ellauri006.html on line 959: nijn minä olisin duominnut caicki sinun lapses

ellauri006.html on line 1014: Coscas duomion annat cuulua taiwast

ellauri011.html on line 879: Paulon kirjat muistuttavat Broadway musikaaleja. Ensin vähän klisheistä suorasanaista juonta, sitten ilmeet muuttuu hartaaksi, asetutaan rintamaan katsomaan yleisöön päin, ja pälähdetään laulamaan, yksin duona tai kuorossa. Ikimuistoisia iskelmiä, hittimenestyksiä. Kertosäkeitä, kaikki mukaan nyt.
ellauri014.html on line 1480: duo mondi di beltà men di duo soli".

ellauri021.html on line 119: Nun mange cchiù nun duorme cchiù Hän viheltää kun kautta kujain sokkeloisten
ellauri021.html on line 683: Unus canis, duo puer,
ellauri021.html on line 701: Quickly ran the duo puer
ellauri051.html on line 356: Murettua ruocoa ei hänen pidä särkemän/ ja suidzewaista pellawaista ei hänen pidä sammuttaman/ sijhenasti cuin hän saatta duomion woitoxi. (Matt 2:20)
ellauri052.html on line 319: Like other successful duos, such as Batman & Robin, Mickey & Goofy, or Laurel & Hardy, Wordsworth and Coleridge were temperamentally dissimilar. Wordsworth, reserved and thoughtful, wrote verse while plodding to and fro in the garden and, we are told, was subject to stomach trouble when revising. Coleridge was irresponsible and debt-ridden, but everywhere spoken of as a genius, if a volatile one. “I think too much for a Poet,” he said. His addiction to opium began early and was never conquered. In time, it became his only regular habit.
ellauri052.html on line 321: Lisätietoa tästä dynamic duosta albumissa 389.
ellauri069.html on line 222: Richard Fariña, to whom Gravity's Rainbow is dedicated, was a good friend of Pynchon's when they were students at Cornell University in the 50s. In 1963, Farina married Mimi Baez, a folksinger and sister of Joan Baez. Although first married under the Napoleonic Code in a secret ceremony in Paris in the spring of 1963, they had an official marriage in Carmel, California, for the benefit of the Baez family. Pynchon was the best man for the Carmel ceremony, coming up from Mexico City where he was living and working on Gravity's Rainbow. In A Long Time Coming and a Long Time Gone, Farina's posthumously published collection of stories (Random House, 1969), Farina describes his and Pynchon's visit to the Monterey Fair. Richard and Mimi Farina formed a folk-music duo (Farina on guitar and Mimi on dulcimer, both singing) and released several albums in the 60s. Richard Farina was killed in a motorcycle crash following a book signing in Carmel for his newly published first (and only) novel, Been Down So Long It Looks Like Up To Me (Random House, 1966). You might want to visit this sweet website dedicated to the memory of Richard and Mimi (who died of cancer in 2001).
ellauri090.html on line 36: A Academia surgiu mais como um vínculo de ordem cordial entre amigos do que de ordem intelectual. No entanto, a ideia do instituto não foi bem aceita por alguns: Antônio Sales testemunhou numa página de reminiscência: "Lembro-me bem que José Veríssimo, pelo menos, não lhe fez bom acolhimento. Machado, creio, fez a princípio algumas objeções." Como presidente, Machado fazia sugestões, concordava com ideias, insinuava, mas nada impunha nem impedia aos companheiros. Era um acadêmico assíduo. Das 96 sessões que a Academia realizou durante a sua presidência, faltou somente a duas.
ellauri090.html on line 143: —Não ha exterminado. Desapparece o phenomeno; a substancia é a mesma. Nunca viste ferver agua? Hasde lembrar-te que as bolhas fazem-se e desfazem-se de continuo, e tudo fica na mesma agua. Os individuos são essas bolhas transitorias.
ellauri090.html on line 175: Machado de Assis é considerado o introdutor do Realismo no Brasil, com a publicação de Memórias Póstumas de Brás Cubas (1881). Este romance é posto ao lado de todas suas produções posteriores, Quincas Borba, Dom Casmurro, Esaú e Jacó e Memorial de Aires, ortodoxamente conhecidas como pertencentes à sua segunda fase, em que notam-se traços de crítica social, ironia e até pessimismo, embora não haja rompimento de resíduos românticos.
ellauri090.html on line 177: Embora seja chamada de "realista", os críticos não deixam de notar que a riqueza de gêneros e elementos nessas obras também adere resíduos do Romantismo e impressionistas. Além disso, nessas obras Machado de Assis não compactua com o esquematismo determinista dos realistas, nem procura causas muito explícitas ou claras para a explicação das suas personagens e situações.
ellauri090.html on line 325: Os acadêmicos notam cinco fundamentais enquadramentos em seus textos: "elementos clássicos" (equilíbrio, concisão, contenção lírica e expressional), "resíduos românticos" (narrativas convencionais ao enredo), "aproximações realistas" (atitude crítica, objetividade, temas contemporâneos), "procedimentos impressionistas" (recriação do passado através da memória), e "antecipações modernas" (o elíptico e o alusivo engajados à um tema que permite diversas leituras e interpretações).
ellauri102.html on line 124: MTV eikös se ole se 🦉 visio? tump-tump-tump-tump-klikink! Teija Sopanen istuu mustavalkoisena tupeeratussa tukassa korkokengissä polvet näkyvissä nailoniset sääret supussa ja kuuluttaa seuraavan ohjelmanummeron. Se on Niilo Tarvajärven Palapeli. Ei hizi mä en koskaan graduoitunut 70-luvulta 90-luvulle. Nyttemmin mä olen taantunut takas 50-luvun lopulle.
ellauri106.html on line 209: Phillu tykkäsi sotapoliisikoulussa pistinharjoituxista, sai huutaa "KILL! KILL!" ja työntää kovaa pehmeään. "Sillä lailla tarrataan vinosilmää kitusista, sillä lailla kommaripaskoilta ruuvataan kulli irti!" Vähän myöhemmin sen sotahuuto olisi "FUCK! FUCK!", aseena taas kova teräskalu, kohteena vaimot ja tyttöystävät. Totta puhuen, Phillu oli poikasena hizin väpelö ja itkupilli. Itki puhelimeen Dragsvikistä Sharonille. Sharon oli Al "Zipper" Shatzkyn 17-vuotias tytär. Nathan oli kirahvi ja Sharon pantteri. Kerää koko sarja, saat ikioman eläintarhan. Nathan opettaa Sharonille sanan "kyrpä" käytön ja neuvoo miten sitä pitää imuttaa. Mutta välimerkkien käyttöä ei vittu Sharon opi, ei kirveelläkään. Phillu on jo graduoitunut Tom Wolfesta Henry Jamesiin ja sen yhtä vittumaiseen kirjaan The Ambassadors. Kirkkovene Sharonilla on kyllä soutukunnossa.
ellauri112.html on line 179: Porgi, amor, qualche ristoro al mio duolo a´miei sospir! O mi rendi il mio tesoro, o mi lascia almen morir! TRANSLATION: Grant, love, some relief to my sorrow, to my sighing Either give me back my beloved, or just let me die!
ellauri112.html on line 264: Dualismi (latinan sanasta duo ’kaksi’) on oppi kahtalaisuudesta tai kahtiajaosta.
ellauri147.html on line 234: Emily´s co-workers inform her that in France it can be a long, arduous process to fire an employee, unlike at home in the good old U of S. To realize his dream of opening his own restaurant, Gabriel decides to move Emily back to Normandy. The next day Emily is called by Mathieu about the situation and tells her that Pierre has requested to see her. Sylvie overhears this and goes with Emily to see Pierre. At the atelier, they see a dress from Pierre´s new collection.
ellauri151.html on line 250: My willy was born covered with wrinkles—wrinkles my ancestors and parents most assiduously put there and that I had the greatest trouble removing.
ellauri152.html on line 386: Praeterea duo, nec tuta mihi valle reperti, Lisäx vielä 2 kiliä, jotka mä löysin jostain kurusta,
ellauri158.html on line 366: P. 2. axiom. 3. Modi cogitandi, ut amor, cupiditas vel quicumque nomine affectus animi insigniuntur, non dantur, nisi in eodem individuo detur idea rei amatae, desideratae, etc. At idea dari potest, quamvis nullus alius detur cogitandi modus. [in: P. 2. prop. 11., prop. 49.]
ellauri158.html on line 534: -- postul. 2. Individuorum, ex quibus corpus humanum componitur, quaedam fluida, quaedam mollia et quaedam denique dura sunt.
ellauri158.html on line 587: P. 2. prop. 18. Si corpus humanum a duobus, vel pluribus corporibus simul affectum fuerit semel, ubi mens postea eorum aliquod imaginabitur, statim et aliorum recordabitur. [in: P. 2. prop. 40. schol. 1., prop. 44. schol., P. 3. prop. 11. schol., prop. 14., prop. 52., P. 4. prop. 13., P. 5. prop. 1., prop. 10. schol., prop. 12., prop. 13.]
ellauri158.html on line 787: P. 3. prop. 14. Si mens duobus affectibus simul affecta semel fuit, ubi postea eorum alterutro afficietur, afficietur etiam altero. [in: P. 3. prop. 15., prop. 15. coroll., prop. 16.]
ellauri158.html on line 1122: P. 4. prop. 65. De duobus bonis maius et de duobus malis minus ex rationis ductu sequemur. [in: P. 4. prop. 66., prop. 66. coroll.]
ellauri171.html on line 1024: In recent years, scholars have tried to reclaim the shadowy female figures whose tales are often only partially told in the Bible. Rehabilitating Jezebel’s stained reputation is an arduous task, however, for she is a difficult woman to like. She is not a heroic fighter like Deborah, a devoted sister like Miriam or a cherished wife like Ruth. Jezebel cannot even be compared with the Bible’s other bad girls—Potiphar’s wife and Delilah—for no good comes from Jezebel’s deeds. These other women may be bad, but Jezebel is the worst.
ellauri183.html on line 242: Ortega, en este período de falta de democracia, escribe en La rebelión de las masas que la historia, el progreso, se llevan a cabo por el trabajo de las minorías. Si va a haber una renovación, entonces, esto debe ser hecho por los mejores, que van a ser, sin embargo, reclutados de una manera liberal-democrática. Ortega teme que las masas van a pedirle todo al estado y que este les conceda todo a cambio de obediencia ciega: esto causaría un fracaso para emancipar a las masas. Su visión de la vida es básicamente libertaria con referencias principalmente anarquistas presentes en todos sus escritos. Trae consigo el liberalismo y el socialismo: el liberalismo debe perseguir una emancipación total del individuo (cualquiera que sea la clase a la que pertenezca), el socialismo debe abandonar el estado de estadolatría y terminar persiguiendo un igualitarismo excesivamente extremo.
ellauri183.html on line 244: El advenimiento de las masas al pleno poder social es un hecho que debemos reconocer: provoca una crisis en la Sociedad Europea porque las masas no pueden liderar la sociedad. Esto no significa que puedan elegir a sus propios representantes. El problema es la hiperdemocracia: eso es la emancipación sin asumir la responsabilidad. El fenómeno de la aglomeración se produce durante este período: ciudades llenas, trenes completos, hoteles completos, las masas están en los lugares públicos. Esto no es malo, es una indicación de la civilización, «aunque el fenómeno es lógico, natural, no se puede negar que no ocurrió antes». Esto no se debe a un auge demográfico sino a la masificación de la sociedad (estos individuos preexistían, pero aún no formaban una masa). En todo esto hay un elemento negativo: los mejores (según sus cualidades) son absorbidos por la masa, «los actores son absorbidos por el coro». Cuando Ortega habla de masa no se refiere a la clase obrera, porque «la masa es el hombre promedio». La Masa no es solo un hecho cuantitativo, sino también cualitativo que define una media que tiende hacia abajo. El componente de la masa no se siente como tal y, por lo tanto, se siente con todo a gusto: no se da cuenta de la condición del conformismo en el que se derrumbó.
ellauri192.html on line 886: Ilya Ilf (Ilya Arnoldovich Feinsilberg) (Russian: Илья Арнольдович Файнзильберг, 1897-1937) and Yevgeny Petrov (Yevgeniy Petrovich Katayev or Russian: Евгений Петрович Катаев, 1902-1942) were two Ukrainian prose authors of the 1920s and 1930s.They did much of their writing together, and are almost always referred to as "Ilf and Petrov". Bet Ilf was Jewish. Ilya Arnoldovich Ilf (born Iehiel-Leyb Aryevich Faynzilberg, Russian: Иехи́ел-Лейб Арьевич Фа́йнзильберг[1]) (15 October [O.S. 3 October] 1897 in Odessa – 13 April 1937, Moscow), was a popular Soviet journalist and writer of Jewish origin who usually worked in collaboration with Yevgeni Petrov during the 1920s and 1930s. Their duo was known simply as Ilf and Petrov. Together they published two popular comedy novels The Twelve Chairs (1928) and The Little Golden Calf (1931), as well as a satirical book Odnoetazhnaya Amerika (often translated as Little Golden America) that documented their journey through the United States between 1935 and 1936.
ellauri194.html on line 1033: Jim and/or Kevin are available as a dynamic duo, interactive speakers for your company events or off-site topics such as:
ellauri210.html on line 373: By the time Johnson arrived in Paris, Cravan had carved out a reputation as a boxer himself, a discipline he first picked up while traveling across the USA. He was also known as an ardent proponent of the “American” attitude toward life, by which he meant living according to desire and instinct, and telling so-called civilized society to take a running jump. In an essay titled “To Be or Not To Be … American,” he wrote that, thanks to the influence of cakewalk dancers, track athletes, and boxers such as Joe Jeanette, the whole of Paris had turned American. “Overnight,” Cravan said, “everyone began to spit and swear” and “floated around in clothes two sizes too big for them.” He finished the piece with a crib sheet for how to pass as American: “Chew … never speak … always look busy … and, above all else, crown yourself with arrogance.” It was advice he followed assiduously. How right, how true, to this day.
ellauri210.html on line 1352: Supone una alteración y deformación de lo que uno es, sólo que en estos casos el extrañamiento no viene frente a la sociedad o frente a otros individuos, sino que los protagonistas son alienados por otra persona que deviene su propio “yo”, actuando a modo de espejo. Actuando como duplicados de uno mismo, solo que el “yo” inicial queda anulado por el segundo. Se aproxima a la escisión del “yo” entendida bajo los términos de Lacan. La alienación viene dada por su imagen en el espejo, en este caso en ese “otro” (algo ajeno a él). El “yo” está alienado porque se reconoce en algo que no es. Esta pérdida de identidad en Gisèle Prassinos también se ve reflejada en el juego de sexos, procede a despistar con los sexos como hace Mansour.
ellauri219.html on line 344: The larger one with the mustache from Laurel And Hardy, Oliver played the irascible foil to the hapless Stan (No.28). A recording by the duo (“The Trail Of The Lonesome Pine”) reached No.2 in the UK singles chart in December 1975.
ellauri222.html on line 141: Devastated, Bellow went to Europe on a cultural-diplomacy junket for the State Department. While abroad, he engaged assiduously in what Leader calls “womanizing.” He returned to Bard, in the summer of 1960, and took up with a visiting French professor named Rosette Lamont. The divorce from Sasha went through in June. For a while, Bellow and Sasha had the same lawyer, who was pleased to be representing both parties in the hottest divorce in town, but eventually Bellow was persuaded to retain his own attorney.
ellauri264.html on line 330: Val. v. 3:36 Ja heitä wäärin duomita/ nijncuin ei HERra sitä näkiskän.

ellauri276.html on line 954: Dave ja Toni Arthur lauloivat Iloiset aurapojat vuonna 1967 ensimmäisellä duoalbumillaan Morning Stands on Tiptoe.
ellauri299.html on line 511: kutsutaan pohjukaissuolen nystyksi (papilla duodeni major). Pohjukaissuolen
ellauri318.html on line 141: Lars är en hyllning till den svenska kriminalromanförfattaren Stieg Larsson då det var han som inspirerade duon till att själva börja skriva inom genren. ”Han andades nytt liv i skrivartraditionen inom den svenska krim-genren på ett sätt som gav upphov till vår egen kreativitet”, säger författarparet.
ellauri333.html on line 305: Narratiivi, jota Israel ja Intia yhteen ääneen painostivat, oli selvä: että Intia ja Israel ovat näitä muinaisia sivilisaatioita, jotka ulkopuoliset - mikä tarkoittaa muslimeja - olivat suistaneet raiteilta, ja niiden johtajat ovat kokoontuneet yhteen, kuin kauan kadoksissa olleet veljet, täyttämään kohtalonsa." BJP:n ideologiset esi-isät ja sen nykyiset jäsenet ovat pitkään pitäneet Israelia mallina uskonnolliselle nationalistiselle valtiolle, jota kutsutaan Hindu Rashtraksi ja jonka Intian hinduoikeisto toivoo perustavansa.
ellauri349.html on line 575: Vince and Jules execute Brett. The man in the bathroom jumps a little in horror. Marvin screams. The dynamic duo finishes the execution.
ellauri367.html on line 148: George Burns (syntynyt Nathan Birnbaum ; 20. tammikuuta 1896 – 9. maaliskuuta 1996) oli yhdysvaltalainen koomikko, näyttelijä, kirjailija ja laulaja ja yksi harvoista viihdyttäjistä, jonka ura ulottui menestyksekkäästi vaudevilleen , radioon, elokuvaan ja televisioon. Hänen kaarevat kulmakarvat ja sikarin savun välimerkit tulivat tutuiksi tavaramerkeiksi yli kolme neljäsosaa vuosisadaksi. Hän ja hänen vaimonsa Gracie Allen esiintyivät radiossa, televisiossa ja elokuvissa komediaduona Burns ja Allen.
xxx/ellauri044.html on line 1141: Jonkun Twengen ja Campbellin miälestä Joen häpeähöpötys on hanurista. Narsistit on oikeesti kusipäitä jotka uskoo tosissaan olevansa muita parempia, ihan häpeämättä ja hävyttömästi. Tän dynaamisen duon miälestä narsismi on jenkeissä epidemia. Ylisuurexi paisunut minäkäsitys ja kuvitelma jatkuvan erikoiskohtelun oikeutuxesta on vallannut amerikkalaisnuorten mielet. Mahtava narsisti, joka saavuttaa julkkisaseman ja tulee tunnetuxi on niiden idoli ja unelmien täyttymys. The American Idol.
xxx/ellauri081.html on line 517: The next year, Benny formed a vaudeville musical duo with pianist Cora Folsom Salisbury, a buxom 45-year-old divorcée who needed a partner for her act. This angered famous violinist Jan Kubelik, who feared that the young vaudevillian with a similar name would damage his reputation. Under legal pressure, Benjamin Kubelsky agreed to change his name to Ben K. Benny, sometimes spelled Bennie. When Salisbury left the act, Benny found a new pianist, Lyman Woods, and renamed the act "From Grand Opera to Ragtime". They worked together for five years and slowly integrated comedy elements into the show. They reached the Palace Theater, the "Mecca of Vaudeville," and did not do well. Benny left show business briefly in 1917 to join the United States Navy during World War I, and often entertained the sailors with his violin playing. One evening, his violin performance was booed by the sailors, so with prompting from fellow sailor and actor Pat O´Brien, he ad-libbed his way out of the jam and left them laughing. He received more comedy spots in the revues and did well, earning a reputation as a comedian and musician.
xxx/ellauri224.html on line 520: Because the girls have promised them a "special treat", which Fred and Barney take to mean sexual intercourse, the men are desperate to retrieve their car. The duo begins retracing their steps in an attempt to discover where they left the car. Along the way, they encounter a transgender stripper, a belligerent speaker box operator at a Chinese restaurant's drive-through, two tattoos they discover on each other's backs, UFO cultists led by Zoltan (who later hold the twins hostage), a Cantonese-speaking Chinese tailor, the Zen-minded Nelson and his cannabis-loving dog Jackal, beautiful Christie Boner, her aggressive jock boyfriend Tommy and his friends, a couple of hard-nosed police detectives, and a reclusive French ostrich named Pierre. They also meet two groups of aliens, one group being five gorgeous women, the other being two Norwegian men, searching for the "Continuum Transfunctioner": an extraterrestrial device that the boys accidentally picked up last night.
xxx/ellauri224.html on line 524: After Pierre releases the duo for correctly answering a question about ostriches, Fred and Barney head over to a local arcade named Captain Stu's Space-O-Rama. Once inside, they encounter Zoltan and his cultists who give them Wilma and Betty in exchange for a toy that Fred and Barney later on (see below) try to pass off as the Transfunctioner. Tommy, Christie, and the jocks arrive along with Nelson and his dog, whom they release after Tommy snatches the fake Transfunctioner from Zoltan. The two sets of aliens arrive and notify everyone of the real Continuum Transfunctioner: a Rubik's Cube that Barney has been working hard to solve. He then solves it on the spot, causing the device to shapeshift into its true form. The boys are warned that once the five girls stop flashing, the universe will be destroyed.
xxx/ellauri224.html on line 540: The protectors park the duo's car, a Renault Le Car, behind a mail truck for them to find the following morning. Fred and Barney salvage their relationships with the twins and discover the special treat from the girls turns out to be matching berets with Fred's and Barney's tiny penises embroidered in the front. The protectors, seeing the problem, leave a gift for their girlfriends (and, for the two men): Penis Enhancement Necklaces. The film ends with Fred, Barney, and the twins going out for Chinese food in Fred's car, while arguing about what their tattoos say.
xxx/ellauri225.html on line 149: My conclusions suggest that the Fibonacci pattern in trees makes an evolutionary difference. This is probably why the Fibonacci pattern is found in deciduous trees living in higher latitudes. The Fibonacci pattern gives plants like the oak tree a competitive edge over solar panels while collecting sunlight when the Sun moves through the sky.
xxx/ellauri237.html on line 864: Si el psicoanálisis freudiano veía a la persona desde sus conductas problemáticas y el conductismo visualizaba a la personas como seres pasivos, es decir, que no tenían demasiadas opciones de influir en el entorno. La visión de Carl Rogers y el humanismo, en cambio, era totalmente distinta, porque el ser humano es visto como un individuo activo y dueño de su propia realización. Para Rogers, una persona que presta atención al proceso de valoración orgánica es una persona plenamente funcional o autorrealizada.
xxx/ellauri237.html on line 866: Rogers pone énfasis en la libertad de los individuos a la hora de tomar el rumbo de sus vidas. Según éste, la personalidad de las personas puede analizarse según como se acerca o se aleja de lo que considera un individuo altamente funcional.
xxx/ellauri237.html on line 887: En cierto modo, el modo en el que un individuo enfoque su autorrealización se corresponderá al tipo de personalidad que manifieste en su día a día. Eso implica que para Maslow la personalidad está relacionada con los aspectos motivacionales que tienen que ver con los objetivos y las situaciones que vive cada ser humano; no es algo estático que permanezca en el interior de la cabeza de las personas y se manifieste unidireccionalmente, de adentro hacia afuera, tal y como podría criticarse de algunas concepciones reduccionistas y deterministas de este fenómeno psicológico.
xxx/ellauri237.html on line 889: Las implicaciones de esto son claras: para estudiar la personalidad hay que conocer también el contexto en el que habitan las personas y el modo en el que este responde a las necesidades motivacionales de los individuos. Centrarse simplemente en administrar varios test para obtener una puntuación no nos da una visión acertada sobre esto, ya que se parte de un sesgo al considerar que la personalidad es lo que pueda ser captado por estas pruebas de recogida de datos. Se trata de un punto de vista parecido al que aplican al ámbito de las capacidades mentales psicólogos como Howard Gardner y Robert J. Sternberg, críticos con la concepción psicométrica de la inteligencia.
xxx/ellauri237.html on line 892: Maslow piensa que alcanzar las necesidades de autorrealización está en las manos de todo el mundo, sin embargo, son pocos los que lo consiguen. Las personas que logran satisfacer sus necesidades de autorrealización son personas autorrealizadas. Ahora bien, Maslow afirma que menos del 1% de la población pertenecen a esta clase de individuos.
xxx/ellauri237.html on line 955: Sin embargo, los psicólogos humanistas como Roger Rabbit propusieron algunas ideas sobre los procesos mentales en los que se enfatiza la libertad de los individuos a la hora de tomar la rumba de sus vidas. Según ellos, ni los factores biológicos ni los ambientales son determinantes en nuestro comportamiento, y no nos "arrastran" irremediablemente hacia ciertos tipos de comportamiento. En resumidas cuentas, no eran deterministas, eran indeterministas.
xxx/ellauri237.html on line 958: Esta idea de que el desarrollo personal y el modo en el que el individuo lucha por llegar a ser como se quiere ser es una idea central de la psicología humanista, pero para Roger tiene especial importancia, porque para él es a través del desarrollo personal como se forma el carácter y el modo de ser.
xxx/ellauri237.html on line 961: Roger propuso la idea de que la personalidad de cada individuo puede analizarse según el modo en el que se acerca o se aleja a un modo de ser y vivir la vida al que él pone la etiqueta de persona altamente funcional.
xxx/ellauri259.html on line 101: 2016 alkaneen Pitääkö olla huolissaan? -ohjelman suosio senkun jatkuu. Edellisen kauden keskikatsojamäärä oli 1 379 000*. Suomalaiset keskikazojat ovat lähettäneet panelistien pohdittavaksi tuhansia huolenaiheita. Ei vaan suomalaiset ovat lähettäneet kymmeniä tuhansia huolenaiheita. Jenni Pääskysaaren johtama paneeli tekee epädramaattisen paluun ns. peruspoppoolla. Huoliin ovat vastaamassa suomalaisen kirjallisuuden harmaa eminenssi Miika Nousiainen (n.h.) ja duo valonkantajat eli Tuomas Kyrö ja Kari Hotakainen.
xxx/ellauri280.html on line 459: E fabulis de Alexandro Magno, qui in nummis ut Ammonis filius cum cornubus duobus figuratur, fabulam Bicornis multa sumpsisse nemo dubitat; etiam murus in vita Alexandri Graeca memoratur.
xxx/ellauri354.html on line 347: le braccia al sole occiduo: käsivartensa läntiseen aurinkoon:
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