ellauri001.html on line 23:

Melskeitten miehen muistelmat

display:none">{span style="color:white;background-color:gold"}2019{/span} Lapsuus


ellauri001.html on line 125:
display:flex;flex-direction:row;">
ellauri001.html on line 459:
display:flex;flex-direction:row;">
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display:flex;flex-direction:row;">
ellauri001.html on line 2428:
display:flex;flex-direction:row;">
ellauri002.html on line 24:

KAUNOKAINEN JA KUOLEMA

display:none">Nuoruus


ellauri002.html on line 155:
display:flex;flex-direction:row;">
ellauri002.html on line 1516:
display:flex;flex-direction:row;">
ellauri003.html on line 22:

MAZETAN 3 KULTARAHAA

display:none">Aikuisuus


ellauri004.html on line 20:

LEUKAVASTI LAUKAISTUA

display:none">Dantea


ellauri005.html on line 21:

TYTTÖ JA JÄLKIRUOKA

display:none">Miltonia


ellauri006.html on line 20:

GANGSTERIKUNINGAS

display:none">Psalttaria


ellauri007.html on line 20:

KAPINAKENRAALIN TIMANTIT

display:none">Lyriikkaa


ellauri008.html on line 21:

KARAVAANI KULKEE

display:none">Haukuntaa


ellauri008.html on line 825:
display:flex;flex-direction:row;">
ellauri008.html on line 884:
display:flex;flex-direction:row;">
ellauri009.html on line 20:

LÄNNEN LAKI

display:none">Moraalia


ellauri011.html on line 20:

VERTA JA KULTAA

display:none">Mystikkaa


ellauri012.html on line 20:

EI NAISELTA KUNNIASANAA

display:none">Miesasiaa


ellauri014.html on line 19:

ANDALUSIAN SINISUKKA

display:none">Rousseauta


ellauri014.html on line 142:
display:flex;flex-direction:row;">
ellauri015.html on line 22:

KONNAT KUKKIVAT HIRSIPUUSSA

display:none">Estetiikkaa


ellauri016.html on line 21:

LLEGAN LOS COJONES

display:none">Keljuilua


ellauri016.html on line 34:
display:flex;flex-direction:row;">
ellauri016.html on line 568: Read on for a list of 14 of the biggest snobs in the business. These entertainers have long ago lost touch with the average John or Jane Doe and beyond that, have displayed rotten attitudes, selfishness, conceit, and a level of arrogance that almost has to be seen to be believed.
ellauri017.html on line 21:

Pellon sulttaani

display:none">Paasausta


ellauri018.html on line 20:

Varokaa heikkoja päitä

display:none">Semantiikkaa


ellauri018.html on line 748:
display:flex;flex-direction:row;">
ellauri019.html on line 20:

HITON HIENO SAVOTTA

display:none">Sanasotaa


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Min favoritdag

display:none">{span style="color:white;background-color:blue"}2020{/span} Saippuaa


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CARLSON PUUTTUU PELIIN

display:none">Epigrammeja


ellauri022.html on line 18:

Pikku naisia

display:none">Naisasiaa


ellauri023.html on line 19:

OLLIN
kurjuus

display:none">Kertomuxia


ellauri024.html on line 18:

MISTÄ VOI LÖYTÄÄ VASTAUXIA?

display:none">Vastauxia


ellauri025.html on line 19:

16 sivua POLLEA!

display:none">Novelleja


ellauri026.html on line 19:

PUNAVYÖN VANHAT YSTÄVÄT

display:none">Hyötykirjoja


ellauri028.html on line 24:

Nuoruuteni vuosina

display:none">Nostalgiaa


ellauri029.html on line 18:

ÖÖ MITÄ TARKOITAT

display:none">Huuhaata


ellauri029.html on line 672:
display:block">
ellauri030.html on line 18:

NOT SURE IF HOMELESS

display:none">Vanhuudesta


ellauri031.html on line 17:

En yrhätta

display:none">Yrsel


ellauri032.html on line 19:

Supikoira

display:none">Hajuviestejä


ellauri033.html on line 18:

VIVE LA DISCIPLINE

display:none">Ilkikuria


ellauri034.html on line 25:

kukin kuolee izexeen

display:none">Yxinpuhelua


ellauri035.html on line 19:

Kaunapahkasika

display:none">Exotiikkaa


ellauri036.html on line 18:

TÄNÄÄN EI MIKÄÄN VOI MENNÄ PIELEEN

display:none">Mussutusta


ellauri037.html on line 18:

Klassiker fyller sjuttio

display:none">Memorabilia


ellauri038.html on line 18:

The Walrus and the Carpenter

display:none">Yli-inhimillistä


ellauri039.html on line 18:

𝔐𝔞𝔵 𝔲𝔫𝔡 𝔐𝔬𝔯𝔦𝔱𝔷

display:none">Käytännön piloja


ellauri040.html on line 20:

Schwarze Parze

display:none">McGarmiwaa


ellauri041.html on line 26:

NORSU LUKEE

display:none">Vaikealukuista


ellauri042.html on line 23:

MUINAISAJAN ELÄIMIÄ

display:none">Luonnonnoppia


ellauri043.html on line 19:

ANTTONI PYP PIPO

display:none">Kielilläpuhumista


ellauri045.html on line 25:

VEIKKO KANKKONEN

display:none">Urheilulegendaa


ellauri046.html on line 23:

REIKÄRAUTA RENE

display:none">Ruudinkatkuista


ellauri046.html on line 804: Arcadia displays but a region of dreams;
ellauri047.html on line 18:

GOETHE 50+25

display:none">Jöötinvääntöä


ellauri048.html on line 19:

OPETTELE LUKEMAAN

display:none">Laulurunoutta


ellauri049.html on line 19:

DISTANT HILLS

display:none">Valitusvirsiä


ellauri050.html on line 22:

FROZEN YOGHURT

display:none">Jäähyväiset aseelle


ellauri051.html on line 25:

BOOM

display:none">Politiikkaa


ellauri052.html on line 24:

SINUN VUOTESI 1952

display:none">Tyyylsäää


ellauri053.html on line 24:

2 kanaa

display:none">Jyviä ja akanoita


ellauri053.html on line 1155:

His earliest volume of verse was published in 1889, and its slow-paced and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley, and the poets of the Pre-Raphaelite Brotherhood.


ellauri054.html on line 24:

FiX und FOXi

display:none">Einfach Klasse


ellauri054.html on line 101: The exhibits of this small museum consist mainly of text and information-panels. I found it informative but it also was similar to reading a informative-book displayed on the museum walls. I missed some artwork or historical objects.
ellauri054.html on line 483: After the séance, Browning wrote an angry letter to The Times, in which he said: "the whole display of hands, spirit utterances etc., was a cheat and imposture." In 1902 Browning's son Pen wrote: "Home was detected in a vulgar fraud." Elizabeth, however, was convinced that the phenomena she witnessed were genuine, and her discussions about Home with her husband were a constant source of disagreement.
ellauri055.html on line 23:

HMHKI

display:none">Ekofasismia


ellauri058.html on line 26:

RAUHAA

display:none">Setämiehissä


ellauri060.html on line 25:

Aku näkee punaista

display:none">Punapyllypaviaaneja


ellauri061.html on line 24:

MYRSKY JA MYLVÄYS

display:none">Myrkyllistä


ellauri062.html on line 24:

VALKOINEN
MEZÄSTÄJÄ

display:none">Puunhalausta


ellauri063.html on line 24:

ELÄINTEN VALLANKUMOUS

display:none">Syväpolitiikkaa


ellauri063.html on line 432: Infinite Jest is a postmodern encyclopedic novel, famous for its length and detail and for its digressions that involve endnotes (some of which themselves have footnotes). It has also been called metamodernist and hysterical realist. Wallace's "encyclopedic display of knowledge" incorporates media theory, linguistics, film studies, sport, addiction, science, and issues of national identity. The book is often humorous yet explores melancholy deeply.
ellauri064.html on line 24:

Liskohumanoideja

display:none">Salaliittoteoriaa


ellauri064.html on line 289: Kaczynski was captured in April of 1996 and according to the FBI, the cabin was key piece of evidence. It housed 40-thousand handwritten journal pages, a live bomb, bomb-making components and descriptions of Kaczynski´s crimes. Since it will no longer be on display in the nation´s capital after the Newsuem closes, the Montana Historical Society director Bruce Whittenberg is trying to see if the piece could make its way back to the Treasure State.
ellauri065.html on line 24:

Jaltan konferenssi

display:none">Sotahistoriaa


ellauri066.html on line 24:

Näkemiin Anus

display:none">Elämää ja teoxia


ellauri066.html on line 494: Schadenfreude is a complex emotion where, rather than feeling sympathy, one takes pleasure from watching someone's misfortune. This emotion is displayed more in children than adults. However, adults also experience schadenfreude, although generally they conceal it. [original research?]
ellauri067.html on line 24:

Ihana uutuus

display:none">Antiikkia & designiä


ellauri069.html on line 24:

Fountain

display:none">Lähdekritiikkiä


ellauri070.html on line 24:

Demokratian painajainen

display:none">Jyrähtelyä


ellauri070.html on line 458: Carl Denham is a fictional character in the films King Kong and The Son of Kong (both released in 1933). Denham's function in the story is to initiate the action by bringing the characters to Skull Island, where they encounter the giant beast Kong. Denham then brings Kong to New York City to put him on display as entertainment, but he escapes and rampages through the city.
ellauri071.html on line 24:

Western RANGERS

display:none">Länsiviihdettä


ellauri071.html on line 245: Kvaternionit ovat kompleksilukujen nelikomponenttinen laajennus, jossa yhden imaginääriakselin display: none;">displaystyle i}">
ellauri071.html on line 248: displaystyle="true">
ellauri071.html on line 252: {\displaystyle i}
ellauri071.html on line 254: sijaan on käytössä kolme ei-reaalista akselia display: none;">displaystyle i}">
ellauri071.html on line 257: displaystyle="true">
ellauri071.html on line 261: {\displaystyle i}
ellauri071.html on line 263: display: none;">displaystyle j}">
ellauri071.html on line 266: displaystyle="true">
ellauri071.html on line 270: {\displaystyle j}
ellauri071.html on line 272: ja display: none;">displaystyle k}">
ellauri071.html on line 275: displaystyle="true">
ellauri071.html on line 279: {\displaystyle k}
ellauri071.html on line 281: . Kvaternionit voidaan myös ymmärtää reaaliluvun ja kolmiulotteisen vektorin yhdistelmäksi. Kvaternio on muotoa display: none;">displaystyle t+xi+yj+zk}">
ellauri071.html on line 284: displaystyle="true">
ellauri071.html on line 297: {\displaystyle t+xi+yj+zk}
ellauri071.html on line 299: displaystyle t+xi+yj+zk}">, jossa display: none;">displaystyle t}">
ellauri071.html on line 302: displaystyle="true">
ellauri071.html on line 306: {\displaystyle t}
ellauri071.html on line 308: , display: none;">displaystyle x}">
ellauri071.html on line 311: displaystyle="true">
ellauri071.html on line 315: {\displaystyle x}
ellauri071.html on line 317: , display: none;">displaystyle y}">
ellauri071.html on line 320: displaystyle="true">
ellauri071.html on line 324: {\displaystyle y}
ellauri071.html on line 326: ja display: none;">displaystyle z}">
ellauri071.html on line 329: displaystyle="true">
ellauri071.html on line 333: {\displaystyle z}
ellauri071.html on line 335: ovat reaalilukuja ja display: none;">displaystyle i}">
ellauri071.html on line 338: displaystyle="true">
ellauri071.html on line 342: {\displaystyle i}
ellauri071.html on line 344: , display: none;">displaystyle j}">
ellauri071.html on line 347: displaystyle="true">
ellauri071.html on line 351: {\displaystyle j}
ellauri071.html on line 353: ja display: none;">displaystyle k}">
ellauri071.html on line 356: displaystyle="true">
ellauri071.html on line 360: {\displaystyle k}
ellauri071.html on line 364:
display: none;">displaystyle i^{2}=j^{2}=k^{2}=ijk=-1\,}">
ellauri071.html on line 367: displaystyle="true">
ellauri071.html on line 398: {\displaystyle i^{2}=j^{2}=k^{2}=ijk=-1\,}
ellauri071.html on line 400: displaystyle i^{2}=j^{2}=k^{2}=ijk=-1\,}">
ellauri072.html on line 34:

Vastenmielisten miesten lyhyitä haastatteluja

display:none">Valivalia


ellauri073.html on line 27:

Emmä tiedä, hähähä!

display:none">Vulgääriä


ellauri074.html on line 29:

DON'T WORRY!

display:none">Vetolaastareita


ellauri077.html on line 28:

Telemakhrian yritelmä

display:none">Rappinkia


ellauri078.html on line 28:

Ad Nauseam

display:none">Jaxaajaxaa


ellauri078.html on line 44: The infinity symbol ( ∞ {\displaystyle \infty } \infty , ∞, or in unicode ∞) is a mathematical symbol representing the concept of infinity. In algebraic geometry, the figure is called a lemniscate.
ellauri079.html on line 28:

American HILLBILLIES

display:none">Läppäkeppejä


ellauri080.html on line 28:

Luonteenvikoja

display:none">Psykopatiaa


ellauri080.html on line 312: Longitudinal studies also suggest that these big five personality traits tend to be relatively stable over the course of adulthood. One study of working-age adults found that personality tended to be stable over a four-year period and displayed little change as a result of adverse life events.
ellauri080.html on line 325: These dimensions represent broad areas of personality. Research has demonstrated that these groupings of characteristics tend to occur together in many people. For example, individuals who are sociable tend to be talkative. However, these traits do not always occur together. Personality is complex and varied and each person may display behaviors across several of these dimensions.
ellauri082.html on line 28:

FLOW IN A BLOW

display:none">Juonipaljastuxia


ellauri082.html on line 143: It’s too late because someone got there first and took the anti-Entertainment cartridge (126) embedded in JOI’s head (31). Whoever took it is presumably the person who’s made and mailed the extant copies. It couldn’t be the A.F.R. or O.U.S. or they wouldn’t still be searching for it. It probably wasn’t the F.L.Q. because they didn’t know how to read master cartridges—they just thought they were blank tapes in their displays were blank. (483n205) It couldn’t be Avril acting alone; she has problems but she’s not that kind of cold-blooded killer. It had to have been Orin.1
ellauri083.html on line 28:

HYVÄÄ PUUTA

display:none">Puutaheinää


ellauri083.html on line 336: For all their profusion, these paled in comparison with Sachs's newest display pieces: The Cabinet, 2014, and The Rockeths, 2017. The former was a folding case fashioned from orange-and-white striped barricades and festooned with hundreds of tools, hung in groups and inscribed with the names of individuals who have "inspired, influenced, or frightened" the artist--from Le Corbusier and Louis Kahn to the members of the Wu-Tang Clan--while the latter was less a cabinet than a kind of portable workbench and shelving unit, similarly jam-packed with the tools of the artist's trade, as well as a collection of model rockets, all again labeled to namecheck various figures of personal importance--scientists, musicians, artists; Apollo, Dionysus, Stringer Bell. The fetishistic frisson the assembled materials (pens, pliers, drill bits, tape measures) clearly provoke in Sachs was made even more explicit in McMasterbation, 2016, one of a trio of scale-model space modules arrayed on plinths. Featuring a copy of the legendarily comprehensive McMaster-Carr hardware catalogue spread open like a porn mag centerfold designed for lonely gearheads--alongside a ready supply of Vaseline and a handy tissue dispenser--it was part cathectic confession of objectophilia and part self-derogating indictment of his own work's tendencies toward sometimes masturbatory excess. Smart and stupid, funny and somehow a bit sad, it was classic Sachs: too much information, in every sense of the phrase.
ellauri088.html on line 27:

HUMAN

display:none">Pyllykielitiedettä


ellauri089.html on line 28:

Illegal Aliens

display:none">Ufoa


ellauri090.html on line 28:

A Panelinha

display:none">Brassailua


ellauri092.html on line 34:

Badman and Robin

display:none">Näkyjä


ellauri093.html on line 28:

Yours Faithfully is Christ

display:none">Haahkanuntuvia


ellauri094.html on line 28:

Saukki ja siipioravat

display:none">Papanoita


ellauri094.html on line 227: A 2017 exhibition in Jerusalem displayed over 100 cuneiform tablets detailing trade in fruits and other commodities, taxes, debts, and credits accumulated between Jews driven from, or convinced to move from Jerusalem by King Nebuchadnezzar around 600 BCE. The tablets included details on one exiled Judean family over four generations, all with Hebrew names.
ellauri095.html on line 27:

Go fly a Kestrel

display:none">Leijailua


ellauri095.html on line 246: In 1874 Hopkins returned to Manresa House to teach classics. While studying in the Jesuit house of theological studies, St Beuno´s College, near St Asap in North Wales, he was asked by his religious superior to write a poem to commemorate the foundering of a German ship in a storm. So in 1875 he took up poetry once more to write a lengthy piece, "The Wreck of the Deutschland", inspired by the Deutschland incident, a maritime disaster in which 157 people died, including five Franciscan nuns who had been leaving Germany due to harsh anti-Catholic laws (see Kulturkampf). The work displays both the religious concerns and some of the unusual metre and rhythms of his subsequent poetry not present in his few remaining early works. It not only depicts the dramatic events and heroic deeds, but tells of him reconciling the terrible events with God´s higher purpose. The poem was accepted but not printed by a Jesuit publication. This rejection fed his ambivalence about his poetry, most of which remained unpublished until after his death.
ellauri096.html on line 28:

Tallitylleröt

display:none">Heppaharrastusta


ellauri097.html on line 34:

Schopenholic und Schwester

display:none">Tipukirjallisuutta


ellauri097.html on line 103: Such turns of phrase evoked the erudite cynicism and rapier sharpness of language displayed by Ambrose Bierce in his darkly-satiric The Devil's Dictionary. A noted curmudgeon, democratic in subjects attacked, Mencken savaged politics, hypocrisy, and social convention. A master of English, he was given to bombast and once disdained the lowly hot dog bun's descent into "the soggy rolls prevailing today, of ground acorns, plaster of Paris, flecks of bath sponge and atmospheric air all compact."
ellauri097.html on line 139: The Jews could be put down very plausibly as the most unpleasant race ever heard of. As commonly encountered, they lack many of the qualities that mark the civilized man: courage, dignity, incorruptibility, ease, confidence. They have vanity without pride, voluptuousness without taste, and learning without wisdom. Their fortitude, such as it is, is wasted upon puerile objects, and their charity is mainly a form of display.
ellauri098.html on line 29:

GOOGLE: THERE ARE 129,864,880 BOOKS
IN THE ENTIRE WORLD

display:none">Kirja-arvostelua


ellauri099.html on line 27:

The Figure of Dorian Gray

display:none">Toteemipaalu


ellauri100.html on line 28:

Wincent was not mad, he had problems

display:none">Sekoilua


ellauri100.html on line 551: The graph below displays results for individuals who took the longer version of the survey before April 19, 2012. Everyone will have a score, but this graph is only valid for those who took the survey before April 19, 2012. Ignore the purple bar since it will incorporate averages from the short and long version of the survey.
ellauri101.html on line 29:

WHO IS YOUR INNER HERO?

display:none">Sankareita sukkahousuissa


ellauri102.html on line 29:

NO LOGO

display:none">Nimettömiä vihapuheita


ellauri105.html on line 29:

Vie paska painoon

display:none">Kökköä


ellauri106.html on line 28:

Elämäni setämiehenä

display:none">Törkyä


ellauri107.html on line 28:

Herttaisia muistoja

display:none">Herttaista


ellauri107.html on line 518: He snatched from the back of his geometry half a hundred advertisements of those home-study courses which the energy and foresight of American commerce have contributed to the science of education. The first displayed the portrait of a young man with a pure brow, an iron jaw, silk socks, and hair like patent leather. Standing with one hand in his trousers-pocket and the other extended with chiding forefinger, he was bewitching an audience of men with gray beards, paunches, bald heads, and every other sign of wisdom and prosperity. Above the picture was an inspiring educational symbol—no antiquated lamp or torch or owl of Minerva, but a row of dollar signs. The text ran:
ellauri108.html on line 27:

MUSTARASTAS

display:none">Vapaaliikkeitä


ellauri108.html on line 112: There is no uniform Rasta view on race. Black supremacy was a theme early in the movement, with the belief in the existence of a distinctly black African race that is superior to other racial groups. While some still hold this belief, non-black Rastas are now widely accepted in the movement. Rastafari's history has opened the religion to accusations of racism. Cashmore noted that there was an "implicit potential" for racism in Rasta beliefs but he also noted that racism was not "intrinsic" to the religion. Some Rastas have acknowledged that there is racism in the movement, primarily against Europeans and Asians. Some Rasta sects reject the notion that a white European can ever be a legitimate Rasta. Other Rasta sects believe that an "African" identity is not inherently linked to black skin but rather is about whether an individual displays an African "attitude" or "spirit".
ellauri108.html on line 166: The bass-line of Rasta music is provided by the akete, a three-drum set, which is accompanied by percussion instruments like rattles and tambourines. A syncopated rhythm is then provided by the fundeh drum. In addition, a peta drum improvises over the rhythm. The different components of the music are regarded as displaying different symbolism; the bassline symbolises blows against Babylon, while the lighter beats denote hope for the future.
ellauri108.html on line 177: Rastas often make use of the colours red, black, green, and gold. Red, gold, and green were used in the Ethiopian flag, while, prior to the development of Rastafari, the Jamaican black nationalist activist Marcus Garvey had used red, green, and black as the colours for the Pan-African flag representing his United Negro Improvement Association. According to Garvey, the red symbolised the blood of martyrs, the black symbolised the skin of Africans, and the green represented the vegetation of the land, an interpretation endorsed by some Rastas. The colour gold is often included alongside Garvey's three colours; it has been adopted from the Jamaican flag, and is often interpreted as symbolising the minerals and raw materials which constitute Africa's wealth. Rastas often paint these colours onto their buildings, vehicles, kiosks, and other items, or display them on their clothing, helping to distinguish Rastas from non-Rastas and allowing adherents to recognise their co-religionists. As well as being used by Rastas, the colour set has also been adopted by Pan-Africanists more broadly, who use it to display their identification with Afrocentricity; for this reason it was adopted on the flags of many post-independence African states. Rastas often accompany the use of these three or four colours with the image of the Lion of Judah, also adopted from the Ethiopian flag and symbolizing Haile Selassie.
ellauri109.html on line 28:

Grabsprüche

display:none">Nekrologeja


ellauri110.html on line 28:

Kirjoita hevoseläimestäsi!

display:none">Pollerunoilua


ellauri111.html on line 28:

Kirjailijan päiväkirja

display:none">Hymistelyä


ellauri111.html on line 202: While holding him as a prisoner, the United States capitalized on Geronimo’s fame among non-Indians by displaying him at various events. For Geronimo, it provided him with an opportunity to make a little money. In 1898, for example, Geronimo was exhibited at the Trans-Mississippi and International Exhibition in Omaha, Nebraska. Following this exhibition, he became a frequent "visitor" to fairs, exhibitions, and other public functions.
ellauri112.html on line 28:

Höpötysikoneita

display:none">Höpötystä


ellauri112.html on line 687: I found this one to be a boring display of what I like to call ‘critic bait’: a movie targeted at film journalists who will believe anything put onscreen from these two is worthy of never-ending praise.
ellauri115.html on line 28:

Memorisant en herborisant

display:none">Herborisointia


ellauri117.html on line 28:

Eeeemeliii!

display:none">Roskaa


ellauri118.html on line 28:

Vaarallisia yhteyshenkilöitä

display:none">Syysmietteitä


ellauri118.html on line 830: With La Princesse de Clèves, Mme. de La Fayette created a new kind of fiction,—"substituting," says Saintsbury, "for mere romance of adventure on the one hand, and stilted heroic work on the other, fiction in which the display of character is held of chief account."
ellauri119.html on line 28:

HOLY SMOKE!

display:none">Pyhistelyä


ellauri131.html on line 28:

Halusin tallettaa sen hetken

display:none">Valemuistoja


ellauri132.html on line 28:

How to Sell a Lot of Copies

display:none">Luovaa kirjoittamista


ellauri132.html on line 443: Each time this page is visited by an end user (e.g., a person surfing the Internet), the JavaScript code uses inlined JSON to display content fetched from Google's servers.
ellauri132.html on line 445: For website-targeted advertisements, the advertiser chooses the page(s) on which to display advertisements, and pays based on cost per mille (CPM), or the price advertisers choose to pay for every thousand advertisements displayed.
ellauri132.html on line 448: Google came under fire when the official Google AdSense Blog showcased the French video website Imineo.com. This website violated Google's AdSense Program Policies by displaying AdSense alongside sexually explicit material. Typically, websites displaying AdSense have been banned from showing such content. We are not evil. LOL.
ellauri133.html on line 28:

ponien maailma

display:none">Luovaa heppahulluutta


ellauri135.html on line 28:

Iljitshin syvänne

display:none">Asosiaalista realismia


ellauri140.html on line 28:

THE DRAGGE QVEENE.

display:none">Liian pitkä lukea


ellauri141.html on line 28:

OODEJA

display:none">Oodeja


ellauri142.html on line 32:

AUM!!

display:none">Indoeuroviisuja


ellauri142.html on line 151: In most Masonic lodges, the Bible, the Quran, Talmud, and Vedas are prominently displayed, which gives each member a holy text to reference and utilize during rites and rituals.
ellauri143.html on line 32:

Tikku Kuralla

display:none">Singlejä


ellauri143.html on line 677: Blockheads´ faces pairs of sores display.
ellauri143.html on line 953: A spy, whate´er men do, must watchful mind display.
ellauri144.html on line 32:

Kuvia varten Carlson Lauri

display:none">Nugaata


ellauri145.html on line 32:

Anthologie de l´humour ligneux

display:none">Puisevaa


ellauri146.html on line 34:

der Meffias.

display:none">Hölzernes


ellauri146.html on line 640: Poe commented on the general meaning of his story several times. In one unsigned review of the number of the Southern Literary Messenger that contained it he said, “Lionizing ... is an admirable piece of burlesque which displays much reading, a lively humor, and an ability to afford amusement or instruction”; and in another puff of smoke he remarked, “It is an extravaganza ... and gives evidence of high powers of fancy and humor.”‡ To J. P. Kennedy he wrote on February 11, 1836 that it was a satire “properly speaking [page 172:] — at least so meant —... of the rage for Lions and the facility of becoming one.”
ellauri146.html on line 681: “We have no aristocracy of blood, and having therefore as a natural, and indeed as an inevitable thing, fashioned for ourselves an aristocracy of dollars, the display of wealth has here to take the place and perform the office of the heraldic display in monarchical countries. By a transition readily understood, and which might have been as readily foreseen, we have been brought to merge in simple show our notions of taste itself.”
ellauri147.html on line 33:

OLEN TYPERÄ KANA

display:none">Kotkotusta


ellauri150.html on line 32:

J'Accuse!

display:none">Sysin seppoja


ellauri150.html on line 255: Colette Stevens. HR Director. "Regardless of the working relationship, Colette always displays the same valuable characteristics - she is very bright, totally commercial, able to build strong and lasting relationships and is great fun to be around.
ellauri151.html on line 37:

N'EST-CE PAS

display:none">Paskakirjoja


ellauri152.html on line 32:

EPYLLEJÄ

display:none">Luontopalveluja


ellauri152.html on line 79: To lend authenticity to the forgery, Louÿs in the index listed some poems as "untranslated"; he even craftily fabricated an entire section of his book called "The Life of Bilitis", crediting a certain fictional archaeologist Herr G. Heim ("Mr. C. Cret" in German) as the discoverer of Bilitis' tomb. And though Louÿs displayed great knowledge of Ancient Greek culture, ranging from children's games in "Tortie Tortue" to application of scents in "Perfumes", the literary fraud was eventually exposed. This did little, however, to taint their literary value in readers' eyes, and Louÿs' open and sympathetic celebration of lesbian sexuality earned him sensation and historic significance.
ellauri153.html on line 32:

FARSSEJA RUUSUTARHASSA

display:none">Röyhkeää


ellauri155.html on line 32:

Täällä ei saatana juhlita!

display:none">Persuuxia


ellauri155.html on line 756: Calvin then goes on to speak of a deeper dimension of predestination, that in the Old Testament we see a more special election still of God saving certain ones out of the nation of Israel. Calvin says that his readers must see how “the grace of God was displayed in a more special form, when of the same family of Abraham God rejected some.” He then refers to Malachi 1:2-3 which explicitly states, “Was not Esau Jacob’s brother? saith the Lord: yet I loved Jacob, and I hated Esau.”
ellauri156.html on line 32:

Bathsheba pesulla

display:none">Sananlaskuja


ellauri156.html on line 309: To approach this same issue from the opposite perspective, think with me about the Book of Esther. When the king summoned his wife, Queen Vashti, to appear (perhaps in a way that would inappropriately display her goodies to the king's guests), she refused. She was removed (see Esther 1:1-22). She did not lose her life, but she was at least replaced by Esther, who had no such compunctions. Then, we read later in this same book that no one could approach the king unless he summoned them. If any approached the king and he did not raise his "scepter", they were put to death (Esther 4:10-11). Does this not portray the way of eastern kings? Does this not explain why Bathsheba went to the king's palace when summoned? Does this help to explain why she seems to have given in to the king's lustful acts? (We do not know what protests -- like Tamar's in chapter 13 -- she may have uttered, but we do have some sense of the powerlessness of a woman in those days, especially when given orders by the king. (Later on it became the requirement that a raped lady should kill herself to save her husband the disgrace of having horns.)
ellauri156.html on line 722: Second, David recognizes what he views as the greater sin, and that is the rich man's total lack of compassion. David is furious because a rich man stole and slaughtered a poor man's pet. He does not yet see the connection to his lack of compassion for stealing a poor man's beloved companion, Uriah's wife, Bathsheba. The slaughtering of Uriah is most certainly an act which lacks compassion. The crowning touch in David's display of righteous indignation is the religious flavoring he gives it by the words, “as the Lord lives” (verse 5).
ellauri158.html on line 31:

ETIIKKA

display:none">Axiomatikkaa


ellauri159.html on line 29:

LES
VINGT
COMMANDEMENTS

display:none">Kyykytystä


ellauri159.html on line 711: Most definitions of courtesy will include simple action terms, such as “displaying polished manners” or “showing respect for others.” More elaborate definitions may describe courtesy as “sophisticated conversation and intellectual skill.” The original term comes from the twelfth century term courteis, which meant “gentle politeness” and “courtly manners.” Regardless of which definition makes the most sense to you, courtesy is something you must see in action—it is not a trait like humility that can just be held internally. Se on tollasta ilmaista uhrimieltä.
ellauri159.html on line 1067: You tend to state the obvious or otherwise display a lack of confidence. To combat this tendency, ask for specific feedback from a trusted writer friend. This will help you gauge your ability to communicate your point and your reader’s ability to understand and make connections. Show your work only to someone whom you know to be supportive. The opinions of those who nurture writers are worthwhile; the opinions of those who tear down writers are not.
ellauri160.html on line 28:

Cathay

display:none">Paasaajia


ellauri161.html on line 29:

VASTAAN HANKAAN

display:none">Nonbinääriä


ellauri161.html on line 597: Speaking of “climate,” that’s the main target here – how people are too stupid to come together even when their survival depends on it. Or maybe it’s the pandemic McKay is allegorizing. Probably both. Meanwhile, the writer/director’s left-of-center politics are on full display. Although Don’t Look Up occasionally ridicules the left, it represents a full-on fusillade against the right. Now that is NOT funny.
ellauri162.html on line 28:

Två bussar har blåst av vägen.

display:none">Lofotnoter


ellauri163.html on line 29:

DEUTERONOMIA

display:none">Lakeja


ellauri164.html on line 29:

Helvetin seslonki

display:none">Angstailua


ellauri164.html on line 451: The film depicts the nuclear arms race that took place between all sides in the World War II and the beginning of the Cold War. The first part centers on the war years, dealing with the Manhattan Project and the American effort to beat the Germans to the bomb, as well as with Stalin's decision that the USSR must have its own atomic project. The second part displays the Soviet post-war nuclear program. The plot deals mainly with the personal dilemmas facing all the scientists who worked on the atomic weapons. Booooring.
ellauri164.html on line 933: Did Moses realize immediately what he had done? At some point after this event, “the Lord spoke to Moses and Aaron, ‘Because you did not believe Me, to hallow Me in the eyes of the children of Israel, therefore you shall not bring this assembly into the land which I have given them.’” Their conduct had publicly displayed a lack faith, reverence and respect. God determined that this needed an equally public punishment. The punishment for this sin was grievous. God gave to them a punishment so similar to the one given to all Israel at Kadesh that it was a heart-breaking moment for Moses. Both he and Aaron would die in the wilderness and not be allowed to enter the promised land. What a bitter pill for Moses to swallow. Like David with Bathsheba, God forgave the sin, but did not remove the consequences. The consequences for Moses’ momentary lapse in reverence and respect under the terrible emotion of anger was to be barred from entrance into the promised land.
ellauri171.html on line 33:

ne naiset

display:none">Panennaisia


ellauri171.html on line 758: Their dead bodies, it seems, were too cumbersome to tranport. Instead, the boy’s heads were hacked off, collected in baskets, and displayed for the gawking crowd the the city gate.
ellauri172.html on line 39:

JUONIPALJASTUS

display:none">Spoilereita


ellauri180.html on line 33:

KAYLA ANCRUM

display:none">Värikästä


ellauri180.html on line 51: In the books, Elena was popular, selfish and a "mean girl". However, the show's producers, Julie Plec and Kevin Williamson, felt that it wasn't the direction they wanted to go with their heroine in The Young Adult Vampire Diaries television series. Instead, she became a nicer, relatable, and more of "the girl next door" type, until her life gets flipped upside down when she meets the Salvatore Brothers. Stefan Salvatore is a good-hearted and affectionate young adult vampire and the complete opposite of his older brother, Damon Salvatore. Stefan's malevolent young adult vampire brother is mostly thought of as selfish and manipulative, but later on begins to display a more caring side.
ellauri181.html on line 33:

PENIS DE MONO

display:none">Hominointia


ellauri182.html on line 33:

Food as a Value

display:none">Japonais-täytettä


ellauri182.html on line 320: Humans display these facial expressions as 'subconscious calls for help'.
ellauri183.html on line 33:

God's Grace

display:none">Jumalanpilkkaa


ellauri184.html on line 33:

KAPERNAUMIN EVANKELIUMI

display:none">Nysväystä


ellauri185.html on line 33:

Horatio Alger

display:none">Sikailua


ellauri185.html on line 834: One passage that offers some insight regarding birth defects can be found in John 9:2-3: "And his disciples asked him, 'Rabbi, who sinned, this man or his parents, that he was born blind?' Jesus answered, 'It was not that this man sinned, or his parents, but that the works of God might be displayed in him.'" It is clear from these words of Jesus that birth defects are ultimately not due to the sin of the parents or child, but serve as part of God's plan for our lives. If not for the defective person as such, then at least for the greater common good. Defective persons are prohibited from entering the holiest of the holy.
ellauri188.html on line 32:

APINOIDEN KANTTIINI

display:none">Koijausta


ellauri189.html on line 33:

Steppenwolf

display:none">Steppailua


ellauri190.html on line 33:

Irtopäitä

display:none">Sotahistoriaa


ellauri191.html on line 33:

HINOA JOHN

display:none">Kulttuurihistoriaa


ellauri192.html on line 34:

Sekasorron aika

display:none">Sekasortoa


ellauri194.html on line 34:

Apocalypse Now

display:none">Lopunaikoja


ellauri196.html on line 34:

Molskis sanoi Ikaros

display:none">Molskintaa


ellauri197.html on line 34:

Lapis Lazuli

display:none">Kylmiä paloja


ellauri197.html on line 452: In all his works displayed. Sen töissä kaikissa.
ellauri198.html on line 34:

Carlson Credo

display:none">Vaihtoehtoisia tunnustuxia


ellauri203.html on line 34:

IL GRANDE SCRITTORE RUSSO

display:none">Vaihtoehtoisia bioja


ellauri204.html on line 34:

Der eiserne Hans

display:none">Mytopoetiikkaa


ellauri205.html on line 34:

PUTIN JA EUROOPPA

display:none">Eurodollareita


ellauri206.html on line 34:

Riannan hemmottelupäivä

display:none">Paapomista


ellauri207.html on line 33:

KONGON OSKARI

display:none">Konnankoukkuja


ellauri210.html on line 34:

Loppupään dadaisteja

display:none">Dadaa


ellauri211.html on line 34:

Lukijan Ruoansulatus  

display:none">Naurua


ellauri213.html on line 34:

EMBOTELLADO

display:none">Taikamatuja


ellauri213.html on line 62: Dma-lapset eivät tunne häpeää eivätkä ole ylpeitä. Se on hyvin paha. Häpeä on peitettävä siionistien verellä. Isä olisi ylpeä kameleontistaan. Kunnia on pelastettava. Sählämit GT ja ilman kärhämöivät silmittömästi arvottomasta maapalasta. Public displays of aggression. Dan on erittäinkin kyyninen. Venäläiset ovat pahoja. Kuubalaiset hoitavat likaisen työn KGBn puolesta. Danilla on likainen mielikuvitus. Dankin paistatteli mielellään kameroiden loisteessa kuin Ranu Pajala. Mikähän siinä oikein viehättää? Kysy peipolta. Ja kysynkin. Se vastaa: lähtee hereästi pillua. Vanha Dan on vanhan jutkun näköinen. Siitä tuli konsulentti, globalisaation agentti. Aziz the combat fighter söi epähuomiossa sikanautapurilaisia. Ei olis kannattanut.
ellauri214.html on line 34:

FOSSIILEJA KAIVAMASSA

display:none">Kliseitä


ellauri214.html on line 72: Though Rowling’s transphobia has been publicized the most, fans have also begun to notice prejudice in her writing. Very few people of color are featured in J. K. Rowling’s books, and those that are have few lines and no detailed story arcs. One of the people of color given more thought was Cho Chang, Harry Potter’s love interest who was first introduced in the third book, Harry Potter and the Prisoner of Azkaban. Rowling’s racism toward Asians and lack of knowledge of Asian culture is clearly evident from just the name Cho Chang, which is a mix of Korean and Chinese surnames. Korea and China have a longstanding history as political adversaries and each country has a distinct culture. While Rowling went to great efforts in creating a wonderfully immersive wizarding world, she gave no thought to what Cho’s ethnicity is. Cho was also sorted into Ravenclaw house, the school house for those of high intelligence, playing into a common stereotype of Asians. The only other Asian characters mentioned in the series are Indian twins Padma and Pavarti Patil. While Rowling appears to have given more thought to these characters, placing Padma in Ravenclaw and breaking the Asian stereotype by placing Pavarti in Gryffindor, she ultimately fails to adequately write Asian characters. While Pavarti, as a member of Harry Potter’s house, was given more depth than Cho or her sister, many South Asian fans were irritated by the girls’ dresses in the fourth movie, Harry Potter and the Goblet of Fire. The twins wore dull and unflattering traditional Indian attire, which many saw as a mockery of Indian culture. Cho herself wore an East Asian style dress in this movie which was a mix of different Asian styles. Rowling continued her habit of stereotyping Asians in the Fantastic Beast Movies, the first of which was released in 2016 and set in the 1920’s, several decades before the Harry Potter series. In this pre-series, the only Asian representation is displayed in the form of a woman who has been cursed to turn into a beast. Fans may remember the villain Voldemort’s pet snake, Nagini, who served him throughout the Harry Potter series. Fans were surprised to learn when watching The Crimes of Grindelwald, the second movie in the Fantastic Beasts series, that Nagini was not always a snake, but was actually a woman who had been cursed to turn into a snake. In the movie, Nagini, in human form, is caged and forced to perform in a circus. Though we do not know how Nagini came to meet Voldemort, we do know that she became his servant and the keeper of a wee snakelike portion of his soul. This is more than slightly problematic. Not only was Nagini the only Asian representation in the film, but she was also a half-human who was forced to serve an evil white man for a great part of her existence. Author Ellen Oh commented on Nagini’s inclusion in the film saying “I feel like this is the problem when white people want to diversify and don’t actually ask POC how to do so. They don’t make the connection between making Nagini an Asian woman who later on becomes the pet snake of an EEVIL whitish man.”
ellauri216.html on line 34:

TIMANTTISET ROSSIT

display:none">Propagandaa


ellauri217.html on line 34:

POPEYE THE SAILOR MAN!

display:none">Romantiikkaa


ellauri219.html on line 33:

KERS. PIPPURIN
YXINÄISTEN SYDÄNTEN
KERHOSOITINYHTYE

display:none">Poppia


ellauri219.html on line 454: Speaking to the BBC in 1965, John Lennon (No.62) declared his love for Alice In Wonderland and Alice Through The Looking Glass, revealing, “I usually read those two about once a year, because I still like them.” It’s perhaps no surprise, then, that the man who wrote the poem “The Walrus And The Carpenter,” which influenced Lennon’s lyrics for “I Am The Walrus,” is given a prominent display on the Sgt. Pepper’s album cover. P.S. Carroll oli pedofiilien ihan terävintä kärkeä.
ellauri220.html on line 33:

RADIO CITY Music Hall

display:none">Sätkytystä


ellauri221.html on line 33:

JAMES BOND 007

display:none">Elvistelyä


ellauri221.html on line 119: According to the DSM-5, “Many highly successful individuals display personality traits that might be considered narcissistic. Only when these traits are inflexible, maladaptive, and persisting and cause significant functional impairment or subjective distress do they constitute narcissistic personality disorder.”
ellauri222.html on line 34:

Les Aventures de Saul Bellow

display:none">Finnin puristelua


ellauri222.html on line 761: The first novel to display Bellow's characteristic expansiveness and optimism, The Adventures of Augie March presents a dazzling panorama of comically eccentric characters in a picaresque tale narrated by the irrepressible title character, who defends human possibility by embracing the hope that "There may gods turn up anywhere." Subsequent novels vary in tone from the intensity of Seize the Day to the exuberance of Henderson the Rain King to the ironic ambiguity of Herzog, but all explore the nature of human male freedom and the tensions between the individual's need for self and the needs of society. Augie March, Tommy Wilhelm, Eugene Henderson, and Moses Herzog all yearn to please themselves by finding the beauty in life. By creating these highly individualistic characters and the milieu in which they move, Bellow reveals the flashes of the extraordinary in the ordinary that make such fun possible and rejects the attitude that everyday life must be trivial and ignoble. It is like that just for the losers.
ellauri223.html on line 33:

Aurinkovaltio

display:none">Dystopiaa


ellauri226.html on line 33:

CHEESE!

display:none">Publikaaneja


ellauri236.html on line 33:

FUX NEWS

display:none">Rupusakkia


ellauri238.html on line 31:

Hämynä talsit

display:none">Turrnipsi pellossa


ellauri240.html on line 34:

Kaupunki nimeltä

display:none">Misogyniaa


ellauri241.html on line 34:

Leimiä

display:none">Misokeittoa


ellauri242.html on line 34:

BEFOREIGNERS

display:none">Taistoturrukoita


ellauri243.html on line 34:

Onnettomat paskiaiset

display:none">Paskiaiset vormuissa


ellauri244.html on line 34:

KLICHEITÄ

display:none">Klicheitä, klicheitä


ellauri245.html on line 40:

CASH BY CANS

display:none">Tölkeittäin natomatoja


ellauri246.html on line 34:

Oh korsteenit

display:none">Poliittista runoutta


ellauri247.html on line 40:

SUURI KASKUKIRJA

display:none">Kaskuja


ellauri247.html on line 292: Cicisbei played by set rules, generally avoiding public displays of affection. At public entertainments, they would typically stand behind their seated mistress and whisper in her ear. Customs of the time did not permit them to engage in relationships with any other women during their free time, making the arrangement rather demanding. Either party could decide to end the relationship at any time. A woman's former cicisbei were called spiantati (literally penniless, destroyed), or cast-offs.
ellauri247.html on line 314: Johnson was 180 cm (5 feet 11 inches) tall when the average height of an Englishman was 165 cm (5 feet 5 inches). Tall and robust, he displayed gestures and tics that disconcerted some on meeting him. He had Tourettes syndrome, in fact.
ellauri247.html on line 353: Johnson displayed signs consistent with several diagnoses, including depression and Tourette syndrome. According to Boswell, Johnson "felt himself overwhelmed with an horrible melancholia, with perpetual irritation, fretfulness, and impatience; and with a dejection, gloom, and despair, which made existence misery".
ellauri248.html on line 39:

Marjaana Madagaskarissa

display:none">Nuorten toiveita


ellauri249.html on line 39:

MARZIAL

display:none">Latin obscenity


ellauri254.html on line 39:

СЕРАПИОНОВЫ БРАТЬЯ

display:none">Sosialistista realismia


ellauri256.html on line 39:

MUODIN HISTORIA

display:none"> Ornamentalismia


ellauri257.html on line 39:

TARAS BULJBA

display:none">Koomikoita


ellauri258.html on line 38:

KIREÄHERMOISTA VÄKEÄ

display:none">Videotörkyä


ellauri260.html on line 39:

In pirsona pirsonalmente

display:none">Perseilyä


ellauri262.html on line 39:

Till We Have Faeces

display:none">Fanzua


ellauri263.html on line 38:

Shadows on the Hudson
Part 1

display:none">Pyllistelyä


ellauri263.html on line 712: This ad is displayed using third party content and we do not control its accessibility features.
ellauri263.html on line 740: This ad is displayed using third party content and we do not control its accessibility features.
ellauri263.html on line 766: This ad is displayed using third party content and we do not control its accessibility features.
ellauri263.html on line 828: These ads too were displayed using third party content and we do not control their accessibility features either.
ellauri264.html on line 39:

Semitismiä

display:none">Semitismiä


ellauri266.html on line 37:

PLANET APE

display:none">Alastomuutta


ellauri267.html on line 40: Пожалуйста ответить на
телефон!

display:none">Väkivaltaa


ellauri269.html on line 38:

Fotataidon Maailma

display:none">Silmitöntä väkivaltaa


ellauri270.html on line 38:

"APINOIDEN SILTA"

display:none">Lisää silmitöntä väkivaltaa


ellauri271.html on line 39:

I feel your pain

display:none">Karvaperseitä


ellauri272.html on line 39:

50 shades of Zane

display:none">Blacklistoja


ellauri274.html on line 38:

A BIG JOB FOR SUPERMAN

display:none">Valtapeliä


ellauri275.html on line 38:

JOE SETÄ
VOLDEMORT

display:none">Oikeutettua väkivaltaa


ellauri276.html on line 37:

KYNTÄJIÄ

display:none">Kyntöä


ellauri277.html on line 37:

GET A HUMP ON YOU!

display:none">Kyttyröitä


ellauri278.html on line 37:

Tykkivenediplomatiaa

display:none">Kansanmurhia


ellauri279.html on line 37:

Еб твою мать

display:none">Nobelismia


ellauri281.html on line 37:

Pensasneuvostoliittolaisia

display:none">


ellauri282.html on line 36:

LÖYHÄPÄINEN KANSA

display:none">Käärijöitä ja munamiehiä


ellauri283.html on line 37:

Finneken i Piss

display:none">Vitun hölmöjä


ellauri284.html on line 37:

Suursota 1914-18

display:none">Öyhöttäjiä


ellauri285.html on line 38:

Paasauxia kasarista

display:none">Paasauxia


ellauri285.html on line 376: A necklace that might be display'd Kaulanauhat sevverran upeat,
ellauri286.html on line 37:

Stalinin lehmä

display:none">Herutusta


ellauri288.html on line 37:

Jaxuhali<3

display:none">Mitä vittua!


ellauri290.html on line 37:

PEKKA ja PÄTKÄ SUEZ'illa

display:none">Eihän asia kyllä minulle kuulu


ellauri294.html on line 38:

ALPARSLAN SUURI SELZHUKKI

display:none">Reittiopas


ellauri294.html on line 671:
display:block;height:300px;position:relative;overflow:hidden;width:500px;>
ellauri297.html on line 33:

HOOSEA AJASSAMME

display:none">Finnin puristelua


ellauri299.html on line 33:

MUSTA TORNI

display:none">Kauhua


ellauri300.html on line 38:

Shoah business
baym Hudson

display:none">Lisää pyllistelyä


ellauri301.html on line 33:

KAVERI TAPETTIIN TAPETTIIN

display:none">Tappavaa


ellauri302.html on line 33:

KOST' JUMALA

display:none">Hulabaloota


ellauri308.html on line 33:

JUUTALAISTA HUUMORIA

display:none">Huumoria


ellauri309.html on line 33:

Far, Far Away

display:none">Kapitalistinen manifesti


ellauri310.html on line 25: No Picnic

display:none">Terdellä


ellauri311.html on line 25:

Tantrista

display:none">Terdellä


ellauri313.html on line 27:

Tanssivat karhut

display:none">Aika heikkoa


ellauri315.html on line 26:

Simple Reasoning

display:none">Simppeliä


ellauri316.html on line 26:

КЕМ БЫТЬ?

display:none">Kommando pimppeling


ellauri317.html on line 26:

AIVAN PARASTA ROISTOKIRJALLISUUTTA

display:none">Roistomaista


ellauri318.html on line 26:

RAHALLA SAA
JA HEVOSELLA PÄÄSEE

display:none">Konnailua


ellauri321.html on line 25:

JUAN
AMERIKASSA

display:none">Matuja


ellauri322.html on line 26:

Tom Dick and Harry Paineella

display:none">Sentimentalismia


ellauri323.html on line 27:

Zuleika Dobson

display:none">Eetuilua


ellauri324.html on line 26:

ROISTO-
VALTIO

display:none">Ryöstökapitalismia


ellauri325.html on line 26:

POLITIKA

display:none">Antikommunismia


ellauri326.html on line 25:

SALAMANTERI-
SOTA

display:none">Antiputinismia


ellauri327.html on line 26:

Koirameemejä

display:none">Reviiriajattelua


ellauri328.html on line 24:

VAD ÄR EN
DIKTATUR?

display:none">Lipilaaria


ellauri330.html on line 26:

Tietoisuuden mysteeri

display:none">Höpsismiä


ellauri331.html on line 27:

PROPAGANDASOTAA

display:none">Voluntarismia


ellauri332.html on line 27:

Jar-Jar Bling

display:none">Kinefiliaa


ellauri333.html on line 27:

Mlecch

display:none">Koprolaliaa


ellauri334.html on line 29:

Deutschland
Rohstoff Abhängigkeit

display:none">Oligodontiaa


ellauri335.html on line 27:

Cos'é la vita?

display:none">Trendejä


ellauri336.html on line 27:

Puhtaiden mielien
JA
sydänten kasvattaminen

display:none">Kimchiä


ellauri336.html on line 384: I’m an American born Muslim woman and I see many similarities of Jews with Islam as there are a lot of intersections of all three monotheistic faiths. I do not believe in covering my hair, but if one were to look at Nativity sets that are displayed during Christmas and look at Christian nuns habits we will observe a modesty all three faiths have in common. I notice more people objecting to women that choose and I use that word loosely, to observe modesty than to object to women or men that show little in clothing modesty..it is very subjective anyway on what is considered modest. Also, it seems the people who take it upon themselves to enforce these rules are committing a greater sin of being cruel and punitive. Where is the mercy and love all religions preach?
ellauri338.html on line 27:

Strategy of Inner Conflict

display:none">Demilitarisaatiota


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Zhuk v muraveynike

display:none">Rautaesiripun takana


ellauri340.html on line 27:

PISSALIISA

display:none">Peilailua


ellauri341.html on line 27:

Uuteen Jerusalemiin

display:none">Persuilua


ellauri341.html on line 548: displayphoto-shrink_400_400/0/1517278612946?e=2147483647&v=beta&t=9FwCKDPirliUWsaLpKdXHv37sGEomEd3HD3SQims2nY" height="300px" />
ellauri342.html on line 26:

Neljäs Laine

display:none">Lisää matuja


ellauri343.html on line 26:

kärhämää
POHJANMAALTA

display:none">Fasilitointia


ellauri344.html on line 26:

MUROPAKETTI

display:none">Anaalisosialismia


ellauri345.html on line 31:

Valinnaisia sukulaisia

display:none">To business!


ellauri346.html on line 31:

KOHTA ON KIVAA

display:none">Kulturnoje


ellauri347.html on line 31:

VANHUSMAISTA

display:none">Geriatriaa


ellauri348.html on line 31:

TOIVOSSA
ON HYVÄ ELÄÄ

display:none">Toiveikasta


ellauri349.html on line 31:

AJAT
US
TEN T
ONA
VA

display:none">Positiivista


ellauri350.html on line 31:

DIGI
RUNKKAUSTA

display:none">{span style="color:white;background-color:purple"}2024{/span} Runkkua


ellauri351.html on line 30:

WIIKSI
VA✷
HA-✷A✷

MME
🖕

display:none">Vihapuhetta


ellauri352.html on line 33:

Die Geschichte vom
hölzernen Bengele

display:none">Emävaleita


ellauri353.html on line 33:

MÄYHÄ

display:none">Hätävaleita


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Ostankinon juna

display:none">Puolitotuuxia


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Kirpun henki

display:none">Ilmaisrakkautta


ellauri360.html on line 33:

Jeg elsker
GRILLET FISK

display:none">Modernismia


ellauri362.html on line 32:

Ylpeys ja ennakkoluulo

display:none">Varhaisromantiikkaa


ellauri364.html on line 34:

HERMOMME
JA ME

display:none">Neurolepsiaa


ellauri365.html on line 33:

TUULIRUUSU

display:none">Kuppasta


ellauri367.html on line 26:

VIISIKKO
VAKOILIJOIDEN NAAMIAISISSA

display:none">Vakoilua


ellauri368.html on line 26:

Täys rove kranaatteja

display:none">Sukoilua


ellauri369.html on line 27:

KUULUISIA
MIEHIÄ

display:none">Paleofiktiota


ellauri370.html on line 28:

Den evige Jøde

display:none">Syntipukkeilua


ellauri371.html on line 26:

PROTOKOLY SiONSKIXb MUDRETSOBb.

display:none">Paranoidia


ellauri372.html on line 27:

Oodi hippiäiselle

display:none">Sikasovinismia


ellauri373.html on line 27:

BATTLE OF JOLO

display:none">Feminismiä


ellauri374.html on line 26:

SEISOO UKRAINAN KANSSA

display:none">Kökkäreitä


ellauri374.html on line 134: {\displaystyle \sum _{i\in I}\|T(e_{i})\|_{H}^{2}<+\infty.}
ellauri375.html on line 27:

MAAILMOJEN SOTA

display:none">Pökäleitä


ellauri377.html on line 31:

Lihan iloja

display:none">Hurlumheitä


ellauri378.html on line 30:

Schwerbelastungskörper

display:none">Rapukarkkeja


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Puskaryssiä

display:none">Pomilointia


ellauri382.html on line 38:

Itätyttöjä

display:none">Suunsoittoa


ellauri383.html on line 38:

Poena Cullei

display:none">Mölinää


ellauri384.html on line 38:

ÖBAUT

display:none">Hölinää


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Oman elämänsä Teppo

display:none">Teppoilua


ellauri389.html on line 38:

THE EMPEROR       OF EVERYTHING

display:none">Kupla kurkussa


ellauri389.html on line 77: All this lexical play upon the word "china" that Elia performs has an imperial logic: it lets a teacup metonymize the East Asian empire. Porcelain collecting is a way of possessing the country, as porcelain purchasers such as Elia display a piece of China earth in British domestic space, offering everyday access to another exotic world every time he indulges in a cup of proverbial British tea. Deliberately confusing his cup's porcelain glaze with "the lucid atmosphere of fine Cathay" Elia imperially assumes the painted pictures on his teacup to be a telescopic vision of China itself ("for so we must in courtesy interpret that speck of deeper blue").
ellauri389.html on line 379: As early as 1795 he published a volume of poems at Carlisle, which display a thoughtfulness unusual at his age. In 1796 he made the acquaintance of Coleridge on the latter's visit to Birmingham to enlist subscribers to his Watchman. Fascinated with Coleridge's conversation, Lloyd "proposed even to domesticate with him, and made him such a pecuniary offer that Coleridge immediately acceded to the proposal." This was £80 a year, in return for which Coleridge was to devote 3 hours every morning to his instruction; and although the undertaking (apart from the "domestication") may not have been very strictly performed, Lloyd, much later in life, speaks with enthusiasm of the benefit he had derived from Coleridge's society.
ellauri389.html on line 411: For some time he displayed a flurry of literary activity, publishing in 1819 a collection of his poems, under the title of Nugæ Canoræ; in 1821, Desultory Thoughts in London; Titus and Gisippus; and other Poems; and Poetical Essays on the Character of Pope; in 1822, The Duke D'Ormond, a tragedy written in 1798, together with Beritola, a metrical tale in the Italian manner; and a small volume of poems in 1823. Nothing to write home about, alackaday.
ellauri390.html on line 38:

Viimeinen mohikaani

display:none">Tappojuttuja


ellauri391.html on line 38:

Kaiken turhuudesta

display:none">Turhuutta


ellauri392.html on line 38:

Kirjallisuuden purkaamo

display:none">Kauhu kaunaista


ellauri392.html on line 40:

Arvostelua Anuxesta

display:none">Turhuutta


ellauri393.html on line 38:

ELÄMÄ JA TEOS

display:none">Kohinaa


xxx/ellauri010.html on line 20:

Mustan mantiljan salaisuus

display:none">Sensuroitua


xxx/ellauri013.html on line 20:

VIESTI KUOLEMALTA

display:none">Salatietoa


xxx/ellauri027.html on line 20:

SMURFFIT
JA TAIKAMUNA

display:none">Smurffijuttuja


xxx/ellauri044.html on line 25:

Maailman Paskin Nalle

display:none">Kevätnarsismia


xxx/ellauri056.html on line 25:

Viisikko
ja aavejuna

display:none">Tunnelimaista


xxx/ellauri057.html on line 25:

DJEVEL-FJELLET

display:none">Tuhat tulimmaista


xxx/ellauri059.html on line 26:

Natacha

display:none">Pehmopornoa


xxx/ellauri068.html on line 24:

BOЯДT SUBSEQUENT MOVIEFILM

display:none">Sekatavaraa


xxx/ellauri068.html on line 147: Tutar receives a makeover and Borat introduces her at a debutante ball. At the ball, her menstrual blood is prominently displayed during a father and daughter dance. Oikeasti jenkkien coming of age-tansseissa isä ja tytär vaihtaa siveyssormuxet. Aika insestistä. Discovering that Pence is nearby at CPAC, Borat disguises himself as Trump and attempts to give Tutar to him there, but is ejected by security. Nazarbayev is enraged and tells him to return to Kazakhstan for execution. Realizing that he can still give Tutar to someone close to Trump, Tutar suggests giving her to Rudy Giuliani.
xxx/ellauri075.html on line 28:

Tennis on parasta huumetta

display:none">Hörhöilyä


xxx/ellauri076.html on line 28:

TYPYJÄ TYPYJÄ TYPYJÄ

display:none">{span style="color:white;background-color:orange"}2021{/span} Hulvatonta


xxx/ellauri081.html on line 28:

Ecstasy of St. Teresa, 1645–52

display:none">Ekstaasia


xxx/ellauri084.html on line 28:

Kuuluisien diktaattorien vauvavalokuvia

display:none">Nalkutusta


xxx/ellauri085.html on line 28:

CENSORED DIALOGUE

display:none">Makulatuuria


xxx/ellauri085.html on line 55: Burma-Shave was a brand of brushless shaving cream that was sold from 1925 to 1966. The company was notable for its innovative advertising campaign, which included rhymes posted all along the nation’s roadways. Typically, six signs were erected, with each of the first five containing a line of verse, and the sixth displaying the brand name.
xxx/ellauri086.html on line 28:

Sydämen kuiskaus

display:none">Kuiskauxia


xxx/ellauri087.html on line 28:

Ilman Pipsaa ei olisi muutakaan

display:none">Huutoja


xxx/ellauri091.html on line 28:

Päiväkirjan lisälehtiä

display:none">Muistoja


xxx/ellauri103.html on line 29:

We have to talk about Kevin

display:none">Toxisia penseitä


xxx/ellauri104.html on line 29:

Iltaan mennessä selkenevää

display:none">Hulluttelua


xxx/ellauri113.html on line 28:

Theory of Everything

display:none">Kaiken teoriaa


xxx/ellauri113.html on line 484: An opponent of biological evolution, Berlinski is a senior fellow of the Discovery Institute's Center for Science and Culture, a Seattle-based think tank that is a hub of the pseudoscientific intelligent design movement. Berlinski shares the movement's rejection of the evidence for evolution, but does not openly avow intelligent design and describes his relationship with the idea as: "warm but distant. It's the same attitude that I display in public toward my ex-wives." Berlinski is a critic of evolution, yet, "Unlike his colleagues at the Discovery Institute,...[he] refuses to theorize about the origin of life." Vitun jutku, ei niihin ole luottamista, jeesuxen murhaajiin.
xxx/ellauri114.html on line 27:

Do vil inte ha pengar ?

display:none">Vittuilua


xxx/ellauri116.html on line 28:

Moskaportaali

display:none">Moskaa


xxx/ellauri120.html on line 28:

It was a dark and stormy night.

display:none">Lyttäystä


xxx/ellauri121.html on line 28:

Lapsenkokoinen kazomuskasvatus

display:none">Hartautta


xxx/ellauri121.html on line 472: Prayerfest is a one-day festival of prayer. In an atmosphere of passionate worship, fervent praying and powerful preaching, unique expressions of the Holy Spirit are displayed that lead to an encounter with God. Over a six-week period, hundreds of people prepare themselves to meet with God at Prayerfest. God responds to the desperate cries and passionate prayers of His people on a first come-first serve basis for a holy visitation—by invading their lives with His power and glory. Here are some ways to help you prepare for this special day:
xxx/ellauri122.html on line 32:

Tips

display:none">Vinkkejä


xxx/ellauri122.html on line 813: The book weaves through the phases of Pilgrim's life, displaying his and Vonnegut's heartbreaking experiences as an American prisoner of war.
xxx/ellauri122.html on line 1031: But is Barbie really that great of a role model? Was she really portraying true feminism or displaying the “right” way to look? Were these impressionable young girls learning an independent way of life or a body figure which should be modeled? If Barbie was paving the “new” way of life, then why was she so goddamn skinny? We liberated U.S. women weigh 3x more in our 10 gallon panties.
xxx/ellauri123.html on line 32:

THE COCK

display:none">Löysiä kukkoja ja kanoja


xxx/ellauri124.html on line 32:

To Be a Machine

display:none">Masinointia


xxx/ellauri125.html on line 32:

Лолита

display:none">Gastropodiaa


xxx/ellauri126.html on line 32:

Miten reagoit naapureihisi?

display:none">Urbaania


xxx/ellauri127.html on line 32:

Pigita

display:none">Mansplainingia


xxx/ellauri128.html on line 29:

Kootut töräyxet

display:none">FUCK!


xxx/ellauri129.html on line 28:

LIFESTYLE

display:none">EAT!


xxx/ellauri130.html on line 28:

Tuomiopäivän pasuunat

display:none">KILL!


xxx/ellauri134.html on line 28:

Tääl on niin kuuma

display:none">Virallinen musiikkivideo


xxx/ellauri136.html on line 28:

SOLD

display:none">Somepöhinää


xxx/ellauri137.html on line 32:

Hentosudenkorento ja Jauhopukki

display:none">{span style="color:white;background-color:green"}2022{/span} Evoluutiopsykologiaa


xxx/ellauri137.html on line 579: displayphoto-shrink_200_200/0/1517607456093?e=1649289600&v=beta&t=uUKZLcXC3LMe7bctyMxzV2w5-Us0969pQWSUDfSHvuc" />
xxx/ellauri138.html on line 28:

Dichtung und Wahrheit

display:none">Alternatiivista totuutta


xxx/ellauri139.html on line 28:

IDIOOTTI!

display:none">Idiotiaa


xxx/ellauri148.html on line 33:

WORLD HOORAY DAY

display:none">Uraata


xxx/ellauri149.html on line 33:

LIMAA

display:none">Limaa


xxx/ellauri154.html on line 29:

Comtes droolatiques

display:none">Leikkisää


xxx/ellauri157.html on line 32:

TIEDE 2022

display:none">Naturalia atque turpia


xxx/ellauri157.html on line 104: Jordaens’s large painting of The Wife of King Candaules displaying herself to Gyges is in the Nationalmuseum, in Stockholmii. In the large painting, the Queen is depicted lifesize, seen from behind, standing before a canopied bed. She is virtually naked, but for a string of pearls and a lace-trimmed cap. Just as she is about to step into her bed, she pauses and casts a backward glance, apparently addressing the viewer with a conspiratorial smile. On the far right of the picture, Gyges can be glimpsed craning his head through a gap in the curtain, with the King close behind him.
xxx/ellauri165.html on line 29:

"HIS MASTER'S VOICE."

display:none">Neizeellistä


xxx/ellauri166.html on line 29:

AARON SKEBA

display:none">Käärmeilyä


xxx/ellauri166.html on line 70: According to an unidentified identifying document [citation needed] at the Hagia Sophia in Istanbul, Moses's staff would supposedly be on display today at the Topkapı Palace, Istanbul, Turkey. The Topkapi Palace holds other reputedly holy relics, most notably those attributed to the Islamic prophet, Muhammad. (Such as his bow, his sword, his footprint, and even a tooth.) Topkapı Palace was officially designated a museum in 1924, and the holy relics were placed on public view on 31 August 1962. It is said that Sultan Selim I (1512–1520) brought the holy relics to Topkapi Palace after conquering Egypt in 1517.
xxx/ellauri167.html on line 33:

MALA TESTA

display:none">Päänsärkyä


xxx/ellauri167.html on line 578: The violence in Chicago was all-encompassing, and longhairs weren’t the only targets of the police. Journalists with clearly displayed credentials were attacked, including, most notoriously, CBS’ Dan Rather. This laid the foundation for the cries of “liberal bias” that hound and undermine the mainstream news media to this day.
xxx/ellauri167.html on line 594: By early October of 1968, CBS received 8,670 letters about Chicago, and 60 Minutes’ Harry Reasoner reported that the mail ran 11-to-1 against the network. A viewer in Ohio wrote, “I’ve never seen such a disgusting display of one-sided reporting in all of the years I’ve watched television.” From South Carolina, a letter writer griped, “Your coverage was … slanted in favor of the hoodlums and beatniks and slurred the police trying to preserve order.” A North Carolina viewer complained that, “When a great network refers to trouble makers as THESE YOUNG PEOPLE and in such a … tender tone, that is bias.” A New Yorker even suggested that the police had engaged in righteous violence: “Our Lord whipped the money lenders out of the temple. Are you going to accuse Him of brutality?”
xxx/ellauri168.html on line 33:

SYVEMPÄÄ TIETOA...

display:none">Kähmintää


xxx/ellauri169.html on line 33:

KELPAAN TÄLLAISENA!

display:none">Syviä asanoita


xxx/ellauri170.html on line 33:

LA COMÉDIE DE LA MORT

display:none">Tragikoomista


xxx/ellauri173.html on line 33:

Papinin marmiitti

display:none">Protoplasmaa


xxx/ellauri174.html on line 33:

Hadaly

display:none">Ektoplasmaa


xxx/ellauri175.html on line 33:

SOWANA

display:none">Misofransiaa


xxx/ellauri176.html on line 39:

Ruppari

display:none">Samaa vaan


xxx/ellauri176.html on line 69: Furthermore, Pseudo-Cooper continues that the evidence suggests that Idomeneus invented the more salacious version of the story, possibly in his desire to parody and ridicule the courtroom displays of Athenian demagogues. Considering his preference for attributing sexual excess to these demagogues, the provocative act of disrobing Phryne fits the character Hypereides had acquired in Idomeneus' work. As is not uncommon in the biographical tradition, later biographers failed to notice that earlier biographers did not give an accurate representation of events. The later biographer Hermippus incorporated the account of Idomeneus in his own biography. An extract from Hermippus' biography is preserved in the work of Athenaeus and Pseudo-Plutarch.
xxx/ellauri177.html on line 33:

PAPPI ASTUU PASKAAN

display:none">Katollista


xxx/ellauri178.html on line 33:

Intohimon Professori

display:none">Himokasta


xxx/ellauri178.html on line 102: Fauntleroy: One who strongly exhibits the tendencies of a blantant homosexual, or actually is a homosexual. Oftentimes used to describe purportedly straight men, during a display of Homosexuality. Named after Little Lord Fauntleroy, a book by Frances Hodgson Burnett in 1885 that resulted in openly gay fashion trends.
xxx/ellauri179.html on line 33:

Ford Fiesta

display:none">Homokasta


xxx/ellauri186.html on line 31:

JOSÉ DE SOUSA

display:none">Sotarikollista


xxx/ellauri187.html on line 32:

CHINS UP

display:none">Panettelua


xxx/ellauri193.html on line 31:

MIN
GALNA
HAGE

display:none">Smuts


xxx/ellauri193.html on line 417: display.jpg" />
xxx/ellauri195.html on line 32:

Vitun vitun vittu

display:none">Kyrkästystä


xxx/ellauri199.html on line 32:

Hello Poetry

display:none">Poetiikkaa


xxx/ellauri199.html on line 907: Contemporary odes to Neptune were harder to come by, but divine intervention ensured I found one that mentioned him by name. One of the highlights of my recent trip to Odesa, discussed here on the blog, was a visit to the literary museum, which houses a small collection of Anna Akhmatova’s work. The statuesque Russian poet, melancholic lover and resolute witness to the Stalinist and Putinist terrors, was born near Odesa and spent her childhood summers in the region. The display included a palm-sized booklet of the long poem ‘Close to the Sea’, or as my host translated, ‘very close’: an intimate relationship. I looked it up in The Complete Poems when I got home and assumed it must be ‘By the Edge of the Sea’. The ballad of a fierce young woman willing the arrival of her beloved from the waves, the poem was too long for the workshop and extracts would not do it justice. A shame, I thought, setting down the 950 page book, which promptly fell open to:
xxx/ellauri200.html on line 32:

I am levitating now

display:none">Rodullistusta


xxx/ellauri200.html on line 75: When seated in the Lotus Position, a character may levitate to demonstrate that he or she is meditating particularly profoundly. The Levitating Lotus Position is also used to show that a character is displaying his or her Psychic Powers/Enlightenment Superpowers, intensely concentrating, healing, or is just especially calm.
xxx/ellauri201.html on line 32:

Meninas do pinup

display:none">Kovaxikeitettyä


xxx/ellauri202.html on line 31:

Hiljaa virtaa jaaritus

display:none">Jaaritusta


xxx/ellauri208.html on line 34:

Middag-kuja

display:none">Tyyylsäää


xxx/ellauri209.html on line 33:

On the Wallaby Track

display:none">Tumpelointia


xxx/ellauri212.html on line 34:

AMOR ME DIO LA DESPEDIDA

display:none">Sexiä


xxx/ellauri212.html on line 413: The painter — whose real name was Balthasar Klossowski de Rola and who died in 2001 — has been a controversial figure in the art world for decades. Many of his paintings show highly sexualized depictions of young girls. His 1934 work "The Guitar Lesson" was one of his first to scandalize his peers. When it was displayed along with "Thérèse Dreaming" and other Balthus paintings at a special exhibit in the Met in 2013, a plaque warned readers that the paintings were disturbing in nature.
xxx/ellauri215.html on line 34:

TROLLET PÅ KARL JOHAN

display:none">Trollausta


xxx/ellauri218.html on line 35:

KUOLEMAN KUNNARI

display:none">Kauhua

xxx/ellauri224.html on line 38:

KUOLEMA JAUHONAAMOILLE

display:none">Röhönaurua

xxx/ellauri225.html on line 33:

2x haarautuva halko

display:none">Sapfekasta


xxx/ellauri225.html on line 257: Le Guin refused a Nebula Award for her story "The Diary of the Rose" in 1977, in protest at the Science Fiction Writers of America's revocation of Stanisław Lem's membership. Le Guin attributed the revocation to Lem's criticism of American science fiction and willingness to live in the Eastern Bloc, and said she felt reluctant to receive an award "for a story about political intolerance from a group that had just displayed political intolerance".
xxx/ellauri227.html on line 33:

IS PRINSESSA

display:none">Jäätävää


xxx/ellauri228.html on line 33:

HEI BEIBI,
MÄ OON
TULLA!

display:none">Koomista sexiä


xxx/ellauri228.html on line 39: "I shall now put a few final questions to the honorable delegation from Rhohchia! Is it not true that many years ago there landed on the then dead planet of Earth a ship carrying your flag, and that, due to a refrigerator malfunction, a portion of its perishables had gone bad? Is it not true that on this ship there were two spacehands, afterwards stricken from all the registers for unconscionable double-dealing with duckweed liverwurst, and that this pair of arrant knaves, these Milky-Way ne'er-do wells, were named Lorrd and God? Is it not true that Lorrd and God decided, in their drunkenness, not to content themselves with the usual pollution of a defenseless, uninhabited planet, that their notion was to set off, in a manner vicious and vile, a biological evolution the likes of which the world had never seen before? Is it not true that both these Rhohches, with malice aforethought, malice of the greatest volume and intensity, de vised a way to make of Earth-on a truly galactic scale-a breed ing ground for freaks, a cosmic side show, a panopticum, an exhibit of grisly prodigies and curios, a display whose living specimens would one day become the butt of jokes told even in the outermost Nebulae?!
xxx/ellauri228.html on line 600: Singer/guitarist Donita Sparks of L7 removing her jeans and underwear during a performance, her full-frontal nudity (twat) displayed when she drops her guitar being briefly broadcast.
xxx/ellauri229.html on line 33:

6-SEAT CHRONOBUS

display:none">Retroa


xxx/ellauri229.html on line 541: This baroque had its apologists and theoreticians, who maintained that the body existed for the purpose of deriving the greatest amount of pleasure from the greatest number of sites simultaneously. Merg Brb, its leading exponent, argued that Nature had situated - and stingily at that - centers of pleasurable sensation in the body for the purpose of survival only; therefore no enjoyable experience was, by her decree, autonomous, but always served some end: the supplying of the organism with fluids, for example, or with carbohydrates or proteins, or the guaranteeing - through offspring - of the continuation of the species, etc. From this imposed pragmatism it was necessary to break away, totally; the passivity displayed up till now in bodily design was due to a lack of imagination and perspective. Epicurean or erotic delight? - all a paltry by-product in the satisfying of instinctive needs, in other words the tyranny of Nature. It wasn´t enough to liberate sex - proof of that was sex had little future in it, from the combinatorial as well as from the constructional standpoint; whatever there was to think up in that department, had long ago been done, and the point of automorphic freedom didn´t lie in simple-mindedly enlarging this or that, producing inflated imitations of the same old thing. No, we had to come up with completely new organs and mem bers, whose sole function would be to make their possessor feel good, feel great, feel better all the time.
xxx/ellauri230.html on line 33:

MUISTINVARAISESTI NIPPONISTA

display:none">Japonais-täytettä


xxx/ellauri230.html on line 551: Known as the "Iron Man of India", Vallabhbhai Patel was born in Gujarat. He was the fourth of the six children of his father, Jhaveribhai. The first 3 got gold, silver and bronze. Patel is credited for being almost single-handedly responsible for unifying India on the eve of independence. He completed his matriculation at the age of 22 due to the poor financial condition of family. Patel had a desire to study to become a lawyer. So he started to work and save funds. He went to England to study law. He passed examinations within two years and travelled back to India. Patel started practicing as a barrister in Ahmadabad. In 1917, Patel got elected as the sanitation commissioner of Ahmadabad. He displayed extraordinary devotion to duty and personal courage in fighting an outbreak of plague and led a successful agitation for the removal of an unpopular British municipal commissioner. Inspired by the words of Gandhi, Patel started active participation in the Indian independence movement. So apparently he's not the world's largest guy in bronze, but a man of steel.
xxx/ellauri231.html on line 33:

Töhnä-kerhon jälkeenjääneet paperit

display:none">Sotahistoriaa


xxx/ellauri232.html on line 33:

Feminism underifrån

display:none">Oivalluxia ja niteitä


xxx/ellauri232.html on line 94: Meanwhile, optimistic neoliberal positions wonder how could this happen, if the world is richer than ever, and more and more people have been dragged from poverty. That statistics is no longer even true, and largely overlooks that the poorest classes in developed countries have seen none of this improvement, and that redistribution mechanisms in these countries have been severely diminished by decades of neoliberal policies. The picture below displays the real income growth of the world population, and where it has (roughly) ended up.
xxx/ellauri233.html on line 33:

Våga drömma

display:none">Limaista


xxx/ellauri233.html on line 165: Besides working for the civic betterment of local Jews and educational reform, he displayed keen interest in Wissenschaftskäse. But Frankel was always cautious and deeply reverent towards tradition, privately writing in 1836 that "the means must be applied with such care and discretion... that forward progress will be reached unnoticed, and seem inconsequential to the average spectator."
xxx/ellauri233.html on line 410: Shneur Zalman of Liadi (Hebrew: שניאור זלמן מליאדי, September 4, 1745 – December 15, 1812 O.S. / 18 Elul 5505 – 24 Tevet 5573), was an influential Lithuanian Jewish rabbi and the founder and first Rebbe of Chabad, a branch of Hasidic Judaism, then based in Liadi in Grand Duchy of Lithuania and later in the Grodno Governorate of the Russian Empire. He was the author of many works, and is best known for Shulchan Aruch HaRav, Tanya, and his Siddur Torah Or compiled according to the Nusach Ari. Zalman is a Yiddish variant of Solomon and Shneur (or Shne'or) is a Yiddish composite of the two Hebrew words "shnei ohr" (שני אור "two ears"). Shneur Zalman was a prominent (and the youngest) disciple of Dov Ber of Mezeritch, the "Great Maggid", who was in turn the successor of the founder of Hasidic Judaism, Yisrael ben Eliezer, known as the Baal Shem Tov. He too displayed extraordinary talent while still a child. By the time he was eight years old, he wrote an all-inclusive commentary on the Torah based on the works of Rashi, Nahmanides and Abraham ibn Ezra.
xxx/ellauri234.html on line 33:

TÖRNI KÄRJESSÄ

display:none">Maanpuolustushenkeä


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Kävin kirjastossa
Suklaaosastossa

display:none">Seiloriaiheista


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THIS SUCKS

display:none">Ylimakeaa


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Kummastuxen avonainen ovi

display:none">Sanoinkuvaamatonta


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Suku on pahin

display:none">Sukuvihaa


xxx/ellauri250.html on line 306: Debby: Let them collapse and go to hell. They cry to everyone that they are a victim when they continually shoot themselves in the foot. It’s a pathetic disgusting and completely nauseating display. I had sympathy for the devil once, I also sold my soul to the devil, and I put my feet in his fire. I will burn no more.
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Gjenganger

display:none">Algolagniaa


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Mondo Cane

display:none">Juopporemmejä


xxx/ellauri253.html on line 39:

KREMLIN
NYRKISTÄ

display:none">{span style="color:white;background-color:red"}2023{/span} Antisosiaalista


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Vienanlahdelta Laatokkaan

display:none">Russofobiaa


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Vapauden ongelma

display:none">Poetic licenses


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HYMINÄÄ

display:none">Ankaraa ilostelua


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PUHUKAA BANAANIIN

display:none">Kompsastuskiviä


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Kuinka valloittaa veitikka

display:none">Paritusta


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Veripalttua
Guate
malassa

display:none">Oikeistoketkuja


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Joka kynsi halkesi

display:none">Kädetystä


xxx/ellauri281.html on line 37:

Påskägg

display:none">Pääsiäismunia


xxx/ellauri281.html on line 732: Navalny’s idea is that Putin is the single mastermind of Russian rule and that he dictates to the oligarchs the tribute they should pay–in treasure for him to accumulate and display for himself, his friends and girlfriends in private. This is an Anglo-American cartoon about how oligarchy works everywhere, including the UK and the U.S.–in Russia in particular.
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Stalinin lehmä

display:none">Herutusta


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PAAVALIN RENKAANJÄLJISSÄ

display:none">Mitä ihmettä?


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MASULAN PERITA

display:none">Ihmiskauppaa


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STAR TREK

display:none">Tähtireellä


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FOTO OLIS KIVA YLLÄRI

display:none">Kirjeenvaihtoa


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ElvenaR

display:none">Eläinfantasioita


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Tintagel

display:none">Tingeltangelia


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ESINAHKAKUKKULA

display:none">Siionismia


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SYYLÄMUNATESTI

display:none">Hullutusta


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JEHOVAN IHMISSUHDE

display:none">Harrasta pyllistelyä


xxx/ellauri304.html on line 37:

Tyhmyyden Ylistys

display:none">Hävyttömän typerää


xxx/ellauri304.html on line 596: Status objects. An essay by Tom Wolfe (Bonfire of the Vanities) put this in my head some years ago. A certain kind of person wants to wear shirts that have little alligators on them and another totally different type of person perhaps wants to have a statue of a black jockey on his lawn…or a pink flamingo. My late loving mother, a paragon of taste, once moved into our guest house and put painted plywood cutouts of the backviews of two people, bending over as if planting something in the yard. Naturally, butt cracks were visible because they were the whole point of this architectural and horticultural display. Since my house then was a mansion and a national historic site, I suggested that my mother take her plywood cutouts off the front lawn and put them in her backyard where nobody could see her butt. (I am a long time out of Alabama.)
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Американская трагедия

display:none">Sonninsontaa


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Ilkeyden ylistys

display:none">Pelkkää törkyä


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PRINSSINNAKKEJA

display:none">Lisää törkyä


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Syntymästä lautaselle

display:none">Nurinkurista


xxx/ellauri314.html on line 26:

Känslor i kroppen

display:none">Tunnehälyä


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Omituisten Otusten Kerho

display:none">Omituisia otuxia


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Ole Oma Paras Ystäväsi

display:none">Omahoitoa


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Natasha
Mail order bride...

display:none">Housut pois hoitoa


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Gruppenbild mit Damen

display:none">Antifaa


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Memoria de
mis cojones tristes

display:none">Valkoisia valeita


xxx/ellauri356.html on line 35:

Tule käteeni

display:none">Päänavauxia


xxx/ellauri357.html on line 35:

AVAUTUA SOLMUUN

display:none">Päänauontaa


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HALOT

display:none">Peukutusta


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Ylösnousemus

display:none">Profetioita


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ROTU JA ENNAKKOLUULO

display:none">Xenofobiaa


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HERRA HUU

display:none">Pedofiliaa


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JAG, OLLE OCH PENSÉ

display:none">Muistolaattoja


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Pepun hajua

display:none">Peppurointia


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JALLU

display:none">Pyllyröintiä


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Mötley Crüe

display:none">Törkyä


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Vägen till Moskau

display:none">Sotaintoa


xxx/ellauri388.html on line 38:

Puhdas ihannes

display:none">Tumputusta


xxx/ellauri394.html on line 42:

ALOHA OE

display:none">Sutinaa


xxx/ellauri394.html on line 262: Captain Julius A. Palmer Jr. of Massachusetts was her friend for three decades, and became her spokesperson when she was in residence at Boston and Washington, D.C., protesting the annexation of Hawaiʻi. In the nation´s capital, he estimated that she had 5,000 visitors. When asked by an interviewer, "What are her most distinctive personal graces?", Palmer replied, "Above everything else she displayed a disposition of the most Christian forgiveness." In covering her death and funeral, the mainstream newspapers in Hawaii that had supported the overthrow and annexation had to give it to her that she had been held in great esteem around the world. In March 2016, Hawaiʻi Magazine listed Liliʻuokalani as one of the most influential women in Hawaiian history. She sounds like a pretty good woman all things considered.
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