The fable was well known in Ancient Greece; Athenaeus records that Hieronymus of Rhodes, in his Historical Notes, quoted an epigram of Sophocles against Euripides that parodied the story of Helios and Boreas.[2] It related how Sophocles had his cloak stolen by a boy to whom he had made love. Euripides joked that he had had that boy too, and it did not cost him anything. Sophocles´ reply satirises the adulteries of Euripides: "It was the Sun, and not a boy, whose heat stripped me naked; as for you, Euripides, when you were kissing someone else´s wife the North Wind screwed you. You are unwise, you who sow in another´s field, to accuse Eros of being a snatch-thief."
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C´est cette douceur ineffable qui fait le charme tout particulier de
ellauri049.html on line 481: Et d’ineffables vents m’ont ailé par instants. sanomattomat tuulet siivitti mut hetkessä.
ellauri051.html on line 1792: 1180 Old age superbly rising! O welcome, ineffable grace of dying days! 1180 Vanhuus kohoaa mahtavasti! Oi tervetuloa, kuolemanpäivien sanoinkuvaamaton armo!
ellauri109.html on line 463: Flaubert liikuttuu enemmän Fontainen puluista kuin koko Lamartinen tuotannosta. Ihan pelkästä aiheesta! No nehän olikin sateenkaaripuluja. La fable est mentionnée par Horace comme « les deux pigeons si connus » dans ses Épîtres en 19 ou 18 av. J.-C. Horatius ja sen Fuscus oli kuin Nemin far och pappa.
ellauri109.html on line 474: Translations of the fable were familiar enough in Britain but the subject of male bonding left some readers uneasy (as it very obviously did Elizur Wright). Eventually there appeared an 18th-century version in octosyllabic couplets that claimed to be ‘improved from Fontaine’. Here the couple are a male and female named Columbo and Turturella.
ellauri111.html on line 182: Concerning the Dead Sea Scrolls, there may be some information in them that parallels the Masoretic Text, but there are fables in them, too. I went to see the scrolls a few years ago with great expectation but found a bunch of fables. The best defense against error in any form (unauthorized Bibles and religions) is a solid knowledge of the AUTHORIZED (King James) Version of 1611 of the Bible. If you read it, forgeries become readily apparent.
ellauri151.html on line 408: Lies, fables and romances must needs be probable, but not the truth and foundation of our faith.
ellauri172.html on line 821: Le Curé et le Mort, fable de Jean de La Fontaine, 1678, avec le personnage de messire Jean Chouart.
ellauri183.html on line 80: Faulty interpretations can create much disappointment, as in the movie version of his novel The Fixer, "Horrible. That thing went to five different writers. Edward Albee was one of them but he would only do it if he had full say over it. Dalton Trumbo finally wrote the screen play and he's a hack. The film should have been done as a sort of fable, in black and white. Instead, it was all galloping Cossacx and dancing girls: an overdone fake. And that sickens a writer--to see his book faked."
ellauri183.html on line 262: Despite Malamud's shadings with rabbinical law, then, this is a familiar hopeless-Utopia blueprint. Moreover, the restless treatment here—part downbeat-comic, part liturgical-lyric—never endows the tale with the sort of Biblical fervor which heightens the best of Doris Lessing´s fables. And the result is a disappointing, predictable parable—intentionally funny at times but unintentionally funny too, hollow in most of its lyrical moments, and only occasionally provocative in its eclectic philosophizing.
ellauri191.html on line 1730: "whose frolicsome black fables portray the forgotten face of history"
ellauri222.html on line 439: The Commissioner is Einhorn’s elderly father. An important and respected man, he is a real-estate broker who owns and controls many properties in the city. Married multiple times, he is an affable womanizer.
ellauri270.html on line 333: The lottery involves organizing the village by household, which reinforces the importance of family structures here. This structure relies heavily on gender roles for men and women, where men are the heads of households, and women are delegated to a secondary role and considered incapable of assuming responsibility or leadership roles. Horrible! Even though the setting of this story is a single town, it is generic enough that it might be almost anywhere. In doing this, Jackson essentially makes the story a fable—the ideas explored here are universal.
ellauri389.html on line 87: The essay resembles "Old China" in both its paean to Chinese exports ("China pigs have been esteemed a luxury all over the East, from the remotest periods that we read of"), and its detailed understanding of consumer economics. The titular anecdote is a fable about a Chinese boy's discovery, in the "ages when men ate their meat raw," of the pleasure of roast pig. The wondrous qualities of cooked food produce an immediate "tickling" in one's "nether" or "lower regions", just as Arvi Järnefelt warned. Bo-bo discovers the exquisite flavor when he accidentally sets fire to his house and swine. LOL what idiots, the kinks. Interestingly, roast pig and tea are among the luxuries that the Guernsies hoard during the German occupation.
xxx/ellauri081.html on line 273: Bob Death smiles coolly (South Shore bikers are required to be extremely cool in everything they do) and manipulates a wooden match with his lip and says No, not that fish-one. He has to assume a kind of bar-shout to clear the noise of his idling hawg. He leans in more toward Gately and shouts that the one he was talking about was: This wise old whiskery fish swims up to three young fish and goes, “Morning, boys, how’s the water?” and swims away; and the three young fish watch him swim away and look at each other and go, “What the fuck is water?” and swim away. The young biker leans back and smiles at Gately and gives an affable shruge and blatts away, a halter top’s tits mashed against his back.
xxx/ellauri166.html on line 74: Mythological objects encompass a variety of items (e.g. weapons, armor, clothing) found in mythology, legend, folklore, tall tale, fable, religion, spirituality, superstition, paranormal, and pseudoscience from across the world. This list will be organized according to the category of object.
xxx/ellauri186.html on line 764: The Christ-child is presented as one that does not grow in wisdom and understanding but yields his sharp omnipotence at a whim on unsuspecting people and his parents. Though widely influential in Christian imagination and art, the infancy gospels were never close to canonization. They were not discussed or considered because they were known to be fictitious fables. F.F. Bruce discussing the nature of the infancy gospels remarked that
xxx/ellauri200.html on line 701: for some have passed beyond the fabled West. Jopa niin länteen että tullaan itään.
xxx/ellauri268.html on line 505: Sedaris went slightly off course with Squirrel Seeks Chipmunk (2010), an audio book collection of gay animal fables, noting the sudden change from "having 50 listeners to 50 million listeners." A New Republic article charged him with fabricating his bio, but the allegations ultimately had little effect on the author´s popularity. Sedaris continues to tour hickland in support of his books, with his readings drawing huge crowds.
xxx/ellauri376.html on line 274: Mauprat est un roman historique publié en 1837. L'histoire se déroule pour la majeure partie dans le Berry à l'aube de la Révolution française au XVIIIe siècle. Il relate l'histoire d'un jeune garçon issu d'une famille de seigneurs cruels, les Mauprat, qui échappe peu à peu à son lourd héritage familial grâce à l'amour qu'il éprouve pour sa cousine Edmée, nettement plus civilisée que lui. L'œuvre recèle plusieurs aspects: si Mauprat est avant tout un roman d'amour et une histoire de famille, c'est aussi un roman politique, une fable philosophique et un manifeste féminin.
xxx/ellauri376.html on line 535: De fouteurs, la fable fourmille :
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