display:none">{span style="color:white;background-color:gold"}2019{/span} Lapsuus
display:none">Nuoruus
display:none">Aikuisuus
display:none">Dantea
display:none">Miltonia
display:none">Psalttaria
display:none">Lyriikkaa
display:none">Haukuntaa
display:none">Moraalia
display:none">Mystikkaa
display:none">Miesasiaa
display:none">Rousseauta
display:none">Estetiikkaa
display:none">Keljuilua
display:none">Paasausta
display:none">Semantiikkaa
display:none">Sanasotaa
display:none">{span style="color:white;background-color:blue"}2020{/span} Saippuaa
display:none">Epigrammeja
display:none">Naisasiaa
display:none">Kertomuxia
display:none">Vastauxia
display:none">Novelleja
display:none">Hyötykirjoja
display:none">Nostalgiaa
display:none">Huuhaata
display:none">Vanhuudesta
display:none">Yrsel
display:none">Hajuviestejä
display:none">Ilkikuria
display:none">Yxinpuhelua
display:none">Exotiikkaa
display:none">Mussutusta
display:none">Memorabilia
display:none">Yli-inhimillistä
display:none">Käytännön piloja
display:none">McGarmiwaa
display:none">Vaikealukuista
display:none">Luonnonnoppia
display:none">Kielilläpuhumista
display:none">Urheilulegendaa
display:none">Ruudinkatkuista
display:none">Jöötinvääntöä
display:none">Laulurunoutta
display:none">Valitusvirsiä
display:none">Jäähyväiset aseelle
display:none">Politiikkaa
display:none">Tyyylsäää
display:none">Jyviä ja akanoita
His earliest volume of verse was published in 1889, and its slow-paced and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley, and the poets of the Pre-Raphaelite Brotherhood.
display:none">Einfach Klasse
display:none">Ekofasismia
display:none">Setämiehissä
display:none">Punapyllypaviaaneja
display:none">Myrkyllistä
display:none">Puunhalausta
display:none">Syväpolitiikkaa
display:none">Salaliittoteoriaa
display:none">Sotahistoriaa
display:none">Elämää ja teoxia
display:none">Antiikkia & designiä
display:none">Lähdekritiikkiä
display:none">Jyrähtelyä
display:none">Länsiviihdettä
display:none">Valivalia
display:none">Vulgääriä
display:none">Vetolaastareita
display:none">Rappinkia
display:none">Jaxaajaxaa
display:none">Läppäkeppejä
display:none">Psykopatiaa
display:none">Juonipaljastuxia
display:none">Puutaheinää
display:none">Pyllykielitiedettä
display:none">Ufoa
display:none">Brassailua
display:none">Näkyjä
display:none">Haahkanuntuvia
display:none">Papanoita
display:none">Leijailua
display:none">Heppaharrastusta
display:none">Tipukirjallisuutta
display:none">Kirja-arvostelua
display:none">Toteemipaalu
display:none">Sekoilua
display:none">Sankareita sukkahousuissa
display:none">Nimettömiä vihapuheita
display:none">Kökköä
display:none">Törkyä
display:none">Herttaista
display:none">Vapaaliikkeitä
display:none">Nekrologeja
display:none">Pollerunoilua
display:none">Hymistelyä
display:none">Höpötystä
display:none">Herborisointia
display:none">Roskaa
display:none">Syysmietteitä
display:none">Pyhistelyä
display:none">Valemuistoja
display:none">Luovaa kirjoittamista
display:none">Luovaa heppahulluutta
display:none">Asosiaalista realismia
display:none">Liian pitkä lukea
display:none">Oodeja
display:none">Indoeuroviisuja
display:none">Singlejä
display:none">Nugaata
display:none">Puisevaa
display:none">Hölzernes
display:none">Kotkotusta
display:none">Sysin seppoja
display:none">Paskakirjoja
display:none">Luontopalveluja
display:none">Röyhkeää
display:none">Persuuxia
display:none">Sananlaskuja
display:none">Axiomatikkaa
display:none">Kyykytystä
display:none">Paasaajia
display:none">Nonbinääriä
display:none">Lofotnoter
display:none">Lakeja
display:none">Angstailua
display:none">Panennaisia
display:none">Spoilereita
display:none">Värikästä
display:none">Hominointia
display:none">Japonais-täytettä
display:none">Jumalanpilkkaa
display:none">Nysväystä
display:none">Sikailua
display:none">Koijausta
display:none">Steppailua
display:none">Sotahistoriaa
display:none">Kulttuurihistoriaa
display:none">Sekasortoa
display:none">Lopunaikoja
display:none">Molskintaa
display:none">Kylmiä paloja
display:none">Vaihtoehtoisia tunnustuxia
display:none">Vaihtoehtoisia bioja
display:none">Mytopoetiikkaa
display:none">Eurodollareita
display:none">Paapomista
display:none">Konnankoukkuja
display:none">Dadaa
display:none">Naurua
display:none">Taikamatuja
display:none">Kliseitä
display:none">Propagandaa
display:none">Romantiikkaa
display:none">Poppia
display:none">Sätkytystä
display:none">Elvistelyä
display:none">Finnin puristelua
display:none">Dystopiaa
display:none">Publikaaneja
display:none">Rupusakkia
display:none">Turrnipsi pellossa
display:none">Misogyniaa
display:none">Misokeittoa
display:none">Taistoturrukoita
display:none">Paskiaiset vormuissa
display:none">Klicheitä, klicheitä
display:none">Tölkeittäin natomatoja
display:none">Poliittista runoutta
display:none">Kaskuja
display:none">Nuorten toiveita
display:none">Latin obscenity
display:none">Sosialistista realismia
display:none"> Ornamentalismia
display:none">Koomikoita
display:none">Videotörkyä
display:none">Perseilyä
display:none">Fanzua
display:none">Pyllistelyä
display:none">Semitismiä
display:none">Alastomuutta
display:none">Väkivaltaa
display:none">Silmitöntä väkivaltaa
display:none">Lisää silmitöntä väkivaltaa
display:none">Karvaperseitä
display:none">Blacklistoja
display:none">Valtapeliä
display:none">Oikeutettua väkivaltaa
display:none">Kyntöä
display:none">Kyttyröitä
display:none">Kansanmurhia
display:none">Nobelismia
display:none">
display:none">Käärijöitä ja munamiehiä
display:none">Vitun hölmöjä
display:none">Öyhöttäjiä
display:none">Paasauxia
display:none">Mitä vittua!
display:none">Eihän asia kyllä minulle kuulu
display:none">Reittiopas
display:none">Finnin puristelua
display:none">Kauhua
display:none">Lisää pyllistelyä
display:none">Tappavaa
display:none">Hulabaloota
display:none">Huumoria
display:none">Kapitalistinen manifesti
display:none">Terdellä
display:none">Terdellä
display:none">Aika heikkoa
display:none">Simppeliä
display:none">Kommando pimppeling
display:none">Roistomaista
display:none">Konnailua
display:none">Matuja
display:none">Sentimentalismia
display:none">Eetuilua
display:none">Ryöstökapitalismia
display:none">Antikommunismia
display:none">Antiputinismia
display:none">Reviiriajattelua
display:none">Lipilaaria
display:none">Höpsismiä
display:none">Voluntarismia
display:none">Kinefiliaa
display:none">Koprolaliaa
display:none">Oligodontiaa
display:none">Trendejä
display:none">Kimchiä
display:none">Demilitarisaatiota
display:none">Rautaesiripun takana
display:none">Peilailua
display:none">Persuilua
display:none">Lisää matuja
display:none">Fasilitointia
display:none">Anaalisosialismia
display:none">To business!
display:none">Kulturnoje
display:none">Yrittäjähenkistä
display:none">Toiveikasta
display:none">Positiivista
display:none">{span style="color:white;background-color:purple"}2024{/span} Runkkua
display:none">Vihapuhetta
display:none">Emävaleita
display:none">Hätävaleita
display:none">Puolitotuuxia
display:none">Ilmaisrakkautta
display:none">Modernismia
display:none">Varhaisromantiikkaa
display:none">Neurolepsiaa
display:none">Kuppasta
display:none">Vakoilua
display:none">Sukoilua
display:none">Paleofiktiota
display:none">Syntipukkeilua
display:none">Paranoidia
display:none">Sikasovinismia
display:none">Feminismiä
display:none">Kökkäreitä
display:none">Pökäleitä
display:none">Hurlumheitä
display:none">Rapukarkkeja
display:none">Pomilointia
display:none">Suunsoittoa
display:none">Mölinää
display:none">Hölinää
display:none">Teppoilua
display:none">Kupla kurkussa
display:none">Tappojuttuja
display:none">Turhuutta
display:none">Kauhu kaunaista
display:none">Turhuutta
display:none">Kohinaa
display:none">Tohinaa
display:none">Pillitystä
display:none">Napinaa
display:none">Kamalaa
display:none">Humoristista
display:none">Hörhöjä
display:none">Torttuja
display:none">Vakavasta vallatonta
display:none">Blattebajs
display:none">Väpelöintiä
display:none">Elämäkerturointia
display:none">Elämänparturointia
display:none">Nyt pohditaan
display:none">Nyt rähistään
display:none">Usvaa putkeen
display:none">People in motion
display:none">Izesaastutusta
display:none">Frankofoniaa
display:none">Territoriaalista
display:none">Hyvvee ja pahhoo
display:none">Hotellin hämärässä
display:none">Ou lipoa, ihqua!
display:none">Mätä torakanpaska
display:none">Mätiä jenkkimunia
display:none">Siivottomuuxia
display:none">Valkoista propagandaa
display:none">Reviiritiimejä
display:none">Vastamulkoista
display:none">Yrittäjähenkistä
display:none">Ryömäläisiä
display:none">Homme machine
display:none">Anglosexiä
display:none">Radical Americana
display:none">Multa tuli jo
display:none">Sensuroitua
display:none">Salatietoa
display:none">Smurffijuttuja
display:none">Kevätnarsismia
display:none">Tunnelimaista
display:none">Tuhat tulimmaista
display:none">Pehmopornoa
display:none">Sekatavaraa
Discovering that Pence is nearby at CPAC, Borat disguises himself as Trump and attempts to give Tutar to him there, but is ejected by security. Nazarbayev is enraged and tells him to return to Kazakhstan for execution. Realizing that he can still give Tutar to someone close to Trump, Tutar suggests giving her to Rudy Giuliani.
xxx/ellauri075.html on line 28: Tennis on parasta huumetta
display:none">Hörhöilyä
xxx/ellauri076.html on line 28: TYPYJÄ TYPYJÄ TYPYJÄ
display:none">{span style="color:white;background-color:orange"}2021{/span} Hulvatonta
xxx/ellauri081.html on line 28: Ecstasy of St. Teresa, 1645–52
display:none">Ekstaasia
xxx/ellauri084.html on line 28: Kuuluisien diktaattorien vauvavalokuvia
display:none">Nalkutusta
xxx/ellauri085.html on line 28: CENSORED DIALOGUE
display:none">Makulatuuria
xxx/ellauri085.html on line 55: Burma-Shave was a brand of brushless shaving cream that was sold from 1925 to 1966. The company was notable for its innovative advertising campaign, which included rhymes posted all along the nation’s roadways. Typically, six signs were erected, with each of the first five containing a line of verse, and the sixth displaying the brand name.
xxx/ellauri086.html on line 28: Sydämen kuiskaus
display:none">Kuiskauxia
xxx/ellauri087.html on line 28: Ilman Pipsaa ei olisi muutakaan
display:none">Huutoja
xxx/ellauri091.html on line 28: Päiväkirjan lisälehtiä
display:none">Muistoja
xxx/ellauri103.html on line 29: We have to talk about Kevin
display:none">Toxisia penseitä
xxx/ellauri104.html on line 29: Iltaan mennessä selkenevää
display:none">Hulluttelua
xxx/ellauri113.html on line 28: Theory of Everything
display:none">Kaiken teoriaa
xxx/ellauri113.html on line 484: An opponent of biological evolution, Berlinski is a senior fellow of the Discovery Institute's Center for Science and Culture, a Seattle-based think tank that is a hub of the pseudoscientific intelligent design movement. Berlinski shares the movement's rejection of the evidence for evolution, but does not openly avow intelligent design and describes his relationship with the idea as: "warm but distant. It's the same attitude that I display in public toward my ex-wives." Berlinski is a critic of evolution, yet, "Unlike his colleagues at the Discovery Institute,...[he] refuses to theorize about the origin of life." Vitun jutku, ei niihin ole luottamista, jeesuxen murhaajiin.
xxx/ellauri114.html on line 27: Do vil inte ha pengar ?
display:none">Vittuilua
xxx/ellauri116.html on line 28: Moskaportaali
display:none">Moskaa
xxx/ellauri120.html on line 28: It was a dark and stormy night.
display:none">Lyttäystä
xxx/ellauri121.html on line 28: Lapsenkokoinen kazomuskasvatus
display:none">Hartautta
xxx/ellauri121.html on line 472: Prayerfest is a one-day festival of prayer. In an atmosphere of passionate worship, fervent praying and powerful preaching, unique expressions of the Holy Spirit are displayed that lead to an encounter with God. Over a six-week period, hundreds of people prepare themselves to meet with God at Prayerfest. God responds to the desperate cries and passionate prayers of His people on a first come-first serve basis for a holy visitation—by invading their lives with His power and glory. Here are some ways to help you prepare for this special day:
xxx/ellauri122.html on line 32: Tips
display:none">Vinkkejä
xxx/ellauri122.html on line 813: The book weaves through the phases of Pilgrim's life, displaying his and Vonnegut's heartbreaking experiences as an American prisoner of war.
xxx/ellauri122.html on line 1031: But is Barbie really that great of a role model? Was she really portraying true feminism or displaying the “right” way to look? Were these impressionable young girls learning an independent way of life or a body figure which should be modeled? If Barbie was paving the “new” way of life, then why was she so goddamn skinny? We liberated U.S. women weigh 3x more in our 10 gallon panties.
xxx/ellauri123.html on line 32: THE COCK
display:none">Löysiä kukkoja ja kanoja
xxx/ellauri124.html on line 32: To Be a Machine
display:none">Masinointia
xxx/ellauri125.html on line 32: Лолита
display:none">Gastropodiaa
xxx/ellauri126.html on line 32: Miten reagoit naapureihisi?
display:none">Urbaania
xxx/ellauri127.html on line 32: Pigita
display:none">Mansplainingia
xxx/ellauri128.html on line 29: Kootut töräyxet
display:none">FUCK!
xxx/ellauri129.html on line 28: LIFESTYLE
display:none">EAT!
xxx/ellauri130.html on line 28: Tuomiopäivän pasuunat
display:none">KILL!
xxx/ellauri134.html on line 28: Tääl on niin kuuma
display:none">Virallinen musiikkivideo
xxx/ellauri136.html on line 28: SOLD
display:none">Somepöhinää
xxx/ellauri137.html on line 32: Hentosudenkorento ja Jauhopukki
display:none">{span style="color:white;background-color:green"}2022{/span} Evoluutiopsykologiaa
xxx/ellauri137.html on line 579:
displayphoto-shrink_200_200/0/1517607456093?e=1649289600&v=beta&t=uUKZLcXC3LMe7bctyMxzV2w5-Us0969pQWSUDfSHvuc" />
xxx/ellauri138.html on line 28: Dichtung und Wahrheit
display:none">Alternatiivista totuutta
xxx/ellauri139.html on line 28: IDIOOTTI!
display:none">Idiotiaa
xxx/ellauri148.html on line 33: WORLD HOORAY DAY
display:none">Uraata
xxx/ellauri149.html on line 33: LIMAA
display:none">Limaa
xxx/ellauri154.html on line 29: Comtes droolatiques
display:none">Leikkisää
xxx/ellauri157.html on line 32: TIEDE 2022
display:none">Naturalia atque turpia
xxx/ellauri157.html on line 104: Jordaens’s large painting of The Wife of King Candaules displaying herself to Gyges is in the Nationalmuseum, in Stockholmii. In the large painting, the Queen is depicted lifesize, seen from behind, standing before a canopied bed. She is virtually naked, but for a string of pearls and a lace-trimmed cap. Just as she is about to step into her bed, she pauses and casts a backward glance, apparently addressing the viewer with a conspiratorial smile. On the far right of the picture, Gyges can be glimpsed craning his head through a gap in the curtain, with the King close behind him.
xxx/ellauri165.html on line 29: "HIS MASTER'S VOICE."
display:none">Neizeellistä
xxx/ellauri166.html on line 29: AARON SKEBA
display:none">Käärmeilyä
xxx/ellauri166.html on line 70: According to an unidentified identifying document [citation needed] at the Hagia Sophia in Istanbul, Moses's staff would supposedly be on display today at the Topkapı Palace, Istanbul, Turkey. The Topkapi Palace holds other reputedly holy relics, most notably those attributed to the Islamic prophet, Muhammad. (Such as his bow, his sword, his footprint, and even a tooth.) Topkapı Palace was officially designated a museum in 1924, and the holy relics were placed on public view on 31 August 1962. It is said that Sultan Selim I (1512–1520) brought the holy relics to Topkapi Palace after conquering Egypt in 1517.
xxx/ellauri167.html on line 33: MALA TESTA
display:none">Päänsärkyä
xxx/ellauri167.html on line 578: The violence in Chicago was all-encompassing, and longhairs weren’t the only targets of the police. Journalists with clearly displayed credentials were attacked, including, most notoriously, CBS’ Dan Rather. This laid the foundation for the cries of “liberal bias” that hound and undermine the mainstream news media to this day.
xxx/ellauri167.html on line 594: By early October of 1968, CBS received 8,670 letters about Chicago, and 60 Minutes’ Harry Reasoner reported that the mail ran 11-to-1 against the network. A viewer in Ohio wrote, “I’ve never seen such a disgusting display of one-sided reporting in all of the years I’ve watched television.” From South Carolina, a letter writer griped, “Your coverage was … slanted in favor of the hoodlums and beatniks and slurred the police trying to preserve order.” A North Carolina viewer complained that, “When a great network refers to trouble makers as THESE YOUNG PEOPLE and in such a … tender tone, that is bias.” A New Yorker even suggested that the police had engaged in righteous violence: “Our Lord whipped the money lenders out of the temple. Are you going to accuse Him of brutality?”
xxx/ellauri168.html on line 33: SYVEMPÄÄ TIETOA...
display:none">Kähmintää
xxx/ellauri169.html on line 33: KELPAAN TÄLLAISENA!
display:none">Syviä asanoita
xxx/ellauri170.html on line 33: LA COMÉDIE DE LA MORT
display:none">Tragikoomista
xxx/ellauri173.html on line 33: Papinin marmiitti
display:none">Protoplasmaa
xxx/ellauri174.html on line 33: Hadaly
display:none">Ektoplasmaa
xxx/ellauri175.html on line 33: SOWANA
display:none">Misofransiaa
xxx/ellauri176.html on line 39: Ruppari
display:none">Samaa vaan
xxx/ellauri176.html on line 69: Furthermore, Pseudo-Cooper continues that the evidence suggests that Idomeneus invented the more salacious version of the story, possibly in his desire to parody and ridicule the courtroom displays of Athenian demagogues. Considering his preference for attributing sexual excess to these demagogues, the provocative act of disrobing Phryne fits the character Hypereides had acquired in Idomeneus' work. As is not uncommon in the biographical tradition, later biographers failed to notice that earlier biographers did not give an accurate representation of events. The later biographer Hermippus incorporated the account of Idomeneus in his own biography. An extract from Hermippus' biography is preserved in the work of Athenaeus and Pseudo-Plutarch.
xxx/ellauri177.html on line 33: PAPPI ASTUU PASKAAN
display:none">Katollista
xxx/ellauri178.html on line 33: Intohimon Professori
display:none">Himokasta
xxx/ellauri178.html on line 102: Fauntleroy: One who strongly exhibits the tendencies of a blantant homosexual, or actually is a homosexual. Oftentimes used to describe purportedly straight men, during a display of Homosexuality. Named after Little Lord Fauntleroy, a book by Frances Hodgson Burnett in 1885 that resulted in openly gay fashion trends.
xxx/ellauri179.html on line 33: Ford Fiesta
display:none">Homokasta
xxx/ellauri186.html on line 31: JOSÉ DE SOUSA
display:none">Sotarikollista
xxx/ellauri187.html on line 32: CHINS UP
display:none">Panettelua
xxx/ellauri193.html on line 31: MIN
GALNA
HAGE
display:none">Smuts
xxx/ellauri193.html on line 417:
display.jpg" />
xxx/ellauri195.html on line 32: Vitun vitun vittu
display:none">Kyrkästystä
xxx/ellauri199.html on line 32: Hello Poetry
display:none">Poetiikkaa
xxx/ellauri199.html on line 907: Contemporary odes to Neptune were harder to come by, but divine intervention ensured I found one that mentioned him by name. One of the highlights of my recent trip to Odesa, discussed here on the blog, was a visit to the literary museum, which houses a small collection of Anna Akhmatova’s work. The statuesque Russian poet, melancholic lover and resolute witness to the Stalinist and Putinist terrors, was born near Odesa and spent her childhood summers in the region. The display included a palm-sized booklet of the long poem ‘Close to the Sea’, or as my host translated, ‘very close’: an intimate relationship. I looked it up in The Complete Poems when I got home and assumed it must be ‘By the Edge of the Sea’. The ballad of a fierce young woman willing the arrival of her beloved from the waves, the poem was too long for the workshop and extracts would not do it justice. A shame, I thought, setting down the 950 page book, which promptly fell open to:
xxx/ellauri200.html on line 32: I am levitating now
display:none">Rodullistusta
xxx/ellauri200.html on line 75: When seated in the Lotus Position, a character may levitate to demonstrate that he or she is meditating particularly profoundly. The Levitating Lotus Position is also used to show that a character is displaying his or her Psychic Powers/Enlightenment Superpowers, intensely concentrating, healing, or is just especially calm.
xxx/ellauri201.html on line 32: Meninas do pinup
display:none">Kovaxikeitettyä
xxx/ellauri202.html on line 31: Hiljaa virtaa jaaritus
display:none">Jaaritusta
xxx/ellauri208.html on line 34: Middag-kuja
display:none">Tyyylsäää
xxx/ellauri209.html on line 33: On the Wallaby Track
display:none">Tumpelointia
xxx/ellauri212.html on line 34: AMOR ME DIO LA DESPEDIDA
display:none">Sexiä
xxx/ellauri212.html on line 413: The painter — whose real name was Balthasar Klossowski de Rola and who died in 2001 — has been a controversial figure in the art world for decades. Many of his paintings show highly sexualized depictions of young girls. His 1934 work "The Guitar Lesson" was one of his first to scandalize his peers. When it was displayed along with "Thérèse Dreaming" and other Balthus paintings at a special exhibit in the Met in 2013, a plaque warned readers that the paintings were disturbing in nature.
xxx/ellauri215.html on line 34: TROLLET PÅ KARL JOHAN
display:none">Trollausta
xxx/ellauri218.html on line 35: KUOLEMAN KUNNARI
display:none">Kauhua
xxx/ellauri224.html on line 38: KUOLEMA JAUHONAAMOILLE
display:none">Röhönaurua
xxx/ellauri225.html on line 33: 2x haarautuva halko
display:none">Sapfekasta
xxx/ellauri225.html on line 258: Le Guin refused a Nebula Award for her story "The Diary of the Rose" in 1977, in protest at the Science Fiction Writers of America's revocation of Stanisław Lem's membership. Le Guin attributed the revocation to Lem's criticism of American science fiction and willingness to live in the Eastern Bloc, and said she felt reluctant to receive an award "for a story about political intolerance from a group that had just displayed political intolerance".
xxx/ellauri227.html on line 33: IS PRINSESSA
display:none">Jäätävää
xxx/ellauri228.html on line 33: HEI BEIBI,
MÄ OON
TULLA!
display:none">Koomista sexiä
xxx/ellauri228.html on line 39: "I shall now put a few final questions to the honorable delegation from Rhohchia! Is it not true that many years ago there landed on the then dead planet of Earth a ship carrying your flag, and that, due to a refrigerator malfunction, a portion of its perishables had gone bad? Is it not true that on this ship there were two spacehands, afterwards stricken from all the registers for unconscionable double-dealing with duckweed liverwurst, and that this pair of arrant knaves, these Milky-Way ne'er-do wells, were named Lorrd and God? Is it not true that Lorrd and God decided, in their drunkenness, not to content themselves with the usual pollution of a defenseless, uninhabited planet, that their notion was to set off, in a manner vicious and vile, a biological evolution the likes of which the world had never seen before? Is it not true that both these Rhohches, with malice aforethought, malice of the greatest volume and intensity, de vised a way to make of Earth-on a truly galactic scale-a breed ing ground for freaks, a cosmic side show, a panopticum, an exhibit of grisly prodigies and curios, a display whose living specimens would one day become the butt of jokes told even in the outermost Nebulae?!
xxx/ellauri228.html on line 600: Singer/guitarist Donita Sparks of L7 removing her jeans and underwear during a performance, her full-frontal nudity (twat) displayed when she drops her guitar being briefly broadcast.
xxx/ellauri229.html on line 33: 6-SEAT CHRONOBUS
display:none">Retroa
xxx/ellauri229.html on line 541: This baroque had its apologists and theoreticians, who maintained that the body existed for the purpose of deriving the greatest amount of pleasure from the greatest number of sites simultaneously. Merg Brb, its leading exponent, argued that Nature had situated - and stingily at that - centers of pleasurable sensation in the body for the purpose of survival only; therefore no enjoyable experience was, by her decree, autonomous, but always served some end: the supplying of the organism with fluids, for example, or with carbohydrates or proteins, or the guaranteeing - through offspring - of the continuation of the species, etc. From this imposed pragmatism it was necessary to break away, totally; the passivity displayed up till now in bodily design was due to a lack of imagination and perspective. Epicurean or erotic delight? - all a paltry by-product in the satisfying of instinctive needs, in other words the tyranny of Nature. It wasn´t enough to liberate sex - proof of that was sex had little future in it, from the combinatorial as well as from the constructional standpoint; whatever there was to think up in that department, had long ago been done, and the point of automorphic freedom didn´t lie in simple-mindedly enlarging this or that, producing inflated imitations of the same old thing. No, we had to come up with completely new organs and mem bers, whose sole function would be to make their possessor feel good, feel great, feel better all the time.
xxx/ellauri230.html on line 33: MUISTINVARAISESTI NIPPONISTA
display:none">Japonais-täytettä
xxx/ellauri230.html on line 551: Known as the "Iron Man of India", Vallabhbhai Patel was born in Gujarat. He was the fourth of the six children of his father, Jhaveribhai. The first 3 got gold, silver and bronze. Patel is credited for being almost single-handedly responsible for unifying India on the eve of independence. He completed his matriculation at the age of 22 due to the poor financial condition of family. Patel had a desire to study to become a lawyer. So he started to work and save funds. He went to England to study law. He passed examinations within two years and travelled back to India. Patel started practicing as a barrister in Ahmadabad. In 1917, Patel got elected as the sanitation commissioner of Ahmadabad. He displayed extraordinary devotion to duty and personal courage in fighting an outbreak of plague and led a successful agitation for the removal of an unpopular British municipal commissioner. Inspired by the words of Gandhi, Patel started active participation in the Indian independence movement. So apparently he's not the world's largest guy in bronze, but a man of steel.
xxx/ellauri231.html on line 33: Töhnä-kerhon jälkeenjääneet paperit
display:none">Sotahistoriaa
xxx/ellauri232.html on line 33: Feminism underifrån
display:none">Oivalluxia ja niteitä
xxx/ellauri232.html on line 94: Meanwhile, optimistic neoliberal positions wonder how could this happen, if the world is richer than ever, and more and more people have been dragged from poverty. That statistics is no longer even true, and largely overlooks that the poorest classes in developed countries have seen none of this improvement, and that redistribution mechanisms in these countries have been severely diminished by decades of neoliberal policies. The picture below displays the real income growth of the world population, and where it has (roughly) ended up.
xxx/ellauri233.html on line 33: Våga drömma
display:none">Limaista
xxx/ellauri233.html on line 165: Besides working for the civic betterment of local Jews and educational reform, he displayed keen interest in Wissenschaftskäse. But Frankel was always cautious and deeply reverent towards tradition, privately writing in 1836 that "the means must be applied with such care and discretion... that forward progress will be reached unnoticed, and seem inconsequential to the average spectator."
xxx/ellauri233.html on line 410: Shneur Zalman of Liadi (Hebrew: שניאור זלמן מליאדי, September 4, 1745 – December 15, 1812 O.S. / 18 Elul 5505 – 24 Tevet 5573), was an influential Lithuanian Jewish rabbi and the founder and first Rebbe of Chabad, a branch of Hasidic Judaism, then based in Liadi in Grand Duchy of Lithuania and later in the Grodno Governorate of the Russian Empire. He was the author of many works, and is best known for Shulchan Aruch HaRav, Tanya, and his Siddur Torah Or compiled according to the Nusach Ari. Zalman is a Yiddish variant of Solomon and Shneur (or Shne'or) is a Yiddish composite of the two Hebrew words "shnei ohr" (שני אור "two ears"). Shneur Zalman was a prominent (and the youngest) disciple of Dov Ber of Mezeritch, the "Great Maggid", who was in turn the successor of the founder of Hasidic Judaism, Yisrael ben Eliezer, known as the Baal Shem Tov. He too displayed extraordinary talent while still a child. By the time he was eight years old, he wrote an all-inclusive commentary on the Torah based on the works of Rashi, Nahmanides and Abraham ibn Ezra.
xxx/ellauri234.html on line 33: TÖRNI KÄRJESSÄ
display:none">Maanpuolustushenkeä
xxx/ellauri235.html on line 33: Kävin kirjastossa
Suklaaosastossa
display:none">Seiloriaiheista
xxx/ellauri237.html on line 33: THIS SUCKS
display:none">Ylimakeaa
xxx/ellauri239.html on line 34: Kummastuxen avonainen ovi
display:none">Sanoinkuvaamatonta
xxx/ellauri250.html on line 40: Suku on pahin
display:none">Sukuvihaa
xxx/ellauri250.html on line 306: Debby: Let them collapse and go to hell. They cry to everyone that they are a victim when they continually shoot themselves in the foot. It’s a pathetic disgusting and completely nauseating display. I had sympathy for the devil once, I also sold my soul to the devil, and I put my feet in his fire. I will burn no more.
xxx/ellauri251.html on line 39: Gjenganger
display:none">Algolagniaa
xxx/ellauri252.html on line 39: Mappa Mondo
display:none">Juopporemmejä
xxx/ellauri253.html on line 39: KREMLIN
NYRKISTÄ
display:none">{span style="color:white;background-color:red"}2023{/span} Antisosiaalista
xxx/ellauri255.html on line 39: Vienanlahdelta Laatokkaan
display:none">Russofobiaa
xxx/ellauri259.html on line 39: Vapauden ongelma
display:none">Poetic licenses
xxx/ellauri261.html on line 39: HYMINÄÄ
display:none">Ankaraa ilostelua
xxx/ellauri265.html on line 40: PUHUKAA BANAANIIN
display:none">Kompsastuskiviä
xxx/ellauri268.html on line 38: Kuinka valloittaa veitikka
display:none">Paritusta
xxx/ellauri273.html on line 38: Veripalttua
Guate
malassa
display:none">Oikeistoketkuja
xxx/ellauri280.html on line 37: Joka kynsi halkesi
display:none">Kädetystä
xxx/ellauri281.html on line 37: Påskägg
display:none">Pääsiäismunia
xxx/ellauri281.html on line 732: Navalny’s idea is that Putin is the single mastermind of Russian rule and that he dictates to the oligarchs the tribute they should pay–in treasure for him to accumulate and display for himself, his friends and girlfriends in private. This is an Anglo-American cartoon about how oligarchy works everywhere, including the UK and the U.S.–in Russia in particular.
xxx/ellauri286.html on line 37: Stalinin lehmä
display:none">Herutusta
xxx/ellauri287.html on line 37: PAAVALIN RENKAANJÄLJISSÄ
display:none">Mitä ihmettä?
xxx/ellauri289.html on line 37: MASULAN PERITA
display:none">Ihmiskauppaa
xxx/ellauri291.html on line 37:
STAR TREK
display:none">Tähtireellä
xxx/ellauri292.html on line 37: FOTO OLIS KIVA YLLÄRI
display:none">Kirjeenvaihtoa
xxx/ellauri293.html on line 36: ElvenaR
display:none">Eläinfantasioita
xxx/ellauri295.html on line 38: Tintagel
display:none">Tingeltangelia
xxx/ellauri296.html on line 38: ESINAHKAKUKKULA
display:none">Siionismia
xxx/ellauri298.html on line 38: SYYLÄMUNATESTI
display:none">Hullutusta
xxx/ellauri303.html on line 37: JEHOVAN IHMISSUHDE
display:none">Harrasta pyllistelyä
xxx/ellauri304.html on line 37: Tyhmyyden Ylistys
display:none">Hävyttömän typerää
xxx/ellauri304.html on line 596: Status objects. An essay by Tom Wolfe (Bonfire of the Vanities) put this in my head some years ago. A certain kind of person wants to wear shirts that have little alligators on them and another totally different type of person perhaps wants to have a statue of a black jockey on his lawn…or a pink flamingo. My late loving mother, a paragon of taste, once moved into our guest house and put painted plywood cutouts of the backviews of two people, bending over as if planting something in the yard. Naturally, butt cracks were visible because they were the whole point of this architectural and horticultural display. Since my house then was a mansion and a national historic site, I suggested that my mother take her plywood cutouts off the front lawn and put them in her backyard where nobody could see her butt. (I am a long time out of Alabama.)
xxx/ellauri305.html on line 38: Американская трагедия
display:none">Sonninsontaa
xxx/ellauri306.html on line 39: Ilkeyden ylistys
display:none">Pelkkää törkyä
xxx/ellauri307.html on line 39: PRINSSINNAKKEJA
display:none">Lisää törkyä
xxx/ellauri312.html on line 25: Syntymästä lautaselle
display:none">Nurinkurista
xxx/ellauri314.html on line 26: Känslor i kroppen
display:none">Tunnehälyä
xxx/ellauri319.html on line 34: Omituisten Otusten Kerho
display:none">Omituisia otuxia
xxx/ellauri320.html on line 25: Ole Oma Paras Ystäväsi
display:none">Omahoitoa
xxx/ellauri329.html on line 26: Natasha
Mail order bride...
display:none">Housut pois hoitoa
xxx/ellauri337.html on line 38: Gruppenbild mit Damen
display:none">Antifaa
xxx/ellauri354.html on line 35: Memoria de
mis cojones tristes
display:none">Valkoisia valeita
xxx/ellauri356.html on line 35: Tule käteeni
display:none">Päänavauxia
xxx/ellauri357.html on line 35: AVAUTUA SOLMUUN
display:none">Päänauontaa
xxx/ellauri358.html on line 36: HALOT
display:none">Peukutusta
xxx/ellauri361.html on line 35: Ylösnousemus
display:none">Profetioita
xxx/ellauri363.html on line 33: ROTU JA ENNAKKOLUULO
display:none">Xenofobiaa
xxx/ellauri366.html on line 35: HERRA HUU
display:none">Pedofiliaa
xxx/ellauri376.html on line 30: JAG, OLLE OCH PENSÉ
display:none">Muistolaattoja
xxx/ellauri379.html on line 32: Pepun hajua
display:none">Peppurointia
xxx/ellauri380.html on line 30: JALLU
display:none">Pyllyröintiä
xxx/ellauri385.html on line 41: Mötley Crüe
display:none">Törkyä
xxx/ellauri387.html on line 42: Vägen till Moskau
display:none">Sotaintoa
xxx/ellauri388.html on line 38: Puhdas ihannes
display:none">Tumputusta
xxx/ellauri394.html on line 42: ALOHA OE
display:none">Sutinaa
xxx/ellauri394.html on line 263: Captain Julius A. Palmer Jr. of Massachusetts was her friend for three decades, and became her spokesperson when she was in residence at Boston and Washington, D.C., protesting the annexation of Hawaiʻi. In the nation´s capital, he estimated that she had 5,000 visitors. When asked by an interviewer, "What are her most distinctive personal graces?", Palmer replied, "Above everything else she displayed a disposition of the most Christian forgiveness." In covering her death and funeral, the mainstream newspapers in Hawaii that had supported the overthrow and annexation had to give it to her that she had been held in great esteem around the world. In March 2016, Hawaiʻi Magazine listed Liliʻuokalani as one of the most influential women in Hawaiian history. She sounds like a pretty good woman all things considered.
xxx/ellauri397.html on line 38: Ostentatio genitalium
display:none">Iltapäivä-ihinää
xxx/ellauri400.html on line 38: Kauppiaan tarina
display:none">Anglosaxintaa
xxx/ellauri400.html on line 225: For all his championing of disinterestedness, Arnold was unable to practise disinterestedness in all his essays. In his essay on Shelley particularly he displayed a lamentable lack of disinterestedness. Shelley's moral views were too much for the Victorian Arnold. In his essay on Keats too Arnold failed to be disinterested. The sentimental letters of Keats to Fanny Brawne were too much for him.
xxx/ellauri404.html on line 38: FINNISH MEMBERS
GET HARD!!
display:none">Skeidaa netistä
xxx/ellauri407.html on line 38: UROLOGIN UUTISIA
display:none">Lisää skeidaa netistä
xxx/ellauri407.html on line 46:
display:block;margin:0 auto" alt="xxx" />
xxx/ellauri410.html on line 41: TIKARI
LIHAAN
display:none">Hammastahnaa tuubiin
xxx/ellauri410.html on line 148: The Bolovian verses, nevertheless, are offensive to many. Eliot’s “Triumph of Bullshit” was one of the poems that Lewis had rejected for publication. Lois Cuddy opines that “Eliot’s pornographic verses in an ‘epic’ about ‘King Bolo and His Great Black Kween’ indicate the extent and depth of his racial/sexual stereo- types and eugenic prejudices.” They are written from his own “sense of emptiness,” “puritanical principles,” and “sexual repressions.” Furthermore, these poetic vulgarities display Eliot’s acceptance of sexual stereotypes related to black men and women (229). Yet a look at the contexts of these poems, both as “nonsense” for friends and as reflections on the complexities of culture, reveals an earnest belief in the value of the “primitive mind” and even a reversal of “sexual stereotypes related to black men and women.” The man with the prodigious bolo is not King Bolo but sephardic Cristoforo Columbo who regrettably "found" America. “Eliot is today being refashioned as a prescient and extraordinarily sensitive mediator of the major currents of twentieth century cultural and technological change” (Murphet 31).
xxx/ellauri414.html on line 40: SAATANAN KOMMARIT!
display:none">Yrjön yököttävää
xxx/ellauri415.html on line 41: Beruriah
display:none">Ortodoxiaa
xxx/ellauri416.html on line 41: Аміна
display:none">Puolikarkeaa
xxx/ellauri417.html on line 42: IANKAIKKISTA SUTTA
display:none">Irtopäitä lentää
xxx/ellauri422.html on line 42: 5 RAZUMIESTÄ
display:none">Misinformaatiota
xxx/ellauri423.html on line 45: RIEN DE RIEN
display:none">{span style="color:white;background-color:black"}2025{/span} Kevättä
xxx/ellauri427.html on line 45: The REAL Tradewives
display:none">Perinteitä kunnioittaen
xxx/ellauri436.html on line 43: MORAL LUCK
display:none">Onnenkauppaa
xxx/ellauri438.html on line 43: ALATIE
display:none">What, me worry?
xxx/ellauri440.html on line 43: YSTÄVÄ SÄ LAPSIEN
display:none">Toisia tulemisia
xxx/ellauri441.html on line 43: Eurooppa ja Aasia
display:none">Multa tuli jo
xxx/ellauri442.html on line 43: Johdon rattaana
display:none">Niitä näitä
605