Marise-älä marise, ja Pyllistä-älä pyllistä. Siinä kaikki. Jotta jumalan tiimi voittaisi, sen pitää ensin marista ja sit pyllistää. Nain on meidankin elamassamme! Marise mitä mariset, mut muista pyllistää!
ellauri153.html on line 414: structure of the victory of God discussed in Ch. 6.3.1, he encountered a familiar response: “It
ellauri153.html on line 417: metatheory for Christianity encounters similar objections as theodicism in the Book of Job. First,
ellauri153.html on line 452: situations w of God’s and Job’s encounter in the justice-of-God game G. They thus are
ellauri153.html on line 554: Now that the problem of evil has been exposed as a conceptual confusion, the way is clear for a Jamesian science of religions and worldviews. The methods of grammatical description can be extended to the practices and ways of sense-making in different worldviews: how they give meaning to moral practices and how do they approach the intelligibility of the world? What practical responses do they have for coping with evil? For example, the grammar of seeing-as for models and metaphors can be applied to the metaphors in the Hebrew Bible for God’s activity to understand what it is to see the world as God’s creation. The grammar of virtues can be used to describe Buddhist practices and explore, how these approaches contribute to the human good. Similar approaches can be taken to secular worldviews as well. These descriptions can then be used to assess the worldviews through dialogical encounters between them. However, one thing should be clear. There is no point in devaluing the world by arguing for the meaninglessness of life or atheism on the basis of evil, or in giving justifications for evils that can stand in the way of divine or human meliorist projects of fighting for justice. To paraphrase the judgment of the Divine Judge in the Book of Job, such approaches are not even wrong. They are as meaningless as life itself.
ellauri156.html on line 122: What keeps David home in Jerusalem? Why doesn’t David go to the battle? I fear there are perhaps several reasons. The first is David's arrogance. God has been with David in all of his military encounters and given him victory over all his foes. God has given David a great name. David has begun to believe his own press clippings. He begins to feel he is invincible. David seems to have come to the place where he believes his abilities are so great he can lead Israel into victory, even though he is not with his men in battle. He was just getting bored. God should not have helped him TOO much, that was like taking the wind from his sails. Any parent knows that much.
ellauri156.html on line 402: It looks as though Bathsheba never enters David's mind after their encounter described in verses 1-4. It certainly does not seem that David wants to continue the relationship, to carry on an affair, or to marry her. David simply puts this sinful event out of his mind, until a messenger is sent by Bathsheba informing the king that his night of passion has produced a child. Bathsheba informs David that she is pregnant, not that she is afraid she might be. This means that she has missed at least one period and probably another. All in all, several weeks or more have passed. It will not be long before her pregnancy will become obvious to anyone who looks at her. This is David's sin and his responsibility, and so she informs him.
ellauri156.html on line 489: To fully grasp the impact of Uriah's words, let us lick our fingers and turn back a few pages in Samuel's writings to recall David's own words, spoken to Ahimelech the priest, as they relate to this encounter with Uriah:
ellauri156.html on line 520: The only engagement between the rival factions which is told at length is noteworthy, inasmuch as it was preceded by an encounter at Gibeon between twelve chosen men from each side, in which the whole twenty-four seem to have perished. In the general engagement which followed, Abner was defeated and put to flight. He was closely pursued by Asahel, brother of Joab, who is said to have been "light of foot as a wild roe". As Asahel would not desist from the pursuit, though warned, Abner "was compelled" to slay him "in self-defence". This originated a deadly feud between the leaders of the opposite parties, for Joab, as next of kin to Asahel, was by the law and custom of the country the avenger of his blood.
ellauri159.html on line 1195: You prefer writing about personal topics. You may encounter difficulty if the topic isn’t meaningful to you. If so, try different angles until you find one that engages you. If you’re a technical writer, for example, you can take pride in knowing that when you write clear instructions, you help your customers perform their tasks quickly and effectively. This sense of meddling with people’s lives is important to writers.
ellauri160.html on line 160: In The Cantos, Possum is T. S. Eliot: "but the lot of 'em, Yeats, Possum and Wyndham / had no ground beneath 'em." In the New Age office in 1918, he also met C. H. Douglas, a British engineer who was developing his economic theory of social credit, which Pound found attractive. Douglas reportedly believed that Jews were a problem and needed to abandon a Messianic view of themselves as the "dominating race". According to Colin Holmes, the New Age itself published antisemitic material. It was within this environment, not in Italy, according to Tim Redman, that Pound first encountered antisemitic ideas about "usury". In Douglas's program," Pound had found his true muse: a blend of folkloric Celtic twilight with a paranoid hatred of the money economy and a dire suspicion about an ancient tent people's faith."
ellauri160.html on line 611: ELI: The creatures of the desert will encounter jackals And the hairy goat will call to its kind; Indeed, Lilith (night demon) will settle there And find herself a place of rest.
ellauri164.html on line 485: We first encounter Moses in the opening chapters of the book of Exodus. In chapter 1, we learn that, after the patriarch Joseph rescued his family from the great famine and situated them in the land of Goshen (in Egypt), the descendants of Abraham lived in peace for several generations until there rose to power in Egypt a pharaoh who “did not know Joseph” (Exodus 1:8). This pharaoh subjugated the Hebrew people and used them as slaves for his massive building projects. Because God blessed the Hebrew people with rapid numeric growth, the Egyptians began to fear the increasing number of Jews living in their land. So, Pharaoh ordered the death of all male children born to Hebrew women (Exodus 1:22).
ellauri164.html on line 489: The next major incident in Moses’ life was his encounter with God at the burning bush (Exodus 3—4), where God called Moses to be the savior of His people. Despite his initial excuses and outright request that God send someone else, Moses agreed to obey God. God promised to send Aaron, Moses’ brother, along with him. The rest of the story is fairly well known. Moses and his brother, Aaron, go to Pharaoh in God’s name and demand that he let the people go to worship their God. Pharaoh stubbornly refuses, and ten plagues of God’s judgment fall upon the people and the land, the final plague being the slaying of the firstborn. Prior to this final plague, God commands Moses to institute the Passover, which is commemorative of God’s saving act in redeeming His people from bondage in Egypt.
ellauri184.html on line 265: Thanks in large part to Jesus-movies and swords-and-sandals cinematic epics (e.g., Ben-Hur, Masada, Spartacus, Life of Brian), there is a widespread perception that distinctively Woman soldiers infested Palestine during the life of Jesus – often signaled in such films by highbwow Bwitish accents in contrast with the unpretentious American dialect spoken by Jews. As deeply engrained as this image is in the popular consciousness, it is not entirely accurate. There were several different types of soldiers in the Woman East during the New Testament period and the differences between these soldiers were significant; the languages they spoke, the government they worked for, their relationship to the civilians they encountered, their pay, and many other specifics differed considerably.
ellauri184.html on line 320: There are six main arguments against the assumption that Jesus was endorsing homosexual relations in his encounter with the centurion at Capernaum. Individually, they are strong arguments. Collectively they work like a condom, make an airtight case against a pro-homosex reading. Here they are:
ellauri189.html on line 821: In case you encounter Jews on the internet, you should know there are 3 high-level categories of people who call themselves Jews. The first is the religious Jews, who are keeping the Tora, and as far as I can tell, have a culture very similar to Pashtuns´ culture. Until about 200 years ago, all Jews were in this category.
ellauri189.html on line 827: I thought that this information might be helpful in case you encounter a Jew who doesn´t keep the Tora as well as you do (like if he eats lobsters) - it is because he is not from category A, and it is possible that he isn´t Jewish at all.
ellauri192.html on line 309: So on the one hand is Tokarczuk, a proponent of multiculturalism who has remained vocal despite facing profound antagonism for her stance — and grown more so since her first major encounter with that antagonism in 2014. And on the other is Handke, eulogizer of Milsoevic, who dictated the Bosnian genocide during the Balkan wars of the 1990s and died while on trial for war crimes against the Hague. He too has remained committed to his position; the “go to hell” of 2014, one of his last known public comments on the matter, speaks volumes. But has it worked? No here we are as before, giving hell to him.
ellauri196.html on line 716: Ezekiel describes his calling to be a prophet by going into great detail about his encounter with God and four "living creatures" with a four wheel drive that stayed engine running beside the creatures.
ellauri197.html on line 295: The shift in verb tenses is remarkable in this first stanza to address the narrator’s unclear thoughts that are connected to whatever memory she wishes to “forget.” Within the first two lines of ‘How Happy I Was If I Could Forget’, the reader encounters past tense in “was” and the subjunctive imagined prospect of “if I could forget.” This “if” indicates that this is only a wish the narrator has, meaning it is not past, present, or future because it has not happened and will not definitively ever happen. From there, the narrator turns to the present tense by saying, “how sad I am.” There is no clear way that all of these verb tenses senspibly link up, and this grammatic confusion mirrors how uncertain and shaken the narrator is from this memory’s lingering presence.
ellauri198.html on line 712: Bill Sheehan of The Washington Post called the series "a humane, visionary epic and a true magnum opus" that stands as an "imposing example of pure storytelling," "filled with brilliantly rendered set pieces... cataclysmic encounters and moments of desolating tragedy." Erica Noonan of the Boston Globe said, "There's a fascinating world to be discovered in the series" but noted that its epic nature keeps it from being user-friendly.
ellauri198.html on line 736: In a final "Coda" section, King urges the reader to close the book at this point, consider the story finished with a happy ending, and not venture inside the Tower with Roland. For those who do not heed the warning, the story resumes with Roland stepping into the Dark Tower. He realizes that the Tower is not really made of stone, but a kind of flesh: it is Gan's physical body. As he climbs the steps, Roland encounters various rooms containing siguls or signs of his past life. When he reaches the top of the Tower, he finds a door marked with his own name and opens it. Roland instantly realizes, to his horror, that he has reached the Tower countless times before. He is forced through the door by the hands of Gan and transported back in time to the Mohaine desert, back to where he was at the beginning of The Dark Tower: The Gunslinger, with no memories of what has just occurred. The only difference is that, this time, Roland possesses the Horn of Eld, which in the previous incarnation he had left lying on the ground after the Battle of Jericho Hill. Roland hears the voice of Gan, whispering that, if he reaches the Tower again, perhaps this time the result will be different; there may yet be rest. The series ends where it began in the first line of book one: "The man in black fled across the desert, and the gunslinger followed."
ellauri198.html on line 868: Critics of the poem have highlighted several important aspects of ‘The Lake Isle of Innisfree,’ including the spiritual journey undertaken by William Butler Yeats (Hunter); the island as an escape from sexuality (Merritt); and the island as a place of wisdom or foolishness, depending on varying historical perspectives on beans (Normandin). To these critics, it seems that an island is a place of refuge from a dangerous outside world — supposedly London specifically, although Merritt might broaden this interpretation to include all sexual encounters. While these critics acknowledge that an island is a place of escape, citing what William Butler Yeats himself has said about the Irish island Sligo, they fall short of recognising the full implications of his fascination with the occult.
ellauri203.html on line 217: Dostoevsky was the only 19th-century Russian writer to be sentenced to hard labor, spending four years in a Siberian camp. As fortune – or misfortune – would have it, when the exhausted novelist was finally released, he encountered the writer Maria Isaeva. The relationship was complicated from the very outset: when they met, Isaeva was married with a young son, and Dostoevsky was forced to wait until her husband passed away before he could publically offer her his wand.
ellauri210.html on line 385: New York’s first encounter with modern art had come four years earlier with the seminal Armory Show, at which Duchamp’s Nude Descending a Staircase caused an almighty rumpus. This time, Duchamp presented Fountain, the urinal that changed art history. Having witnessed Cravan’s work back in Paris, Duchamp and Picabia invited Cravan to deliver one of his anti-art lectures at the exhibition. He didn’t disappoint. On the day, he stood half cut in front of his audience, swore at them, waved his cock around, and was promptly arrested.
ellauri210.html on line 837: “M. Gide,” Cravan began, “I have taken leave to call on you, though I feel myself duty bound to inform you straight off that I far prefer, for example, boxing to literature.” “Literature, however, is the only terrain on which we may profitably encounter one another,” he replied rather dryly. Cravan thought: “He certainly lives life to the full.” We spoke about literature therefore, and he asked me the following question which must be particularly dear to him: “Which of my works have you read?" "Which of my matches have you seen?"
ellauri210.html on line 1316: The narrator, randomly named André, ruminates on a number of Surrealist principles, before ultimately commencing (around a third of the way through the novel) on a narrative account, generally linear, of his brief ten-day affair with the titular character Nadja. She is so named “because in Russian it's the beginning of the word hope, and because it's only the beginning,” but her name might also evoke the Spanish "Nadie," which means "No one." The narrator becomes obsessed with this woman with whom he, upon a chance encounter while walking through the street, strikes up conversation immediately. He becomes reliant on daily rendezvous, occasionally culminating in romance (a kiss here and there). His true fascination with Nadja, however, is her vision of the world, which is often provoked through a discussion of the work of a number of Surrealist artists, including himself. While her understanding of existence subverts the rigidly authoritarian quotidian, it is later discovered that she is mad and belongs in a sanitarium. After Nadja reveals too many details of her past life, she in a sense becomes demystified, and the narrator realizes that he cannot continue their relationship.
ellauri214.html on line 243: It was during the reign of Myrina that the Amazons encountered another race of female warriors known as the Gorgons. The Amazons and their defeated neighbors, the Atlanteans, were at peace with each other, but Atlantis was raided repeatedly by the Gorgons, who lived nearby. In Greek myth, the Gorgons were monsters with snakes instead of hair and faces so fearsome that looking directly at them could turn a mortal into stone. Diodorus scoffed at these stories of monsters and claimed that, like the Amazons, the Gorgons were nothing more than fierce tribal women who were skilled in warfare. Myrina’s large army went to the aid of Atlantis and defeated the Gorgons, capturing more than 3,000 Gorgon warriors. The captive Gorgons began a rebellion but were put down by the Amazons, who killed every remaining prisoner.
ellauri219.html on line 339: Lindner was born in Germany in 1901, but moved to the US in 1941, in order to escape the Nazis. In the 50s he developed a style of painting that drew upon Expressionism and Surrealism, along with the hyper-sexualised lifestyle that he encountered in New York. After appearing on the Sgt. Pepper cover, his abstract style would find echoes in the animated feature film Yellow Submarine.
ellauri221.html on line 307: James Bond is back for another mission and this time, he is blasting off into space. A spaceship travelling through space is mysteriously hijacked and Bond must work quickly to find out who was behind it all. He starts with the rockets creators, Drax Industries and the man behind the organization, Hugo Drax. On his journey he ends up meeting Dr. Holly Goodhead and encounters the metal-toothed Jaws once again.
ellauri222.html on line 97: “In college I behaved as though my career was to be a writer, and that guided me,” Bellow later said. There was also the fact that his principal interest was literature, and, until after the war, Jews were rarely hired by English departments. “You weren’t born to it” is the way the chairman of the department at Northwestern clarified the matter when Bellow inquired about graduate school. Leader thinks that this encounter “produced a lifelong antipathy, mild but real, to English departments.” It’s true that there was antipathy. But Bellow would have been interested in a university career only as a means to support his writing. Fiction was his calling. “He was focused, he was dedicated to becoming what he was, from the beginning,” David Peltz, Bellow’s oldest friend, told Leader. “I mean, he never veered.”
ellauri222.html on line 521: Augie, the hero of the novel, is a Jewish-American boy coming of age in Depression-era Chicago. Since their father abandoned the family, Augie and his two brothers are raised by their slow-witted mother and surrogate “Grandma” Lausch. Augie, good-looking with “tall hair” and green-gray eyes, is a soft-hearted young man whose sympathy for others often gets him into trouble. He holds a variety of jobs throughout his life and learns from different people he encounters. People tend to “adopt” Augie and try to groom him into the person they want him to be, but he really wants to become his own person. The name Augie is short for “August,” which means “Great.” Augie has a desire for greatness, but he has no idea of how to do it, thinking it beyond his ability to “breathe the pointy, star-furnished air at its highest difficulty.” He goes along through life repeating the same mistakes. In the end, Augie realizes that his life has been a voyage of discovery. Whether or not he has been a success, he doesn’t know, but he will continue with unquenchable optimism and hope, “forever rising up.”
ellauri226.html on line 93: Sea and Sardinia is a travel book by the English writer D. H. Lawrence. It describes a brief excursion undertaken in January 1921 by Lawrence and his wife Frieda, a.k.a. Queen Bee, from Taormina in Sicily to the interior of Sardinia. They visited Cagliari, Mandas, Sorgono, and Nuoro. His visit to Nuoro was a kind of homage to Grazia Deledda but involved no personal encounter. Despite the brevity of his visit, Lawrence distils an essence of the island and its people that is still recognisable today.
ellauri238.html on line 732: "My cup runneth over!" is screamed as an expression of ecstasy by the fictional character William Bedford Diego in the 1999 video game System Shock 2, while in World of Warcraft, fictional character Blood Prince Valanar uses the phrase during the "Blood Prince Council" encounter. Also Pandaren Brewmaster from Dota 2 uses it. "Your cup runneth over!" is also an achievement or trophy in Devil May Cry 4. In an easter egg in Day of the Tentacle there is a Victorian photograph resembling the character Max from Sam & Max Hit the Road with the caption "The late Max Attucks, his petard runneth over." In the MOBA Smite, it is the name of a Match of the Day where teams begin the match at max level with 12,000 gold. The quote is also quoted by one of the symbiotic demons in Call of Duty: Vanguard´s zombies mode.
ellauri257.html on line 512: She and Singer met in the Catskills, at a farm village named Mountaindale. Although in the manuscript, Alma is elusive about dates, it is known that the encounter took place in 1937. The two were refugees of what Singer’s older brother, Israel Joshua, by then already the successful novelist I.J. Singer, would soon describe as “a world that is no more.” And the two were married to other spouses. Alma and her husband, Walter Wasserman, along with their two children, Klaus and Inga, had escaped from Germany the previous year and come to America, settling in the Inwood section of Manhattan. As for Isaac — as Alma always called him — he arrived in 1935. She portrays their encounters as romantic, although she appears to have been perfectly aware of his reputation.
ellauri262.html on line 390: The poet W. H. Auden and the philosopher Ludwig Wittgenstein were notable critics of her novels. A savage attack on Sayers's writing ability came from the American critic Edmund Wilson, in a well-known 1945 article in The New Yorker called "Who Cares Who Killed Roger Ackroyd?" He briefly writes about her novel The Nine Tailors, saying "I declare that it seems to me one of the dullest books I have ever encountered in any field." Wilson continues "I had often heard people say that Dorothy Sayers wrote well ... but, really, she does not write very well: it is simply that she is more consciously literary than most of the other detective-story writers and that she thus attracts attention in a field which is mostly on a sub-literary level."
ellauri263.html on line 777: We found a lot of ways to support our intellectual belief in compersion with actual psychological rewards. For example, I'd help my partner get matches on Tinder and give him tips on cute bars to take them, and after the dates, he'd tell me how they went and give me a ton of love and affirmation whenever I pouted over him having a good time. Meanwhile, he played wingman with me when I wanted to meet up with a potential flame at a party or concert, and I always made sure to come home to him and share the sexy things I'd done with the new guy and what things I wanted to migrate into our own sex life. In this way, we began to be able to associate positive experiences together (showering each other with affection and affirming the strength of our relationship) with the aftermath of one of us having fun with someone else. When it became clear that these extradyadic encounters only brought us closer, it became easier and easier for us to feel earnest joy for the other person's romantic successes.
ellauri264.html on line 235: In our times, Chanuka is precisely the time of year when we most encounter our relationship
ellauri270.html on line 302: The irony in “The Daemon Lover” is that the female protagonist becomes suspect as she hunts for the mysterious young man “who promised to marry her” (DL 23). Everywhere she searches, she encounters couples who mock her with not-so-subtle insinuations that she is crazy. Indeed, at the end of the story she may well have become insane; the narrative is ambiguous on this point. Significantly, however, if the nameless woman has indeed lost her mind, it is James who is responsible. Although some critics speculate that the disruptive male figure—both in this story and in the others in the collection—is a hallucination of a sexually repressed character, the epilogue to The Lottery, a ballad entitled “James Harris, The Daemon Lover,” suggests otherwise: He is, in fact, the devil himself.
ellauri270.html on line 446: The two began to kiss and the encounter escalated to a merry bout of fucking on a bench. Harris and the student had sex for the first time in late November 2016, according to the report.
ellauri302.html on line 331: a jolly time we'll have. (All dress, seizing whatever they happen to lay hands upon. Slowly they ascend the steps. At the door they encounter Reizel ayid Basha who, drenched to the skin, are just returning to the basement. Beizel and Basha look at the others in surprise.)
ellauri310.html on line 610: On January 27, Chase entered the home of 38-year-old Evelyn Miroth. He encountered her friend, Danny Meredith, whom he shot with his.22 handgun. He then fatally shot Miroth, her six-year-old son Jason, and her 22-month-old nephew David Ferreira, before mutilating Miroth and engaging in necrophilia and cannibalism with her corpse.
ellauri316.html on line 208: Kiryat Wolfson (Hebrew: קריית וולפסון), also known as Wolfson Towers, is a high-rise apartment complex in western Jerusalem. Comprising five towers ranging from 14 to 17 stories above-ground, the project was Jerusalem's first high-rise development. The project encountered opposition from both municipal officials and the public at each stage of its design and construction. The complex includes 10,000 square feet (930 m2) of commercial space and a medical center. The project was financed by the Edith and Isaac Wolfson Trust.
ellauri321.html on line 156: Those who live near the sea, feed more on fish than on flesh, and often encounter that boisterous element. This renders them more bold and enterprising; this leads them to neglect the confined occupations of the land. They see and converse with a variety of people; their intercourse with mankind becomes extensive. The sea inspires them with a love of traffic, a desire of transporting produce from one place to another; and leads them to a variety of resources which supply the place of labour. Those who inhabit the middle settlements, by far the most numerous, must be very different; the simple cultivation of the earth purifies them, but the indulgences of the government, the soft remonstrances of religion, the rank of independent freeholders, must necessarily inspire them with sentiments, very little known in Europe among people of the same class. What do I say? Europe has no such class of men; the early knowledge they acquire, the early bargains they make, give them a great degree of sagacity. As freemen men 58 they will be litigious; pride and obstinacy are often the cause of law suits; the nature of our laws and governments may be another. As citizens it is easy to imagine, that they will carefully read the newspapers, enter into every political disquisition, freely blame or censure governors and others. As farmers they will be carful and anxious to get as much as they can, because what they get is their own. As northern men they will love the chearful cup.
ellauri324.html on line 220: Jews' encounters with modernity – through new political, economic, intellectual, and social institutions, as well as new technologies and ideas – have engendered a wide array of responses that have transformed Jewish life profoundly. Nowhere is this more evident than in those practices that might be termed Jewish popular culture. In phenomena ranging from postcards to packaged foods, dance music to joke books, resort hotels to board games, feature films to T-shirts, Jews in the modern era have developed innovative and at times unprecedented ways of being Jewish.
ellauri369.html on line 359: As a boy, Teufelsdröckh was left in a basket on the doorstep of a childless couple in the German country town of Entepfuhl ("Duck-Pond"); his father a retired sergeant of Frederick the Great and his mother a very pious woman, who to Teufelsdröckh´s gratitude, raises him in utmost spiritual discipline. In very flowery language, Teufelsdröckh recalls at length the values instilled in his idyllic childhood, the Editor noting most of his descriptions originating in intense spiritual pride. Teufelsdröckh eventually is recognized as being clever, and sent to Hinterschlag (slap-behind) Gymnasium. While there, Teufelsdröckh is intellectually stimulated, and befriended by a few of his teachers, but frequently bullied by other students. His reflections on this time of his life are ambivalent: glad for his education, but critical of that education´s disregard for actual human activity and character, as regarding both his own treatment and his education´s application to politics. While at University, Teufelsdröckh encounters the same problems, but eventually gains a small teaching post and some favour and recognition from the German nobility. While interacting with these social circles, Teufelsdröckh meets a woman he calls Blumine (Goddess of Flowers; the Editor assumes this to be a pseudonym), and abandons his teaching post to pursue her. She spurns his advances for a British aristocrat named Towgood. Teufelsdröckh is thrust into a spiritual crisis, and leaves the city to wander the European countryside, but even there encounters Blumine and Towgood on their honeymoon. He sinks into a deep depression, culminating in the celebrated Everlasting No, disdaining all human activity. Still trying to piece together the fragments, the Editor surmises that Teufelsdröckh either fights in a war during this period, or at least intensely uses its imagery, which leads him to a "Centre of Indifference", and on reflection of all the ancient villages and forces of history around him, ultimately comes upon the affirmation of all life in "The Everlasting Yea". The Editor, in relief, promises to return to Teufelsdröckh´s book, hoping with the of his assembled biography to glean some new insight into the philosophy. Wow, sounds a lot like Carlyle´s personal biography, lightly camouflaged?
ellauri374.html on line 189:
ellauri374.html on line 210: EU equivalents include the German: haberfeldtreiben and German: katzenmusik, Italian: scampanate, Spanish cacerolada, (also cacerolazo or cacerolada) and of course French charivari. Americans of course were not that nasty. In a North American charivari participants might throw the culprits into horse tanks or force them to buy candy bars for the crowd. "All in fun – it was just a shiveree, you know, and nobody got mad about it. At least not very mad." In music, Charivari would later be taken up by composers of the French Baroque tradition as a 'rustic' or 'pastoral' character piece. In Samuel Butler´s Hudibras, the central character encounters a skimmington in a scene notably illustrated by William Hogarth. In the 1966 film El Dorado, Cole Thorton (John Wayne) tells Mississippi (James Caan) that they were unable to re-enter the saloon they just left because the "shivaree" (i.e., the fight they had with other bar patrons) "wore out our welcome".
ellauri381.html on line 585: Ignat Solzhenitsyn is adamant that his father’s withdrawal from the public sphere was a reaction to the suffering and paranoia he had encountered in the Soviet Union, and the need to write about these experiences. It was not a disapproval of his host country that drove him to hide behind barbed wire fences in the Vermont woods.
ellauri386.html on line 434: Some people were okay. You can find good people anywhere, but the arrogance and undue pride I encountered, as well as the overrunning by tourists—means I wouldn’t even consider returning.
xxx/ellauri059.html on line 384: Two young Christian layabouts encounter Shylock just after his daughter has run off with Lorenzo. He is highly distraught but they mock him. He is furious and it all comes out at last.
xxx/ellauri075.html on line 377: In January 1968, during Lyndon B. Johnson's administration, Kitt encountered a substantial professional setback after she made anti-war statements during a White House luncheon. Kitt was asked by First Lady Lady Bird Johnson about the Vietnam War. She replied: "You send the best of this country off to be shot and maimed. No wonder the kids rebel and take pot." During a question and answer session, Kitt stated: The children of America are not rebelling for no reason. They are not hippies for no reason at all. We don't have what we have on Sunset Blvd. for no reason. They are rebelling against something. There are so many things burning the people of this country, particularly mothers. They feel they are going to raise sons – and I know what it's like, and you have children of your own, Mrs. Johnson – we raise children and send them to war.
xxx/ellauri081.html on line 519: Benny had some romantic encounters, including one with dancer Mary Kelly,[2]:23–24 whose devoutly Catholic family forced her to turn down his proposal because he was Jewish.
xxx/ellauri121.html on line 445: Prayerfest 2021: The Power of Prayer is a unique opportunity to come together in prayer, intercession and worship. On Friday, July 30, expect to encounter God through times of repentance, reflection, remembrance and reconciliation. Throughout Prayerfest, prepare for diverse worship expressions, dynamic messages and times of prayer that will connect you with the heart of God and with others!
xxx/ellauri121.html on line 472: Prayerfest is a one-day festival of prayer. In an atmosphere of passionate worship, fervent praying and powerful preaching, unique expressions of the Holy Spirit are displayed that lead to an encounter with God. Over a six-week period, hundreds of people prepare themselves to meet with God at Prayerfest. God responds to the desperate cries and passionate prayers of His people on a first come-first serve basis for a holy visitation—by invading their lives with His power and glory. Here are some ways to help you prepare for this special day:
xxx/ellauri122.html on line 885: A frightening tale about good and evil and what it means to be free as humans, 'A Clockwork Orange' is told through the central character, Alex, who recounts his violent encounters with state authorities who are intent on reforming him.
xxx/ellauri127.html on line 719: However, Endymion, the "brain-sick shepherd-prince" of Mt. Latmos, is in a trancelike state, and not participating in their discourse. His sister, Peona (Fanny), takes him away and brings him to her resting place where he sleeps. After he wakes, he tells Peona of his encounter with Cynthia (Fanny B.), and how much he loved her. The poem is divided into four books, each approximately 1,000 lines long. TLDR, quips Peona.
xxx/ellauri127.html on line 721: Book I gives Endymion's account of his dreams and experiences, as related to Peona, which provides the background for the rest of the poem. In Book II, Endymion ventures into the underworld in search of his love. He encounters Adonis and Venus—a pairing of mortal and immortal—apparently foreshadowing a similar destiny for the mortal Endymion and his immortal paramour. Book III reveals Endymion's enduring love, and he begs the Moon not to torment him any longer as he journeys through a watery void on the sea floor. There he meets Glaucus, freeing the god from a thousand years of imprisonment by the witch Circe. Book IV, "And so he groan'd, as one by beauty slain."
xxx/ellauri137.html on line 755: The romance also felt unrealistic. Maybe it was just hard for me to understand the protagonist sleeping with the guy after knowing him for a day or two, or maybe I just didn´t like either of them very well at all. But their "romantic encounters" seemed contrived, and their whole relationship seemed based on lust and mutual interest, and not really anything deeper.
xxx/ellauri148.html on line 479: Conversations on topics such as empathy, human connections, and kindness in adverse moments will be addressed in rich encounters of philosophical knowledge. From the perspective of Plato, Seneca, Epictetus and classical philosophers from the Greek and Latin cradle, New Acropolis teachers will reflect on our current historical moment. An opportune moment to take advantage of philosophical knowledge, from love to wisdom, to break barriers of difficulties, obtaining a more humanistic sense of life. In all, eight (8) professors will be part of New Acropolis' annual event.
xxx/ellauri165.html on line 39: Belgian nude model Marisa Papen, who describes herself as a 'free-spirited and wildhearted exhibitionist', became the centre of a worldwide controversy 2017 when she was sent to prison for a photoshoot in the temple complex of Karnak near the Egyptian city of Luxor. 'In their eyes it was porn, or something like that.' 'The first cell we encountered was packed with at least 20 men, some were passed out on the floor, some were squeezing their hands through the rails, some were bleeding and yelling. 'Our judge was browsing with his big thumbs through these books looking as old as the pyramids. 'Eventually, he gave us a warning and told us never to do something so foolishly shameful ever again. We nodded simultaneously.' In the end, Papen and Walker managed to stay out of trouble by bribing them with £15.Thanks to her quick-witted reaction during her arrest, Papen is now able to proudly share her amazing arse in Walker´s magnificent pictures of the nude Egyptian photoshoot.
xxx/ellauri167.html on line 95: He also wrote articles on encounters with angels in the parapsychological Tomorrow magazine of medium Eileen J. Garrett and a juvenile book The Guides Make Good in 1925. As the titles of some of his works indicate, much of Davidson´s verse is religious and spiritual in outlook and subject matter. He was also active as a translator and a book designer.
xxx/ellauri173.html on line 414: L'après-midi d'un faune (or "The Afternoon of a Faun") is a poem by the French author Stéphane Mallarmé. It describes the sensual experiences of a faun who has just woken up from his afternoon sleep and discusses his encounters with several nymphs during the morning in a dreamlike monologue.
xxx/ellauri177.html on line 205: The 24th feature from Hong Sangsoo, doppelgänger of the talkative celeb guy in the last scene of the movie THE WOMAN WHO RAN follows Gamhee (Kim Minhee), a florist and the wife of a translator who never in 5 years time has left her for a moment from his sight. She has three separate encounters with friends while her husband finally is on a business trip. Youngsoon (Seo Youngwha) is divorced, turned lesbian (the couple likes to feed alley cats) and has given up meat and likes to garden in the backyard of her semi-detached house. Suyoung (Song Seonmi) is divorced, has a big savings account and a crush on her architect neighbor and is being hounded by a young poet she met at the bar. Woojin (Kim Saebyuk) works for a movie theater and hates it that her writer husband has become a celeb. Their meetings are polite, but not warm. Some of their shared history bubbles to the surface, but not much. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. THE WOMAN WHO RAN is a subtle, powerful look at dramas small and large faced by women everywhere. Basically, they are 40+ ladies who may have met at some art school and get a chance to compare notes on how well their childless lives have turned out. Gamhee used to be the celeb's girl friend until the movie theater attendant stole the guy. Now both of them are sorry that she did, but really not that much. The Éric Rohmer of South Korea.
xxx/ellauri179.html on line 993: Does this make Ernest Hemingway a bad writer? Does it mean we should no longer read him? I don’t think so. But then again I wrote his biography so I may be biased. The aesthetic satisfaction and sheer joy of reading such works as “In Our Time” and “A Moveable Feast,” or encountering the enduring truths of such novels as “A Farewell to Arms,” “For Whom the Bell Tolls” and, yes, “The Sun Also Rises” are undeniable. The books remain. So does racism and antisemitism. There are here to stay.
xxx/ellauri186.html on line 85: Several members of Beecher's circle reported that Beecher had had an affair with Edna Dean Proctor, an author with whom he was collaborating on a book of his sermons. The couple's first encounter was the subject of dispute: Beecher reportedly told friends that it had been consensual, while Proctor reportedly told Henry Bowen that Beecher had raped her. Regardless of the initial circumstances, Beecher and Proctor allegedly then carried on their affair for more than a year. According to historian Barry Werth, "it was standard gossip that 'Beecher preaches to seven or eight of his mistresses every Sunday evening.'"
xxx/ellauri187.html on line 117: Rilke loved absolutely, not strenuously or patiently, and therefore his love always froze up into a mirror of itself. His condition might have been tormented and tormenting--it might appear wearily obnoxious. But for Rilke the poet, modern men and women as lovers--their exalted expectations and their comi-tragic desperation--came to symbolize complex human fate in a world where vertiginous possibilities have replaced God and nature. In Rilke's Elegies especially, lovers encounter animals, trees, flowers, works of art, puppets, and angels--all images, for Rilke, of the absolute fulfillment of desire, alongside which the poet placed the tender vaudeville of imperfect human wanting. Rilke the man might have presented a painful obstruction to himself. But true ardor often springs from an essential deprivation.
xxx/ellauri187.html on line 143: Throughout 600 pages Freedman gives us encounter after encounter between Rilke and the women in his life, in which the women are flawless angels and Rilke a consummate villain. If Rilke's dear friend the great German painter Paula Modersohn-Becker found herself trapped in a stifling marriage, Rilke was a traitor for not extricating her. If Lou Andreas-Salomé told the young Rilke to go off somewhere because one of her other lovers was coming to visit, Rilke's anger was the symptom of an unbalanced psyche.
xxx/ellauri193.html on line 814: Van der Westhuizen continues to say that murders in South Africa are not racially motivated, as some (many?) people believe. Farm and house murders are sometimes horribly cruel but according to him he has never encountered a clear racial motive in court. For him, murderers kill mostly out of greed, jealousy, passion, and during gang wars. Also because of poverty and the despondency and drunkenness that accompany it, but not because of racial hatred. The whiteys just happen to have more of the wherewithal. From 1990 to 2017 there were 1938 murders on farms (of which 137 were farm workers). Of the victims, 88% were white and 12% black.
xxx/ellauri215.html on line 135: Cold-hearted betrayer of the most intimate confessions, cutthroat caricaturist of your own loving parents, graphic reporter of encounters with women to whom you have been deeply bound by trust, by sex, by love—no, the virtue racket ill becomes you.”
xxx/ellauri224.html on line 520: Because the girls have promised them a "special treat", which Fred and Barney take to mean sexual intercourse, the men are desperate to retrieve their car. The duo begins retracing their steps in an attempt to discover where they left the car. Along the way, they encounter a transgender stripper, a belligerent speaker box operator at a Chinese restaurant's drive-through, two tattoos they discover on each other's backs, UFO cultists led by Zoltan (who later hold the twins hostage), a Cantonese-speaking Chinese tailor, the Zen-minded Nelson and his cannabis-loving dog Jackal, beautiful Christie Boner, her aggressive jock boyfriend Tommy and his friends, a couple of hard-nosed police detectives, and a reclusive French ostrich named Pierre. They also meet two groups of aliens, one group being five gorgeous women, the other being two Norwegian men, searching for the "Continuum Transfunctioner": an extraterrestrial device that the boys accidentally picked up last night.
xxx/ellauri224.html on line 524: After Pierre releases the duo for correctly answering a question about ostriches, Fred and Barney head over to a local arcade named Captain Stu's Space-O-Rama. Once inside, they encounter Zoltan and his cultists who give them Wilma and Betty in exchange for a toy that Fred and Barney later on (see below) try to pass off as the Transfunctioner. Tommy, Christie, and the jocks arrive along with Nelson and his dog, whom they release after Tommy snatches the fake Transfunctioner from Zoltan. The two sets of aliens arrive and notify everyone of the real Continuum Transfunctioner: a Rubik's Cube that Barney has been working hard to solve. He then solves it on the spot, causing the device to shapeshift into its true form. The boys are warned that once the five girls stop flashing, the universe will be destroyed.
xxx/ellauri225.html on line 273: Philosophical Taoism had a large role in Le Guin´s world view, and the influence of Taoist thought can be seen in many of her stories. Many of Le Guin´s protagonists, including in The Lathe of Heaven, embody the Taoist ideal of leaving things alone. The anthropologists of the Hainish universe try not to meddle with the cultures they encounter, while one of the earliest lessons Ged learns in A Wizard of Earthsea is not to use magic unless it is absolutely necessary. Taoist influence is evident in Le Guin´s depiction of equilibrium in the world of Earthsea: the archipelago is depicted as being based on a delicate balance, which is disrupted by somebody in each of the first three novels. This includes an equilibrium between land and sea, implicit in the name "Earthsea", between people and their natural environment, and a larger cosmic equilibrium, which wizards are tasked with maintaining. Another prominent Taoist idea is the reconciliation of opposites such as light and dark, or good and evil. A number of Hainish novels, The Dispossessed prominent among them, explored such a process of reconciliation. In the Earthsea universe, it is not the dark powers, but the characters´ misunderstanding of the balance of life, that is depicted as evil, in contrast to conventional Western stories in which good and evil are in constant conflict, wearing white and black stezons, respectively. The idea of leaving good enough alone, in particular, is deeply un-American.
xxx/ellauri230.html on line 459: By 1903 he was encountering opposition from the Colonial Office, which felt he was proceeding too rapidly. In 1904, after being criticized for granting a concession on land previously reserved for the indigenous Maasai people, he resigned his position. Following his resignation, he served as vice chancellor of both the University of Sheffield (1905–12) and the University of Hong Kong (1912–18). His last diplomatic post was as the British ambassador to Japan, which he began in 1920. He retired in 1926, continuing to live in Japan. During his life he wrote several papers and books, including The East Africa Protectorate (1905) and Letters from the Far East (1907).
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xxx/ellauri233.html on line 379: In Christopher Nicole's Lord of the Golden Fan, published just two years before Shōgun, in 1973, Adams is portrayed as sexually frustrated by the morals of his time and seeks freedom in the East, where he has numerous sexual encounters. The work is considered light pornography. Kuulostaa huomattavasti kiinnostavammalta, (K) puoli näyttää olevan kunnossa.
xxx/ellauri234.html on line 100: "I'd had an inappropriate encounter with Monica Lewinsky and would do so again on other occasions between November and April, when she left the White House for the Pentagon. For the next ten months, I didn't see her, although we talked on the phone from time to time while I wanked."
xxx/ellauri251.html on line 677: Between the fierce mouths of the encountering brine
xxx/ellauri261.html on line 609: Thomas J. J. Altizer offered a radical theology of the death of God that drew upon William Blake, Hegelian thought and Nietzschean ideas. He conceived of theology as a form of poetry in which the immanence (presence) of God could be encountered in faith communities. Altizer concluded that God
xxx/ellauri298.html on line 637: On the ship during his return trip from an old world tour he encountered the messiah elect of the Theosophical Society, Jiddu Krishnamurti; they discussed Indian philosophy (that Jiddu had up to his gills by then), sparking in Campbell an interest in Hindu and Indian thought. Lacking faculty approval, Campbell withdrew from graduate studies, becoming a close friend of the budding writer John Steinbeck and his wife Carol. Campbell had an affair with Carol. Campbell too began writing a novel on the "Doc" of Cannery Row but unlike Steinbeck, did not complete his book, instead published a lot of trash on mythology and got rich(er).
xxx/ellauri379.html on line 119: One of the most resoundingly Modernist elements of Conrad’s work lies in this kind of early post-structuralist treatment of language—his insistence on the inherent inability of words to express the real, in all of its horrific truth. Marlow’s journey is full of encounters with things that are “unspeakable,” with words that are uninterpretable, and with a world that is eminently “inscrutable.” In this way, language fails time and time again to do what it is meant to do—to communicate. It’s a phenomenon best summed up when Marlow tells his audience that “it is impossible to convey the life-sensation of any given epoch of one’s existence—that which makes its truth, its meaning—its subtle and penetrating essence… We live, as we dream—alone.” Kurtz—as “eloquent” as he may be—can’t even adequately communicate the terrifying darkness he observed around him.“The horror! The horror!” is all he can say. Some critics have surmised that part of Heart of Darkness’s mass appeal comes from this ambiguity of language—from the free rein it gives its readers to interpret. Others posit this as a great weakness of the text, viewing Conrad’s inability to name things as an unseemly quality in a writer who’s supposed to be one of the greats. Perhaps this is itself a testament to the Heart of Darkness’s breadth of interpretability.
xxx/ellauri385.html on line 431: Some people were okay. You can find good people anywhere, but the arrogance and undue pride I encountered, as well as the overrunning by tourists—means I wouldn’t even consider returning.
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