ellauri032.html on line 244: To understand the method which Pascal employs, the reader must be prepared to follow the process of the mind of the intelligent believer. The Christian thinker – and I mean the man who is trying consciously and conscientiously to explain to himself the sequence which culminates in faith, rather than the public apologist – proceeds by rejection and elimination. … To the unbeliever, this method seems disingenuous and perverse: for the unbeliever is, as a rule, not so greatly troubled to explain the world to himself, nor so greatly distressed by its disorder; nor is he generally concerned (in modern terms) to ‘preserve values’. He does not consider that if certain emotional states, certain developments of character, and what in the highest sense can be called ‘saintliness’ are inherently and by inspection known to be good, then the satisfactory explanation of the world must be an explanation which will admit the ‘reality’ of these values. Nor does he consider such reasoning admissible; he would, so to speak, trim his values according to his cloth, because to him such values are of no great value. The unbeliever starts from the other end, and as likely as not with the question: Is a case of human parthenogenesis credible? and this he would call going straight to the heart of the matter.
ellauri048.html on line 926: Goethe plucks the flower although it tells him not to do so. He takes it to his house and plants it in his garden. He wants to tell us, viewers or readers, look how noble I am, he because he takes it home. He doesn't realize that by taking the flower home he is taking her wild life away and domisticating it in his factory (garden). In that he is not different from industrialists and people who practise green house raising. It is like enslaving his flower and on top of that he wants to be applauded and praised because he doesn't kill it. However, he does't listen to what his flower says: do not pluck me or I will die.
ellauri051.html on line 877: 295 The clean-hair'd Yankee girl works with her sewing-machine or in the factory or mill, 295 Puhtaatukkainen jenkkityttö työskentelee ompelukoneensa kanssa tai tehtaalla tai tehtaalla,
ellauri060.html on line 245: Following his release from debtors’ prison, he probably travelled in Europe and Scotland, and it may have been at this time that he traded wine to Cadiz, Porto and Lisbon. By 1695, he was back in England, now formally using the name "Defoe" and serving as a "commissioner of the glass duty", responsible for collecting taxes on bottles. In 1696, he ran a tile and brick factory in what is now Tilbury in Essex and lived in the parish of Chadwell St Mary. He was a serial entrepreneur.
ellauri069.html on line 580: Stella Dallas is a 1937 American drama film based on the 1923 Olive Higgins Prouty novel of the same name. Stella Martin, the daughter of a mill worker, Charlie, in a post-World War I Massachusetts factory town, is determined to better herself. She sets her sights on mill executive Stephen Dallas and catches him at an emotionally vulnerable time. Stephen's father killed himself after losing his fortune. Penniless, Stephen disappeared from high society, intending to marry his fiancée, Helen Morrison, once he was financially able to support her. However, just as he reaches his goal, he reads in the newspaper the announcement of her wedding. So he marries Stella.
ellauri079.html on line 141: The introduction of European metal tools revolutionized the production of wampum; by the mid-seventeenth century, production numbered in the tens of millions of beads. Dutch colonists discovered the importance of wampum as a means of exchange between tribes, and they began mass-producing it in workshops. John Campbell established such a factory in Pascack, New Jersey, which manufactured wampum into the early 20th century. Pascackpa hyvinkin.
ellauri079.html on line 302: The view that we immediately produce actions in our central nervous system has the consequence that our voluntary motions are entirely caused by sequences of events that we initiate unknowingly, events over which we can exercise control over only indirectly. This view, I shall argue below, is unsatisfactory.
ellauri079.html on line 303: Surprisingly, I use as an example of a free agent here a pingpong player. Presumably because my tennis-playing son has proved unsatisfactory. What I end up saying is distinguish agent causation from event causation. Futile squirming, it does not change anything.
ellauri106.html on line 65: Philip Roth was the younger of the 2 boys of Herman Roth (1901–1989) and his wife Bess, nee Finkel (1904–1981). Both parents were assimilated American Jews of the second generation of immigrants. The maternal grandparents came from the area around Kiev, the Yiddish-speaking paternal grandparents, Sender and Bertha Roth, from Koslow in Galicia. Sender Roth had trained as a rabbi in Galicia and worked in a hat factory in Newark. Herman Roth, the middle of seven children and the first child in the United States, first worked in a factory after eight years of schooling, then became an insurance agent selling door-to-door life insurance. By his retirement he made it to the district director of Metropolitan Life. Philip Roth's brother, Sanford (Sandy) Roth (1927–2009), who was four years older than him, studied art at the Pratt Institute, became vice-president of the advertising agency Ogilvy & Mather in Chicago and made a name for himself as a painter after his "early retirement".
ellauri117.html on line 608: Maxa-Shaftesburyn (1621-1683) pojanpoika, 3. Earl of Shaftesbury (1671—1713) oli mieltä että: Hobbes had set the agenda of British moral philosophy (a search for the grounding of universal moral principles), and Locke had established its method (empiricism). Shaftesbury’s important contribution was to focus that agenda by showing what a satisfactory response to Hobbes might look like but without giving up too much of Locke’s method. Shaftesbury showed the British moralists that if we think of moral goodness as analogous to beauty, then (even within a broadly empiricist framework) it is still possible for moral goodness to be non-arbitrarily grounded in objective features of the world and for the moral agent to be attracted to virtue for its own sake, not merely out of self-interest. In Shaftesbury’s aesthetic language, the state of having the morally correct motives is the state of being “morally beautiful,” and the state of approving the morally correct motives upon reflection is the state of having “good moral taste.” Shaftesbury argues that the morally correct motives which constitute moral beauty turn out to be those motives which are aimed at the good of one’s society as a whole. This good is understood teleologically. Furthermore Shaftesbury argues that both the ability to know the good of one’s society and the reflective approval of the motivation toward this good are innate capacities which must nevertheless be developed by proper socialization.
ellauri156.html on line 586: Man (and exceptionally, woman) has been seeking to cover up his sins ever since the Garden of Eden. Adam and Eve thought they could cover their sins by hiding their nakedness behind the fig leaves (hardly large enough for Adam's snake), and if not this, by hiding themselves from God behind Eve's bush. But God "lovingly" sought them out, not only to rebuke them and to pronounce some select curses upon them, but to give them a lame promise of forgiveness when the flagpoles start to bloom. It was God who provided a covering for their sins, in the form of snappy sackcloth jeans. The sacrificial death, burial, resurrection, and feasting on rumpsteaks cut from our Lord Jesus Christ's butt is God's provision for covering our sins. Have you experienced it, my friend? If not, why not confess your sin now and receive God's gift of forgiveness from him in person (in pirsuna pirsunalmente), and work henceforward with Jesus Christ in the cross factory of Cavalry? How 'bout that? A. Yokum, frost-bite travelers re-skewered reasonable. Ask for rates!
ellauri183.html on line 168: In Fear and Trembling, Kierkegaard follows Kant in emphasising that Abraham's decision is morally repugnant and rationally unintelligible. However, he also shows that one consequence of Kant's view is that, if nothing is higher than human reason, then belief in God becomes dispensable. Unlike both Kant and Luther, Kierkegaard does not promote a particular judgment about Abraham, but rather presenz his readers with a dilemma: either Abraham is no better than a murderer, and there are no grounds for admiring him; or moral duties do not constitute the highest claim on the human being. Fear and Trembling does not resolve this dilemma, and perhaps for a religious person there is no entirely satisfactory way of resolving it.
ellauri185.html on line 408: Pinker was born in Montreal, Quebec, in 1954, to a middle-class Jewish family. His grandparents emigrated to Canada from Poland and Romania in 1926, and owned a small necktie factory in Montreal. His father was a lawyer. His mother eventually became a high-school vice-principal. His brother is a policy analyst for the Canadian government, while his sister, Susan Pinker, is a psychologist and writer who authored The Sexual Paradox and The Village Effect.
ellauri185.html on line 846: Instead, certain body odours are connected to human sexual attraction. Humans can make use of body odour subconsciously to identify whether a potential mate will pass on favourable traits to their offspring. Body odour may provide significant cues about the genetic quality, health and reproductive success of a potential mate. Body odour affects sexual attraction in a number of ways including through human biology, the menstrual cycle and fluctuating asymmetry. The olfactory membrane plays a role in smelling and subconsciously assessing another human's pheromones. It also affects the sexual attraction of insects and mammals. The major histocompatibility complex genes are important for the immune system, and appear to play a role in sexual attraction via body odour. Studies have shown that body odor is strongly connected with attraction in heterosexual females. The women in one study ranked body odor as more important for attraction than “looks”. Humans may not simply depend on visual and verbal senses to be attracted to a possible partner/mate. That's hard science, no pseudo, mate!
ellauri198.html on line 237: Although the strike lasted nearly six months, the tide quickly turned. Union leaders had recently initiated a policy of supporting President Franklin Roosevelt and the Democratic Party. They told their workers that they could trust the Democrats and count on them to defend their interests. But Democratic governors, all allied with Roosevelt and all good friends of big business, used their power to beat strikers into submission. In Johnstown, Pennsylvania, the governor declared martial law and police reopened a closed plant and herded scabs into the factory to restart production, breaking the strike. In Ohio, the governor ordered National Guard troops from town to town to smash picket lines, beat and arrest strikers, raid union offices, and escort scabs into the factories. In Youngstown, two workers were shot dead, two more in Massillon, and another was beaten to death in Canton. Thousands more were beaten and arrested throughout the state at those and other locations.
ellauri207.html on line 182: Catherine Zeta-Jones was born on 25 September 1969 in Swansea, Wales, to David Jones, the owner of a sweet factory, and his wife Patricia (née Fair), a seamstress. Her father is Welsh and her mother is of Irish Catholic descent. She was named after her grandmother, Zeta Jones (whose name was derived from the name of a ship that her great-grandfather once sailed on), because 'Just Jones' would not cut the cheese in showbiz. Zeta-Jones was raised in the suburban area of Mumbles.Her struggle with depression and bipolar II disorder has been well documented by the media, for she is married to sex addicted actor Michael Douglas, son of Kirk, whose name used to be Issur Danielovitch Demsky. Michael is 25 years her senior but a wizard with cunnilingus.
ellauri210.html on line 843: But I work in his factory
ellauri217.html on line 723: In conclusion, therefore, it appears that the least unsatisfactory solution of the complicated textual and exegetical problems of the Apostolic Decree is to regard the fourfold decree as original (foods offered to idols, strangled meat, eating blood, and unchastity—whether ritual or moral), and to explain the two forms of the threefold decree in some such way as those suggested above. An extensive literature exists on the text and exegesis of the Apostolic Decree. According to Jacques Dupont, "Present day scholarship is practically unanimous in considering the 'Eastern' text of the decree as the only authentic text (in four items) and in interpreting its prescriptions in a sense not ethical but ritual (whatever that means)".
ellauri222.html on line 265: this time the overall effect was not satisfactory. I was particularly aware of the absence of distance that the writer must put space between himself and the characters in his book. There should be a certain detachment from the writer's own passions. I speak as one who in Herzog committed the same sin. There I hoped that comic effects might protect me. Nevertheless I crossed the border too many times to raid the enemy camp. But then Herzog was a chump, a failed intellectual and at bottom a sentimentalist. In your case, the man who gives us Eve and Sylphid is an enragé, a fanatic-for-real.
ellauri222.html on line 795: Though in some ways separated from American society, Bellow's protagonists also strongly connect their identity with America. Augie begins his adventures by claiming, "I am an American, Chicago born—Chicago, that somber city." Almost all of Bellow's novels take place in an American city, most often Chicago or New York. Through his depiction of urban reality, Bellow anchors his novels in the actual world, and he uses the city as his central metaphor for contemporary materialism. Although recognizing the importance of history and memory, Bellow's novels maintain a constant engagement with the present moment. His characters move in the real world, confronting sensuous images of urban chaos and clutter that often threaten to overwhelm them. Looking down on the Hudson River, Tommy Wilhelm sees "tugs with matted beards of cordage" and "the red bones of new apartments rising on the bluffs." Sammler denounces contemporary New Yorkers for the "free ways of barbarism" that they practice beneath the guise of "civilized order, property rights [and] refined technological organization." In Humboldt's Gift, which is replete with images of cannibalism and vampirism, Charlie Citrone sees Von Trenck, the source of his material success, as "the blood-scent that attracted the sharks of Chicago." Acknowledging the influence of the city on his fiction, Bellow himself has remarked, "I don't know how I could possibly separate my knowledge of life such as it is, from the city. I could no more tell you how deeply it's gotten into my bones than the lady who paints radium dials in the clock factory can tell you." However, although the city serves to identify the deterministic social pressures that threaten to destroy civilization, Bellow's heroes refuse to become its victims and instead draw on their latent nondeterministic resources of vitality to reassert their uniquely American belief in individual freedom, as well as their faith in the possibility of community.
ellauri226.html on line 440: lost 500,000 factory jobs, and after 1960 civil service jobs were opened
ellauri236.html on line 198: There exists in America an enormous literature of more or less the same stamp as No Orchids. Quite apart from books, there is the huge array of ‘pulp magazines’, graded so as to cater for different kinds of fantasy, but nearly all having much the same mental atmosphere. A few of them go in for straight pornography, but the great majority are quite plainly aimed at sadists and masochists. Sold at threepence a copy under the title of Yank Mags(4), these things used to enjoy considerable popularity in England, but when the supply dried up owing to the war, no satisfactory substitute was forthcoming. English imitations of the ‘pulp magazine’ do now exist, but they are poor things compared with the original. English crook films, again, never approach the American crook film in brutality. And yet the career of Mr. Chase shows how deep the American influence has already gone. Not only is he himself living a continuous fantasy-life in the Chicago underworld, but he can count on hundreds of thousands of readers who know what is meant by a ‘clipshop’ or the ‘hotsquat’, do not have to do mental arithmetic when confronted by ‘fifty grand’, and understand at sight a sentence like ‘Johnny was a rummy and only two jumps ahead of the nut-factory’. Evidently there are great numbers of English people who are partly americanized in language and, one ought to add, in moral outlook. For there was no popular protest against No Orchids. In the end it was withdrawn, but only retrospectively, when a later work, Miss Callaghan Comes to Grief, brought Mr. Chase's books to the attention of the authorities. Judging by casual conversations at the time, ordinary readers got a mild thrill out of the obscenities of No Orchids, but saw nothing undesirable in the book as a whole. Many people, incidentally, were under the impression that it was an American book reissued in England.
ellauri260.html on line 306: Under the lead of factory technology, the individual worker became defenceless, as its vast industrial aggregations robbed him of his independence, while capital obtained an appalling power and forced him to serve the designs of others. He became simply a piece of merchandise, the value of which was settled by the market. Thus the race drifted into a sharp antithesis of " labour and capital," and the two soon proved irreconcilable enemies.
ellauri342.html on line 513: The tactics of a factory Tehdastuotantona
ellauri392.html on line 374: Which makes a very satisfactory refrain
xxx/ellauri103.html on line 537: In 1996 the National Labor Committee, a human rights group, reported that sweatshop labor was being used to make clothes for the Kathie Lee line, sold at Wal-Mart. The group reported that a worker in Honduras smuggled a piece of clothing out of the factory, which had a Kathie Lee label on it. One of the workers, Wendy Diaz, came to the United States to testify about the conditions under which she worked. She commented, "I wish I could talk to Kathie Lee. If she's good, she will help us." Gifford addressed Kernaghan's allegations on the air during Live! with Regis and Kathie Lee, explaining that she was not personally involved with hands-on project management in factories, and had never made a piece of clothing in her life.
xxx/ellauri193.html on line 757: Counterfeit washing powder factory uncovered in the Ekurhuleni town of Springs.
xxx/ellauri225.html on line 388: Crane´s mother and father were constantly fighting, and they divorced early in April 1917. Crane dropped out of East High School in Cleveland during his junior year and left for New York City, promising his parents he would attend Columbia University later. His parents, in the middle of their divorce proceedings, were upset. Crane took various copywriting jobs and moved between friends´ apartments in Manhattan. Between 1917 and 1924 he moved back and forth between New York and Cleveland, working as an advertising copywriter and a worker in his father´s factory. From Crane´s letters, it appears that New York was where he felt most at home, and much of his poetry is set there.
xxx/ellauri232.html on line 326: Often, but not always, the shochet is also trained to be a bodek (checker), who examines the inner organs of the animal to ensure that it was healthy at the time of death. In the modern factory set up, these tasks are often divided.
xxx/ellauri250.html on line 567: 1947 kehrte Bukowski nach Los Angeles zurück und lernte die zehn Jahre ältere Jane Cooney Baker (1910–1962) kennen, mit der er bis Anfang der 1950er-Jahre zusammenlebte. During part of this period he continued living in Los Angeles, working at a margarine - no, a pickle factory for a short time but also spending some time roaming about the U.S., working sporadically like Donald Duck and staying in cheap rooming houses. Ab 1952, he took a job as a fill-in letter carrier with the United States Post Office Department in Los Angeles, but resigned just before he reached three years' service.
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