ellauri073.html on line 275: Quickly on your attacks on Wallace's writing style, I will mention that -- contrary to your rather baffling notions -- people did enjoy Infinite Jest and other works of his. They will continue to do so for decades. Listen Fartey: his work will live on. People recognize great writing wherever it materializes. Forget your distaste of footnotes, or your struggle in understanding the themes and ideals his work encompasses. His audience is clearly beyond you, so try to see that not everyone feels the same as you. You don't have to like his writing, but when you detract from it it makes it even more apparent that you are the lesser man. Your comments on Foster's writing ability led me to some of your other articles, and to be completely honest, it wasn't all bad. I genuinely enjoyed your "Fucking vs. Making Love" poetry bit, although it did seem like a cheap knockoff of Black Coffee Blues. Regardless, I can still acknowledge that the piece had its moments. However (and this is where I want you to pay attention you tub of lard), the piece can also be slammed in several areas. This is highly important, as we can see the parallels between this aspect of "Fucking vs. Making Love" and anything David Foster Wallace wrote. When it comes down to it, your writing can be criticized stylistically and formatically just like his can; the only difference is that there are few that actually give a shit about your writing, whereas Wallace's work is meaningful to the point where people have legitimate incentive to think critically about it. So defile it with your petty blog posts all you want, but at the end of the day you're the one who's only making yourself look bad, and as a heavily obese man based in Europe you are surely having few problems achieving this in the status quo, since Europeans are notably fatist.
ellauri080.html on line 712: The program was critically acclaimed for focusing on children's emotional and physical concerns, such as death, sibling rivalry, school enrollment, and divorce.
ellauri089.html on line 157: He is a great fan of nuclear power. He certainly fails to challenge the reader to think critically about what the future climate might be like. In addition, Heinlein presents specific scientific, technological, sociological, moral or ethical, and humanistic situations which will not only intrigue but challenge the reader’s attitudes—about space travel, illegal alien societies, the over-populated future, the nature of time, and so on.
ellauri108.html on line 491: The scholar Maureen Warner-Lewis observed that Rastafari combined a "radical, even revolutionary" stance on socio-political issues, particularly regarding race, with a "profoundly traditional" approach to "philosophical conservatism" on other religious issues. Rastas typically look critically upon modern capitalism with its consumerism and materialism. They favour small-scale, pre-industrial and agricultural societies. Not just sinners but bad businessmen.
ellauri147.html on line 253: Sonia Rao, of Washington Post compares Emily to the heroines of the Amy Sherman-The show received two nominations at the Golden Globe Awards, but prior to the ceremony it was reported that 30 members of the voting body had been flown to Paris, where they spent two nights at The Peninsula Paris and were treated to a private lunch at the Musée des Arts Forains, with the bill reportedly paid by the show´s developer, Paramount Network. This led some critics to question the impartiality of the voting body, as Emily in Paris is considered to have been a critical flop, and even its nomination was a surprise. In contrast, critically-acclaimed shows, notably I May Destroy You, were not nominated. Midge Maisel, her actions can be quite rash, but she still wins over her fictional acquaintances while utterly baffling viewers."
ellauri147.html on line 270: The show received two nominations at the Golden Globe Awards, but prior to the ceremony it was reported that 30 members of the voting body had been flown to Paris, where they spent two nights at The Peninsula Paris and were treated to a private lunch at the Musée des Arts Forains, with the bill reportedly paid by the show´s developer, Paramount Network. This led some critics to question the impartiality of the voting body, as Emily in Paris is considered to have been a critical flop, and its nomination was a surprise. In contrast, critically-acclaimed shows, notably I May Destroy You, were not nominated.
ellauri156.html on line 558: This the reason for Joab's careful instructions to the messenger. He is to report the attack on the city of Rabbah to David, and then tell of the Israelite losses which result. Joab knows that David will react (perhaps hypocritically) to the report of the attack and the resulting losses. It is at this point, Joab instructs the messenger, that he is to inform David of the death of Uriah. This will certainly end any protest or criticism on David's part.
ellauri156.html on line 562: Now why does this messenger not wait for David to respond in anger, as Joab instructed? Why does he inform David that Uriah has been killed, before he even utters a word of criticism or protest? I believe the messenger gives the report in this way because he understands what is really going on here. I think he may know about David and Bathsheba, and perhaps even of her pregnancy. He certainly knows that Uriah was summoned to Jerusalem. I think he also figures out that David wants to get rid of Uriah, and that Joab has accomplished this by this miserable excuse for an offensive against the enemy. I think the messenger figures out that if David knows Uriah has been killed, he will not raise any objections to this needless slaughter. And so, rather than wait for David to hypocritically rant and rave about the stupidity of such a move, he just goes on and tells him first, so that he will not receive any reaction from David.
ellauri164.html on line 43: In the introduction to his Grundzüge der physiologischen Psychologie in 1874, Wundt described Immanuel Cunt and Johann Friedrich Herbart as the philosophers who had the most influence on the formation of his own views. Those who follow up these references will find that Wundt critically took to the cleaners both these thinkers’ ideas. He distanced himself from Herbart's science of the soul . Wundt praised Cunt's rejection of a "rational" psychology deduced from metaphysics, but he argued against Cunt's epistemology as well as Cunt's category theory and his flabby position on teleological explanations in his publication Was soll uns Kant nicht verkaufen? (1892).
ellauri198.html on line 697: From the time of their marriage and until Elizabeth's death, the Brownings lived in Italy, residing first in Pisa, and then, within a year, finding an apartment in Florence at Casa Guidi (now a museum to their memory). Their only child, Robert Wiedemann Barrett Browning, nicknamed "Penine" or "Pen", was born in 1849. In these years Browning was fascinated by, and learned from, the art and atmosphere of Italy. He would, in later life, describe Italy as his university. As Elizabeth had inherited money of her own, the couple were reasonably comfortable in Italy, and their relationship together was happy. However, the literary assault on Browning's work did not let up and he was critically dismissed further, by patrician writers such as Charles Kingsley, for the desertion of England for foreign lands.
ellauri198.html on line 790: The difference between Hegel and Kierkegaard is also a difference between Mallarmé and Browning, as it happens, and critically a difference between a deconstructive and an antithetical view of practical criticism. Kierkegaard's "repetition" is closer than its Hegelian rival (or the Nietzschean-Heideggerian descendant) to the mutually exploitative relationship between strong poets, a mutuality that affects the dead nearly as much as the living. Insofar as a poet authentically is and remains a poet, he must exclude and negate other poets. Yet he must begin by including and affirming a precursor poet or poets, for there no other way to become a poet. We can say then that a poet known as a poet only by a wholly contradictory including/excluding, negating/affirming which by the agency of psychic defenses manifests itself as an introjecting/projecting. "Repetition," better even than Nietzsche's Eternal Return of the Same, manifests itself through the rhetorical scheme of transumption, where the surrender of the present compensates for the contradictory movements of the psyche.
ellauri243.html on line 632: "Lose 10 pounds in 30 days" is a specific, objective, and most critically, measurable goal. You know exactly what you want to accomplish, which means you can create a process designed to get you there. You can create a solid diet plan. You can create an effective workout plan.
ellauri272.html on line 296: includes 65 comic illustrations that help further the plot. Although critically
ellauri285.html on line 651: Bernard Levin wrote critically of Schoenman's influence on Russell, saying that Schoenman was partly responsible for Russell's virulent anti-Americanism, in contrast to his earlier pronouncements against communism. Russell said of Schoenman, "You know he is a rather rash young man, and I have to restrain him."
ellauri382.html on line 592: The play was adapted to the big screen as two films, both entitled Gaslight—a 1940 British film, and a 1944 American film directed by George Cukor, also known as The Murder in Thornton Square in the UK. Both films are considered classics in their respective countries of origin, and are generally equally critically acclaimed. The play is set in fog-bound London in 1880, hence the name. The term "gaslighting" does not appear in any of the stageplays or screenplays and is inspired by the film´s title "Gaslight". The play has a happy end by the way.
xxx/ellauri075.html on line 465: “American Psycho” author Bret Easton Ellis tore into the late author of the critically acclaimed “Infinite Jest” and “The Pale King” on Twitter last week, and in true Ellis fashion, he didn’t hold back.
xxx/ellauri125.html on line 795: After Hole's world tour concluded in 1996, Love made a return to acting, first in small roles in the Jean-Michel Basquiat biopic Basquiat and the drama Feeling Minnesota (1996), and then a starring role as Larry Flynt's wife Althea in Miloš Forman's critically acclaimed 1996 film The People vs. Larry Flynt. Love went through rehabilitation and quit using heroin at the insistence of Forman; she was ordered to take multiple urine tests under the supervision of Columbia Pictures while filming, and passed all of them. Despite Columbia Pictures' initial reluctance to hire Love due to her troubled past, her performance received acclaim, earning a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress. Critic Roger Ebert called her work in the film "quite a performance; Love proves she is not a rock star pretending to act, but a true actress."
xxx/ellauri225.html on line 281: A number of Le Guin´s writings, including the Earthsea series, challenged the conventions of epic fantasies and myths. Many of the protagonists in Earthsea were dark-skinned individuals, in comparison to the white-skinned heroes more traditionally used; some of the antagonists, in contrast, were white-skinned, a switching of race roles that has been critically remarked upon by multiple critics. In a 2001 interview, Le Guin attributed the frequent lack of character illustrations on her book covers to her choice of non-white protagonists. LOL haha! She explained this choice, saying: "most people in the world aren't white. Why in the future would we assume they are?" Her 1985 book Always Coming Home, described as "her great experiment", included a story told from the perspective of a young protagonist, but also included poems, rough drawings of plants and animals, myths, and anthropological reports from the matriarchal society of the Kesh, a fictional people living in the Napa valley after a catastrophic global flood.
xxx/ellauri229.html on line 746: Tyutchev was a militant Pan-Slavist like Dostoyevsky, who never needed a particular reason to berate the Western powers, Vatican, Ottoman Empire or Poland, the latter perceived by him as a Judas in the Slavic fold. The failure of the Crimean War made him look critically at the Russian government as well.
xxx/ellauri312.html on line 632: Penifying philosophy reacts critically to essentialist
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