ellauri074.html on line 150: 1990 Day-case surgery initiated in special centers.
ellauri092.html on line 65: Dwight Lyman Moody (February 5, 1837 – December 22, 1899), also known as D. L. Moody, was an American evangelist and publisher connected with Keswickianism, who founded the Moody Church, Northfield School and Mount Hermon School in Massachusetts (now Northfield Mount Hermon School), Moody Bible Institute and Moody Publishers. One of his most famous quotes was “Faith makes all things possible... Love makes all things easy.“ Moody gave up his lucrative boot and shoe business to devote his life to revivalism, working first in the Civil War with Union troops through YMCA in the United States Christian Commission. In Chicago, he built one of the major evangelical centers in the nation, which is still active. Working with singer Ira Sankey, he toured the country and the British Isles, drawing large crowds with a dynamic speaking style. Jesus was a great motivational speaker, and the apostles plus Paul of Tarsus copycatted him to the best of their abilities.
ellauri107.html on line 173: Much of Hawthorne's writing centers on New England, many works featuring moral metaphors with an anti-Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, dark romanticism. His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity. His published works include novels, short stories, and a biography of his college friend Franklin Pierce, the 14th President of the United States.
ellauri115.html on line 940: The name Socinian started to be used in Holland and England from the 1610s onward, as the Latin publications were circulated among early Arminians, Remonstrants, Dissenters, and early English Unitarians. In the late 1660s, Fausto Sozzini's grandson Andreas Wiszowaty and great-grandson Benedykt Wiszowaty published the nine-volume Biblioteca Fratrum Polonorum quos Unitarios vocant (1668) in Amsterdam, along with the works of F. Sozzini, the Austrian Johann Ludwig von Wolzogen, and the Poles Johannes Crellius, Jonasz Szlichtyng, and Samuel Przypkowski. These books circulated among English and French thinkers, including Isaac Newton, John Locke, Voltaire, and Pierre Bayle.
ellauri140.html on line 90: Busyrane M-, the evil sorcerer who captures Amoret on her wedding night. When Britomart enters his castle to defeat him, she finds him holding Amoret captive. She is bound to a pillar and Busirane is torturing her. The clever Britomart handily defeats him and returns Amoret to her husband Artefact.
ellauri140.html on line 170: Gluttony (M) – Gluttony is described by Spenser as a "deformed creature" and "more like a monster, than a man". He enters the parade riding a dirty pig, bearing a large stomach and a thin neck. In the poem, Gluttony eats excessively as others starve; this is when gluttony is considered a sin. Muullon se oli A-OK Spenserin aikana. Kaikissa sioissa on pikkuisen likaa, ei siitä pitäs rankasta.
ellauri140.html on line 174: Avarice (M) – Representing the sin of greed, Avarice enters upon a camel covered with gold as he counts a pile of coins. Spenser describes Avarice's money obsession to be a disease; "Who had enough, yett wished every more, a vile disease, and eke in foote and hand." Skotti Roopella se ei ole synti, jutku Kroisos Pennosella ja Karhukoplan kommareilla on. Kamelin on ahdas päästä helmiäisportista, mutta mahdotonta se ei ole.
ellauri144.html on line 94: Mutta onko Clarxon homo? Ainaskin se on aivan vitun homofoobi, joka on vahva vihje kaappihomosta. (Ei koske minua, I refuse to be bummed.) The Amazon Prime show sees presenters Jeremy Clarkson, Richard Hammond and James May travel the world reviewing cars. The Ofcom complaint comes after Young took issue with a comment in one of the episodes in which the trio made jokes about the Wrangler Jeep being a ‘gay man’s car’..... and then Hammond and May’s ‘quips’ to Clarkson wearing chaps, a pink shirt, he should get some moisturiser. It’s fucking pathetic and actually homophobic. Jeremy Clarkson: I’m not homophobic, I enjoy watching lesbians on the internet.
ellauri156.html on line 402: It looks as though Bathsheba never enters David's mind after their encounter described in verses 1-4. It certainly does not seem that David wants to continue the relationship, to carry on an affair, or to marry her. David simply puts this sinful event out of his mind, until a messenger is sent by Bathsheba informing the king that his night of passion has produced a child. Bathsheba informs David that she is pregnant, not that she is afraid she might be. This means that she has missed at least one period and probably another. All in all, several weeks or more have passed. It will not be long before her pregnancy will become obvious to anyone who looks at her. This is David's sin and his responsibility, and so she informs him.
ellauri164.html on line 451: The film depicts the nuclear arms race that took place between all sides in the World War II and the beginning of the Cold War. The first part centers on the war years, dealing with the Manhattan Project and the American effort to beat the Germans to the bomb, as well as with Stalin's decision that the USSR must have its own atomic project. The second part displays the Soviet post-war nuclear program. The plot deals mainly with the personal dilemmas facing all the scientists who worked on the atomic weapons. Booooring.
ellauri171.html on line 953: In the Baal Cycle, Ba'al Hadad is challenged by and defeats Yam, using two magical weapons (called "Driver" and "Chaser") made for him by Kothar-wa-Khasis. Afterward, with the help of Athirat and Anat, Ba'al persuades El to allow him a palace. El approves, and the palace is built by Kothar-wa-Khasis. After the palace is constructed, Ba'al gives forth a thunderous roar out of the palace window and challenges Mot. Mot enters through the window and swallows Ba'al, sending him to the Underworld. With no one to give rain, there is a terrible drought in Ba'al's absence. The other deities, especially El and Anat, are distraught that Ba'al has been taken to the Underworld. Anat goes to the Underworld, attacks Mot with a knife, grinds him up into pieces, and scatters him far and wide. With Mot defeated, Ba'al is able to return and refresh the Earth with rain.
ellauri171.html on line 991: The final time we hear of Jezebel (an entire chapter later) is just before her demise. Having just killed the sitting king and son of Jezebel, Jehu enters town to do the same to her. As she sees Jehu, Jezebel stands at the window, issues one last zinger insult, and then puts on makeup. Jehu commands the eunuchs to throw her down, they do so, and Jezebel is trampled. The donning of makeup is the final impetus for her conception as a whore. The most popular interpretation is that Jezebel puts on makeup in effort to seduce Jehu, but this interpretation is not bolstered by the text. Jezebel is the sitting Queen, presumably old in age by now, and has performed in a political function her entire life. She very likely understands that she is about to die and even issues one last insult as Jehu approaches. A more compassionate reading of the text would indicate that Jezebel, for lack of a better term, “goes out with a bang.” Except Jehu hardly banged her If she was an old hag by then.
ellauri180.html on line 47: The Young Adult Vampire Diaries is a young adult vampire fiction series of novels created by American author L. J. Smith. The story centers on Elena Gilbert, a young adult high school girl who finds her heart eventually torn between two young adult vampire brothers, Stefan and Damon Salvatore.
ellauri182.html on line 94: The 1989 film centers around Mikage, a young woman who loses her parents when young. She grows up in a lonely household with her grandmother who dies when Mikage reaches adulthood. Grief-stricken, she finds solace in the kitchen. Yuichi, a friend of Mikage's deceased grandmother, invites her to live with him and his mother. Then Mikage discovers that Yuichi's mother is actually her cross-dressing father. On the other hand, Mikage realizes that the wealth of gadgetry in Yuichi's kitchen is lovingly detailed... --- Unfortunately, that's all, this film is water under the bridge, overtaken by a 2019 gory crime film of the same name.
ellauri184.html on line 224: Racially the area of the former Northern Kingdom of Israel had had, ever since the Assyrian conquest in the eighth century B.C., a more mixed population, within which more conservative Jewish areas (like Nazareth and Capernaum) stood in close proximity to largely pagan cities, of which in the first century the new Hellenistic centers of Tiberias and Sepphoris were the chief examples.
ellauri185.html on line 118: God tells Samuel to anoint David of Bethlehem as king, and David enters Saul's court as his armor-bearer and harpist. Saul's son and heir Jonathan befriends David and recognizes him as the rightful king. Saul then plots David's death, but David flees into the wilderness where he becomes a champion of the Hebrews. David joins the Philistines, but he continues to secretly champion his own people until Saul and Jonathan are killed in battle at Mount Gilboa.
ellauri192.html on line 685: During World War II, Trubchevsk was occupied by the German Army from October 9, 1941 to September 18, 1943. Prior to the war, about 137 Jews lived in Trubchevsk. Most of the Jews were craftsmen, including cobblers and carpenters. The town was occupied by German forces in early October 1941. By that time, more than half of the Jews fled or evacuated. The Jews from the Trubchevsk district were gathered in a Klub for 3 days and shot afterwards at the edge of the village. Their bodies were burnt. In total, according to the Soviet archives, 751 Soviet citizens perished due to bad treatment or as a result of shooting in the entire Trubchevsk district. Aside from Jews, mentally ill children and adults were exterminated as well. The population is about 15K. There are very few notable buildings in the town.
ellauri192.html on line 700: Due to its sizeable length, the Dnieper River has as many as 32,000 tributaries including the Sozh, Desna, Trubizh, Bilozerka, Drut, Berezina, and Prypiat Rivers. The mouth of this important waterway is located at the Dnieper Delta while the river basin in the Ukraine and Belarus measures some 194,595 square miles. The Dnieper River passes through numerous urban centers such as the Russian cities of Smolensk and Dorogobuzh as well as Mogilev in Belarus and Kiev, Cherkasy, Dnipro, and Zaporizhia in Ukraine.
ellauri196.html on line 851: So-called lyrics is at work, self-proclaimed poets like Bob Dylan fall into step with new times. Poetry becomes acoustic guitar and visual effects again, as it was in the times of Erato. The words splash in all directions, like the explosion of dynamite, there is no true meaning, but a verbal earthquake with many epicenters. Decipherment is not necessary, in many cases the aid of the psychoanalyst may help.
ellauri198.html on line 300: Initial interest arose via the publicity campaign for Pazder's 1980 book Michelle Remembers, and it was sustained and popularized throughout the decade by coverage of the McMartin preschool trial. Testimonials, symptom lists, rumors, and techniques to investigate or uncover memories of SRA were disseminated through professional, popular, and religious conferences, as well as through talk shows, sustaining and further spreading the moral panic throughout the United States and beyond. In some cases, allegations resulted in criminal trials with varying results; after seven years in court, the McMartin trial resulted in no convictions for any of the accused, while other cases resulted in lengthy sentences, some of which were later reversed. Scholarly interest in the topic slowly built, eventually resulting in the conclusion that the phenomenon was a moral panic, which, as one researcher put it in 2017, "involved hundreds of accusations that devil-worshipping paedophiles were operating America's white middle-class suburban daycare centers."
ellauri219.html on line 597: In his autobiographical essay, “On My Religion,” Rawls explains why he abandoned his orthodox Christian beliefs in spite of the deeply religious temperament that informed his life and writings. In particular, he recounts how his personal experiences during the Second World War, and especially his awareness of the Holocaust, led him to question whether prayer was possible. “To interpret history as expressing God’s will, God’s will must accord with the most basic ideas of justice as we know them. For what else can the most basic justice be? Thus, I soon came to reject the idea of the supremacy of the divine will as [like the Holocaust] also hideous and evil.” Furthermore, by studying the history of the Inquisition Rawls came to “think of the denial of religious freedom and liberty of conscience as a very great evil,” such that “it makes the claims of the Popes to infallibility impossible to accept.” Finally, his reading of Jean Bodin’s thoughts about toleration led him to claim that religions should be “each reasonable, and accept the idea of public reason and its idea of the domain of the political.” Against this background, it is no wonder that Rawls considers the very concept of religious truth as authoritarian and intolerant, and the ensuing persecution of dissenters as the curse of Christianity.
ellauri222.html on line 157: The determination to consider the novel strictly as fiction extended even to its characters. Rosette Lamont reviewed the novel. She, too, treated the book as pure make-believe. She breezed right by the Ramona character (“Her religion is sex, a welcome relief from Madeleine’s phony conversion . . . but Herzog is too divided in his mind, too busy with resentment to free himself from a heavy conscience. Besides he is suspicious of pleasure, having learned Julien Sorel’s lesson,” and so on). She concluded with the thought that at the end of the novel Herzog enters into “a theandric relationship with the world around him.”
ellauri222.html on line 759: In all of Bellow's works, an appreciation of the cultural context in which his protagonists struggle is essential to understanding these characters and their search for renewal. Bellow's vision centers almost exclusively on Jewish male experience in contemporary urban America. Proud of their heritage, his heroes are usually second-generation Jewish immigrants who seek to discover how they can live meaningfully in their American present while honoring their skinless knobs. Much of their ability to maintain their belief in humanity despite their knowledge of the world can be attributed to the affirmative nature of the Jewish culture. Bellovian heroes live in a WASP society in which they are only partially assimilated. However, as Jews have done historically, they maintain their concern for morality and community despite their cultural displacement.
ellauri226.html on line 500: many lower middle class johns to keep their jobs in the city and enabled many renters to become property owners, hooray!
ellauri260.html on line 302: Socialisation alone will give the Socialistic life a definite embodiment. It confidently enters upon a struggle against the distraction and the egoism of individuals. The traditional idea of work makes a man think mainly of his own profit. It impels him to think first of all of himself.
ellauri301.html on line 296: Terde spent three years in a Rooigrond prison for assaulting a petrol station attendant and for the attempted murder of a Black security guard around 1996. He was released in June 2004. On 3 April 2010, he was hacked and beaten to death on his Ventersdorp farm, allegedly by two of his employees in a dispute over unpaid wages.
ellauri302.html on line 150: The Scribe, enters. A tall old man, whose long, thin body is enveloped in a broad overcoat. His beard is long, white and sparse. He wears spectacles and has an air of cold aloofness and mystery.
ellauri302.html on line 192: HINDEL enters. Halts for a moment upon the top stair and looks down at Shlayme, She is wrapped in a thin shawl, coquettishly dressed in a skirt much too short for her cunt. Descends into the basement, stepping noisily so as to wake Shloyme.
ellauri302.html on line 363: Yekel, enters from Bifkele's room. He is without hat or coat; his hair is in disorder. His eyes have a wild glare, and he speaks slowly, with a subdued, hoarse voice,
ellauri302.html on line 391: Reb Ali, enters, carrying a lantern. What's happened, that you had to call me before daybreak? (Going to the window and peering through the shutter spaces.) It's almost time for the morning prayers.
ellauri302.html on line 465: Eeb Ali, enters, with Yekel. Praised be the Lord! Praised be the Heavenly Father! (Following Yekel, who paces ahout the room.) See how the Almighty, blessed be His Name, has come to your aid? He punishes, — yes. But he sends the remedy before the disease. Despite your having sinned, despite your having uttered blasphemy. (Admonishi7ig him.) From now on see to it that you never speak such words, — that you have reverence, great reverence... Know what a Holy Scroll is, and what a learned Jew is... You must go to the synagogue, and you must make a generous donation to the students of the Law. You must fast in atonement, and the Lord will forgive you. (Pause. Beh Ali looks sternly at Yekel, who has continued to walk about the room, absorbed in his thoughts.) What? Aren't you listening to me? With the aid of the Almighty everything will turn out for the best. I'm going at once to the groom's father and we'll discuss the whole matter in detail. But be sure not to haggle. A hundred roubles more or less, — remember who you are and who he is. And what's more, see to it that you settle the dowry right away and indulge in no idle talk about the wedding. Heaven forbid, — another misfortune might occur!
ellauri302.html on line 526: Yekel, enters, dragging back with him Reb Ali, whom he has met on the stairs. Take the Holy Scroll along with you! I don't need it any more!
ellauri328.html on line 383: Hobby Lobby Stores, Inc., entinen Hobby Lobby Creative Centers, on yhdysvaltalainen vähittäiskauppayritys. Se omistaa taide- ja käsityömyymäläketjun, jonka volyymi oli yli 5 miljardia dollaria vuonna 2018. Ketjulla on 1 001 myymälää 48 Yhdysvaltain osavaltiossa. Greenback-perhe perusti Hobby Lobbyn ilmaisemaan kristillisiä uskomuksiaan, ja ketjussa yhdistyvät amerikkalaiset konservatiiviset arvot ja kristillinen media. Yritys ja sen omistajat ovat olleet kiistojen ja skandaalien kohteena, mukaan lukien syytökset antisemitismistä, homofobiasta, LGBTQ-syrjinnästä, yrityksistä evankeloida julkisia kouluja, "pyrkimykset evätä työntekijöiden pääsy ehkäisyvälineisiin", "syrjintä ja laittomasti salakuljetetut esineet työntekijöiden vaarantamiseksi koronaviruspandemia."
ellauri330.html on line 343: Brandes sanoo Kierkegaardista: "Tällä ironialla ei ole pelkästään nimen vuoksi yhtäläisyyttä Kierkegaardin kanssa, joka myös aristokraattisesti 'valitsee tulla ymmärretyksi väärin'. Nerouden ego on totuus, ellei siinä mielessä, että Kierkegaard haluaisi meidän ymmärtävän hänen ehdotuksensa: " Subjektiivisuus on totuus", silti siinä mielessä, että egolla on kaikki ulkoisesti pätevä käsky ja kielto vallassaan; ja maailman hämmästykseksi ja skandaaliksi ilmaistaan ​​poikkeuksetta paradokseina. Ironia on "jumalallista rohkeutta". Näin ymmärrettyssä uskaluudessa on loputtomasti mahdollisuuksia. Se on vapautta ennakkoluuloista, mutta silti se ehdottaa mahdollisuutta uskalimman puolustamiseen kaikista mahdollisista ennakkoluuloista. Se on helpommin saavutettavissa, meille kerrotaan, naiselta kuin mieheltä." Kuten naisellisella puvulla, naisellisella älyllä on tämä etu maskuliiniseen nähden, että sen haltija voi yhdellä rohkealla liikkeellä nostaa helmat kaikkien sivilisaation ennakkoluulojen ja porvarillisen tavanomaisuuden yläpuolelle ja samalla kuljettaa itsensä viattomuuden tilaan. ja luonnon syliin'. Luonnon syli! Lurps! Jopa tässä mielettömässä tiradissa on kaiku Rousseaun äänestä. Näytämme kuulevan vallankumouksen trumpetin huudon; se, mitä todella kuulemme, on vain reaktion julistus. Rousseau halusi palata luonnontilaan, jolloin miehet kulkivat alasti poluttomissa metsissä ja elivät tammenterskojen päällä. Schelling halusi kääntää evoluution suunnan takaisin ikiaikoihin, aikakauteen ennen ihmisen kaatumista. Schlegel puhaltaa vallankumouksellisia melodioita naisen suureen romanttiseen "ihmetorveen".,,"
ellauri351.html on line 445: Hänen viimeisimmät kirjansa ovat: Malice Through the Looking Glass (2009) 2. painos, Lontoo: Teva Publications Centers of Power: The Convergence of Psychoanalysis and Kabbalah (Stanley Schneiderin kanssa) (2008) NY: Jason Aronson Why I Hate You and You Hate Me: Kateuden, ahneuden, mustasukkaisuuden ja narsismin vuorovaikutus (2013) Lontoo: Karnac Books ja The Hidden Freud: His Hassidic Roots (2015) Lontoo: Karnac Books. Oliko Berkemann siis hasidi?
xxx/ellauri091.html on line 784: A typical example is her work concerning immigrants. She was the first professor in America to give students a course of lectures on problems relating to immigrants. Best known, undoubtedly, is her work on the Slav immigrants in the United States, a work which is said to be a landmark in the scientific analysis of immigration problems3. This work provides a perfect illustration of her approach: before putting pen to paper she visited most of the Slav centers in the United States and also did research for a year in those regions of Austria-Hungary from which many of the immigrants came. Not content to rely on verbal or written sources, she felt she had to see things for herself, to meet these people, and to study their conditions at first hand.
xxx/ellauri139.html on line 332: Farther away from the castle a man, Porphyro, who loves Madeline more than anything, is making his way to the house. He enters, unseen. If anyone finds him he knows that he will be killed. Madeline’s family hates him and holds his lineage against him. While sneaking through the house he comes upon Angela, one of the servants. He begs her to bring him to Madeline’s chamber so that he might show himself to her that night and solidify himself as her true love. After much complaining, she agrees and hides him until it is time.
xxx/ellauri139.html on line 334: When Madeline finally enters the room, undresses, and falls to sleep, Porphyro is watching her. When he decides that she has fallen completely asleep he makes his approach and wakes her with the playing of a flute. She is ripped from a dream in which she was with a heavenly, more beautiful version of Porphyro and is aghast when she sees the real one. She believes for a moment that he is close to death.
xxx/ellauri149.html on line 360: According to the Anglo-Saxons, the film centers on the conflict between Judas and Jesus during the week of the crucifixion of Jesus. Needless to say, Neeley, Anderson, and Elliman were nominated for Golden Globe Awards in 1974 for their portrayals of Jesus, Judas, and Mary Magdalene, respectively. It attracted criticism from a few religious groups and received mixed reviews from critics.
xxx/ellauri149.html on line 479: Both. The Romans are a government, and governments have to walk a fine line when it comes to dissent, because the people outnumber law enforcement, and killing or imprisoning lots of dissenters, while effective in the short term, means you have fewer subjects. Pilate could put down the mob with violence, but why would he do all that over one guy who, frankly, is kind of a problem for Rome, anyway? It doesn't help that Jesus does nothing to speak in his own defense: Pilate gets frustrated with Jesus' answers and eventually says good riddance to Jesus and his obvious death wish.
xxx/ellauri168.html on line 276: And here is where dissociation comes in. We know empirically from DID that consciousness can give rise to many operationally distinct centers of concurrent experience, each with its own personality and sense of identity. Therefore, if something analogous to DID happens at a universal level, the one universal consciousness could, as a result, give rise to many alters with private inner lives like yours and ours. As such, we may all be alters—dissociated personalities—of universal consciousness! God is schizophrenic, and you and me are His split personalities! Well he does strike readers of the "good book" as somewhat paranoid.
xxx/ellauri169.html on line 201: The church's theology is a syncretistic belief system, including elements of Buddhism, Christianity, esoteric mysticism and alchemy, with a belief in angels and elementals (or spirits of nature). It centers on communications received from Ascended Masters through the Holy Spirit. Many of the Ascended Masters, such as Sanat Kumara, Maitreya, Djwal Khul, El Morya, Kuthumi, Paul the Venetian, Serapis Bey, the Master Hilarion, the Master Jesus and Saint Germain, have their roots in Theosophy and the writings of Madame Blavatsky, C.W. Leadbeater, and Alice A. Bailey. Others, such as Buddha, Confucius, Lanto and Lady Master Nada, were identified as Ascended Masters in the "I AM" Activity or the Bridge to Freedom. Some, such as Lady Master Lotus and Lanello, are Ascended Masters who were first identified as such by Elizabeth Clare Prophet. All in all, she identified more than 200 Ascended Masters that were not identified as Masters of the Ancient Wisdom in the original teachings of Theosophy.
xxx/ellauri169.html on line 471: Sometimes you can tell from the first shot. In “Compartment No. 6,” the camera follows a young woman at a party as she leaves a bathroom and enters a living room full of gathered friends. That walking, back-of-the-head shot is one of the soggiest conventions of the steadicam era, a facile way of conveying characters’ own fields of vision while anchoring the action on them. The familiarity of this trope suggests both limited imagination and an unwillingness to commit to a clear-cut point of view.
xxx/ellauri170.html on line 678: This is a site for those wishing to know more about actualism and actual freedom. Actual freedom is essentially an alternative to spiritual enlightenment. Since its discovery in the last few decades, several former spiritual seekers have gone on to become actually free. The rest are still in detention centers.
xxx/ellauri187.html on line 292: The growth of the following of Joseph is manifested with the earliest church dedicated to him in Rome, San Giuseppe dei Falegnami (St. Joseph of the Carpenters), constructed in 1540 in the Forum Romanum, above the prison that by tradition had held the Apostles Peter and Paul. The spread of his following is then shown by the publication of the first Litany of St. Joseph in Rome in 1597 and the introduction of the Cord of St. Joseph in Antwerp in 1657. These were then followed by the Chaplet of St. Joseph in 1850, and the Scapular of St. Joseph of the Capuchins which was approved in 1880. The formal veneration of the Holy Family began in the 17th century by Mgr François de Laval.
xxx/ellauri187.html on line 298: With the growth of Mariology, the theological study of Joseph also began to grow to discuss his role in the Economy of Salvation. Three centers for Josephology were formed in the 1950s, the first in Valladolid, Spain, the second at Saint Joseph's Oratory in Montreal, and the third in the theologate of Viterbo, Italy.
xxx/ellauri193.html on line 804: The wo/man’s spiral (sorry, spinal) cord will rupture at the point where it enters the skull, electrochemical discharges will send his/her limbs flailing in a grotesque dance, eyes and tongues will start from the facial apertures under the assault of the rope and his/her bowels and bladder may simultaneously void themselves to soil the legs and drip onto the floor.
xxx/ellauri229.html on line 541: This baroque had its apologists and theoreticians, who maintained that the body existed for the purpose of deriving the greatest amount of pleasure from the greatest number of sites simultaneously. Merg Brb, its leading exponent, argued that Nature had situated - and stingily at that - centers of pleasurable sensation in the body for the purpose of survival only; therefore no enjoyable experience was, by her decree, autonomous, but always served some end: the supplying of the organism with fluids, for example, or with carbohydrates or proteins, or the guaranteeing - through offspring - of the continuation of the species, etc. From this imposed pragmatism it was necessary to break away, totally; the passivity displayed up till now in bodily design was due to a lack of imagination and perspective. Epicurean or erotic delight? - all a paltry by-product in the satisfying of instinctive needs, in other words the tyranny of Nature. It wasn´t enough to liberate sex - proof of that was sex had little future in it, from the combinatorial as well as from the constructional standpoint; whatever there was to think up in that department, had long ago been done, and the point of automorphic freedom didn´t lie in simple-mindedly enlarging this or that, producing inflated imitations of the same old thing. No, we had to come up with completely new organs and mem bers, whose sole function would be to make their possessor feel good, feel great, feel better all the time.
xxx/ellauri229.html on line 543: Brb received the enthusiastic support of a group of talented young designers from SOPSYPLABD, who invented brippets and gnools; these were announced with great fanfare, in ads which promised that the old pleasures of the palate and bed room would be like picking one´s nose in comparison with brip ping and gnooling; ecstasy centers, of course, were implanted in the brain, programmed specially by nerve path engineers and hooked up, moreover, in series. Thus were created the brippive
xxx/ellauri250.html on line 431: Sometimes you can tell from the first shot. In “Compartment No. 6,” the camera follows a young woman at a party as she leaves a bathroom and enters a living room full of gathered friends. That walking, back-of-the-head shot is one of the soggiest conventions of the steadicam era, a facile way of conveying characters’ own fields of vision while anchoring the action on them. The familiarity of this trope suggests both limited imagination and an unwillingness to commit to a clear-cut point of view. When used cannily, it can convey ambiguous neutrality and looming mystery, but, more often, it suggests the merely functional recording of action, which is exactly what’s delivered in “Compartment No. 6,” opening in theatres on Wednesday. The movie sinks, fast and deep, under the weight of dramatic shortcuts, overemphatic details, undercooked possibilities, unconsidered implications. It’s heavy-handed, tendentious, and regressive—and it should come as no surprise that it’s on the fifteen-film shortlist for the Best International Feature Oscar.
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