ellauri052.html on line 959: During an awkward sexual encounter with Harriet Wasserman, she remembered “asking him for permission, as if it were a museum objet d’art, ‘Can I touch this?’” Many of his mistresses remained in love and in touch with him. Scott Fitzgerald said that Hemingway “needed a new woman for each big book”; Bellow lost a woman with each big book. He spilled sperm as he spilled ink, and sex both interfered with and inspired his writing. Bellow created and lived on turbulence, thrived on chaos, courted conflict and was inspired by personal cataclysm. He reported that one lover (mies vai nainen?) “caused me grandes dificultades in England and in the south, but I finished Sammler just the same.” The bearers of erogenous zones (either sex) made him feel younger, “it was a way of avoiding the Angel of Death,” and he cherished their provocative bitchiness. Bellow’s emotional upheavals — his guilt and remorse, multitudinous failings and need for self-condemnation — made him beat his breast at his private Wailing Wall. Se oli kuin kunkku David jolle tuotiin neitosia pyllynlämmittimixi.
ellauri108.html on line 227: Through reggae, Rasta musicians became increasingly important in Jamaica's political life during the 1970s. To bolster his popularity with the electorate, Jamaican Prime Minister Michael Manley employed Rasta imagery and courted and obtained support from Marley and other reggae musicians. Manley described Rastas as a "beautiful and remarkable people" and carried a cane, the "rod of correction", which he claimed was a gift from Haile Selassie. Following Manley's example, Jamaican political parties increasingly employed Rasta language, symbols, and reggae references in their campaigns, while Rasta symbols became increasingly mainstream in Jamaican society. This helped to confer greater legitimacy on Rastafari, with reggae and Rasta imagery being increasingly presented as a core part of Jamaica's cultural heritage for the growing tourist industry. In the 1980s, a Rasta, Barbara Makeda Blake Hannah, became a senator in the Jamaican Parliament.
ellauri198.html on line 823: Spending most of his time in London, Yeats met with Maud Gonne, a tall, beautiful, socially prominent young woman passionately devoted to Irish nationalism. Yeats soon fell in love with Gonne, and courted her for nearly three decades although he eventually learned that she had already borne two children from a long affair. Their sole attempt at copulation at long last in Paris ended with a fizz. Yeats found he actually really liked young boys and girls.
ellauri210.html on line 1252: Shaw's expressed views were often contentious; he promoted eugenics and alphabet reform, and opposed vaccination and organised religion. He courted unpopularity by denouncing both sides in the First World War as equally culpable, and although not an Irish republican, castigated British policy on Ireland in the postwar period. Shaw and Yeast were sort of friends.
ellauri223.html on line 184: About this time, he again approached his powerful uncle for help; this move was followed by his rapid progress at the bar. Despite his assignations, he was unable to gain the status and notoriety of others. In a plan to revive his position he unsuccessfully courted the wealthy young widow Lady Elizabeth Hatton. His courtship failed after she broke off their relationship upon accepting marriage to Sir Edward Coke, a further spark of enmity between the men. Things went better with Coke than with a BLT.
ellauri223.html on line 188: When he was 36, Bacon courted Elizabeth Hatton, a young widow of 20. Reportedly, she broke off their relationship upon accepting marriage to a wealthier man, Bacon's rival, Sir Edward Coke. Years later, Bacon still wrote of his regret that the marriage to Hatton had not taken place.
ellauri241.html on line 49: It is only after Fanny receives a valentine from Brown that Keats passionately confronts them and asks if they are lovers. Brown sent the valentine in jest, but warns Keats that Fanny is a mere flirt playing a game. Fanny is hurt by Brown's accusations and Keats' lack of faith in her; she ends their lessons and leaves. The Dilkes move to Westminster in the spring, leaving the Brawne family their half of the house and six months rent. Fanny and Keats then resume their interaction and fall deeply (ca. 6 inches) in love. The relationship comes to an abrupt end when Brown departs with Keats for his summer holiday, where Keats may earn some money. Fanny is heartbroken, though she is comforted by Keats' love letters. When the men return in the autumn, Fanny's mother voices her concern that Fanny's attachment to the poet will hinder her from being courted. Fanny and Keats secretly become engaged.
xxx/ellauri081.html on line 521: old Sadie Marks (whose family was friends with, but not related to, the Marx family). Their first meeting did not go well when he tried to leave during Sadie´s violin performance.[2]:30–31 They met again in 1926. Jack had not remembered their earlier meeting and instantly fell for her.[2]:31 They married the following year. She was working in the hosiery section of the Hollywood Boulevard branch of the May Company, where Benny courted her.[2]:32 Called on to fill in for the "dumb girl" part in a Benny routine, Sadie proved to be a natural comedienne. Adopting the stage name Mary Livingstone, Sadie collaborated with Benny throughout most of his career. They later adopted a daughter, Joan (b. 1934). Her older sister Babe would be often the target of jokes about unattractive or masculine women, while her younger brother Hilliard would later produce Benny´s radio and TV work.
xxx/ellauri121.html on line 306: Atwood’s career as a graduate student stretched, with many interruptions, for half a dozen years. During that period she had an affair with Quebec poet D. G. Jones— which Sullivan mentions so obliquely that it is over before the reader realizes it has begun. She had broken it off, as a result of the stresses caused by his workload. She subsequently courted Jim Polk (an American writer she had met at Harvard) and, in January 1967, she decided to marry him "after five years of equivocation". She also worked at odd jobs including market researcher like Fred Waterford, and despite never finishing her PhD, began a university teaching career that would take her to cities across Canada. At 27, she became the youngest person to ever win the Governor General’s Award with her 1967 poetry collection, The Circle Game. Siitä nousi sille aika lailla kusi päähän.
xxx/ellauri280.html on line 428: Gurnah still lives in Zanzibar in his mind, and prefers it that way. When he returns home, he is frustrated by the discrepancy between the stories he invented—and started to half believe—and the dreary realities. The house of his parents is close to decay; essential services like water, electricity, and garbage disposal fail regularly. In addition, his schoolmates have become corrupt, self-seeking bureaucrats, and his mother was not gallantly courted but given as a pawn to his father. And yet, he never found the courage to inform his parents that he has been living together with a white infidel—a "kafir woman." When he is introduced to the child-wife who his relatives chose for him, he panics and flees "home," which is now England, only to find that Emma left and that he is condemned to be "on the edges of everything," on his own island in England. The hero despairs of establishing communication between the two worlds. Vaimo läx. Lammaskaalta.
xxx/ellauri363.html on line 682: During his youthful visits to Bowood House, the country seat of his patron Lord Lansdowne, he had passed his time at falling unsuccessfully in love with all the ladies of the house, whom he courted with a clumsy jocularity, while playing chess with them or giving them lessons on the harpsichord. Hopeful to the last, at the age of eighty he wrote again to one of them, recalling to her memory the far-off days when she had "presented him, in ceremony, with the flower in the green lane".
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