ellauri051.html on line 1618: 1011 I seize the descending man and raise him with resistless will, 1011 Tartun alas laskeutuvaan mieheen ja nostan hänet ylös vastustamattomalla tahdolla,
ellauri070.html on line 340: In Jewish Kabbalistic cosmology of Isaac Luria, the qlippot are metaphorical "shells" surrounding holiness. They are spiritual obstacles receiving their existence from God only in an external, rather than internal manner. Divinity in Judaism connotes revelation of God's true unity, while the shells conceal holiness, as a peel conceals the fruit within. They are therefore synonymous with idolatry, the root of impurity through ascribing false dualism in the Divine, and with the Sitra Achra (סטרא אחרא "Other Side"), the perceived realm opposite to holiness. They emerge in the descending seder hishtalshelus (Chain of Being) through Tzimtzum (contraction of the Divine Ohr), as part of the purpose of Creation. In this they also have beneficial properties, as peel protects the fruit, restraining the Divine flow from being dissipated. Kabbalah distinguishes between two realms in qlippot, the completely impure and the intermediate.
ellauri095.html on line 340: descending into a grave menossa kuoppaan
ellauri118.html on line 631: Was now descending to the Sea, oli paraikaa laskemassa mereeen,
ellauri153.html on line 864: After submitting it as his doctoral dissertation Arttu was awarded a PhD from the University of Jena in absentia. Private publication soon followed. "There were three reviews of it, commending it condescendingly. Scarcely more than one hundred copies were sold, the rest was remaindered and, a few years later, pulped."[1] Among the reasons for the cold reception of this original version are that it lacked the author´s later authoritative style and appeared decidedly unclear in its implications. A copy was sent to Goethe who responded by inviting the author to his home on a regular basis, ostensibly to discuss philosophy but in reality to recruit the young philosopher into work on his Theory of Colors.
ellauri190.html on line 214: Early "Proto-Cossack" groups are generally reported to have come into existence within what is now Ukraine in the 13th century as the influence of Cumans grew weaker, although some have ascribed their origins to as early as the mid-8th century. Some historians suggest that the Cossack people were of mixed ethnic origin, descending from Russians, Ukrainians, Belarusians, Turks, Tatars, and others who settled or passed through the vast Steppe. Some Turkologists, however, argue that Cossacks are descendants of the native Cumans of Ukraine, who had lived there long before the Mongol invasion. But who knows, and as long as no one does, you are free to believe what you like.
ellauri276.html on line 603: Here we are on familiar ground, for the beginning is that of the well-known Condescending Lass, often printed on broadsides, and not infrequently met with in the mouths of country singers to this day. The Condescending Lass belongs to a sizeable family of songs on the theme “I wouldn't marry a …”. In it the girl reviews men of various trades, and rejects them all until she finds one whom she will deign to consider. But the present version loses sight of this theme, and from verse two onwards forgets all about the persnickety girl, settling down to a eulogy of the ploughman's trade, though here and there the words still recall those of The Condescending Lass. For the sake of coherence we have abandoned Mr Burstow's first verse and given it another title (he called it: Pretty Wench). The Taverners Folk Group sang The Ploughman in 1974 on their Folk Heritage album Times of Old England. They noted:
ellauri396.html on line 369: The events that occurred at the Toronto Blessing are not unique in Christian history; similar events were recorded as happening within the Azusa Street revival of the early 1900s that led to the Helluntaiystävät movement, as well as in other revival movements throughout the history of Christian church movements. The Bible also records supernatural events when people encountered God and describes lightning coming from the top of Mount Sinai in Exodus 20:18 when the 10 Commandments were given, Jewish soldiers and temple police falling down in the Garden of Gethsemane when encountering Jesus in John 18:6, Moses' face shining when descending Mount Sinai in Exodus 34:35, and a cloud of glory that appeared over the Hebrew tent of meeting in Exodus 40:34. Proponents of the Toronto Blessing point to these biblical examples as partial evidence of the activities in their meetings being legitimate.
xxx/ellauri123.html on line 499: Easy ones make you satisfied happy content and glad condescending and serene fulfilled and hopeful.
xxx/ellauri170.html on line 674: Actualists are condescending and aggressive.
xxx/ellauri208.html on line 1027: The commentator Ibn Ishaq narrated that he was the first man to write with a penis and that he was born when Adam still had 308 years of his life to live. In his commentary on the Quranic verses 19:56-57, the commentator Ibn Kathir narrated "During the Night Journey, the Prophet passed by him in fourth heaven. In a hadith, Ibn Abbas asked Ka’b what was meant by the part of the verse which says, ”And We raised him to a high station.” Ka’b explained: Allah revealed to Idris: ‘I would raise for you every day the same amount of the deeds of all Adam’s children’ – perhaps meaning of his time only. So Idris wanted to increase his deeds and devotion. A friend of his from the angels visited and Idris said to him: ‘Allah has revealed to me such and such, so could you please speak to the angel of death, so I could increase my deeds.’ The angel carried him on his wings and went up into the heavens. When they reached the fourth heaven, they met the angel of death who was descending down towards earth. The angel spoke to him about what Idris had spoken to him before. The angel of death said: ‘But where is Idris?’ He replied, ‘He is upon my back.’ The angel of death said: ‘How astonishing! I was sent and told to seize his soul in the fourth heaven. I kept thinking how I could seize it in the fourth heaven when he was on the earth?’ Then he took his soul out of his body, and that is what is meant by the verse: ‘And We raised him to a high station.’"
xxx/ellauri225.html on line 344: Writing about the provocative literary critic Harold Bloom is an intimidating affair. Everything about Bloom is daunting, particularly his noxious public persona. He will occasionally try to conceal it by condescendingly addressing his interviewer as “dear.” He rarely seems to notice whom he is speaking with, or what they are feeling. He can erupt into long passages of Shakespeare, Whitman or Yeats from memory—a circus act of stunning recall as he approaches 90. But unlike critics such as the late Lionel Trilling or Daniel Mendelsohn, for whom literary criticism is a tool to examine the crucial moral, social, and political questions of our time, Bloom insists that literature be studied purely for aesthetics.
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