ellauri069.html on line 403: —the evil designs of the novel’s villain, Weissmann or Blicero, former lover of Enzian, current lover of a young man named Gottfried, and the master of rocket 00000.
ellauri069.html on line 700: Kurt Busiek's Astro City is an American superhero anthology comic book series centered on a fictional American city of that name. Created and written by Kurt Busiek, the series is mostly illustrated by Brent Anderson, with character designs and painted covers by Alex Ross. Nää piipertäjät on vanhoja pyyleviä ukkoja. Tää on ysäriltä, liian uusi good old Nipistäjälle.
ellauri119.html on line 646: Rosenbaum left Russia at the tail end of the Trust program. She was assisted by bolshevik Hollywood. Like a typical crypto-jew and communist she used a pseudonym. She became, together with Leo Strauss, a leading philosopher of the Trotskyites. She, like Strauss, helped create the philosophy of arrogance and entitlement that justifies the lies of government leaders to the people. Her philosophies misrepresent the realities of how wealth and psychopathic greed coupled with immorality destroys civilization. Her solution to class warfare is group disloyalty of the rich to society and the exploitation of the national resources by a privileged class to destroy the economy and sabotage the nation. She misrepresented American tradition in a way that benefitted our enemies and internationalized our national resources leaving them easy pickings for the exploitation of unregulated international markets. She advocated the ruinous gold standard which allows our enemies the opportunity to deflate our money supply and strangle the economy at their whim. By simply hoarding gold and/or sending it out of the nation the bankers can ruin us under a gold standard. Her philosophy falsely claims that the market can and will correct the actions of the enemy within to ruin the nation by their designs. She wanted to grant the enemy the right to act with impunity and free rein as a Trojan horse within America to completely destroy our nation, and she has nearly succeeded. The removal of the ability of government to impose with force the collective will of the nation inevitably leads to balkanization, and that was well known and desired by our bolshevik enemies, Rosenbaum’s masters. She never pointed out the name and the nature of the enemy, instead scapegoating the poor and the communists for what international jewry was doing, with her as one of its leading members. As far as I know, she NEVER addressed the existential danger of jewish messianic prophecy and the subversion of the American government by Israel. Being herself a jew, she was disloyal to America in favor of Israel. She was disloyal to the American majority population in favor of the banking class. She did absolutely nothing that was ever in any way harmful to the communists or the bankers, who have so harmed America.
ellauri219.html on line 543: The famous Sgt Pepper drum skin shows one of two designs by Joe Ephgrave, a fairground artist. His second design used more modern lettering and was attached to the other side of the bass drum, giving the group two options during the photoshoot.
ellauri219.html on line 553: Placed beneath Sonny Liston (No.54) is a purple velvet snake most likely to have been one of Jann Haworth’s cloth designs.
ellauri247.html on line 108: Big fires were lit on the edge of the scrub, throwing light on the dancers as they came dancing out from their camps, painted in all manner of designs, waywahs round their waists, tufts of feathers in their hair, and carrying in their hands painted wands. Heading the procession as the men filed out from the scrub into a cleared space in front of the women, came Narahdarn. The light of the fires lit up the tree tops, the dark balahs showed out in fantastic shapes, and weird indeed was the scene as slowly the men danced round; louder clicked the boomerangs and louder grew the chanting of the women; higher were the fires piled, until the flames shot their coloured tongues round the ​trunks of the trees and high into the air. One fire was bigger than all, and towards it the dancers edged Narahdarn; then the voice of the mother of the Bilbers shrieked in the chanting, high above that of the other women. As Narahdarn turned from the fire to dance back he found a wall of men confronting him. These quickly seized him and hurled him into the madly-leaping fire before him, where he perished in the flames. And so were the Bilbers avenged. Good work, bare-butt boys, and good riddance for the bad rubbish.
ellauri260.html on line 306: Under the lead of factory technology, the individual worker became defenceless, as its vast industrial aggregations robbed him of his independence, while capital obtained an appalling power and forced him to serve the designs of others. He became simply a piece of merchandise, the value of which was settled by the market. Thus the race drifted into a sharp antithesis of " labour and capital," and the two soon proved irreconcilable enemies.
ellauri310.html on line 752: Facing the deadlock of trench warfare, the first tank designs focused on crossing wide trenches, requiring very long and large vehicles, such as the British Mark I tank and successors; these became known as heavy tanks.
ellauri327.html on line 69: designs/5191898_0.jpg" height="200px" />
xxx/ellauri103.html on line 478: Nike is an American multinational corporation that designs, manufactures, and sells footwear, apparel, equipment, and accessories worldwide.
xxx/ellauri113.html on line 490: Professor Stuart Burgess. About: I have a passion for designing engineering systems including bio-inspired designs. Like many scientists I believe that the natural world has a Designer. The purpose of this website is to share some of my design work and to share personal views about why I believe in a Creator. Below is a picture of me holding our two family Chihuahuas – Bambi and Minnie. They were created by the Creator, not me. My creation articles:
xxx/ellauri124.html on line 181: A raft of innovative sex dolls and robots are set to be released this year including “build your own” models and designs with incredibly advanced AI.
xxx/ellauri167.html on line 216: He writes children's stories. She designs spaces. A diagnosis of cancer hits the pimply slavonic lady. He leaves everything (what?) to be with her. More time goes by than expected and she still alive. In a story this should be a gift. In real life, however, many couples go into crisis because cancer lasts longer than expected. Not knowing how much time remains to wait can be an even stronger sentence than death itself. You could be making new bad choices, instead you are faced with a sacrifice that is sustainable only for a limited time. It seems absurd. This story is about a love that is forced to wonder how long it can last. Not very long, which is fortunate for a short film. Titulokuvassa on jotain ällöjä sieniä.
xxx/ellauri229.html on line 535: It was then, for the first time, that timid voices made them selves heard, Oughtn´t we go back to the old look, but that suggestion was branded as obscurantist, medieval. In the elections of 2520 the Damnwellians and the Relativists came out on top, because their populist line caught on, to wit, that every man should look as he damn well pleased; limitations on looks would be functional only - the district bodybuilding examiner approved designs that were existenceworthy, without concern for anything else. These designs SOPSYPLABD threw on the market in droves. Historians call the period of automorphosis under the Sopsyputer the Age of Centralization, and the years that followed Reempersonalizationalism.
xxx/ellauri229.html on line 546: At the height of the baroque, sex went out of style; only two small parties kept it going-the integrationalists and the separatists. The separatists, averse to all debauchery, felt that it was improper to eat sauerkraut with the same mouth one used to kiss one´s sweetheart. For this a separate, "platonic" mouth was needed, and better yet, a complete set of them, variously designated (for relatives, for friends, and for that special person). The valuing utility above all else, worked in reverse, combining whatever was combinable to simplify the organism and life. The decline of the baroque, typically tending to the extravagant and the grotesque, produced such curious forms as the stoolmaid and the hexus, which resembled a centaur, except that instead of hoofs it had four bare feet with the toes all facing one another: they also called it a syncopant, after a dance in which energetic stamping was the basic step. But the market now was glutted, exhausted. It was hard to come up with a startling new body; people used their natural horns for ear flaps; flap ears-diaphanous and with stigmatic scenes-fanned with their pale pinkness the cheeks of ladies of distinction; there were attempts to walk on supple pseudopodia; meanwhile SOPSYPLABD out of sheer inertia made more and more designs available, though everyone felt that all of this was drawing to a close.
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