ellauri011.html on line 958: Clandestino Menéndez, en su libro Cuadernos críticos, hablando sobre El alquimista, hace mención a la falta de sentido del humor del autor y critica el hecho de que Coelho esté convencido de saber verdades.[36]​
ellauri011.html on line 1374: Has died into an echo; it is fit

ellauri048.html on line 1244: A hollow echo of my own,— Mun oma ontto kaiku kanssa -
ellauri051.html on line 376: That now, ecstatic ghost, close to me bending, thy cornet echoing, notta nyt, huumehaamu, mun luurissa, sun korni soi
ellauri051.html on line 727: 161 The impassive stones that receive and return so many echoes, Tunteettomat kivet saa ja palauttaa niin monet kaiut,
ellauri052.html on line 693: still laughter, and our love was pertect tor a moment, more pertect than any love I have known since, for either man or woman. The very echo of David's lament for Jonathan in 2 Samuel 1: 26 ('thy to me was wonderful, passing the love of women.)
ellauri053.html on line 1084: Let it echo for a moment
ellauri060.html on line 112: The result of his Yale fellowship was Notes for a New Culture, written when Ackroyd was only 22 and eventually published in 1976. The title, an echo of T. S. Eliot's Notes Towards the Definition of Culture (1948), was an early indication of Ackroyd's penchant for exploring and re-examining the bollocks of other London-based writers.
ellauri062.html on line 782: Entre 1938 y 1941, obtuvo diferentes papeles en filmes alemanes. Mantuvo una muy buena relación con la prensa nacionalsocialista: participó en varios recitales y ceremonias del Tercer Reich y adquirió el estatus y conducta social de una diva. De hecho, se ganó el afecto de Adolf Hitler, quien llegó a enviarle una fotografía personal autografiada. En su momento, fue la musa del ministro de propaganda Joseph Goebbels y otros dignatarios; por ende, su carrera se potenció enormemente y se le abrieron las puertas a la elite alemana ganando un elevado estatus social. Grabó 118 canciones y, por los derechos de autor, sus ganancias en marcos alemanes fueron importantes. Tal fue el éxito obtenido que la personalidad de Serrano adquirió los ribetes de una diva sin sospechar que su éxito era dependiente del régimen. Para Serrano, más que la política importaba el escenario y entregar su talento.
ellauri071.html on line 93: Roger’s antipathy to Coward´s comedies of manners echoes the comments about Blithe Spirit in the Advent passage at 134 and passim. Pynchon’s own antipathy to the composer, writer and actor goes all the way back to "Lowlands," one of his first published stories.
ellauri090.html on line 343: Certos críticos encontram no personagem Bentinho de Dom Casmurro uma certa homossexualidade voltada a seu amigo Escobar. Como no trecho:
ellauri093.html on line 339: Fathers and male eiders of the Church who saw in the Spirit's intervention an action that consecrated and made fruitful Mary's virginity and transformed her into the 'Abode of the King' or 'Bridal Chamber of the Word', the 'Temple' or 'Tabernacle of the Lord', the 'Ark of the Covenant' or 'Ark of Holiness', tides rich in biblical echoes.
ellauri093.html on line 909: The above words came fresh in my mind in writing. They were often used by my beloved father, when he led his children to the throne of grace in family worship. If they find an echo in the hearts of the readers I shall be deeply thankful.
ellauri095.html on line 141: "Thou Art Indeed Just, Lord" (1889) echoes Jeremiah 12:1 in asking why the wicked prosper. It reflects the exasperation of a faithful servant who feels he has been neglected, and is addressed to a divine person ("Sir") capable of hearing the complaint, but seemingly unwilling to listen. Hopkins uses parched roots as a metaphor for despair.
ellauri095.html on line 508: This potential for a new sacramental poetry was first realized by Hopkins in The Wreck of the Deutschland. Hopkins recalled that when he read about the wreck of the German ship Deutschland off the coast of England it “made a deep impression on me, more than any other wreck or accident I ever read of,” a statement made all the more impressive when we consider the number of shipwrecks he must have discussed with his father. Hopkins wrote about this particular disaster at the suggestion of Fr. James Jones, Rector of St. Beuno’s College, where Hopkins studied theology from 1874 to 1877. Hopkins recalled that “What I had written I burnt before I became a Jesuit and resolved to write no more, as not belonging to my profession, unless it were by the wish of my superiors; so for seven years I wrote nothing but two or three little presentation pieces which occasion called for [presumably ‘Rosa Mystica’ and ‘Ad Mariam’]. But when in the winter of ’75 the Deutschland was wrecked in the mouth of the Thames and five Franciscan nuns, exiles from Germany by the Falck Laws, aboard of her were drowned I was affected by the account and happening to say so to my rector he said that he wished someone would write a poem on the subject. On this hint I set to work and, though my hand was out at first, produced one. I had long had haunting my ear the echo of a new rhythm which now I realized on paper.”
ellauri095.html on line 518: The motif of the singing bird appears again in Gerard’s “Spring” (1877): “and thrush/Through the echoing timber does so rinse and wring/The ear, it strikes like lightnings to hear him sing.” The father’s attempt to represent what it is like to live in a bird’s environment, moreover, to experience daily the “fields, the open sky, /The rising sun, the moon’s pale majesty; /The leafy bower, where the airy nest is hung” was also one of the inspirations of the son’s lengthy account of a lark’s gliding beneath clouds, its aerial view of the fields below, and its proximity to a rainbow in “Il Mystico” (1862), as well as the son’s attempt to enter into a lark’s existence and express its essence mimically in “The Woodlark” (1876). A related motif, Manley’s feeling for clouds, evident in his poem “Clouds,” encouraged his son’s representation of them in “Hurrahing in Harvest’ (1877) and “That Nature is a Heraclitean Fire”(1888).
ellauri099.html on line 221: What was the garden for? Was it a space for leisure, strolling and quiet dialectical chitchat? Was it a mini-laboratory for botanical observation and experimentation? Or was it — and I find this the most intriguing possibility — an image of paradise? The ancient Greek word paradeisos appears to be borrowed etymologically from Persian, and it is said that Darius the Great had a "paradise garden," with the kinds of flora and fauna with which we are familiar from the elaborate design of carpets and rugs. A Persian carpet is like a memory theater of paradise. It is possible that Milesian workers and thinkers had significant contact with the Persian courts at Susa and Persepolis. Maybe the whole ancient Greek philosophical fascination with gardens is a Persian borrowing, and an echo of the influence of their expansive empire. But who knows?
ellauri106.html on line 82: The story The Breast (Breast) from the following year, the literature professor David Kepesh transformed in into a female breast, awakens echoes of Franz Kafka, the Roth has for a special devotion among his literary models. The search for Kafka's traces led to his first visit to Prague in 1972, which was followed by annual trips until the author was refused an entry visa in 1977. In Czechoslovakia Roth got to know contemporary Czech literature and was in contact with Ivan Klíma, Milan Kundera and Ludvík Vaculík in particular.
ellauri106.html on line 126: A committed atheist, Philip Roth feared only one form of posthumous punishment: being trapped for all eternity in a hostile biography. In 2007, Roth, echoing a similar quip from Oscar Wilde, said, “Biography gives a new dimension of terror to dying.” Roth’s had already been the subject of a harsh and unforgiving portrait in Leaving a Doll’s House (1996), the memoirs of his former wife, the actor Claire Bloom. As John Updike noted in The New York Review of Books, “Claire Bloom, as the wronged ex-wife of Philip Roth, shows him to have been, as their marriage rapidly unraveled, neurasthenic to the point of hospitalization, adulterous, callously selfish, and financially vindictive.” This crisp summary ended Roth’s friendship with Updike, even after Updike made clear he was recapping Bloom’s book and not affirming its accuracy.
ellauri106.html on line 386: A committed atheist, Philip Roth feared only one form of posthumous punishment: being trapped for all eternity in a hostile biography. In 2007, Roth, echoing a similar quip from Oscar Wilde, said, “Biography gives a new dimension of terror to dying.” Roth’s had already been the subject of a harsh and unforgiving portrait in Leaving a Doll’s House (1996), the memoirs of his former wife, the actor Claire Bloom. As John Updike noted in The New York Review of Books, “Claire Bloom, as the wronged ex-wife of Philip Roth, shows him to have been, as their marriage rapidly unraveled, neurasthenic to the point of hospitalization, adulterous, callously selfish, and financially vindictive.” This crisp summary ended Roth’s friendship with Updike, even after Updike made clear he was recapping Bloom’s book and not affirming its accuracy.
ellauri107.html on line 56: echoes.com/images/logo_radioechoes.png" />
ellauri107.html on line 57:
ellauri109.html on line 527: Mid-century Jewish Newark echoes with the sounds of the cafeterias and the butcher shops, women playing mah-jongg at picnics in the park, weary fathers heading off to the shvitz on Mercer Street, where they gossiped and drank amid a “concerto of farts.”
ellauri115.html on line 936: He moved to Poland, where he married the daughter of a leading member of the Polish Brethren, the anti-trinitarian minority, or ecclesia minor. In 1565, it had split from the Calvinist Reformed Church in Poland. Sozzini never joined the ecclesia minor, but he was influential in reconciling several controversies among the Brethren: on conscientious objection, on prayer to Christ, and on the virgin birth. Fausto persuaded many in the Polish Brethren who were formerly Arian, such as Marcin Czechowic, to adopt his uncle Lelio's views.
ellauri117.html on line 191: still laughter, and our love was pertect tor a moment, more pertect than any love I have known since, for either man or woman. The very echo of David's lament for Jonathan in 2 Samuel 1: 26 ('thy to me was wonderful, passing the love of women.)
ellauri117.html on line 638: 3eulogētos o theos kai patēr tou kuriou ēmōn iēsou christou o eulogēsas ēmas en pasē eulogia pneumatikē en tois epouraniois en christō 4kathōs exelexato ēmas en autō pro katabolēs kosmou einai ēmas agious kai amōmous katenōpion autou en agapē 5proorisas ēmas eis uiothesian dia iēsou christou eis auton kata tēn eudokian tou thelēmatos autou 6eis epainon doxēs tēs charitos autou en ē echaritōsen ēmas en tō ēgapēmenō 7en ō echomen tēn apolutrōsin dia tou aimatos autou tēn aphesin tōn paraptōmatōn kata ton plouton tēs charitos autou 8ēs eperisseusen eis ēmas en pasē sophia kai phronēsei 9gnōrisas ēmin to mustērion tou thelēmatos autou kata tēn eudokian autou ēn proetheto en autō 10eis oikonomian tou plērōmatos tōn kairōn anakephalaiōsasthai ta panta en tō christō ta te en tois ouranois kai ta epi tēs gēs11en autō en ō kai eklērōthēmen prooristhentes kata prothesin tou ta panta energountos kata tēn boulēn tou thelēmatos autou 12eis to einai ēmas eis epainon tēs doxēs autou tous proēlpikotas en tō christō 13en ō kai umeis akousantes ton logon tēs alētheias to euangelion tēs sōtērias umōn en ō kai pisteusantes esphragisthēte tō pneumati tēs epangelias tō agiō 14os estin arrabōn tēs klēronomias ēmōn eis apolutrōsin tēs peripoiēseōs eis epainon tēs doxēs autou etc.
ellauri118.html on line 386: His output was thirty-six books and 1,500 poems. [I got more than 2000 by now! Well most of mine are prose, to be honest.] His writing presented Kentucky scenes in a language echoing Percy Bysshe Shelley and John Keats. He soon earned the nickname the "Keats of Kentucky". He was popular enough that, by 1900, he told the Louisville Courier-Journal that his income from publishing poetry in magazines amounted to about $100 a month.
ellauri141.html on line 235: invicem moechos anus arrogantis Izeppä röyhkeän ämmän heiloja
ellauri141.html on line 388: Heus puer, digitos ex anu. St Jerome modelled an uncompromising response to the pagan Horace, observing: "What harmony can there be between Christ and the Devil? What has Horace to do with the Psalter?" The first English translator Thomas Drant placed translations of Jeremiah and Horace side by side in Medicinable Morall, 1566. The Scot George Buchanan paraphrased the Psalms in a Horatian setting. John Keats echoed the opening of Horace's Epodes 14 in the opening lines of Ode to a Nightingale. Byron's famous lines from Childe Harold (Canto iv, 77) hit it on the nail:
ellauri141.html on line 514: He wrote "Donec Gratus Eram" as a schoolboy, and a series of other 'echoes' of Horace in later life. He carried a copy of Horace’s four books of Odes around with him, in which he wrote original epigrams of his own.
ellauri144.html on line 824: Y en el gesto violento, se te abren los pechos, Ja äkäisellä liikkeellä, sun tissit avautuvat,
ellauri144.html on line 833: lo mismo que culebras, pechos, muslos y brazos. käärmeinä rinnat, reidet ja kädet.
ellauri146.html on line 801: It seems to me that however delicate and profound the relations Wardi draws, the cost is too high. Contrary to the "echo interpretation" Wardi suggests, I would argue for the poet's acknowledgment of the arrow of time, which leaves both childhood (even if it was not exhausted when he was a child), and the imaginative reunion with it now at 30, lost and unreachable.
ellauri151.html on line 137: Wilde took a key out of his pocket and showed me into a tiny apartment of two rooms… The youths followed him, each of them wrapped in a burnous that hid his face. Then the guide left us and Wilde sent me into the further room with little Mohammed and shut himself up in the other with the [other boy]. Every time since then that I have sought after pleasure, it is the memory of that night I have pursued. […] My joy was unbounded, and I cannot imagine it greater, even if love had been added. How should there have been any question of love? How should I have allowed desire to dispose of my heart? No scruple clouded my pleasure and no remorse followed it. But what name then am I to give the rapture I felt as I clasped in my naked arms that perfect little body, so wild, so ardent, so sombrely lascivious? For a long time after Mohammed had left me, I remained in a state of passionate jubilation, and though I had already achieved pleasure five times with him, I renewed my ecstasy again and again, and when I got back to my room in the hotel, I prolonged its echoes by hand until morning. What´s love got to do with it?
ellauri155.html on line 901: In mocking echoes haply overheard, Jonka kuulet sattumalta ilkkuvana kaikuna,
ellauri156.html on line 625: A couple hundred years ago, my wife Jeannette and I went to England and Scotland with my parents. Each night we stayed at a “bed and breakfast” as we drove through Wales. There were a number of farms, but not so many towns in which to find a place to stay for the night. We saw a “bed and breakfast” sign and traveled along the country road until we found the place -- a very quaint farm. We saw several hundred sheep in a pasture, a stone trestle, and stone barns. It looked like the perfect place, and in many ways it was. What we did not realize was that the stone trestle was a railroad trestle for a train that came by late at night, a few feet from the house where we slept. Two cows also calved that night. I have spent my share of time around farms, but I have never heard the bellow of a cow that was calving echo throughout a stone barn. I could hardly sleep a wink. Just goes to show. Never trust the Rugby guys.
ellauri161.html on line 538: Ya sea la política que solo reacciona a las dificultades bajo la mayor presión posible, los medios que solo miran la cuota incluso frente al fin del mundo, o la gente común que está en contra de ella por principio, porque no tiene ganas. Prescindir de algo que tener que hacer, hay muchas reacciones que suenan familiares. Los hechos se reescriben o simplemente se ignoran. Los asteriscos de los medios aprovechan la oportunidad para escenificarse. El beneficio personal cuenta más que cualquier otra cosa en caso de duda, cuando la economía misma ve el fin del mundo como una oportunidad para su propio enriquecimiento.
ellauri161.html on line 540: Entonces, hay suficientes razones para el ridículo, más que suficientes. De hecho, una de las deficiencias de Don't Look Up es que no se ha seleccionado ningún grupo que esté específicamente dirigido. Los dos personajes principales están en una racha perdedora con su trabajo científico porque el mundo entero parece estar formado solo por egoístas e idiotas. Quizás el director y el guionista incorporan una gran cantidad de personajes que no serían necesarios. (Vittu mikä ääliö! "ningun grupo johon satiiri olisi "especificamenti dirigido" ei ole "seleccionado". Helvetti, se just on se pointti! Kaikki on tässä pankrotissa mukana! Satira para tontos, nimenomaan! Exactamente la pelicula que nuestra sociedad se merece.)
ellauri183.html on line 242: Ortega, en este período de falta de democracia, escribe en La rebelión de las masas que la historia, el progreso, se llevan a cabo por el trabajo de las minorías. Si va a haber una renovación, entonces, esto debe ser hecho por los mejores, que van a ser, sin embargo, reclutados de una manera liberal-democrática. Ortega teme que las masas van a pedirle todo al estado y que este les conceda todo a cambio de obediencia ciega: esto causaría un fracaso para emancipar a las masas. Su visión de la vida es básicamente libertaria con referencias principalmente anarquistas presentes en todos sus escritos. Trae consigo el liberalismo y el socialismo: el liberalismo debe perseguir una emancipación total del individuo (cualquiera que sea la clase a la que pertenezca), el socialismo debe abandonar el estado de estadolatría y terminar persiguiendo un igualitarismo excesivamente extremo.
ellauri183.html on line 244: El advenimiento de las masas al pleno poder social es un hecho que debemos reconocer: provoca una crisis en la Sociedad Europea porque las masas no pueden liderar la sociedad. Esto no significa que puedan elegir a sus propios representantes. El problema es la hiperdemocracia: eso es la emancipación sin asumir la responsabilidad. El fenómeno de la aglomeración se produce durante este período: ciudades llenas, trenes completos, hoteles completos, las masas están en los lugares públicos. Esto no es malo, es una indicación de la civilización, «aunque el fenómeno es lógico, natural, no se puede negar que no ocurrió antes». Esto no se debe a un auge demográfico sino a la masificación de la sociedad (estos individuos preexistían, pero aún no formaban una masa). En todo esto hay un elemento negativo: los mejores (según sus cualidades) son absorbidos por la masa, «los actores son absorbidos por el coro». Cuando Ortega habla de masa no se refiere a la clase obrera, porque «la masa es el hombre promedio». La Masa no es solo un hecho cuantitativo, sino también cualitativo que define una media que tiende hacia abajo. El componente de la masa no se siente como tal y, por lo tanto, se siente con todo a gusto: no se da cuenta de la condición del conformismo en el que se derrumbó.
ellauri184.html on line 82: In 1972, Joyce Carol Oates called Vietnam "Mailer's most important work"; it's "an outrageous little masterpiece" that "contains some of Mailer's finest writing" and thematically echoes John Milton's Paradise Lost.
ellauri192.html on line 55: The Prague linguistic circle included the Russian émigrés Roman Jakobson, Nikolai Trubetzkoy, and Sergei Karcevskiy, as well as the famous Czech literary scholars René Wellek and Jan Mukařovský. The instigator of the circle, and its first president until his death in 1945, was the Czech linguist Vilém Mathesius. After the Czechoslovak coup d'état of 1948, the circle was disbanded in 1952 (another marked year), but the Prague School continued as a major force in linguistic functionalism.
ellauri192.html on line 257: Jaroslav Seifert was born in Zizkov, a suburb of Prague, Czechoslovakia (now the Czech Republic). Seifert was one of the pioneers of modernist poetry and literature in his native country. He also worked as a journalist and translator. The period after the World War II was a disappointment for Seifert, who had been hoping for a brighter and freer future. Instead the Communist government imposed a repressive policy in which poets were expected to write political propaganda. Seifert became involved in attempts at reforms with the increased freedom implemented in his native country, such as the Prague Spring of 1968 and the Charta 77 movement.
ellauri192.html on line 327: His poetry, said James Ragan, director of the USC graduate school’s professional writing program, “was at all times optimistic, reflecting a championing of the human self. I think that’s primarily why he was awarded the Nobel Prize, because he suggested a new liberated spirit in writing (behind the Iron Curtain) after the Stalin era. Although he was a Communist as a youth, he became disillusioned with the party in the late 1920s. Thereafter, he was in and out of party favor during the turbulent decades that followed in Czechoslovakia. The state-run news agency, in announcing his death Friday, described him as “a prominent Czech poet, national artist (and) winner of the 1984 Nobel Prize for Literature.”
ellauri192.html on line 594: The name Jecholiah means Nimi Jekolia meinaa
ellauri192.html on line 635: Born in Žižkov, a suburb of Prague in what was then part of Austria-Hungary, Seifert's first collection of poems was published in 1921. He was a member of the Communist Party of Czechoslovakia (KSČ), the editor of a number of communist newspapers and magazines – Rovnost, Sršatec, and Reflektor – and the employee of a communist publishing house.
ellauri192.html on line 639: In 1949 Seifert left journalism and began to devote himself exclusively to literature. His poetry was awarded important state prizes in 1936, 1955, and 1968, and in 1967 he was designated National Artist. He was the official Chairman of the Czechoslovak Writer's Union for several years (1968–70). In 1977 he was one of the signatories of Charter 77 in opposition to the government of the Czechoslovak Socialist Republic.
ellauri192.html on line 653: Professor Gibian, who was born in Prague, said that he has been translating some of the more recent Seifert poems for his own edification and pleasure. "They are a combination of the intimate lyrical tone of Czech poetry," he said, "heavily influenced by French Surrealism with much of the eroticism characteristic of Czechoslovak poetry in this century. His earlier poetry was sometimes melancholy but his recent work is conversational, very compassionate. He has written a cycle of poems about Prague. All this brings back my life and loves in Prague." All these Czechs are teaching Russian in the U.S., who would bother to learn Czech anyway?
ellauri192.html on line 661: One is a bilingual edition of "The Plague Monument," published in 1980 by the Czechoslovak Society of Art and Sciences. It is translated by Lyn Coffin with a preface by William E. Harkins, professor of Slavic languages at Columbia University. It is available for $6 from the society at 75- 70 199th Street, Flushing, Queens 11366.
ellauri192.html on line 665: Mr. Seifert's memoirs were published in English in September 1981 by sixty-eight publishers, plus in the Czech language by a Czech emigre publishing house in Canada, and they were published in several installments in a Czech-language journal. A portion of the memoirs were published in English in the 1983 issue of Cross Currents, a yearbook of Central European Culture, published by the Department of Slavic Langagues at the University of Michigan. The selection, titled "Russian Bliny," is about Roman Jakobson, a Russian scholar who emigrated to Czechoslovakia after World War I and came to the United States during World War II. In actual fact, they were Ukrainian bliny, another case of cultural appropriation.
ellauri198.html on line 344: A footnote in the Penguin Classics edition (Robert Browning Selected Poems) advises against allegorical interpretation, saying “readers who wish to try their hand should be warned that the enterprise strongly resembles carving a statue out of fog." This sentiment is echoed by many critics, who believe any quest for interpretation will ultimately fail, due to the dreamlike, illusionary nature of the poem.
ellauri207.html on line 200: «Las tres novelas constituyen un auténtico fresco de la sociedad moderna que no puede compararse a lo que ningún escritor de novela criminal ha hecho nunca antes. En Millennium, como en Suecia, sólo hay maldad e injusticia.» -Donna Leon, escritora estadounidense-
ellauri207.html on line 210: El patrimonio de Musse Pigg causo un enfrentamiento entre su esposa por 32 años, la arquitecta Eva Gabrielsson, y Erlan y Joakim Larsson, el padre y hermano del escritor. Éstos últimos fueron los que recibieron la opulenta herencia, la cual incluye los derechos sobe todas las obras del autor, y la capacidad de gestionar lo que dejó por escrito. Sin embargo, Gabrielsson afirma que ella debería ser la poseedora de los bienes ya que ella era la personas más allegada del autor, ya que éste abandonó su hogar familiar a la edad de los 18 años y desde ese entonces se dispuso a vivir con Eva, sin siquiera mantener contacto alguno con su padre ni hermano.
ellauri210.html on line 507: Wegen zunehmender Konflikte mit seiner Familie zog er sich Anfang September selbst in die Kuranstalt in Wolbeck bei Münster zurück, die er Mitte Oktober aber „fluchtartig“ verließ, um nach Berlin zurückzukehren. Hier wurde er derart auffällig, dass er Ende Oktober in die Heilanstalt „Waldhaus“ in Nikolassee bei Berlin verbracht werden musste, so dass sich Erwin Loewenson an einen langjährigen Freund von Kurt Hiller, den Psychiater Arthur Kronfeld in Heidelberg, mit der Bitte um Unterstützung wandte. Unter dem Titel Gewaltsam ins Irrenhaus war diese Zwangseinweisung Anlass für ein Medienecho – zu einer Zeit allerdings, als van Hoddis schon aus der Anstalt „entwichen“ war. Außerdem studierte er noch die griechische Mythologie und deren Fabelstrukturen. Jedoch hörte er vor dem Ausbruch seiner Krankheit im Herbst 1914 völlig mit der Nutzung der mythologischen Terminologie auf.
ellauri210.html on line 1090: La originalidad de la perspectiva y la habilidad técnica a la hora de pintar el cuadro lo han hecho muy popular, hasta el punto de que en 1961, un fanático realizó un acto vandálico contra él de poca gravedad.
ellauri214.html on line 543: The daughter of two literature teachers, little Olga grew up near the border with Czechoslovakia, hiding under tables to eavesdrop on adult conversations. As a teenager she was gripped by Freud, then Jung, thrilled by the discovery that “every tiny thing you did had a deeper meaning . . . those ideas turned the world into a book I could read.”
ellauri219.html on line 339: Lindner was born in Germany in 1901, but moved to the US in 1941, in order to escape the Nazis. In the 50s he developed a style of painting that drew upon Expressionism and Surrealism, along with the hyper-sexualised lifestyle that he encountered in New York. After appearing on the Sgt. Pepper cover, his abstract style would find echoes in the animated feature film Yellow Submarine.
ellauri222.html on line 733: In their quest to find the beaver that gives meaning to life, Bellow's protagonists must also come to terms with death. The message Bellow conveys in almost all of his novels is that one must fear death to know the meaning of life and what it means to be human. Henderson overcomes his fear of death when he is buried and symbolically resurrected in the African king Dahfu's experiment. Similarly, in Seize the Day, Tommy Wilhelm confronts death in a symbolic drowning. Charlie Citrine in Humboldt's Gift echoes Whitman in viewing death as the essential question, pointing out that it is only through death that Sauls can complete the cycle of life by liberating self from the body. Bellow's meditations on death darken in Mr. Sammler's Planet and The Dean's December. While the title character in Mr. Sammler's Planet eagerly awaits the death of the person he most values in the world, Bellow contemplates the approaching death of Western culture at the hands of those who have abandoned humanistic values. The Dean's December presents an apocalyptic vision of urban decay in a Chicago totally lacking the comic touches that soften Charlie Citrone's portrait of this same city as a "moronic inferno" in Humboldt's Gift. An uncharacteristically bleak yarn from he old standup comic. With More Die of Heartbreak and the recent novellas, however, Bellow returns to his more characteristic blend of pathos and farce in contemplating the relationship between life and death. In the recent Ravelstein, Bellow once again charts this essential confrontation when Saul recounts not only his best friend's death from AIDS but also his own near-death experience from food poisoning. Through this foreground, in a fictionalized memoir to his own gay friend Allan Bloom, Bellow reveals the resilient love and tenderness that offer the modern world its saving grace.
ellauri226.html on line 261: Derrick’s sentiments were echoed by my mom Kathleen Roby, who grew up in
ellauri236.html on line 69: The right-wing Bolsonaro has repeatedly alleged without evidence that voting machines used for a quarter century in Brazil are prone to fraud. The rhetoric of Bolsonaro supporters has often appeared to echo that of President Donald Trump supporters during the 2020 U.S. election, who questioned election results under the banner Stop the Steal.
ellauri241.html on line 768: With its sad echo did the silence break. Sen surullisen kaiun myötä hiljaisuus katkesi.
ellauri241.html on line 804: "A Serpent!" echoed he; no sooner said, "Käärme!" toisti hän; ja samassa kun hän sanoi niin,
ellauri243.html on line 188: 1. Barking at the ape 2. Box lunch at the ‘Y’ 3. Breakfast in bed 4. Brushing one’s teeth 5. Carpet-munching 6. Chewing the she-Fat 7. Clam-jousting 8. Clam-lapping 9. Cleaning the fish tank 10. Connie lingus 11. Contacting the aliens 12. Conversing with moses 13. Devil’s kiss 14. Dinner beneath the bridge 15. Doing it the French way 16. Donning the Beard 17. Drinking from the furry cup 18. Eating at the ‘Y’ 19. Eating fur pie 20. Eating out 21. Eating the peach 22. Eating squirrel 23. Eating sushi from the barbershop floor 24. Eating tinned mussels 25. Egg mcmuff 26. Face-fucking 27. Facing the nation 28. Fanny-noshing 29. Fence-painting 30. French-kissing Mr. Lincoln 31. Fuzz sandwich 32. Giving face 33. Gnawing on roast beef 34. Going downstairs for breakfast 35. Going south 36. Gomorrahry 37. Gorilla in the washing machine 38. Growling at the badger 39. Gumming the monster 40. Husband’s supper 41. Kissing between the hips 42. Kissing the wookie 43. Lady braille 44. Lady Semaphore 45. Larking 46. Lapping the gap 47. Lapping the lint trap 48. Lick-a-chick 49. Lickety-slit 50. Licking anchovy 51. Lip service 52. Lip-synching to the fish-fueled jukebox 53. Low-calorie snacking 54. Making mouth music 55. Medicating the hairy paper cut 56. Mopping the vulva 57. Mustache-riding 58. Muff-diving 59. Mumbling in the moss 60. Munching the bearded clam 61. One-man band 62. Oyster-gargling 63. Parting the fuzz 64. Pastrami sandwich 65. Pearl-diving 66. Placating the beaver 67. Playing in the sandbox 68. Playing the hair harmonica 69. Prawn breath 70. Pruning the orchid 71. Pug-noshing 72. Pussy-nibbling 73. Seafood dinner 74. Sipping at the fizzy cup 75. Sitting on a face 76. Slurping at the furry coconut 77. Smoking the fur 78. Sneezing in the basket 79. Spa time For Lady Boner 80. Speaking in tongues 81. Spraying the crops 82. Tackling the Brazilian 83. Talking to the canoe driver 84. Talking to lassie 85. Telephoning the stomach 86. Testing the echo in the love cave 87. Testing the waters 88. Tipping the velvet 89. Tongue-fucking 90. Tonguing the bean 91. Trimming the hedges 92. Velvet buzzsaw 93. Wearing the feed bag 94. Wearing the Sticky Beard 95. Whispering into the wet ear 96. Whispering to Venus 97. Whistling in the dark 98. Worshiping at the altar 99. Yaffling 100. Yodeling in the canyon 101. January Nelson
ellauri247.html on line 286: CICISBEO: In 18th- and 19th-century Italy, the cicisbeo (Italian: [tʃitʃiˈzbɛːo]; plural: cicisbei) or cavalier servente (French: chevalier servant) was the man who was the professed gallant or lover of a woman married to someone else. With the knowledge and consent of the husband, the cicisbeo attended his mistress at public entertainments, to church and other occasions, and had privileged access to this woman. The arrangement is comparable to the Spanish cortejo or estrecho and, to a lesser degree, to the French petit-maître.,(petit-maître m (plural petits-maîtres) (archaic) dandy, coxcomb). The exact etymology of the word is unknown; some evidence suggests it originally meant "in a whisper" (perhaps an onomatopeic word). Other accounts suggest it is an inversion of bel cece, which means "beautiful chick (pea)". According to the Oxford English Dictionary, the first recorded usage of the term in English was found in a letter by Lady Mary Wortley Montagu dated 1718. The term appears in Italian in Giovanni Maria Muti's Quaresimale Del Padre Maestro Fra Giovanni Maria Muti De Predicatori of 1708 (p. 734).
ellauri272.html on line 408: Ammons wrote about humanity's relationship to nature in alternately comic and solemn tones. His poetry often addresses religious and philosophical matters and scenes involving nature, almost in a Transcendental fashion. According to reviewer Daniel Hoffman, his work "is founded on an implied Emersonian division of experience into Nature and the Soul," adding that it "sometimes consciously echoes familiar lines from Emerson, Whitman and Dickinson."[citation needed]
ellauri278.html on line 226: After the 1938 Munich Agreement, German state media derided Maxim Litvinov for his Jewish ancestry, referring to him as "Finkelstein-Litvinov". The Munich Agreement (Czech: Mnichovská dohoda; Slovak: Mníchovská dohoda; German: Münchner Abkommen) was an agreement concluded at Munich on 30 September 1938, by Nazi Germany, the United Kingdom, France, and Italy. The agreement provided for the German annexation of land on the border between Czechoslovakia and Germany called the Sudetenland, where more than three million people, mainly ethnic Germans, lived. The pact is also known in "some areas" as the Munich Betrayal (Czech: Mnichovská zrada; Slovak: Mníchovská zrada), because of a previous 1924 alliance agreement and a 1925 military pact between France and the Czechoslovak Republic.
ellauri278.html on line 227: An emergency meeting of the main European powers – not including Czechoslovakia, although their representatives were present in the town, or the Soviet Union, an ally to both France and Czechoslovakia – took place in Munich, Germany, on 29–30 September 1938. An agreement was quickly reached on Hitler´s terms, and signed by the leaders of Germany, France, Britain, and Italy. The Czechoslovak mountainous borderland that the powers offered to appease Germany had not only marked the natural border between the Czech state and the Germanic states since the early Middle Ages, but it also presented a major natural obstacle to any possible German attack. Having been strengthened by significant border fortifications, the Sudetenland was of absolute strategic importance to Czechoslovakia.
ellauri278.html on line 229: On 30 September, Czechoslovakia yielded to the combination of military pressure by Germany, Poland, and Hungary, and diplomatic pressure by the United Kingdom and France, and agreed to give up territory to Germany on Munich terms. Then, on 1 October, Czechoslovakia also accepted Polish territorial demands. Much of Europe celebrated the Munich Agreement, as they considered it a way to prevent a major war on the continent. Adolf Hitler announced that it was his last territorial claim in Northern Europe. Today, the Munich Agreement is widely regarded as a failed act of appeasement, and the term has become a byword for the futility of appeasing expansionist totalitarian states.
ellauri281.html on line 225: After the 1938 Munich Agreement, German state media derided Maxim Litvinov for his Jewish ancestry, referring to him as "Finkelstein-Litvinov". The Munich Agreement (Czech: Mnichovská dohoda; Slovak: Mníchovská dohoda; German: Münchner Abkommen) was an agreement concluded at Munich on 30 September 1938, by Nazi Germany, the United Kingdom, France, and Italy. The agreement provided for the German annexation of land on the border between Czechoslovakia and Germany called the Sudetenland, where more than three million people, mainly ethnic Germans, lived. The pact is also known in "some areas" as the Munich Betrayal (Czech: Mnichovská zrada; Slovak: Mníchovská zrada), because of a previous 1924 alliance agreement and a 1925 military pact between France and the Czechoslovak Republic.
ellauri281.html on line 226: An emergency meeting of the main European powers – not including Czechoslovakia, although their representatives were present in the town, or the Soviet Union, an ally to both France and Czechoslovakia – took place in Munich, Germany, on 29–30 September 1938. An agreement was quickly reached on Hitler´s terms, and signed by the leaders of Germany, France, Britain, and Italy. The Czechoslovak mountainous borderland that the powers offered to appease Germany had not only marked the natural border between the Czech state and the Germanic states since the early Middle Ages, but it also presented a major natural obstacle to any possible German attack. Having been strengthened by significant border fortifications, the Sudetenland was of absolute strategic importance to Czechoslovakia.
ellauri281.html on line 228: On 30 September, Czechoslovakia yielded to the combination of military pressure by Germany, Poland, and Hungary, and diplomatic pressure by the United Kingdom and France, and agreed to give up territory to Germany on Munich terms. Then, on 1 October, Czechoslovakia also accepted Polish territorial demands. Much of Europe celebrated the Munich Agreement, as they considered it a way to prevent a major war on the continent. Adolf Hitler announced that it was his last territorial claim in Northern Europe. Today, the Munich Agreement is widely regarded as a failed act of appeasement, and the term has become a byword for the futility of appeasing expansionist totalitarian states.
ellauri297.html on line 88: