ellauri029.html on line 912: You are already filled, you have already become rich, you have become kings without us; and indeed, I wish that you had become kings so that we also might reign with you. For, I think, God has exhibited us apostles last of all, as men condemned to death; because we have become a spectacle to the world, both to angels and to men. We are fools for Christ’s sake, but you are prudent in Christ; we are weak, but you are strong; you are distinguished, but we are without honor. To this present hour we are both hungry and thirsty, and are poorly clothed, and are roughly treated, and are homeless; and we toil, working with our own hands; when we are reviled, we bless; when we are persecuted, we endure; when we are slandered, we try to conciliate; we have become as the scum of the world, the dregs of all things, even until now. 1 Corinthians 4:8-13
ellauri051.html on line 873: 291 The connoisseur peers along the exhibition-gallery with half-shut eyes bent sideways, 291 Asiantuntija katselee näyttelygalleriaa puoliksi kiinni silmät sivuttain taivutettuina,
ellauri052.html on line 463: A number of foreign and medieval analogues exist that exhibit the motif ("Whittington's cat" motif, N411.2), where the hero obtains wealth by selling a cat, typically in a rodent-infested place direly in need of one. The tale is catalogued Aarne–Thompson (AT) tale type 1651, "Whittington's Cat".
ellauri053.html on line 1251: Versatile Writer: He exhibited in his work breadth of talents and interests. His most renowned work falls into cultural theory; art history including painting, sculpture, and architecture. He wrote on the critics of the old and modern English Literature too. He even wrote lecture articles, short stories etc. William E. Buckler says that Pater “is still one of the half-dozen indispensable critics in English; from, say, 1880 to 1920, he was without equal.”
ellauri054.html on line 101: The exhibits of this small museum consist mainly of text and information-panels. I found it informative but it also was similar to reading a informative-book displayed on the museum walls. I missed some artwork or historical objects.
ellauri067.html on line 428: Freud´s didactic strategy in his Three Essays on the Theory of Sexuality was to construct a bridge between the "perversions" and "normal" sexuality. Clinically exploring "a richly diversified collection of erotic endowments and inclinations: hermaphroditism, pedophilia, sodomy, fetishism, exhibitionism, sadism, masochism, coprophilia, necrophilia" among them, Freud concluded that "all humans are innately perverse". He found the roots of such perversions in infantile sexuality—in the child´s "polymorphously perverse" inclinations ... the "aptitude" for such perversity is innate.
ellauri073.html on line 260: Matt Foley is a fictional character from the sketch comedy program Saturday Night Live performed by Chris Farley (1964-1997). Foley is a motivational speaker who exhibits characteristics atypical of someone in that position: whereas motivational speakers are usually successful and charismatic, Foley is abrasive, clumsy, and down on his luck. The character was popular in its original run and went on to become one of Farley's best-known characters. Farley named the character after one of his Marquette University rugby union teammates, who is now a Roman Catholic priest in the Chicago suburb of Arlington Heights. Plans for a film version with Spade in a supporting role were shelved after Farley's death in 1997.
ellauri073.html on line 262: Foley is disheveled, sweaty, obese, clumsy and unstylish. He exhibits poor social skills, frequently loses his temper, often disparages and insults his audience, and wallows in cynicism and self-pity about his own poor life choices, to which he often makes reference. Foley's trademark line is warning his audience that they could end up like himself: "35 years old, eating a steady diet of government cheese, thrice divorced, and living in a van down by the river!" In most sketches, whenever a member of his audience mentions a personal accomplishment, Foley responds with mockery: "Well, la-dee-frickin-da!", "Whoop-dee-frickin-doo!", or a similarly dismissive remark. The usual outfit of choice for Foley is a too-small blue-and-white plaid sport coat, a too-big white dress shirt, a solid green necktie, black horn-rimmed glasses, ill-fitting khakis which he is continually pulling up, a wristwatch, penny loafers, and slicked-down blond hair. In a prison sketch, he dons blue jeans and a denim shirt with the inmate number "3307" while retaining his watch, glasses and a crucifix necklace (he also mentions a "homemade tattoo of a van down by the river"). While working as a mall Santa in another sketch, he wears a stereotypical Santa outfit, complete with black snow boots.
ellauri073.html on line 264: He overindulges in coffee and caffeine-based products and exhibits extreme hyperactivity as a result. In almost every appearance, Foley mentions drinking espresso or coffee, or taking NoDoz and even brings a duffel bag with a pot of coffee to the gym to teach a spinning class. His clients will often mention him either drinking coffee or eating coffee beans before calling him in to begin his presentation.
ellauri077.html on line 806: Pretentious diction. Words like phenomenon, element, individual (as noun), objective, categorical, effective, virtual, basic, primary, promote, constitute, exhibit, exploit, utilize, eliminate, liquidate, are used to dress up a simple statement and give an aire of scientific impartiality to biased judgements. Adjectives like epoch-making, epic, historic, unforgettable, triumphant, age-old, inevitable, inexorable, veritable, are used to dignify the sordid process of international politics, while writing that aims at glorifying war usually takes on an archaic color, its characteristic words being: realm, throne, chariot, mailed fist, trident, sword, shield, buckler, banner, jackboot, clarion.
ellauri078.html on line 64: Lorenz attractor, a three-dimensional dynamic system exhibiting a lemniscate shape
ellauri080.html on line 561: In all subjects from our research on PubMed, 21.3% of subjects with autism spectrum disorder reported suicidal ideation, have attempted suicide or died by suicide (115 out of 539 subjects) and 7.7% of subjects supported for suicidal thoughts or attempted suicide exhibited an autism spectrum disorder (62 out of 806 subjects), all ages combined. Suicidal ideation and morbid preoccupation are particularly common in adolescents and young adults.
ellauri082.html on line 47: The Prozac book chronicles her battle with depression as a college undergraduate and her eventual treatment with the medication Prozac. Michiko Kakutani wrote in The New York Times, “Wrenching and comical, self-indulgent and self-aware, Prozac Nation possesses the raw candor of Joan Didion's essays, the irritating emotional exhibitionism of Sylvia Plath's The Bell Jar, and the wry, dark humor of a Bob Dylan song.”
ellauri089.html on line 441: § 19. in which case the part has to the whole a relation, which exhibits an equally important difference from and resemblance to that of means to end. …
ellauri094.html on line 227: A 2017 exhibition in Jerusalem displayed over 100 cuneiform tablets detailing trade in fruits and other commodities, taxes, debts, and credits accumulated between Jews driven from, or convinced to move from Jerusalem by King Nebuchadnezzar around 600 BCE. The tablets included details on one exiled Judean family over four generations, all with Hebrew names.
ellauri095.html on line 135: A short fellow of 5’2 or 3”, he was enthusiastic, had a high-pitched voice, loved to sketch and write poems, was close to his family, and had warm, lifelong friends from Oxford, fellow Jesuits, and Irish families. For recreation he visited art exhibitions and old churches, and enjoyed holidays with his family, friends, and fellow Jesuits in Switzerland, Holland, the Isle of Wight, the Isle of Man, Whitby on the North Sea, Wales, Scotland, and the West of Ireland. During these holidays, he loved to hike and swim. His passions were nature (especially trees), ecology, beauty, poetry, art, his family and friends, his country, his religion, and his God. His curse was a lifelong “melancholy” (his word) which in 1885 in Dublin became deep depression and a sense of lost contact with God.
ellauri095.html on line 207: Nevertheless, even after he became a Jesuit he continued to cultivate an acquaintance with the visual arts through drawing and attendance at exhibitions, and this lifelong attraction to the visual arts affected the verbal art for which he is remembered. In his early poetry and in his journals wordpainting is pervasive, and there is a recurrent Keatsian straining after the stasis of the plastic arts.
ellauri111.html on line 202: While holding him as a prisoner, the United States capitalized on Geronimo’s fame among non-Indians by displaying him at various events. For Geronimo, it provided him with an opportunity to make a little money. In 1898, for example, Geronimo was exhibited at the Trans-Mississippi and International Exhibition in Omaha, Nebraska. Following this exhibition, he became a frequent "visitor" to fairs, exhibitions, and other public functions.
ellauri156.html on line 319: It is not as if Bathsheba is acting in an unbecoming manner, knowing that men are around. She has every right to assume they are not. David is around, but he should not be. On top of this, she is not bathing herself at high noon; she is bathing herself in the evening. This is when the law prescribed (for ceremonial cleansing), and it is when the sun is setting. In other words, it is nearly dark when Bathsheba sets out to wash herself. David has to crane his neck and use his binoculars to see what he does. I believe Bathsheba makes every effort to assure her modesty, but the king's vantage point is too high, and he is looking with too much zeal. I am suggesting that David is much more of a peeping Tom than Bathsheba is an exhibitionist. I believe the text bears me out on this.
ellauri156.html on line 507: David has set out on a course of action that backfires. He intends to put Uriah in a position that will make it appear that he is the father of Bathsheba's child. But Uriah's conduct has publicly exhibited his loyalty to his duties as a soldier, making it more than evident that he cannot possibly be the father of this child. It is worse for David now than it had been when he summoned Uriah to Jerusalem. David concludes -- wrongly -- that his only course of action now is to have Uriah killed in action. I don't know that David actually thinks he can deceive the people of Jerusalem as to whose child Bathsheba's baby is. How can he when everyone knows Uriah has never been with his wife to get her pregnant? It seems now as though David is simply trying to legitimize his sin. By making Uriah a casualty of war, he makes Bathsheba a widow. He can now marry this woman and raise the child as his own, which of course it is. Finally, a plan that makes sense.
ellauri160.html on line 136: From September 1907 Pound taught French and Spanish at Wabash College, a Presbyterian college with 345 students in Crawfordsville, Indiana, which he called "the sixth circle of hell". Se oli Ezran Kouvola. One former student remembered him as a breath of fresh air; another said he was "exhibitionist, egotistic, self-centered and self-indulgent".
ellauri162.html on line 652: Using 11 different healthy and diseased pluripotent stem cell lines, we developed a reproducible method to derive multi-cellular human penis organoids that exhibit transcriptomic resemblance to in vivo-derived tissues.
ellauri164.html on line 533: 2. Moses exhibited sinful pride. Having assembled the people, Moses reviled them, saying, “Hear now, you rebels!” He then continued, perhaps pridefully, “Shall we bring water for you out of this rock?” Neither Moses nor Aaron can bring forth water, however; only God can do that. Some of the Fathers of the Church interpreted this not as pride on Moses’ part but rather as an indication of the wavering of his faith.
ellauri171.html on line 218: His father, Marcel Théodore Tissot, was not a watchmaker but a successful drapery merchant. He took part in losing the war of 1870 and in the Paris Commune. In 1885, Tissot had a revival of his Catholic faith, which led him to spend the rest of his life making paintings about Biblical events. Many of his artist friends were skeptical about his conversion, as it conveniently coincided with the French Catholic revival, a reaction against the secular attitude of the French Third Republic. They brought Tissot vast wealth and fame. Tissot spent the last years of his life in his chateau working on paintings of subjects from the Old Testament. Although he never completed the series, he exhibited 80 of these paintings in Paris in 1901 and engravings after them were published in 1904. In the first half of the 20th century, there was a re-kindling of interest in his portraits of fashionable ladies and some fifty years later, these were achieving record prices.
ellauri181.html on line 382: Additionally, ipsative measures may be useful in identifying faking. However, ipsative measures may, especially among testing-naïve individuals exhibiting high levels of conscientiousness and/or neuroticism, decrease test validity by discouraging response and/or encouraging non-response. For example, a test's authors may force respondents to choose between "a) Animals chase me in my dreams" and "b) My dreams are nice" in an effort to see whether a given respondent is more inclined toward "faking bad" or toward "faking good." When faced with such a question, a child frequently terrified by nightmares that rarely if ever involve animals, and especially one whose parents have foolishly taught him/her/it strict rules against lying, may simply refuse to answer the question given that for that respondent nearly all of the time both descriptions are inaccurate. Even a previously presented guideline "Choose the answer that [best/better] describes you" may be unhelpful in such a situation to responders who worry that endorsing one item or the other will still involve stating it to be accurate or "well"-descriptive to some positive degree. Only if the guideline is presented as "Choose the answer that more accurately or less inaccurately describes you" and the above-described responder is sophisticated enough to reason out his/her response in terms of "Despite the infrequency with which I have nice dreams, I have them [more frequently / less infrequently] than dreams in which animals chase me" (or, in theory, vice versa) will such a responder be willing to answer the question—and phrasing the guideline in this way bears its own cost of making the question reveal less about the respondent's propensities because the respondent is no longer forced to "fake" one way or another.[citation needed].
ellauri183.html on line 166: In his lectures on the Book of Genesis in the 16th century, Martin Luther praised Abraham for his uncritical obedience to God – for the "blind faith" exhibited by his refusal to question whether it was right to kill Isaac. In the late 18th century, Immanuel Kant took the opposite view, arguing that Abraham should have reasoned that such an evidently immoral command could not have come from God. For Luther, divine authority trumps any claim on behalf of reason or morality, whereas for Kant there can be nothing higher than the moral law.
ellauri192.html on line 303: The novel’s release shortly predated an escalation in Polish nationalism tied to the Law and Justice party’s ascent to power in 2015. But the forces that fueled that escalation were already prevalent. When Tokarczuk accepted the Nike Prize, the country’s highest literary honor, for “The Books of Jacob,” she said in a speech that the country had “committed horrendous acts as colonizers, as a national majority that suppressed the minority, as slaveowners, and as the murderers of Jews.” She was quickly inundated by threats so alarming that her publishers briefly hired bodyguards. In the five years since, she has witnessed the Law and Justice party take an increasingly hard line on censoring certain conversations about Poland’s relationship with Jews. In 2016, the government began a campaign against the Princeton historian Jan Gross, known for his groundbreaking work on the massacre at Jedwabne, in which Poles murdered 1,600 of their Jewish neighbors. In 2018, the Law and Justice party’s government made it illegal to blame Poland or Polish nationals for Nazi crimes. POLIN, a groundbreaking Polish museum of Jewish history, has been leader-less for five months, as its director, who oversaw a number of exhibits highly critical of Poland’s policy toward Jews, awaits official reappointment — despite having been re-approved for the job.
ellauri196.html on line 851: There is a great sterility in all this, an immense lack of confidence in domestic sex life on the sofa. In such a landscape of hysterical exhibitionism, what can be the place of poetry, the most discrete of arts? Under the sofa at best, I fear.
ellauri210.html on line 335:

Picasso was the first artist to receive a 90-year retrospective exhibition. And the last.
ellauri210.html on line 385: New York’s first encounter with modern art had come four years earlier with the seminal Armory Show, at which Duchamp’s Nude Descending a Staircase caused an almighty rumpus. This time, Duchamp presented Fountain, the urinal that changed art history. Having witnessed Cravan’s work back in Paris, Duchamp and Picabia invited Cravan to deliver one of his anti-art lectures at the exhibition. He didn’t disappoint. On the day, he stood half cut in front of his audience, swore at them, waved his cock around, and was promptly arrested.
ellauri223.html on line 56: Mr. Strangelove is the foremost magistrate in attending to the charge of the race. He sees that men and women are so joined together, that they bring forth the best offspring. Indeed, they laugh at us who exhibit a studious care for our breed of horses and dogs, but neglect the breeding of human beings. Thus the education of the children is under his rule, and whatever has any reference to food, clothing, and the intercourse of the sexes. Love himself is ruler, but there are many male and female magistrates dedicated to these arts.
ellauri236.html on line 202: In a book like No Orchids one is not, as in the old-style crime story, simply escaping from dull reality into an imaginary world of action. One's escape is essentially into cruelty and sexual perversion. No Orchids is aimed at the power-instinct, which Raffles or the Sherlock Holmes stories are not. At the same time the English attitude towards crime is not so superior to the American as I may have seemed to imply. It too is mixed up with power-worship, and has become more noticeably so in the last twenty years. A writer who is worth examining is Edgar Wallace, especially in such typical books as The Orator and the Mr. J. G. Reeder stories. Wallace was one of the first crime-story writers to break away from the old tradition of the private detective and make his central figure a Scotland Yard official. Sherlock Holmes is an amateur, solving his problems without the help and even, in the earlier stories, against the opposition of the police. Moreover, like Lupin, he is essentially an intellectual, even a scientist. He reasons logically from observed fact, and his intellectuality is constantly contrasted with the routine methods of the police. Wallace objected strongly to this slur, as he considered it, on Scotland Yard, and in several newspaper articles he went out of his way to denounce Holmes by name. His own ideal was the detective-inspector who catches criminals not because he is intellectually brilliant but because he is part of an all-powerful organization. Hence the curious fact that in Wallace's most characteristic stories the ‘clue’ and the ‘deduction’ play no part. The criminal is always defeated by an incredible coincidence, or because in some unexplained manner the police know all about the crime beforehand. The tone of the stories makes it quite clear that Wallace's admiration for the police is pure bully-worship. A Scotland Yard detective is the most powerful kind of being that he can imagine, while the criminal figures in his mind as an outlaw against whom anything is permissible, like the condemned slaves in the Roman arena. His policemen behave much more brutally than British policemen do in real life — they hit people with out provocation, fire revolvers past their ears to terrify them and so on — and some of the stories exhibit a fearful intellectual sadism. (For instance, Wallace likes to arrange things so that the villain is hanged on the same day as the heroine is married.) But it is sadism after the English fashion: that is to say, it is unconscious, there is not overtly any sex in it, and it keeps within the bounds of the law. The British public tolerates a harsh criminal law and gets a kick out of monstrously unfair murder trials: but still that is better, on any account, than tolerating or admiring crime. If one must worship a bully, it is better that he should be a policeman than a gangster. Wallace is still governed to some extent by the concept of ‘not done’. In No Orchids anything is ‘done’ so long as it leads on to power. All the barriers are down, all the motives are out in the open. Chase is a worse symptom than Wallace, to the extent that all-in wrestling is worse than boxing, or Fascism is worse than capitalist democracy.
ellauri244.html on line 453: About the author: Faye Toogood is a British artist working in a diverse range of disciplines, from sculpture to furniture and fashion. Toogood's works have been acquired for the permanent collections of institutions worldwide, and she has exhibited internationally. She is represented by Friedman Benda in New York.
ellauri247.html on line 273: Like Prior, Fielding, Shenstone, and Dickens, Smollett was a connoisseur in inns and innkeepers. He knew good food and he knew good value, and he had a mighty keen eye for a rogue. There may, it is true, have been something in his manner which provoked them to exhibit their worst side to him. What a nasty customer.
ellauri247.html on line 345: Oli Samilla koko joukko hyviäkin pointteja: Patriotism is the last refuge of a scoundrel. Mutta toisaalta: Johnson had a reputation for despising Scotland and its people. Even during their journey together through Scotland, Johnson "exhibited prejudice and a narrow nationalism".
ellauri264.html on line 81: exhibitions.yivo.org/files/original/437efab1beaed509d5d998c70abbc528.jpg" width="30%" />
ellauri272.html on line 83: A second study in 2014 was conducted to examine the health of women who had read the series, compared with a control group that had never read any part of the novels. The results showed a correlation between having read at least the first book and exhibiting signs of an eating disorder, having romantic partners that were emotionally abusive and/or engaged in stalking behavior, engaging in binge drinking in the last month, and having 5 or more sexual partners under age 14. The authors could not conclude whether women already experiencing these "problems" were drawn to the series, or if the series influenced these behaviors to occur after reading.
ellauri277.html on line 225: At an exhibit of Day’s photographs in 1898 Gibran met a Cambridge poet, Josephine Prescott Peabody, who was nine years older than he. He sketched a portrait of her from memory and gave it to Day to pass on to her. Peabody was charmed by the sketch, and she and Gibran exchanged French letters.
ellauri277.html on line 233: In April 1904 Day held an exhibit of Gibran’s work at his studio. It was favorably reviewed, and some of the pictures were sold. At the show Gibran met a woman who became his most important patron: Mary Haskell was from a wealthy South Carolina family and ran a private Boston girls’ school.
ellauri277.html on line 240: In the spring of 1913 he visited the International Exhibition of Modern Art—the “Armory Show”—which introduced European modern art to America. He approved of the show as a “declaration of independence” from tradition, but he did not think most of the paintings were beautiful and did not care for the artistic ideologies behind movements such as cubism. The reviews of an exhibition of his own work in December 1914 were mixed. Hedevoted most of his time to painting for the next eighteen years but remained loyal to the symbolism of his youth and became an isolated figure on the New York art scene.
ellauri301.html on line 254: His (Fred´s) former wife Marike described de Klerk as being "extremely sensitive to beautiful things", exhibiting something akin to an artistic temperament. Kauni
ellauri313.html on line 170: Morrison wanted to call the novel War but was overridden by her editor. Ei kyllä tässä lähes kaikki ovat lakukeppejä. Rotuviha on korvautunut tässä niteessä miesvihalla. Throughout the novel, the women of the Convent provide a safe haven for all those who come to its doorstep. However, the Convent is widely perceived as a corrupting influence in Ruby (a negro town), the source of their problems rather than where problems must go because of Ruby's intolerant atmosphere. Both the men of Haven and Ruby exhibit a patriarchal nature. This is seen through their intense hatred for the Convent women who are unconventional and nonconforming.
ellauri321.html on line 159: As Christians, religion curbs them not in their opinions; the general indulgence leaves every one to think for themselves in spiritual matters; the laws inspect our actions, our thoughts are left to God. Industry, good living, selfishness, litigiousness, country politics, the pride of freemen, religious indifference, are their characteristics. If you recede still farther from the sea, you will come into more modern settlements; they exhibit the same strong lineaments, in a ruder appearance. Religion seems to have still less influence, and their manners are less improved, and they carry guns.
ellauri321.html on line 168: So he who would wish to see America in its proper light, and have a true idea of its feeble beginnings and barbarous rudiments, must visit our extended line of frontiers where the last settlers dwell, and where he may see the first labours of settlement, the mode of clearing the earth, in all their different appearances; where men are wholly left dependent on their native tempers, and on the spur of uncertain industry, which often fails when not sanctified by the efficacy of a few moral rules. There, remote from the power of example, and check of shame, many families exhibit the most hideous parts of our society. They are a kind of forlorn hope, preceding by ten or twelve years the most respectable army of veterans which come after them. In that space, prosperity will polish some, vice and the law will drive off the rest, who uniting again with others like themselves will recede still farther; making room for more industrious people, who will finish their improvements, convert the loghouse into a convenient habitation, and rejoicing that the first heavy labours are finished, will change in a few years that hitherto barbarous country into a fine fertile, well regulated district. Such is our progress, such is the march of the Europeans toward the interior parts of this continent. In all societies there are off-casts; this impure part serves as our precursors or pioneers; my father himself was one of that class, but he came upon honest principles, and was therefore one of the few who held fast; by good conduct and temperance, he transmitted to me his fair inheritance, when not above one in fourteen of his contemporaries had the same good fortune.
ellauri322.html on line 489: You are viewing an original antique oil painting on canvas by Paulette Bardy, listed French Impressionist of the early part of the 20th century. She was born in Fez, Morocco and her works were accepted and exhibited at the prestigious Salon des Artistes Francais in Paris. She was a pupil of French artist Charles Fouqueray and she also painted a series of controversial risque beach scenes, erotic in nature, titled "La Plage" and "Bord de Mer". Her landscapes are Impressionistic mixed with an influence of rural French folk art.
ellauri359.html on line 63: But back to Alastair, aka “Mouse”, who seems to have been the only bond between Grahame and his increasingly sour spouse. It is Gauger’s and others’ opinion that Mole, the most endearing character in the tale, is given the ability to see, unlike the rest of his kin, because Grahame was exhibiting a profound form of denial about his son’s disability.
ellauri371.html on line 688: Consisting of an impressive total of 21 museums AND the National Zoo, the Smithsonian dates back to 1846 and is being run by the U.S. Government “for the increase and diffusion of knowledge”. The Smithsonian served as both inspiration for the name of the Jeffersonian, and for the many exhibits and scenery.
ellauri389.html on line 419: De Quincey compares him with Rousseau, whom he certainly resembles in craziness, sentimental pensiveness and intense love of nature. As a descriptive poet he has considerable quantitative merit, and exhibits that gift of minute observation so frequently found combined with powers of mental analysis.
ellauri392.html on line 660: Compared to Larkin's other works, such as "Aubade" and "The Whitsun Weddings," "Next, Please" exhibits a similar preoccupation with time and mortality. However, it is more pessimistic, lacking the moments of revelation or redemption found in those other poems. Apparently it dawned on Philip eventually that redemption is just bluff. No returns, refunds or exchanges.
xxx/ellauri085.html on line 301: In April 2019, his prescribed dosage of clonazepam was increased to deal with the anxiety he was experiencing as a result of his wife's cancer diagnosis. Starting several months later, he made various attempts to lessen his drug intake, or stop taking drugs altogether, but experienced "horrific" withdrawal syndrome, including akathisia, described by his daughter as "incredible, endless, irresistible restlessness, bordering on panic". According to his daughter, Peterson and his family were unable to find doctors in North America who were willing to accommodate their treatment desires, so in January 2020, Peterson, his daughter and her husband flew to Moscow, Russia for treatment. Neo-Marxist doctors there diagnosed Peterson with pneumonia in both lungs upon arrival, and he was put into a medically induced coma for eight days. Peterson spent four weeks in the intensive care unit, during which time he allegedly exhibited a temporary loss of any remaining skills. Unfortunately, he was resuscitated, unnecessarily.
xxx/ellauri087.html on line 562: As an insurance salesman he sold 120 policies to inmates at an insane asylum. He robbed the Czechoslovakian Olympic ice hockey team of money they were to be paid for an exhibition game and allegedly once tried to blast his way into the Butte County courthouse with dynamite.
xxx/ellauri114.html on line 117: The historical question of whether Jefferson was the father of Hemings' children is the subject of the Jefferson–Hemings controversy. Following renewed historical analysis in the late 20th century, and a 1998 DNA study (completed in 1999 and published as a report in 2000) that found a match between the Jefferson male line and a descendant of Hemings' youngest son, Eston Hemings, the Monticello Foundation asserted that Jefferson fathered Eston and likely her other five children as well. However, there are some who disagree. In 2018, the Thomas Jefferson Foundation of Monticello announced its plans to have an exhibit titled Life of Sally Hemings, and affirmed that it was treating as a settled issue that Jefferson was the father of her known children. The exhibit opened in June 2018.
xxx/ellauri123.html on line 1277: Self-reported and physiological sexual arousal to adult and pedophilic stimuli were examined among 80 men drawn from a community sample of volunteers. Over ¼ of the current subjects self-reported pedophilic interest or exhibited penile arousal to pedophilic stimuli that equalled or exceeded arousal to adult stimuli. The hypothesis that arousal to pedophilic stimuli is a function of general sexual arousability factors was supported in that pedophilic and adult heterosexual arousal were positively correlated, particularly in the physiological data. Subjects who were highly arousable, insofar as they were unable to voluntarily and completely inhibit their sexual arousal, were more sexually aroused by all stimuli than were subjects who were able to inhibit their sexual arousal. Thus, arousal to pedophilic stimuli does not necessarily correspond with pedophilic behavior.
xxx/ellauri124.html on line 822: Kullervo Koivisto sai vuoden 2008 Sexhibition-messuilla jaetun
xxx/ellauri125.html on line 578: occupation, it is too wearing; as a public exhibition, there is no
xxx/ellauri125.html on line 752: Love attended a Montessori school in Eugene, where she struggled academically and socially. At age nine, a psychologist noted that she exhibited signs of autism.
xxx/ellauri129.html on line 650: When Illinois opened its first hospital for the mentally ill in 1851, the state legislature passed a law that within two years of its passage was amended to require a public hearing before a person could be committed against his or her will. There was one exception, however: a husband could have his wife committed without either a public hearing or her consent. In 1860, Theophilus Packard judged that his wife was "slightly insane", a condition he attributed to "excessive application of body and mind". He arranged for a doctor, J.W. Brown, to speak with her. The doctor pretended to be a sewing machine salesman. During their conversation, Elizabeth complained of her husband's domination and his accusations to others that she was insane. Dr. Brown reported this conversation to Theophilus (along with the observation that Mrs. Packard "exhibited a great dislike to me"). Theophilus decided to have Elizabeth committed. She learned of this decision on June 18, 1860, when the county sheriff arrived at the Packard home to take her into custody.
xxx/ellauri129.html on line 656: Elizabeth's lawyers, Stephen Moore and John W. Orr, responded by calling witnesses from the neighborhood that knew the Packards but were not members of Theophilus' church. These witnesses testified they never saw Elizabeth exhibit any signs of insanity, while discussing religion or otherwise. The final witness was Dr. Duncanson, who was both a physician and a theologian. Dr. Duncanson had interviewed Elizabeth and he testified that while not necessarily in agreement with all her religious beliefs, she was sane in his view, arguing that "I do not call people insane because they differ with me. I pronounce her a sane woman and wish we had a nation of such women.
xxx/ellauri157.html on line 109: Vähän siedettävämpi perätarjonta on tämä William Ettyn yritys samasta aiheesta. William Etty (1787–1849), the seventh son of a York baker and miller, had originally been an apprentice printer in Hull, but on completing his seven-year apprenticeship at the age of 18 moved to London to become an artist. Strongly influenced by the works of Titian and Rubens, he submitted a number of paintings to the Royal Academy of Arts and the British Institution, all of which were either rejected outright or drew little attention when exhibited. In 1821 he finally achieved recognition when the Royal Academy accepted and exhibited one of his works, The Arrival of Cleopatra in Cilicia (also known as The Triumph of Cleopatra). Cleopatra was extremely well received, and many of Etty's fellow artists greatly admired him. He was elected a full Royal Academician in 1828, beating John Constable to the position. Jordaens and Etty both contrasted Nyssia's pale flesh against dark red drapery and showed her in a similar pose. Jordaens's painting has hung in Sweden since the 17th century, and it is unlikely Etty was aware of it. Se tuskin löytyi googlaamalla.
xxx/ellauri165.html on line 39: Belgian nude model Marisa Papen, who describes herself as a 'free-spirited and wildhearted exhibitionist', became the centre of a worldwide controversy 2017 when she was sent to prison for a photoshoot in the temple complex of Karnak near the Egyptian city of Luxor. 'In their eyes it was porn, or something like that.' 'The first cell we encountered was packed with at least 20 men, some were passed out on the floor, some were squeezing their hands through the rails, some were bleeding and yelling. 'Our judge was browsing with his big thumbs through these books looking as old as the pyramids. 'Eventually, he gave us a warning and told us never to do something so foolishly shameful ever again. We nodded simultaneously.' In the end, Papen and Walker managed to stay out of trouble by bribing them with £15.Thanks to her quick-witted reaction during her arrest, Papen is now able to proudly share her amazing arse in Walker´s magnificent pictures of the nude Egyptian photoshoot.
xxx/ellauri168.html on line 259: In 2015, doctors in Germany reported the extraordinary case of a woman who suffered from what has traditionally been called “multiple personality disorder” and today is known as “dissociative identity disorder” (DID). The woman exhibited a variety of dissociated personalities (“alters”), some of which claimed to be blind. Using EEGs, the doctors were able to ascertain that the brain activity normally associated with sight wasn’t present while a blind alter was in control of the woman’s body, even though her eyes were open. Remarkably, when a sighted alter assumed control, the usual brain activity returned.
xxx/ellauri178.html on line 43: Myöhempien aikojen lukijat, jotka pääsevät perehtymään Philip Rothinkin kaltaisen, yksityisyyttään tiukasti varjelevan kirjailijan salaisuuksiin, voivat kivuttomasti varmistaa, oliko taiteilijalla kenties painaviakin syitä niljakkaan omaelämakerrallisen aineiston kirjaan pierauttamiseen. (Paizi siis raha, exhibitionismi ja kostonhimo.) Noita samoja lukijoita on melkein pakko kadehtia niistä ulkokirjallisista tiedoista joita uutterat elämäkerturit luultavasti saavat kaivettua esiin. Kuinka jännittävää olisikaan jo nyt tutustua siihen mitä Philip Rothin (tai Saul Bellowin tai Norman Mailerin tai Bernard Malamudin) kaltaisten nuppikullien teosten runttaamien naisten mahdolliset esikuvat ajattelevat romaanien haaraväliin juuttuneista rakkaussuhteista. Semmoiset năkökulmat ehkä korjaisivat mieskirjailijoiden karkeimpia -epaoikeudenmukaisuuksia: ainakin romaanien hirviomäisimmät naiset saisivat koston mahdollisuuksia. Hahaa, nyt ollaan siinä pisleessä ja hyvin tiedetään, että ne kirjat on täyttä valetta, toxista misogyynistä panettelua paneskelun lomassa.
xxx/ellauri178.html on line 102: Fauntleroy: One who strongly exhibits the tendencies of a blantant homosexual, or actually is a homosexual. Oftentimes used to describe purportedly straight men, during a display of Homosexuality. Named after Little Lord Fauntleroy, a book by Frances Hodgson Burnett in 1885 that resulted in openly gay fashion trends.
xxx/ellauri178.html on line 132: “I wanted to be morally serious like Joseph Conrad,” Roth said of his young self. “I wanted to exhibit my dark knowledge like Faulkner. I wanted to write literature. Instead I took my dick's advice and wrote Portnoy's Complaint.” Stern, a lifelong friend, had noticed “a discrepancy between Philip as he told stories and Philip as he wrote stories.” The advice was of course excellent, with the resulting work putting Roth squarely in the middle of the literary map. Saatuaan juutalaisten palkinnon Roth sanoi et enää puuttuu feministipalkinto ja Kakutani Prize.
xxx/ellauri212.html on line 413: The painter — whose real name was Balthasar Klossowski de Rola and who died in 2001 — has been a controversial figure in the art world for decades. Many of his paintings show highly sexualized depictions of young girls. His 1934 work "The Guitar Lesson" was one of his first to scandalize his peers. When it was displayed along with "Thérèse Dreaming" and other Balthus paintings at a special exhibit in the Met in 2013, a plaque warned readers that the paintings were disturbing in nature.
xxx/ellauri212.html on line 418: "At its 1934 debut in Paris, it was shown for fifteen days, covered, in the gallery’s back room," wrote the art critic Jerry Saltz in 2013. "In 1977, it appeared for a month at Pierre Matisse’s 57th Street gallery. It has never been exhibited again, as if it were some metaphysical equivalent of the cursed videotape in The Ring that kills anyone who views it."
xxx/ellauri228.html on line 39: "I shall now put a few final questions to the honorable delegation from Rhohchia! Is it not true that many years ago there landed on the then dead planet of Earth a ship carrying your flag, and that, due to a refrigerator malfunction, a portion of its perishables had gone bad? Is it not true that on this ship there were two spacehands, afterwards stricken from all the registers for unconscionable double-dealing with duckweed liverwurst, and that this pair of arrant knaves, these Milky-Way ne'er-do wells, were named Lorrd and God? Is it not true that Lorrd and God decided, in their drunkenness, not to content themselves with the usual pollution of a defenseless, uninhabited planet, that their notion was to set off, in a manner vicious and vile, a biological evolution the likes of which the world had never seen before? Is it not true that both these Rhohches, with malice aforethought, malice of the greatest volume and intensity, de vised a way to make of Earth-on a truly galactic scale-a breed ing ground for freaks, a cosmic side show, a panopticum, an exhibit of grisly prodigies and curios, a display whose living specimens would one day become the butt of jokes told even in the outermost Nebulae?!
xxx/ellauri230.html on line 121: exhibition-3.jpg" width="80%"/>
xxx/ellauri250.html on line 272: The collapse of the narcissist's ego can be quite devastating and may cause them to experience episodes of depression, anxiety, and rage. They may also exhibit symptoms of paranoia and psychosis. It is not uncommon for a collapsed narcissist to feel as though they are worthless and unlovable.
xxx/ellauri265.html on line 378: A 2003 study found that the frequency of pregnancy from rape is significantly higher than that of pregnancy in non-coercive intercourse, and advanced the hypothesis that male rapists disproportionately target women exhibiting biological indications of fertility. But maybe the rapists are also unusually well motivated and squirt in disproportionately large semen packages?
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