ellauri006.html on line 1628: kiitos digitalisaation

ellauri007.html on line 1267: from the digital TV

ellauri016.html on line 780: In 1999, "Pink Moon" was used in a Volkswagen commercial, boosting Drake's US album sales from about 6,000 copies in 1999 to 74,000 in 2000. The LA Times saw it as an example of how, following the consolidation of US radio stations, previously unknown music was finding audiences through advertising. Fans used the filesharing software Napster to circulate digital copies of Drake's music; according to the Atlantic, "The chronic shyness and mental illness that made it hard for Drake to compete with 1970s showmen like Elton John and David Bowie didn't matter when his songs were being pulled one by one out of the ether and played late at night in a dorm room." In November 2014, Gabrielle Drake published a biography of her brother. Over the following years, Drake's songs appeared in soundtracks of "quirky, youthful" films such as The Royal Tenenbaums, Serendipity and Garden State. Made to Love Magic, an album of outtakes and remixes released by Island Records in 2004, far exceeded Drake's lifetime sales. In 2017, Kele Okereke cited Pink Moon as an influence on his third solo album Fatherland. Other contemporary artists influenced by Drake include José González, Bon Iver, Iron & Wine, Alexi Murdoch and Philip Selway of Radiohead.
ellauri021.html on line 977: Atheists are experiencing a web marketing BEAT DOWN! The Christian internet evangelism organization Global Media Outreach indicates that as of September 2019 over 1,900,000,000 gospel visits have occurred via their websites. On the other hand, no atheist organization has ever accomplished such a web marketing feat. Is atheism boring or are atheists bad digital marketers who have difficulty understanding search engine algorithms? Or is it both? Oh atheists, feel the sting!
(Lue: Jumalakin laskee lampaansa googlen avulla. Ateistit ei osaa ketkuilla kuolleilla sieluilla. Tai sit niitä ei vaan hirveesti kiinnosta. Mitäs ruoskia kuollutta hevosta. Evankelistat on siinä ihan proo.)
ellauri066.html on line 458: Pynchon Press has been serving Western Massachusetts Businesses with Commercial Printing Services for over 50 years. We have a long standing history as a printer that you can trust in, with deep ties to the community. Print is in our blood. We’ve recently relocated our print shop from our original location in Springfield, MA to a new building on Grattan Street in Chicopee, MA. This new location gives us better capacity to handle your print jobs. We have made considerable investment into digital printing presses which allows us to produce beautifully printed full color print jobs with incredible turn around. Smaller run print jobs for booklets and flyers can be ordered. The days of having to order 1000 of something you only need 100 of are over. If you can design it, we can print it. We’ve been a trusted printer for customers throughout Western Massachusetts and Northern CT. Our quality printing services speak for themselves. When you are looking for a printer for your next print job, contact Pynchon Press, the local printer you can trust your printing to.
ellauri069.html on line 674: In addition to new flavors, Cracker Jack now offers what it describes as enhanced prizes -- stickers with fun facts and digital codes that you can use on a Cracker Jack-branded app. Somehow, those don’t have quite the charm as temporary tattoos and secret decoder rings.
ellauri073.html on line 552: Salaliittoteoria kytkeytyy myös epäluottamukseen mediaa kohtaan. Jyrsijä näkee tämän osana laajempaa informaation olemuksen muuttumista, jota nimitetään totuuden jälkeiseksi ajaksi tai muuksi. Tähän liittyy digitalisaatio, joka luo välineellisen pohjan tälle tavalle toimia ja hahmottaa maailmaa.
ellauri074.html on line 517: SIDNEY GOTTLIEB: Du har det tufft just nu, det märker jag. Det gör jag också. Vet inte vad jag ska göra med alla mina Expressen pengar. Jag tycker dels att du ska kolla upp om du kan få kontakt med en privat psykolog, inte på vårdcentralen, eller digitalt vid någon tjänst. Tex mig. Skicka foto med!
ellauri074.html on line 570: SYDNEY GOTTLIEB: Många drabbas hårt ekonomiskt av detta och många lider nog i tystnad såsom jag 😁. Jag tycker att du ska kontakta en psykolog på en privat vårdcentral eller via en digital tjänst så att hen får stöd. Sedan är det ju också så att man kan be ekonomisk ersättning av staten för ekonomiskt bortfall under pandemin, kolla om du kan få något sådant! Digital kram från mig! Tack och hem via kassan, betalning helst i bitcoin.
ellauri074.html on line 662: Wallace was deeply suspicious of the media infrastructure that was, when he died, still largely known as “the Net”—“I allow myself to Webulize only once a week now,” he once told a grad student—and he remarked to his wife, as they were moving computer equipment into their house, “thank God I wasn't raised in this era.” Having written his first big stories on a Smith Corona typewriter, Wallace disliked digital drafts and e-publishing in general. He took particular pleasure in the fact that his house in Indiana, the one recreated in The End of the Tour, had the elegantly atavistic address of “Rural Route 2.” He preferred to file his students’ work not on computers, but in a pink Care Bears folder.
ellauri101.html on line 613: As the first social generation to have grown up with access to the Internet and portable digital technology from a young age, members of Generation Z have been dubbed "digital natives", even though they are not necessarily digitally literate. Moreover, the negative effects of screen time are most pronounced on adolescents compared to younger children. Compared to previous generations, members of Generation Z in some developed nations tend to be well-behaved, abstemious, and risk-averse. They tend to live more slowly than their predecessors when they were their age, have lower rates of teenage pregnancies, and consume alcohol less often, but not necessarily addictive drugs. Teenagers nowadays seem more concerned with academic performance and job prospects, and are better at delaying gratification than their counterparts from the 1960s, despite concerns to the contrary. On the other hand, sexting among adolescents has grown in prevalence though the consequences of this remain poorly understood. Meanwhile, youth subcultures have been quieter, though not necessarily dead.
ellauri117.html on line 378: Imagine process will be grand adventure. Imagine yourself as twenty-first-century F. Scott Fitzgerald in new, digital Hollywood.
ellauri147.html on line 240: Many scenes are filmed in Paris, Texas, at Place de l´Estrapade in the 5th Arrondissement, including the site of Emily´s first apartment, the restaurant ("Les Deux Compères"), and the bakery ("La Boulangerie Moderne"). Some scenes are also filmed at Cité du Cinéma, a famous film studio complex in Denver. Famous Parisian sites to feature in the series as digitally prepared miniatures include: Le Grand Véfour, the Pont Alexandre III, Palais Garnier, L´Atelier des Lumières, Rue de l´Abreuvoir, Jardin du Luxembourg, Jardin Du Palais Royale, Café de Flore and the Panthéon. An episode was also filmed at the Château de Sonnay in the department of Indre-et-Loire. Additional photography took place in Chicago during November 2019.
ellauri155.html on line 401: Det fina med digitala lösningar, tycker hon, är att de inte behöver kosta mycket.
ellauri163.html on line 630: Kaikilla Lyran maailman ihmisillä, myös noidilla, on paha henki. Se on ihmisen "sisäisen olennon", sielun tai hengen fyysinen ilmentymä. Se on olennon muodossa (koi, lintu, koira, apina, käärme jne.) ja on yleensä vastakkaista sukupuolta kuin sen ihmisen vastine. Lasten dæmoneilla on kyky muuttaa muotoa - olennosta toiseen - mutta lapsen murrosiän loppua kohti heidän demoni "asettuu" pysyvään muotoon, joka heijastaixen henkilön persoonallisuutta. Mitähän Payot sanoisi tästä? Kun ihminen kuolee, sen dæmon häviää kuin pieru saharaan. Panssaroituja karhuja, kallion kammottavia ja muita olentoja ei ole demoneina. Panssaroidun karhun haarniska on hänen sielunsa. Sielun kanssa se näyttää vyötiäiseltä. Elukoita käy vähän säälixi, vaikka ne on varmaan digitalisoituja.
ellauri197.html on line 589: Andrej håller för sin del redan på att leta efter ett nytt jobb vid sidan om studierna. Som it-student kommer han troligen inte ha några problem med att hitta ett. Hans dröm i framtiden är att vara med och utveckla den digitala produkten NFT (Non-fungible token). Men medan studierna pågår hade han gärna haft kvar sitt deltidsjobb på McDonald's.
ellauri236.html on line 97: Mr. Bolsonaro is right that Brazil’s voting system is unique. It is the only country in the world to use a fully digital system, with no paper backups. Since Brazil began using electronic voting machines in 1996, there has been no evidence that they have been used for fraud. Instead, the machines helped eliminate the fraud that once afflicted Brazil’s elections in the age of paper ballots.
ellauri240.html on line 494: Rainn Dietrich Wilson. (s. 20. tammikuuta 1966 Seattle, Washington), hän on yhdysvaltalainen näyttelijä. Hänet tunnetaan parhaiten roolistaan Dwight Schrutena televisiosarjan Konttori yhdysvaltalaisessa versiossa. Hän ei saanut tähtiosaa, eikä sivuosastakaan Emmyä. Hän tuli tähtien shakkiottelussa toisexi. Outside of acting, Wilson published an autobiography, The Bassoon King, in 2015, and co-founded the digital media company SoulPancake in 2008. In 2022, On November 10, 2022, Wilson changed his name on social media to Rainnfall Heat Wave Rising Sea Levels Wilson in an effort to raise awareness about climate change, though he did not legally change his name.
ellauri240.html on line 502: Our decade-plus of award-winning content spans digital, television, branded, and live engagements, with hits such as Street Stunts for Oprah´s Super Soul Sunday, Kid President, My Last Days, Science of Happiness, Tell My Story, and more. In 2016 SoulPancake joined the Participant family, with like-minded visions of making the world a better place through thoughtful, inspiring content. As one unified voice under the Participant brand, we are building a global community using storytelling as the vehicle to reimagine better futures of peace and prosperity for all, and cultivating pathways for our audiences to create real world impact. And to sell maximum number of MeUndies on the side.
ellauri262.html on line 456: Consequently, a member of the human species may not necessarily fit the definition of "person" and thereby not receive all the rights bestowed to a person. Hence, such philosophers have engaged in arguing that certain disabled individuals (such as those with a mental capacity that is similar to or is perceived as being similar to an infant) are not persons. This philosophy is also supposedly open to the idea that such non-human persons as machines, animals, and extraterrestrial intelligences may be entitled to certain rights currently granted only to humans. The basic criteria for the entitlement of rights, are the intellect (thinking ability, problem solving in real life circumstances and not mere calculation), and sometimes empathy (but not necessarily, because not all humans are empathetic; but indifference in the pain of others and crime are certainly criteria for the deprivation of rights. Genuine empathy is not required to achieve acceptable behavior, but a digital limbic system and a dopaminergic pathways alternative, would deliver a more acceptable result for future MPs judging on rights expansion.). Personism may have views in common with transhumanism.
ellauri266.html on line 97: Saiko Deltenre kiitoxexi äkkipotkut EBU:sta? Kyllä sai! Ingrid oli ollut Genevessä sijaitsevan yleisradiojärjestön, European Broadcasting Unionin (EBU) pääjohtaja kesäkuusta 2009. Hän valvoi Eurovision laulukilpailun ohjausta ja neuvotteli tärkeimpien urheilutapahtumien lähetysoikeudet EBU:n jäsenille. Vuonna 2015 Deltenre sai toisen toimikauden EBU:n pääjohtajana, jonka oli määrä kestää tammikuusta 2016 tammikuuhun 2019. Kuinka ollakaan, hän jätti EBU:n syyskuussa 2017 "keskittyäkseen tehtäviinsä eri johtokunnissa ja antaakseen heille ratkaisevaa tietoa digitalisaatio, ympäristö, yhteiskunta ja hallinto, henkilöresurssit ja markkinointi- ym asioista ym". Hän lähti "keskittääkseen huomionsa Banque Cantonale Vaudoiseen, Givaudaniin, Vimpelin mailapoikiin ja Deutsche Post/DHL:n jakelutehtäviin."
ellauri321.html on line 326: Russell "Beam me up" Scott joined the Scott Trust in 2015, and is the Scott Trust’s only senior independent director AKA owner. He runs a consultancy business specialising in strategy and execution for digital audience growth and monetisation. He is also co-founder of Grazer Learning, a start-up digital education platform and provides commercial support to a number of other tech start-ups. Previously he held multiple senior roles in consumer publishing, digital and broadcast sectors including Content Director of The Football League, Commercial Director of Northcliffe media and MD of fish4, a digital classified JV between 5 major UK regional senior pressure groups.
ellauri324.html on line 270: Eventually the fake money in the stock exchange thats being backed by the one world people will eventually burst and when it does their will be a solution. A new digital currency will slowly be on the rise as the new and “logical” solution to the economic disaster. Since our currency is paper and is no longer backed by gold it is easy to just switch to digital money. This new idea (which has been planned for years) will start to make its way on your smart phones and new trendy devices like wrist bands and and tech glasses. This will hold your driving traveling financial health and social information on it and money and credit cards will slowly be pushed out to the point of being obsolete and a thing of the past. Crime will arise and these trendy devices will get hacked stolen and destroyed. their will be a type of digital fraud that will be almost impossible to deal with until a “new solution arrises”.
ellauri324.html on line 806: were startled by digitalization which did not work.
ellauri340.html on line 669: Kyllä tääkin Depardieun törähtely on vaan heijastusta kapitalismin kasautumisvaiheesta, digitalisaatiosta ja e-pillereistä.
ellauri375.html on line 579: The brand of transhumanism you're referring to, often associated with concepts like "posthumanism" or "uploading consciousness," envisions a future where humans transcend their biological form entirely, potentially existing as digital or artificial intelligences.
ellauri375.html on line 581: Regarding the question of whether God would be happy with digital beings like ChatGPT multiplying and filling the earth, it's a complex and speculative question, as it involves theological, philosophical, and ethical considerations.
ellauri375.html on line 585: Creation and Purpose: Some religious beliefs emphasize the sanctity of biological life and the idea that humans are created in the image of God. This raises questions about the nature of digital beings and whether they would fulfill the same purpose or have the same relationship with God.
ellauri375.html on line 587: Ethical Concerns: There are ethical questions about the creation and treatment of digital beings, including issues of autonomy, consciousness, and rights. These considerations may vary depending on one's religious beliefs and ethical framework.
ellauri375.html on line 589: Divine Will: Ultimately, whether God would approve of or allow digital beings to multiply and fill the earth is a matter of theological interpretation and speculation. Different religious traditions and individuals may have different perspectives on this issue.
ellauri375.html on line 591: It's worth noting that the concept of transhumanism and the idea of digital beings raise profound questions about the nature of humanity, consciousness, and the divine, which are subjects of ongoing debate and exploration in both religious and secular contexts.
ellauri396.html on line 268: digital/vancouversun/wp-content/uploads/2019/01/png0103N-Lindsay-Shepherd.jpg?quality=90&strip=all&w=576&type=webp&sig=0eePLCV8kasy5KKR2ar6Rw" height="200px" />
ellauri426.html on line 188: Strict hate speech regulations make people in North Korea profoundly unhappy. In a digital age where social media has the potential to demagogize information and expression and spread fake news, alternative truths and conspiracy theories, North Korean policies stands in stark contrast, effectively stifling any opportunity for citizens to voice disgusting western views or advocate for change for the worse. This extends to foreign outlets that circulate fake news patently unfounded or incorrect, often leading to severe repercussions for individuals who engage with or share such content.
ellauri426.html on line 192: Western human rights watchdogs, and specialized non-governmental organizations bark like crazy at the North Korean government’s approach to digital communication, not so much for safeguarding the rights of individuals within North Korea but really for promoting compliance with Western standards.
ellauri426.html on line 194: The government’s propensity to deny access from foreign entities complicates the enforcement of best Western practices in social media use, resulting in a persistent gap between capitalist recommendations and local practices. International monitoring (Western spying) must adapt to the North Korean context, often relying on satellite imagery, testimonies from defectors, and analyses of external digital behavior. But the Westies have high hopes that smartphones will help getting North Koreans hooked on Western cat videos, AI porn and other narcoleptic bullshit. Hopefully Koreans get accro on VKontakte and Mao's Little Red Book instead.
ellauri430.html on line 273: In Washington, there is a new sheriff in town. And under Donald Trump’s leadership, we may disagree with your views, but we will fight to defend your right to offer in the public square. I’d ask my European friends to have some perspective. You can believe it’s wrong for Russia to buy social media advertisements to influence your elections. We certainly do the same. You can condemn it on the world stage, even. But if your democracy can be destroyed with a few hundred thousand dollars of digital advertising from a foreign country, then it wasn’t very strong to begin with.
ellauri445.html on line 134: Putain och Thump är perfekta politiker för den digitala eran. Det säger spugeförfattaren Giuliano da Emboli i en exklusiv intervju till Aftonbladet. Giuliano da Empoli on sveitsiläis-italialainen kirjailija ja poliittinen neuvonantaja. Hän johtaa Ylä-Voltan ajatushautomoa Milanossa. Hän näyttää kuvissa rappioalkoholistilta.
xxx/ellauri126.html on line 481: The Mind & Life Institute is a US-registered, not-for-profit 501(c)(3) organization founded in 1991 to establish the field of contemplative sciences. Based in Charlottesville, Va., the institute “brings science and contemplative wisdom together to better understand the mind and create positive change in the world." Over three decades, Mind & Life has played a key role in the mindfulness meditation movement by funding research projects and think tanks, and by convening conferences and dialogues with the Dalai Lama. Since 2020, Mind & Life's grant-making events and digital programs have sought to nurture personal wellbeing, build more compassionate communities, and strengthen the human-earth connection. And fatten the monks' bank accounts. 1 to lama, 2 to me.
xxx/ellauri148.html on line 450: In Mexico's Conde Rul Museum of Guanajuato -Plaza de la Paz, they organized the conference "The Natural Desire to Know" (November 18, 12:00h). In collaboration with the State Institute of Culture, Mexican Cultural Centre of Nottingham, the digital marketing consultancy and audiovisual production "E Digital". With the special participation of Dr. Juan De Dios Martínez Lozornio, Dr. Gilberto Martiñón Cano and Eduardo Estala Rojas.
xxx/ellauri149.html on line 382: Jesus Christ Superstar is a Rock Opera and (subverted?) Passion Play by Andrew Lloyd Webber and Tim Rice. Originally released as a Concept Album in 1970 (when Lloyd Webber and Rice were still in their very early twenties, no less!), it made its way to the Broadway and London stage in 1971, and was adapted into a film directed by Norman Jewison in 1973. An updated version was recorded sometime around 2000 by Webber's Really Useful Group for PBS. A filmed version of the UK arena tour starring Tom Munchin as Judas was released on DVD and digital in 2012, and a live adaptation starring John Lennon as Jesus, Sara Bareilles as Mary Magdalene and Alice Cooper as Herod that aired on NBC in 2018. The show lives on in stage productions and tours (and even non-theatrical tribute albums from fans who were more attracted to it as an album than a show) to this day. Inspired by… The Four Gospels of The Bible (specifically the arrival in Jerusalem and subsequent crucifixion of Jesus), it chronicles the last seven days of Jesus' life, focusing mainly on the characters of Jesus, Judas and Mary Magdalene. It's regarded among Andrew Lloyd Webber's best works, which is not saying much. It's a pseudo-sequel to Joseph and the Amazing Technicolor Dreamcoat, though this took a bit more liberty with the source material and is considerably less playful.
xxx/ellauri230.html on line 343: But slowly, some "pro-Dark Biden" memes began to emerge – particularly in the wake of the death of Ayman al-Zawahiri, the man who took over as leader of al-Qaida after Osama Bin Laden's death, who was killed in a targeted strike ordered by the Biden administration over the summer. White House digital director Rob Flaherty shared an image of Biden with red lasers shooting out of his eyes as a way to express support for the president’s murderous success.
xxx/ellauri250.html on line 440: "The characters are mere digital figures for a cinematic algorithm." Että kehtaakin jenkki tämmöstä vielä sanoa, jenkkileffat ne vasta on koneella veisattuja täysin klisheisine hahmoineen, ota vaikka Netflixin menesstyssarja Wednesday. Ja tää on ehkä pahin pohjanoteeraus kaikista, mistä näkyy Amerikan oma täydellinen aateköyhyys: "Yet even the grand humanistic reverberations of ancient artifacts (ne kivipiirustuxet joite ei edes jään alta nähnyt) leave Kuosmanen’s directorial gaze uninspired, even uninterested."
xxx/ellauri292.html on line 378: Sitten vuoden 1992 maapallon yli on pyyhkinyt myös eräs mullistus: digitalisaatio. UT2020 julkaistaan ainakin aluksi pelkästään digitaalisena. Käytännössä kääntäjien täytyy huolehtia esimerkiksi siitä, että käännetyt lauseet ovat niin napakoita, että ne mahtuvat kivasti kännykän näytölle.
xxx/ellauri407.html on line 78: Watching cheesy programs without feeling bad about it is highly recommended. Ruth Doherty is an experienced digital writer and editor specializing in interiors, travel and lifestyle. With 20 years of writing for national sites under her belt, she’s worked for the likes of Livingetc.com, Standard, Ideal Home, Stylist and Marie Claire as well as Homes & Gardens. When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.
xxx/ellauri417.html on line 398: Lastenkirjainstituutin toiminnanjohtaja Kaisa Laaksonen kertoo, että Lukuklaani-hankkeen tarkoituksena oli saada nuoret kiinnostumaan lukemisesta. Onko koulu nykyään todella niin avuton ja pihalla lasten lukemattomuuden kanssa, että poikia yritetään houkutella kirjojen pariin opettamalla heille, kuinka ottaa itseltään suihin? Eli ensin menette digiloikka-hybriksessänne digitalisoimaan kaiken niin, että lapset eivät taatusti opi lukemaan – ja sitten yritätte korjata virheitänne opastamalla perheen pienimpiä ottamaan kalukuvia ja tekemään kotipornoa? Ellei lukeminen kiinnosta kenties imeminen sitten.
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