ellauri046.html on line 377: Crop Rotation: If you want to be happy, keep rotating your view of things, like farmers rotate their crops. Learn how to forget.

ellauri051.html on line 1076: 486 Fetch stonecrop mixt with cedar and branches of lilac, 486 Hae kivimurska sekoitus setriä ja syreenin oksia,
ellauri058.html on line 111: Ei kukaan joka ei ole syntynyt etelässä saata käsittää, että niggers, darkies, coons, Sambos, pickaninnies eivät oikeastaan ole muuta kuin kokoelma villieläimiä jotka hiljan on päässeet ulos viidakoista. Musiikki: Billie Holiday ja Bitter crop.
ellauri058.html on line 685:
crop&w=1024&h=689" width="50%" />
ellauri065.html on line 196: cropped.jpg/640px-Still8_Human_Centipede_cropped.jpg" />
ellauri066.html on line 941: crop&crop=focalpoint&fp-x=0.5&fp-y=0.5&fp-z=1&fp-debug=false" />
ellauri067.html on line 422: Richard Freiherr von Krafft-Ebing (1840–1902; full name Richard Fridolin Joseph Freiherr Krafft von Festenberg auf Frohnberg, genannt von Ebing) was an Austro–German psychiatrist and author of the foundational work Psychopathia Sexualis (1886). He died in Graz in 1902. He was recognized as an authority on deviant sexual behavior and its medicolegal aspects. Krafft-Ebing´s principal work is Psychopathia Sexualis: eine Klinisch-Forensische Studie (Sexual Psychopathy: A Clinical-Forensic Study), which was first published in 1886 and expanded in subsequent editions. The last edition from the hand of the author (the twelfth) contained a total of 238 case histories of human sexual behaviour. Translations of various editions of this book introduced to English such terms as "sadist" (derived from the brutal sexual practices depicted in the novels of the Marquis de Sade), "masochist", (derived from the name of Leopold von Sacher-Masoch), "homosexuality", "bisexuality", "necrophilia", and "anilingus".
ellauri067.html on line 428: Freud´s didactic strategy in his Three Essays on the Theory of Sexuality was to construct a bridge between the "perversions" and "normal" sexuality. Clinically exploring "a richly diversified collection of erotic endowments and inclinations: hermaphroditism, pedophilia, sodomy, fetishism, exhibitionism, sadism, masochism, coprophilia, necrophilia" among them, Freud concluded that "all humans are innately perverse". He found the roots of such perversions in infantile sexuality—in the child´s "polymorphously perverse" inclinations ... the "aptitude" for such perversity is innate.
ellauri099.html on line 119: VaakkunaakkasappiAsthenikercrop,x_0,y_0/w_1400,h_900,c_fit/v1464345909/14-svyle-2894755748250edc98f.jpg" height="100px" />
ellauri099.html on line 126: Maila TalviokalkkunasappiAthletikercrop&q=60" height="100px" />
ellauri102.html on line 203: cropped%29.jpg/250px-Richard_Branson_March_2015_%28cropped%29.jpg" width="150px" />
ellauri102.html on line 207: cropped%29.jpg/220px-Bill_Gates_2017_%28cropped%29.jpg" width="150px" />
ellauri102.html on line 211: cropX1%3D1457%26cropX2%3D2405%26cropY1%3D17%26cropY2%3D966" width="150px" />
ellauri102.html on line 325: cropped%29.jpg/749px-FMSTAN_%26_SPIDER_Global_meeting_in_Austrian_Foreign_Ministries_in_Vienna_%2849120446508%29_%28cropped%29.jpg" height="200px" />
ellauri115.html on line 805: as Simonides​ puts it, and since all human nature bears its crop of contention, jealousy, and envy,
ellauri133.html on line 54: crop1604099061971.jpg_903948737.jpg" height="250px" />
ellauri151.html on line 350: crop=1" height="200px" />
ellauri151.html on line 362: cropped-cropped-cropped-cropped-conversionPaul_large00-1.jpg" width="100%" />
ellauri151.html on line 475: The wounded crops are also listening. Haavoittuneet laihot ovat nekin kuulolla.
ellauri151.html on line 512: of life, the scheme of animals and ecrops, elämän altaassa, eläinten ja viljan järjestys,
ellauri160.html on line 33: cropped%29.jpg/400px-Ezra_Pound_and_Isabel_Pound_%28cropped%29.jpg" height="130px" />
ellauri171.html on line 391: What’s the story really about? At the time the story of Cain and Abel developed, there was constant friction between farmers and herdsmen, both of them fighting for the limited resources of the land. Cain kills Abel. A herd of goats in a stony, barren landscape The herdsmen were angry when the farmers took over the best land for their crops the farmers were angry when the flocks trampled their crops.This friction leads to violence in which people get killed. Notice that the story was developed by the herdsmen, the keepers of flocks. This explains why Abel, the herdsman, is portrayed as the injured party. Lucky Luke-tarinassa Piikkilankoja preerialla skooparit repi pelihousunsa kun jyväjemmarit pystyttivät piikkilankoja preerialle. Sillä kertaa oli maajussit hyvixiä. Nyt on keskusta taas paha.
ellauri171.html on line 405: Occasionally they went too far and came a cropper. This is what happened to John.
ellauri171.html on line 854: Dagon (Dagan) god of crop fertility and grain, father of Ba'al Hadad
ellauri183.html on line 200: cropped%2529.jpg" height="250px" />
ellauri188.html on line 81: The inhabitants historically made a living by fishing, collecting shellfish, hunting birds, and gardening. They relied heavily on breadfruit but raised at least 32 other introduced crops.
ellauri191.html on line 940: crop.jpg" class="image">Ernest Hemingway 1950 <span style=crop.jpg" src="https://upload.wikimedia.org/wikipedia/commons/thumb/9/99/Ernest_Hemingway_1950_crop.jpg/75px-Ernest_Hemingway_1950_crop.jpg" decoding="async" width="75" height="105" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/9/99/Ernest_Hemingway_1950_crop.jpg/113px-Ernest_Hemingway_1950_crop.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/99/Ernest_Hemingway_1950_crop.jpg/150px-Ernest_Hemingway_1950_crop.jpg 2x" data-file-width="582" data-file-height="817" />
ellauri191.html on line 1072: crop.JPG" class="image">JohnSteinbeck <span style=crop.JPG" src="https://upload.wikimedia.org/wikipedia/commons/thumb/b/b5/JohnSteinbeck_crop.JPG/75px-JohnSteinbeck_crop.JPG" decoding="async" width="75" height="101" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/b/b5/JohnSteinbeck_crop.JPG/113px-JohnSteinbeck_crop.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b5/JohnSteinbeck_crop.JPG/150px-JohnSteinbeck_crop.JPG 2x" data-file-width="1186" data-file-height="1604" />
ellauri191.html on line 1139: cropped).jpg" class="image">פורטרט ש"י עגנון (<span style=cropped).jpg" src="https://upload.wikimedia.org/wikipedia/commons/thumb/f/f9/%D7%A4%D7%95%D7%A8%D7%98%D7%A8%D7%98_%D7%A9%22%D7%99_%D7%A2%D7%92%D7%A0%D7%95%D7%9F_%28cropped%29.jpg/75px-%D7%A4%D7%95%D7%A8%D7%98%D7%A8%D7%98_%D7%A9%22%D7%99_%D7%A2%D7%92%D7%A0%D7%95%D7%9F_%28cropped%29.jpg" decoding="async" width="75" height="113" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/f/f9/%D7%A4%D7%95%D7%A8%D7%98%D7%A8%D7%98_%D7%A9%22%D7%99_%D7%A2%D7%92%D7%A0%D7%95%D7%9F_%28cropped%29.jpg/113px-%D7%A4%D7%95%D7%A8%D7%98%D7%A8%D7%98_%D7%A9%22%D7%99_%D7%A2%D7%92%D7%A0%D7%95%D7%9F_%28cropped%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f9/%D7%A4%D7%95%D7%A8%D7%98%D7%A8%D7%98_%D7%A9%22%D7%99_%D7%A2%D7%92%D7%A0%D7%95%D7%9F_%28cropped%29.jpg/150px-%D7%A4%D7%95%D7%A8%D7%98%D7%A8%D7%98_%D7%A9%22%D7%99_%D7%A2%D7%92%D7%A0%D7%95%D7%9F_%28cropped%29.jpg 2x" data-file-width="2013" data-file-height="3020" />
ellauri191.html on line 1224: crop.jpg" class="image">Aleksandr Solzhenitsyn 1974<span style=crop.jpg" src="https://upload.wikimedia.org/wikipedia/commons/thumb/8/8d/Aleksandr_Solzhenitsyn_1974crop.jpg/75px-Aleksandr_Solzhenitsyn_1974crop.jpg" decoding="async" width="75" height="94" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/8/8d/Aleksandr_Solzhenitsyn_1974crop.jpg/113px-Aleksandr_Solzhenitsyn_1974crop.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8d/Aleksandr_Solzhenitsyn_1974crop.jpg/150px-Aleksandr_Solzhenitsyn_1974crop.jpg 2x" data-file-width="1704" data-file-height="2136" />
ellauri191.html on line 1758: cropped).jpg" class="image">VS Naipaul 2016 Dhaka (<span style=cropped).jpg" src="https://upload.wikimedia.org/wikipedia/commons/thumb/c/c7/VS_Naipaul_2016_Dhaka_%28cropped%29.jpg/75px-VS_Naipaul_2016_Dhaka_%28cropped%29.jpg" decoding="async" width="75" height="90" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/c/c7/VS_Naipaul_2016_Dhaka_%28cropped%29.jpg/113px-VS_Naipaul_2016_Dhaka_%28cropped%29.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c7/VS_Naipaul_2016_Dhaka_%28cropped%29.jpg/150px-VS_Naipaul_2016_Dhaka_%28cropped%29.jpg 2x" data-file-width="852" data-file-height="1024" />
ellauri191.html on line 1825: cropped.jpg" class="image">Pinterfoto <span style=cropped.jpg" src="https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Pinterfoto_cropped.jpg/75px-Pinterfoto_cropped.jpg" decoding="async" width="75" height="104" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/6/68/Pinterfoto_cropped.jpg/113px-Pinterfoto_cropped.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/68/Pinterfoto_cropped.jpg/150px-Pinterfoto_cropped.jpg 2x" data-file-width="220" data-file-height="306" />
ellauri191.html on line 1889: cropped.JPG" class="image">Müller, Herta.IMG 9379 <span style=cropped.JPG" src="https://upload.wikimedia.org/wikipedia/commons/thumb/e/e4/M%C3%BCller%2C_Herta.IMG_9379_cropped.JPG/75px-M%C3%BCller%2C_Herta.IMG_9379_cropped.JPG" decoding="async" width="75" height="120" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/e/e4/M%C3%BCller%2C_Herta.IMG_9379_cropped.JPG/113px-M%C3%BCller%2C_Herta.IMG_9379_cropped.JPG 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e4/M%C3%BCller%2C_Herta.IMG_9379_cropped.JPG/150px-M%C3%BCller%2C_Herta.IMG_9379_cropped.JPG 2x" data-file-width="468" data-file-height="747" />
ellauri191.html on line 2110: soopelicropped%29.jpg" width="75" height="107" />
ellauri194.html on line 79: cropper.watch.aetnd.com/cdn.watch.aetnd.com/sites/2/2015/09/countdown-to-apocalype-16_9.jpg" width="100%" />
ellauri223.html on line 41: crop.kaleva.fi/BClykzDHMb0449HUTNXM3swVXww=/2600x0/smart/https:/lorien-media-prod.s3.amazonaws.com/migration/kalevafi/default/a63ee45e-e764-11e4-b4bb-22000a22931e/original-sipila.jpg" height="300px" />
ellauri226.html on line 197: crop=649:h;center,top&output-quality=80" width="40%" />
ellauri236.html on line 162: crop=no&enlarge=no" width="70%" />
ellauri240.html on line 136: cropped.jpg" width="30%" />
ellauri243.html on line 188: 1. Barking at the ape 2. Box lunch at the ‘Y’ 3. Breakfast in bed 4. Brushing one’s teeth 5. Carpet-munching 6. Chewing the she-Fat 7. Clam-jousting 8. Clam-lapping 9. Cleaning the fish tank 10. Connie lingus 11. Contacting the aliens 12. Conversing with moses 13. Devil’s kiss 14. Dinner beneath the bridge 15. Doing it the French way 16. Donning the Beard 17. Drinking from the furry cup 18. Eating at the ‘Y’ 19. Eating fur pie 20. Eating out 21. Eating the peach 22. Eating squirrel 23. Eating sushi from the barbershop floor 24. Eating tinned mussels 25. Egg mcmuff 26. Face-fucking 27. Facing the nation 28. Fanny-noshing 29. Fence-painting 30. French-kissing Mr. Lincoln 31. Fuzz sandwich 32. Giving face 33. Gnawing on roast beef 34. Going downstairs for breakfast 35. Going south 36. Gomorrahry 37. Gorilla in the washing machine 38. Growling at the badger 39. Gumming the monster 40. Husband’s supper 41. Kissing between the hips 42. Kissing the wookie 43. Lady braille 44. Lady Semaphore 45. Larking 46. Lapping the gap 47. Lapping the lint trap 48. Lick-a-chick 49. Lickety-slit 50. Licking anchovy 51. Lip service 52. Lip-synching to the fish-fueled jukebox 53. Low-calorie snacking 54. Making mouth music 55. Medicating the hairy paper cut 56. Mopping the vulva 57. Mustache-riding 58. Muff-diving 59. Mumbling in the moss 60. Munching the bearded clam 61. One-man band 62. Oyster-gargling 63. Parting the fuzz 64. Pastrami sandwich 65. Pearl-diving 66. Placating the beaver 67. Playing in the sandbox 68. Playing the hair harmonica 69. Prawn breath 70. Pruning the orchid 71. Pug-noshing 72. Pussy-nibbling 73. Seafood dinner 74. Sipping at the fizzy cup 75. Sitting on a face 76. Slurping at the furry coconut 77. Smoking the fur 78. Sneezing in the basket 79. Spa time For Lady Boner 80. Speaking in tongues 81. Spraying the crops 82. Tackling the Brazilian 83. Talking to the canoe driver 84. Talking to lassie 85. Telephoning the stomach 86. Testing the echo in the love cave 87. Testing the waters 88. Tipping the velvet 89. Tongue-fucking 90. Tonguing the bean 91. Trimming the hedges 92. Velvet buzzsaw 93. Wearing the feed bag 94. Wearing the Sticky Beard 95. Whispering into the wet ear 96. Whispering to Venus 97. Whistling in the dark 98. Worshiping at the altar 99. Yaffling 100. Yodeling in the canyon 101. January Nelson
ellauri243.html on line 554: Bob´s book is about Perpetual Potential. Inside these pages, you will discover three invaluable lessons that will propel you closer to your true potential. The lessons will serve you well on either of two different, but parallel roads you may travel: The roads towards triumph or tragedy, as well as the roads in between. In 2003 the author, Bob Stearns was on top of the world. He led his company to win the most prestigious business award in the country, the Malcolm Baldrige award. Just five short years later, tragedy struck. Bob´s oldest son Eric was killed while on a study trip abroad in Athens, Greece. Eric was 21 years old at the time and was a junior at Penn State University. Although Eric lost his precious life in Greece, he found something sprawled under the pillars of the Acropolis that many people search for their entire lifetimes. He found inner peace in the knowledge that he could truly be anything he wanted to be, he could do anything he wanted to with his life. In his book "Perhaps a Man Can Change the Stars - Eric's Pursuit of Perpetual Potential", Bob shares with you three life lessons that allowed Eric to understand his true potential. Those same lessons helped Bob and his family deal with Eric´s death. The same lessons had enabled Bob to lead his company to triumph five years earlier. A key take away from the book is that no matter what stage of life you find yourself, you have the potential to explore. You have the potential to utilize and grow the talents and aspirations that you currently have. You have the potential to rekindle old talents that lie dormant, and to allow new talents to blossom. This is true regardless of age, circumstances, and what other people may be telling us. So read, explore and think deeply about how you can apply the three lessons that Bob learned from Eric. Decide for yourself how you can best use them. Indeed, our Potential is Perpetual!
ellauri245.html on line 285: cropped%29.jpg" width="20%" />
ellauri247.html on line 413: crop=1" />
ellauri254.html on line 498: cropped.jpg/800px-VerweyGeorge2_cropped.jpg" />
ellauri254.html on line 633: cropped.jpg">
ellauri258.html on line 290: crop/568x357/2019/08/19/b460eab4-8-7849.jpg" />
ellauri263.html on line 444: cropped%29.jpg/375px-AbulrazakGurnahHebronPanel_%28cropped%29.jpg" />
ellauri264.html on line 239: Olive oil is bio-fuel, a renewable resource: the olive tree will produce another crop of crap every year, as will the palm oil palm. According to Jewish law, olive oil lamps are the ideal Lighting with olive oil can help us connect to the holy use of our resources, from the renewable olive oil of the Hasmonians back to the oil vessels of Jacob and Noah. This year, may our Chanuka lights inspire us toward responsible and holy use of everything that comes into our possession by hook or crook.
ellauri264.html on line 404: cropped%29.jpg/220px-Alex_Jones_Portrait_%28cropped%29.jpg" height="200px" />
ellauri264.html on line 668: crop=1024:h;center,top&output-quality=80" />
ellauri266.html on line 451: crop_1280x720/public/2018-04/la_planete_des_singes_3_0.jpg" width="100%" />
ellauri267.html on line 97: Based on the novel by Walter Wager, "Telefon" has not aged well because it'(TM)s so dependent on the cold war tension that existed between the USSR and the US in the Seventies. The film is basically a cat-and-mouse game with Soviet agent Major Grigori Borzov (Charles Bronson, that's right Bronson is a commie) tracking rogue Russian scientist Nicolai Dalmchimsky (Donald Pleasence) across America to prevent him from activating sleeper agents. Borzov is assisted by Barbara (Lee Remick. fresh from "The Omen") who asks more annoying questions than necessary, leading the audience to believe she may not be completely true to the motherland. The film's middle section is dragged down by repetitive bomb scares. Dalmichimsky is working from outdated intelligence so his targets are all de-classified U.S. Military installations. Once Borzov realizes the pattern and hones in the next target the action shifts to a more linear chase that'(TM)s further heightened by Barbara'(TM)s loyalties. But the ultimate showdown is deflating because beyond some silly disguises Pleasence's Dalmichimsky is never built up to be a threat. Director Don Siegel uses his flair for montage to craft a his action sequences without dialogue. "Telefon" is a road movie, much like Alfred Hitchcock's "Saboteur" and "North by Northwest" had their leads criss-crossing America here we see plenty of seventies architecture including San Francisco's Hyatt Regency Hotel (used in "The Towering Inferno") and a modernist house resting on top of a barren rock outcropping. The supporting cast is uniformly good (but trapped in underwritten roles), and it'(TM)s nice to see veteran character actors Alan Badel and Patrick Magee playing snotty KGB strategists, and Tyne Daly in a small (and ultimately irrelevant role) as a computer geek. Trivia note: The poem that activates the Russian sleeper agents was used by Quentin Tarantino in "Death Proof" as the lines Jungle Julia has her listeners recite to Butterfly. The lines are an excerpt of the poem "Stopping by Woods on a Snowy Evening" by Robert Frost. "The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep."
ellauri270.html on line 186: cropped%29.jpg" />
ellauri270.html on line 399: The use of stones also connects the ritual to Biblical punishments of “stoning” people for various sins, which then brings up the idea of the lottery’s victim as a sacrifice. The idea behind most primitive human sacrifices was that something (or someone) must die in order for the crops to grow that year. This village has been established as a farming community, so it seems likely that this was the origin of the lottery. The horrifying part of the story is that the murderous tradition continues even in a seemingly modern, “normal” society. In actual fact, the point is to reduce the number of mouths to feed in times of shortage.
ellauri276.html on line 339: cropped%29.png" height="200"/>
ellauri283.html on line 369: 1970-luvun alkuun asti Sudanin maataloustuotanto oli pääosin omistettu sisäiseen kulutukseen. Vuonna 1972 Sudanin hallituksesta tuli länsimielisempi ja se suunnitteli elintarvikkeiden ja käteissadon vientiä. Hyödykkeiden hinnat kuitenkin laskivat koko 1970-luvun, mikä aiheutti taloudellisia ongelmia Sudanille. Samaan aikaan velanhoitokustannukset maatalouden koneistamiseen käytetyistä rahoista nousivat. Vuonna 1978 Kansainvälinen valuuttarahasto (IMF) neuvotteli rakennesopeutusohjelman hallituksen kanssa. Tämä edisti entisestään koneellista vientimaataloutta. Tämä aiheutti suuria taloudellisia ongelmia Sudanin laiduntajille (katso Nuba Peoples). No niinpä tietysti! Juuri tätä uumoilinkin. Piikkilankoja preerialla. Justiinsa sama tematiikka kuin Suomen kovan markan nälänhädässä 1868 ja holodomorissa 1920-30 luvuilla: cash crops temmataan nälkäisten pienokaisten suista, koska se on kokonaisedullisempaa. Köyhät lampaannussijat ja kamelinajajat kärmistyvät.
ellauri285.html on line 717: crop/2019/04/16/XVM0527283c-6051-11e9-9daa-1e85594be702.jpg" width="30%" />
ellauri301.html on line 411: cropw=100&croph=53.448275862069&width=564&height=409" />
ellauri310.html on line 239: cropped.jpg" Width="90%"/>
ellauri310.html on line 605: Richard Volney Chase (1914-1962) was a literary critic and a Professor of English at Columbia University. He is known for his work The American Novel and Its Tradition. Way famouser is Richard Trenton Chase (May 23, 1950 – December 26, 1980) an American serial killer, cannibal, and necrophile who killed six people in the span of a month in 1977 and 1978 in Sacramento, California. He was nicknamed The Vampire of Sacramento because he drank his victims' blood and cannibalized their remains.
ellauri310.html on line 610: On January 27, Chase entered the home of 38-year-old Evelyn Miroth. He encountered her friend, Danny Meredith, whom he shot with his.22 handgun. He then fatally shot Miroth, her six-year-old son Jason, and her 22-month-old nephew David Ferreira, before mutilating Miroth and engaging in necrophilia and cannibalism with her corpse.
ellauri313.html on line 642: cropped%29.png" />
ellauri316.html on line 459: cropped%29.jpg" width="40%" />
ellauri318.html on line 358: crop=1.777778h:h;*,*&crop=w:0.5625w;*,*&downsize=1800:1013&output-quality=50" height="300px" />
ellauri322.html on line 76: If nobody will be so kind as to become my foe, I shall need no more fleets nor armies, and shall be forced to reduce my taxes. The American war enabled me to double the taxes; the Dutch business to add more; the Nootka humbug gave me a pretext for raising three millions sterling more; but unless I can make an enemy of Russia the harvest from wars will end. I was the first to incite Turk against Russian, and now I hope to reap a fresh crop of taxes. Kuulostaapa tutulta.
ellauri330.html on line 156: src="https://images.cdn.yle.fi/image/upload/c_crop,h_2592,w_4606,x_0,y_0/ar_1.7777777777777777,c_fill,g_faces,h_675,w_1200/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1696592106/39-1182450651ff0779d5f0" width="70%"/>
ellauri332.html on line 336: crop.png/330px-Kate_Upton_and_Harley_Upton_crop.png" height="400px" />
ellauri332.html on line 674: crop=1&resize=382,254" height="300px" />
ellauri334.html on line 135: crop2%29.jpg/500px-Elon_Musk_Royal_Society_%28crop2%29.jpg" />
ellauri336.html on line 592: At last! A brave man grabs Greta's microphone and rapes her with it in a rally on Fathers' Day in Amsterdam!
ellauri340.html on line 132: cropped%29.jpg/440px-Zygmunt_Bauman_%28cropped%29.jpg" width="40%" />
ellauri340.html on line 574: cropped%29.jpg/440px-Salman_Rushdie_2014_%28cropped%29.jpg" height="200px" />
ellauri343.html on line 342: crop,x_447,y_69/w_400/dpr_2/v1620722906/39-804698609a31b0c6f36.jpg" />
ellauri343.html on line 411: crop,x_0,y_500/w_500/dpr_2/v1458771211/17-5083756f314bdf2dab.jpg" height="250px" />
ellauri343.html on line 412: crop,x_0,y_547/w_400/dpr_2/v1620720822/39-804739609a3c09a04ad.jpg" height="250px" />
ellauri344.html on line 300: crop=639,361,x0,y0&width=2560" width="90%" />
ellauri348.html on line 849: cropped.jpg/440px-Flickr_-_The_U.S._Army_-_Comprehensive_Soldiers_Fitness_%281%29cropped.jpg" />
ellauri351.html on line 330: cropped%29.jpg/322px-William_MacAskill_Portrait_2015_%28cropped%29.jpg" height="250px" />
ellauri355.html on line 71: crop/0/0/960/640/_fitwidth/763?appId=93a17a8fd81db0de025c8abd1cca1279&quality=0.8" />
ellauri368.html on line 414: crop,h_1721,w_3058,x_0,y_0/ar_1.778036025566531,c_fill,g_faces,h_431,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1684824602/39-1117798646c61e0846ae"
ellauri370.html on line 489: cropped).jpg/220px-Richard_Chamberlain_-_Dr_Kildare_1964_(cropped).jpg" />
ellauri373.html on line 418: cropped.jpg/440px-Allen_Ginsberg_1979_-_cropped.jpg" height="300px" />
ellauri378.html on line 635: crop=16:9,smart&auto=webp&optimize=high&quality=70&width=1080" width="90%" />
ellauri381.html on line 50: crop.kaleva.fi/UfEuzPCjK8owgzs8nPmYkfN-nVI=/2600x1733/smart/https:/lorien-media-prod.s3.amazonaws.com/migration/kalevafi/i/2019/05/10/3914993-r-f02fc.jpg" height="300px" />
ellauri382.html on line 572: crop_1_1_180x180/public/field_user_blogger_photo/imi_lo-removebg-preview.jpg?itok=xn_qElUa" />
ellauri391.html on line 68: crop/2482x1294+102+0/resize/840x438!/format/webp/quality/90/?url=http%3A%2F%2Ferepublic-brightspot.s3.us-west-2.amazonaws.com%2Fc1%2Fc4%2Fac936ca2416e8187c14065cd0cc6%2Fhoover-relief.jpg" height="300px" />
ellauri392.html on line 615: cropped%29.jpg/440px-Adrienne_Raphel_%2851507124776%29_%28cropped%29.jpg" />
ellauri395.html on line 641: cropped%29.jpg/440px-Joel_Osteen_Preaching_%28cropped%29.jpg" />
ellauri405.html on line 234: crop=0.564xw:1.00xh;0.319xw,0&resize=640:*" />
ellauri408.html on line 198: cropped.png" />
ellauri408.html on line 686: cropped%29.jpg/520px-Portrait_Pierre-Joseph_Proudhon_%28cropped%29.jpg" />
ellauri411.html on line 68: cropped.png" width="70%" />
ellauri419.html on line 114: crop&format=jpeg&h=375&q=80&upscale=true&w=666&s=2bf09465a5aa73817c8548593ad24b0c62d86fbd" />
ellauri420.html on line 217: crop&format=auto&h=591&q=50&w=700&s=dba004f0cb92dd85a21615d8100ad66335e7442f" width="100%" />
ellauri420.html on line 218: crop,h_970,w_1724,x_0,y_0/ar_1.7777777777777777,c_fill,g_faces,h_431,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1481729428/14-svyle-318493585163ad9a553" width="100%" />
ellauri420.html on line 219: crop&format=auto&h=410&q=50&w=700&s=ce1dc003531403482394bc0ab47959c95b14893e" width="100%" />
ellauri421.html on line 148: crop,h_2268,w_4031,x_0,y_0/ar_1.7777777777777777,c_fill,g_faces,h_431,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1705839868/39-123097365ad0abf94d80" width="90%" />
ellauri421.html on line 196: crop/999x999/26589/e36a5562c1c29bd40123d9d88f2b761c" width="90%" />
ellauri426.html on line 337: crop/2400x1348+0+0/resize/840x472!/format/webp/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2022%2F04%2F12%2Fcomposites-1-_custom-6a6f0bc8e8f2274353f043bbda3c36317f7e1cef.jpg" />
ellauri426.html on line 341: crop/2087x2845+0+0/resize/840x1146!/format/webp/quality/90/?url=https%3A%2F%2Fmedia.npr.org%2Fassets%2Fimg%2F2022%2F04%2F12%2Fgettyimages-2639229_custom-21d059d12c65e56cb2c182d440c62fde3c6513e9.jpg" />
ellauri429.html on line 773: crop/1868x1250+0+0/resize/768x514!/format/webp/quality/75/?url=https%3A%2F%2Fcalifornia-times-brightspot.s3.amazonaws.com%2F6b%2F09%2Faafa7deb4858a6190ad49b590e47%2Fap98092201819.jpg" height="300" />
ellauri429.html on line 861: cropped%29.jpg/330px-Salman_Rushdie_2014_%28cropped%29.jpg" height="400" />
ellauri430.html on line 297: crop=3840%2C2160%2Cx0%2Cy137&width=1400&format=pjpg&auto=webp" width="90%" />
ellauri430.html on line 652: crop,h_1968,w_3500,x_0,y_50/ar_1.7777777777777777,c_fill,g_faces,h_431,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1740849944/39-142941467c342b514776" width="90%" />
ellauri444.html on line 88: crop=none" />
ellauri445.html on line 310: Throughout the work, he emphasizes how the city has been able to achieve its greatness through the freedom of thought and expression of the people. Athens under Pericles saw the rebuilding and expansion of the agora and construction of the temples of the Acropolis including the glory of the Parthenon, begun in 447 BCE.
xxx/ellauri027.html on line 312: The seminars slowed to a crawl. Wilber’s health deteriorated greatly (he was diagnosed with a rare disease that keeps him bed-ridden). He stopped writing. Ten years on, despite developing some fans in academia (some in high places), Wilber’s work had yet to be tested or peer-reviewed in a serious journal. Much of his posting online devolved into bizarre spiritual claims (such as this one about an “enlightened teacher” who can make crops grow twice as fast by “blessing them”).
xxx/ellauri057.html on line 1461: crop.bsmrau.net/wp-content/uploads/2015/05/Soybean-flower.jpg" />
xxx/ellauri076.html on line 394: crop&w=480&h=300&dpr=1.5" height="200px" />
xxx/ellauri081.html on line 34: Lindsay Lohan has a long-lasting fascination with Marilyn Monroe going back to when she saw Niagara during The Parent Trap shoot. In the 2008 Spring Fashion edition of New York magazine, Lohan re-created Monroe's final photo shoot, known as The Last Sitting, including nudity, saying that the photo shoot was "an honor." The New York Times critic Ginia Bellafante found it disturbing, saying "the pictures ask viewers to engage in a kind of mock necrophilia. ... the photographs bear none of Monroe's fragility."
xxx/ellauri114.html on line 134: Buried penis is different than micropenis, which is an abnormally small, normally structured penis with a stretched penile length of less than 2.5 standard deviations below the mean for age or stage of sexual development of the patient.
xxx/ellauri116.html on line 259: crop_2%29.jpg/330px-Mario_Vargas_Llosa_%28crop_2%29.jpg" width="20%" />
xxx/ellauri120.html on line 194: crop%26quality%3D75%26width%3D934%26height%3D500%26rnd%3D131970420500000000&f=1&nofb=1" height="200px" />
xxx/ellauri121.html on line 374: crop=1xw:0.789xh;center,top&resize=980:*" width="50%" />
xxx/ellauri122.html on line 134: crop&w=960&h=500&dpr=1.5" width="50%" />
xxx/ellauri125.html on line 370: crop,h_5098,w_9063,x_0,y_0/q_auto:eco,f_auto,w_1920,h_1080,fl_lossy/39-842572611b4b0a316a4" width="90%" />
xxx/ellauri129.html on line 740: crop&width=1200&height=675&q=80" height="200px" />
xxx/ellauri138.html on line 277: crop_custom/q_86%2Cf_auto/7a57e159c0f7229695c36dbf1345fcba2e62354f" width="50%" />
xxx/ellauri138.html on line 290: crop_custom/q_86%2Cf_auto/f18dfc23332a7da1fad98c0e3e4f0d90972ba6cf" width="50%" />
xxx/ellauri148.html on line 472: Lausanne, Switzerland. Nuit de la Philosophie by Nouvelle Acropole Suisse. After the first Philosophy Night in Zurich in 2016 was a great success with more than 700 visitors, the number of visitors increased steadily with a peak of more than 2100 visitors in 2019. In 2020, the event had to be held online. General theme 2021: Philosophy, an art of living. If there is a discipline that can help us to live in a world that is now volatile, uncertain, complex and ambiguous, but also to build the future on a more secure and stable basis, it is philosophy.
xxx/ellauri148.html on line 478: Brasilia, Brazil. ”O valor da unidade em tempos de crise” by Nova Acropole. Brazil will carry out a set of activities allusive to the date. In a year in which the Coronavirus pandemic has pockmarked humanity, and especially Brazil, nothing could be fairer than to offer the public philosophical lectures that are pertinent to the crisis we are currently experiencing.

xxx/ellauri148.html on line 479: Conversations on topics such as empathy, human connections, and kindness in adverse moments will be addressed in rich encounters of philosophical knowledge. From the perspective of Plato, Seneca, Epictetus and classical philosophers from the Greek and Latin cradle, New Acropolis teachers will reflect on our current historical moment. An opportune moment to take advantage of philosophical knowledge, from love to wisdom, to break barriers of difficulties, obtaining a more humanistic sense of life. In all, eight (8) professors will be part of New Acropolis' annual event.
xxx/ellauri148.html on line 493: Lyon, France. ‘La philosophie, un art de vivre’ by Nouvelle Acropole, Lyon.Un après-midi d’immersion dans la philosophie comme un art de vivre! (sur Zoom).Conférences et ateliers, samedi 20 novembre de 14h à 18h30. Accessibles à tous francophones. Un évènement inédit, dans le cadre de La Nuit de la Philosophie à Lyon.
xxx/ellauri149.html on line 508: cropped_retouched.jpg" height="200px" />
xxx/ellauri165.html on line 425: crop-center" height="300px" />
xxx/ellauri167.html on line 554: No historian knows what happened to Adam Weishaupt after he was exiled from Bavaria in 1785, and entries in “Washington’s” diary after that date frequently refer to the hemp crop at Mount Vernon.
xxx/ellauri167.html on line 592: To his advantage, however, was the fact that he had microphone access whenever he wanted it. But at a key moment, he pointedly chose not to take the mic. When Ribicoff made his crack about “Gestapo tactics in the streets of Chicago” from the dais, Daley stood up and shouted from the floor “Fuck you, you Jew son of a bitch, you lousy motherfucker, go home!” The forceful exclamation, shown on live TV, was later deciphered by lip readers. Friends said Daley called Ribicoff not a “fucker,” but a “faker.” Enemies suggested he had called him not a “Jew” but a “kike.” The CBS newsman who was closest simply reported that Daley had gone bright red with anger.
xxx/ellauri169.html on line 40: cropped-267x300.jpg" style="float:right;width:20%;padding:1em" />
xxx/ellauri170.html on line 91: On 31.50, Mrs Cantrip is in the kitchen talking to Wexford and Burden when a microphone appears at the top of the screen for a couple of seconds. Another goof.
xxx/ellauri173.html on line 68: cropped.jpg" height="250px" />
xxx/ellauri176.html on line 896: crop&overlay-align=bottom%2Cleft&overlay-width=100p&overlay-base64=L2ltZy9zdGF0aWMvb3ZlcmxheXMvdGctZGVmYXVsdC5wbmc&enable=upscale&s=ed6c81644c07f4d9bccf621c5e7de6ce" width="100%" />
xxx/ellauri179.html on line 263: cropped%29.jpg/440px-Grace_and_Ernest_Hemingway_1899_%28cropped%29.jpg" height="250px" />
xxx/ellauri179.html on line 328: Then the blond, sun-tanned "Catherine" appears with her hair “cropped as short as a boy’s,” declaring:
xxx/ellauri193.html on line 591: Ladies and gentlemen, we have a tie! That’s probably not how they announced it back in October of 1974. A tie is not even the proper term for the rare occasions when the Nobel Prize in Literature’s gone to two people at once. Sharing the honor is the phrase that seems to crop up, and these shared honors look like political moves—when the prize is going to a country that the Nobel committee might not get back to in a while. (The novelist António Lobo Antunes, for example, was reportedly heartbroken when the Nobel went to José Saramago, because he knew they weren’t going to give it to Portugal again in his lifetime.) Still, there’s something about a shared prize that feels slighting, the A-minus of literary glory. I picture scenes like this:
xxx/ellauri208.html on line 459: cropped%29.jpg" width="30%" />
xxx/ellauri208.html on line 588: cropped%29.jpg/220px-McKinley_%28cropped%29.jpg" />
xxx/ellauri227.html on line 93: crop&format=auto&h=573&q=50&w=800&s=3d07a12033bde7d86369fe161264469a002433f0" height="150px" />
xxx/ellauri227.html on line 94: crop&format=auto&h=450&q=50&w=800&s=0c5dafb380165839ad481b2f7e992fbae7591851" height="150px" />
xxx/ellauri227.html on line 162: crop&format=auto&h=450&q=50&w=800&s=5358ae55b46f6996f38265353da572d9a22507ff" />
xxx/ellauri230.html on line 478: cropped-dreamstime_xl_45031472.jpg?anchor=center&mode=crop&width=640&height=0&format=auto&quality=90&rnd=131482975210000000" />
xxx/ellauri230.html on line 510: cropped-dreamstime_xl_43037654.jpg?anchor=center&mode=crop&width=640&height=0&format=auto&quality=90&rnd=131482975290000000" />
xxx/ellauri230.html on line 516: cropped-budai.jpg?anchor=center&mode=crop&width=640&height=0&format=auto&quality=90&rnd=131482975300000000" />
xxx/ellauri230.html on line 697: crop/0x1080/1/4/6/4/9/7/9/concatabd15f27b59792b57ae37f5a949fc154_1609979749_12.jpg" width="50%" />
xxx/ellauri235.html on line 432: crop&overlay-align=bottom%2Cleft&overlay-width=100p&overlay-base64=L2ltZy9zdGF0aWMvb3ZlcmxheXMvdG8tYWdlLTIwMTEucG5n&enable=upscale&s=dfe842a94dce3b3a973e80886de99fd3" height="200px" />
xxx/ellauri235.html on line 479: Anti-Semitic sentiments appear in many of his stories, inspired by Jewish publishers who had turned down his work – sentiments for which he never really apologized. In 1983, he told a journalist, “There is a trait in the Jewish character that does provoke animosity. I mean there’s always a reason why anti-anything crops up anywhere; even a stinker like Hitler didn’t just pick on them for no reason.”
xxx/ellauri235.html on line 891: She said she liked the way I held the microphone Se sanoi etmä pidin sexikäästi mikistä
xxx/ellauri237.html on line 825: cropOut&width=1100&height=688" width="90%" />
xxx/ellauri239.html on line 142: crop=3000%2C2000%2Cx0%2Cy0&width=1280" height="200px" />
xxx/ellauri250.html on line 230: crop,x_0,y_0,w_1732,h_973/w_1200,h_675,ar_1.7768679631525077,dpr_1,c_fill/q_auto:eco,f_auto,fl_lossy/v1658388793/39-98459362d900eab9b3d" width="30%" />
xxx/ellauri250.html on line 632: cropped%29.jpg" height="150px" />
xxx/ellauri253.html on line 251: crop-center" height="200px" />
xxx/ellauri265.html on line 427: crop/4924x3280+4+0/resize/1300x866!/format/webp/quality/90/?url=https%3A%2F%2Fcdn.vox-cdn.com%2Fthumbor%2FMl4omTTysy_PxbVWLb8RQ3a9pGk%3D%2F0x0%3A4928x3280%2F4928x3280%2Ffilters%3Afocal%284166x1836%3A4167x1837%29%2Fcdn.vox-cdn.com%2Fuploads%2Fchorus_asset%2Ffile%2F23606109%2Fjonathanhaidt.jpeg" height="300px" />
xxx/ellauri268.html on line 224: crop=1xw:1.0xh;center,top&resize=360:*" height="200px" />
xxx/ellauri268.html on line 487: crop=1xw:1.0xh;center,top&resize=980:*" height="200px" />
xxx/ellauri268.html on line 488: crop=1xw:1.0xh;center,top&resize=360:*" height="200px" />
xxx/ellauri268.html on line 523: crop=1xw:1.0xh;center,top&resize=360:*" height="200px" />
xxx/ellauri268.html on line 524: crop=1xw:1.0xh;center,top&resize=360:*" height="200px" />
xxx/ellauri280.html on line 205: crop.kaleva.fi/UfEuzPCjK8owgzs8nPmYkfN-nVI=/2600x1733/smart/https:/lorien-media-prod.s3.amazonaws.com/migration/kalevafi/i/2019/05/10/3914993-r-f02fc.jpg" height="300px" />
xxx/ellauri291.html on line 54: crop/files/images/creator/photos/158/279/158279868_50abf1.jpg" height="300px" />
xxx/ellauri296.html on line 239: cropped%29.jpg" />
xxx/ellauri307.html on line 952: cropupscale/sites/default/files/img/2018/01/elisabeth-badinter_0.jpg" width="30%" />
xxx/ellauri312.html on line 637: The length of a non-erect penis doesn't consistently predict length when the penis is erect. If your penis is about 5 inches (13 cm) or longer (up to a foot) when erect, it's of typical size. A penis is considered small only if it measures less than 3 inches (about 7.5 centimeters) when erect. This is a condition called micropenis. Understanding your partner's needs and desires is more likely to improve your sexual relationship than changing the size of your penis. Except if your partner can't feel your micropenis and wants a bigger dick.
xxx/ellauri366.html on line 216: crop&format=auto&h=1360&q=50&w=1900&s=2b8d26b232510386936ea4babd4a00e68db64f97" width="70%" />
xxx/ellauri366.html on line 235: crop&format=auto&h=450&q=50&w=800&s=2ce45989cbae76ae7e0ee02fbba5506e0844a731" />
xxx/ellauri376.html on line 120: cropped%29.jpg/440px-Al_Green_in_Washington_D.C_%28cropped%29.jpg" />
xxx/ellauri376.html on line 900: crop,d_placeholder_euli9k,h_1439,w_2560,x_0,y_0/dpr_auto/c_limit,w_1044/f_auto,q_auto/v1492115409/articles/2016/03/13/when-dating-20-women-at-once-was-ok/160312-moss-harems-tease_ehqrdw" height="100%" />
xxx/ellauri379.html on line 77: crop=1" width="100%" />
xxx/ellauri385.html on line 261: crop.jpg/440px-Custer_Bvt_MG_Geo_A_1865_LC-BH831-365-crop.jpg" />
xxx/ellauri387.html on line 192: crop%29.jpg/440px-Jan_Guillou%2C_Bokm%C3%A4ssan_2013_5_%28crop%29.jpg" />
xxx/ellauri397.html on line 40: crop-2.jpeg" width="100%" />
xxx/ellauri400.html on line 94:
xxx/ellauri400.html on line 95: crop%2F2022%2F07%2F13%2F1657728781_scanpix-20190313-193331-a.jpg&scaleAfter=crop&quality=40&w=960&h=782" />
xxx/ellauri400.html on line 238: crop=456,256,x72,y0&width=390&height=219&optimize=high&format=webply" />
xxx/ellauri400.html on line 362: crop/files/images/creator/photos/158/403/158403535_dd618e.jpg" />

xxx/ellauri407.html on line 109: cropped/1/nicole-forest-flirt-showy-beauty_mainthumb_vertical@2x.webp" />
xxx/ellauri407.html on line 110: cropped/1/vicki-wade-vivid-dream-love-hairy_mainthumb_vertical@2x.webp" />
xxx/ellauri415.html on line 208: crop&format=auto&h=467&q=50&w=700&s=99e41dfac3a5b66d804ab99a40acb24a01cb30c2" />
xxx/ellauri422.html on line 499: It was Jamila that came to prove the author's work. Seen through the eyes of an adolescent boy, it tells of how Jamila, a village girl, separated from her soldier husband by the war, falls in love with a disabled former soldier staying in their village as they all work to bring in and transport the grain crop.
xxx/ellauri427.html on line 192: cropped%29.jpg/800px-Bebe_Neuwirth_New_York_2023_%28cropped%29.jpg" height="300px" />
xxx/ellauri427.html on line 361: crop,h_3241,w_3241,x_0,y_0/ar_1.0,c_fill,g_faces,h_767,w_767/dpr_2.0/q_auto:eco/f_auto/fl_lossy/v1738169571/39-1413563679a20c21caa2" width="100%" />
xxx/ellauri436.html on line 236: cropped%29.jpg/440px-Martha_Nussbaum_2010_%28cropped%29.jpg" />
xxx/ellauri438.html on line 123: crop=none" height="300"/>
xxx/ellauri438.html on line 287: cropped%29.jpg" />
183