Where Ganges, woods, Himalayan man caves, and men dream God—I am hallowed; my elongated body part touched the wife of that sod.

The clerk belongs to me, I belong to the clerk, what is it to others?

xxx/ellauri075.html on line 417:

The clerk belongs to me, I belong to the clerk, what is it to others?

xxx/ellauri076.html on line 644: Lokakussa 2017 "Kape" totetsi Ylen ohjelmassa että fysiikan lait estävät naisia etenemästä johtotehtäviin varsinkin ravintola-alalla. Synnyttäminen ja äitiysloma ja sen sellaiset. Selkkauxen johdosta Aihkisen ja hänen vaimonsa parisuhde päättyi viime vuonna 19 vuoden yhteiselon jälkeen. Aihkisen mielestä syynä oli liian paljon lapsia (2). Vaimo ei yxinkertaisesti ennättänyt työn päälle hakea niitä tarhasta. Seija oli onnekas, kun sillä oli vaan 3 lasta haettavana. Tosin siihen tuli kaupat ja ruuanlaitto päälle, koska Lauri ei todellakaan ollut mikään huippukokki. Tuli myöhään kotiin ja moitiskeli vielä ruokia. Mikä täällä haisee pahalle?
xxx/ellauri081.html on line 186: Ilkeän ja sivistymättömän näköinen Mengeleleirin ämmä Hallgren käy teeveessä käsirysyä kuikelon Kristerssonnin kanssa (M) kun maan rokotuxet takeltelevat. Britit ja jopa Tanska ajaa ohi. Hallgren erehtyy halveximaan vielä sivistymättömämpiä somettajia jotka ei osaa edes kirjottaa omaa nimeä. Nu blev det visst riktigt dålig stämning där.
xxx/ellauri084.html on line 36: Both Hitler's oratory and Wittgenstein's philosophy of language derive from the hermetic tradition, the key to which is Wittgenstein's "no-ownership" theory of mind, described by P. F. Strawson in his book Individuals (1958). The no-ownership theory is a metaphysical doctrine of the self, labelled by Strawson. It arises from cartesian mind-body dualism (see mind body problem) and maintains that conscious experiences with a subject cannot be said to ‘belong’ to that subject, because “Only those things whose ownership is logically transferable can be owned at all“. Kauppamiesmäistä mind-body kapitalismia. Taas yxi kiemurtelu sielun irrottamisexi ruumiista.
xxx/ellauri084.html on line 781: Par ailleurs, Simone Veil, qui siégeait alors au conseil d'administration de l'ORTF, a critiqué la pertinence du documentaire qui, selon elle, ne reflète pas les réalités de cette époque. S'exprimant en 1992 sur France 3, elle a rappelé sa position en indiquant que Le Chagrin et la Pitié « a été très injuste pour les résistants et les Français qui ont sauvé beaucoup d'enfants juifs - beaucoup plus que dans d'autres pays - des voisins qui ont pris un enfant qu'ils ne connaissaient pas, mais aussi les églises ». Elle estime choquant que la ville résistante de Clermont-Ferrand soit présentée comme une ville de collaborateurs.
xxx/ellauri085.html on line 128: Similarly to the film ‘ Potted Psalm’ (made by the same filmmaker) ‘The Cage’ was firstly created with no soundtrack. A soundtrack was added later on to accompany the visuals. The copy right of this film belongs to the Californian School of Fine Arts.
xxx/ellauri085.html on line 411: Um, no, no one is saying that. The idea is hilarious. This is where it goes wrong: Govt taking a little less from the rich than before is not a gift! It was THEIR money in the first place. How did we ever get to the place where people think that everything belongs to the govt like a king in feudal and ancient times, and we are all just subjects, serfs, and they will tell US how much of our own earnings we get to keep? Didn't we fight a revolution to abolish that nonsense?
xxx/ellauri086.html on line 465: And so damned aristocratic, Ev'ry bit of credit For it all belongs to you!
xxx/ellauri086.html on line 472: Mrs. Pearce: Karpáthy? That dreadful Hungarian? For it all belongs to you!
xxx/ellauri091.html on line 241: Entä minä? Aino ystäväni oli mennyt kihloihin tohtori (Arthur) Hjeltin kanssa, ja hänen häänsä oli suunniteltu touokuuxi. Ompelin hänelle paljotöistä tsheremissiläismallista sohvatyynyä. Vai tarkastinko "Tuomenmarjojen" korehtuuria? Vai "Huoneenharjojen?" Vaiko "Suomenkarjojen?" (Nämä runovihkoni ilmestyivät sinä keväänä.) Kazoin uponnutta kelloa. Se näytti perunoita. Tai siis Hauptmannin näytelmä (jonka se oli, ukkomies elonsa vaelluxen puolitiessä, kirjoittanut muna ojossa 14-vuotiaan tytön takia, joka toisin kuin sen vaimo ymmärsi sitä ja samoin kuin se ize tykkäs vielä talviurheilusta), oli aaterikkaudestansa huolimatta hämärä ja pitkäveteinen, toisin kuin vanha testamentti. Ajatuxeni harhailivat pois lakkaamatta. Kuinka toista olisikaan ollut siellä, missä kaikki rakkaimmat toverini nyt olivat koossa Mr. Mottin sanomaa kuulemassa! Ei uponnut kello sinänsä ollut syntiä (vaikka teatterihan on, ja Hauptmann ize suuri syntinen?). Kysymys oli siitä mikä oli ensiarvoista. Eli siis kivintä. Olin langennut kiusaajan ansaan. Sillä mitään muuta ei voinut olla tämä izelleni epäedullinen menettely.
xxx/ellauri091.html on line 776: The Nobel Peace Prize 1946 was divided equally between Emily Greene Balch "for her lifelong work for the cause of peace" and John Raleigh Mott "for his contribution to the creation of a peace-promoting religious brotherhood across national boundaries."
xxx/ellauri103.html on line 178: I hate to disappoint you folks, but unless we stretch the topic to breaking point this address will not be about “community and belonging.” In fact, you have to hand it to this festival’s organisers: inviting a renowned racist to speak about “community and belonging” is like expecting a tadpole to balance a beach ball on its nose.
xxx/ellauri103.html on line 192: The ultimate endpoint of keeping out mitts off experience that doesn’t belong to us is that there is no fiction left. Harry Potter would not exist, because we are all muddleheads. Or what was it, muggles?
xxx/ellauri103.html on line 196: Yet were their authors honouring the new rules against helping yourself to what doesn’t belong to you, we would not have Malcolm Lowry’s Under the Volcano. We wouldn’t have most of Graham Greene’s novels, many of which are set in what for the author were foreign countries, and which therefore have Real Foreigners in them, who speak and act like foreigners, too. (Malcolm Lowry's book has been mentioned, it is pure drivel. Grandma Greene is another lousy driveler.)
xxx/ellauri103.html on line 203: What strikes me about that definition is that “without permission” bit. However are we fiction writers to seek “permission” to use a character from another race or culture, or to employ the vernacular of a group to which we don’t belong? Do we set up a stand on the corner and approach passers-by with a clipboard, getting signatures that grant limited rights to employ an Indonesian character in Chapter Twelve, the way political volunteers get a candidate on the ballot? Anyway, do you really expect us Americans to seek permission from any of those lower races? Did we do so when we appropriated their land and property?
xxx/ellauri103.html on line 211: The felony of cultural sticky fingers even extends to exercise: at the University of Ottawa in Canada, a yoga teacher was shamed into suspending her class, “because yoga originally comes from India.” She offered to re-title the course, “Mindful Stretching.” And get this: the purism has also reached the world of food. Supported by no less than Lena Dunham, students at Oberlin College in Ohio have protested “culturally appropriated food” like sushi in their dining hall (lucky cusses— in my day, we never had sushi in our dining hall), whose inauthenticity is “insensitive” to the Japanese.
xxx/ellauri103.html on line 231: Because the ultimate endpoint of keeping out mitts off experience that doesn’t belong to us is that there is no fiction. Someone like me only permits herself to write from the perspective of an ugly straight white female born in North Carolina, closing on sixty, able-bodied but with bad knees, skint for years but finally able to buy the odd new Dolce Cabbana. All that’s left is a memoir. Well, you are right, who would care to read that, in my case at least?
xxx/ellauri103.html on line 257:

I’m from a small rural community, and ev’rybody who lived in my neighborhood, if you want to call it that, were relatives.  We called it “the circle,” and our house was there, my grandmother’s house was there, an aun’ an’ uncle who were childless lived there, and (uh) a couple of aunts an’ uncles who had children.  There were five female cousins, an’ in the summertime we hung out together all day long from early until late.  In my grandmother’s yard was a maple tree, and the five of us developed that into our apartment building.  Each of us had a limb, and [small laugh] the less daring cousins took the lo’er limbs, and I and another cousin a year younger than I always went as far to the top as we could, an’ we– we were kinda derisive of those girls who stayed with the lower limbs.  We had front doors an’ back doors.  The front door was the — the limb — were the limbs on the front, that were nearest (um) the boxwood hedge.  And the grass was all worn away in that area.  An’ then the back doorwa–was on the back side of the tree, an’ you could only enter the front an’ exit from the rear.  And that had to be done by swinging off a limb that was fairly high off the ground, and (um) my cousin Belinda and I had no problem with that, but the other girls — that was always somethin’ we had to coax them into doin’.  But still, you entered the front, you left the rear.  We (um) ate our lunches together.  When it was lunchtime — an’ our mothers always cooked lunch in the summertime ’cause they didn’ want to be in the hot kitchen at night.  So we would just take our (um) — go home, an’ we’d load our plates with all the vegetables an’ the cornbread, an’ get our glasses of milk or ice tea or whatever we were havin’, an’ we would head for somebody’s yard, where we would all sit down an’ eat together.  It was just an institution:  lunch in somebody’s yard.  An’ if you wanted to go home for a second helping– sometimes that was quite a little walk, but it was worth it, because that was our thing, having lunch together, every day.  (Um) We gathered at my grandmother’s on Sundays.  All my aunts would get those chairs, form a circle.  (Uh) One crocheted.  (Uh) Most of them just sat an’ talked, an’ we girls hung out for the main part with the women.  (Uh) The men would gather around the fish pond, which was in a side yard.  It was (um) — it was kind of a rock (um) pond that my granddaddy had, had built.  There was a ir’n pipe in the middle, an’ when he went fishin’, he would put his catch in there.  Or he caught a mud turtle, he’d put it in there.  An’ there it stayed until it was time to kill it an’ cook it, whatever it was.  The pipe in the middle had water that sprayed up all the time.  There was a locust tree near there, an’ that’s where we girls picked the leaves an’ the thorns to make the doll clothes out o’ the locust.  It’s where we always ate the watermelon.  We always had to save the rind, an’ we always had to leave some pink on that rind, because my grandmother made watermelon pickles out o’ that rind.  I hated the things.  I thought they were the worst things I ever put in my mouth.  But ever’body else thought watermelon pickles were just a great delicacy.  That was also around the time that ev’rybody grew gladiolias [sic] an’ I thought they were the ugliest flower I’d ever laid my eyes on, but ever’body had gladiolias.  ‘Course now I’ve come to appreciate the gladiolia, but back then I had absolutely no appreciation for it.  It was also where we made (uh) ice cream, (uh) on the front porch.  We made ice cream on Sunday afternoons.  I had an aunt who worked in the general mercantile business that my family owned, an’ she was only home on Sunday, so she baked all day:  homemade rolls an’ cakes.  And so, she made cakes an’ we made ice cream, an’ ever’body wan’ed to crank, of course.  (Um) That was just a big treat, to get to crank that ice cream.  It was jus’ our Sunday afternoon thing, an’ I, I think back on it.  All the aunts would sit around an’ they’d talk, an’ they’d smoke.  Even if you never saw those ladies smoke, any other time o’ the week.  On Sunday afternoon when we all were gathered about in gran- in granny’s yard, they’d have a cigarette.  Just a way of relaxing, I suppose.  The maple tree’s now gone.  In later years, it was thought the maple tree, our apartment building, was shading the house too much an’ causing mildew, so it was removed at some point.  And I don’t, to this day, enjoy lookin’ (uh) into that part o’ the yard. …

xxx/ellauri103.html on line 268: Regarding identity politics, what’s especially saddened me in my recent career is a trend toward rejecting the advocacy of anyone who does not belong to the group. In 2013, I published Big Brother, a novel that grew out of my loss of my own older brother, who in 2009 died from the complications of morbid obesity. I was moved to write the book not only from grief, but also sympathy of morbid obesity: in the years before his death, as my brother grew heavier, I saw how dreadfully other people treated him – how he would be seated off in a corner of a restaurant, how the staff would roll their eyes at each other after he’d ordered, though he hadn’t requested more food than anyone else. Just a little wafer, is all.
xxx/ellauri103.html on line 274: She and her colleagues in the fat rights movement did not want my advocacy. I could not weigh in on this material because I did not belong to the club. I found this an artistic, political, and even commercial disappointment – because in the US and the UK, if only skinny-minnies will buy your book, you’ve evaporated the pool of prospective obese consumers to a puddle.
xxx/ellauri103.html on line 290: The last thing we fiction writers need is restrictions on what belongs to us. In a recent interview, our colleague Chris Cleave conceded, “Do I as an Englishman have any right to write a story of a Nigerian woman? … I completely sympathise with the people who say I have no right to do this. My only excuse is that I do it well.”
xxx/ellauri114.html on line 593: After the 1995 finding of a Luwian biconvex seal at Troy VII, there has been a heated discussion over the language that was spoken in Homeric Troy. Frank Starke of the University of Tübingen demonstrated that the name of Priam, king of Troy at the time of the Trojan War, is connected to the Luwian compound Priimuua, which means "exceptionally courageous"."The certainty is growing that Wilusa/Troy belonged to the greater Luwian-speaking community," but it is not entirely clear whether Luwian was primarily the official language or it was in daily colloquial use.
xxx/ellauri116.html on line 444: Lupaaminen on perseestä. Lupaatko ettet koskaan enää tee niin? Etkö sinää muiista mitää sinää lupaasit? Lupaavasta nuoresta tutkijasta tuli lupaileva vanha hutkija. Ensin tutkitaan sitten hutkitaan. Tiesitkö että väkivalta on paljon enemmänkin kuin lyönnit? Tässä muutamia vinkkejä. Väkivalta on pelon ja uhan herättämistä ja tekojen ajatusten ja tunteiden kontrollointia. Hallizemista pelolla.
xxx/ellauri122.html on line 787: Left tormented and in isolation, the innocent creature turns on his creator in this eloquent Gothic thriller, which touches the hearts of readers with its messages of the dangers of science and human judgment. This helps appreciate pro life ideas: do not meddle with what belongs to Mighty Mouse territory.
xxx/ellauri122.html on line 1092: Capote was born Truman Streckfus Persons in New Orleans, Louisiana, on September 30, 1924. His father, Arch Persons, was a well-educated ne'er-do-well from a prominent Alabama family, and his mother, Lillie Mae Faulk, was a pretty and ambitious young woman so anxious to escape the confines of small-town Alabama that she married Arch in her late teens. Capote's early childhood with Arch and Lillie Mae was marked by neglect and painful insecurity that left him with a lifelong fear of abandonment. His life gained some stability in 1930 when, at age six, he was put in the care of four elderly, unmarried cousins in Monroeville, Monroe County. He lived there full-time for three years and made extended visits throughout the decade. Capote was most influenced by his cousin Sook, who adored him and whom he celebrated in his writings. He also forged what would become a lifelong friendship with next-door neighbor Nelle Harper Lee, who later won the Pulitzer Prize for her book, To Kill a Mockingbird. Capote appears in the novel as the character Dill.
xxx/ellauri124.html on line 197: Roboticist Dr Sergi Santos took his 'intelligent' sex doll Samantha to a busy retail park in Barcelona on her first public outing.
xxx/ellauri126.html on line 473: La journaliste est la fille de l'écrivaine Nathalie Sarraute, avocate et femme de Lettres, membre phare du courant littéraire du Nouveau Roman. C'est dans les colonnes du journal Le Monde que Claude Sarraute s'est confiée sur sa relation avec sa mère. Selon elle, la romancière d'origine russe lui avait donné un prénom unisexe car elle aurait voulu avoir un garçon...
xxx/ellauri126.html on line 515: Mindfulness liittyy joogaan, mietiskelyyn, tuoksukynttilöihin, kuukautiskiertoon, äiti maa -ajatteluun, sukattomuuteen, feminismiin yms. Se on rähmälläänoloa olemattomuudessa. Älä anna sen harmittaa, vaan ala jo. On kiskottava pelon kyllästämällä kyrvällä urheasti kitkerään loppuun saakka. Vaikka Lennu-koirakin on kuollut. Luonnosta ja taiteesta voi olla apua ellei oma riitä.
xxx/ellauri127.html on line 309: Elorna on vasta aloittamassa lukiota, jossa hänen muodikkaat mekkonsa lisäävät vaikeuksia sulautua muiden opiskelijoiden kanssa. Hän on päättänyt ansaita koulutuksen, jonka äiti pitää hyödyttömänä; Rouva Cumstick haluaa, että Elorna jää kotiin ja työskentelee roskana maatilallaan. Rahan puute lukukausimaksuista ja kirjoista melkein suistui hänen jatkamastaan ilmoittautumisestaan. Hänen harvat mukavuutensa ovat se, että hän tietää pystyvänsä menestymään koulussa, etenkin matematiikassa ja luontotutkimuksissa ; naapureidensa, Wesleyn ja Margaret Sintonin, ystävällisyys; että Freckles jätti hänelle arvokkaan näytekotelon suoon; ja että hän onnistuu hänen yritteliäs järjestelmään kerätä ja myydä esineitä ja koit siitä Limberlost, jota hän voi tallentaa Pisamia lippaan ilman äidin tietoa. Elorna on älykäs ja nokkela, ja hän rakastaa ulkona; hänen sydämensä särkee palanneen rakkauden vuoksi. Hänellä on pian monia ystäviä koulussa. Lopulta Elorna voittaa äitinsä rakkauden, mutta vasta sen jälkeen, kun muutama emotionaalinen katastrofi on kohdannut Cumstickin naisia.
xxx/ellauri128.html on line 611: Il est le promoteur d´un réalisme critique et d´une philosophie de l´être et de l´exister supérieure, d´après lui, aux philosophies de l´Un, du vrai, du bien, de la liberté, de la durée, de l´existence (coupée de l´essence). Le principe fondateur de cette doctrine de l´être est le principe d´identité qui justifie en droit une « raison d´être » intelligible (causalité, finalité). Du principe d´identité découlent toutes les catégories de l´être (essence/existence ; acte/puissance ; substance ; quantité ; qualité ; relation, etc.), d´où l´on déduit l´être même subsistant (Dieu) qu´Heidegger a confondu à tort selon lui avec un existant suprême.
xxx/ellauri129.html on line 603: Elle est renommée pour sa traduction en français des Principia Mathematica de Newton, qui fait encore autorité aujourd'hui. Elle a aussi contribué à diffuser en France l'œuvre physique de Leibniz, notamment en prouvant expérimentalement sa théorie selon laquelle l'énergie cinétique (appelée à l'époque « force vive ») est proportionnelle à la masse et au carré de la vitesse.
xxx/ellauri130.html on line 776: Pendant la guerre d’Espagne, Claudel apporta son soutien aux franquistes. Devant la Seconde Guerre mondiale, Claudel est initialement peu convaincu par le danger que représente l'Allemagne nazie. Il s'inquiète davantage de la puissante Russie, qui représente selon lui une « infâme canaille communiste ». Claudel expliqua ses flatteries à Pétain par l'approbation d'une partie de sa politique (lutte contre l'alcoolisme, appui aux écoles libres). Il est meilleures amis avec Francois Mauriac.
xxx/ellauri134.html on line 223: Goal: to belong
xxx/ellauri136.html on line 520: There was only one variable that separated the people who have a strong sense of love and belonging and the people who really struggle for it. And that was, the people who have a strong sense of love and belonging believe they're worthy of love and belonging. That's it. These are whole-hearted people, self-satisfied people, living from this deep sense of worthiness. What they had in common was a sense of courage. Courage, the original definition of courage, when it first came into the English language -- it's from the Latin word "cor," meaning "heart" -- and the original definition was to be who you are with your whole heart (sydän taas, hui, yäk). And so these folks had, very simply, the courage to be imperfect.
xxx/ellauri136.html on line 530: Well, I have a vulnerability issue. I'm not sufficiently vulnerable. And I know that vulnerability is the core of shame and fear and our struggle for worthiness, but it appears that it's also the birthplace of joy, of creativity, of belonging, of love. And I think I have a problem, and I need some help." And I said, "But here's the thing: no family stuff, no childhood shit, that's way too vulnerable."
xxx/ellauri137.html on line 719: Kuolema kuulostaa vinkuintiaaneista samalta kuin nelonen, joka on sen tautta epäonnen numero. Varmaan tiedättekin kuinka naurettavan ylpeitä vanhuxet saattavat olla. Vaikka niiden sisarentytär olis ketsu, eli ketun ja suden risteytys. Ei sentään Hikari eli hikipinko. Hikarin deodorantti oli samaa kuin Rein käyttämä. Quorassa kysyvät mixi suomalaiset nimet näyttävät niin japsulaisilta. Ural-altailainen hypoteesi on selityxenä.
xxx/ellauri139.html on line 1042: Hégésippe Moreau ( ranskalainen Pierre-Jacques Roulliot ; 8. huhtikuuta 1810-20 . joulukuuta 1838) oli ranskalainen lyyrinen runoilija . Syntymästään lähtien häntä kutsuttiin biologisen isänsä (Moreau) sukunimellä ja hän otti salanimen Hégésippe, kun hän aloitti runojen julkaisemisen vuonna 1829. Ranskan romantikkojen ja 1800 -luvun yleisön mielikuvituksessa Hégésippe Moreaun vaikeudet elämä ja hänen ennenaikainen kuolemansa tekivät hänestä romanttisen vastineen aikaisemmille runoilijoille Thomas Chattertonille , Nicolas Joseph Laurent Gilbertille ja Jacques Clinchamps de Malfilâtrelle . Tämä romanttinen myytti vahvistui julkaisemalla hänen täydelliset teoksensa yhdessä Gilbertin teosten ja luettelon runoilijoista, jotka kuolivat nälkään vuonna 1856; hänen teostensa 1860-painos sisälsi Sainte-Beuve'n tärkeän elämäkertaisen esipuheen.
xxx/ellauri139.html on line 1052: Hegesippos (n. 110–180) oli varhaiskristillinen historioitsija ja harhaoppien vastustaja. Hänet luetaan kirkkoisien joukkoon. Se teki paaviluettelon. Gilbertin kootuissa oli nälkiintyneiden runoilijoiden luettelo. Näiden tiimien Body Mass Index-luvut oli varmaan ihan eri kymmenluvulta.
xxx/ellauri139.html on line 1056: Eusebios sanoo Hegesippoksen kääntyneen kristinuskoon juutalaisuudesta, koska hän lainasi hepreankielisiä kirjoituksia ja oli hyvin perehtynyt Heprealaisevankeliumiin ja syyriankielisiin evankeliumeihin. Hän viittasi myös juutalaisten kirjoittamattomiin perinteisiin. Hegesippos vaikuttaa eläneen jossain Rooman valtakunnan itäosissa, mahdollisesti Palestiinassa. Paavi Anicetuksen (paavina noin 154–167) aikaan hän matkusti Korinttiin ja Roomaan, ja keräsi samalla vierailemiensa kirkkojen opetuksia ja varmisti niiden olevan yhtäpitäviä Rooman kirkon oppien kanssa. Hän mainitsee tehneensä Roomassa paavien luettelon Anicetukseen saakka, ja Eleuteriuksen olleen tämän diakonina. Hegesippoxen niteet lienevät hukkuneet kirjastosta 1600-luvulla. Kuka lie lainannut eikä palauttanut eräpäivään mennessä.
xxx/ellauri139.html on line 1147: Manfred est un drame en vers de George Gordon Byron, dit Lord Byron, publié en 1817. Bourrelé de remords après avoir tué celle qu'il aimait, Manfred vit seul comme un maudit au cœur des Alpes. Il invoque les esprits de l'univers, et ceux-ci lui offrent tout, excepté la seule chose qu'il désire, l'oubli. Il essaie alors, mais en vain, de se jeter du haut d'un pic élevé. Il visite ensuite la demeure d'Ahriam, mais refuse de se soumettre aux esprits du mal, leur enjoignant d'évoquer les morts. Enfin lui apparaît Astarté, la femme qu'il a aimée puis tuée par son étreinte (« My embrace was fatal... I loved her and destroy'd her »). Répondant à son invocation, Astarté lui annonce sa mort pour le lendemain. Au moment prédit apparaissent des démons pour s'emparer de lui, mais Manfred leur dénie tout pouvoir sur sa personne. Pourtant, à peine sont-ils apparus qu'il meurt. La situation de Manfred deviendra l'un des poncifs favoris composant le portrait de l'homme fatal du romantisme. Cette pièce s'inspire, pense-t-on[Qui ?], dans son plan, du Faust de Goethe et selon certains, contiendrait une allusion du poète à sa demi-sœur Augusta Leigh. Sitäkin se dodennäköisesti bylsähti.
xxx/ellauri149.html on line 109: Tutkivan journalismin nettisivusto Long Play julkaisi helmikuussa 2013 artikkelin "Himasen etiikka", jossa selvitettiin muun muassa Himasen ilman kilpailutusta saamaa 700 000 euron tutkimushankerahoitusta ja sen järjestelyjä sekä Himasen tapaa käyttää professori-titteliä ilman, että hänellä on koskaan ollut professuuria missään yliopistossa. Hankkeen tilaamisesta ja merkityksestä tehtiin tutkintapyyntö perustuslakivaliokuntaan ja Suomen oikeuskanslerille. Hankkeeseen liittyvää selontekoa on pyydetty pääministeri Jyrki Kataiselta.
xxx/ellauri149.html on line 505: Lagarde´s anti-Semitism laid the foundations for aspects of National Socialist ideology, in particular that of Alfred Rosenberg. He argued that Germany should create a "national" form of Christianity purged of Semitic elements and insisted that Jews were "pests and parasites" who should be destroyed "as speedily and thoroughly as possible". His library now belongs to the New York University.
xxx/ellauri154.html on line 142: Saint-Denis, le plus célèbre des saints « céphalophores », est souvent représenté portant sa tête, iconographie fréquente des martyrs décapités. Selon d'anciens récits, le saint se serait relevé, aurait ramassé sa tête, et aurait marché jusqu'au lieu de sa sépulture. Outre la tête coupée, il est reconnaissable grâce à ses attributs, la mitre et les chaînes. La façade de la cathédrale Notre-Dame de Paris en offre un exemple sur le piédroit du Portail de la Vierge.
xxx/ellauri154.html on line 198: Sillä välin vanha kunnon Braguelonge tuskitteli itsekseen: - Vanha Uh! Uh! vanha Uh! Uh, kunpa tukehtuisit hinkuyskään! kunpa syöpä sinut söisi! vanha hampaaton kampa! vanha tohveli, jossa jalka ei enää pysy! vanha väkipyssy! vanha kapaturska! vanha hämähäkki, joka liikkuu vain sänkyyn kaivautuakseen! vanha ruumis, jolta sisälmykset ovat jääneet auki! vanha paholaisen kehtolaulu! vanha tallilyhty! vanha käärmeen silmä!... vanha rummunnahka! vanha sadan puukon tuppi! vanha puu, jota koko maailma on kastellut! Antaisin taivasosuuteni, jos pääsisin sinusta irti!
xxx/ellauri157.html on line 102: Jordaen's personal interaction with the Bible was strengthened by his conversion from Catholicism to Protestantism. Like Rubens, he studied under Adam van Noort, who was his only teacher. During this time Jordaens lived in Van Noort's house and became very close to the rest of the family. 8 years later, after joining the tapestry painters' guild, 1616, he married his teacher's eldest daughter, Anna Catharina van Noort, with whom he had three children. Perhaps the big butt belonged to Anna Catharina.
xxx/ellauri165.html on line 316: Seeing an opportunity to make some money by taking a cut of sales, Greville sent her to sit for his friend, the painter George Romney, who was looking for a new model and muse. It was then that Emma became the subject of many of Romney's most famous portraits, and soon became London's biggest celebrity. So began Romney's lifelong obsession with her, sketching her nude and clothed in many poses that he later used to create paintings in her absence. Through the popularity of Romney's work and particularly of his striking-looking young model, Emma became well known in society circles, under the name of "Emma Hart". She was witty, intelligent, a quick learner, elegant and, as paintings of her attest, extremely beautiful. Romney was fascinated by her looks and ability to adapt to the ideals of the age. Romney and other artists painted her in many guises, foreshadowing her later "attitudes".
xxx/ellauri166.html on line 46: What was the significance of Aaron's rod? All Master chefs have great staffs. The Lord told Moses, "Buds will sprout on the staff belonging to the man I choose. They left their rods before the Lord, and in the morning "Aaron's staff, representing the tribe of Levi, had sprouted, budded, blossomed, and produced ripe almonds" (verse 8).
xxx/ellauri166.html on line 68: There is a mention of the rod of Moses in a deposition of Nicolas, abbot of the Icelandic Benedictine monastery of Thingeyrar, who had seen it guarded in a chapel of a palace in Constantinople in c. 1150. According to this source, the archbishop of Novgorod, Anthony, stated that it was in the church of St Michael in the Boukoleon Palace, among other precious relics. After the sack of Constantinople in 1204 it was transported to France where Bishop Nevelon placed it in Soissons cathedral and it then passed to the treasury of the Sainte-Chapelle.
xxx/ellauri166.html on line 365: "You, however, are controlled not by the sinful nature but by the spirit, if the spirit of Yahuah (Ruch Ah Qudsh) lives in you. And if anyone does not have the Spirit of Mashiach (Messiah), he does not belong to Yahusha Ha Mashiach the Messiah." Romans 8:9
xxx/ellauri166.html on line 373: Clearly there is ample evidence from the Hebrew that if YAH belongs to the Father and HU to the Son, then certainly AH belongs to the Ruch, giving us the name YaHuaH, which contains all three in One Name. Yahuah Saves and is the Giver of Life, Eternal Life! Q.E.D.
xxx/ellauri167.html on line 358: Liikut tuntemattomissa paikoissa ilman navigaattoria (eli Google Mapsia). Tottakai. Otan mukaan puhelinluettelon kartan tarvittaessa.
xxx/ellauri167.html on line 513: This letter was the last in the Snyder-Washington exchange. Washington remained a lifelong Freemason and received a Masonic burial at his death.
xxx/ellauri168.html on line 467: 115,0 minuuttia -- Filmi päättyy rauhaisaan näkymään taivaasta. Lapselle kerrotaan viimeisen muutaman minuutin aikana: "TÄMÄ MAAILMA KUULUU SINULLE. SE ON KAUNIS MAAILMA MISSÄ ME HALUAMME SINUN ELÄVÄN. SE ON KAUNIS." Kaiken sen helvetin jälkeen joka on kaadettu lapsen mieleen, sekä pelon jonka Saatana antaa heille tässä Fantasia-filmissä, tämä lapsi on vain liian onnellinen luodakseen kauniin maailman jossa elää. Olen iloinen jos olen voinut olla tässä asiassa jotenkin avuxi.
xxx/ellauri168.html on line 488: Meitä on vain muutamia terapeutteja jotka ovat tehneet työtä PIMPSAn parissa. On vaikea esittää menestyksekkäitä melontatekniikoita miten päästä syvemmälle PIMPSAan ilman että annettaisiin vastapuolelle tietoa kuinka estää tällainen terapeuttinen työ. Antakoon kaikkien pikkuötököiden jumala meille voimaa ja rohkeutta ja paljon lisää PIMPSAa.
xxx/ellauri169.html on line 41: Fritz Artz Springmeier (born Viktor E. Schoof, September 24, 1955) is an American author of conspiracy theory literature who has written a number of books claiming that a global elite who belong to Satanic bloodlines are conspiring to dominate the world. He has described his goal as "exposing the New World Order agenda." Springmeier's father, James E. Schoof, worked for the United States Agency for International Development as an international agriculturist, with a primary focus on developing the Balochistan area of Pakistan.
xxx/ellauri169.html on line 269: Witness Lee (Chinese: 李常受; pinyin: Lǐ Chángshòu; 1905 – June 9, 1997) was a Chinese Christian preacher and hymnist belonging to the Christian group known as the local churches (or Local Church) in Taiwan and the United States. He was also the founder of Living Stream Ministry. Lee was born in 1905 in the city of Yantai, Shandong, China, to a Southern Baptist family. He became a Christian in 1925 after hearing the preaching of an evangelist named Peace Wang and later joined the Christian work started by Watchman Nee. Like Nee, Lee emphasized what he considered the believers' subjective experience and enjoyment of Christ as life for the building up of the church, not as an organization, but as the Body of Christ.
xxx/ellauri173.html on line 190: Dieu, comme toute pensée, n’est dans l’Homme que selon l’individu. Nul ne sait où commence l’Illusion, ni en quoi consiste la Réalité.
xxx/ellauri173.html on line 668: "Mun rikos on et mulla on pelon voittamisesta iloisia

xxx/ellauri173.html on line 882: - Vai niin ! elävä taideteos, vaippojamme lukuunottamatta, hänellä ei ole käyttöä terveyssiteille. ― Katso: Androidin mukana on vakiovarusteena raskas eebenpuuarkku, joka on pehmustettu mustalla satiinilla. Tämän symbolisen kotelon sisäpuoli on täsmälleen se naismuodon muotti, joka sen on tarkoitus ottaa. Tämä on hänen myötäjäiset. Ylälehdet avataan pienellä tähtimäisellä kultaavaimella, jonka lukko on sijoitettu yöpöydän alle. Eiku sinne vaan köyrimään. Muista kääntää äänet päälle on/off nappulasta.
xxx/ellauri176.html on line 335: Qui parles d'un mortel ! selon qui, des calices joka puhut kuolevaisesta! jonka mukaaan
xxx/ellauri176.html on line 900: "The whole movie is like an NRA wet dream. Jack Reacher already feels as if it belongs to another era."
xxx/ellauri177.html on line 683: Ulkona hän ei ryhtynyt varotoimiin piiloutuakseen. Hän pysähtyi kylän päähän juttelemaan hetkeksi Rosalien kanssa; hän kertoi hänelle, että hänen lapsellaan oli kouristuksia, ja kuitenkin hän nauroi, se puolisuuinen nauru, joka oli hänelle tavallista. Sitten hän syöksyi kivien keskelle ja käveli suoraan kohti murtumaa. Tottumuksesta hän oli ottanut breviaarinsa mukaansa. Koska tie oli pitkä ja kyllästyi, hän avasi kirjan ja luki säännölliset rukoukset. Kun hän pani sen takaisin kainalonsa alle, hän oli unohtanut Paradoun. Hän käveli aina hänen edellään ja ajatteli uutta koteloa, jonka hän halusi ostaa korvatakseen kultaisen kangaskotelon, joka oli varmasti putoamassa pölyyn; Jonkin aikaa hän oli piilottanut kaksikymmentä soua, ja hän laski, että seitsemän kuukauden kuluttua hänellä olisi tarpeeksi rahaa. Hän oli saapumassa korkeuksiin, kun talonpojan laulu kaukaa muistutti häntä laulusta, jonka hän oli kuullut kauan sitten seminaarissa. Hän etsi tämän laulun ensimmäiset säkeet, mutta ei löytänyt niitä. Häntä vaivasi, että hänellä oli niin vähän muistia.
xxx/ellauri178.html on line 132: “I wanted to be morally serious like Joseph Conrad,” Roth said of his young self. “I wanted to exhibit my dark knowledge like Faulkner. I wanted to write literature. Instead I took my dick's advice and wrote Portnoy's Complaint.” Stern, a lifelong friend, had noticed “a discrepancy between Philip as he told stories and Philip as he wrote stories.” The advice was of course excellent, with the resulting work putting Roth squarely in the middle of the literary map. Saatuaan juutalaisten palkinnon Roth sanoi et enää puuttuu feministipalkinto ja Kakutani Prize.
xxx/ellauri178.html on line 286: Né de père inconnu (son nom était Frédéric Blanc selon les archives de l'Assistance publique), Jean Genet est abandonné à sept mois par sa mère, Camille Gabrielle Genet (1888-1919), gouvernante ou femme de chambre.
xxx/ellauri179.html on line 171: Wheeler was a native of Brookfield Township in Trumbull County, Ohio where he was raised on his family's farm. A childhood accident caused by an intoxicated hired hand gave Wheeler a lifelong aversion to alcohol. He practically lost his dick in the accident. He used the story later to recruit converts to the prohibition movement and to promote a prohibition amendment to the U.S. Constitution.
xxx/ellauri179.html on line 284: Bernice Kert states: "It has also been said that Ernest's lifelong assertion of masculine power grew out of his emotional need to exorcise the painful memory of his mother asserting her superiority over his father." Major General Charles Lanham, a friend of Ernest's, said that he was the only man he ever knew who really hated his mother. Tutun oloista.
xxx/ellauri179.html on line 308: Hemingway was not the Nihilist he has often been called but another one. As he belonged to the Protestant nay-saying tradition of American dissent, the spirit of the American Revolution, he denied the denial and acceded to the basic truth which he found in the human soul and catholicism: the will to believe, to live, the will to persevere, to endure, to defy, to maim and kill.
xxx/ellauri186.html on line 205: