ellauri095.html on line 180: It is essential to note that the life expectancy of any population is a descriptive and not a prescriptive mesaure. Death is a product of the way a person lives and what physical and environmental hazards he or she faces everyday. It cannot be attributed solely to their sexual orientation or any other ethnic or social factor. If estimates of an individual gay and bisexual man´s risk of death is truly needed for "legal or other" purposes, then people making these estimates should use the same actuarial tables that are used for all other males in that population. Gay and bisexual men are included in the construction of official population-based tables and therefore these tables for all males are the appropriate ones to be used. (LOL sorry boys, the cat is out of the bag, there is no way to get it to go back in.)
ellauri097.html on line 453: The is-ought fallacy, first articulated, by David Hume is put simply as you can’t get an ‘ought’ from an ‘is.’ The more precise way of characterizing it is this; You cannot have a syllogism that has a moral term in the conclusion if there is no moral term in the premises. To be a valid argument, the conclusion has to follow from the premises. You can’t have anything in the conclusion that isn’t already set up in the premises. Hume identified this particular fallacy in arguments that were based on mere descriptive elements but had a conclusion with moral terms in it. That is the is-ought fallacy.
ellauri100.html on line 375: I am an INTJ, and an especially strong I, T, and J. Here are my latest scores (02/16/17) on the Keirsey Temperament Sorter (KTS), which is similar to the Myers-Briggs Type Indicator (MBTI). The descriptive excerpts are from David Keirsey and Marilyn Bates’s Please Understand Me.
ellauri181.html on line 382: Additionally, ipsative measures may be useful in identifying faking. However, ipsative measures may, especially among testing-naïve individuals exhibiting high levels of conscientiousness and/or neuroticism, decrease test validity by discouraging response and/or encouraging non-response. For example, a test's authors may force respondents to choose between "a) Animals chase me in my dreams" and "b) My dreams are nice" in an effort to see whether a given respondent is more inclined toward "faking bad" or toward "faking good." When faced with such a question, a child frequently terrified by nightmares that rarely if ever involve animals, and especially one whose parents have foolishly taught him/her/it strict rules against lying, may simply refuse to answer the question given that for that respondent nearly all of the time both descriptions are inaccurate. Even a previously presented guideline "Choose the answer that [best/better] describes you" may be unhelpful in such a situation to responders who worry that endorsing one item or the other will still involve stating it to be accurate or "well"-descriptive to some positive degree. Only if the guideline is presented as "Choose the answer that more accurately or less inaccurately describes you" and the above-described responder is sophisticated enough to reason out his/her response in terms of "Despite the infrequency with which I have nice dreams, I have them [more frequently / less infrequently] than dreams in which animals chase me" (or, in theory, vice versa) will such a responder be willing to answer the question—and phrasing the guideline in this way bears its own cost of making the question reveal less about the respondent's propensities because the respondent is no longer forced to "fake" one way or another.[citation needed].
ellauri248.html on line 130: There's a touch of love in this book, just a touch, not enough to be called romance. No descriptive sex. No sweet-nothings. Nothing like that. And yet, it still fucking broke my heart. [noir romance]
ellauri321.html on line 114: Crèvecoeur's book differs from other works descriptive of early conditions in America in that xvi that it should be regarded primarily as a piece of literature. Beyond the information that is given by it there is the more permanent significance of its tone and atmosphere, of its singularly engaging style, and of the fact that it forms part of a great literary movement.
ellauri374.html on line 75: Dan Ariely denied manipulating the data prior to forwarding it on to Mazar but Excel metadata showed that he created the spreadsheet and was the last to edit it. In the 2011 email exchange provided by Mazar, she pointed out to Ariely that the effect was in the opposite direction of what they hypothesized. In response, Ariely claimed that he had accidentally reversed every value in the conditions column of the dataset when he relabeled them to make them more descriptive and asked her to flip them all back. She complied. A reporter at the New Yorker was able to obtain the original, unaltered data from the insurance company and found that the labels were never changed to be more descriptive.
xxx/ellauri114.html on line 375: Isaiah’s descriptive language calls up images of hell itself and has led more than one commentator to suggest Edom as the location of the Lake of Fire, where the unbelievers of all ages will spend eternity in torment.
xxx/ellauri179.html on line 298: An unmatched introduction to Hemingway’s particular skill as a writer is the beginning of A Farewell to Arms, certainly one of the most pregnant opening paragraphs in the history of the modern American novel. In that passage the power of concentration reaches a peak, forming a vivid and charged sequence, as if it were a 10-second video summary. It is packed with events and excitement, yet significantly frosty, as if unresponsive and numb, like a silent flashback dream sequence in which bygone images return, pass in review and fade away, leaving emptiness and quietude behind them. The lapidary writing approaches the highest style of poetry, vibrant with meaning and emotion, while the pace is maintained by the exclusion of any descriptive redundancy, of obtrusive punctuation, and of superfluous or narrowing emotive signs:
xxx/ellauri356.html on line 377: Wasf on arabien runogenre, alongside 'the boast (fakhr), the invective (hijaa’), and the elegy (marthiya)'. In waṣf love poems, each part of a lover's body is described and praised in turn, often using exotic, extravagant, or even far-fetched metaphors. The Song of Solomon is a prominent example of such a poem, and other examples can be found in Thousand and One Nights. The images given in this type of poetry are not literally descriptive. Instead, they convey the delight of the lover for the beloved, where the lover finds freshness and splendor in the body as a reflected image in the world. Hilvik ei perustanut metaforista, se käytti vertauxia mieluummin.
10