ellauri052.html on line 555: Rudi Steiner developed a concept of free will based on inner experiences, especially those that occur in the creative activity of independent thought.
ellauri052.html on line 961: He portrayed his ex-wives, before and after they divorced him, as they declined from goddess to devil. Their sexual betrayals and financial extortions supplied the mother lode of his fictional material and generated the misogyny and guilt that fueled his creative powers. He exalted his fourth wife, the Gentile Romanian mathematician Alexandra Tulcea, as the “translucent Minna gazing at the stars” in The Dean’s December and crucified her as the “ferocious, chaos-dispensing Vela” in Ravelstein.
ellauri053.html on line 993: Only a perfect control of the emotions together with an irrepressible urge for creative expression could explain the continuous outpouring of his thoughts in poems, novels, short stories, essays and other writings irrespective of his surroundings or circumstances, mental or physical.
ellauri069.html on line 162: 657; American dancer who was among the first to raise interpretive dance to the status of creative art, incorporating classical, particularly Greek, mythology, art and music. Not very successful in the United States, she took her new style of performance to Europe where it was greeted enthusiastically. She was strangled when her long scarf became entangled in the wheels of a car.
ellauri080.html on line 139: People who are high in this trait tend to be more adventurous and creative. People low in this trait are often much more traditional and may struggle with abstract thinking.
ellauri080.html on line 146:

creative-people-2795488" data-component="link" data-source="inlineLink" data-type="internalLink" data-ordinal="1">Very creative

ellauri080.html on line 518: The other axis seeks to discover, cognate, or comprehend the true nature of things (SI) by compositing the uniting elements between various creative perspectives on things (NE); the image I like to use here is of a diagram showing multiple perspectives of a 3-D object in 2-D space, where each perspective conceals something in order to reveal something else.
ellauri083.html on line 338: Hendershot recalls that, in the Schreber case, God was believed to manifest his creative and destructive power as celestial rays (Freud 22). As with spider-webs and hedgehogs quills, this radial pattern describing dilation and contraction, movement back and forth from center to circumference and from circumference to center, is the essential figure for the paranoid narcissism of a subject who feels threatened by the world and guilty for having taken "his own body [...] as his love-object" (Freud 60). Signaling Fistule's repressed homosexuality, the rays of his intelligence had first been focused on the masochistic annihilation of his genitals, which he denies were the original object of his love ("organes hideux," "vomitoires de dejections"), and then had been used in reconstructing a sexless new reality. Insisting on his exemption from the Naturalist law of biological determinism, Fistule denies his human parentage and maintains that he was born of a star, which, shining like the rays of his genius, had inseminated him and allowed him to be the father of himself, causa sui. Homosexual guilt initially projected as the corruptibility of matter is overcome by Fistule's principle of Stellogenesis, which turns flesh into radiance and bodies into starlight. As Hendershot concludes: "In Freud's theory, the paranoiac withdraws from the world (decathexis), directs his or her cathectic energy to the ego resulting in self-aggrandizement, and then attempts to reestablish a cathectic relationship with the world in the form of a delusional system"
ellauri095.html on line 123: Hopkins became a skilled draughtsman. He found his early training in visual art supported his later work as a poet. His siblings were much inspired by language, religion and the creative arts. Milicent (1849–1946) joined an Anglican sisterhood in 1878. Kate (1856–1933) would help Hopkins publish the first edition of his poetry. Hopkins's youngest sister Grace (1857–1945) set many of his poems to music. Lionel (1854–1952) became a world-famous expert on archaic and colloquial Chinese. Arthur (1848–1930) and Everard (1860–1928) were highly successful artists. Cyril (1846–1932) would join his father's insurance firm.
ellauri095.html on line 516: The relationship between Hopkins and his father reveals important early instances of creative collaboration and competition within the family. Hopkins copied eleven of the poems from his father’s volume A Philosopher’s Stone into his Oxford notebooks. In those poems his father expressed a Keatsian dismay over science’s threat to a magical or imaginative response to nature.
ellauri095.html on line 520: Competition and collaboration between father and son continued even long after Hopkins left home to take his place in the world. In 1879, for instance, Gerard Manley Hopkins wrote to Bridges, “I enclose some lines by my father called forth by the proposal to fell the trees in Well Walk (where Keats and other interesting people lived) and printed in some local paper.” Two months later Hopkins composed “Binsey Poplars” to commemorate the felling of a grove of trees near Oxford. Clearly, competition with his father was an important creative stimulus.
ellauri098.html on line 177: TV Tropes is a wiki that collects and documents descriptions and examples of plot conventions and devices, more commonly known as tropes, within many creative works. Since its establishment in 2004, the site has shifted focus from covering only television and film tropes to those in other types of media such as literature, comics, anime, manga, video games, music, advertisements, and toys, and their associated fandoms, as well as some non-media subjects such as history, geography, and politics.
ellauri098.html on line 471: ENFPs are extremely creative and versatile people. They love playing with ideas, spinning off new concepts, and discussing them with other people. They are charismatic, sociable, and exciting to be with because they always seem to have something new to explore or talk about.
ellauri098.html on line 479: INFP (introverted intuitive feeling perceiving) is one of the sixteen personality types defined by the Myers-Briggs Type Indicator (MBTI) test. INFPs are relatively uncommon, making up about 4% of the population. INFPs are idealists. They see the world, and those around them, not as they are but as they could be. INFPs have strong principles, which they do not let go of easily. These principles drive them to help others better themselves, but as an introverted personality they rarely do so through direct confrontation. INFPs are more comfortable expressing themselves through art, writing, or other media, and can be surprisingly effective and creative communicators.
ellauri098.html on line 508: More free-spirited and creative personalities may find ESTJs bossy, closed-minded, or even bullying. But ESTJs can also bring clarity and direction to confused situations, and help others focus on what needs to be done to achieve solutions.

ellauri098.html on line 517: To some of the more creative types, ISTJs can seem dull and unimaginative, unwilling to break the rules and unable to respond flexibly to changing situations.
ellauri098.html on line 549: ISTJ (introverted sensing thinking judging) is one of the sixteen personality types of the Myers-Briggs Type Indicator (MBTI) test. ISTJs are one of the most common types, making up an estimated 13% of the population. ISTJs are clear-sighted, logical, and efficient. They are planners rather than spontaneous, and prefer order and routine in their work and home lives. They value tradition, hierarchy, and clarity of purpose. To some of the more creative types, ISTJs can seem dull and unimaginative, unwilling to break the rules and unable to respond flexibly to changing situations.

ellauri098.html on line 564: ISFPs are creative and imaginative, with well-developed aesthetic senses. They are naturally suited for work in music, art, design, or other areas where an eye for beauty is important. They love to explore ideas and experiment with different styles, and constantly seek out new experiences, making them spontaneous and unpredictable. This, however, can lead to a lack of focus. ISFPs also tend to have fragile egos and react badly to criticism — however well-intentioned, it is difficult for them to not take it personally. Like all introverted types, they need time on their own to think and recharge, but they still love to share their latest innovations with others.
ellauri106.html on line 106: That same year, rather than wait to be drafted, Roth enlisted in the army. Roth enlisted in the Army that year to avoid being drafted and assigned to unpleasant duty like the infantry. Fortunately he suffered a back injury during basic training and was given a medical discharge. Who knows. He returned to Chicago in 1956 to study for a PhD in literature but dropped out after one term. It was a yeasty environment for a young writer. Saul Bellow was a contemporary and with some what similar backgrounds and interests they could not avoid being rivals. During that year he met a lovely shiksa waitress Margaret Martinson, a single woman with a small child. He was smitten. An intense, but often troubled relationship ensued. At the end of the year he dropped out of the U of C and headed to the University of Iowa to teach in its creative writing program. None the less, whatever he may have said, Roth was not happy there, perhaps because the semi-rural Midwesterness of Ames was alien to him. After a while with Martinson in tow he moved on to a similar position at Princeton, another WASP bastion but one with even more prestige. Everyone who knew him recognized Roth as an early comer. He later continued his academic career at the University of Pennsylvania, where he taught comparative literature before retiring from teaching in 1991. Roth started teaching literature in the late 1960s at the University of Pennsylvania. The 1969 feature film adaptation of Goodbye, Columbus coincided with the publication of Portnoy’s Complaint, which soon became a best-seller amid controversy for its prurient content. (Those who've read it will likely not forget Portnoy's "love affair" with mom´s slab of liver in the fridge.)
ellauri106.html on line 148: A mid-1970s transplant to Chicago from New York, he rose in the competitive advertising world to become senior vice president and creative director of Ogilvy & Mather, where his major account was Sears Home Fashions, friends and family said. But in 1983, he gave it all up to devote himself to painting full time.
ellauri107.html on line 395: The antihero of Roth’s 1995 novel Sabbath’s Theatre blinds us with his astonishing misogyny, his exponential misanthropy, his audacious nihilism - and yet he makes us care shit. The depraved Mickey Sabbath, the hero, anti-hero and villain of Philip Roth’s 1995 tour d'Eiffel, Sabbath’s Theatre. Just what he does to deserve this affection over the course of 450 bile-filled pages is hard to fathom. He virtually copies that bête noire of creative writing courses, the unsympathetic character. To discover such a monstrous creation on the page is a shock.
ellauri109.html on line 519: In Roth’s “Exit Ghost” (2007), the last of the Zuckerman books, half a century has elapsed since the visit with Lonoff. Zuckerman, suffering from prostate cancer, has been sapped of his physical and creative vitality. Yet his greatest anxiety does not concern his impotence and incontinence, or his deteriorating short-term memory. He fears, above all, the tyranny of the biographer.
ellauri119.html on line 385: Define god? In monotheistic thought, God is defined as the supreme being, creator, and principal object of faith. God is usually conceived of as being omnipotent, omniscient, omnipresent and omnibenevolent as well as having an eternal and necessary existence. A good definition because it is creative, too bad that's no longer allowed by the modern logicians. Existence and uniqueness must be proven separately. Damn them to hell!
ellauri119.html on line 422: Love is considered to be both positive and negative, with its virtue representing human kindness, compassion, and affection, as "the unselfish loyal and benevolent concern for the good of another" and its vice representing human moral flaw, akin to vanity, selfishness, amour-propre, and egotism, as potentially leading people into a type of mania, obsessiveness or codependency. It may also describe compassionate and affectionate actions towards other humans, one's self or animals. In its various forms, love acts as a major facilitator of interpersonal relationships and, owing to its central psychological importance, is one of the most common themes in the creative arts. Love has been postulated to be a function that keeps human beings together against menaces and to facilitate the continuation of the species.
ellauri119.html on line 690: I remember in 1959, my creative writing teacher, in high school was infatuated with Ayn Rand. Sitting at a local restaurant, Ronnie´s Restauarant - which no longer exists, with a group of friends and her, we had a discussion about Ayn and I made a gesture that clearly expressed a thought and asked her what the words were for that. She suddenly realized the flaw in Ayn´s argument and was speechless.
ellauri133.html on line 864: After flunking in Rochester, she tranferred to Syracuse University, where she flourished both creatively and socially, and got a BA in journalism.
ellauri144.html on line 70: The Greeks were creative but, like puellae, they lacked steadiness of purpose. From the Roman point of view, they were puerile, they just “fooled around” (nugari). Romans are brought up to be serious and businesslike, moralistic and
ellauri147.html on line 96: The union of these two lyrical writers is generally seen as a happy and creative time. The partners inspired each other as a couple and as writers. Martti Haavio died in 1973 following a heart attack, and Ale Tyynni-Haavio completed her husband’s unfinished memoirs and it was published as Olen typerä kana: Martti Haavio - P. Mustapää 20-luvun maisemassa (‘I am still distant: Martti Haavio – P. Mustapää in the 1920s countryside’, 1978).
ellauri159.html on line 1023: Regard writing as a practical exercise rather than as a creative one. You want to meet the goals of their teacher, editor, boss, or project sponsor. For this reason, you like receiving specific instructions.
ellauri159.html on line 1079: Have a large mental database of facts to draw on. These MAY include sense memories, such as the taste of grandmother’s spoon cookies or the smell of oil in their grandfather’s hair. In a creative project, you can draw on these memories to personalize your writing and bring it to life. Yes, it´s OK, go ahead! Don´t be so stuck up!
ellauri159.html on line 1197: You dislike writing according to a predetermined structure. You want control over their own creative process. You are drawn to original pictures and imaginative symbols. When revising a draft, search for a central, unifying theme, and articulate it for your reader. At the same time, avoid trying too hard to be unique. Instead, aim for authenticity, remember to mention the sources of the pictures.
ellauri159.html on line 1201: You enjoy colorful and figurative language, and like to infuse your work with images of your personal underware. At the same time, however, your writing may be too abstract for their readers, they want to see you inside them. During revision, add concrete details. In creative writing, appeal to the five senses and the 9 mortal sins. In freelance writing, include specifics like percentages and dollar amounts to get the audience´s attention. In technical writing, find out whether the customer needs to use a flat-head or a cross-head screwdriver (our dishwasher installer guys did not have a flathead anymore, I had to loan them one), and what the recommended torque is. These may be boring details to you, but they’re essential for your male reader. Wrong head, no screw.
ellauri159.html on line 1209: According to Dr. Phil, 90% of relationship problems can’t be solved. Why? Because it would require one person or the other to compromise their values. So the best a couple can do is to agree to disagree. INFJs don’t want people to compromise their values—yet that 90% statistic is bound to discourage INFJs like me. I suspect it isn’t the relationship problems themselves that lead to the INFJs’ dissatisfaction; it’s the fact that the problems can’t be solved. Perhaps the INFJs feel that if only they could be more creative, or their partner could be more flexible, the little annoyances that have existed since the first day of the relationship could be eliminated. Not so. No amount of skill or understanding will make naturally ingrained differences go away.
ellauri159.html on line 1219: You prefer writing about your own personal topics. You may lose your creative drive if the subject isn’t about you. If so, try taking an angle that allows you to write about your feelings on the topic, if not you yourself. If you’re a technical writer, look for ways to connect with readers by anticipating and meeting their needs. Or you can use your tech knowledge to write another Gravity´s Rainbow. But don´t expect your employer to like it.
ellauri161.html on line 990: Bloy was noted for personal attacks, but he saw them as the mercy or indignation of God. He acquired a reputation for bigotry because of his frequent outbursts of temper. Soon, Bloy could count such prestigious authors as Émile Zola, Guy de Maupassant, Ernest Renan, and Anatole France as his enemies. Bloy is quoted in the epigraph at the beginning of Graham Greene´s novel The End of the Affair, though Greene claimed that "this irate man lacked creative instinct." Bloy is also quoted at the beginning of John Irving´s A Prayer for Owen Meany, another turd. Some pope quoted him, yet another turd.
ellauri163.html on line 891: The great things of the past which filled our fathers with enthusiasm do not excite the same ardor in us...In a word, the old gods are growing old or already dead, and others are not yet born...But this state of incertitude and confused agitation cannot last forever. A day will come when our societies will know again those hours of creative effervescence, in the course of which new formulae are found which serve for a while as a guide to humanity; and when these hours shall have been passed through once, men will spontaneously feel the need of reliving them from time to time in thought, that is to say, of keeping alive their memory by means of celebrations which regularly reproduce their fruits. We have already seen how the French Revolution established a whole cycle of holidays to keep the principles with which it was inspired in a state of perpetual youth.
ellauri184.html on line 95: Notorious philanderer," "egomaniac," "pugnacious" and "pompous" are a few of the milder epitaphs that have been used to describe controversial and larger-than-life (inevitably) Norman Mailer. His New York Times obituary was even titled, "Norman Mailer, Towering Writer With Matching Ego, Dies at 84." Known in the literary world as one of the greatest writers of the twentieth century, Mailer won two Pulitzer Prizes in literature and one National Book Award. He is credited with having pioneered creative nonfiction as a genre, also called New Journalism. During his life he became as famous for his relationships with women as he did for his literary work. He was married six times and fathered eight children. Here is a brief look at some the six wives of Norman Mailer.
ellauri184.html on line 767: Mailer is considering a God of Action, something of a Hemingway in deistic form who must prove himself with creative acts, a deity in the trenches, making mistakes, failing, succeeding, learning from his mistakes, constantly evolving.The God that interests Mailer is one guided by intuition no less than we, His creations whom we are said to resemble. Nuchem´s own self image to a jot.
ellauri191.html on line 194: "not only in consideration of his deep learning and critical research, but above all as a tribute to the creative energy, freshness of style, and lyrical force which characterize his poetic masterpieces"
ellauri191.html on line 785: "for the rare strength and fertility of his poetic imagination with which is combined an intellectual curiosity of wide scope and a bold, freshly creative style"
ellauri191.html on line 1365: "for a creative poetic writing, which illuminates man's condition in the cosmos and in present-day society, at the same time representing the great renewal of the traditions of Spanish poetry between the wars"
ellauri191.html on line 1400: "for his poetry, which, against the background of Greek tradition, depicts with sensuous strength and intellectual clear-sightedness modern man's struggle for freedom and creativeness"
ellauri191.html on line 1501: "who in his novel combines the poet's and the painter's creativeness with a deepened awareness of time in the depiction of the human condition"
ellauri192.html on line 830: The musician explained that the support of revolutionary events in Ukraine by Liapis Trubetskoy is negatively perceived by authorities in Belarus and Russia, which is an obstacle to the creative process. Thus he and his producer, without giving up the Belarusian citizenship, decided to get permanent residence in Ukraine.
ellauri194.html on line 1029: The International Coaching Federation (ICF) is a nonprofit organization dedicated to professional coaching. ICF has been called "the main accrediting and credentialing body for both training programs and coaches". ICF defines coaching as partnering with clients in a thought-provoking and creative process that inspires them to maximize their personal and professional potential...
ellauri197.html on line 387: When the poet says: “not only be no quintessence”, he means to refer to the medieval belief of Quintessence, which was regarded as “the pure essence of anything”, containing within itself all the creative and sustaining virtues. It was ‘pure’ and ‘simple’ and not a mixture or compound of a number of different elements or ingredients. It was supposed to have the power of sustaining, nourishing, and strengthening.
ellauri204.html on line 355: Academic work has also arisen from the mythopoetic movement, as well as the creation of continuing conferences based on Bly's vision for creative communities, in addition to the ‘Minnesota Men's Conference’ and the ‘Great Mother and New Father Conference’, as well as non-profit organisations like Micheal Meade's Mosaic but yet Multicultural Foundation.
ellauri206.html on line 71: In 2017, Vietnamese-American writer Viet Thanh Nguyen (n.h.) questioned the validity of continuing to teach "show, don't tell" in creative writing classes in a New York Times op-ed on the subject. His position was that such teaching is biased against immigrant writers, who may describe emotions in ways readers from outside their culture might not understand, rendering "tell" necessary. Like the squeaky smiley that shows just raised eyebrows and no smiling mouth. Because a smile does not count for anything out there. Everybody smiles all the time.
ellauri210.html on line 365: One of them was the Swiss enema Arthur Cravan. Described by one critic as “a world tramp … a traverser of borders and resister of orders,” Cravan traveled the globe in the early 1900s by forging documents and assuming false identities, preening, harassing, and haranguing, as he went. He was hailed by André Breton as a pivotal precursor of Dadaism, and belonged to that category of floating prewar avant-gardists whose legacy resides more in their mode of living than their artistic creations. Indeed, he declared himself anti-art and avowed boxing to be the ultimate creative expression of the modern, American-tinged age. He’s often referred to as a “poet-boxer,” though he wasn’t especially accomplished as either; his real talent appears to have been making a spectacle of himself, in every sense. Publicist rather than a pugilist.
ellauri222.html on line 101: Still, in New York and at Princeton, where he spent a year teaching creative writing, Bellow made friends with many of the critics who dominated literary life in the nineteen-fifties. They found him bright, congenial, and sufficiently bookish, and especially admired what they took to be his poise and real-world savvy. Irving Howe thought Bellow “very strong-willed and shrewd in the arts of self-conservation.” “Even his egocentricity added to his charms,” said William Phillips, the co-editor, with Philip Rahv, of Partisan Review. “Stunning—the ultimate beautiful young Jewish intellectual incarnate,” Alfred Kazin’s wife, Ann Birstein, remembered. Bellow maintained the allure by cultivating just the right amount of aloofness. “I was the cat who walked by himself,” as he put it.
ellauri254.html on line 387: Alexander Blok was a routine visitor. These years were some of the young Blok’s most prolific, marked by bursts of creative energy as he worked on two lyrical dramas – Balaganchik (‘The Puppet Show‘), featuring the ‘grotesquely luckless’ Pierrot, which was staged in 1906 by Vsevolod Meyerhold at the Komissarzhevskaya Theatre; and The Stranger – and the poetry cycle The Snow Mask, which he completed in little over a week at the beginning of 1907. The actress Valentina Verigina often accompanied Blok, and recounted of these visits to and from Sologub’s apartment:
ellauri254.html on line 389: ‘How often we wandered through the streets of the snowy city… All of the theatrical events that seemed so important in their time have grown dim in my memory. Acting at the theatre, which I loved so much, now seems to me far less exciting and bright than that game of masks in Blok’s circle. It is true that even at that time I did not look upon our meetings, gatherings, and strolls as mere entertainment. There is no doubt that others too felt the significance and creative value of it all, yet nonetheless we did not realize that the charms of Blok’s poetry almost deprived us all of our real existence, turning us into Venetian masqueraders of the north.’
ellauri254.html on line 805: His worsening health compelled him to seek care in Germany, to which his parents had emigrated early in 1921. He went West for good in 1924, at 23 years of age. Lunz died abroad from heart failure and brain embolism, but he is remembered in The West for his daring defense of creative freedom against Bolshevik Party demands for political commitment. In "Go West Young Man", Lunz spoke like a Cambridge apostle:
ellauri263.html on line 399: Palestinian journalist Ziyad Abul Hawa says Fauda could have started to make good on notions of balance simply by bringing Palestinians into the creative process. “If the writers are all Israeli, no matter how good the intentions are, they are not realistically showing what is happening in Palestinian areas. I heard they did their homework and research but still, you need a Palestinian constantly with them, telling them what’s realistic and what is not.” He adds that Arabic accents in the show bust its credibility claims within seconds.
ellauri269.html on line 54: An important advance over these traditional classifications is TV Tropes. TV Tropes is a wiki website that collects and documents descriptions and examples of plot conventions and devices, which it refers to as tropes, within many creative works. Since its establishment in 2004, the site has shifted focus from covering various tropes to those in general media, toys, writings, and their associated fandoms, as well as some non-media subjects such as history, geography, and politics. The nature of the site as a provider of commentary on pop culture and fiction has attracted attention and criticism from several web personalities and blogs. Non-Playing Characters are non-voluntarist characters who let others make their life decisions.
ellauri272.html on line 414: Critics tracing his creative genealogy are apt to begin with Ralph Waldo Emerson and Henry David Thoreau and work chronologically forward through Walt Whitman, Ezra Pound, Robert Frost, Wallace Stevens, and William Carlos Williams. Of those poets, Harold Bloom felt that the transcendentalists Emerson and Whitman have influenced Ammons the most. Xcept he overdoes the colon. Radical colectomy is indicated.
ellauri333.html on line 217: Evidence of devotional worship to Hanuman is largely absent in Ramayana, as well as in most archeological sites. Except In Valmiki's Ramayana, estimated to have been composed before or in about the 3rd century BCE, Hanuman is an important, creative character as a simian helper and messenger for Rama.
ellauri375.html on line 279: Alright, let's give it a shot! Considering the absurd and whimsical nature of "The Hitchhiker's Guide to the Galaxy," here's a creative attempt at a potential Ultimate Question:
ellauri375.html on line 357: Let's simplify it then. Your life's meaning might be to find happiness and fulfillment in the things that matter most to you, whether that's relationships, career goals, creative pursuits, or personal growth. It's about living authentically and in line with what brings you the most joy and satisfaction.
xxx/ellauri044.html on line 447: with his fate. Pistorius, in the final analysis, is not creative, therefore he
xxx/ellauri075.html on line 347: This history of the nineteenth-century Paris arcades, creatively triggered by Louis Aragon’s (1897–1982) Le Paysan de Paris or Paris Peasant (1926), collects thousands of quotations strategically arranged with snippets of critical commentary in chapters or bundles called ‘convolutes’.
xxx/ellauri127.html on line 736: Fanny Brawne met Keats, who was her neighbour in Hampstead, at the beginning of his brief period of intense creative activity in 1818. Although his first written impressions of Brawne were quite critical, his imagination seems to have turned her into the goddess-figure he needed to worship, as expressed in Endymion, and scholars have acknowledged her as his muse. On se vähän intiaanin näköinen.
xxx/ellauri148.html on line 104: "I feel absolutely ready for pornographic movies," McCormack says. "It's this wild feeling of sturdiness and joy, kind of a creative euphoria."
xxx/ellauri148.html on line 444: In Sheffield, there was Philosophy for Creatives on World Philosophy Day by Rosie Carnall.In this workshop you will develop and explore big questions in group discussion before working on your own piece of creative writing. The discussion activities open up creative thinking to get you inspired and full of ideas. There will be an opportunity to share from your work if you wish to. This workshop will be lively, fun, creative and thought provoking. "Mind-blowing!" according to a previous participant -in a good way! It includes structured activities and space to do your own writing. Come with an open mind and something to write on -thinking hats are optional.
xxx/ellauri148.html on line 481: Lisbon, Portugal. Dia mundia da filosofia by the Externato João XXIII .“In this atypical year, in which our lives are so busy and so full, we mark this day with simplicity. But meeting what is necessary and so primordial in the world of Philosophy: Shop to Think. Thus, without artifice, we leave to the community of the Externato João XXIII, the challenge of shopping to think and seek a question for an answer, this is a philosophical exercise par excellence. It intends to stimulate our critical and creative thinking. The story is told of a wise man who knew the right answer to any question from and about the Universe. It was 42. However, he did not know the question it was an answer to. Which question would you suggest?
xxx/ellauri166.html on line 357: Denoting Spirit as a feminine principle, the creative principle of life, makes sense when considering where Father Yahuah plus Ruch (Spirit) sort of "leads" to the divine extension of sonship, which completes the Family of Yahuah, all contained in one (1) name!"
xxx/ellauri193.html on line 598: The Swedes feel differently, though. The presentation speech lays out a “cut-out silhouette of two remarkable literary profiles,” drawing parallels between two writers whose work is not very similar, but whose lives curiously are. Both ­Eyvind Johnson and Harry Martinson come from hardscrabble backgrounds and emerged as unlikely, startling literary figures. “They are representative,” the speech tells us, “of the many proletarian writers or working-class poets who, on a wide front, broke into our literature, not to ravage and plunder, but to enrich it with their fortunes. Their arrival meant an influx of experience and creative energy, the value of which can hardly be exaggerated.”
xxx/ellauri199.html on line 126: to witness his might and creative flair:
xxx/ellauri200.html on line 641: his world-dominion by creative act: Se pitää kiinni MM-tittelistä luomisvoimalla,
xxx/ellauri224.html on line 361: Eliot – arguably the greatest poetry in English in the 20th century – was so worried that he might be pursuing religious and literary sainthood for his own ego rather than to the greater glory of god, that he forgot ever to consider whether it was even possible or desirable to pursue sainthood at the expense of ordinary kindness and common decency. Throughout his life – and it was a long one, full of great work – he left a trail of human wreckage and hurtful speech. Any account of that work and of the ideas embedded in it has to keep track of the harm he did, not in a spirit of cheap point-scoring, but as an awful warning. Those of us who try to pursue both an ethical life and a creative one find that it is never easy, that it is always needful that we weigh one good against another.
xxx/ellauri225.html on line 52: Samantha Lavender is a lesbian library assistant on the west coast, making ends meet with a creative writing degree and tumbling in the hay with her wonderful butch partner. She spends most of her free time running Dungeons & Dragons (like she has since the 90’s), and has even published a few adventures for it. You can follow her @RainyRedwoods on both twitter and tumblr.
xxx/ellauri225.html on line 376: For the briefest of moments, a veil lifts, and he speaks about wanting more time, not wanting to die. He shyly admits that he needs more time to make peace with the difficult reality that he is merely “a reader and a teacher, and not a creator.” It is a tragic confession. How excruciating it must be to revel in creative genius yet not possess the gift to create.
xxx/ellauri229.html on line 537: The turning over of individual looks to private enterprise led, after several decades, to a new crisis. True, a few philosophers had already come forward with the notion that the greater the progress, the more the crises, and that in the absence of crises one ought to produce them, because they activated, integrated, aroused the creative impulse, the lust for battle, and gave both spiritual and material energies direction. In a word, creative destruction spurs societies to concerted action, and without them you get stagnation, decadence, and other symptoms of decay. These views are voiced by the school of "economic liberals," i.e. philosophers who derive optimism for the future from a pessimistic appraisal of the present.
xxx/ellauri229.html on line 694: - Edited creative content such as film, photography, and graphic design
xxx/ellauri232.html on line 360: To experience Shabbat rest, we need to cease work — that is, cease all creative involvement with our world. Plowing a field, for example, constitutes creative involvement with the world. Converting matter into energy (which is what we do every time we press down on the gas pedal or turn on an electrical appliance) constitutes creative involvement with the world. If you're creatively involving, you're not resting. This may sound to you like pilpul, which it admittedly is.
xxx/ellauri268.html on line 384: In 1976, Harjo graduated from the University of New Mexico with a major in creative writing. She continued to study writing at the Iowa Writers' Workshop, where she obtained a Master of Fine Arts degree in 1978. However, the setting was not welcoming for Harjo, who later stated, "I was ghettoized." Among Harjo's books of poetry are What on Earth Drove Me to This? (1980), which she later said contained "probably only two good poems". Ei ne tosiaan kovin kummosia ole vaikka Harjo on jo yli 70v harjotellut.
xxx/ellauri304.html on line 521: Who is Barry Manilow anyway? Ilmeisesti joku erityisen effeminate wimpy singer kasarilta, joo se oli tosiaankin homppeli, ja juutalainen kaiken kukkuraxi äidin puolelta, vaikka siittäjänä toimi joku irkku rekkakuski lentojätkä. Tää Warren on varsinainen kaappi miehexeen. Entäs Jay-Z sitten? Declared the greatest rapper of all time by Billboard, he has been central to the creative and commercial success of artists including Kanye West, Rihanna, and J. Cole. Okei, get the point. Inhoan kyllä izekin yön läpi rummuttelevia neekereitä sekä räppiä. Se on tollasta eläimellistä "nyt nussimaan" kuzuhuutoa, johon ei ole mitään mahollisuutta enää osallistua.
xxx/ellauri306.html on line 68: Why is Rand a bad writer? Her writing is simply illogical, incomprehensible and blabbering. Her heroes and heroines are but pastiches, cliché-like cardboard figurines. Her world is black and white; either the character is a hero or a crook, but never anything in-between. Moreover, they fail the reality check; Howard Roark of The Fountainhead would not be the heroic creative mind he is represented; the reality check would be a similar megalomaniac sociopath as Le Corbusier.
xxx/ellauri320.html on line 285: Fantasy, horror, mystery… books of all genres read by millions and written by some of the most creative among us. Och när Kvartal lägger in böcker av deckarförfattaren Pascal Engman, som varit redaktör för några av Camilla Läckbergs böcker, visar systemet att det är mer sannolikt att Pascal Engman ligger bakom ”Kvinnor utan nåd”. Det blev bättre så än om rundögda Camilla Läckberg själv hade skrivit det.
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