ellauri012.html on line 208: Eliza, where the devil are my slippers?
ellauri021.html on line 446: That old devil time
ellauri025.html on line 778: Annelise on paizi Gayn Randin oppilas myös Mandevillen, joka kexi että terve izekkyys on moraalinen velvollisuus. Annelisessä on myös kumikana Bernerin piirteitä. Siitäkin piti tulla kaiken yxityistävä naisministeri, tai ministerinainen. Annelisalla on enemmän munaa kuin monella munattomalla miehellä. Monikalta pääsee tuotemerkkejä kuin Ivana Trumpilta, kun se yrittää tehdä pilkkaa Annelisesta. Mistä se tietää noi merkkituotteet niin tarkasti? Ehkä se on tutkivaa journalismia, romaanin taustatutkimuxen antia. Ja Anneliselta karkaavat rumat sanat sitten? Monika tuntuu aivan makustelevan niitä onnellisena. Monika on armottoman keskiluokkainen, Puotilan tytön kaunat parhaimmistolle ovat aika pinnassa. (Ei silti, löytyy menestyneemmille julkkixille kateita tavixia lähempääkin kotoa. En mainize nimiä.)
ellauri026.html on line 268: Tyhmyyden kavereita on izerakkaus ja mielistely. Mikko Tolosen väitöskirjan nimi oli "izerakkaus ja izestä tykkäys Mandevillellä ja Humella." Mä luin sitä jonkun pätkän kun se oli hyllyssä, ihan vaan tutustuaxeni Mikko Tolosen mielenmaisemaan. Nyt en muista paljonkaan. Hume ainakin oli aika izetyytyväinen. Kai sen vois uudestaankin lukea, nyt tän runoelman valossa. Self-love ois niinku izekkyys, ja self-liking niinku ylpeys. Ne pitäis erottaa eri passioixi, ne sanovat.
ellauri026.html on line 274: Kuka se Mandeville ylipäänsä oli? Bernard. Kirjoitti jonkun allegorian mehiläisistä, siis yhteiskuntafilosofiaa. Ai jaa, se oli tän terve izekkyys-meemin varsinainen isäpappa, sen miälest yhdyskunta romahtaa ellei kaikki aja siellä omaa etuaan. Asuttaisiin vaan ontossa puussa kukin tahollaan. (No se oiskin parempi kuin tää pörräävä ylitäysi pesä.) Siis iso paskiainen if ever there was one. Kapitalistimoraalin kehittäjä juuri oikeana aikana. Hemmetti että näitä meemejä sit piisaa, ei tule loppua. Kuin Kirsi Kunnaan perunat ne hyppii mun kallon kattilassa.
ellauri026.html on line 457: Leukavasti laukaistu Jefa. Ei uskonpuhistuxessa ollut kyse mistään hurskailusta, jos ikinä, täs on suuremmat voimat liikkeellä. Markkinavoimat liikahtelevat. Ahneus herää, moraali juoxee kieli vyön alla perässä. Odotellaan Mandevilleä ja joulupukkia, äidin mekossa on kukkia.
ellauri029.html on line 413: What else is new? Tätähän se on ollut aina, ja Mandeville 1700-luvulla
ellauri029.html on line 426: ja kusipäät kusipäisiä yhteiskuntia. Lue Nörtti esimerkixi Mandevilleä.
ellauri029.html on line 454: Lisäselitys tulee itsesäätelyn teoriasta. Mitä enemmän anteroilla on sisäisiä päämääriä, sitä enemmän ne yrittää saada hallintaan kaaosta ja vähentää epävarmuutta ja stressiä. Yksi konsti on vakuuttaa, että tilanne on täysin hallinnassa. Aasia kunnossa, uskovat sanovat kuin Jankon Betonin Kalervo Jankko, vaikka kaikki on mennyt päin persettä. Izetyytyväisyys, toi Mandevillen "self liking", on pelissä. Ne joilla on sitä paljon, luulevat että ne istuvat satulassa ansaitut kannuxet jalassa Mannergeimin karvalakki päässä ja ohjat kädessä.
ellauri039.html on line 381: Apparently Hatsipompponen is not the only Jap with difficulties in communication with the devilishly slippery English language.
ellauri041.html on line 1961: Marx huomas tämän epäkohdan, mutta sillä ollut mitään sanomista sinänsä siihen, että väkiluku ja tuottavuus kasvavat ja maapallo tyhjenee luonnonvaroista ja täyttyy sälällä. Tää oli sille ihan okei, kyse oli vaan siitä ketkä saa istua siinä lehdellä. Siinä mielessä mä en ole kommunistikaan, vaan ekofasisti. Musta on kyllä oikein ja kohtuullista, että ne tosi harvat ihmiset jota maapallolla yleensä kaivataan (tuhansia, ehkä max miljoona), jakais hyvän tasasesti, ei niiden tarvi sitä tehdä missään kommuunissa, pääasia etteivät ryöstele toisiltaan. Olkoot vaan erakkoja niinkuin Antonius, tai kimalaisia pörisemässä ontoissa puissa kuin Mandevillen kauhukuvassa. Ennen kaikkea just six kannustan tasajakoa, ettei taas tulis niitä samoja ryöstäjiä ja ryöstettyjä. En kyllä usko hetkeäkään, että näistä apinoista saa mitään muuta irti kuin just tota öykkäröintiä, kyynärpäilyä, ja kasan rakentamista. Ne on kuin murkkuja, jotka alkaa heti korjata pesää kun joku potkaisee sen hajalle.
ellauri042.html on line 972: Lest the world, flesh, yea, devil put thee out. ettei maailma, liha, pirukin vie susta voittoa.
ellauri042.html on line 975: The last sestet presents a turn, commonly referred as volta, in the poem. The lyrical voice presents god God as a jealous lover who fears that he/she will be tempted away by someone or something else. The ninth line questions this figure (“But why should I beg more love, whenas thou”). Furthermore, there is a romantic imagery to express how the lyrical voice feels about the figure of God (“whenas thou/Dost woo my soul”). God’s interest in the lyrical voice is referred as a “fear” and as “tender” because of the possibility of the lyrical voice being tempted by the “devil” or by “flesh”.
ellauri046.html on line 633: Scribes teaterstykker, for det meste vaudeviller, blev ofte skrevet i samarbejde med andre. Hovedemnet er samtidens borgerskab. Stykkerne er ofte enkle og uden social kritik og står i kontrast til de romantiske stykker fra samme periode som Victor Hugos. Sama vika vaivaa Kierkegaardia. Scribe koitti paiskata Ranskan akatemian oven Hugon naamalle. Mut Hugolla oli kenkä ovenraossa. Sörkän eka ego kannusti "ekaa rakkautta", jolla se kai meinaa ihastumista (joita voi silti olla monta, ei siis aikajärjestyxessä vaan ensimmäistä). Se on eri narsistista: Ogsaa i Bevisdtheden vilde Du overalt möde henne og Dig, og Dig og hende. Niinkuin kaikki narsistikirjailijat se asuu peilisalissa ja näkee kokoajan ize oman naamansa. Pahin vaara avioelämässä siitä on kuten Salesta kyllästymispiste, ikävystyminen. Hizi että näitäkin heppuleita on roppakaupalla.
ellauri046.html on line 635: Etenkin Scriben Premiers amours eli eka rakkaus oli Sörenistä mainio. Varmaan henkilöissä oli paljon tuttua. Lukasin sen, se oli aika mitätön vaudeville, jonka pointti oli ettei ensirakkaus ole muita kummempi, pikemminkin päinvastoin. Söörenin mukaan Scribe osoittaa et rakkaus on illuusio. Miten niin? Hölmö johtopäätös. Du, hvad Følelse angaaer, er det mest jaloux Menneske, jeg kjender. Narsistit on turhamaisia ja mustasukkasia. Söde kiertää kuin kissa kuumaa puuroa omaa pikku salaisuuttansa, jonka takia se ei mennyt naimisiin. Se oli joko kaappihomous tai sit kykenemättömyys tai molemmat, lyön vetoa.
ellauri046.html on line 701: Enten-Eller" gjorde også lykke i sin samtid. Bogen fik en fortræffelig modtagelse og blev udførligt anmeldt i aviser og tidsskrifter," fortæller Joakim Garff. Tanskan Vaakku runoilija Heiberg mietti, enttenkö jaxaa edes lukea moista 800-s. monstrumia vaiko tentten ei. Luki sittenkin. Ei yhtän tykännyt Enttenistä, mut mieltyi Tenttenin ryhdikkyyteen. Siitä lähti Luutarhan ura nousukierteeseen. Sörkän vaihdelaatikossa oli kolme vaihdetta, esteettinen, eettinen ja uskonnollinen, jossa se ottaa vauhtia minästä, pesästä tai teräsminästä. Pesästä ei Söören juuri perustanut, tuli toimeen ilman niinkuin käki. Heiberg diggas Hegeliä ja kirjoitti vaudevillejä. Se oli Sörenin paha kilpailija.
ellauri052.html on line 962: He portrayed his ex-wives, before and after they divorced him, as they declined from goddess to devil. Their sexual betrayals and financial extortions supplied the mother lode of his fictional material and generated the misogyny and guilt that fueled his creative powers. He exalted his fourth wife, the Gentile Romanian mathematician Alexandra Tulcea, as the “translucent Minna gazing at the stars” in The Dean’s December and crucified her as the “ferocious, chaos-dispensing Vela” in Ravelstein.
ellauri061.html on line 572: LAERTES The devil take thy soul! LAERTES Piru vieköön sielusi!
ellauri063.html on line 210: mogwai is the transliteration of the Cantonese word 魔鬼 (Jyutping: mo1 gwai2; Standard Mandarin: 魔鬼; pinyin: móguǐ) meaning "monster", "evil spirit", "devil" or "demon". The term "mo" derives from the Sanskrit "Mara", meaning "evil beings" (literally "death"). In Hinduism and Buddhism, Mara determines fates of death and desire that tether people to an unending cycle of reincarnation and suffering. He leads people to sin, misdeeds, and self-destruction. Meanwhile, "gui" does not necessarily mean "evil" or demonic spirits. Classically, it simply means deceased spirits or souls of the dead.
ellauri083.html on line 163: However, Rósa is miserable in her new home, which does not compare well to the luxury she was used to at Rauðsmýri. Bjartur also discovers that she is pregnant by Ingólfur Arnarson Jónsson, the son of the bailiff. In the autumn, Bjartur and the other men of the district ride up into the mountains on the annual sheep round-up, leaving Rósa behind with a gimmer to keep her company. Terrified by a storm one night, desperate for meat and convinced that the gimmer is possessed by the devil, Rósa kills and eats the animal.
ellauri096.html on line 100: It is true that some borderline cases of a qualitative term are not borderline cases for the corresponding comparative. But the reverse holds as well. A tall man who stoops may stand less high than another tall man who is not as lengthy but better postured. Both men are clearly tall. It is unclear that ‘The lengthier man is taller’. Qualitative terms can be applied when a vague quota is satisfied without the need to sort out the details. Only comparative terms are bedeviled by tie-breaking issues.
ellauri097.html on line 823: Roope Pakkanen ennen-jälkeen -kuvissa. Old devil time.
ellauri098.html on line 440: There’s nothing an ENTP loves more than a good argument. They can argue on any side and enjoy playing devil’s advocate. For ENTPs, the pleasure is in taking ideas apart and seeing what really works and what doesn’t. ENTPs love to smash icons, question authority, and break down outmoded ideas. (And Click To Tweet.)
ellauri106.html on line 333: He began at an early age to help his father with typesetting and printing work, a job known at the time as a printer´s devil.
ellauri107.html on line 487: They grinned and went into the Neronian washroom, where a line of men bent over the bowls inset along a prodigious slab of marble as in religious prostration before their own images in the massy mirror. Voices thick, satisfied, authoritative, hurtled along the marble walls, bounded from the ceiling of lavender-bordered milky tiles, while the lords of the city, the barons of insurance and law and fertilizers and motor tires, laid down the law for Zenith; announced that the day was warm-indeed, indisputably of spring; that wages were too high and the interest on mortgages too low; that Babe Ruth, the eminent player of baseball, was a noble man; and that “those two nuts at the Climax Vaudeville Theater this week certainly are a slick pair of actors.”
ellauri107.html on line 501: “Look here, Stan; let's get this clear. You've got an idea somehow that it's you that do all the selling. Where d' you get that stuff? Where d' you think you'd be if it wasn't for our capital behind you, and our lists of properties, and all the prospects we find for you? All you got to do is follow up our tips and close the deal. The hall-porter could sell Babbitt-Thompson listings! You say you're engaged to a girl, but have to put in your evenings chasing after buyers. Well, why the devil shouldn't you? What do you want to do? Sit around holding her hand? Let me tell you, Stan, if your girl is worth her salt, she'll be glad to know you're out hustling, making some money to furnish the home-nest, instead of doing the lovey-dovey. The kind of fellow that kicks about working overtime, that wants to spend his evenings reading trashy novels or spooning and exchanging a lot of nonsense and foolishness with some girl, he ain't the kind of upstanding, energetic young man, with a future—and with Vision!—that we want here. How about it? What's your Ideal, anyway? Do you want to make money and be a responsible member of the community, or do you want to be a loafer, with no Inspiration or Pep?”
ellauri108.html on line 216: In the 1940s and 1950s, a more militant brand of Rastafari emerged. The vanguard of this was the House of Youth Black Faith, a group whose members were largely based in West Kingston. Backlash against the Rastas grew after a practitioner of the religion allegedly killed a woman in 1957. In March 1958, the first Rastafarian Universal Convention was held in the settlement of Back-o-Wall, Kingston. Following the event, militant Rastas unsuccessfully tried to capture the city in the name of Haile Selassie. Later that year they tried again in Spanish Town. The increasing militancy of some Rastas resulted in growing alarm about the religion in Jamaica. According to Cashmore, the Rastas became "folk devils" in Jamaican society. In 1959, the self-declared prophet and founder of the African Reform Church, Claudius Henry, sold thousands of tickets to Afro-Jamaicans, including many Rastas, for passage on a ship that he claimed would take them to Africa. The ship never arrived and Henry was charged with fraud. In 1960 he was sentenced to six years imprisonment for conspiring to overthrow the government. Henry's son was accused of being part of a paramilitary cell and executed, confirming public fears about Rasta violence. One of the most prominent clashes between Rastas and law enforcement was the Coral Gardens incident of 1963, in which an initial skirmish between police and Rastas resulted in several deaths and led to a larger roundup of practitioners. Clamping down on the Rasta movement, in 1964 the island's government implemented tougher laws surrounding cannabis use.
ellauri111.html on line 488: The Lord Jesus Christ came to save you from both the GUILT and POWER of sin. The Lord Jesus Christ was manifested TO DESTROY the works of the devil (I John 3:8)--THE LORD JESUS CHRIST CAME TO SAVE YOU AND CHANGE YOU AND TO MAKE YOU HOLY. When you are unsaved, sin has dominion over you. Sin is your boss and you cannot do anything BUT sin. You are justly under the wrath of a holy and just God. Murderers, thieves, fornicators, witches, sodomites, whores, liars, lovers of pleasure more than lovers of God, rebels, and all other spiritual lepers will not inherit the kingdom of God. This is not to put anybody down, before we got saved, we Christians were once the murders, thieves, whoremongers, etc. We have to be born again into the kingdom of God. When we REPENT and BELIEVE in Jesus, we are born again and all things become new. A new life emerges and things change. We start reading the Bible and obeying it and the Lord Jesus helps us obey it more and more. Our life changes. Our desires literally change as we go forward in obeying the word of God.
ellauri111.html on line 687: Once you get saved, the devil will try to make sure that you encounter false doctrine. Your faith is tender and you may be prone to believe anything people tell you about the Bible (that's why you need to read it for yourself everyday). Please heed these warnings:
ellauri111.html on line 695: Many church people are quite literally magicians and devil worshippers in training.
ellauri111.html on line 699: "Contemplative" prayer is essentially an old occult technique adjusted to the ignorant church people. It can bring up that yoga kundalini serpent power. With open eyes, one can see this type of technique being magnified in society--I saw a book for magic in a place for shipping goods and for photocopies, office supplies, etc. I looked on the back of the book, it was the same technique as the church people are using. This is spreading like wildfire and not just amongst false (or extremely ignorant) brethren, it is throughout society. Revelation 13:8 teaches us that all people who are not in the book of life of the Lamb slain from the foundation of the world will worship the beast. Revelation 13:4 says that all the world will worship the dragon which gave power unto the beast--we learn from Revelation 12 that THE DRAGON IS SATAN. In the ecumenical movement (all the religions getting together in "peace") and under a "meditative" spirituality, Hindus, Buddhists, Roman Catholics, church people, atheists, Muslims, cabalists, new agers, etc. can get together and have a "meditation" session with no problems. This is not for the future, it is already happening, I picked up a brochure about some sessions while at a library. In Contemplative prayer, church people are calling the devil by the Lord's name. I read that many of them will not listen to the scriptures when confronted with the truth--they do not know the Lord's voice, they are not his sheep. Worldly people are under the devil and they despise holiness and speak against it as "legalism" or even as heresy or false doctrine. I have seen extreme antinomianism in Baptist churches. They derisively call work-out-your-own-salvation-with-fear-and-trembling discipleship "Lordship salvation". If a person does not obey the Lord, they are not saved. The reader may wish to see our article, Lordship Salvation.
ellauri111.html on line 703: BEWARE OF THE HELL BOUND CHURCH PEOPLE--ALL OF THEM! IF YOU FOLLOW THEIR DOCTRINES, YOU WILL GO TO HELL TOO! They will tell you you can do what you feel like doing--doing all the sins you want to--and that you will still go to heaven. That is a lie from the devil and totally the opposite of what the Bible says. Nobody will sin their way into heaven. Ephesians 5:6 says, Let no man deceive you with vain words: for because of these things cometh the wrath of God upon the children of disobedience. If you do not repent, believe AND follow the commands of Jesus, you are not saved. If Jesus is not your Lord, he is not your Saviour, you are yet in your sins. For more on this, you may wish to see our article entitled, Lordship Salvation.
ellauri111.html on line 705: FLEE FROM "CONTEMPLATIVE PRAYER", "EMERGING 'CHURCH'", "CONTEMPLATIVE SPIRITUALITY" "ANCIENT FUTURE CHURCH", etc. In this movement, these people are learning and using black magic type occult techniques in churches! In disregard and disobedience to the Bible, they THEY TELL PEOPLE TO CLEAR THEIR MINDS AND KEEP REPEATING THE NAME OF THE LORD OR SOME OTHER NAME. They say that focusing on the Bible is a hinderance to prayer--yes, the Bible is a hinderance to praying to the DEVIL!!!!!!!!!!!!! Praise the Lord!!!!!!!!!!!!!!!!!!!! Stay away from people who want to teach you to pray to the devil calling the devil by the name of the Lord. Flee from anybody who puts down the word of God--they are doing that so that you will be defenseless against their lies. These are the end times and now church people are being deceived into CALLING AND SUMMON DEVILS! The emerging church of the devil is using the same yoga-type techniques as hindus, buddhists Roman Catholic mystics, Greek orthodox mystics, occultists and other mystical traditions. The people are even warned about the possibility of encountering evil spirits during these exercises--no regular prayer requires a warning, no, no, no--BUT PRAYING TO THE DEVIL DOES! AND WHEN THAT KUNDALINI SERPENT POWER RISES UP IN THESE PEOPLE, THEY WILL EITHER BECOME MAGICIANS OR GO INSANE OR SOME OTHER HORRIBLE THING--THERE ARE SYMPTOMS AND MANIFESTATIONS! CHURCH PEOPLE ARE GOING TOWARDS BEING POSSESSED! These are last days--BE WARE, DEAR ONE, BE WARE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! GET SAVED, READ YOUR BIBLE AND OBEY IT AND LEAVE THE TELEVISION ALONE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! THE BEAST IS COMING!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
ellauri111.html on line 707: One more thing--be ware of "new age" teaching--you are not God, you are not divine, and God is not in everybody--all that pantheism (everything is God) and panentheism (God is in everything) is new age teaching which is actually old age because the devil told Eve in the garden, "Ye shall be as gods" (see Genesis chapter 3). The devil is a spirit--he is not dead and he has been telling that same lie ever since then. There is a lot more to this situation, but just get saved and obedient and live reconciled to God. Do not put your trust in science, etc. In the beginning, God created the heaven and the earth--there is no evolution. Evolution is a big fat lie and a hoax to get people to disbelieve the word of God. Science...many, many lies are told by people in white labcoats. Believe and obey God's word and you will be safe and whole and of an understanding mind and not of a reprobate mind.
ellauri111.html on line 723: There has been a lot of talk about "aliens" for some time and the talk continues; some kind of sky show may be in the future. If you see something in the air, it is not because there are true aliens. But what about devils? yes there are devils; what about oversized genetically modified organisms and chimeras? maybe; possessed people? yes there are; 3D pictures, yes; pheromones, yes; unrevealed inventions and laws, in all probability, yes. If you hear a voice, see lights, or whatever, compare everything to the Bible--we believe in the Bible above our senses. This is a time of deception. You will not be deceived if you read and obey the scriptures. Read Matthew 24 (and other passages as well) for what is going to happen when the Lord returns. An excerpt--
ellauri111.html on line 733: Yoga is inherently spiritual and can raise the Kundalini serpent power which is that old serpent called the devil and Satan. Although many Americans are ignorant of this, yoga is not simply physical exercise; yoga is a spiritual exercise of Hinduism that makes room for the Kundalini serpent power. Through the controlled breathing, the posture, the stillness and/or repetition, etc. the Kundalini serpent power can rise up and possess a person. A person does not have to be looking for Kundalini in order for this to happen--the yoga itself creates the conditions. Mantras, stillness, repetition, etc. (different devil worshippers use different techniques) are summons to the devil. Gurus lead their students through different protocols to help them "prepare" for this entrance of the serpent power--the Authorized Version of 1611 of the Bible reveals who that serpent is, it is Satan--
ellauri111.html on line 743: I learned more about the Kundalini after researching the contemplative prayer movement that is entering the emerging church of the devil and the fallen, disobedient-to-the-scriptures churches that would not necessarily describe themselves as "emerging church", "ancient future church", etc. Kundalini awakening can be triggered unintentionally. Satan just waits for the conditions to be right. Some people go insane, check into mental hospitals over and over again, experience personality changes, cannot function as before, commit suicide, etc. Kundalini awakening (a counsel for leaving it behind) is discussed further in our series, "Contemplative Prayer: A Quick Road to Hell for A Disobedient Church."
ellauri112.html on line 732: I love us. Self-love beats self-liking, sanoi Mandeville ja sen fani Mikko Tolonen mitä tahansa.
ellauri115.html on line 391: Some believed this lean, dark man whose eyes were full of fire was possessed by the devil.
ellauri115.html on line 962: The Racovian Catechism makes muted reference to the devil in seven places which prompts the 1818 translator Thomas Rees, to footnote references to the works of Hugh Farmer (1761) and John Simpson (1804). Yet these references are in keeping with the somewhat subdued handling of the devil in the Biblioteca Fratrum Polonorum. The Collegia Vicentina at Vicenza (1546) had questioned not only the existence of the devil but even of angels. Word has it that the personal boll weevil was none other than Sozzini himself.
ellauri118.html on line 1125: This passage is from the beginning of the poem "Half-Hanging Mary" by Margaret Atwood. Poverty and neglect did not improve Mary’s fiery temper, and she spoke harshly when offended, wrote Sylvester Judd in his 1905 History of Hadley. Witches supposedly suckled their ‘imps’ or ‘familiars’ — maybe even the devil — in exchange for help with their magic.
ellauri118.html on line 1132: In 1684, Webster was accused verbally by Philip Smith. Smith was a judge, a deacon, and representative of the town of Hadley. He has also been described as a hypochondriac. He seems to have believed in the real power of witchcraft and that his afflictions were being magically caused by Mary Webster in collaboration with the devil.
ellauri142.html on line 537: On olemassa henkisen luontoisia hyviä ja pahoja olentoja (devat), jotka ovat meille näkymättömiä. Deva, devil, sak samma. Nää on takuulla jotain skizojen aivokummituxia. Demonit ja elementaariset henget; pirulliset ja jumalattomat. Elementary, my dear Wazon. Seija näkee unta enää madoista.
ellauri146.html on line 404: We tend not to focus on this view of Eloa as a myth of the redeeming feminine for several reasons. First, the central portion of the poem is devoted to Satan's seduction of Eloa, an activity which, for most of us, is anything but celestial. Perhaps this explains Stendhal's sarcastic description of Eloa in the Courrier anglais of 1 December 1824: "Tex-Willer-larme, devenue ange femelle, et séduite par le diable lui-même" (the ex-tear, turned into a female angel, and seduced by the devil himself). Flottes and Bonnefoy insist that the very fine psychological analysis of the seduction makes us see human protagonists in an angelic decor, which weakens any metaphysical meaning Vigny might attach to his poem. Germain, who had the benefit of Hunt's masterly work, The Epic in Ninteenth Century France (1941), states flatly that the drama of Eloa is not metaphysical but moral. Bénichou, however, does remark in Le Sacre de l'écrivain 1750-1830 (1973) that the creation of Eloa corresponds to the theological promotion of the feminine as an agent of redemption prominent in the religious sects of the Romantic period. I am sure Satan was greatly consoled by Eloa, if that's any consolation.
ellauri156.html on line 361: 4 Everyone who practices sin also practices lawlessness; and sin is lawlessness. 5 You know that he appeared in order to take away sins; and in him there is no sin. 6 No one who abides in him sins; no one who sins has seen him or knows him. 7 Little children, make sure no one deceives you; the one who practices righteousness is righteous, just as he is righteous; 8 the one who practices sin is of the devil; for the devil has sinned from the beginning. (Don't believe Milton, he's got it all wrong.) the son of god appeared for this purpose, to destroy the works of the devil. 9 No one who is born of god practices sin, because his seed (zihi) abides in him; and he cannot sin if he tried, because he is born of dog (1 John 3:4-9).
ellauri159.html on line 1331: Eise ihan lupaa tässä onnistua, The negative, the alogical, is never wholly banished. Something—"call it fate, chance, freedom, spontaneity, the devil, what you will"—is still wrong and other and outside and unincluded, from your point of view (italics my own).
ellauri160.html on line 635: In Talmudic-midrashic literature, Naamah is indistinguishable from the human Naamah, who earned her name by seducing men through her play of cymbals. She also enticed the angel Shamdon or Shomron and bore Ashmodai, the king of devils. It was later, in Kabbalistic literature like the Zohar, that she became an inhuman spirit. Kun John oli pieni ja sen vaippa oli täynnä, se tuli ja työnsi sen nukkuvien naamaan sanoen "istuu naamalle." Voi saatana. Aika epäinhimillistä.
ellauri171.html on line 398: The story continues the Bible’s exploration of the origin of evil in a world created by a God who is all goodness. (Remember the old word game: write down ‘God’ and ‘Devil’; then put an extra ‘o’ in the middle of ‘God’ and take the ‘d’ off ‘devil’; what do you have?) Another one: write the words backwards, what do you get? Dog lived. Okay never mind let's move on.
ellauri181.html on line 61: Yhteenveto: Hagenbeck- yhtiön mezästysretkellä vangittu apina ezii ulospääsyä kuukausia höyrylaivan painostavan kapeassa häkissä. Hän jäljittelee ihmisiä, koska haluaa olla yhtä "häiriöttömiä" kuin he ilmeisesti ovat. Ilmeisesti hän oppii mielekkäitä eleitä ja myös puhumaan helposti. Hänellä on suurimmat ongelmat juoda anixenmakuisia snapseja. Aluxen matkustaja antaa hänelle teoreettisia ja käytännön oppitunteja "eri aikoina". Joten hän oppii sen suurimmalla vaivalla. Hän korostaa useita kertoja, että hän jäljittelee ihmisiä vain sixi, että hän ezii ulospääsyä, mutta ei sixi, että hän toivoo vapautta. Eläintarhan tai vaudevillen vaihtoehtojen edessä hän pyrkii työskentelemään vaudevillessä ja hänellä on "menestyxiä, joita tuskin voidaan lisätä". Hänen elämänsä on onnistunut juhlien, tiedeyhteisöjen ja sosiaalisten kokoontumisten välillä. Hän on saavuttanut haluamansa ja todistaa, että hänellä on keskimääräinen eurooppalainen koulutus. Hän on tietysti virtuoosi ihmisten ja eläinten välisten rajojen ylittämisessä. Ei niin kaxi muuta olentoa hänen ympärillään. Hänen ensimmäisestä kouluttajastaan, jonka kanssa hän oppii olemaan "huomaamaton", tulee ize melkein apina ja hänen on ajoittain mentävä sanatorioon. Pienellä, puolixi koulutetulla simpanssilla, jonka kanssa hän "hemmottelee apinaa" yöllä, on "hämmentyneen koulutetun eläimen mielettömyys", jota hän ei kestä päivällä. Se on varmaan vähän kuin Phil Rothin "Clarissa" eli Claire.
ellauri181.html on line 65: Syyskuussa 1908 ja huhtikuussa 1909 koulutettu simpanssi nimeltä "konsuli Peter" näytettiin Prahan vaudevillessä. On järkevää, että Kafka johdatti siitä ehdotuxia nykyiselle kertomuxelle. Hän on myös käsitellyt intensiivisesti Brehmin eläinelämää, käyttäytymistutkimusta ja sosiaalista darwinismia. Elsa Brod, Max Brodin vaimo, suoritti työn suurella menestyxellä 19. joulukuuta 1917 Prahan juutalaisten naisten ja tyttöjen klubissa. Sittemmin tarinat ovat usein sisältyneet heidän ohjelmaansa reciters. Kuvaamisen suuren apinan jonka Klaus Kammer Saxan ensi-textiä johtaja Willi Schmidt klo Akademie der Künste osana Berliner Festwochen 1963, joka kirjattiin jonka SFB ja toistettu televisiossa vuosikymmeniä, on edelleen ihailtu tänään.
ellauri189.html on line 169: Tryin to catch the devils herd across the endless sky'
ellauri194.html on line 99: William Penn Adair Rogers (November 4, 1879 – August 15, 1935) was an American vaudeville performer, actor, and humorous social commentator. He was born as a citizen of the Cherokee Nation, in the Indian Territory (now part of Oklahoma), and was known as "Oklahoma's Favorite Son". As an entertainer and humorist, he traveled around the world three times, made 71 films (50 silent films and 21 "talkies"), and wrote more than 4,000 nationally syndicated newspaper columns. By the mid-1930s, Rogers was hugely popular in the United States for his leading political wit and was the highest paid of Hollywood film stars. He died in 1935 with aviator Wiley Post when their small airplane crashed in northern Alaska. Never met a man I didn't like. The only good Injun is a dead Injun.
ellauri194.html on line 273: The author of the Travels of Sir John Mandeville, a 14th-century best-seller, said he had found these Jews in Central Asia where as Gog and Magog they had been imprisoned by Alexander, plotting to escape and join with the Jews of Europe to destroy Christians.
ellauri198.html on line 300: Initial interest arose via the publicity campaign for Pazder's 1980 book Michelle Remembers, and it was sustained and popularized throughout the decade by coverage of the McMartin preschool trial. Testimonials, symptom lists, rumors, and techniques to investigate or uncover memories of SRA were disseminated through professional, popular, and religious conferences, as well as through talk shows, sustaining and further spreading the moral panic throughout the United States and beyond. In some cases, allegations resulted in criminal trials with varying results; after seven years in court, the McMartin trial resulted in no convictions for any of the accused, while other cases resulted in lengthy sentences, some of which were later reversed. Scholarly interest in the topic slowly built, eventually resulting in the conclusion that the phenomenon was a moral panic, which, as one researcher put it in 2017, "involved hundreds of accusations that devil-worshipping paedophiles were operating America's white middle-class suburban daycare centers."
ellauri198.html on line 461: Thrust out past service from the devil's stud! Seisoi tylsänä, käänsi mulle perän!
ellauri216.html on line 877: The term nepsis comes from the New Testament's First Epistle of Peter (5:8, νήψατε, γρηγορήσατε. ὁ ἀντίδικος ὑμῶν διάβολος ὡς λέων ὠρυόμενος περιπατεῖ ζητῶν τινα καταπιεῖν — NIV: Be alert and of sober mind. Your enemy the devil prowls around like a roaring lion looking for someone to devour). There nepsis appears in a verb form, in the imperative mood, as an urgent command to vigilance and awakeness: "be alert and awake".
ellauri219.html on line 219: An American writer, comedian, and actor, WC Fields was the epitome of the all-around entertainer, whose career spanned both the silent film era and the talkies. His humor seeped into The Beatles’ own, while the vaudeville world he came from would also go on to influence songs the likes of “Your Mother Should Know.” W. C. Fields oli yhdysvaltalainen koomikko, joka esiintyi ensin vaudevillessa ja teatterissa, ja vuodesta 1930 alkaen äänielokuvissa. Fields oli yksi aikansa suosituimmista elokuvakoomikoista. Hänen todellisuutta vastaava roolihahmonsa tunnetaan nasaaliäänestään, epäsosiaalisuudestaan ja persoudestaan alkoholille. Hän esitti joko leuhkaa huijarityyppiä tai vaimonsa nalkutuksesta kärsivää aviomiestä. Hänen hahmonsa olivat persoja alkoholille, puhuivat karkeuksia eivätkä voineet sietää lapsia tai koiria.The oft-repeated anecdote that Fields refused to drink water "because fish fuck in it" is unsubstantiated. Vastenmielinen.
ellauri219.html on line 379: Another vaudeville star, British comic Max Miller picked up the nickname “The Cheeky Chappie.” Known for his colorful dress sense and his risqué humor, Miller was the master of the double entendre. He also appeared in a number of films throughout the 30s.
ellauri219.html on line 429: A contemporary of Max Miller (No.37), Issy Bonn was a British-Jewish vaudeville star who also found fame on BBC Radio.
ellauri244.html on line 188: Joseph Butler is best known for his criticisms of the hedonic and egoistic “selfish” theories associated with Hobbes and Bernard Mandeville and for his positive arguments that self-love and conscience are not at odds if properly understood (and indeed promote and sanction the same actions). In addition to his importance as a moral philosopher Butler was also an influential Anglican theologian.
ellauri247.html on line 114: GLOSSARY Bahloo, moon. Beeargah, hawk. Beeleer, black cockatoo. Beereeun, prickly lizard. Bibbee, woodpecker, bird. Bibbil, shiny-leaved box-tree. Bilber, a large kind of rat. Bindeah, a prickle or small thorn. Birrahlee, baby. Birrableegul, children. Birrahgnooloo, woman's name, meaning "face like a tomahawk handle." Boobootella, the big bunch of feathers at the back of an emu. Boolooral, an owl. Boomerang, a curved weapon used in hunting and in warfare by the blacks; called Burren by the Narran blacks. Borah, a large gathering of blacks where the boys are initiated into the mysteries which make them young men. Bou-gou-doo-gahdah, the rain bird. Bouyou, legs. Bowrah or Bohrah, kangaroo. Bralgahs, native companion, bird. Bubberah, boomerang that returns and bumps you in the back of your head. Buckandee, native cat. Buggoo, flying squirrel. Bulgahnunnoo, bark-backed. Bunbundoolooey, brown flock pigeon. Bunnyyarl, flies. Byamee, man's name, meaning "big man." Bwana, African sir. Capparis, caper. Combi, bag made of kangaroo skins. Comfy, foldable plastic pillow. Cookooburrah, laughing jackass. Coorigil, name of place, meaning sign of bees. Corrobboree, black fellows' dance. Cunnembeillee, woman's name, meaning pig-weed root. Curree guin guin, butcher-bird. Daen, black fellows. Dardurr, bark, humpy or shed. Dayah minyah, carpet snake (vällykäärme). Deegeenboyah, soldier-bird. Decreeree, willy wagtail. Dinewan, emu. Dingo, native dog. Doonburr, a grass seed. Doongara, lightning. Dummerh, 2nd rate pigeons. Dungle, water hole. Dunnia, wattle. Eär moonan, long sharp teeth. Effendi, Turkish sir. Euloo marah, large tree grubs. Edible. In fact yummy. Euloo wirree, rainbow. Gayandy, borah devil. Galah or Gilah, a French grey and rose-coloured cockatoo. Gidgereegah, a species of small parrot. Gooeea, warriors. Googarh, iguana. Googoolguyyah, run into trees. Googoorewon, place of trees. Goolahwilleel, absolutely top-knot pigeon. Gooloo, magpie. Goomade, red stamp. Goomai, water rat. Goomblegubbon, bastard or just plain turkey. Goomillah, young girl's dress, consisting of waist strings made of opossum's sinews with strands of woven opossum's hair hanging about a foot square in front. Yummy. Goonur, kangaroo rat. Goug gour gahgah, laughing-jackass. Literal meaning, "Take a stick of bamboo and boil it in the water." Grooee, handsome foliaged tree bearing a plum-like fruit, tart and bitter, but much liked by the blacks. Guinary, light eagle hawk. Guineboo, robin redbreast. Gurraymy, borah devil. Gwai, red. Gwaibillah, star. Kurreah, an alligator. Mahthi, dog. Maimah, stones. Maira, paddy melon. Massa, American sir. May or Mayr, wind. Mayrah, spring wind. Meainei, girls. Midjee, a species of acacia. Millair, species of kangaroo rat. Moodai, opossum. Moogaray, hailstones. Mooninguggahgul, mosquito-calling bird. Moonoon, emu spear. Mooregoo, motoke. Mooroonumildah, having no eyes. Morilla or Moorillah, pebbly ridges. Mubboo, beefwood-tree. Mullyan, eagle hawk. Mullyangah, the morning star. Murgah muggui, big grey spider. Murrawondah, climbing rat. Narahdarn, bat. Noongahburrah, tribe of blacks on the Narran. Nullah nullah, a club or heavy-headed weapon. Nurroo gay gay, dreadful pain. Nyunnoo or Nunnoo, a grass humpy. Ooboon, blue-tongued lizard. Oolah, red prickly lizard. Oongnairwah, black driver. Ouyan, curlew. Piggiebillah, ant-eater. One of the Echidna, a marsupial. Quarrian, a kind of parrot. Quatha, quandong; a red fruit like a round red plum. Sahib, Indian sir. Senhor, Brazilian sir. U e hu, rain, only so called in song. Waligoo, to hide. Wahroogah, children. Wahn, crow. Walla Walla, place of many waters. Wallah, I swear to God. Wallah, Indian that carries out a manual task. Waywah, worn by men, consisting of a waistband made of opossum's sinews with bunches of strips of paddy melon skins hanging from it. Wayambeh, turtle. Weeoombeen, a small bird, girl's name. Some thing like robin redbreast, only with longer tail and not so red a breast. Willgoo willgoo, pointed stick with feathers on top. Widya nurrah, a wooden battle-axe shaped weapon. Wirree, small piece of bark, canoe-shaped. Wirreenun, priest or doctor. Womba, mad. Wondah, spirit or ghost. Wurranunnah, wild bees. Wurranunnah, tame bees. Wurrawilberoo, whirlwind with a devil in it; also clouds of Magellan. Yaraan, white gum-tree. Yhi, the sun. Yuckay, oh dear!
ellauri247.html on line 261: "The learned Smelfungus travelled from Boulogne to Paris, from Paris to Rome, and so on, but he set out with the spleen and jaundice, and every object he passed by was discoloured or distorted. He wrote an account of them, but 'twas nothing but the account of his miserable feelings. I met Smelfungus in the grand portico of the Pantheon—he was just coming out of it. ''Tis nothing but a huge cockpit,' said he—'I wish you had said nothing worse of the Venus de Medici,' replied I—for in passing through Florence, I had heard he had fallen foul upon the goddess, and used her worse than a common strumpet, without the least provocation in nature. I popp'd upon Smelfungus again at Turin, in his return home, and a sad tale of sorrowful adventures had he to tell, 'wherein he spoke of moving accidents by flood and field, and of the cannibals which each other eat, the Anthropophagi'; he had been flayed alive, and bedevil'd, and used worse than St. Bartholomew, at every stage he had come at. 'I'll tell it,' cried Smelfungus, 'to the world.' 'You had better tell it,' said I, 'to your physician.'" (Sterne)
ellauri247.html on line 277: Dover. Smollett finds a good deal to be said for the designation of "a den of thieves" as applied to that famous port (where, as a German lady of much later date once complained, they "boot ze Bible in ze bedroom, but ze devil in ze bill"), and he grizzles lamentably over the seven guineas, apart from extras, which he had to pay for transport in a Folkestone cutter to Boulogne Mouth.
ellauri247.html on line 300: "A Frenchman lays out his whole revenue upon taudry suits of cloaths, or in furnishing a magnificent repas of fifty or a hundred dishes, one-half of which are not eatable or intended to be eaten. His wardrobe goes to the fripier, his dishes to the dogs, and himself to the devil."
ellauri262.html on line 47: “The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for unlike Herr Sebaot, he cannot bear scorn .” — Luther
ellauri263.html on line 605: Nuoruudessaan Blavatsky oli liikkunut radikaaleissa liberaalis-nationalistisissa piireissä, mutta hänellä ei ilmeisesti ollut koskaan mitään selkeää yhteiskunnallis-poliittista linjaa, paizi toi vähän saatanallinen feminismi (käytännössä vaikkei ehkä teoriassa). Lucifer represents life, though, progress, civilization, liberty, independence. Lucifer is the Logos, the Serpent, the Savior. H. P. Blavatsky’s influential The Secret Doctrine (1888), one of the foundation texts of Theosophy, contains chapters propagating an unembarrassed Satanism. Satan in the shape of the serpent brings gnosis and liberates womankind. Tämmösta kirkasozaista miltonilaista prometeus-saatanaa peukuttivat Miltonin lisäxi ilmeisesti myös Blake, Bakunin ja Proudhon. Sympathy for the devil. Ei ihme että kristilliset piirit vauhkosivat. Blaken saatana alkuperäisessä loistossaan on aika feministinen. Byron ja Shelley oli aikoinaan satanisteja mutta setämiehiä.
ellauri264.html on line 492: Ladies and Gentlemen: There are five hundred reasons why I began to write for children, but to save time I will mention only ten of them. Number 1) Children read books, not reviews. They don’t give a hoot about the critics. Number 2) Children don’t read to find their identity. Number 3) They don’t read to free themselves of guilt, to quench the thirst for rebellion, or to get rid of alienation. Number 4) They have no use for psychology. Number 5) They detest sociology. Number 6) They don’t try to understand Kafka or Finnegans Wake. Number 7) They still believe in God, the family, angels, devils, witches, goblins, logic, clarity, punctuation, and other such obsolete stuff. Number 8) They love interesting stories, not commentary, guides, or footnotes. Number 9) When a book is boring, they yawn openly, without any shame or fear of authority. Number 10) They don’t expect their beloved writer to redeem humanity. Young as they are, they know that it is not in his power. Only the adults have such childish illusions.
ellauri269.html on line 50: The tale type index was criticized by Vladimir Propp of the Russian Formalist school of the 1920s for ignoring the functions of the motifs by which they are classified. Furthermore, Propp contended that using a "macro-level" analysis means that the stories that share motifs might not be classified together, while stories with wide divergences may be grouped under one tale type because the index must select some features as salient. He also observed that while the distinction between animal tales and tales of the fantastic was basically correct — no one would classify "Tsarevitch Ivan, the Fire Bird and the Gray Wolf" as an animal tale just because of the wolf — it did raise questions because animal tales often contained fantastic elements, and tales of the fantastic often contained animals; indeed a tale could shift categories if a peasant deceived a bear rather than a devil.
ellauri270.html on line 302: The irony in “The Daemon Lover” is that the female protagonist becomes suspect as she hunts for the mysterious young man “who promised to marry her” (DL 23). Everywhere she searches, she encounters couples who mock her with not-so-subtle insinuations that she is crazy. Indeed, at the end of the story she may well have become insane; the narrative is ambiguous on this point. Significantly, however, if the nameless woman has indeed lost her mind, it is James who is responsible. Although some critics speculate that the disruptive male figure—both in this story and in the others in the collection—is a hallucination of a sexually repressed character, the epilogue to The Lottery, a ballad entitled “James Harris, The Daemon Lover,” suggests otherwise: He is, in fact, the devil himself.
ellauri270.html on line 304: For Jackson, The Lottery is more than a ghost story; “The Daemon Lover” in particular and the collection in general critique a society that fails to protect women from becoming victims of strangers or neighbors. As in “The Lottery,” Jackson’s shocking account of a housewife’s ritualistic stoning, or in “The Pillar of Salt,” which traces a wife’s horror and growing hysteria when she has lost her way, the threatened characters are women. Although many of Jackson’s stories are modern versions of the folk tale of a young wife’s abduction by the devil, and although her characters are involved in terrifying circumstances, the point is that these tales seem true: They are rooted in reality. Thus, Jackson exposes the threat to women’s lives in a society that condones the daemon lover.
ellauri270.html on line 513: "The devil knows how to row." "Piru soutaa vanhixen soutua."
ellauri276.html on line 158: Kirjoitti vaudevilleä. Hänen esseensä "Toinen romanssi korkealla tiellä tai mitä olla, jota ei voida välttää" esitettiin Moskovan Bolshoi-teatterin lavalla 22. tammikuuta 1832.
ellauri276.html on line 640: So the devil he took the old wife on his back, (whistle) Niin paholainen otti vanhan vaimon selkäänsä, (pilli)
ellauri276.html on line 651: Two more little devils jumped over the wall, (whistle) Kaksi muuta pientä pirua hyppäsi seinän yli, (pilli)
ellauri276.html on line 670: https://www.letssingit.com/historical-folk-lyrics-the-devil-and-the-ploughman-g9dd5cr
ellauri294.html on line 699: Varhainen uskonnollinen ilmaisu Chautauquassa oli yleensä yleisluonteista, verrattavissa myöhempään Moral Re-Armament -liikkeeseen. 1900-luvun ensimmäisellä puoliskolla fundamentalismista pidettiin yhä enemmän Chautauquan saarnoja ja luentoja. Mutta Chautauquajen suuri määrä sekä keskusvallan puuttuminen tarkoitti sitä, että uskonnolliset mallit vaihtelivat suuresti heidän välillään. Jotkut olivat niin uskonnollisesti suuntautuneita, että ne olivat lähinnä kirkon leirejä, kun taas maallisempi Chautauquas muistutti kesäkoulua ja kilpaili vaudevillen kanssa teattereissa ja sirkustelttaesityksessä eläinnäytteillään ja trapetsillaan akrobaatit.
ellauri294.html on line 701: 1890-luvulla sekä Chautauqua että vaudeville yleistyivät ja vakiintuivat vaihtoehtoisixi viihdemuodoiksi. Vaikka Chautauquan juuret olivat pyhäkoulussa ja arvostivat korkeasti moraalia ja koulutusta, silti vaudeville syntyi minstrel-esityksistä, varieteesta ja karkeasta huumorista, ja niin nämä kaksi liikettä joutuivat vastakkain. Chautauquaa pidettiin terveellisenä perheviihteenä, ja se vetosi keskiluokkaan ja ihmisiin, jotka pitivät itseään kunnioitettavina tai arvostettavina. Vaudevilleä sitä vastoin pidettiin laajalti mauttomana, sillä ei ollut siunausta ja se vetosi kunnottomiin työväenluokan miehiin. Näiden kahden välillä oli jyrkkä ero, eivätkä ne yleensä jakaneet esiintyjiä tai yleisöä.
ellauri294.html on line 703: Ajan myötä, kun vaudevillestä tuli kunnioitettavampi, Chautauquasta tuli sallivampi hyväksytyissä teoissa. Rajat näiden kahden välillä alkoivat hämärtyä.
ellauri297.html on line 90: coulda been a contender. I coulda been somebody.” Despite its innovative features and stellar reputation as a driver’s car, the Imp was never a contender. This tiny machine was launched too late to compete, beset with corporate mistakes and bedeviled by a lack of development. As the BBC program “The Car’s the Star” described it, the Imp was “the wrong car built at the wrong time by the wrong people at the wrong place.”
ellauri300.html on line 530: 'Cause fire is the devil's only friend
ellauri302.html on line 361: Sarah (arises. To Yekel.) It makes no difference to me, — one place or another, your, mine or the bike basement. If you want me to leave, all right. I'll go. The devil won't take me long.. I'll earn my keep, all right, wherever I may be, the good old way. (Resumes her packing, silently. Pause.)
ellauri302.html on line 369: Yekel, in the same hoarse voice, as he paces about the room. It's all the same to me now. My soul is given over to the devil. Nothing will help. It's no use. God won't have it... (He stops before the window and peers through an interstice of the shutter.)
ellauri302.html on line 379: It's all the same to me now...The devil got her, too. No more daughter... No more Holy Scroll... Into the brothel with everything... Back to the brothel... God won't have it... (Long pause. Beizel appears at the door, thrusting in her head. Steals into the room and stops near the entrance. Yekel notices her, and stares at her vacantly.)
ellauri302.html on line 386: The devil has won her, anyway. No use now. Too late. God won't have it.
ellauri302.html on line 446: Yekel: No use... The devil has won her. She'll be drawn to it. Once she has made a beginning... she'll not stop... If not today, tomorrow. The devil has won her soul. I know. Yes, I know only too well.
ellauri332.html on line 658: Beauty and the Beast on vuoden 2017 amerikkalainen musikaalinen romanttinen fantasiaelokuva, jonka on ohjannut Bill Condom ja tuottanut nippu juutalaisia, käsikirjoituksesta "vastaa" Stephen Chbosky ja Evan Spiliotopoulos. Walt Disney Picturesin ja Mandeville Filmsin tuottama tämä elokuva on live-action/CGI-remake Disneyn vuoden 1991 samannimisestä animaatioelokuvasta, joka on itse sovitus Jeanne-Marie Leprince de Beaumontin vuoden 1756 sadusta. Pääosissa heiluu brittejä, Happy Rotterista tuttu laajaozainen nörtti Emma Watson ja joku Downton Abbeysta [n.s.] esiin ponnahtanut Dan Stevens. With an estimated budget of around $255 million, it is one of the most expensive films ever made. Disneyn live-action-remake-versioista elokuva on toiseksi eniten tuottanut uudelleenlämmitys tähän mennessä. Ykkösenä heiluu vielä narsistisempi Leijonakuningas. Elokuva päättyy siihen, että Belle ja ex-hirviö isännöivät juhlaa valtakunnan puolesta.
ellauri367.html on line 148: George Burns (syntynyt Nathan Birnbaum ; 20. tammikuuta 1896 – 9. maaliskuuta 1996) oli yhdysvaltalainen koomikko, näyttelijä, kirjailija ja laulaja ja yksi harvoista viihdyttäjistä, jonka ura ulottui menestyksekkäästi vaudevilleen , radioon, elokuvaan ja televisioon. Hänen kaarevat kulmakarvat ja sikarin savun välimerkit tulivat tutuiksi tavaramerkeiksi yli kolme neljäsosaa vuosisadaksi. Hän ja hänen vaimonsa Gracie Allen esiintyivät radiossa, televisiossa ja elokuvissa komediaduona Burns ja Allen.
ellauri383.html on line 418: And he seized the dragon, that ancient serpent, who is the devil and Satan, and bound him for a thousand years,
ellauri389.html on line 123: Around 1811 Charles Lloyd started suffering from auditory hallucinations and "fits of aberration" that resulted in his being confined to an asylum; first at The Retreat, followed by a private asylum at Gretford in Lincolnshire. From 1813 to 1815 he translated nineteen tragedies of Vittorio Alfieri into blank verse (revised and augmented to twenty-two in 1876 by Edgar Alfred Bowring). In 1818 he escaped and turned up at De Quincey's cottage, claiming to be the devil, but managed to reason himself out of that conviction. Soon after he recovered, temporarily, and rejoined his wife in London. A small volume of poems in 1823 ended this burst of creativity, and from that time almost nothing is known of him. He died near Versailles, France, in 1839 aged 63.
ellauri389.html on line 405: Meanwhile Lloyd was placed in an asylum near York, from which he escaped about 1818, and found his way back to Westmoreland, where he suddenly reappeared at De Quincey's cottage. De Quincey vividly describes his condition and conversation, but does not mention, what he privately told Woodhouse, that Lloyd laboured to convince him of his (Lloyd's) identity with the devil, and in trying to establish this assertion ultimately reasoned himself out of it. This anecdote confirms the testimony of Talfourd: "Poor Charles Lloyd! Delusions of the most melancholy kind thickened over his latter days, yet left his admirable intellect free for the finest processes of severe reasoning."
ellauri392.html on line 437: And what the devil were Romeo and Juliet
ellauri398.html on line 1232: His next greatest life ambition is to see as many lukewarm modern-day Laodicean disciples of Yeshua/Jesus awake from their spiritual slumber and to fall in love with Yeshua the Messiah and to love and serve him for the rest of their lives. Lastly, Nathan is doggedly determined and passionate to confront spiritual darkness and to see the kingdom of evil led by Satan the devil crushed and defeated and the spiritual captives set free in the name of and for the glory of Yeshua the Messiah! Amein.
ellauri408.html on line 450: Humour of the Day · What’s a joke about a devil’s choice in hell?
ellauri409.html on line 283: A god-almighty devil singing small, Ison pirulaisen hiljaa viheltelevän
ellauri409.html on line 296: And the god-almighty devil and the fool Ja se iso pirulainen ja se tumpelo
xxx/ellauri013.html on line 1071: I could see directly I set my eyes on him what sort of a fool he was, gasped the dying Brown. He a man! Hell! He was a hollow sham. As if he couldn't have said straight out, Hands off my plunder! blast him. That would have been like a man! Rot his superiour soul! He had me there - but he hadn't devil enough in him to make and en of me. Not he! A thng like that letting me off as if I wasn't worth a kick!... Brown struggled desperately for breath... Fraud ... letting me off ... and so I did make an end of him after all... He choked again...
xxx/ellauri027.html on line 281: Van der Valk-kirjan alussa oli latinankielinen sitaatti Horatiuxelta. Joku vanhan Rooman sankari siinä heitti ohjat auran päälle, sanoi itkuiselle perheellensä moi ja lähti iloisena laivalla Karthagoon rättipäitä tappamaan. Se on roomalaisista eri hienoa. Niinhän se on, että tavixetkin pitää huolta pikku tiimistä, suojelevat perhettä ja suosii lapsia, vaan sankari on sitä suurempi mitä suurempaa ja sille yhdentekevämpää tiimiä se palvelee. Herra isoherran tiimi on kaikista hienoimpi. Musta tää on ihan paska meemi. Mulla on neandertaalin luonto, mä pörisen mieluummin erixeni ontossa puussa, kuin Mandevillen moraaliton pörriäinen, joka ei ymmärrä omaa etua ajamalla pitää yhteismarkkinoita pystyssä. Ja nyt kuin ne markkinat on tekemässä loppua koko pallosta, ei tää nurkkakuntaisempi izekkyys edes hävetä. Ei sen silti tarvi olla mitään persumaista nuivuutta. Terve tulloo vaan mutiaiset ja rättipäät, perustamaan omaa pesää naapuronteloon. Ei täällä kukaan ole toistaan parempi, pahempia voidaan olla, kun oikein yritetään yhdessä.
xxx/ellauri059.html on line 344: Yes, to smell pork, to eat of the habitation which your prophet the Nazerite conjured the devil into! I will buy with you, sell with you, talk to you, walk with you, and so following, but I will not eat with you, drink with you, nor pray with you.
xxx/ellauri059.html on line 354: However, when we take into account circumstances that took place before the play, as well as what happens over the course of the plot, Shylock begins to seem a like a victim as well as a villain, and his fate seems excessively harsh. In addition to the abuse Antonio and other Christians routinely subject him to, Shylock lost his beloved wife, Leah. His daughter, Jessica, runs away from home with money and jewels she’s stolen from him, including a ring Leah gave him before she died. Although Solanio reports that Shylock’s was equally upset by the loss of his money as his daughter (“My daughter! O my ducats! O my daughter!” (II. Viii.), we must remember that we are getting a second-hand view through the eyes of an anti-Semitic character who compares Shylock to the devil. As we learn from Shylock himself, the Christians of Venice are happy to borrow money from him, but refuse to accept him as part of Venetian society because they equate his religion with Satan. Shylock has been treated as less than human his whole life, because he is not a Christian. Yet when he tries to collect on a loan, the other characters insist that he act like a Christian and forgive the debt.
xxx/ellauri068.html on line 180: Vaudevilleperheeseen syntynyt Rooney aloitti esiintymisen jo 17 kuukauden ikäisenä. Elokuva-alalle hän siirtyi vuonna 1926. Rooney tuli tunnetuksi Mickey McGuire -hahmona, ja hän käytti jonkin aikaa oikean nimensä sijaan Mickey McGuirea. Vuonna 1932 hän kuitenkin muutti nimensä virallisesti Mickey Rooneyksi. Noihin aikoihin Rooney tapasi Walt Disneyn, ja myöhemmin hän kertoi, että Mikki Hiiri (Mickey Mouse) olisi nimetty hänen mukaansa. Lisäksi Rooney väitti, että hän olisi keksinyt Marilyn Monroelle tämän taiteilijanimen.
xxx/ellauri081.html on line 510: Jack Benny (born Benjamin Kubelsky; February 14, 1894 – December 26, 1974) was an American entertainer, who evolved from a modest success playing violin on the vaudeville circuit to a highly popular comedic career in radio, television and film. He was known for his comic timing and the ability to cause laughter with a pregnant pause or a single expression, such as his signature exasperated "Well! "
xxx/ellauri081.html on line 513: Benny was born Benjamin Kubelsky in Chicago on February 14, 1894, and grew up in nearby Waukegan. He was the son of Jewish immigrants Meyer Kubelsky (1864–1946) and Emma Sachs Kubelsky (1869–1917), sometimes called "Naomi". Meyer was a saloon owner and later a haberdasher who had emigrated to America from Poland. Emma had emigrated from Lithuania. Benny began studying violin, an instrument that became his trademark, at the age of 6, his parents hoping for him to become a professional violinist. He loved the instrument, but hated practice. His music teacher was Otto Graham Sr., a neighbor and father of football player Otto Graham. At 14, Benny was playing in dance bands and his high school orchestra. He was a dreamer and poor at his studies, and was ultimately expelled from high school. He later did poorly in business school and at attempts to join his father´s business. In 1911, he began playing the violin in local vaudeville theaters for $7.50 a week (about $210 in 2020 dollars). He was joined on the circuit by Ned Miller, a young composer and singer.
xxx/ellauri081.html on line 517: The next year, Benny formed a vaudeville musical duo with pianist Cora Folsom Salisbury, a buxom 45-year-old divorcée who needed a partner for her act. This angered famous violinist Jan Kubelik, who feared that the young vaudevillian with a similar name would damage his reputation. Under legal pressure, Benjamin Kubelsky agreed to change his name to Ben K. Benny, sometimes spelled Bennie. When Salisbury left the act, Benny found a new pianist, Lyman Woods, and renamed the act "From Grand Opera to Ragtime". They worked together for five years and slowly integrated comedy elements into the show. They reached the Palace Theater, the "Mecca of Vaudeville," and did not do well. Benny left show business briefly in 1917 to join the United States Navy during World War I, and often entertained the sailors with his violin playing. One evening, his violin performance was booed by the sailors, so with prompting from fellow sailor and actor Pat O´Brien, he ad-libbed his way out of the jam and left them laughing. He received more comedy spots in the revues and did well, earning a reputation as a comedian and musician.
xxx/ellauri086.html on line 418: I doubted you'd do it. But now I must admit it He made it the devilish business of his
xxx/ellauri086.html on line 858: “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!— Professori! Paha naakka, sut lähettikö noita-akka,
xxx/ellauri086.html on line 865: “Prophet!” said I, “thing of evil!—prophet still, if bird or devil! "Proffa!" sanoin, "emeritako? " ala vetää jo, sen vittuako
xxx/ellauri113.html on line 456: Ei semmosta tapahdu! Tää on valehtelua! Pekka vinkaisee. Mixhän se vinkaisee korkeimmalta sillon kun sen argumentit on erityisen huonoja, kun se on vaan eri mieltä? Hyvin sivistymätön puhetapa sillä on. Ja argumentit äärimmäisen naiveja. Kuinkahan se kehtaa puhua läpiä noin päähänsä? Onkohan sillä minkään maakunnan tutkintoa? No kai se saa jehovan asianajajana huijata siinä missä devils advocate. Teitä vedetään täten nenästä. Alkuperätiede ei ole tiedettä, se on uskontoa. Jättäkää se meille, me tiedetään.
xxx/ellauri124.html on line 599: Johanna Tukiainen ennen/jälkeen kuvissa. That old devil time.
xxx/ellauri149.html on line 518: Rockwell syntyi Bloomingtonissa, Illinoisissa. Hänen vanhempansa, englantilais-skotlantilainen George Lovejoy Rockwell ja saksalais-ranskalaista syntyperää oleva Claire Schade Rockwell, olivat molemmat kuuluisia vaudeville-koomikkoja ja näyttelijöitä. Komentajalla izellään oli varsin koomiset nenänreiät. Ben Zyskoviczin porkkanallakin sai enemmän naisia.
xxx/ellauri165.html on line 638: Depart from me, you who are cursed, into the eternal fire prepared for the devil and his angels. For I was hungry and you gave me nothing to eat, I was thirsty and you gave me nothing to drink, I was a stranger and you did not invite me in, I needed clothes and you did not clothe me, I was sick and in prison and you did not look after me. ...whatever you did not do for one of the least of these, you did not do for me.
xxx/ellauri166.html on line 367: Yahuah anointed Yahusha with the Ruch Ah Qudsh and power, and how he went around doing good and healing all who were under the power of the devil, because Yahuah was with him. Acts 10:38
xxx/ellauri170.html on line 266: Ukkola tähditti jokaviikkoista Sannikka & Ukkola -SM-shitshowta Ylen ykköskanavan paraatipaikalla perjantaisin. Hänen luova kontrollinsa ohjelman tekemisessä näyttäytyi mm. siten, että koko sotku vaikutti enemmän halvalta ääridystooppisen rinnakkaisuniversumin vaudevilleltä kuin journalismilta ja kuopattiin sangen nopeasti. Ohjelma, samoin kuin Ukkolan koko journalistinen ura, edusti ns. nollajournalismia, jolla ei ole muuta tavoitetta tai merkitystä kuin sen saavuttama julkisuus.
xxx/ellauri179.html on line 873: An’ I took with a shiny she-devil, ja mä otin kiiltonahkaisen pahuxen,
xxx/ellauri187.html on line 117: Rilke loved absolutely, not strenuously or patiently, and therefore his love always froze up into a mirror of itself. His condition might have been tormented and tormenting--it might appear wearily obnoxious. But for Rilke the poet, modern men and women as lovers--their exalted expectations and their comi-tragic desperation--came to symbolize complex human fate in a world where vertiginous possibilities have replaced God and nature. In Rilke's Elegies especially, lovers encounter animals, trees, flowers, works of art, puppets, and angels--all images, for Rilke, of the absolute fulfillment of desire, alongside which the poet placed the tender vaudeville of imperfect human wanting. Rilke the man might have presented a painful obstruction to himself. But true ardor often springs from an essential deprivation.
xxx/ellauri208.html on line 1134: Quiet! Cunning devil! Hashish addict! Jauhojengi! huutaa Efendi Kalle Kustaa Korkille vihaisena kuin Pekka Lipponen. Pi-pi-pi-pirskatti! Kalle-Kustaa älä sie kuule vekuta! The carpet salesmen scowl at one another furiously.
xxx/ellauri215.html on line 76: Punkkaritytöstä tuli sittemmin punkero ämmä ja nyze on pahainen mummo. The old devil time. Lisääntymisen parasta ennen päivä on äkkiä ohize.
xxx/ellauri215.html on line 188: James Francis Durante (/dəˈrænti/ də-RAN-tee, Italian: [duˈrante]; February 10, 1893 – January 29, 1980) was an American actor, comedian, singer, vaudevillian, and pianist. His distinctive gravelly speech, Lower East Side accent, comic language-butchery, jazz-influenced songs, and prominent nose helped make him one of America's most familiar and popular personalities of the 1920s through the 1970s. He often referred to his nose as the schnozzola (Italianization of the American Yiddish slang word schnoz, meaning "big nose"), and the word became his nickname.
xxx/ellauri225.html on line 261: In December 2009, Le Guin resigned from the Authors Guild in protest over its endorsement of Google's book digitization project. "You decided to deal with the devil", she wrote in her resignation letter. "There are principles involved, above all the whole concept of copyright; and these you have seen fit to abandon to a corporation, on their terms, without a struggle."
xxx/ellauri250.html on line 306: Debby: Let them collapse and go to hell. They cry to everyone that they are a victim when they continually shoot themselves in the foot. It’s a pathetic disgusting and completely nauseating display. I had sympathy for the devil once, I also sold my soul to the devil, and I put my feet in his fire. I will burn no more.
xxx/ellauri261.html on line 246: Unlike her husband, Isabella Wilder was artistic and worldly, and she made certain that she and her children took full advantage of the benefits of living in a university town. “In Berkeley,” writes Malcolm Goldstein, “she found opportunities to study informally by attending lectures at the University of California and by participating in foreign-language discussion groups. She was fully aware that her husband, were he present, would not approve, but she encouraged her children, nevertheless, in their independent, extracurricular search for carnal knowledge.” Isabella saw to it that Thornton got vaudeville parts in plays presented in the Greek Theatre, and even sewed his female costumes for him.
xxx/ellauri261.html on line 249: Wilder wrote a short play which was performed as part of a student vaudeville production at Berkeley High School. Perhaps in reaction to his father’s disapproval of Lady Bracknell, he cast himself in the role of “Mr. Lydia Pinkham.”
xxx/ellauri261.html on line 310: CUT. Ha, ha! right! to be sure—what the devil else should you keep a shop for?
xxx/ellauri304.html on line 480: If I write a character entering a room, I see him in my mind. Does he enter the room like John Wayne? That’s one way. Burt Reynolds is another way. Dustin Hoffman, as Ratso Rizzo, is still another way. There are no other ways. Fucking film and TV viewers, devil take them.
xxx/ellauri363.html on line 661: Bentham oli harvinainen päähenkilö filosofian historiassa kannattamassa yhtä aikaa psykologista egoismia ja ateismia. Psykologinen egoismi on näkemys, jonka mukaan ihmisiä motivoi aina oma edun tavoittelu ja itsekkyys, jopa sellaisissakin, jotka näyttävät olevan altruismia. Se väittää, että kun ihmiset päättävät auttaa muita, he tekevät niin viime kädessä henkilökohtaisten etujen vuoksi, joita he itse odottavat saavansa siitä suoraan tai epäsuorasti. Tunnetuimpia psykologisia egoisteja ovat Sextus Empiricus, Pierre Bayle ja Bernard Mandeville. Oman sydämen täyteydestä Jerryn suu puhui.
xxx/ellauri380.html on line 439: Lev Lossev, himself a Russian Jew, discussing the possibility of anti-Semitism in the works of Mr. Solzhenitsyn, expressed clearly his conviction that Mr. Solzhenitsyn was not anti-Semitic. But in presenting the adversary view, as a kind of devil's advocate, he used such words as ''snake'' and ''degenerate'' to describe the Jewish assassin portrayed in ''August 1914'' (words not used by Mr. Solzhenitsyn in the book), and it was thought that such terms beamed in Russian into the Soviet Union might have been misinterpreted.
xxx/ellauri387.html on line 490: "Who?" said Pococurante sharply; "that barbarian who writes a tedious commentary in ten books of rumbling verse, on the first chapter of Genesis? that slovenly imitator of the Greeks, who disfigures the creation, by making the Messiah take a pair of compasses from Heaven´s armory to plan the world; whereas Moses represented the Deity as producing the whole universe by his fiat? Can I think you have any esteem for a writer who has spoiled Tasso´s Hell and the Devil; who transforms Lucifer sometimes into a toad, and at others into a pygmy; who makes him say the same thing over again a hundred times; who metamorphoses him into a school-divine; and who, by an absurdly serious imitation of Ariosto´s comic invention of firearms, represents the devils and angels cannonading each other in Heaven? Neither I nor any other Italian can possibly take pleasure in such melancholy reveries; but the marriage of Sin and Death, and snakes issuing from the womb of the former, are enough to make any person sick that is not lost to all sense of delicacy. This obscene, whimsical, and disagreeable poem met with the neglect it deserved at its first publication; and I only treat the author now as he was treated in his own country by his contemporaries."
xxx/ellauri387.html on line 499: The ´definiteness´ of a genre classification leads the reader to expect a series of formal stimuli--martial encounters, complex similes, an epic voice--to which his response is more or less automatic; the hardness of the Christian myth predetermines his sympathies; the union of the two allows the assumption of a comfortable reading experience in which conveniently labelled protagonists act out rather simple roles in a succession of familiar situations. The reader is prepared to hiss the devil off the stage and applaud the pronouncements of a partisan and somewhat human deity . . . . But of course this is not the case; no sensitive reading of Paradise Lost tallies with these expectations, and it is my contention that Milton ostentatiously calls them up in order to provide his reader with the shock of their disappointment. This is not to say merely that Milton communicates a part of his meaning by a calculated departure from convention; every poet does that; but that Milton consciously wants to worry his reader, to force him to doubt the correctness of his responses, and to bring him to the realization that his inability to read the poem with any confidence in his own perception is its focus.
xxx/ellauri420.html on line 299: The devil is God’s devil: He inadvertently does God’s work. He is just too dumb to notice it. Like moths to a flame, the forces of darkness are drawn to the light. Demonic influences can’t help but be drawn to such a man doing quality work in the kingdom in order to undermine his work, drive him to desperation, get him to sin in any possible way (pride is of course a favorite, besides paedophilia) and to break his bone of love so it fails dismally with others closest and dearest.
xxx/ellauri420.html on line 301: But he’s a defeated enemy. He can harm you none. The One who fights for you is stronger than He. In fact, the devil is God’s pet : He inadvertently does God’s work; attempting to separate you from Christ, Satan drives you closer to him. Go to Jesus, he says; he has the words of eternal life, just those you preached so well last Sunday and the one before it. Take those words as your own even when you don’t feel anything; embrace them and revel in the promises they bring you. What you have taught and embodied so well for others is surprisingly hard to believe for yourself.
xxx/ellauri420.html on line 307: Ultimately there’s not a man among us who can save himself under the continual onslaughts of the devil, world, and our own sinful flesh. Some things we can handle, but others are above our pay grade. If it were just a matter of working harder or working smarter, we could tackle that. Usually, that is. But you can’t outwit Satan. You can’t single handedly tackle the sinister influences of this fallen world any more than you can keep a lid on the raging impulses and obsessions of your own sinful nature. For that you need both hands.
xxx/ellauri420.html on line 319: But you can stand against this attack, provided you wear the protective armor of Christ Jesus your Lord: his truth, his righteousness, his gospel, his faith, and his salvation. Wield the sword of his Spirit with prayer and supplication, culbutant en prière, knowing that your Father in heaven delights in hearing your prayer and will most surely deliver you his takeaway in his own time and pay your way from all that ails you. So don’t cash it in. Never ever give up; be just as persistent as the devil in your attacks against those you love.
xxx/ellauri420.html on line 321: Remember: In this battle you’re never a warrior. You’re a reservist. Your primary task is to do kitchen duty. You can never tell where the next attack will come from, or where it will be directed. It could be against you, of course, but frequently the devil is too cagey for that. Coward that he is, sometimes he launches his most vicious assaults from those nearest and dearest to you: your wife and children, your closest friends, your parishioners and those their sweet kids.
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