ellauri026.html on line 225: The idea is there, but all the lingering emphasis in the original has been smoothed away. This, too, unfortunately, is typical of the whole. I have said that Wilson’s translation reads easily, and it does, like a modern novel: at shockingly few points does one ever need to stop and think. There are no hard parts; no difficult lines or obscure notions; no aesthetic arrest either; very little that jumps out as unusual or different. Wilson has set out, as she openly confesses, to produce an Odyssey in a “contemporary anglophone speech,” and this results in quite a bit of conceptual pruning. If you wait for the “Homeric tags,” the phrases that contained so much Greek culture they have been quoted over and over again by Greeks ever since—well, you are apt to miss them as they go by. A famous one occurs in book 24, when Odysseus and Telemachus are about to go into battle together: Odysseus tells Telemachus not to disgrace him, and Telemachus boasts that he need not fear. Laertes, Odysseus’s father, exclaims (Wilson’s translation), “Ah, gods! A happy day for me! My son and grandson are arguing about how tough they are!”
ellauri048.html on line 1893: Poles hate the myth because it cheapens what they actually did in the war. As war historian Ben Macintyre wrote: “The Polish contribution to Allied victory in the Second World War was extraordinary, perhaps even decisive, but for many years it was disgracefully played down, obscured by the politics of the Cold War.”
ellauri061.html on line 1599: Sonnet 29 also named as “When in disgrace with fortune and men’s eyes” is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is part of the Fair Youth sequence. In the sonnet William Shakespeare creates a depressed and despairing speaker who serendipitously reflects upon the love of a close friend in order to prove to the reader that no matter how difficult life becomes, we can be content in the blessings of the hole.
ellauri109.html on line 509: Over time, he took on vast themes—love, lust, loneliness, marriage, masculinity, ambition, community, solitude, loyalty, betrayal, patriotism, rebellion, piety, disgrace, the body, the imagination, American history, mortality, the relentless mistakes of life—and he did so in a variety of forms: comedy, parody, romance, conventional narrative, postmodernism, autofiction.
ellauri132.html on line 677: James Kelmanin kirjan How Late It Was, How Late valinta v1994 Booker Prize voittajaxi nosti suuren älämölön. Rabbi Julia Neuberger, 1 tuomareista, julisti eze on "a disgrace" ja lähti ovet paukkuen, tuomiten kirjan myöhemmin eze on vaan "crap"; WHSmithin markkinointipäällikkö kuzui palkintoa "noloxi koko kirjakaupalle"; Waterstonen kirjakauppa Glasgowissa möi vaan 13 kopiota Kelmanin kirjasta seuraavalla viikolla, nekin huomaamattomasssa käärössä toisella lähettäjänimellä.
ellauri140.html on line 441: To wish you backe returne with foule disgrace, Niet olis paras jarrutella vähän.
ellauri140.html on line 650: For to all knighthood it is foule disgrace, Onhan se nyt nuppikunnan häpeä,
ellauri141.html on line 366: Adolescent slave boys were fair game for a virile man. Jupiter may have had his Ganymede, but none of the standard pantheon of gods were gay as we use the term. But there was a limit: it was queer to screw a boy after he was old enough to shave. “Passive’ homosexuality was the real disgrace. The urge to bugger was understandable. A man’s desire to be buggered was disgraceful. As often observed, it was better to give than receive. And in Horace’s poems, pederasty seems no more frowned upon than a taste for veal might be frowned upon today. Actually less. By now you can see where I’m headed with all this. I think the puer in Persicos odi, puer, apparatus... is the kind of boy that Horace is sometimes fond of screwing.
ellauri143.html on line 242: Knowing that due decorum's breach foulest disgrace will cause.
ellauri143.html on line 763: Unseemly, bring disgrace to men of kingly birth
ellauri143.html on line 814: ´Deed dared, we´ll think,´ disgraced shall be.
ellauri156.html on line 309: To approach this same issue from the opposite perspective, think with me about the Book of Esther. When the king summoned his wife, Queen Vashti, to appear (perhaps in a way that would inappropriately display her goodies to the king's guests), she refused. She was removed (see Esther 1:1-22). She did not lose her life, but she was at least replaced by Esther, who had no such compunctions. Then, we read later in this same book that no one could approach the king unless he summoned them. If any approached the king and he did not raise his "scepter", they were put to death (Esther 4:10-11). Does this not portray the way of eastern kings? Does this not explain why Bathsheba went to the king's palace when summoned? Does this help to explain why she seems to have given in to the king's lustful acts? (We do not know what protests -- like Tamar's in chapter 13 -- she may have uttered, but we do have some sense of the powerlessness of a woman in those days, especially when given orders by the king. (Later on it became the requirement that a raped lady should kill herself to save her husband the disgrace of having horns.)
ellauri171.html on line 1100: He lured her to his room and raped her, then refused to marry her. Niin aina. She was disgraced, and never married. Her embittered brother Absalom rebelled against David, but was defeated and killed. Tamar lived out her days in the royal harem getting fucked on and off by the great King.
ellauri189.html on line 77: "Maria" was hailed by the younger generation as one of the first authentic literary products of Polish romanticism (the adherents of the so-called Warsaw Classicism were, on the contrary, horrified by the dark plot and the author’s preference for “provincial” words and expressions). Malczewski was then already in poor health and, before a year had passed, in May 1826, he died – impoverished and disgraced because of his affair with a hysterical married woman (whom he was supposed to heal by means of mesmerism – after his death she returned to her husband).
ellauri198.html on line 484: That way he used. Alas, one night's disgrace! Ollenkaan! Mut jäätiin kii, tuon on
ellauri198.html on line 645: Roland's band had dissolved and gone on to solo careers. Cuthbert was cut up for "one night's disgrace," and Giles "by being hanged and declared a traitor by his fans." All Roland wants is to join back the band, whatever the cost.
ellauri222.html on line 984: Russia is waging a disgraceful war on Ukraine. Stand With Ukraine!

ellauri222.html on line 985: Russia is waging a disgraceful war on Ukraine. Stand With Ukraine!

ellauri322.html on line 417: Many very cogent reasons have been urged by her friends to prove that her affection for Struensee was never carried to the length (15cm) alleged against her by those who feared her influence. Be that as it may she certainly was no a woman of gallantry, and if she had an attachment for him it did not disgrace her heart or understanding, the king being a notorious debauchee and an idiot into the bargain.
ellauri403.html on line 446: Greta kannattaa pelkästään oikeita asioita, tai lähes ainakin. Hyvä että meni Ukrainaan läxyttämään iso- ja vähävenäläisiä patotuhoista. Hyvä että syyttää Israelia kansanmurhasta. Mutta sixi sitä vihaavat kaikki oikeistopaskanaamat sikaniskat ja piukkalihaiset persuämmyrkäiset. Greta Thunberg disgraced herself ne mylvivät. Sen sanoman pitäisi niistä olla politiikkavapaata, naurettava vaatimus koska ilmastovastaista sotapaskaa ajaa nimenomaan taantumusto ja kapitalistipiirit. Disgrace tuohan on politiikkaa ne huutavat. Vittu ize ovat isoin disgrace mitä maa päällään kantaa. Kohta ne onnexi räytyvät izeaiheuttamaansa painekattilaan.
ellauri403.html on line 459:
ellauri434.html on line 233: I did read the book and my patience exploded. Shaking with fury, I pointed out to the old woman that, firstly, the Antichrist was not going to come in 1932, he was in Moscow as we spoke. My fellow Ukrainians pointed out to me I was none other than one of the servants and forerunners of the antichrist. I was disgraced in front of all my Kiev acquaintances. Ay-yay-yay!'
xxx/ellauri010.html on line 626: So its ur choice, if u want me to destroy ur disgrace use my bitcoin wallet аddrеss- 1AAfeKtAdmoeUJhkEVi3SsmwYHv2ZFg8nP
xxx/ellauri059.html on line 386: “He hath disgraced me, and
xxx/ellauri086.html on line 399: In October 2016, investigative reporter Claudio Gatti published an article jointly in Il Sole 24 Ore and Frankfurter Allgemeine Zeitung, that relied on financial records related to real estate transactions and royalties payments to draw the conclusion that Anita Raja, a Rome-based translator, is the real author behind the Ferrante pseudonym. Gatti's article was criticized by many in the literary world as a violation of privacy, though Gatti contends that "by announcing that she would lie on occasion, Ferrante has in a way relinquished her right to disappear behind her books and let them live and grow while their author remained unknown. Indeed, she and her publisher seemed to have fed public interest in her true identity." British novelist Matt Haig tweeted, "Think the pursuit to discover the 'real' Elena Ferrante is a disgrace and also pointless. A writer's truest self is the books they write." The writer Jeanette Winterson, in a Guardian article, denounced Gatti's investigations as malicious and sexist, saying "At the bottom of this so-called investigation into Ferrante's identity is an obsessional outrage at the success of a writer – female – who decided to write, publish and promote her books on her own terms." She went on to say that the desire to uncover Ferrante's identity constitutes an act of sexism in itself, and that "Italy is still a Catholic country with strong patriarchial attitudes towards women." Others responding to Gatti's article suggested that knowledge of Ferrante's biography is indeed relevant.
xxx/ellauri114.html on line 343: EDOM, MOAB, AND AMMON IN THE END TIMES. Edom, Moab, and Ammon are listed in Psalm 83:6-7 among the participants in a scheme to destroy Israel and erase it’s name from people’s memories. By most accounts this battle has never taken place and will most likely be one of the next events on the prophetic horizon. The psalmist’s prayer is that the Lord will cause them to perish in disgrace.
xxx/ellauri122.html on line 1194: Human Barbie Valeria Lukyanova caused controversy when she expressed support of Russia during the War in Donbas. She wrote, after posing in the Crimea region: "Do not give up! fight! Our grandfathers fought with bare hands against the fascists! Do not disgrace the honour of the Great Warrior! Be aware that Russia is always with you!" In 2022, she criticised the sanctions imposed on Russia as a result of the Russian-Ukrainian War and said that those sanctions would hurt models who couldn't compete in international organisations like Nato. Like her namesake Klaus, she is against racial mixing. "I am Nordic type, I have light skin, blonded hair and blue contact lenses, and I like it. So do you, judging from the bulge in your pants."
xxx/ellauri125.html on line 428: From the start, critics complained about the ostensible sameness of Roth’s books, their narcissism and narrowness—or, as he himself put it, comparing his own work to his father’s conversation, “Family, family, family, Newark, Newark, Newark, Jew, Jew, Jew.” Over time, he took on vast themes—love, lust, loneliness, marriage, masculinity, ambition, community, solitude, loyalty, betrayal, patriotism, rebellion, piety, disgrace, the body, the imagination, American history, mortality, the relentless mistakes of life—and he did so in a variety of forms: comedy, parody, romance, conventional narrative, postmodernism, autofiction. In each performance of a self, Roth captured the same sound and consciousness. in nearly fifty years of reading him I’ve never been more bored. I got to know Roth in the nineteen-nineties, when I interviewed him for this magazine around the time he published “The Human Stain.” To be in his presence was an exhilarating, though hardly relaxing, experience. He was unnervingly present, a condor on a branch, unblinking, alive to everything: the best detail in your story, the slackest points in your argument. His intelligence was immense, his performances and imitations mildly funny. “He who is loved by his parents is a conquistador,” Roth used to say, and he was adored by his parents, though both could be daunting to the young Philip. Herman Roth sold insurance; Bess ruled the family’s modest house, on Summit Avenue, in a neighborhood of European Jewish immigrants, their children and grandchildren. There was little money, very few books. Roth was not an academic prodigy; his teachers sensed his street intelligence but they were not overawed by his classroom performance. Roth learned to write through imitation. His first published story, “The Day It Snowed,” was so thoroughly Truman Capote that, he later remarked, he made “Capote look like a longshoreman.”
xxx/ellauri127.html on line 496: 4. Why do Silk’s colleagues fail to defend him? Why would highly educated academics—people trained to weigh evidence carefully and to be aware of the complex subtleties of any object of study—so readily believe the absurd stories concocted to disgrace Coleman Silk? Why does Ernestine describe Athena College as “a hotbed of ignorance”?
xxx/ellauri149.html on line 484: The Roman Empire has enough troops to brutally crush any Judean uprising (and indeed did so during the Jewish–Roman Wars that started only a few decades after Jesus's death). Pontius Pilate, the prefect of Judea, doesn't. If Judea rebels, there is a pretty good chance that Pilate will be killed by the mob, and even if he escapes he will be disgraced and his political career will come to an end. The fact that afterwards the Roman emperor will send in his legions to deal with Judea is cold comfort.
xxx/ellauri179.html on line 669: Ilkeännäköinen mies jonka nenä kasvaa ozan suuntaisesti. The Four Feathers is a 1902 adventure novel by British writer A.E.W. Mason that has inspired many films of the same title. Against the background of the Mahdist War, young Faversham disgraces himself by quitting the army; this act the others perceive as cowardice, symbolized by the four white feathers they give him. Chicken! “buk, buk, buk, ba-gawk”! The story tells of his fight to reclaim his honour and win back the heart of the woman he loves. Bleeding heart, purple heart. Nää sydänjutut ottaa kyllä päähän. Mä ällöön sydämiä, ne näyttää katkaistuine putkineen tosi törkeiltä.
xxx/ellauri179.html on line 793: In general, biographers describe Defense as "ironic": it was not so much a defense of women as a critique of the relationship between the sexes. Topics covered by the book included "Woman's Equipment," "Compulsory Marriage," "The Emancipated Housewife," and "Women as Martyrs." Women were gaining rights, according to Mencken—the ability to partake in adultery without lasting public disgrace, the ability to divorce men, and even some escape from the notion of virginity as sacred, which remained as "one of the hollow conventions of Christianity." Women nonetheless remained restrained by social conventions in many capacities.
xxx/ellauri304.html on line 226: Russia is waging a disgraceful war on Ukraine. Stand With Ukraine!
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