And that night, in September 1970, after being expelled from a bar and humiliated by the police, the people there danced and gave thanks to God for a life that was so captivating, so full of unfamiliar things, so captivating.

Some pandemic encouragement from a northern Ontario lake dancer

Fred Astaire (actor/dancer)
ellauri219.html on line 196: His parents divorced before he was 10, and he lived with various relatives over the next decade. His British-born father, Myron (Mickey) Schneider, was a shoe clerk; they saw each other very infrequently. His mother, Sally Marr (legal name Sadie Schneider, born Sadie Kitchenberg), was a stage performer and dancer and had an enormous influence on Bruce's career. He defiantly convinced his ship's medical officer that he was experiencing homosexual urges toward him, leading to his dishonorable discharge in July 1945. However, he had not admitted to or been found guilty of any breach of naval regulations, and successfully applied to change his discharge to "Under Honorable Conditions ... by reason of unsuitability for the naval service". At Hanson's diner Bruce met Joe Anjovis (named by his taste) who had a profound influence on Bruce's approach to comedy.
ellauri219.html on line 211: Bruce paved the way for kitchen counter culture-era comedians. His trial for obscenity was a landmark of freedom of speech in the United States. Vittu mikä vapaan puheen edustaja, helvetti. In 2017, Rolling Stone magazine ranked him third (behind Richard Pryor and George Carlin) on its list of the 50 best stand-up comics of all time. "Olen offensiivinen", kalansilmä narsisti. Virnuilee koko ajan omille vizeilleen. Good riddance of bad rubbish.
ellauri219.html on line 475: The very definition of a “triple threat,” Shirley Temple was an actress, singer, and dancer who became a child star in the 30s. She also appears on the Sgt. Pepper album cover three times over, her hair poking out from between the wax figures of John Lennon (No.62) and Ringo Starr (No.63), and also standing in front of the model of Diana Dors (No.70). There’s also a cloth figure of the star off to the far right, wearing a jumper emblazoned with the slogan “Welcome The Rolling Stones.”
ellauri219.html on line 633: Notorious womanizer Michael James wants to be faithful to his fiancée Carole Werner, but every woman he meets seems to fall in love with him, including neurotic exotic dancer Liz Bien and parachutist Rita, who accidentally lands in his car. His psychoanalyst, Dr. Rainer Fassbinder, cannot help, since he is stalking patient Renée Lefebvre, who in turn longs for Michael. Carole, meanwhile, decides to make Michael jealous by flirting with his nervous wreck of a friend, Victor Shakapopulis. Victor struggles to be romantic but Carole nevertheless feigns interest.
ellauri219.html on line 941: Gene Kelly, American dancer, singer actor and director (1912-1996)
ellauri219.html on line 971: The Rockettes are an American leg-kicking twat-flashing dance company. Founded in 1925 (97 years ago) in St. Louis, they have, since 1932 (90 years ago), performed at Radio City Music Hall in New York City. Until 2015, they also had a touring company. They are best known for starring in the Radio City Christmas Spectacular, an annual Christmas show, and for performing annually since 1957 at the Macy's Thanksgiving Day Parade in New York.
ellauri219.html on line 973: The Rockettes were created in 1925, but the first non-white Rockette, a Japanese-born woman named Setsuko Maruhashi, was not hired until 1985. The Rockettes did not allow dark-skinned dancers into the dance line until 1987. The justification for this policy was that such women would supposedly distract from the consistent look of the dance group.The first African American Rockette was Jennifer Jones; selected in 1987, she made her debut in 1988 at the Super Bowl halftime show. The next person with a visible but different disability hired by the Rockettes (Sydney Mesher, missing a left hand) was hired in 2019. The first Rockette with hairy bollocks and a huge boner remains to be hired yet.
ellauri222.html on line 791: Because Bellow refuses to devalue human potential in even his bleakest scenarios, his novels often come under attack for their affirmative endings. Augie hails himself as a new Columbus, the rediscoverer of America; Henderson, while triumphantly returning home with his new charges, dances with glee, "leaping, leaping, pounding, and tingling over the pure white lining of the grey Arctic silence." Herzog inexplicably evades his fate, emerging from the flux of his tortured mind to reclaim his sanity and his confidence in the future. Yet, the victories of Bellow's heroes are not unqualified, but rather as ambiguous and tenuous as is the human condition itself. As a new Columbus, Augie speaks from exile in Europe; in holding the orphan child, Henderson recalls the pain of his separation from his own father; by renouncing his self-pity and his murderous rage at his ex-wife Madeleine, Herzog reduces but does not expiate his guilt. Nonetheless, these characters earn whatever spiritual victory they reap through their penes and their refusal to succumb to doubt and cynicism. Through their perseverance in seeking the truth of human existence, they ultimately renew themselves by transcending to an intuitive spiritual awareness that is no less real because it must be taken on faith.
ellauri223.html on line 64: There are occupations, mechanical and theoretical, common to both men and women, with this difference, that the occupations which require more hard work, and walking a long distance, are practised by men, such as ploughing, sowing, gathering the fruits, working at the threshing-floor, stock exchange, and perchance at the vintage. But it is customary to choose women for milking the cows and for making cheese. In like manner, they go to the gardens near to the outskirts of the city both for collecting the plants and for cultivating them. In fact, all sedentary and stationary pursuits are practised by the women, such as weaving, spinning, sewing, cutting the hair, shaving, dispensing medicines, selling arse, and making all kinds of garments. They are, however, excluded from working in wood and the manufacture of arms. If a woman is fit to paint, she is not prevented from doing so; nevertheless, music (song and dance) is given over to the women alone, because they please the more, and of a truth to pretty boys also. But the women have not the practise of the drum and the horn. Pretty boys take care of faggots.
ellauri223.html on line 74: G.M. This seems excellent and sacred, but the community of women is a thing too difficult to attain. The holy Roman Clement says that wives ought to be common in accordance with the apostolic institution, and praises Plato and Socrates, who thus teach, but the Glossary interprets this community with regard to obedience. And Tertullian agrees with the Glossary, that the first Christians had everything in common except wives.
ellauri223.html on line 80: They have an abundance of all things, since everyone likes to be industrious, their labors being slight and profitable. They are docile, and that one among them who is head of the rest in duties of this kind they call king. For they say that this is the proper name of the leaders, and it does not belong to ignorant persons. It is wonderful to see how men and women march together collectively, and always in obedience to the voice of the king. Nor do they regard him with loathing as we do, for they know that although he is greater than themselves, he is for all that their father and brother.
ellauri223.html on line 82: They injure nobody, and they do not put up with injury, and they never go to battle unless when provoked. They assert that the whole earth will in time come to live in accordance with their customs. Furthermore, they have artificial fires, battles on sea and land, and many strategic secrets. Therefore they are nearly always victorious. (Tää kuulostaa aika lailla jenkkipropagandalta.)
ellauri223.html on line 105: Each one takes the woman he loves most, and they dance for exercise with propriety and stateliness under the peristyles. The women wear their long hair all twisted together and collected into one knot on the crown of the head, but in rolling it they leave one curl. The men, however, have one curl only and the rest of their hair around the head is shaven off. Further, they wear a slight covering, and above this a round hat a little larger than the size of their head. In the fields they use caps, but at home each one wears a biretta, white, red, or another color according to his trade or occupation. Moreover, the magistrates use grander and more imposing-looking coverings for the head. Vizi että apinat rakastavat hattuja!
ellauri241.html on line 971: Young damsels in distress dance along,

ellauri243.html on line 557: This Film details Eric Michael Stearns´ trip to Greece during his semester abroad n 2008. Eric learned three life lessons in Greece which lead.to achieving an Abundance of Potential. These lessons include:
ellauri244.html on line 331: Siziellä oli joku niistä Oulun paskanheittäjistä. Lähti sveduihin. Good riddance to bad rubbish.
ellauri244.html on line 605: In 1923, while he was still married to Beatrice, Miller met and became enamored of a mysterious dance-hall ingénue who was born Juliet Edith Smerth but went by the stage-name June Mansfield. She was 21 at the time, 11 years his junior. They began an affair, and were married on June 1, 1924.
ellauri244.html on line 624: During the last four years of his life, Miller held an ongoing correspondence of over 1,500 letters with Brenda Venus, a young Playboy model and columnist, actress and private dancer. A book about their correspondence was published in 1986. She was 56 years his junior.
ellauri245.html on line 687: I've never seen so many men ask you if you wanted to dance Kaikki nää miehet muna ojossa kysyvät
ellauri247.html on line 108: Big fires were lit on the edge of the scrub, throwing light on the dancers as they came dancing out from their camps, painted in all manner of designs, waywahs round their waists, tufts of feathers in their hair, and carrying in their hands painted wands. Heading the procession as the men filed out from the scrub into a cleared space in front of the women, came Narahdarn. The light of the fires lit up the tree tops, the dark balahs showed out in fantastic shapes, and weird indeed was the scene as slowly the men danced round; louder clicked the boomerangs and louder grew the chanting of the women; higher were the fires piled, until the flames shot their coloured tongues round the ​trunks of the trees and high into the air. One fire was bigger than all, and towards it the dancers edged Narahdarn; then the voice of the mother of the Bilbers shrieked in the chanting, high above that of the other women. As Narahdarn turned from the fire to dance back he found a wall of men confronting him. These quickly seized him and hurled him into the madly-leaping fire before him, where he perished in the flames. And so were the Bilbers avenged. Good work, bare-butt boys, and good riddance for the bad rubbish.
ellauri247.html on line 114: GLOSSARY Bahloo, moon. Beeargah, hawk. Beeleer, black cockatoo. Beereeun, prickly lizard. Bibbee, woodpecker, bird. Bibbil, shiny-leaved box-tree. Bilber, a large kind of rat. Bindeah, a prickle or small thorn. Birrahlee, baby. Birrableegul, children. Birrahgnooloo, woman's name, meaning "face like a tomahawk handle." Boobootella, the big bunch of feathers at the back of an emu. Boolooral, an owl. Boomerang, a curved weapon used in hunting and in warfare by the blacks; called Burren by the Narran blacks. Borah, a large gathering of blacks where the boys are initiated into the mysteries which make them young men. Bou-gou-doo-gahdah, the rain bird. Bouyou, legs. Bowrah or Bohrah, kangaroo. Bralgahs, native companion, bird. Bubberah, boomerang that returns and bumps you in the back of your head. Buckandee, native cat. Buggoo, flying squirrel. Bulgahnunnoo, bark-backed. Bunbundoolooey, brown flock pigeon. Bunnyyarl, flies. Byamee, man's name, meaning "big man." Bwana, African sir. Capparis, caper. Combi, bag made of kangaroo skins. Comfy, foldable plastic pillow. Cookooburrah, laughing jackass. Coorigil, name of place, meaning sign of bees. Corrobboree, black fellows' dance. Cunnembeillee, woman's name, meaning pig-weed root. Curree guin guin, butcher-bird. Daen, black fellows. Dardurr, bark, humpy or shed. Dayah minyah, carpet snake (vällykäärme). Deegeenboyah, soldier-bird. Decreeree, willy wagtail. Dinewan, emu. Dingo, native dog. Doonburr, a grass seed. Doongara, lightning. Dummerh, 2nd rate pigeons. Dungle, water hole. Dunnia, wattle. Eär moonan, long sharp teeth. Effendi, Turkish sir. Euloo marah, large tree grubs. Edible. In fact yummy. Euloo wirree, rainbow. Gayandy, borah devil. Galah or Gilah, a French grey and rose-coloured cockatoo. Gidgereegah, a species of small parrot. Gooeea, warriors. Googarh, iguana. Googoolguyyah, run into trees. Googoorewon, place of trees. Goolahwilleel, absolutely top-knot pigeon. Gooloo, magpie. Goomade, red stamp. Goomai, water rat. Goomblegubbon, bastard or just plain turkey. Goomillah, young girl's dress, consisting of waist strings made of opossum's sinews with strands of woven opossum's hair hanging about a foot square in front. Yummy. Goonur, kangaroo rat. Goug gour gahgah, laughing-jackass. Literal meaning, "Take a stick of bamboo and boil it in the water." Grooee, handsome foliaged tree bearing a plum-like fruit, tart and bitter, but much liked by the blacks. Guinary, light eagle hawk. Guineboo, robin redbreast. Gurraymy, borah devil. Gwai, red. Gwaibillah, star. Kurreah, an alligator. Mahthi, dog. Maimah, stones. Maira, paddy melon. Massa, American sir. May or Mayr, wind. Mayrah, spring wind. Meainei, girls. Midjee, a species of acacia. Millair, species of kangaroo rat. Moodai, opossum. Moogaray, hailstones. Mooninguggahgul, mosquito-calling bird. Moonoon, emu spear. Mooregoo, motoke. Mooroonumildah, having no eyes. Morilla or Moorillah, pebbly ridges. Mubboo, beefwood-tree. Mullyan, eagle hawk. Mullyangah, the morning star. Murgah muggui, big grey spider. Murrawondah, climbing rat. Narahdarn, bat. Noongahburrah, tribe of blacks on the Narran. Nullah nullah, a club or heavy-headed weapon. Nurroo gay gay, dreadful pain. Nyunnoo or Nunnoo, a grass humpy. Ooboon, blue-tongued lizard. Oolah, red prickly lizard. Oongnairwah, black driver. Ouyan, curlew. Piggiebillah, ant-eater. One of the Echidna, a marsupial. Quarrian, a kind of parrot. Quatha, quandong; a red fruit like a round red plum. Sahib, Indian sir. Senhor, Brazilian sir. U e hu, rain, only so called in song. Waligoo, to hide. Wahroogah, children. Wahn, crow. Walla Walla, place of many waters. Wallah, I swear to God. Wallah, Indian that carries out a manual task. Waywah, worn by men, consisting of a waistband made of opossum's sinews with bunches of strips of paddy melon skins hanging from it. ​Wayambeh, turtle. Weeoombeen, a small bird, girl's name. Some thing like robin redbreast, only with longer tail and not so red a breast. Willgoo willgoo, pointed stick with feathers on top. Widya nurrah, a wooden battle-axe shaped weapon. Wirree, small piece of bark, canoe-shaped. Wirreenun, priest or doctor. Womba, mad. Wondah, spirit or ghost. Wurranunnah, wild bees. Wurranunnah, tame bees. Wurrawilberoo, whirlwind with a devil in it; also clouds of Magellan. Yaraan, white gum-tree. Yhi, the sun. Yuckay, oh dear!
ellauri247.html on line 276: Smollett characterized the chambers as cold and comfortless, the beds as "paultry" (with "frowsy," a favourite word), the cookery as execrable, wine poison, attendance bad, publicans insolent, and bills extortion, concluding with the grand climax that there was not a drop of tolerable malt liquor to be had from London to
ellauri247.html on line 297: "If a Frenchman is admitted into your family, and distinguished by repeated marks of your friendship and regard, the first return he makes for your civilities is to make love to your wife, if she is handsome; if not, to your sister, or daughter, or niece. If he suffers a repulse from your wife, or attempts in vain to debauch your sister, or your daughter, or your niece, he will, rather than not play the traitor with his gallantry, make his addresses to your grandmother; and ten to one but in one shape or another he will find means to ruin the peace of a family in which he has been so kindly entertained. What he cannot accomplish by dint of compliment and personal attendance, he will endeavour to effect by reinforcing these with billets-doux, songs, and verses, of which he always makes a provision for such purposes. If he is detected in these efforts of treachery, and reproached with his ingratitude, he impudently declares that what he had done was no more than simple gallantry, considered in France as an indispensable duty on every man who pretended to good breeding. Nay, he will even affirm that his endeavours to corrupt your wife, or deflower your daughter, were the most genuine proofs he could give of his particular regard for your family.
ellauri249.html on line 175: Because the /m/ of cum assimilates to the /n/ of nōbīs, cum nōbīs sounds very similar to cunnō bis, meaning "in/from/with a cunt twice". A similar euphemism occurs in French: the avoidance of qu'on, homophone to con (cunt), by the insertion of a superfluous letter: que l'on.
ellauri254.html on line 395: ‘reshaped his daily life in a new and unnecessary way. A big new apartment was rented, small gilt chairs were bought. The walls of the large cold office for some reason were decorated with paintings of Leda by various painters. The quiet talks were replaced by noisy gatherings with dances and masks. Sologub shaved his mustache and beard, and everyone started to say that he resembled a Roman of the period of decline.’
ellauri254.html on line 397: One of these ‘noisy gatherings with dances and masks’ proved the occasion of a notable scandal within the world of Russian letters. On 3 January, 1911, Sologub and his wife hosted a masquerade to celebrate the new year. Among the attendees were the writers Aleksei Remizov and Aleksei Tolstoy. Remizov was well known within the world of Russian letters for his mischievous sense of humour. He founded a ‘Great and Free House of Apes’, declaring himself Chancellor, and sent out missives to writers and publishers decreeing them positions in this ironic organisation; and Andrei Bely dubbed him a ‘petty cash demon’ – the title of Sologub’s most celebrated work – owing to his appearance.
ellauri257.html on line 517: , she worked at Saks 34th Street, and then, until retirement, at Lord & Taylor. On occasion she would accompany Singer to his lectures. They also traveled together to Europe, especially England and France. The purpose of one of those trips was for Alma to show Singer the places in Switzerland where she and her parents had stayed before the war. When she returned to America, she felt ecstatic. In the manuscript, she recollects standing on Broadway, looking in wonder at a fruit store and grocery, admiring their abundance.
ellauri266.html on line 125: Correspondances Mittelöitä
ellauri267.html on line 1304: And dances in my blood. So when our prophet

ellauri269.html on line 556: The Draenei language and dance seems to reflect on this. But you do make good points.
ellauri269.html on line 571: Draenei have russian accents and an indian dance lol. They are a melting pot of different things.
ellauri269.html on line 581: And they dance to this: Daler Mehndi - Tunak Tunak Tun Video
ellauri269.html on line 583: Whats your point? Dances do not show anything about actual inspiration. The kaldorei female dance is a French singer’s dance, yet they have no French inspiration. That is saved for the Shal’dorei, who were created over a decade after that dance. You want to draw some jewish heritage inspirations? sure. But Draenei being jewish and only jewish based on these weak arguments?
ellauri270.html on line 319: Mr. Summers, the man who conducts the lottery, arrives. He also organizes the river dances, the purity pledges, and the Halloween program, because he has time to devote to volunteering. He runs the coal business in town, but his neighbors pity him because his wife is unkind and the couple has no children. Mr. Summers arrives bearing a black box. He is followed by the postmaster, Mr. Graves, who caries a stool.
ellauri276.html on line 610: In this jolly little anthem to the delights of the rural lifestyle, our agrarian hero attributes his personal desirability to a diet of booze and fags. I got this from The Penguin Book of English Folk Songs which has recently been reprinted and improved—it now has a picture of Eliza Carthy on the front instead of a bloke forcing a bear to dance by poking it with a stick.
ellauri277.html on line 203: And when the earth shall claim your limbs, then shall you truly dance like a skeleton on a tin roof.
ellauri285.html on line 688: Régis Debray s’intéresse au problème du religieux et de la croyance au sein du groupe social. Son postulat de départ est : il n’y a pas de société sans transcendance, qui fonctionne là comme un phéromone. De même qu’un État laïc a ses obligations morales, les athées ont des valeurs sacrées. Pour lui, cette transcendance est nécessaire à la cohésion sociale. L’Union soviétique avait Lénine, les États-Unis d´Amérique ont George Washington et les pères fondateurs, la Constitution. Il y en avait aussi autrefois en France avec les héros mythiques de la République, comme Danton ou Leclerc.
ellauri300.html on line 430: That I could make those people dance
ellauri300.html on line 455: And can you teach me how to dance real slow?
ellauri300.html on line 509: We all got up to dance
ellauri300.html on line 824: Bears may play a significant role here, but the real animal in this overarching story is a serpent. His slithering and slandering tongue was inside the mouths of these mockers. The god whom they served, Baal, was just a mask for Satan. Good riddance, in a word, for bad rubbish.
ellauri300.html on line 866: Betel tarvitsi Elishalta kovat sanat näyttääkseen heille heidän syntinsä ja tuodakseen heidät takaisin Herran luo. Tämä oli heidän ainoa toivonsa, ja Saatana oli aktiivinen pysäyttääkseen sen. Elisa kykeni epäilemättä palvelemaan tiettyjen siellä olevien (jäännöksen) tarpeita, mutta kaupunki kokonaisuudessaan ei koskaan todella kääntynyt Herran ja Hänen Sanansa puoleen. Saatana oli juurtunut siellä hyvin, nehän olivat maajusseja ja palvoivat naisjumalaa. Tämä on toinen tosiasia, joka meidän on joskus kohdattava. Ja kun näin on, meidän on ehkä yksinkertaisesti edettävä kuten Elisa teki ja kuten Paavali ja muut tekivät. Eli good riddance for bad rubbish.
ellauri301.html on line 411: dance-2012.-217975.jpg?imageId=217975&x=0&y=42.020214030916&cropw=100&croph=53.448275862069&width=564&height=409" />
ellauri302.html on line 262: Basha: At home when we have a shower like this the gutters run over and flood the narrow lanes. And we take off our shoes and stockings and panties and dance in the rain barefoot... Who's going to take her shoes off? (Removes her shoes and stockings.) Take off your shoes, Manke, and let's dance in the rain!
ellauri310.html on line 539: (Казачок) by Cilicia dancers" frameborder="0" allow="accelerometer; autoplay;
ellauri323.html on line 74: Sebastian The Duke was open-handed, as he could well afford to be; money was a thing about which he never needed to think. There had always been plenty of money at Chevron, and there still was, even with the income-tax raised from 11d. to 1/- in the pound; that abundance was another of the things which had never changed and which had every appearance of being unchangeable. It was taken for granted, but Sebastian saw to it that his tenants benefited as well as himself. "An ideel landlord-wish there were more like him," they said, forgetting that there were, in fact, many like him; many who, in their unobtrusive way, elected to share out their fortune, not entirely to their own advantage-quiet English squires, who, less favoured than Sebastian, were yet imbued with the same spirit, and traditionally gave their time and a good proportion of their possessions as a matter of course to those dependent upon them. A voluntary system, voluntary in that it depended upon the temperament of the squire; still, a system which possessed a certain pleasant dignity denied to the systems of a more compulsory sort. But did it, Sebastian reflected, sitting with his pen poised above his cheque-book, carry with it a disagreeable odour of charity? He thought not; for he knew that he derived as much satisfaction from the idea that Bassett would no longer endure a leaking roof as Bassett could possibly derive, next winter, from the fact that his roof no longer leaked. He would certainly go over and talk to the man Bassett.
ellauri324.html on line 171: Jews' encounters with modernity – through new political, economic, intellectual, and social institutions, as well as new technologies and ideas – have engendered a wide array of responses that have transformed Jewish life profoundly. Nowhere is this more evident than in those practices that might be termed Jewish popular culture. In phenomena ranging from postcards to packaged foods, dance music to joke books, resort hotels to board games, feature films to T-shirts, Jews in the modern era have developed innovative and at times unprecedented ways of being Jewish.
ellauri335.html on line 238: Melbourne Shuffle muokkautui 1980-luvun stomping-tanssista kun ravesta tuli vaikutteita breakbeat- ja teknomusiikkiin. Se sai vaikutteita myös breakdancesta ja hiphopista, josta "running man" on peräisin.
ellauri364.html on line 552: On June 23, 1988, United States federal judge James Lawrence King of the United States District Court for the Southern District of Florida dismissed the case stating: "The plaintiffs have made no showing of existence of genuine issues of material fact with respect to either the bombing at La Penca, the threats made to their news sources or threats made to themselves." According to The New York Times, the case was dismissed by King at least in part due to "the fact that the vast majority of the 79 witnesses Mr. Sheehan cites as authorities were either dead, unwilling to testify, fountains of contradictory information or at best one person removed from the facts they were describing." On February 3, 1989, King ordered the Christic Institute to pay $955,000 in attorney's fees and $79,500 in court costs. The United States Court of Appeals for the Eleventh Circuit affirmed the ruling, and the Supreme Court of the United States let the judgment stand by refusing to hear an additional appeal. The fine was levied in accordance with “Rule 11” of the Federal Rules of Civil Procedure, which says that lawyers can be penalized for frivolous lawsuits.
ellauri370.html on line 129: To make room for the returning Israelites: the Canaanite nations were living in the land of Israel, but when the Israelites returned, the Canaanites were expected to leave the land. Carl Ehrlich states the biblical rules of extermination provide guidance to modern Israelis not for genocidal purposes, but rather simply as models for reclaiming the land of Israel.
ellauri375.html on line 94: dance/image/fetch/f_auto/https://www.findance.com/kuvat/cloudinary/maailmojensota-tv-bVuAf.jpg" height="250px" />
ellauri375.html on line 193: Though you're no longer with us, I carry your love and guidance in my heart every day. I want to take a moment to express my deep love and gratitude for all the moments we shared.
ellauri375.html on line 381: I wouldn't say I'm an eclectic in the philosophical sense, but I do draw from various philosophical ideas. Stoicism, for example, emphasizes living in accordance with reason, accepting what you cannot change, and focusing on what is within your control. This philosophy can provide guidance on finding meaning through resilience, virtue, and inner peace amidst life's challenges.
ellauri389.html on line 131: ¹Suspension of disbelief is the avoidance — often described as willing — of critical thinking and logic in understanding something that is unreal or impossible in reality, such as something in a work of speculative fiction, in order to believe it for the sake of enjoying its narrative. Vähän sama asia kuin Jamesin "will to believe". Coleridge also referred to this concept as "poetic faith", citing the concept as a feeling analogous to the supernatural, which stimulates the mind's faculties regardless of the irrationality of what is being understood. With a film, for instance, the viewer has to ignore the reality that they are viewing a staged performance and temporarily accept it as their reality in order to be entertained. Early black-and-white films are an example of visual media that require the audience to suspend their disbelief that everything is black and white. Not to mention mute films! Tolkien ei uskonut tollaseen, ei kukaan normaalijärkinen oikeasti edes väliaikaisesti usko örkkeihin ja haltioihin. Sehän on vaan satua!
ellauri389.html on line 391: Edmund Oliver, a novel in letters, got published in 1798, some of the details of which are derived from Coleridge's experiences as a private dancer, dancer for money. The book is mainly a polemic against Godwin's views on marriage, and, though very poor as a novel, is not devoid of interesting features. Don't miss the engravings!
ellauri392.html on line 705: Recent disputations in Jewish Knesset about who can be called a Jew summarize all the questions of Jewish origins and the question of all questions – what essentially determines the essence of Jewish identity in relation to other nations? These questions relate to their birth, language, living in accordance with Torah. The answers, in accordance with the rabid imagination of the rabbis, vary from one conclusion to the other.
ellauri396.html on line 371: A common element described by those in attendance at the meetings was the claim of miraculous events that occurred during the services. Some of these could be categorized as physical healings, while in other instances, people reported they had a new awareness of God's love, a new freedom from past fears, anger, drinking, and relationship problems.
ellauri399.html on line 188: Patanjali's final five steps beyond asthma relate to a progressive deepening of the seeker's journey toward realization of the universal self, with meditation providing the pathway. However, Patanjali's text on these final five steps is agonizingly cryptic, with no guidance on how to execute them. To fill this void, Yogananda, ever the spiritual innovator, introduced the West to an advanced but long-lost ancient technique of meditation, Kriya Yoga. Kriya, he said, offered the ultimate journey of inner transformation, helping practitioners tap into an ever-expanding love and ever-deepening joy that would spring from within. That, he asserted, was man's true nature--a perfection that represents our permanent state of self within, even as it is so elusive to capture without.
ellauri405.html on line 236: ¹Analysis (ai): This simple yet profound poem by Robert Louis Stevenson captures the essence of contentment and appreciation. Its concise language belies a depth of meaning that encourages readers to find joy in the abundance of life's offerings. The poem's structure is as straightforward as its message. Two rhyming couplets emphasize the simplicity of Stevenson's message: that the world is full of blessings we often overlook. The repetition of "number" and "things" reinforces the idea of abundance, inviting readers to pause and notice the countless sources of happiness that surround them. This poem stands in stark contrast to the grim realities of Victorian England, where Stevenson lived. The Industrial Revolution had brought both progress and poverty, and many people struggled to find happiness amidst the harsh conditions. Stevenson's message of finding joy in simplicity and gratitude may have been a source of solace during challenging times. Compared to Stevenson's other works, such as "Treasure Island" and "The Strange Case of Dr. Jekyll and Mr. Hyde," this poem is a departure in terms of tone. It is not an adventure story or a psychological thriller but rather a quiet meditation on the beauty of life. However, it shares the same optimistic spirit that permeates much of Stevenson's writing, reminding readers that even in the face of adversity, there is always something to be grateful for.
ellauri408.html on line 269: Jesus was a Jew: why do you think He was not? Jeshua Ben Joseph, as he was known by other Jews at the time, followed the Law of Moses, was circumcised, studied the Jewish Scriptures and attended Temple. He became a Bar Mitzvah at 13 years old, but waited until he was 30 before He began his mission: that is because Jewish men become Elders at the age of 30 and are allowed to speak in the Temple or Synegogue. His life was ruled by the Law, and he abided by every one of the laws (except filching corn and screwing disciples), showing it was possible to live in accordance with the old Covenant, if you were without sin and perfect. The new Covenant is based on Faith in Jesus, and accepts you as a sinner because His Passion on the Cross paid the price for that sin: the New Covenant was necessary because no-one other than Christ is capable of living without sin. Those who follow Christ are called Christians, but Christ didn’t follow himself, obviously, he followed YHWH, God the Father, so he was a Jew. So there!
ellauri408.html on line 1009: Maaliskuun 27:ntenä 1878 (keskiyö). Jatkanut Rousseaun teosten lukemista (Correspondance, Origine de l´inégalité ja siihen kuuluvia kiistakirjoituksia). Kuinka vaikeata onkaan löytää toista henkilöä, joka on aiheuttanut ja oikeuttanut enemmän vastenmielisyyttä, jonka elämä kumoaa hä- nen periaatteensa, jonka vaalilause ja kyky ovat keskenään ristiriidassa jne., jne. Meissä on paljon yhteistä, paizi että hän on kuuluisa ja minä en. Kyvyn ja luonteen, elämän ja ajattelun, ihmisen ja kirjailijan yhteensointumattomuus herättää kiusallisia tunteita. On ikävä katsella sellaista arvoituksellista ja epäsointuista olentoa. Herkistymätön omatunto ja suunnaton itserakkaus; tulinen kyky ja taipumus teennäisyyteen; ristiriitaa kaikessa ja tumputusta kaikkien nähden. Vaikutelmien ja kuvitelmien johtama; ajatus palvelemassa intohimoa. Kenties kaksimielisyyden uhri, sen, joka on hänen elämänsä ja teostensa perustuksena: Luonnon. Merkitseekö ihmisluonto taipumusta, pyydettä, viettiä? - Paradoksaalinen, kaikkia vastaan hangoitteleva, niskoitteleva, kiivas; kaiken pakon vihamies; koko elämä yhtä ainoata vedonlyöntiä. Tukee esimerkixi Schopenhauerin oppia, jonka mukaan äly on tietämättään tajuttoman tahdon, sokean ja harkitsemattoman virkkeen orja. Epikurolainen, joka on olevinaan stoalai- nen, hekumoitsija, joka esittää itsensäkieltäjän osaa; hänen olemuksensa keskuksen muodostaa kuvittelu. Väärässä ovat aina toiset (ja tarpeen vaatiessa yhteiskunta). Hän itse on yksin oikeassa, hän yksin on hyvä ja oikeamielinen, ja viimeisen tuomion pasuunat voivat pau- hata... loppu tiedetään. Kristillisen psykologian suora vastakohta. Ei nöyryyttä, ei katumusta, ei kääntymystä eikä pyhitystä. Miten tämä kuulostaa niin tutulta? Eikös tässä ole E. Saarinen ja paasaaja?
xxx/ellauri010.html on line 28: Danza de los Muertos. Directed by Cassie Urban. A young boy´s grandmother comes back from the world of the dead to visit but he is too terrified of her skeletal form to dance with her.
xxx/ellauri044.html on line 1214: As a child, he was described as "unusually intelligent" and charitable, though not necessarily academically inclined, as his interests were of a more spiritual nature. He was uncommonly talented in devotional music, dance and drama. From a young age, he has been alleged to have been capable of materialising objects such as food and sweets out of thin air. Olikohan sillä huonot hampaat. Iskä oli sille hirmu vihainen, ehkä syystä. Äitikin oli käväissyt salaa hunajapurkilla. Babaa pisti skorpioni ja se alkoi puhua sanskriittiä. Babar oli ennustanut kuolevansa 96v terveenä kuin pukki. Se kuolikin 84v kun tuoli kaatui sen päälle. Jälkeenpäin selitettiin et se oli tarkoittanut kuukalenterivuosia. Se ei yrittänyt USAaan, teki vaan jonkun lomamatkan Ugandaan.
xxx/ellauri068.html on line 147: Tutar receives a makeover and Borat introduces her at a debutante ball. At the ball, her menstrual blood is prominently displayed during a father and daughter dance. Oikeasti jenkkien coming of age-tansseissa isä ja tytär vaihtaa siveyssormuxet. Aika insestistä. Discovering that Pence is nearby at CPAC, Borat disguises himself as Trump and attempts to give Tutar to him there, but is ejected by security. Nazarbayev is enraged and tells him to return to Kazakhstan for execution. Realizing that he can still give Tutar to someone close to Trump, Tutar suggests giving her to Rudy Giuliani.
xxx/ellauri068.html on line 431: And because I am happy and dance and sing, Ja kert mä oon häpi ja tanssin ja laulan,
xxx/ellauri068.html on line 493: Shirley Temple Black (April 23, 1928 - February 10, 2014) was an American actress, singer, dancer, businesswoman, and diplomat who was Hollywood's number one box-office draw as a child actress from 1934 to 1938. As an adult, she was named United States ambassador to Ghana and to Czechoslovakia, and also served as Chief of Protocol of the United States.
xxx/ellauri076.html on line 148: Champagne, a gentle song and a slow dance Skumppaa, lälly laulu ja hidas joraus
xxx/ellauri081.html on line 513: Benny was born Benjamin Kubelsky in Chicago on February 14, 1894, and grew up in nearby Waukegan. He was the son of Jewish immigrants Meyer Kubelsky (1864–1946) and Emma Sachs Kubelsky (1869–1917), sometimes called "Naomi". Meyer was a saloon owner and later a haberdasher who had emigrated to America from Poland. Emma had emigrated from Lithuania. Benny began studying violin, an instrument that became his trademark, at the age of 6, his parents hoping for him to become a professional violinist. He loved the instrument, but hated practice. His music teacher was Otto Graham Sr., a neighbor and father of football player Otto Graham. At 14, Benny was playing in dance bands and his high school orchestra. He was a dreamer and poor at his studies, and was ultimately expelled from high school. He later did poorly in business school and at attempts to join his father´s business. In 1911, he began playing the violin in local vaudeville theaters for $7.50 a week (about $210 in 2020 dollars). He was joined on the circuit by Ned Miller, a young composer and singer.
xxx/ellauri081.html on line 519: Benny had some romantic encounters, including one with dancer Mary Kelly,[2]:23–24 whose devoutly Catholic family forced her to turn down his proposal because he was Jewish.
xxx/ellauri085.html on line 118: Plot Summary: A soundless mix of story fragments and images. Initially, images of death, a man with a guitar, a soirée. Some images are surreal: an older woman eats a leaf; a headless man pours a cocktail into his body. A woman in white walks toward a building, isolated and in ruins, where a man waits. Then more images, some in reflections, some distorted, many in close-ups: women's feet in high heels, two bare feet at play, a snail, a knife, a mask, a woman mugging next to it. Women provocatively dance. A woman's face, staring without affect, rises partially out of water. Now wearing a dark jacket, the woman in white runs as if for her life. Is death at hand, or just images?
xxx/ellauri085.html on line 122: Between 1947 and 1950 the workshop produced five films under Peterson's guidance that were influential on the burgeoning American avant-garde cinema, and significant artifacts of the San Francisco Renaissance. In the years that followed, Peterson worked as a consultant for the Museum of Modern Art, made a series of documentary films, penned a novel (A Fly in the Pigment, 1961) and a memoir (The Dark of the Screen, 1980), and worked at Walt Disney Productions as a scriptwriter and storyboard artist on the never completed sequel to Fantasia.
xxx/ellauri085.html on line 292: In response to the controversy, academic administrators at the University of Toronto sent Peterson two letters of warning, one noting that free speech had to be made in accordance with human rights legislation, and the other adding that his refusal to use the preferred personal pronouns of students and faculty upon request could constitute discrimination. Peterson speculated that these warning letters were leading up to formal disciplinary action against him, but in December the university assured him he would retain his professorship, and in January 2017 he returned to teach his psychology class at the University of Toronto.
xxx/ellauri085.html on line 430: So uncertainty and hostile business environments tend to chill investment in new ventures. When the tide changes, then boom, it increases, and even at lower tax rates, we end up with MORE tax revenue due to a wider tax base and more people working and paying taxes and reduced tax avoidance, since rich people will pay "reasonable" taxes, but when they are high, then they look for shelters and overseas investments.
xxx/ellauri086.html on line 238: The Bible is pretty silent about tattoos. Search any concordance and you will not find restrictions on abortions, on gambling, or on tattoos. So how do we know whether a thing is sin or not if the Bible is silent on a particular issue? Is it a sin to have a tattoo according to biblical principles? What about a Christian symbol like a cross for a tattoo? Surely that would be acceptable wouldn’t it?
xxx/ellauri086.html on line 426: Every obstacle in sight. So I stepped aside and let him dance with her.
xxx/ellauri086.html on line 431: I doubted you'd do it. But now I must admit it And when at last the dance was done,
xxx/ellauri087.html on line 501: a time to mourn and a time to dance,
xxx/ellauri103.html on line 202: The author of Who Owns Culture? Appropriation and Authenticity in American Law, Susan Scafidi, a law professor at Fordham University who for the record is white, defines cultural appropriation as “taking intellectual property, traditional knowledge, cultural expressions, or artifacts from someone else’s culture without permission. This can include unauthorised use of another culture’s dance, dress, music, language, folklore, cuisine, traditional medicine, religious symbols, etc.”
xxx/ellauri103.html on line 209: So far, the majority of these farcical cases of “appropriation” have concentrated on fashion, dance, and music: At the American Music Awards 2013, Katy Perry got it in the neck for dressing like a geisha. According to the Arab-American writer Randa Jarrar, for someone like me to practice belly dancing is “white appropriation of Eastern dance,” while according to the Daily Beast Iggy Azalea committed “cultural crimes” by imitating African rap and speaking in a “blaccent.” Some of my friends got even told off for painting themselves black with shoe polish and making fat red lips! Now what may be wrong with that, I just ask. Clean innocent fun! Why don't the coons just laugh along?
xxx/ellauri103.html on line 270: I was wildly impatient with the way we assess people’s characters these days in accordance with their weight, and tried to get on the page my dismay at how much energy people waste on this matter, sometimes anguishing for years over a few excess pounds. Both author and book were on the side of the angels, or so you would think.
xxx/ellauri103.html on line 375: Wyedeanin yläasteelle siirtyessään Rowling pääsi eroon inhoamistaan opettajista ja opettajat siitä. Good riddance from bad rubbish. Hän muuttui myös aikaisempaa sosiaalisemmaksi, ja hänet valittiin viimeisenä vuonna koulun johtajatytöksi. Se pääsi käskyttämään pikkutyttöjä, osat vaihtuivat! Tästä saat Voldemort, ja tästä matohäntä!
xxx/ellauri113.html on line 119: V. Jos ei voi, tuumaa Tapani, eli pitää jurnuttaa tätä yhtä reittiä, se on vapaa tahto hyvästi. Good riddance to bad rubbish, sanon minä.
xxx/ellauri121.html on line 340: The Red Shoes—the title is from a 1948 film that affected the young Atwood, about a girl who wants to be both a dancer and a wife, and is punished with death for her ambition.
xxx/ellauri122.html on line 170: The mechanisms underlying the benefits of Mindfulness Based Interventions are suggested to include improved emotional regulation strategies and self-compassion levels, decreased rumination and experiential avoidance [3], as well as improved meta-cognitive skills and body awareness [4,5]. A number of authors have suggested models to explain the psychological mechanisms by which mindfulness interventions have an effect [6,7,8], and Hötzel et al. [9] have proposed a theoretical framework that integrates earlier models. This framework proposes that there are four main mechanisms: (1) attention regulation; (2) body awareness; (3) emotion regulation; and (4) change in perspective of the self; these, therefore, together improve self-regulation [9].
xxx/ellauri125.html on line 757: Shortly after her emancipation, Love spent two months in Japan working as a topless dancer, but was deported after her passport was confiscated. She returned to Portland and began working at the strip club Mary's Club, adopting the surname Love to conceal her identity; she later adopted Love as her surname. She worked odd jobs, including as a DJ at a gay disco. Love said she lacked social skills, and learned them while frequenting gay clubs and spending time with drag queens. During this period, she enrolled at Portland State University, studying English and philosophy.
xxx/ellauri125.html on line 761: In July 1982, Love returned to the United States. In late 1982, she attended a Faith No More concert in San Francisco and convinced the members to let her join as a singer. The group recorded material with Love as a vocalist, but fired her; according to keyboardist Roddy Bottum, who remained Love's friend in the years after, the band wanted a "male energy". Love returned to working abroad as an erotic dancer, briefly in Taiwan, and then at a taxi dance hall in Hong Kong. By Love's account, she first used heroin while working at the Hong Kong dance hall, having mistaken it for cocaine. While still inebriated from the drug, Love was pursued by a wealthy male client who requested that she return with him to the Philippines, and gave her money to purchase new clothes. She used the money to purchase airfare back to the United States.
xxx/ellauri127.html on line 717: The poem begins with the line "A thing of beauty is a joy for ever". Endymion is written in rhyming couplets in iambic pentameter (also known as heroic couplets). Keats based the poem on the Greek myth of Endymion, the shepherd beloved of the moon goddess Selene. The poem elaborates on the original story and renames Selene "Cynthia" (an alternative name for Artemis). It starts by painting the typical rustic scene of trees, rivers, shepherds, and sheep. The shepherds gather around an altar and pray to Pan, god of shepherd pies and cocks. As the youths sing and dance, the elder men sit by the rivers of Babylon and bleat about what life would be like in the shades of Elysium.
xxx/ellauri128.html on line 138: À l'Académie, il soutint généralement le parti des Philosophes, mais sans en faire partie car les excès de ses membres l’irritaient : « Les grands raisonneurs et les sous-petits raisonneurs de notre siècle, disait-il, en feront et en diront tant qu’ils finiront par m’envoyer à confesse. » Ses relations avec Voltaire furent froides et leur correspondance n’est qu’académique et de politesse. Il n’avait pas de relations avec Diderot, dont on lui reprocha d’avoir fait échouer la candidature à l’Académie. Il se brouilla avec D'Alembert et les deux hommes ne se réconcilièrent jamais entièrement. Généralement, son caractère autoritaire rendit ses relations souvent difficiles avec ses collègues.
xxx/ellauri128.html on line 601: Margaret Caroline Anderson (November 24, 1886 – October 19, 1973) was the American founder, editor and publisher of the art and literary magazine The Little Review, which published a collection of modern American, English and Irish writers between 1914 and 1929. The periodical is most noted for introducing many prominent American and British writers of the 20th century, such as Ezra Pound and T. S. Eliot in the United States, and publishing the first thirteen chapters of James Joyce's then-unpublished novel, Ulysses. A large collection of her papers on Gurdjieff's teaching is now preserved at Beinecke Rare Book and Manuscript Library, Yale University. She was blond, shapely, with lean ankles and a Scandinavian face. ... In 1916, Anderson met Jane Heap. The two became lovers. In early 1924, through Alfred Richard Orage, Anderson came to know of spiritual teacher George Ivanovitch Gurdjieff, and saw performances of his 'Sacred dances', first at the 'Neighbourhood Playhouse', and later at Carnegie Hall. Shortly after Gurdjieff's automobile accident, Anderson, along with Georgette Leblanc, Jane Heap and Monique Surrere, moved to France to visit him at Fountainebleau-Avon, where he had set up his institute at Château du Prieuré in Avon.
xxx/ellauri129.html on line 619: Son ami le journaliste Maurice de Waleffe (1874-1946) témoigne que, dès son arrivée à Paris, en 1897, il projetait, pour mieux s'intégrer à la société parisienne, de demander sa naturalisation, de changer de nom et de se faire baptiser et que le nom de Croisset était pour lui « le nom du village d'où Gustave Flaubert datait les volumes de sa correspondance1 ». En 1911, il obtint du Conseil d'État le changement de son nom pour celui de Wiener de Croisset. Francis de Croisset recherche le scandale avec des comédies d’une audace calculée, et devient, par son œuvre mais aussi par sa vie privée, omniprésent dans la presse du temps.
xxx/ellauri138.html on line 297: When Philip and I were in the country together he religiously tuned into Susan Kennedy's Big Band Hall of Fame on WMNR each Saturday night before dinner. He loved to sing along to Frank Sinatra and the Andrews Sisters and often quizzed me about the tracks. Sometimes we danced. One year he gave me a portable radio for my birthday so I'd be able to listen to Susan at home when we weren't together.
xxx/ellauri139.html on line 331: Within the castle, Madeline, one of the main characters of this story is stuck dancing amongst the guests. She has been informed by older women that this is a night during which a virgin lady, after following certain rituals, might in her dreams see the image of her true love. She is distracted by these thoughts and unable to enjoy the dance.
xxx/ellauri149.html on line 479: Both. The Romans are a government, and governments have to walk a fine line when it comes to dissent, because the people outnumber law enforcement, and killing or imprisoning lots of dissenters, while effective in the short term, means you have fewer subjects. Pilate could put down the mob with violence, but why would he do all that over one guy who, frankly, is kind of a problem for Rome, anyway? It doesn't help that Jesus does nothing to speak in his own defense: Pilate gets frustrated with Jesus' answers and eventually says good riddance to Jesus and his obvious death wish.
xxx/ellauri154.html on line 216: In the New Testament, both Matthew (14:1-11) and Mark (6:14-29) tell of the famous banquet story in which Herodias, having grown angry at John the Baptist for saying she could not marry her ex-husband’s brother, asks her daughter to request John’s head from her half-uncle as payment for her dance. Although neither of these sources mention Salome by name, we can learn of her from Flavius Josephus’ Jewish Antiquities of the year 93-94 (Book XVIII, Chapter 5, 4).
xxx/ellauri154.html on line 247: Tää Alamyn Salome on musta vetävämpi. Tanssit on tanssittu, eiköhän nakata tää irtopää rodeen. Kuvan nimi on kaikessa lyhykäisyydessään nasevasti https://l450v.alamy.com/450v/w58a5m/salom-with-the-head-of-john-the-baptist-salom-is-the-daughter-of-herodias-and-herod-philip-her-mother-wanted-to-remarry-herod-antipas-the-preacher-john-the-baptist-had-condemned-this-marriage-and-was-imprisoned-on-it-on-his-birthday-herod-antipas-promised-to-give-salom-what-she-wanted-when-she-danced-for-him-her-mother-herodias-urged-her-to-ask-the-head-of-john-the-baptist-on-a-platter-against-his-will-herod-kept-his-promise-after-the-dance-the-severed-head-was-carried-on-a-saucer-new-testament-matthew-14-6-11-mark-6-14-29-salom-is-presented-here-as-an-eastern-princess-she-w58a5m.jpg.
xxx/ellauri154.html on line 249: danced-for-him-her-mother-herodias-urged-her-to-ask-the-head-of-john-the-baptist-on-a-platter-against-his-will-herod-kept-his-promise-after-the-dance-the-severed-head-was-carried-on-a-saucer-new-testament-matthew-14-6-11-mark-6-14-29-salom-is-presented-here-as-an-eastern-princess-she-w58a5m.jpg" />
xxx/ellauri157.html on line 82: After starting dance classes at the age of four, she competed regularly in dance contests throughout her childhood, including in "To Be Number One", and joined the eleven-member dance crew We Zaa Cool alongside BamBam of Got7. In September 2009, the group entered the competition LG Entertainment Million Dream Sanan World broadcast on Channel 9 and won the "Special Team" Award. Lisa participated in a singing contest as a school representative for "Top 3 Good Morals of Thailand", hosted by the Moral Promotion Center in early 2009, where she finished as a runner-up.
xxx/ellauri157.html on line 206: In Judaism, similar figures arbitrated between earthly realities and spiritual realms since before the establishment of Talmudic Judaism in the 3rd century. However, it was only in the 16th century that these figures were called Baalei Shem. It looks like a Jewish reflex of the cotemporaneous revivalist movements among the protestants. Herbal folk remedies, amulets, contemporary medical cures as well as magical and mystical solutions were used in accordance with traditional Kabbalistic teachings as well as adapted Lurianic guidelines in the Middle Ages.
xxx/ellauri165.html on line 301: Dame Emma Hamilton (born Amy Lyon; 26 April 1765 – 15 January 1815), generally known as Lady Hamilton, was an English maid, model, dancer and actress. She began her career in London's demi-monde, becoming the mistress of a series of wealthy men, culminating in the naval hero Lord Nelson, and was the favourite model of the portrait artist George Romney.
xxx/ellauri165.html on line 308: Only a few months later she was unemployed again and moved to London in the autumn of 1777. She started to work for the Budd family in Chatham Place, Blackfriars, London, and began acting at the Drury Lane theatre in Covent Garden. She also worked as a maid for actresses, among them Mary Robinson. Emma next worked as a model and dancer at the "Goddess of Health" for James Graham, a Scottish "quack" doctor.
xxx/ellauri165.html on line 310: At 15, Emma met Sir Harry Fetherstonhaugh, who hired her for several months as hostess and entertainer at a lengthy stag party at Fetherstonhaugh's Uppark country estate in the South Downs. She is said to have danced nude on his dining room table. Fetherstonhaugh took Emma there as a mistress, but frequently ignored her in favour of drinking and hunting with his friends. Emma soon befriended the dull but sincere Honourable Charles Francis Greville (1749–1809). It was about this time (late June-early July 1781) that she conceived a child by Fetherstonhaugh.
xxx/ellauri176.html on line 186: Vous aurez donc compris que La Faute de l’abbé Mouret est un Zola un peu atypique qui respecte moins le schéma habituel des autres (enfin sauf que ça finit mal). Zola a un peu tendance à perdre son lecteur dans la forêt du Paradou et au milieu des atermoiements de Serge Mouret. Il s’agit donc d’un Zola que je déconseille en première instance (voire même en seconde). Les téméraires pourront néanmoins profiter de descriptions paradisiaques à foison, d’une fin tragi-comique et d’un propos qui reste très intéressant.
xxx/ellauri178.html on line 63: The film stars Chaplin as a washed-up comedian who saves a suicidal dancer, played by Claire Bloom, from killing herself, and both try to get through life. Täähän oli Rothin mielijuoni, se oli aina pelastavinaan damseleita distressistä ja sitten olikin se distress ize.
xxx/ellauri179.html on line 310: He's like a Pilgrim robbing red Indians of their land, walking into the unknown with neither shelter nor guidance, thrown upon his own resources, his strength and his judgment. Hemingway’s style is the style of understatement since his hero is a hero of military action, which is the human condition.
xxx/ellauri179.html on line 606: Ernest Hemingway squirmed as his second wife, Pauline, read aloud in 1927 from Henry James' novel The Awkward Age. Hemingway wondered why James bailed his characters out of their frequent inactivity by inserting a drawing room scene; and, as he was to do frequently during the next thirty years, he freely criticized the quality of James' works, "and knowing nothing about James he seems to me to be a shit." Too, he was quick to criticize the male protagonists of James,". .and the men all without any exception talk and think like fairies except a couple of caricatures of brutal outsiders". Carlos Baker observes that Hemingway, the "brutal outsider" himself, was at this time publishing Men Without Women, whose sales had reached 15,000 in the first three months after publication. But now Hemingway, the outsider, clearly in literary ascendance, was becoming acquainted with James' works; his artistic and personal recognition of James in future years was, for the most part, to take the form of a peculiar enmity. He was often to refer to James in highly derisive terms almost to the end of his own life. Hemingway's lese majeste towards him takes the form of a sporadic obsession that reveals more about Hemingway's maturity than James' imagined frailties.
xxx/ellauri193.html on line 217: In traditional societies, women could not complain about mistresses, concubines, and in many cultures even other wives (such as polygyny); whereas male sexual jealousy was recognized as the highest emotion that could justify even murder. The recognized license of the Ancient Greek husband may be seen in the following passage of the pseudo-Demosthenic Oration Against Neaera: "We keep mistresses for our pleasures, concubines for constant attendance, and wives to bear us legitimate children and to be our faithful housekeepers. Yet, because of the wrong done to the husband only, the Athenian lawgiver Solon allowed any man to kill an adulterer whom he had taken in the act.''
xxx/ellauri193.html on line 777: 19.1% of men planned the murder in advance, while 80.9% committed it impulsively. Four men indicated that they would commit murder again, depending on the circumstances. Among the reasons why the rest will not commit murder again are: I have discovered how high the value of life is and that every human being has the right to life and human dignity; murder is an inhuman act; it’s bad in prison; I want to be free; it was a huge mistake; crime does not pay; it’s no solution to problems; it causes tremendous emotional pain for everyone involved; I do not want to disappoint my family again; I am not in my inner nature a murderer; children must grow up with the presence and guidance of a father; restorative justice helped me find myself as well as with reconciliation with my family and the victim; God changed my life; it is a guilt that you carry with you for the rest of your life; I will talk about my problems in the future; I learned to respect the law; one throws away ones future.
xxx/ellauri193.html on line 804: The wo/man’s spiral (sorry, spinal) cord will rupture at the point where it enters the skull, electrochemical discharges will send his/her limbs flailing in a grotesque dance, eyes and tongues will start from the facial apertures under the assault of the rope and his/her bowels and bladder may simultaneously void themselves to soil the legs and drip onto the floor.
xxx/ellauri199.html on line 783: Ja tanssi ympäriinsä And dance around
xxx/ellauri218.html on line 121: As they advanced rapidly through southern Iraq in the first three days, the Shia population should have danced with joy at the very sight of the Bradley fighting vehicles. Not! Simultaneously, the never failing US technology, having located the demon in chief in one of his lairs, would dispatch the hated Saddam. The missile hit the target, but Saddam wasn’t home.
xxx/ellauri218.html on line 489: Klaara Kotko kazoo tositeeveetä missä epämiellyttävät vulgäärit rollarit nuuskii huumeita USAn kiertueella 1972. A stink bomb was placed in the ventilation on opening night to discourage attendance, but the film was shown anyway. Sittemmin hyllytetty kaikexi onnexi.
xxx/ellauri228.html on line 422: The tall weeds fumed; the grasshopper danced, Korkeat ruovot sauhusi, heinäsirkka tanssi,
xxx/ellauri229.html on line 546: At the height of the baroque, sex went out of style; only two small parties kept it going-the integrationalists and the separatists. The separatists, averse to all debauchery, felt that it was improper to eat sauerkraut with the same mouth one used to kiss one´s sweetheart. For this a separate, "platonic" mouth was needed, and better yet, a complete set of them, variously designated (for relatives, for friends, and for that special person). The valuing utility above all else, worked in reverse, combining whatever was combinable to simplify the organism and life. The decline of the baroque, typically tending to the extravagant and the grotesque, produced such curious forms as the stoolmaid and the hexus, which resembled a centaur, except that instead of hoofs it had four bare feet with the toes all facing one another: they also called it a syncopant, after a dance in which energetic stamping was the basic step. But the market now was glutted, exhausted. It was hard to come up with a startling new body; people used their natural horns for ear flaps; flap ears-diaphanous and with stigmatic scenes-fanned with their pale pinkness the cheeks of ladies of distinction; there were attempts to walk on supple pseudopodia; meanwhile SOPSYPLABD out of sheer inertia made more and more designs available, though everyone felt that all of this was drawing to a close.
xxx/ellauri230.html on line 64: Yasunari tuli vastaan Hoblan tiistairistikossa. Born in 1899, Kawabata graduated from the then Tokyo Imperial University. When he was young, he attracted attention as a novelist in the Shinkankakuha (new impressions) literary group, and gradually deepened his knowledge about the beauty particular to Japan. His outstanding works include “Izu no Odoriko” (Izu dancer), “Yukiguni” (Snow Country) and “Koto” (The Old Capital). He killed himself by inhaling gas in 1972.
xxx/ellauri235.html on line 611: Thee the voice, the dance, obey, Sinä ääni, tanssi, tottele,
xxx/ellauri235.html on line 833: They are waiting on the shingle — will you come and join the dance? Ne odottavat rantasoralla - tuletko mukaan skönelle?
xxx/ellauri235.html on line 834: Will you, won't you, will you, won't you, will you join the dance? Tuletko, etkö tuu, ja niin edespäin, mukaan skönelle?
xxx/ellauri235.html on line 835: Will you, won't you, will you, won't you, won't you join the dance? Ja sama uudestaan.
xxx/ellauri235.html on line 840: Said he thanked the whiting kindly, but he would not join the dance. Kiitos vain, valkoturska, mutten lähde mukaan skönelle.
xxx/ellauri235.html on line 841: Would not, could not, would not, could not, would not join the dance. Enkä tuu, en vitussa tuu, en sun kanssa skönelle.
xxx/ellauri235.html on line 842: Would not, could not, would not, could not, could not join the dance. Ja sama uudestaan.
xxx/ellauri235.html on line 847: Then turn not pale, beloved snail, but come and join the dance. Älä kalpene, hyvä etana, lähde kaikin mokomin ulos skönelle.
xxx/ellauri235.html on line 848: Will you, won't you, will you, won't you, will you join the dance? Tuletko, etkö tuu, ja niin edespäin, mukaan skönelle?
xxx/ellauri235.html on line 849: Will you, won't you, will you, won't you, won't you join the dance? Ja niin edespäin.
xxx/ellauri251.html on line 1374: But far from dances and the back-blowing torch,
xxx/ellauri251.html on line 1418: And fill the dance up with tempestuous feet,
xxx/ellauri261.html on line 458: As the nineteenth becomes the 20th century, all of New York City is excited because widowed but brassy Dolly Gallagher Levi is in town ("Call on Dolly"). Dolly makes a living through what she calls "meddling" – matchmaking and numerous sidelines, including dance instruction and mandolin lessons ("I Put My Hand In"). She is currently seeking a wife for grumpy Horace Vandergelder, the well-known half-a-millionaire, but it becomes clear that Dolly intends to marry Horace herself. Ambrose Kemper, a young artist, wants to marry Horace's weepy niece Ermengarde, but Horace opposes this because Ambrose's vocation does not guarantee a steady living. Ambrose enlists Dolly's help, and they travel to Yonkers, New York to visit Horace, who is a prominent citizen there and owns Vandergelder's Hay and Feed.
xxx/ellauri261.html on line 466: Dolly arranges for Cornelius and Barnaby, who are still pretending to be rich, to take the ladies out to dinner to the Harmonia Gardens restaurant to make up for their humiliation. She teaches Cornelius and Barnaby how to dance since they always have dancing at such establishments ("Dancing"). Soon, Cornelius, Irene, Barnaby, and Minnie are happily dancing. They go to watch the great 14th Street Association Parade together. Alone, Dolly decides to put her dear departed husband Ephram behind her and to move on with life "Before the Parade Passes By". She asks Ephram's permission to marry Horace, requesting a sign from him. Dolly catches up with the annoyed Vandergelder, who has missed the whole parade, and she convinces him to give her matchmaking one more chance. She tells him that Ernestina Money would be perfect for him and asks him to meet her at the swanky Harmonia Gardens that evening.
xxx/ellauri261.html on line 470: Cricket Walter Kerr wrote: Hello, Dolly! is a musical comedy dream, with Carol Channing the girl of it. ... Channing opens wide her big-as-millstone eyes, spreads her white-gloved arms in ecstatic abandon, trots out on a circular runway that surrounds the orchestra, and proceeds to dance rings around the conductor. ... With hair like orange sea foam, a contralto like a horse´s neighing, and a confidential swagger, she is a musical comedy performer with all the blowzy glamor of the girls on the sheet music of 1916. The lines are not always as funny as Miss Channing makes them.
xxx/ellauri261.html on line 517: Cornelius, weary of his dull existence, decides that he and Barnaby need to get out of Yonkers. Dolly overhears, and decides to set them up with Irene Molloy and her shop assistant, Minnie Fay. She also helps Ambrose and Ermengarde, entering them in a dance contest at the very fancy Harmonia Gardens restaurant, which Dolly and her late husband frequented. The entire company takes the train to New York.
xxx/ellauri261.html on line 519: In New York, Irene and Minnie open their hat shop for the afternoon. Irene does not love Horace Vandergelder, but knows that the marriage will provide her with financial security and an escape from her boring job. However, Irene hopes to escape her loveless marriage, and plans to try and find real love before the summer is over. Cornelius and Barnaby arrive at the shop and pretend to be rich- Irene seems to take to Cornelius immediately. Horace and Dolly arrive, and Cornelius and Barnaby hide. Minnie screams when she finds Cornelius hiding in an armoire. Horace is about to open the armoire himself, but Dolly "searches" it and pronounces it empty. After hearing Cornelius sneeze, Horace storms out upon realizing there are men hiding in the shop, although he is unaware that they are his clerks. Dolly arranges for Cornelius and Barnaby, who are still pretending to be rich, to take the ladies out to dinner at Harmonia Gardens to make up for their humiliation. Dolly briefly tries to teach Cornelius and Barnaby to dance, which leads to the whole town dancing in the local park.
xxx/ellauri265.html on line 474: dance.gif" height="200px" />
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xxx/ellauri268.html on line 381: Harjo studied dance at school and became part of an all-Indian drama and dance troupe.
xxx/ellauri273.html on line 324: Václav Havel kuoli onnexi kivuliaasti 18. joulukuuta 2011 kesämökillään Vlčicessä Pohjois-Tšekissä. Good riddance for bad rubbish.
xxx/ellauri287.html on line 418: Toisaalta Helmut on tässä asiassa epäluotettava todistaja sillä hänen on syytetty sexuaalisesti harassoineen Elaine Bagelsia. Elaine Pagels (pronounced Paygulls) , née Hiesey (pronounced Haisi), February 13, 1943), is an American historian of religion. She is the Harrington Spear Paine Professor of Religion at Princeton University. After briefly studying dance at Martha Graham's studio, she began studying for a PhD in religion at Harvard University as a student of Helmut Koester.
xxx/ellauri319.html on line 657: Lola Montez (1821-1861), dancer, courtesan, mistress of Ludwig I
xxx/ellauri379.html on line 158: The media have described Lipa as having a mezzo-soprano or contralto vocal range. Her music is primarily pop, and has also been described as disco, house and R&B. Stylistically, her music has been described as dance-pop, synth-pop, R&B, dream pop, alternative pop, and nu-disco subgenres. She describes her musical style as being "dark pop". She is also noted for singing in a "distinct, husky, low register", and her "sultry" tone. Regarding her songwriting process, Lipa states she usually comes to the studio with a concept and starts developing the song with her co-writers. She cites Kylie Minogue, Pink, Nelly Furtado, Jamiroquai, Kendrick Lamar, and Chance the Rapper among her musical influences. "My idea of pop has been P!nk and Christina Aguilera and Destiny's Child and Nelly Furtado", said Lipa in a GQ interview in 2018. Her second studio album Future Nostalgia (2020) was inspired by artists that she listened to during her teens, including Gwen Stefani, Madonna, Moloko, Blondie and Outkast. KIINNNNNNOS. Liikkuuko sinun Lipasi? Ei ota minun orani. I love her lack of energy. Fiat voluntas tua.
xxx/ellauri379.html on line 231: Prinsessa Luna, joka tunnetaan myös nimellä Nightmare Moon tai Night Mare Moon muuttuessaan tai tietyissä muissa olosuhteissa, [huomautus 3] on Alicorn- poni, prinsessa Celestian nuorempi sisar ja ensimmäisen kauden ensi- illan päävastustaja. My Little Pony Friendship on taikuutta painajaiskuuna. Hän on myös Princess Cadancen adoptiotäti. Lopulta Elements of Harmony palauttaa Lunan entiselleen ja hän palaa muina täteinä hallitsemaan Equestriaa vanhemman sisarensa rinnalla. Prinsessa Luna/Nightmare Moonia kutsuttiin hänen varhaisilla nimillään Prinsessa Selena / Yö Tamma toisessa tuotantokaudessa.
xxx/ellauri379.html on line 256: Petteri Carlson from PC Gamer called Mass Effect "one of the grandest and most personal science friction epics across all mediums due to the successful combination of classic space opera's best elements with a parental guidance adventure structure" that "encourages both playful and serious challenges to traditional science friction".
xxx/ellauri394.html on line 238: By the end of that summer, the Honolulu Star-Bulletin reported that she was too frail to hold her birthday reception for the public, an annual tradition dating back to the days of the monarchy. As one of her last public appearances in September, she officially became a member of the American Red Cross. Following several months of deteriorating health that left her without the use of her lower limbs, as well as a diminished mental capacity rendering her incapable of recognizing her own house, her inner circle of friends and caregivers sat vigil for the last two weeks of her life knowing the end was near. In accordance with Hawaiian tradition, the royal kāhili fanned her as she lay in bed. On the morning of November 11, Liliʻuokalani died at the age of seventy-nine at her residence at Washington Place. Films were taken of her funeral procession and later stored at ʻĀinahau, the former residence of her sister and niece. A fire on August 1, 1921, destroyed the home and all its contents, including the footage of the Queen´s funeral. So much for that.
xxx/ellauri394.html on line 250: The Queen was also remembered for her support of Buddhist and Shinto priests in Hawaii and became one of the first Native Hawaiians to attend a Buddha´s Birthday party on May 19, 1901, at the Honwangji mission. Her attendance in the celebration helped Buddhism and Shinto gain acceptance into Hawaiian society and prevented the possible banning of the two religions by the Territorial government. Her presence was also widely reported in Chinese and Japanese newspapers throughout the world, and earned her the respect of many Japanese people both in Hawaii and in Japan itself, with the exception of Rei Shimura.
xxx/ellauri394.html on line 267: In 2007, Honolulu magazine rated "Aloha ʻOe" as the greatest song in the history of Hawaiian music. Women canoe teams were added in 1974. The race is held over Labor Day Weekend each year to coincide with Liliʻuokalani´s birthday on September 2. The American Experience: Hawai´i´s Last Queen. WTF, since when is it American? Well, since the overthrow and annexation, of course. Numerous hula events are held to honor her memory. Several hundred dancers shower 50,000 orchid blossoms.
xxx/ellauri420.html on line 556: Elle est atteinte de cécité à 56 ans (1752). Elle ne cessa de le répéter dans sa correspondance : la vie lui pèse. Voltaire, auquel ne manque pas une plume acérée pour pourfendre ses ennemis, lui présente un jour la femme qu’il aime le plus, son amie et protectrice Émilie du Châtelet, espérant qu’elles deviendraient amies. Mais non. Émilie du Châtelet, mathématicienne et physicienne, était trop différente sans doute de ces dames aux conversations brillantes mais souvent oiseuses.
xxx/ellauri420.html on line 558: La marquise qui, bien qu’elle fût en compagnie de son amant Hénault, n’admet sans doute pas que ses amis les plus intimes lui préférassent une autre dame, fait par la suite un portrait d’Émilie véritablement cruel qui est publié en 1777 par Grimm dans la Correspondance littéraire, s’en gaussant avec Marguerite de Staal qui a été du dîner. Parfois féroce car ses propos incisifs ne sont que trop lucides.
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