as the black-clad puritan leading the arrest slips and falls in the mud.
ellauri344.html on line 261: Jews without Money is set in a slum populated mainly by Jewish immigrants from Eastern Europe. The father of the hero is a Romanian-born painter who suffers from lead poisoning. When he falls from a scaffold, he is disabled and can no longer work. His business fails and the family is pushed into poverty. The mother has to seek work in a restaurant. Although he is a bright boy, young Michael decides he must leave school. On the final page of the book, the poor Jewish boy prays for the arrival of a Marxist worker's revolution that will emancipate the working class.
ellauri345.html on line 270: Der Landsturm war im Militärwesen seit dem 15. Jahrhundert „das letzte Aufgebot“ aller Wehrpflichtigen, die weder dem Landheer noch der Marine angehören, zur Abwehr eines feindlichen Einfalls. Suomexi nostomies. The favorable comparison made by Lessing between the quintessential German poet, Goethe, and Mendelssohn is a mark of the esteem in which he was held. Lessing told Friedrich Heinrich Jacobi that once Goethe regained his reason, he would be hardly more than an ordinary man. At the very same time he said of Mendelssohn that he was the most lucid thinker, the most excellent philosopher, and the best literary critic of the century.
ellauri345.html on line 436: Rudolf Borchardt wurde als zweites Kind des ursprünglich jüdischen, 1864 evangelisch getauften Kaufmanns Robert Borchardt (1848–1908) und seiner ebenfalls konvertierten Frau Rosalie, geb. Bernstein (1854–1943), geboren. Er verbrachte die ersten fünf Lebensjahre in Moskau und zog 1892 mit seiner Familie nach Berlin. Da er im Gymnasium diskriminiert wurde, gab die Familie ihn in die Obhut des Gymnasialprofessors Friedrich Wittu, der ihn den an den Königlichen Gymnasien zunächst in Marienburg und später in Wesel am Niederrhein in den Traditionen evangelischen Lebens und der „Treue gegen den König“ erzog. Schon in dieser Zeit prägte ihn die Lektüre der Schriften Herders. 1895 machte er am Königlichen Gymnasium zu Wesel sein Abitur und begann im selben Jahr in Berlin ein Studium in Theologie, später studierte er klassische Philologie und Archäologie. Diese Studien setzte er 1896 in Bonn und Göttingen fort und studierte daneben noch Germanistik und Ägyptologie.
ellauri346.html on line 309: Autumn night falls over the beach of Gaza Marrasyö putoaa Gazan uimarannalle
ellauri348.html on line 385: Tää on pätkä pituushaasteisen Popen (1717) pitkänläntää arkkiveisua munattomasta Abelardista ja sen Eloisasta bändäristä. Eli it's from a poem about a woman named Eloisa who falls in love with her much older tutor Abelard, but her family forces them apart. Eloisa is forced to become a nun and writes about the grief of being without her star-crossed lover. She tries to forget Abelard, but she cannot and she comes to the conclusion that God cannot heal all wounds (such as the loss of Abelard's balls). She wishes she hated Abelard, but concludes her love for him remains. Despite her knowing about her doom with her love, she still longs for it. Just like Joel and Clem. They have knowledge about their destruction and loathing for each other if they continue with the relationship, but it doesn’t matter to them. It’s "Okay," “ignorance is bliss” by another name!
ellauri367.html on line 138: Verschwörungstheorien, in denen der Familie Rothschild eine Rolle zugesprochen wird, gibt es bis heute. In unterschiedlichen Versionen existiert die Theorie, die Rothschilds leiteten oder beteiligten sich an einer entweder jüdischen, freimaurerischen, illuminatischen oder außerirdischen Verschwörung, häufig mit den in diesem Umfeld üblichen Ähnlichkeiten oder unkritischen Bezugnahmen auf die längst als Fälschung entlarvten Protokolle der Weisen von Zion. Ebenfalls als Quelle für derartige Theorien werden die allgemein nicht als authentisch angesehenen sogenannten Rakowski-Protokolle genannt.
ellauri369.html on line 368: Blumine: A woman associated to the German nobility with whom Teufelsdröckh falls in love early in his career. Her spurning of him to marry Towgood leads Teufelsdröckh to the spiritual crisis that culminates in the Everlasting No. Their relationship is somewhat parodic of Werther´s spurned love for Lotte in The Sorrows of Young Werther (including her name "Goddess of Flowers", which may simply be a pseudonym), though, as the Editor notes, Teufelsdröckh does not take as much incentive as does Werther. Critics have associated her with Kitty Kirkpatrick, with whom Carlyle himself fell in love before marrying Jane Carlyle.
ellauri370.html on line 61: When Haman is begging Queen Esther for his life after he tried to do the Jews dirty, he falls onto the couch she's lying on. The king walks in, thinks Haman is trying to have a go on his hot wife, and promptly has Haman impaled on a pole fifty cubits high (about 75 feet). Read More: How to clean a toilet ring.
ellauri370.html on line 406: Seiner Meinung nach sei die jüdische Rasse völlig wertlos und nichts als „eingefleischte Selbstsucht“. Der Jude könne nur Werte anderer Völker stehlen und ausbeuten. Als Parasit sorge er für die Korruption seiner Umgebung, da er sich dort am wohlsten fühle. Ein Kapitel über die Stellung der Flöhe im natürlichen System der Gesellschaft wäre ebenso angebracht gewesen und jedenfalls weniger langweilig.
ellauri390.html on line 520: Samaan aikaan toisaalla Jack the Beanstalk varastaa jättiläiseltä kultamunia munivan hanhen ja hän sekä hänen äitinsä elävät mukavasti elämänsä loppuun asti. Eine Erzählung über den Sinn des Lebens. Loppukäänne on tässäkin aika lössähdys: "Wenn ich Sie richtig verstehe, dann gibt es kein Patentrezept, das bei jedem funktioniert. Man muss nur sich konzentrieren, kreuz und quer touristieren, und es kann bestenfalls funkzionieren." Ei tällä kuuhun mennä, mutta Jaakolle tää oli varsinainen kultamuna. Jättiläisen ovelta Jack pystyy noutamaan jättiläiseltä monia tavaroita, mukaan lukien kultapussin, lumotun hanhen, joka munii kultamunia, ja taikakultaisen harpun, joka soittaa ja laulaa itsekseen. Sitten Jack pakenee pilkkomalla pavunvarren. Häntä jahtaava jättiläinen kaatuu kuolemaansa kuin Väinö Kuzmin, ja Jack ja hänen perheensä menestyvät.
xxx/ellauri056.html on line 572: Anschließend ging er wieder nach Leipzig. Fichtes Plan, Prinzenlehrer zu werden, scheiterte. Seine zweite Idee, eine Zeitschrift für weibliche Bildung, lehnten mehrere Verleger ab. Trauerspiele und Novellen brachten ihm ebenfalls keine finanzielle Sicherheit.
xxx/ellauri068.html on line 119: In New York City, Borat sees an episode of Baywatch on TV and immediately falls in love with Pamela Anderson's character, C. J. Parker. While interviewing and mocking a panel of feminists, he learns of the actress' name and her residence in California. Borat is then informed by telegram that Oksana has been killed by a bear. Delighted, he resolves to travel to California and make Anderson his new wife. They decide not to fly, in case "the Jews repeat their attack of 9/11". Borat takes driving lessons and buys a dilapidated ice-cream truck for the journey.
xxx/ellauri068.html on line 395: In der ebenfalls 1929 gedrehten Beef & Steak-Episode „Wir halten fest und treu zusammen“ nimmt Kurt Gerron eine Grammophonplatte mit diesem Titel vom Apparat und isst sie auf; als ihm darauf übel wird und er auf der Toilette verschwindet, hört man dann von dort das Lied tönen...
xxx/ellauri085.html on line 133: When the eyeball falls out of the male protagonist’s head, i personally believe that the filmmaker wants to emphasize to the viewer the fact that we don’t necessarily “see” and perceive the world around us only as individuals but rather as a collective self. The way we perceive objects, people, the world around us in general is partly shaped by society and it’s rules. We have been taught how to look at life…
xxx/ellauri086.html on line 865: Swung by Seraphim whose foot-falls tinkled on the tufted floor. lehahti ja joku hyvä haju leyhyi jostakin mun tajuun!
xxx/ellauri123.html on line 563: The difference between a rule and a principle is that one is merely a guideline that follows from the other. Principles don’t break. They’re universal. Gravity is a principle. Whether it’s you who falls from a skyscraper, your cat, or a 17th century vase, it’s not gonna end well. Gravity makes no exceptions.
xxx/ellauri123.html on line 1279: Imaginative cobbler Hans Christian Andersen (Danny Kaye) is asked to leave his hometown because his frequent stories are distracting the children from school. From there he moves to Copenhagen, Denmark, where he sees and falls in love with Doro (Jeanmaire), a ballerina. He writes "The Little Mermaid" for her, and it becomes the ballet´s latest work. However, Doro is already married to Niels (Farley Granger), meaning Hans must content himself with children.
xxx/ellauri127.html on line 56: In episode 113, it is sung by Wayne and Wanda, who are interrupted when a tree falls on Wayne.In episode 401, Miss Piggy sings "Trees" for the UK Spot, and is heckled by the tree.

xxx/ellauri127.html on line 517: He helps Lorenzo abduct Jessica, which almost makes him late for the departure to Belmont. He falls in love with Nerissa, Portia’s lady-in-waiting, who agrees to marry him on condition that Bassanio succeeds in the task of the caskets. He has no compunction about admitting to the mercenary nature of Bassanio’s choice of bride.
xxx/ellauri127.html on line 723: Anyway, Endymion falls in love with a beautiful Indian maiden. Both ride winged black steeds to Mount Olympus where Cynthia awaits, only for Endymion to forsake the goddess for his new, mortal, love. Endymion and the Indian girl return to earth, the latter saying she cannot be his love. He is miserable, 'til quite suddenly he comes upon the Indian maiden again and she reveals that she is in fact Cynthia. She then tells him of how she tried to forget him, to move on, but that in the end, "'There is not one,/ No, no, not one/ But thee.'"
xxx/ellauri128.html on line 203: Neben anderen Liebeleien erlebte Rahel Robert, die sehr kritisch über die bürgerliche Ehe zwischen Mann und Frau dachte, auch das Scheitern ihres Verlöbnisses mit dem spanischen Gesandten Rafael Eugenio Rufino d’Urquijo Ybaizal y Taborga (1769–1839), der sie mit Streitszenen quälte. Was d’Urquijo betrifft, den sie als unbeherrscht und eifersüchtig erlebt hatte, trug sie ihm nichts nach: „Er hat mich zu sehr, zu oft, und immerweg beleidigt; gut bin ich ihm auch“, schrieb sie an Karl August Varnhagen, mit dem sie inzwischen seit fünf Jahren verlobt war. Am 15. Juli 1814 heiratete d’Urquijo in Berlin Louise von Fuchs (1792–1862); neun Wochen später, am 27. September, heiratete Rahel Robert, ebenfalls wieder in Berlin, den vierzehn Jahre jüngeren Diplomaten, Historiker und Publizisten Varnhagen, der in Österreich den Namenszusatz seiner adligen Vorfahren „von Ense“ angenommen hatte. Das geschah zu einer Zeit, als er noch Gefahr lief, als gebürtiger Düsseldorfer von Napoleons Truppen rekrutiert zu werden. Später wurde der Adelstitel, den beide Ehepartner trugen, durch ein Patent des preußischen Königs Friedrich Wilhelm III. bestätigt. Kurz zuvor, am 23. September, war Rahel zum evangelischen Christentum konvertiert. Bei der Hochzeit war der gemeinsame Freund Friedrich de la Motte Fouqué zugegen.
xxx/ellauri130.html on line 624: Carmen Sylva legte bei der Veröffentlichung ihrer Werke großen Wert auf die Ausstattung der Bücher. Die Literaturkritik beurteilte diese, falls überhaupt, sehr zurückhaltend. Um den Skandal zu vertuschen, wurde sie daraufhin offiziell als geistesgestört hingestellt. Selber zeigte sie sich so oft wie möglich in prächtig gestickten rumänischen Trachten.
xxx/ellauri136.html on line 701: Jedenfalls singt sie abends immer noch mit der Band:
xxx/ellauri139.html on line 334: When Madeline finally enters the room, undresses, and falls to sleep, Porphyro is watching her. When he decides that she has fallen completely asleep he makes his approach and wakes her with the playing of a flute. She is ripped from a dream in which she was with a heavenly, more beautiful version of Porphyro and is aghast when she sees the real one. She believes for a moment that he is close to death.
xxx/ellauri166.html on line 306: The Shechinah Herself also stumbles and falls into the mud. Her children, our own souls, bring her there. So that now She, too, can no longer redeem them without redeeming Herself. Her destiny becomes wrapped up in theirs.
xxx/ellauri173.html on line 231: Christoph Martin Wielands gleichnamiger Vater Thomas Adam Wieland d. J. (* 3. Januar 1704; † 27. September 1772 in Biberach) ergriff ebenfalls den Beruf eines Theologen. Se vanhempi kirkonmieskaima runoili joskus 1600-luvulla.
xxx/ellauri173.html on line 249: Inzwischen war Wieland nach Bern gezogen, wo er ebenfalls als Hauslehrer tätig war. Dort verlobte er sich mit Julie Bondeli, der späteren Freundin Jean-Jacques Rousseaus.
xxx/ellauri177.html on line 245: The Demise of Father Mouret (French: La Faute de l'Abbé Mouret, "The Mistake of Father Mouret") is a 1970 French film directed by Georges Franju, based on the 1875 novel La Faute de l'Abbé Mouret by Émile Zola. Like the novel, the film is about Father Mouret, a young priest (played by Francis Huster) who is sent to a remote village in Provence, then has a nervous breakdown and develops amnesia. While recuperating, he meets and falls in love with a beautiful young woman, Albine (Gillian Hills), with whom he begins an idyllic relationship meant to recall the story of Adam and Eve. When he regains his memory, though, he is wracked with guilt, and ends the relationship, leading to tragedy for both.
xxx/ellauri179.html on line 117: After some exploring, Abel discovers an enchanting forest where he hears a strange bird-like singing. His Indian friends avoid the forest because of its evil spirit-protector, "the Daughter of the Didi." Persisting in the search, Abel finally finds Rima the Bird Girl. She has dark hair, a smock of spider webs, and can communicate with birds in an unknown tongue. When she shields a coral snake, Abel is bitten and falls unconscious.
xxx/ellauri179.html on line 121: Abel falls in love with Rima, but she (17 and a stranger to white men) is confused by "odd feelings". This relationship is further strained because Abel cannot speak her unknown language.
xxx/ellauri179.html on line 153: The Lady Brett Ashley character is a British, charismatic, and independent woman with a drinking problem. She is the love of Kake's life and she loves him too, but she (and Kake) both see his impotence as a possible obstacle to a relationship as she leads a promiscuous life of romantic adventures. She is waiting to get divorced from the aristocrat from whom she got her title, and then plans to marry Mike Campbell. She is terminally unhappy and always wanting someone else. She falls in love with Romero at the bullfight and becomes his inspiration at the ring.
xxx/ellauri179.html on line 157: Pedro Romero is a young, good-looking bullfighting prodigy who is so skillful and beautiful that Kake, no wait, Brett falls in love with him. When Cohn learns of Romero's effect on Brett, he fights him but Romero cleverly evades him with the muleta. Romero and Brett run away together but Brett leaves him soon after when he tries to turn her into a traditional Latina woman.
xxx/ellauri195.html on line 216: If we have been told that, we may miss the mark. I have taken you, in the chapter which I have just read, to Christianity at its source; and there we have seen, “The greatest of these is love.” It is not an oversight. Paul was speaking of faith just a moment before. He says, “If I have all faith, so that I can remove mountains, and have not love, I am nothing. “So far from forgetting, he deliberately contrasts them, “Now abideth Faith, Hope, Love,” and without a moment’s hesitation, the decision falls, “The greatest of these is Love.”And it is not prejudice. A man is apt to recommend to others his own strong love, but he should imitate Paul´s tiny one instead.
xxx/ellauri199.html on line 917: Безмолвна весня, музыка нема, Song falls silent, music is dumb,
xxx/ellauri225.html on line 46: That said, The Telling feels a little different compared to the rest of the Hainish Cycle. And for good reason—released in 2000, The Telling is the first full Hainish novel Le Guin wrote since The Dispossessed in 1974. It reads softer, more intimate than the books that came before, feeling almost more like fantasy than science fiction at times. The Telling follows Sutty Dass, an Observer who arrives on the planet Aka to record its history and culture while Hain makes its diplomatic overtures. During the time dilation of Sutty’s near-light space travel, however, Aka experienced an intense social upheaval that saw a tyrannical capitalist hegemony take power over the planet and attempt to wipe out the entirety of Aka’s long history. It then falls to Sutty, who grew up under religious oppression on Earth, to uncover and understand Aka’s historical and spiritual traditions as they are actively being eradicated by the corporation-state.
xxx/ellauri250.html on line 103: Many commentators are loath to describe the falls in life expectancy as actual falls or to ascribe blame to the political situation in the UK. Overall, Britain’s NHS is reflective of the failure of socialized medicine: longer waiting times, rationing, poor quality of care and unnecessary deaths. Socialized medicine, the Holy Grail of leftism, is a nightmare. The U.S. should take note of the NHS’s major shortcomings, as that is where the country is headed if we fail to repeal Obamacare! Don't believe the commies! Rather follow Aaron Bandler to Hell on Twitter!
xxx/ellauri251.html on line 253: The ivy falls with the Bacchanal’s hair Muratti putoaa bakkanaalin tukasta
xxx/ellauri251.html on line 1777: And as a tower that falls by fire in fight
xxx/ellauri252.html on line 513: En av skurkarna hette Erik Carlsson (FRA, telegrafist och rysk tolk). Carlsson hade genomfört värnpliktstjänstgöring på Wendes artilleriregemente (A 3) i Kristianstad. Han kunde sju språk och hade stor användning av ryska. Carlsson var anställd vid Försvarets radioanstalt där han hade lärt sig radioteknik. Carlssons kvarlevor hittades aldrig i flygplanskroppen och samtidigt har de funnit tecken på att han skulle ha hunnit lämna DC3:an med hjälp av en fallskärm då den sovjetiske piloten har uppgett att han såg minst en svensk i fallskärm lämna det brinnande planet. Det fanns även hemliga Säpo-dokument som pekade ut Carlsson som övertygad kommunist och potentiell förrädare. Misstankarna mot Carlsson har aldrig avskrivits. Bra gjort 92-an Carlsson!
xxx/ellauri261.html on line 374: Anstatt wie aufgetragen, in Zanglers Abwesenheit auf das Gwölb aufzupassen, begibt Weinberl sich mit dem Lehrling Christoph in die nahe gelegene Hauptstadt, um endlich einmal ein „verfluchter Kerl“ zu sein. Dort laufen sie beinahe Zangler in die Arme, der seine zukünftige Gattin besucht. Sie flüchten ins Modewarengeschäft der Madame Knorr, treffen dort Frau von Fischer, später auch noch Marie, Zanglers Mündel, die mit ihrem vom Vormund nicht goutierten Liebhaber August Sonders fliehen will („Das schickt sich nicht“) und den neuen Hausdiener Melchior („Das is classisch“). Bei Zanglers Schwägerin Fräulein Blumenblatt geben sie sich schließlich als Marie und August aus, bis diese beiden, sowie Zangler, Madame Knorr und Frau von Fischer ebenfalls dort eintreffen.
xxx/ellauri306.html on line 579: Gareth: Big budget thriller that falls flat for so many reasons with main being is muddling, middle of the road story.

xxx/ellauri320.html on line 246: Tämä teos löytyi Pasilan vaihtorotilta. Juonipaljastus: Having financed an adventurer's (Mr. Kirkpatrick) expedition to recover an ancient Roman treasure, the handsome and wealthy Marquis of Quinsborne joins the journey and deep in the Tunisian desert he falls in love with the adventurer's lovely daughter Sabra. 12 love scenes, 5 penetrations and a concentrated stare per scene.
xxx/ellauri337.html on line 113: Die Rekonstruktion eines Lebens: Leni Pfeiffer, geborene Gruyten, ist 48 Jahre alt, hat 32 Arbeitsjahre auf dem Buckel, lebt aber von einer Kriegerwitwenrente aus einer Ehe, die nur drei Tage dauerte. Sie ist modisch auf dem Stand der Kriegsjahre stehen geblieben, lebt reuelos und keinesfalls verbittert, versteht aber die Welt nicht mehr. Sie hat finanzielle Schwierigkeiten, ihr Sohn Lev Gruyten sitzt im Gefängnis, und ihr Ruf ist ruiniert – sie weiß aber nicht, warum. Ihre Umwelt schimpft sie eine Kommunistenhure und ein Russenliebchen, dabei ist Leni kein Flittchen. Vielleicht kommt sie auf zwei Dutzend Mal Beischlaf in ihrem ganzen Leben. Der Verfasser beginnt, die Menschen in Lenis Umfeld zu befragen, um ihre Lebensgeschichte zu rekonstruieren.
xxx/ellauri337.html on line 218: Der Weltkrieg sei ein Aufruf zur geistigen Wiedergeburt des Menschen und eine Zerfallserscheinung des Kapitalismus. Zu Ostern 1916 wurde er im Kloster Beuron feierlich in die katholische Kirche aufgenommen. Er kam zu der Auffassung, dass für das Nachkriegseuropa ein christlicher Sozialismus oder Solidarismus geeignet sei, um einen Weg zwischen dem kapitalistischen Westen und dem kommunistischen Osten zu finden.
xxx/ellauri380.html on line 183: The story of a thief who falls in love with the daughter of the Caliph of Baghdad is the stuff of fairy tales. The Thief of Bagdad is a 1924 American silent swashbuckler film directed by Raoul Walsh and starring Douglas Fairbanks, and written by Achmed Abdullah and Lo...
xxx/ellauri380.html on line 185: 🌎A thief falls in love with the Caliph of Bagdad's daughter. The Caliph will give her hand to the suitor that brings back t...
xxx/ellauri380.html on line 189: The Thief of Bagdad is a 1924 American swashbuckler film directed by Raoul Walsh and starring Douglas Fairbanks. Freely adapted from One Thousand and One Nights, it tells the story of a thief who falls in love with the daughter of the Caliph of Bagdad. In 1996, the film was selected for preservation in the United States National Film Registry ...
xxx/ellauri380.html on line 195: The Thief of Bagdad (1924) ‧Stars: Douglas Fairbanks, Julanne Johnston, Snitz Edwards ‧2h 35m When the Thief of Baghdad (Douglas Fairbanks) sneaks into a royal palace, he discovers and instantly falls in love with a beautiful princess (Julanne Johnston). The thief pretends to be a prince, and the princess becomes enamored with him. The thief then reveals his wrongdoing to a Holy Man ...
139