displaystyle="true">
ellauri071.html on line 398: {\displaystyle i^{2}=j^{2}=k^{2}=ijk=-1\,}
ellauri071.html on line 400:
displaystyle i^{2}=j^{2}=k^{2}=ijk=-1\,}">
ellauri072.html on line 34: Vastenmielisten miesten lyhyitä haastatteluja
display:none">Valivalia
ellauri073.html on line 27: Emmä tiedä, hähähä!
display:none">Vulgääriä
ellauri074.html on line 29: DON'T WORRY!
display:none">Vetolaastareita
ellauri077.html on line 28: Telemakhrian yritelmä
display:none">Rappinkia
ellauri078.html on line 28: Ad Nauseam
display:none">Jaxaajaxaa
ellauri078.html on line 44: The infinity symbol ( ∞ {\displaystyle \infty } \infty , ∞, or in unicode ∞) is a mathematical symbol representing the concept of infinity. In algebraic geometry, the figure is called a lemniscate.
ellauri079.html on line 28: American HILLBILLIES
display:none">Läppäkeppejä
ellauri080.html on line 28: Luonteenvikoja
display:none">Psykopatiaa
ellauri080.html on line 312: Longitudinal studies also suggest that these big five personality traits tend to be relatively stable over the course of adulthood. One study of working-age adults found that personality tended to be stable over a four-year period and displayed little change as a result of adverse life events.
ellauri080.html on line 325: These dimensions represent broad areas of personality. Research has demonstrated that these groupings of characteristics tend to occur together in many people. For example, individuals who are sociable tend to be talkative. However, these traits do not always occur together. Personality is complex and varied and each person may display behaviors across several of these dimensions.
ellauri082.html on line 28: FLOW IN A BLOW
display:none">Juonipaljastuxia
ellauri082.html on line 143: It’s too late because someone got there first and took the anti-Entertainment cartridge (126) embedded in JOI’s head (31). Whoever took it is presumably the person who’s made and mailed the extant copies. It couldn’t be the A.F.R. or O.U.S. or they wouldn’t still be searching for it. It probably wasn’t the F.L.Q. because they didn’t know how to read master cartridges—they just thought they were blank tapes in their displays were blank. (483n205) It couldn’t be Avril acting alone; she has problems but she’s not that kind of cold-blooded killer. It had to have been Orin.1
ellauri083.html on line 28: HYVÄÄ PUUTA
display:none">Puutaheinää
ellauri083.html on line 336: For all their profusion, these paled in comparison with Sachs's newest display pieces: The Cabinet, 2014, and The Rockeths, 2017. The former was a folding case fashioned from orange-and-white striped barricades and festooned with hundreds of tools, hung in groups and inscribed with the names of individuals who have "inspired, influenced, or frightened" the artist--from Le Corbusier and Louis Kahn to the members of the Wu-Tang Clan--while the latter was less a cabinet than a kind of portable workbench and shelving unit, similarly jam-packed with the tools of the artist's trade, as well as a collection of model rockets, all again labeled to namecheck various figures of personal importance--scientists, musicians, artists; Apollo, Dionysus, Stringer Bell. The fetishistic frisson the assembled materials (pens, pliers, drill bits, tape measures) clearly provoke in Sachs was made even more explicit in McMasterbation, 2016, one of a trio of scale-model space modules arrayed on plinths. Featuring a copy of the legendarily comprehensive McMaster-Carr hardware catalogue spread open like a porn mag centerfold designed for lonely gearheads--alongside a ready supply of Vaseline and a handy tissue dispenser--it was part cathectic confession of objectophilia and part self-derogating indictment of his own work's tendencies toward sometimes masturbatory excess. Smart and stupid, funny and somehow a bit sad, it was classic Sachs: too much information, in every sense of the phrase.
ellauri088.html on line 27: HUMAN
display:none">Pyllykielitiedettä
ellauri089.html on line 28: Illegal Aliens
display:none">Ufoa
ellauri090.html on line 28: A Panelinha
display:none">Brassailua
ellauri092.html on line 34: Badman and Robin
display:none">Näkyjä
ellauri093.html on line 28: Yours Faithfully is Christ
display:none">Haahkanuntuvia
ellauri094.html on line 28: Saukki ja siipioravat
display:none">Papanoita
ellauri094.html on line 227: A 2017 exhibition in Jerusalem displayed over 100 cuneiform tablets detailing trade in fruits and other commodities, taxes, debts, and credits accumulated between Jews driven from, or convinced to move from Jerusalem by King Nebuchadnezzar around 600 BCE. The tablets included details on one exiled Judean family over four generations, all with Hebrew names.
ellauri095.html on line 27: Go fly a Kestrel
display:none">Leijailua
ellauri095.html on line 246: In 1874 Hopkins returned to Manresa House to teach classics. While studying in the Jesuit house of theological studies, St Beuno´s College, near St Asap in North Wales, he was asked by his religious superior to write a poem to commemorate the foundering of a German ship in a storm. So in 1875 he took up poetry once more to write a lengthy piece, "The Wreck of the Deutschland", inspired by the Deutschland incident, a maritime disaster in which 157 people died, including five Franciscan nuns who had been leaving Germany due to harsh anti-Catholic laws (see Kulturkampf). The work displays both the religious concerns and some of the unusual metre and rhythms of his subsequent poetry not present in his few remaining early works. It not only depicts the dramatic events and heroic deeds, but tells of him reconciling the terrible events with God´s higher purpose. The poem was accepted but not printed by a Jesuit publication. This rejection fed his ambivalence about his poetry, most of which remained unpublished until after his death.
ellauri096.html on line 28: Tallitylleröt
display:none">Heppaharrastusta
ellauri097.html on line 34: Schopenholic und Schwester
display:none">Tipukirjallisuutta
ellauri097.html on line 103: Such turns of phrase evoked the erudite cynicism and rapier sharpness of language displayed by Ambrose Bierce in his darkly-satiric The Devil's Dictionary. A noted curmudgeon, democratic in subjects attacked, Mencken savaged politics, hypocrisy, and social convention. A master of English, he was given to bombast and once disdained the lowly hot dog bun's descent into "the soggy rolls prevailing today, of ground acorns, plaster of Paris, flecks of bath sponge and atmospheric air all compact."
ellauri097.html on line 139: The Jews could be put down very plausibly as the most unpleasant race ever heard of. As commonly encountered, they lack many of the qualities that mark the civilized man: courage, dignity, incorruptibility, ease, confidence. They have vanity without pride, voluptuousness without taste, and learning without wisdom. Their fortitude, such as it is, is wasted upon puerile objects, and their charity is mainly a form of display.
ellauri098.html on line 29: GOOGLE: THERE ARE 129,864,880 BOOKS
IN THE ENTIRE WORLD
display:none">Kirja-arvostelua
ellauri099.html on line 27: The Figure of Dorian Gray
display:none">Toteemipaalu
ellauri100.html on line 28: Wincent was not mad, he had problems
display:none">Sekoilua
ellauri100.html on line 551: The graph below displays results for individuals who took the longer version of the survey before April 19, 2012. Everyone will have a score, but this graph is only valid for those who took the survey before April 19, 2012. Ignore the purple bar since it will incorporate averages from the short and long version of the survey.
ellauri101.html on line 29: WHO IS YOUR INNER HERO?
display:none">Sankareita sukkahousuissa
ellauri102.html on line 29: NO LOGO
display:none">Nimettömiä vihapuheita
ellauri105.html on line 29: Vie paska painoon
display:none">Kökköä
ellauri106.html on line 28: Elämäni setämiehenä
display:none">Törkyä
ellauri107.html on line 28: Herttaisia muistoja
display:none">Herttaista
ellauri107.html on line 518: He snatched from the back of his geometry half a hundred advertisements of those home-study courses which the energy and foresight of American commerce have contributed to the science of education. The first displayed the portrait of a young man with a pure brow, an iron jaw, silk socks, and hair like patent leather. Standing with one hand in his trousers-pocket and the other extended with chiding forefinger, he was bewitching an audience of men with gray beards, paunches, bald heads, and every other sign of wisdom and prosperity. Above the picture was an inspiring educational symbol—no antiquated lamp or torch or owl of Minerva, but a row of dollar signs. The text ran:
ellauri108.html on line 27: MUSTARASTAS
display:none">Vapaaliikkeitä
ellauri108.html on line 112: There is no uniform Rasta view on race. Black supremacy was a theme early in the movement, with the belief in the existence of a distinctly black African race that is superior to other racial groups. While some still hold this belief, non-black Rastas are now widely accepted in the movement. Rastafari's history has opened the religion to accusations of racism. Cashmore noted that there was an "implicit potential" for racism in Rasta beliefs but he also noted that racism was not "intrinsic" to the religion. Some Rastas have acknowledged that there is racism in the movement, primarily against Europeans and Asians. Some Rasta sects reject the notion that a white European can ever be a legitimate Rasta. Other Rasta sects believe that an "African" identity is not inherently linked to black skin but rather is about whether an individual displays an African "attitude" or "spirit".
ellauri108.html on line 166: The bass-line of Rasta music is provided by the akete, a three-drum set, which is accompanied by percussion instruments like rattles and tambourines. A syncopated rhythm is then provided by the fundeh drum. In addition, a peta drum improvises over the rhythm. The different components of the music are regarded as displaying different symbolism; the bassline symbolises blows against Babylon, while the lighter beats denote hope for the future.
ellauri108.html on line 177: Rastas often make use of the colours red, black, green, and gold. Red, gold, and green were used in the Ethiopian flag, while, prior to the development of Rastafari, the Jamaican black nationalist activist Marcus Garvey had used red, green, and black as the colours for the Pan-African flag representing his United Negro Improvement Association. According to Garvey, the red symbolised the blood of martyrs, the black symbolised the skin of Africans, and the green represented the vegetation of the land, an interpretation endorsed by some Rastas. The colour gold is often included alongside Garvey's three colours; it has been adopted from the Jamaican flag, and is often interpreted as symbolising the minerals and raw materials which constitute Africa's wealth. Rastas often paint these colours onto their buildings, vehicles, kiosks, and other items, or display them on their clothing, helping to distinguish Rastas from non-Rastas and allowing adherents to recognise their co-religionists. As well as being used by Rastas, the colour set has also been adopted by Pan-Africanists more broadly, who use it to display their identification with Afrocentricity; for this reason it was adopted on the flags of many post-independence African states. Rastas often accompany the use of these three or four colours with the image of the Lion of Judah, also adopted from the Ethiopian flag and symbolizing Haile Selassie.
ellauri109.html on line 28: Grabsprüche
display:none">Nekrologeja
ellauri110.html on line 28: Kirjoita hevoseläimestäsi!
display:none">Pollerunoilua
ellauri111.html on line 28: Kirjailijan päiväkirja
display:none">Hymistelyä
ellauri111.html on line 202: While holding him as a prisoner, the United States capitalized on Geronimo’s fame among non-Indians by displaying him at various events. For Geronimo, it provided him with an opportunity to make a little money. In 1898, for example, Geronimo was exhibited at the Trans-Mississippi and International Exhibition in Omaha, Nebraska. Following this exhibition, he became a frequent "visitor" to fairs, exhibitions, and other public functions.
ellauri112.html on line 28: Höpötysikoneita
display:none">Höpötystä
ellauri112.html on line 687: I found this one to be a boring display of what I like to call ‘critic bait’: a movie targeted at film journalists who will believe anything put onscreen from these two is worthy of never-ending praise.
ellauri115.html on line 28: Memorisant en herborisant
display:none">Herborisointia
ellauri117.html on line 28: Eeeemeliii!
display:none">Roskaa
ellauri118.html on line 28: Vaarallisia yhteyshenkilöitä
display:none">Syysmietteitä
ellauri118.html on line 830: With La Princesse de Clèves, Mme. de La Fayette created a new kind of fiction,—"substituting," says Saintsbury, "for mere romance of adventure on the one hand, and stilted heroic work on the other, fiction in which the display of character is held of chief account."
ellauri119.html on line 28: HOLY SMOKE!
display:none">Pyhistelyä
ellauri131.html on line 28: Halusin tallettaa sen hetken
display:none">Valemuistoja
ellauri132.html on line 28: How to Sell a Lot of Copies
display:none">Luovaa kirjoittamista
ellauri132.html on line 443: Each time this page is visited by an end user (e.g., a person surfing the Internet), the JavaScript code uses inlined JSON to display content fetched from Google's servers.
ellauri132.html on line 445: For website-targeted advertisements, the advertiser chooses the page(s) on which to display advertisements, and pays based on cost per mille (CPM), or the price advertisers choose to pay for every thousand advertisements displayed.
ellauri132.html on line 448: Google came under fire when the official Google AdSense Blog showcased the French video website Imineo.com. This website violated Google's AdSense Program Policies by displaying AdSense alongside sexually explicit material. Typically, websites displaying AdSense have been banned from showing such content. We are not evil. LOL.
ellauri133.html on line 28: ponien maailma
display:none">Luovaa heppahulluutta
ellauri135.html on line 28: Iljitshin syvänne
display:none">Asosiaalista realismia
ellauri140.html on line 28: THE DRAGGE QVEENE.
display:none">Liian pitkä lukea
ellauri141.html on line 28: OODEJA
display:none">Oodeja
ellauri142.html on line 32: AUM!!
display:none">Indoeuroviisuja
ellauri142.html on line 151: In most Masonic lodges, the Bible, the Quran, Talmud, and Vedas are prominently displayed, which gives each member a holy text to reference and utilize during rites and rituals.
ellauri143.html on line 32: Tikku Kuralla
display:none">Singlejä
ellauri143.html on line 677: Blockheads´ faces pairs of sores display.
ellauri143.html on line 953: A spy, whate´er men do, must watchful mind display.
ellauri144.html on line 32: Kuvia varten Carlson Lauri
display:none">Nugaata
ellauri145.html on line 32: Anthologie de l´humour ligneux
display:none">Puisevaa
ellauri146.html on line 34: der Meffias.
display:none">Hölzernes
ellauri146.html on line 640: Poe commented on the general meaning of his story several times. In one unsigned review of the number of the Southern Literary Messenger that contained it he said, “Lionizing ... is an admirable piece of burlesque which displays much reading, a lively humor, and an ability to afford amusement or instruction”; and in another puff of smoke he remarked, “It is an extravaganza ... and gives evidence of high powers of fancy and humor.”‡ To J. P. Kennedy he wrote on February 11, 1836 that it was a satire “properly speaking [page 172:] — at least so meant —... of the rage for Lions and the facility of becoming one.”
ellauri146.html on line 681: “We have no aristocracy of blood, and having therefore as a natural, and indeed as an inevitable thing, fashioned for ourselves an aristocracy of dollars, the display of wealth has here to take the place and perform the office of the heraldic display in monarchical countries. By a transition readily understood, and which might have been as readily foreseen, we have been brought to merge in simple show our notions of taste itself.”
ellauri147.html on line 33: OLEN TYPERÄ KANA
display:none">Kotkotusta
ellauri150.html on line 32: J'Accuse!
display:none">Sysin seppoja
ellauri150.html on line 255: Colette Stevens. HR Director. "Regardless of the working relationship, Colette always displays the same valuable characteristics - she is very bright, totally commercial, able to build strong and lasting relationships and is great fun to be around.
ellauri151.html on line 37: N'EST-CE PAS
display:none">Paskakirjoja
ellauri152.html on line 32: EPYLLEJÄ
display:none">Luontopalveluja
ellauri152.html on line 79: To lend authenticity to the forgery, Louÿs in the index listed some poems as "untranslated"; he even craftily fabricated an entire section of his book called "The Life of Bilitis", crediting a certain fictional archaeologist Herr G. Heim ("Mr. C. Cret" in German) as the discoverer of Bilitis' tomb. And though Louÿs displayed great knowledge of Ancient Greek culture, ranging from children's games in "Tortie Tortue" to application of scents in "Perfumes", the literary fraud was eventually exposed. This did little, however, to taint their literary value in readers' eyes, and Louÿs' open and sympathetic celebration of lesbian sexuality earned him sensation and historic significance.
ellauri153.html on line 32: FARSSEJA RUUSUTARHASSA
display:none">Röyhkeää
ellauri155.html on line 32: Täällä ei saatana juhlita!
display:none">Persuuxia
ellauri155.html on line 756: Calvin then goes on to speak of a deeper dimension of predestination, that in the Old Testament we see a more special election still of God saving certain ones out of the nation of Israel. Calvin says that his readers must see how “the grace of God was displayed in a more special form, when of the same family of Abraham God rejected some.” He then refers to Malachi 1:2-3 which explicitly states, “Was not Esau Jacob’s brother? saith the Lord: yet I loved Jacob, and I hated Esau.”
ellauri156.html on line 32: Bathsheba pesulla
display:none">Sananlaskuja
ellauri156.html on line 309: To approach this same issue from the opposite perspective, think with me about the Book of Esther. When the king summoned his wife, Queen Vashti, to appear (perhaps in a way that would inappropriately display her goodies to the king's guests), she refused. She was removed (see Esther 1:1-22). She did not lose her life, but she was at least replaced by Esther, who had no such compunctions. Then, we read later in this same book that no one could approach the king unless he summoned them. If any approached the king and he did not raise his "scepter", they were put to death (Esther 4:10-11). Does this not portray the way of eastern kings? Does this not explain why Bathsheba went to the king's palace when summoned? Does this help to explain why she seems to have given in to the king's lustful acts? (We do not know what protests -- like Tamar's in chapter 13 -- she may have uttered, but we do have some sense of the powerlessness of a woman in those days, especially when given orders by the king. (Later on it became the requirement that a raped lady should kill herself to save her husband the disgrace of having horns.)
ellauri156.html on line 722: Second, David recognizes what he views as the greater sin, and that is the rich man's total lack of compassion. David is furious because a rich man stole and slaughtered a poor man's pet. He does not yet see the connection to his lack of compassion for stealing a poor man's beloved companion, Uriah's wife, Bathsheba. The slaughtering of Uriah is most certainly an act which lacks compassion. The crowning touch in David's display of righteous indignation is the religious flavoring he gives it by the words, “as the Lord lives” (verse 5).
ellauri158.html on line 31: ETIIKKA
display:none">Axiomatikkaa
ellauri159.html on line 29: LES
VINGT
COMMANDEMENTS
display:none">Kyykytystä
ellauri159.html on line 711: Most definitions of courtesy will include simple action terms, such as “displaying polished manners” or “showing respect for others.” More elaborate definitions may describe courtesy as “sophisticated conversation and intellectual skill.” The original term comes from the twelfth century term courteis, which meant “gentle politeness” and “courtly manners.” Regardless of which definition makes the most sense to you, courtesy is something you must see in action—it is not a trait like humility that can just be held internally. Se on tollasta ilmaista uhrimieltä.
ellauri159.html on line 1067: You tend to state the obvious or otherwise display a lack of confidence. To combat this tendency, ask for specific feedback from a trusted writer friend. This will help you gauge your ability to communicate your point and your reader’s ability to understand and make connections. Show your work only to someone whom you know to be supportive. The opinions of those who nurture writers are worthwhile; the opinions of those who tear down writers are not.
ellauri160.html on line 28: Cathay
display:none">Paasaajia
ellauri161.html on line 29: VASTAAN HANKAAN
display:none">Nonbinääriä
ellauri161.html on line 597: Speaking of “climate,” that’s the main target here – how people are too stupid to come together even when their survival depends on it. Or maybe it’s the pandemic McKay is allegorizing. Probably both. Meanwhile, the writer/director’s left-of-center politics are on full display. Although Don’t Look Up occasionally ridicules the left, it represents a full-on fusillade against the right. Now that is NOT funny.
ellauri162.html on line 28: Två bussar har blåst av vägen.
display:none">Lofotnoter
ellauri163.html on line 29: DEUTERONOMIA
display:none">Lakeja
ellauri164.html on line 29: Helvetin seslonki
display:none">Angstailua
ellauri164.html on line 451: The film depicts the nuclear arms race that took place between all sides in the World War II and the beginning of the Cold War. The first part centers on the war years, dealing with the Manhattan Project and the American effort to beat the Germans to the bomb, as well as with Stalin's decision that the USSR must have its own atomic project. The second part displays the Soviet post-war nuclear program. The plot deals mainly with the personal dilemmas facing all the scientists who worked on the atomic weapons. Booooring.
ellauri164.html on line 933: Did Moses realize immediately what he had done? At some point after this event, “the Lord spoke to Moses and Aaron, ‘Because you did not believe Me, to hallow Me in the eyes of the children of Israel, therefore you shall not bring this assembly into the land which I have given them.’” Their conduct had publicly displayed a lack faith, reverence and respect. God determined that this needed an equally public punishment. The punishment for this sin was grievous. God gave to them a punishment so similar to the one given to all Israel at Kadesh that it was a heart-breaking moment for Moses. Both he and Aaron would die in the wilderness and not be allowed to enter the promised land. What a bitter pill for Moses to swallow. Like David with Bathsheba, God forgave the sin, but did not remove the consequences. The consequences for Moses’ momentary lapse in reverence and respect under the terrible emotion of anger was to be barred from entrance into the promised land.
ellauri171.html on line 33: ne naiset
display:none">Panennaisia
ellauri171.html on line 758: Their dead bodies, it seems, were too cumbersome to tranport. Instead, the boy’s heads were hacked off, collected in baskets, and displayed for the gawking crowd the the city gate.
ellauri172.html on line 39: JUONIPALJASTUS
display:none">Spoilereita
ellauri180.html on line 33: KAYLA ANCRUM
display:none">Värikästä
ellauri180.html on line 51: In the books, Elena was popular, selfish and a "mean girl". However, the show's producers, Julie Plec and Kevin Williamson, felt that it wasn't the direction they wanted to go with their heroine in The Young Adult Vampire Diaries television series. Instead, she became a nicer, relatable, and more of "the girl next door" type, until her life gets flipped upside down when she meets the Salvatore Brothers. Stefan Salvatore is a good-hearted and affectionate young adult vampire and the complete opposite of his older brother, Damon Salvatore. Stefan's malevolent young adult vampire brother is mostly thought of as selfish and manipulative, but later on begins to display a more caring side.
ellauri181.html on line 33: PENIS DE MONO
display:none">Hominointia
ellauri182.html on line 33: Food as a Value
display:none">Japonais-täytettä
ellauri182.html on line 320: Humans display these facial expressions as 'subconscious calls for help'.
ellauri183.html on line 33: God's Grace
display:none">Jumalanpilkkaa
ellauri184.html on line 33: KAPERNAUMIN EVANKELIUMI
display:none">Nysväystä
ellauri185.html on line 33: Horatio Alger
display:none">Sikailua
ellauri185.html on line 834: One passage that offers some insight regarding birth defects can be found in John 9:2-3: "And his disciples asked him, 'Rabbi, who sinned, this man or his parents, that he was born blind?' Jesus answered, 'It was not that this man sinned, or his parents, but that the works of God might be displayed in him.'" It is clear from these words of Jesus that birth defects are ultimately not due to the sin of the parents or child, but serve as part of God's plan for our lives. If not for the defective person as such, then at least for the greater common good. Defective persons are prohibited from entering the holiest of the holy.
ellauri188.html on line 32: APINOIDEN KANTTIINI
display:none">Koijausta
ellauri189.html on line 33: Steppenwolf
display:none">Steppailua
ellauri190.html on line 33: Irtopäitä
display:none">Sotahistoriaa
ellauri191.html on line 33: HINOA JOHN
display:none">Kulttuurihistoriaa
ellauri192.html on line 34: Sekasorron aika
display:none">Sekasortoa
ellauri194.html on line 34: Apocalypse Now
display:none">Lopunaikoja
ellauri196.html on line 34: Molskis sanoi Ikaros
display:none">Molskintaa
ellauri197.html on line 34: Lapis Lazuli
display:none">Kylmiä paloja
ellauri197.html on line 452: In all his works displayed. Sen töissä kaikissa.
ellauri198.html on line 34: Carlson Credo
display:none">Vaihtoehtoisia tunnustuxia
ellauri203.html on line 34: IL GRANDE SCRITTORE RUSSO
display:none">Vaihtoehtoisia bioja
ellauri204.html on line 34: Der eiserne Hans
display:none">Mytopoetiikkaa
ellauri205.html on line 34: PUTIN JA EUROOPPA
display:none">Eurodollareita
ellauri206.html on line 34: Riannan hemmottelupäivä
display:none">Paapomista
ellauri207.html on line 33: KONGON OSKARI
display:none">Konnankoukkuja
ellauri210.html on line 34: Loppupään dadaisteja
display:none">Dadaa
ellauri211.html on line 34: Lukijan Ruoansulatus
display:none">Naurua
ellauri213.html on line 34: EMBOTELLADO
display:none">Taikamatuja
ellauri213.html on line 62: Dma-lapset eivät tunne häpeää eivätkä ole ylpeitä. Se on hyvin paha. Häpeä on peitettävä siionistien verellä. Isä olisi ylpeä kameleontistaan. Kunnia on pelastettava. Sählämit GT ja ilman kärhämöivät silmittömästi arvottomasta maapalasta. Public displays of aggression. Dan on erittäinkin kyyninen. Venäläiset ovat pahoja. Kuubalaiset hoitavat likaisen työn KGBn puolesta. Danilla on likainen mielikuvitus. Dankin paistatteli mielellään kameroiden loisteessa kuin Ranu Pajala. Mikähän siinä oikein viehättää? Kysy peipolta. Ja kysynkin. Se vastaa: lähtee hereästi pillua. Vanha Dan on vanhan jutkun näköinen. Siitä tuli konsulentti, globalisaation agentti. Aziz the combat fighter söi epähuomiossa sikanautapurilaisia. Ei olis kannattanut.
ellauri214.html on line 34: FOSSIILEJA KAIVAMASSA
display:none">Kliseitä
ellauri214.html on line 72: Though Rowling’s transphobia has been publicized the most, fans have also begun to notice prejudice in her writing. Very few people of color are featured in J. K. Rowling’s books, and those that are have few lines and no detailed story arcs. One of the people of color given more thought was Cho Chang, Harry Potter’s love interest who was first introduced in the third book, Harry Potter and the Prisoner of Azkaban. Rowling’s racism toward Asians and lack of knowledge of Asian culture is clearly evident from just the name Cho Chang, which is a mix of Korean and Chinese surnames. Korea and China have a longstanding history as political adversaries and each country has a distinct culture. While Rowling went to great efforts in creating a wonderfully immersive wizarding world, she gave no thought to what Cho’s ethnicity is. Cho was also sorted into Ravenclaw house, the school house for those of high intelligence, playing into a common stereotype of Asians. The only other Asian characters mentioned in the series are Indian twins Padma and Pavarti Patil. While Rowling appears to have given more thought to these characters, placing Padma in Ravenclaw and breaking the Asian stereotype by placing Pavarti in Gryffindor, she ultimately fails to adequately write Asian characters. While Pavarti, as a member of Harry Potter’s house, was given more depth than Cho or her sister, many South Asian fans were irritated by the girls’ dresses in the fourth movie, Harry Potter and the Goblet of Fire. The twins wore dull and unflattering traditional Indian attire, which many saw as a mockery of Indian culture. Cho herself wore an East Asian style dress in this movie which was a mix of different Asian styles. Rowling continued her habit of stereotyping Asians in the Fantastic Beast Movies, the first of which was released in 2016 and set in the 1920’s, several decades before the Harry Potter series. In this pre-series, the only Asian representation is displayed in the form of a woman who has been cursed to turn into a beast. Fans may remember the villain Voldemort’s pet snake, Nagini, who served him throughout the Harry Potter series. Fans were surprised to learn when watching The Crimes of Grindelwald, the second movie in the Fantastic Beasts series, that Nagini was not always a snake, but was actually a woman who had been cursed to turn into a snake. In the movie, Nagini, in human form, is caged and forced to perform in a circus. Though we do not know how Nagini came to meet Voldemort, we do know that she became his servant and the keeper of a wee snakelike portion of his soul. This is more than slightly problematic. Not only was Nagini the only Asian representation in the film, but she was also a half-human who was forced to serve an evil white man for a great part of her existence. Author Ellen Oh commented on Nagini’s inclusion in the film saying “I feel like this is the problem when white people want to diversify and don’t actually ask POC how to do so. They don’t make the connection between making Nagini an Asian woman who later on becomes the pet snake of an EEVIL whitish man.”
ellauri216.html on line 34: TIMANTTISET ROSSIT
display:none">Propagandaa
ellauri217.html on line 34: POPEYE THE SAILOR MAN!
display:none">Romantiikkaa
ellauri219.html on line 33: KERS. PIPPURIN
YXINÄISTEN SYDÄNTEN
KERHOSOITINYHTYE
display:none">Poppia
ellauri219.html on line 454: Speaking to the BBC in 1965, John Lennon (No.62) declared his love for Alice In Wonderland and Alice Through The Looking Glass, revealing, “I usually read those two about once a year, because I still like them.” It’s perhaps no surprise, then, that the man who wrote the poem “The Walrus And The Carpenter,” which influenced Lennon’s lyrics for “I Am The Walrus,” is given a prominent display on the Sgt. Pepper’s album cover. P.S. Carroll oli pedofiilien ihan terävintä kärkeä.
ellauri220.html on line 33: RADIO CITY Music Hall
display:none">Sätkytystä
ellauri221.html on line 33: JAMES BOND 007
display:none">Elvistelyä
ellauri221.html on line 119: According to the DSM-5, “Many highly successful individuals display personality traits that might be considered narcissistic. Only when these traits are inflexible, maladaptive, and persisting and cause significant functional impairment or subjective distress do they constitute narcissistic personality disorder.”
ellauri222.html on line 34: Les Aventures de Saul Bellow
display:none">Finnin puristelua
ellauri222.html on line 761: The first novel to display Bellow's characteristic expansiveness and optimism, The Adventures of Augie March presents a dazzling panorama of comically eccentric characters in a picaresque tale narrated by the irrepressible title character, who defends human possibility by embracing the hope that "There may gods turn up anywhere." Subsequent novels vary in tone from the intensity of Seize the Day to the exuberance of Henderson the Rain King to the ironic ambiguity of Herzog, but all explore the nature of human male freedom and the tensions between the individual's need for self and the needs of society. Augie March, Tommy Wilhelm, Eugene Henderson, and Moses Herzog all yearn to please themselves by finding the beauty in life. By creating these highly individualistic characters and the milieu in which they move, Bellow reveals the flashes of the extraordinary in the ordinary that make such fun possible and rejects the attitude that everyday life must be trivial and ignoble. It is like that just for the losers.
ellauri223.html on line 33: Aurinkovaltio
display:none">Dystopiaa
ellauri226.html on line 33: CHEESE!
display:none">Publikaaneja
ellauri236.html on line 33: FUX NEWS
display:none">Rupusakkia
ellauri238.html on line 31: Hämynä talsit
display:none">Turrnipsi pellossa
ellauri240.html on line 34: Kaupunki nimeltä
display:none">Misogyniaa
ellauri241.html on line 34: Leimiä
display:none">Misokeittoa
ellauri242.html on line 34: BEFOREIGNERS
display:none">Taistoturrukoita
ellauri243.html on line 34: Onnettomat paskiaiset
display:none">Paskiaiset vormuissa
ellauri244.html on line 34: KLICHEITÄ
display:none">Klicheitä, klicheitä
ellauri245.html on line 40: CASH BY CANS
display:none">Tölkeittäin natomatoja
ellauri246.html on line 34: Oh korsteenit
display:none">Poliittista runoutta
ellauri247.html on line 40: SUURI KASKUKIRJA
display:none">Kaskuja
ellauri247.html on line 292: Cicisbei played by set rules, generally avoiding public displays of affection. At public entertainments, they would typically stand behind their seated mistress and whisper in her ear. Customs of the time did not permit them to engage in relationships with any other women during their free time, making the arrangement rather demanding. Either party could decide to end the relationship at any time. A woman's former cicisbei were called spiantati (literally penniless, destroyed), or cast-offs.
ellauri247.html on line 314: Johnson was 180 cm (5 feet 11 inches) tall when the average height of an Englishman was 165 cm (5 feet 5 inches). Tall and robust, he displayed gestures and tics that disconcerted some on meeting him. He had Tourettes syndrome, in fact.
ellauri247.html on line 353: Johnson displayed signs consistent with several diagnoses, including depression and Tourette syndrome. According to Boswell, Johnson "felt himself overwhelmed with an horrible melancholia, with perpetual irritation, fretfulness, and impatience; and with a dejection, gloom, and despair, which made existence misery".
ellauri248.html on line 39: Marjaana Madagaskarissa
display:none">Nuorten toiveita
ellauri249.html on line 39: MARZIAL
display:none">Latin obscenity
ellauri254.html on line 39: СЕРАПИОНОВЫ БРАТЬЯ
display:none">Sosialistista realismia
ellauri256.html on line 39: MUODIN HISTORIA
display:none"> Ornamentalismia
ellauri257.html on line 39: TARAS BULJBA
display:none">Koomikoita
ellauri258.html on line 38: KIREÄHERMOISTA VÄKEÄ
display:none">Videotörkyä
ellauri260.html on line 39: In pirsona pirsonalmente
display:none">Perseilyä
ellauri262.html on line 39: Till We Have Faeces
display:none">Fanzua
ellauri263.html on line 38: Shadows on the Hudson
Part 1
display:none">Pyllistelyä
ellauri263.html on line 712: This ad is displayed using third party content and we do not control its accessibility features.
ellauri263.html on line 740: This ad is displayed using third party content and we do not control its accessibility features.
ellauri263.html on line 766: This ad is displayed using third party content and we do not control its accessibility features.
ellauri263.html on line 828: These ads too were displayed using third party content and we do not control their accessibility features either.
ellauri264.html on line 39: Semitismiä
display:none">Semitismiä
ellauri266.html on line 37: PLANET APE
display:none">Alastomuutta
ellauri267.html on line 40: Пожалуйста ответить на
телефон!display:none">Väkivaltaa
ellauri269.html on line 38: Fotataidon Maailma
display:none">Silmitöntä väkivaltaa
ellauri270.html on line 38: "APINOIDEN SILTA"
display:none">Lisää silmitöntä väkivaltaa
ellauri271.html on line 39: I feel your pain
display:none">Karvaperseitä
ellauri272.html on line 39: 50 shades of Zane
display:none">Blacklistoja
ellauri274.html on line 38: A BIG JOB FOR SUPERMAN
display:none">Valtapeliä
ellauri275.html on line 38: JOE ✭ SETÄ
VOLDEMORT
display:none">Oikeutettua väkivaltaa
ellauri276.html on line 37: KYNTÄJIÄ
display:none">Kyntöä
ellauri277.html on line 37: GET A HUMP ON YOU!
display:none">Kyttyröitä
ellauri278.html on line 37: Tykkivenediplomatiaa
display:none">Kansanmurhia
ellauri279.html on line 37: Еб твою мать
display:none">Nobelismia
ellauri281.html on line 37: Pensasneuvostoliittolaisia
display:none">
ellauri282.html on line 36: LÖYHÄPÄINEN KANSA
display:none">Käärijöitä ja munamiehiä
ellauri283.html on line 37: Finneken i Piss
display:none">Vitun hölmöjä
ellauri284.html on line 37: Suursota 1914-18
display:none">Öyhöttäjiä
ellauri285.html on line 38: Paasauxia kasarista
display:none">Paasauxia
ellauri285.html on line 376: A necklace that might be display'd Kaulanauhat sevverran upeat,
ellauri286.html on line 37: Stalinin lehmä
display:none">Herutusta
ellauri288.html on line 37: Jaxuhali<3
display:none">Mitä vittua!
ellauri290.html on line 37: PEKKA ja PÄTKÄ SUEZ'illa
display:none">Eihän asia kyllä minulle kuulu
ellauri294.html on line 38: ALPARSLAN SUURI SELZHUKKI
display:none">Reittiopas
ellauri294.html on line 671: display:block;height:300px;position:relative;overflow:hidden;width:500px;>
ellauri297.html on line 33:
HOOSEA AJASSAMME
display:none">Finnin puristelua
ellauri299.html on line 33:
MUSTA TORNI
display:none">Kauhua
ellauri300.html on line 38:
Shoah business
baym Hudsondisplay:none">Lisää pyllistelyä
ellauri301.html on line 33:
KAVERI TAPETTIIN TAPETTIIN
display:none">Tappavaa
ellauri302.html on line 33:
KOST' JUMALA
display:none">Hulabaloota
ellauri308.html on line 33:
JUUTALAISTA HUUMORIA
display:none">Huumoria
ellauri309.html on line 33:
Far, Far Away
display:none">Kapitalistinen manifesti
ellauri310.html on line 25: No Picnic
display:none">Terdellä
ellauri311.html on line 25:
Tantrista
display:none">Terdellä
ellauri313.html on line 27:
Tanssivat karhut
display:none">Aika heikkoa
ellauri315.html on line 26:
Simple Reasoning
display:none">Simppeliä
ellauri316.html on line 26:
КЕМ БЫТЬ?
display:none">Kommando pimppeling
ellauri317.html on line 26:
AIVAN PARASTA ROISTOKIRJALLISUUTTA
display:none">Roistomaista
ellauri318.html on line 26:
RAHALLA SAA
JA HEVOSELLA PÄÄSEE
display:none">Konnailua
ellauri321.html on line 25:
JUAN
AMERIKASSA
display:none">Matuja
ellauri322.html on line 26:
Tom Dick and Harry Paineella
display:none">Sentimentalismia
ellauri323.html on line 27:
Zuleika Dobson
display:none">Eetuilua
ellauri324.html on line 26:
ROISTO-
VALTIO
display:none">Ryöstökapitalismia
ellauri325.html on line 26:
POLITIKA
display:none">Antikommunismia
ellauri326.html on line 25:
SALAMANTERI-
SOTA
display:none">Antiputinismia
ellauri327.html on line 26:
Koirameemejä
display:none">Reviiriajattelua
ellauri328.html on line 24:
VAD ÄR EN
DIKTATUR?
display:none">Lipilaaria
ellauri330.html on line 26:
Tietoisuuden mysteeri
display:none">Höpsismiä
ellauri331.html on line 27:
PROPAGANDASOTAA
display:none">Voluntarismia
ellauri332.html on line 27:
Jar-Jar Bling
display:none">Kinefiliaa
ellauri333.html on line 27:
Mlecch
display:none">Koprolaliaa
ellauri334.html on line 29:
Deutschland
Rohstoff Abhängigkeit
display:none">Oligodontiaa
ellauri335.html on line 27:
Cos'é la vita?
display:none">Trendejä
ellauri336.html on line 27:
Puhtaiden mielien
JA
sydänten kasvattaminen
display:none">Kimchiä
ellauri336.html on line 384: I’m an American born Muslim woman and I see many similarities of Jews with Islam as there are a lot of intersections of all three monotheistic faiths. I do not believe in covering my hair, but if one were to look at Nativity sets that are
displayed during Christmas and look at Christian nuns habits we will observe a modesty all three faiths have in common. I notice more people objecting to women that choose and I use that word loosely, to observe modesty than to object to women or men that show little in clothing modesty..it is very subjective anyway on what is considered modest. Also, it seems the people who take it upon themselves to enforce these rules are committing a greater sin of being cruel and punitive. Where is the mercy and love all religions preach?
ellauri338.html on line 27:
Strategy of Inner Conflict
display:none">Demilitarisaatiota
ellauri339.html on line 27:
Zhuk v muraveynike
display:none">Rautaesiripun takana
ellauri340.html on line 27:
PISSALIISA
display:none">Peilailua
ellauri341.html on line 27:
Uuteen Jerusalemiin
display:none">Persuilua
ellauri341.html on line 548:
![](https://media.licdn.com/dms/image/C4E03AQEPTJeIIk1KFA/profile-<span style=)
displayphoto-shrink_400_400/0/1517278612946?e=2147483647&v=beta&t=9FwCKDPirliUWsaLpKdXHv37sGEomEd3HD3SQims2nY" height="300px" />
ellauri342.html on line 26:
Neljäs Laine
display:none">Lisää matuja
ellauri343.html on line 26:
kärhämää
POHJANMAALTA
display:none">Fasilitointia
ellauri344.html on line 26:
MUROPAKETTI
display:none">Anaalisosialismia
ellauri345.html on line 31:
Valinnaisia sukulaisia
display:none">To business!
ellauri346.html on line 31:
KOHTA ON KIVAA
display:none">Kulturnoje
ellauri347.html on line 31:
VANHUSMAISTA
display:none">Geriatriaa
ellauri348.html on line 31:
TOIVOSSA
ON HYVÄ ELÄÄ
display:none">Toiveikasta
ellauri349.html on line 31:
AJATUS
TEN T
ONAVA
display:none">Positiivista
ellauri350.html on line 31:
DIGI
RUNKKAUSTA
display:none">{span style="color:white;background-color:purple"}2024{/span} Runkkua
ellauri351.html on line 30:
WIIKSI
VA✷
HA-✷A✷
MME
🖕
display:none">Vihapuhetta
ellauri352.html on line 33:
Die Geschichte vom
hölzernen Bengele
display:none">Emävaleita
ellauri353.html on line 33:
MÄYHÄ
display:none">Hätävaleita
ellauri355.html on line 33:
Ostankinon juna
display:none">Puolitotuuxia
ellauri359.html on line 33:
Kirpun henki
display:none">Ilmaisrakkautta
ellauri360.html on line 33:
Jeg elsker
GRILLET FISK
display:none">Modernismia
ellauri362.html on line 32:
Ylpeys ja ennakkoluulo
display:none">Varhaisromantiikkaa
ellauri364.html on line 34:
HERMOMME
JA ME
display:none">Neurolepsiaa
ellauri365.html on line 33:
TUULIRUUSU
display:none">Kuppasta
ellauri367.html on line 26:
VIISIKKO
VAKOILIJOIDEN NAAMIAISISSA
display:none">Vakoilua
ellauri368.html on line 26:
Täys rove kranaatteja
display:none">Sukoilua
ellauri369.html on line 27:
KUULUISIA
MIEHIÄ
display:none">Paleofiktiota
ellauri370.html on line 28:
Den evige Jøde
display:none">Syntipukkeilua
ellauri371.html on line 26:
PROTOKOLY SiONSKIXb MUDRETSOBb.
display:none">Paranoidia
ellauri372.html on line 27:
Oodi hippiäiselle
display:none">Sikasovinismia
ellauri373.html on line 27:
BATTLE OF JOLO
display:none">Feminismiä
ellauri374.html on line 26:
SEISOO UKRAINAN KANSSA
display:none">Kökkäreitä
ellauri374.html on line 134: {\
displaystyle \sum _{i\in I}\|T(e_{i})\|_{H}^{2}<+\infty.}
ellauri375.html on line 27:
MAAILMOJEN SOTA
display:none">Pökäleitä
ellauri377.html on line 31:
Lihan iloja
display:none">Hurlumheitä
ellauri378.html on line 30:
Schwerbelastungskörper
display:none">Rapukarkkeja
ellauri381.html on line 38:
Puskaryssiä
display:none">Pomilointia
ellauri382.html on line 38:
Itätyttöjä
display:none">Suunsoittoa
ellauri383.html on line 38:
Poena Cullei
display:none">Mölinää
ellauri384.html on line 38:
ÖBAUT
display:none">Hölinää
ellauri386.html on line 38:
Oman elämänsä Teppo
display:none">Teppoilua
ellauri389.html on line 38:
THE EMPEROR OF EVERYTHING
display:none">Kupla kurkussa
ellauri389.html on line 77: All this lexical play upon the word "china" that Elia performs has an imperial logic: it lets a teacup metonymize the East Asian empire. Porcelain collecting is a way of possessing the country, as porcelain purchasers such as Elia
display a piece of China earth in British domestic space, offering everyday access to another exotic world every time he indulges in a cup of proverbial British tea. Deliberately confusing his cup's porcelain glaze with "the lucid atmosphere of fine Cathay" Elia imperially assumes the painted pictures on his teacup to be a telescopic vision of China itself ("for so we must in courtesy interpret that speck of deeper blue").
ellauri389.html on line 379: As early as 1795 he published a volume of poems at Carlisle, which
display a thoughtfulness unusual at his age. In 1796 he made the acquaintance of Coleridge on the latter's visit to Birmingham to enlist subscribers to his Watchman. Fascinated with Coleridge's conversation, Lloyd "proposed even to domesticate with him, and made him such a pecuniary offer that Coleridge immediately acceded to the proposal." This was £80 a year, in return for which Coleridge was to devote 3 hours every morning to his instruction; and although the undertaking (apart from the "domestication") may not have been very strictly performed, Lloyd, much later in life, speaks with enthusiasm of the benefit he had derived from Coleridge's society.
ellauri389.html on line 411: For some time he
displayed a flurry of literary activity, publishing in 1819 a collection of his poems, under the title of Nugæ Canoræ; in 1821, Desultory Thoughts in London; Titus and Gisippus; and other Poems; and Poetical Essays on the Character of Pope; in 1822, The Duke D'Ormond, a tragedy written in 1798, together with Beritola, a metrical tale in the Italian manner; and a small volume of poems in 1823. Nothing to write home about, alackaday.
ellauri390.html on line 38:
Viimeinen mohikaani
display:none">Tappojuttuja
ellauri391.html on line 38:
Kaiken turhuudesta
display:none">Turhuutta
ellauri392.html on line 38:
Kirjallisuuden purkaamo
display:none">Kauhu kaunaista
ellauri392.html on line 40:
Arvostelua Anuxesta
display:none">Turhuutta
ellauri393.html on line 38:
ELÄMÄ JA TEOS
display:none">Kohinaa
xxx/ellauri010.html on line 20:
Mustan mantiljan salaisuus
display:none">Sensuroitua
xxx/ellauri013.html on line 20:
VIESTI KUOLEMALTA
display:none">Salatietoa
xxx/ellauri027.html on line 20:
SMURFFIT
JA TAIKAMUNA
display:none">Smurffijuttuja
xxx/ellauri044.html on line 25:
Maailman Paskin Nalle
display:none">Kevätnarsismia
xxx/ellauri056.html on line 25:
Viisikko
ja aavejuna
display:none">Tunnelimaista
xxx/ellauri057.html on line 25:
DJEVEL-FJELLET
display:none">Tuhat tulimmaista
xxx/ellauri059.html on line 26:
Natacha
display:none">Pehmopornoa
xxx/ellauri068.html on line 24:
BOЯДT SUBSEQUENT MOVIEFILM
display:none">Sekatavaraa
xxx/ellauri068.html on line 147: Tutar receives a makeover and Borat introduces her at a debutante ball. At the ball, her menstrual blood is prominently
displayed during a father and daughter dance. Oikeasti jenkkien coming of age-tansseissa isä ja tytär vaihtaa siveyssormuxet. Aika insestistä.
Discovering that Pence is nearby at CPAC, Borat disguises himself as Trump and attempts to give Tutar to him there, but is ejected by security. Nazarbayev is enraged and tells him to return to Kazakhstan for execution. Realizing that he can still give Tutar to someone close to Trump, Tutar suggests giving her to Rudy Giuliani.
xxx/ellauri075.html on line 28: Tennis on parasta huumetta
display:none">Hörhöilyä
xxx/ellauri076.html on line 28: TYPYJÄ TYPYJÄ TYPYJÄ
display:none">{span style="color:white;background-color:orange"}2021{/span} Hulvatonta
xxx/ellauri081.html on line 28: Ecstasy of St. Teresa, 1645–52
display:none">Ekstaasia
xxx/ellauri084.html on line 28: Kuuluisien diktaattorien vauvavalokuvia
display:none">Nalkutusta
xxx/ellauri085.html on line 28: CENSORED DIALOGUE
display:none">Makulatuuria
xxx/ellauri085.html on line 55: Burma-Shave was a brand of brushless shaving cream that was sold from 1925 to 1966. The company was notable for its innovative advertising campaign, which included rhymes posted all along the nation’s roadways. Typically, six signs were erected, with each of the first five containing a line of verse, and the sixth displaying the brand name.
xxx/ellauri086.html on line 28: Sydämen kuiskaus
display:none">Kuiskauxia
xxx/ellauri087.html on line 28: Ilman Pipsaa ei olisi muutakaan
display:none">Huutoja
xxx/ellauri091.html on line 28: Päiväkirjan lisälehtiä
display:none">Muistoja
xxx/ellauri103.html on line 29: We have to talk about Kevin
display:none">Toxisia penseitä
xxx/ellauri104.html on line 29: Iltaan mennessä selkenevää
display:none">Hulluttelua
xxx/ellauri113.html on line 28: Theory of Everything
display:none">Kaiken teoriaa
xxx/ellauri113.html on line 484: An opponent of biological evolution, Berlinski is a senior fellow of the Discovery Institute's Center for Science and Culture, a Seattle-based think tank that is a hub of the pseudoscientific intelligent design movement. Berlinski shares the movement's rejection of the evidence for evolution, but does not openly avow intelligent design and describes his relationship with the idea as: "warm but distant. It's the same attitude that I display in public toward my ex-wives." Berlinski is a critic of evolution, yet, "Unlike his colleagues at the Discovery Institute,...[he] refuses to theorize about the origin of life." Vitun jutku, ei niihin ole luottamista, jeesuxen murhaajiin.
xxx/ellauri114.html on line 27: Do vil inte ha pengar ?
display:none">Vittuilua
xxx/ellauri116.html on line 28: Moskaportaali
display:none">Moskaa
xxx/ellauri120.html on line 28: It was a dark and stormy night.
display:none">Lyttäystä
xxx/ellauri121.html on line 28: Lapsenkokoinen kazomuskasvatus
display:none">Hartautta
xxx/ellauri121.html on line 472: Prayerfest is a one-day festival of prayer. In an atmosphere of passionate worship, fervent praying and powerful preaching, unique expressions of the Holy Spirit are displayed that lead to an encounter with God. Over a six-week period, hundreds of people prepare themselves to meet with God at Prayerfest. God responds to the desperate cries and passionate prayers of His people on a first come-first serve basis for a holy visitation—by invading their lives with His power and glory. Here are some ways to help you prepare for this special day:
xxx/ellauri122.html on line 32: Tips
display:none">Vinkkejä
xxx/ellauri122.html on line 813: The book weaves through the phases of Pilgrim's life, displaying his and Vonnegut's heartbreaking experiences as an American prisoner of war.
xxx/ellauri122.html on line 1031: But is Barbie really that great of a role model? Was she really portraying true feminism or displaying the “right” way to look? Were these impressionable young girls learning an independent way of life or a body figure which should be modeled? If Barbie was paving the “new” way of life, then why was she so goddamn skinny? We liberated U.S. women weigh 3x more in our 10 gallon panties.
xxx/ellauri123.html on line 32: THE COCK
display:none">Löysiä kukkoja ja kanoja
xxx/ellauri124.html on line 32: To Be a Machine
display:none">Masinointia
xxx/ellauri125.html on line 32: Лолита
display:none">Gastropodiaa
xxx/ellauri126.html on line 32: Miten reagoit naapureihisi?
display:none">Urbaania
xxx/ellauri127.html on line 32: Pigita
display:none">Mansplainingia
xxx/ellauri128.html on line 29: Kootut töräyxet
display:none">FUCK!
xxx/ellauri129.html on line 28: LIFESTYLE
display:none">EAT!
xxx/ellauri130.html on line 28: Tuomiopäivän pasuunat
display:none">KILL!
xxx/ellauri134.html on line 28: Tääl on niin kuuma
display:none">Virallinen musiikkivideo
xxx/ellauri136.html on line 28: SOLD
display:none">Somepöhinää
xxx/ellauri137.html on line 32: Hentosudenkorento ja Jauhopukki
display:none">{span style="color:white;background-color:green"}2022{/span} Evoluutiopsykologiaa
xxx/ellauri137.html on line 579:
displayphoto-shrink_200_200/0/1517607456093?e=1649289600&v=beta&t=uUKZLcXC3LMe7bctyMxzV2w5-Us0969pQWSUDfSHvuc" />
xxx/ellauri138.html on line 28: Dichtung und Wahrheit
display:none">Alternatiivista totuutta
xxx/ellauri139.html on line 28: IDIOOTTI!
display:none">Idiotiaa
xxx/ellauri148.html on line 33: WORLD HOORAY DAY
display:none">Uraata
xxx/ellauri149.html on line 33: LIMAA
display:none">Limaa
xxx/ellauri154.html on line 29: Comtes droolatiques
display:none">Leikkisää
xxx/ellauri157.html on line 32: TIEDE 2022
display:none">Naturalia atque turpia
xxx/ellauri157.html on line 104: Jordaens’s large painting of The Wife of King Candaules displaying herself to Gyges is in the Nationalmuseum, in Stockholmii. In the large painting, the Queen is depicted lifesize, seen from behind, standing before a canopied bed. She is virtually naked, but for a string of pearls and a lace-trimmed cap. Just as she is about to step into her bed, she pauses and casts a backward glance, apparently addressing the viewer with a conspiratorial smile. On the far right of the picture, Gyges can be glimpsed craning his head through a gap in the curtain, with the King close behind him.
xxx/ellauri165.html on line 29: "HIS MASTER'S VOICE."
display:none">Neizeellistä
xxx/ellauri166.html on line 29: AARON SKEBA
display:none">Käärmeilyä
xxx/ellauri166.html on line 70: According to an unidentified identifying document [citation needed] at the Hagia Sophia in Istanbul, Moses's staff would supposedly be on display today at the Topkapı Palace, Istanbul, Turkey. The Topkapi Palace holds other reputedly holy relics, most notably those attributed to the Islamic prophet, Muhammad. (Such as his bow, his sword, his footprint, and even a tooth.) Topkapı Palace was officially designated a museum in 1924, and the holy relics were placed on public view on 31 August 1962. It is said that Sultan Selim I (1512–1520) brought the holy relics to Topkapi Palace after conquering Egypt in 1517.
xxx/ellauri167.html on line 33: MALA TESTA
display:none">Päänsärkyä
xxx/ellauri167.html on line 578: The violence in Chicago was all-encompassing, and longhairs weren’t the only targets of the police. Journalists with clearly displayed credentials were attacked, including, most notoriously, CBS’ Dan Rather. This laid the foundation for the cries of “liberal bias” that hound and undermine the mainstream news media to this day.
xxx/ellauri167.html on line 594: By early October of 1968, CBS received 8,670 letters about Chicago, and 60 Minutes’ Harry Reasoner reported that the mail ran 11-to-1 against the network. A viewer in Ohio wrote, “I’ve never seen such a disgusting display of one-sided reporting in all of the years I’ve watched television.” From South Carolina, a letter writer griped, “Your coverage was … slanted in favor of the hoodlums and beatniks and slurred the police trying to preserve order.” A North Carolina viewer complained that, “When a great network refers to trouble makers as THESE YOUNG PEOPLE and in such a … tender tone, that is bias.” A New Yorker even suggested that the police had engaged in righteous violence: “Our Lord whipped the money lenders out of the temple. Are you going to accuse Him of brutality?”
xxx/ellauri168.html on line 33: SYVEMPÄÄ TIETOA...
display:none">Kähmintää
xxx/ellauri169.html on line 33: KELPAAN TÄLLAISENA!
display:none">Syviä asanoita
xxx/ellauri170.html on line 33: LA COMÉDIE DE LA MORT
display:none">Tragikoomista
xxx/ellauri173.html on line 33: Papinin marmiitti
display:none">Protoplasmaa
xxx/ellauri174.html on line 33: Hadaly
display:none">Ektoplasmaa
xxx/ellauri175.html on line 33: SOWANA
display:none">Misofransiaa
xxx/ellauri176.html on line 39: Ruppari
display:none">Samaa vaan
xxx/ellauri176.html on line 69: Furthermore, Pseudo-Cooper continues that the evidence suggests that Idomeneus invented the more salacious version of the story, possibly in his desire to parody and ridicule the courtroom displays of Athenian demagogues. Considering his preference for attributing sexual excess to these demagogues, the provocative act of disrobing Phryne fits the character Hypereides had acquired in Idomeneus' work. As is not uncommon in the biographical tradition, later biographers failed to notice that earlier biographers did not give an accurate representation of events. The later biographer Hermippus incorporated the account of Idomeneus in his own biography. An extract from Hermippus' biography is preserved in the work of Athenaeus and Pseudo-Plutarch.
xxx/ellauri177.html on line 33: PAPPI ASTUU PASKAAN
display:none">Katollista
xxx/ellauri178.html on line 33: Intohimon Professori
display:none">Himokasta
xxx/ellauri178.html on line 102: Fauntleroy: One who strongly exhibits the tendencies of a blantant homosexual, or actually is a homosexual. Oftentimes used to describe purportedly straight men, during a display of Homosexuality. Named after Little Lord Fauntleroy, a book by Frances Hodgson Burnett in 1885 that resulted in openly gay fashion trends.
xxx/ellauri179.html on line 33: Ford Fiesta
display:none">Homokasta
xxx/ellauri186.html on line 31: JOSÉ DE SOUSA
display:none">Sotarikollista
xxx/ellauri187.html on line 32: CHINS UP
display:none">Panettelua
xxx/ellauri193.html on line 31: MIN
GALNA
HAGE
display:none">Smuts
xxx/ellauri193.html on line 417:
display.jpg" />
xxx/ellauri195.html on line 32: Vitun vitun vittu
display:none">Kyrkästystä
xxx/ellauri199.html on line 32: Hello Poetry
display:none">Poetiikkaa
xxx/ellauri199.html on line 907: Contemporary odes to Neptune were harder to come by, but divine intervention ensured I found one that mentioned him by name. One of the highlights of my recent trip to Odesa, discussed here on the blog, was a visit to the literary museum, which houses a small collection of Anna Akhmatova’s work. The statuesque Russian poet, melancholic lover and resolute witness to the Stalinist and Putinist terrors, was born near Odesa and spent her childhood summers in the region. The display included a palm-sized booklet of the long poem ‘Close to the Sea’, or as my host translated, ‘very close’: an intimate relationship. I looked it up in The Complete Poems when I got home and assumed it must be ‘By the Edge of the Sea’. The ballad of a fierce young woman willing the arrival of her beloved from the waves, the poem was too long for the workshop and extracts would not do it justice. A shame, I thought, setting down the 950 page book, which promptly fell open to:
xxx/ellauri200.html on line 32: I am levitating now
display:none">Rodullistusta
xxx/ellauri200.html on line 75: When seated in the Lotus Position, a character may levitate to demonstrate that he or she is meditating particularly profoundly. The Levitating Lotus Position is also used to show that a character is displaying his or her Psychic Powers/Enlightenment Superpowers, intensely concentrating, healing, or is just especially calm.
xxx/ellauri201.html on line 32: Meninas do pinup
display:none">Kovaxikeitettyä
xxx/ellauri202.html on line 31: Hiljaa virtaa jaaritus
display:none">Jaaritusta
xxx/ellauri208.html on line 34: Middag-kuja
display:none">Tyyylsäää
xxx/ellauri209.html on line 33: On the Wallaby Track
display:none">Tumpelointia
xxx/ellauri212.html on line 34: AMOR ME DIO LA DESPEDIDA
display:none">Sexiä
xxx/ellauri212.html on line 413: The painter — whose real name was Balthasar Klossowski de Rola and who died in 2001 — has been a controversial figure in the art world for decades. Many of his paintings show highly sexualized depictions of young girls. His 1934 work "The Guitar Lesson" was one of his first to scandalize his peers. When it was displayed along with "Thérèse Dreaming" and other Balthus paintings at a special exhibit in the Met in 2013, a plaque warned readers that the paintings were disturbing in nature.
xxx/ellauri215.html on line 34: TROLLET PÅ KARL JOHAN
display:none">Trollausta
xxx/ellauri218.html on line 35: KUOLEMAN KUNNARI
display:none">Kauhua
xxx/ellauri224.html on line 38: KUOLEMA JAUHONAAMOILLE
display:none">Röhönaurua
xxx/ellauri225.html on line 33: 2x haarautuva halko
display:none">Sapfekasta
xxx/ellauri225.html on line 257: Le Guin refused a Nebula Award for her story "The Diary of the Rose" in 1977, in protest at the Science Fiction Writers of America's revocation of Stanisław Lem's membership. Le Guin attributed the revocation to Lem's criticism of American science fiction and willingness to live in the Eastern Bloc, and said she felt reluctant to receive an award "for a story about political intolerance from a group that had just displayed political intolerance".
xxx/ellauri227.html on line 33: IS PRINSESSA
display:none">Jäätävää
xxx/ellauri228.html on line 33: HEI BEIBI,
MÄ OON
TULLA!
display:none">Koomista sexiä
xxx/ellauri228.html on line 39: "I shall now put a few final questions to the honorable delegation from Rhohchia! Is it not true that many years ago there landed on the then dead planet of Earth a ship carrying your flag, and that, due to a refrigerator malfunction, a portion of its perishables had gone bad? Is it not true that on this ship there were two spacehands, afterwards stricken from all the registers for unconscionable double-dealing with duckweed liverwurst, and that this pair of arrant knaves, these Milky-Way ne'er-do wells, were named Lorrd and God? Is it not true that Lorrd and God decided, in their drunkenness, not to content themselves with the usual pollution of a defenseless, uninhabited planet, that their notion was to set off, in a manner vicious and vile, a biological evolution the likes of which the world had never seen before? Is it not true that both these Rhohches, with malice aforethought, malice of the greatest volume and intensity, de vised a way to make of Earth-on a truly galactic scale-a breed ing ground for freaks, a cosmic side show, a panopticum, an exhibit of grisly prodigies and curios, a display whose living specimens would one day become the butt of jokes told even in the outermost Nebulae?!
xxx/ellauri228.html on line 600: Singer/guitarist Donita Sparks of L7 removing her jeans and underwear during a performance, her full-frontal nudity (twat) displayed when she drops her guitar being briefly broadcast.
xxx/ellauri229.html on line 33: 6-SEAT CHRONOBUS
display:none">Retroa
xxx/ellauri229.html on line 541: This baroque had its apologists and theoreticians, who maintained that the body existed for the purpose of deriving the greatest amount of pleasure from the greatest number of sites simultaneously. Merg Brb, its leading exponent, argued that Nature had situated - and stingily at that - centers of pleasurable sensation in the body for the purpose of survival only; therefore no enjoyable experience was, by her decree, autonomous, but always served some end: the supplying of the organism with fluids, for example, or with carbohydrates or proteins, or the guaranteeing - through offspring - of the continuation of the species, etc. From this imposed pragmatism it was necessary to break away, totally; the passivity displayed up till now in bodily design was due to a lack of imagination and perspective. Epicurean or erotic delight? - all a paltry by-product in the satisfying of instinctive needs, in other words the tyranny of Nature. It wasn´t enough to liberate sex - proof of that was sex had little future in it, from the combinatorial as well as from the constructional standpoint; whatever there was to think up in that department, had long ago been done, and the point of automorphic freedom didn´t lie in simple-mindedly enlarging this or that, producing inflated imitations of the same old thing. No, we had to come up with completely new organs and mem bers, whose sole function would be to make their possessor feel good, feel great, feel better all the time.
xxx/ellauri230.html on line 33: MUISTINVARAISESTI NIPPONISTA
display:none">Japonais-täytettä
xxx/ellauri230.html on line 551: Known as the "Iron Man of India", Vallabhbhai Patel was born in Gujarat. He was the fourth of the six children of his father, Jhaveribhai. The first 3 got gold, silver and bronze. Patel is credited for being almost single-handedly responsible for unifying India on the eve of independence. He completed his matriculation at the age of 22 due to the poor financial condition of family. Patel had a desire to study to become a lawyer. So he started to work and save funds. He went to England to study law. He passed examinations within two years and travelled back to India. Patel started practicing as a barrister in Ahmadabad. In 1917, Patel got elected as the sanitation commissioner of Ahmadabad. He displayed extraordinary devotion to duty and personal courage in fighting an outbreak of plague and led a successful agitation for the removal of an unpopular British municipal commissioner. Inspired by the words of Gandhi, Patel started active participation in the Indian independence movement. So apparently he's not the world's largest guy in bronze, but a man of steel.
xxx/ellauri231.html on line 33: Töhnä-kerhon jälkeenjääneet paperit
display:none">Sotahistoriaa
xxx/ellauri232.html on line 33: Feminism underifrån
display:none">Oivalluxia ja niteitä
xxx/ellauri232.html on line 94: Meanwhile, optimistic neoliberal positions wonder how could this happen, if the world is richer than ever, and more and more people have been dragged from poverty. That statistics is no longer even true, and largely overlooks that the poorest classes in developed countries have seen none of this improvement, and that redistribution mechanisms in these countries have been severely diminished by decades of neoliberal policies. The picture below displays the real income growth of the world population, and where it has (roughly) ended up.
xxx/ellauri233.html on line 33: Våga drömma
display:none">Limaista
xxx/ellauri233.html on line 165: Besides working for the civic betterment of local Jews and educational reform, he displayed keen interest in Wissenschaftskäse. But Frankel was always cautious and deeply reverent towards tradition, privately writing in 1836 that "the means must be applied with such care and discretion... that forward progress will be reached unnoticed, and seem inconsequential to the average spectator."
xxx/ellauri233.html on line 410: Shneur Zalman of Liadi (Hebrew: שניאור זלמן מליאדי, September 4, 1745 – December 15, 1812 O.S. / 18 Elul 5505 – 24 Tevet 5573), was an influential Lithuanian Jewish rabbi and the founder and first Rebbe of Chabad, a branch of Hasidic Judaism, then based in Liadi in Grand Duchy of Lithuania and later in the Grodno Governorate of the Russian Empire. He was the author of many works, and is best known for Shulchan Aruch HaRav, Tanya, and his Siddur Torah Or compiled according to the Nusach Ari. Zalman is a Yiddish variant of Solomon and Shneur (or Shne'or) is a Yiddish composite of the two Hebrew words "shnei ohr" (שני אור "two ears"). Shneur Zalman was a prominent (and the youngest) disciple of Dov Ber of Mezeritch, the "Great Maggid", who was in turn the successor of the founder of Hasidic Judaism, Yisrael ben Eliezer, known as the Baal Shem Tov. He too displayed extraordinary talent while still a child. By the time he was eight years old, he wrote an all-inclusive commentary on the Torah based on the works of Rashi, Nahmanides and Abraham ibn Ezra.
xxx/ellauri234.html on line 33: TÖRNI KÄRJESSÄ
display:none">Maanpuolustushenkeä
xxx/ellauri235.html on line 33: Kävin kirjastossa
Suklaaosastossa
display:none">Seiloriaiheista
xxx/ellauri237.html on line 33: THIS SUCKS
display:none">Ylimakeaa
xxx/ellauri239.html on line 34: Kummastuxen avonainen ovi
display:none">Sanoinkuvaamatonta
xxx/ellauri250.html on line 40: Suku on pahin
display:none">Sukuvihaa
xxx/ellauri250.html on line 306: Debby: Let them collapse and go to hell. They cry to everyone that they are a victim when they continually shoot themselves in the foot. It’s a pathetic disgusting and completely nauseating display. I had sympathy for the devil once, I also sold my soul to the devil, and I put my feet in his fire. I will burn no more.
xxx/ellauri251.html on line 39: Gjenganger
display:none">Algolagniaa
xxx/ellauri252.html on line 39: Mondo Cane
display:none">Juopporemmejä
xxx/ellauri253.html on line 39: KREMLIN
NYRKISTÄ
display:none">{span style="color:white;background-color:red"}2023{/span} Antisosiaalista
xxx/ellauri255.html on line 39: Vienanlahdelta Laatokkaan
display:none">Russofobiaa
xxx/ellauri259.html on line 39: Vapauden ongelma
display:none">Poetic licenses
xxx/ellauri261.html on line 39: HYMINÄÄ
display:none">Ankaraa ilostelua
xxx/ellauri265.html on line 40: PUHUKAA BANAANIIN
display:none">Kompsastuskiviä
xxx/ellauri268.html on line 38: Kuinka valloittaa veitikka
display:none">Paritusta
xxx/ellauri273.html on line 38: Veripalttua
Guate
malassa
display:none">Oikeistoketkuja
xxx/ellauri280.html on line 37: Joka kynsi halkesi
display:none">Kädetystä
xxx/ellauri281.html on line 37: Påskägg
display:none">Pääsiäismunia
xxx/ellauri281.html on line 732: Navalny’s idea is that Putin is the single mastermind of Russian rule and that he dictates to the oligarchs the tribute they should pay–in treasure for him to accumulate and display for himself, his friends and girlfriends in private. This is an Anglo-American cartoon about how oligarchy works everywhere, including the UK and the U.S.–in Russia in particular.
xxx/ellauri286.html on line 37: Stalinin lehmä
display:none">Herutusta
xxx/ellauri287.html on line 37: PAAVALIN RENKAANJÄLJISSÄ
display:none">Mitä ihmettä?
xxx/ellauri289.html on line 37: MASULAN PERITA
display:none">Ihmiskauppaa
xxx/ellauri291.html on line 37:
STAR TREK
display:none">Tähtireellä
xxx/ellauri292.html on line 37: FOTO OLIS KIVA YLLÄRI
display:none">Kirjeenvaihtoa
xxx/ellauri293.html on line 36: ElvenaR
display:none">Eläinfantasioita
xxx/ellauri295.html on line 38: Tintagel
display:none">Tingeltangelia
xxx/ellauri296.html on line 38: ESINAHKAKUKKULA
display:none">Siionismia
xxx/ellauri298.html on line 38: SYYLÄMUNATESTI
display:none">Hullutusta
xxx/ellauri303.html on line 37: JEHOVAN IHMISSUHDE
display:none">Harrasta pyllistelyä
xxx/ellauri304.html on line 37: Tyhmyyden Ylistys
display:none">Hävyttömän typerää
xxx/ellauri304.html on line 596: Status objects. An essay by Tom Wolfe (Bonfire of the Vanities) put this in my head some years ago. A certain kind of person wants to wear shirts that have little alligators on them and another totally different type of person perhaps wants to have a statue of a black jockey on his lawn…or a pink flamingo. My late loving mother, a paragon of taste, once moved into our guest house and put painted plywood cutouts of the backviews of two people, bending over as if planting something in the yard. Naturally, butt cracks were visible because they were the whole point of this architectural and horticultural display. Since my house then was a mansion and a national historic site, I suggested that my mother take her plywood cutouts off the front lawn and put them in her backyard where nobody could see her butt. (I am a long time out of Alabama.)
xxx/ellauri305.html on line 38: Американская трагедия
display:none">Sonninsontaa
xxx/ellauri306.html on line 39: Ilkeyden ylistys
display:none">Pelkkää törkyä
xxx/ellauri307.html on line 39: PRINSSINNAKKEJA
display:none">Lisää törkyä
xxx/ellauri312.html on line 25: Syntymästä lautaselle
display:none">Nurinkurista
xxx/ellauri314.html on line 26: Känslor i kroppen
display:none">Tunnehälyä
xxx/ellauri319.html on line 34: Omituisten Otusten Kerho
display:none">Omituisia otuxia
xxx/ellauri320.html on line 25: Ole Oma Paras Ystäväsi
display:none">Omahoitoa
xxx/ellauri329.html on line 26: Natasha
Mail order bride...
display:none">Housut pois hoitoa
xxx/ellauri337.html on line 38: Gruppenbild mit Damen
display:none">Antifaa
xxx/ellauri354.html on line 35: Memoria de
mis cojones tristes
display:none">Valkoisia valeita
xxx/ellauri356.html on line 35: Tule käteeni
display:none">Päänavauxia
xxx/ellauri357.html on line 35: AVAUTUA SOLMUUN
display:none">Päänauontaa
xxx/ellauri358.html on line 36: HALOT
display:none">Peukutusta
xxx/ellauri361.html on line 35: Ylösnousemus
display:none">Profetioita
xxx/ellauri363.html on line 33: ROTU JA ENNAKKOLUULO
display:none">Xenofobiaa
xxx/ellauri366.html on line 33: HERRA HUU
display:none">Pedofiliaa
xxx/ellauri376.html on line 30: JAG, OLLE OCH PENSÉ
display:none">Muistolaattoja
xxx/ellauri379.html on line 32: Pepun hajua
display:none">Peppurointia
xxx/ellauri380.html on line 30: JALLU
display:none">Pyllyröintiä
xxx/ellauri385.html on line 41: Mötley Crüe
display:none">Törkyä
xxx/ellauri387.html on line 42: Vägen till Moskau
display:none">Sotaintoa
xxx/ellauri388.html on line 38: Puhdas ihannes
display:none">Tumputusta
xxx/ellauri394.html on line 42: ALOHA OE
display:none">Sutinaa
xxx/ellauri394.html on line 262: Captain Julius A. Palmer Jr. of Massachusetts was her friend for three decades, and became her spokesperson when she was in residence at Boston and Washington, D.C., protesting the annexation of Hawaiʻi. In the nation´s capital, he estimated that she had 5,000 visitors. When asked by an interviewer, "What are her most distinctive personal graces?", Palmer replied, "Above everything else she displayed a disposition of the most Christian forgiveness." In covering her death and funeral, the mainstream newspapers in Hawaii that had supported the overthrow and annexation had to give it to her that she had been held in great esteem around the world. In March 2016, Hawaiʻi Magazine listed Liliʻuokalani as one of the most influential women in Hawaiian history. She sounds like a pretty good woman all things considered.
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