ellauri038.html on line 216: Following Max's unexpected death, Marianne withdrew from public and social life, funneling her physical and psychological resources into preparing ten volumes of her husband's writing for publication. In 1924, she received an honorary doctoral degree from the University of Heidelberg, both for her work in editing and publishing Max's work as well as for her own scholarship. Between 1923 and 1926, Weber worked on Max Weber: Ein Lebensbild ("Max Weber: A Biography"), which was published in 1926.[15] Also in 1926, she re-established her weekly salon, and entered into a phase of public speaking in which she spoke to audiences of up to 5,000. During this phase, she continued to raise Lili's children with the help of a close-knit circle of friends
ellauri099.html on line 199: Famously, Aristotle was asked by Philip II of Macedon to be the tutor of his 13-year-old son, Alexander. Aristotle set up school in the Macedonian fortress of Mieza, and the young prince was taught together with his companions, who probably numbered around 30 students. A big class. This was a closed school, a boarding school of sorts. A sense of the seriousness with which Aristotle performed his duties can be gleaned from the fact that he composed two treatises in honor of Alexander, “On Kingship” and "On Colonies" as guidebooks for the prince, as well as editing a copy of Homer’s “Iliad” specifically for Alexander’s use — the so-called “casket copy” (presumably because it was small enough to fit inside his casket).
ellauri135.html on line 210: After the Crimean War ended, Nikolai Vasilyevich went to the Caucasus where he witnessed the capture and arrest of Imam Shamil. He then traveled to Italy as a correspondent of The Russian Messenger to report on the progress of Giuseppe Garibaldi's army. He spent 1860-1862 traveling through Syria, Palestine, and Egypt. As the January Uprising in Poland began Nikolai Vasilyevich went to Warsaw as a correspondent for the Saint Petersburg magazine Vedomosti and stayed there for the rest of his life, teaching Russian language and literature at Warsaw University beginning in 1868, then editing the newspaper The Warsaw Diary (Varshavsky Dnevnik) from 1874 to 1877.
ellauri152.html on line 79: To lend authenticity to the forgery, Louÿs in the index listed some poems as "untranslated"; he even craftily fabricated an entire section of his book called "The Life of Bilitis", crediting a certain fictional archaeologist Herr G. Heim ("Mr. C. Cret" in German) as the discoverer of Bilitis' tomb. And though Louÿs displayed great knowledge of Ancient Greek culture, ranging from children's games in "Tortie Tortue" to application of scents in "Perfumes", the literary fraud was eventually exposed. This did little, however, to taint their literary value in readers' eyes, and Louÿs' open and sympathetic celebration of lesbian sexuality earned him sensation and historic significance.
ellauri194.html on line 1028: The International Coaching Federation (ICF) is a nonprofit organization dedicated to professional coaching. ICF has been called "the main accrediting and credentialing body for both training programs and coaches". ICF defines coaching as partnering with clients in a thought-provoking and creative process that inspires them to maximize their personal and professional potential...
ellauri222.html on line 129: He also worked for a time at the Encyclopædia Britannica, on the fifty-two-volume “Great Books of the Western World,” under the editorship of Mortimer J. Adler. Bellow was in charge of editing part of the “Syntopicon,” a two-volume digest of the Great Ideas composed by Adler. He had taken one of Adler’s courses at the University of Chicago and had concluded that it was “tomfoolery,” but he seems to have liked the job.
ellauri499.html on line 165: Those who ideologically opposed Baal’s worship in Judah—particularly the “deuteronomistic” scribal circles responsible for the composition, editing, and transmission of the books of Kings, Jeremiah, and Hosea—were "religious innovators," who likely remained in the minority until the post-monarchic period.
ellauri499.html on line 193: You’re right that a lot of the material we read as “Baal vs. Yahweh” has gone through editing and redaction over time—especially in the exilic/post-exilic periods. But even if we grant that, it doesn’t follow that “Baal was relatively good except for the bad prophets,” because the core conflict in these texts isn’t just “who got the history wrong”; it’s also what the community wanted to claim about worship, legitimacy, and authority.

Here are the main ways that claim still doesn’t really land, even with post-Babylonian editing:
xxx/ellauri086.html on line 406: In September 2017, a team of scholars, computer scientists, philologists and linguists at the University of Padua analyzed 150 novels written in Italian by 40 different authors, including seven books by Elena Ferrante, but none by Raja. Based on analysis using several authorship attribution models, they concluded that Anita Raja's husband, author and journalist Domenico Starnone, is the probable author of the Ferrante novels. Raja has worked for E/O Publishing as copy editor and has been editing Starnone's books for years.
xxx/ellauri121.html on line 308: In the early 70s, Atwood added considerably to her work as a teacher and writer by editing manuscripts for the cutting-edge nationalist publisher The House of Anansi. By then, her marriage to Polk was over (Sullivan is vague about why, offering mainly generalities about the difficulty of staying together in that morally freewheeling era. Fact is, Jim Polk was not enough of a handyman for manly Margaret.) In 1972, Atwood met Gibson, a novelist and cultural activist whose own marriage was crumbling. The two began an affair, meeting at first clandestinely in the basement office of Toronto’s Longhouse Bookshop, but soon living together—for several years on a working farm north of the city.
xxx/ellauri183.html on line 103: And Malamud himself -- still frail from a recent illness -- at first appears an improbable Isaiah. With his tidy demeanor, incessant self-editing ("no, wait, there's a better word . . . ") and deadpan, scrupulous style, he could be the most successful publican in Galilee. He is uneasy with talking about himself ("that kind of stuff, it's not up his alley," says his publicity-hungry "friend" Philip Roth) and seems reluctant to start. He pauses to choose among several pairs of glasses, then sits down carefully, feet flat on the floor, long fingers knitted in his lap. Finally, with the anxious geniality of a brave man settling in for root canals, he says, "Now then, I think we can begin."
xxx/ellauri215.html on line 480: Sexual taboos and abstinence, and romance which is their consequence, is much more efficient in expediting one-shot pregnancies than demanding ladies whining for longer pumping sessions.
xxx/ellauri229.html on line 81: Works of John Sergeant, electronic. I began a project in my spare time of editing and cleaning up extant electronic versions of the works of the early modern philosopher and theologian, John Sergeant (1623-1707). The most famous and most easily available are his Method to Science (1696), Solid Philosophy (1697), and Transnatural Philosophy (1700). You can go to the “John Sergeant” link in the menu to see what chapters and sections are available thus far.
xxx/ellauri229.html on line 167: Michael Kandel (born 1941) is an American translator and author of science fiction. Kandel was born into Polish Jewish family. He received a doctorate in Slavistics from Indiana University, and is an editor at the Modern Language Association. Kandel is also a part-time editor at Harcourt, editing (among others) Ursula K. Le Guin´s work.
xxx/ellauri304.html on line 577: Richard Bach's international classic bestseller, Seagull, was rejected twenty times before it was published. Another brilliant judgment by 20 “Legacy” publishing editing morons. And that is no sarcasm! Seagull Jonatan would have been much better off buried alive at sea. Together with Paulo Coelho's whole production.
xxx/ellauri427.html on line 142: Hollantilais-belgialainen mutapainisarja Grenslanders maiden mutaiselta rajalta sankarina pöljä belgi kallonkutistaja ja tiukka mutiainen lesboämmä skoude Rotterdamista tuntui aluxi paremmalta. It deals - in an abstract way - with actual themes like migration, racism and xenophobia, guilt, revenge, criminal rituals, # Metoo and loneliness. Imdb:n kazoja-arvostelijat kuulostaa just niin tolloilta kuin ne aina ovat. I would like to know the next day what I was watching at and what I had learned from it. Not this lousy experience, that you completely are desorientated because of the flashy filming and editing without recognizing your audience. Story telling begins with patience. And timing... Joopa joo näitä sarjoja kazoo pääasiassa nuijat ja tosinuijat. Ei helkkari ei sittenkään, kylnää paleface hollannikkaat ja tuhkamuna belgit on koko konkkaronkka sairaita rasisteja pedofiilejä ja muita sikkejä lurendreijareita, ne olis pitänyt ottaa miehissä yxintein hengiltä jo ennen vitun "löytöretkien" alkua.
xxx/ellauri427.html on line 199: One Way or Another sounded like a great mystery/thriller. The book, though, dragged on and on and on. I did not think it would ever end (and I really wanted it to end). It took me two tries to get through the whole book. Instead of being a thrilling page turner, it puts you to sleep. This book needed severe editing and rewriting. It had some good bones (the basic idea), but the final product was severely lacking.
xxx/ellauri489.html on line 327: Neil Gaiman has acknowledged that despite editing efforts by Todd Klein and Karen Berger, several British English anglicisms, or "doozies," slipped into his publications. These reflect his UK origin.
xxx/ellauri489.html on line 471: "Gerontion" is one of the handful of poems that Eliot composed between the end of World War I in 1918 and his work on The Waste Land in 1921. During that time, Eliot was working at Lloyds Bank and editing The Egoist. T. S. Eliot did not serve in combat during World War I; he was living in London and later attempted (unsuccessfully) to join the U.S. Navy near the war's end but was declared unfit for active service.
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