ellauri014.html on line 1770: Like Bryant’s poem, this verse is about autumnal flowers. With some searching I found this poem in the 1884 New Year’s edition of Godey’s Lady’s Book. “Tam! The Story of a Woman” by Ella Rodman Church and August De Bubna includes this poem. In the story the verses are found in a copy of Bryant’s poetry–hence Montgomery’s connection to the poem–but in the (relatively boring) story they are actually written on a slip of paper that was found in the Bryant book–and written by a woman who tentatively hopes to make a career as a poet in a male’s publishing world. Intriguingly, Montgomery seems to have forgotten the original context of the verse, but herself emulated the desire of “Miss Powell” in the story.
ellauri014.html on line 1772: It seems to me that Montgomery selects out the best bit of the poem, but again you see my bias. I am that “blossom,” I hope–but if all four verses are included it becomes rather silly to press the metaphor. Still, I think Montgomery was on the right track with her idea of “The Alpine Path.” It is a peculiar provenance that brings us this poem, but it has been an interesting journey. Once I found the names of Ella Rodman Church and August De Bubna I found that others have followed my path of curiosity. The Confederation Centre of the Arts in Charlottetown has some of L.M. Montgomery’s scrapbooks, including her copy of the poem. But the search has been interesting, nonetheless.
ellauri017.html on line 1170: Jos saa tähän väliin ehdottaa näin kentiesmiehenä, niin vähän tuntuu et täs sotketaan vanhan ja uuden sopimuksen pykäliä keskenään. Suomen lakikin on ilmatteeksi pilvessä kokonaisena, mut tieto siitä mikä pykälistä on lainvoimainen, on Editan ja jonkun toisen firman copyrightiä. Pyhän kirjan kans on nähtävästi päässyt käymään yhtä ohrasesti. Pykälät on samat kaikille, mut voimassaolosta ja soveltamisesta käydään tiukkaa kädenvääntöä.
ellauri019.html on line 671: Tästä voi vetää jonkinlaisen yhteenvedon, että saatana haluaa käyttää samoja keinoja omiin tarkoituksiinsa, eikä ne keinot ole hänen keksimiään, vaan hän ottaa Jumalan neuvoista kyllä osan omaan käyttöönsä, samoin kuin Jumala käyttää saatanaa ihmisiin, ymmärtämään syntiä ja katumaan pahoja tekoja. Jumala jopa antaa ihmisen saatanalle riepoteltavaksi, jotta tämän sielu voisi pelastua. Näin sanoo Raamattu. Ja Jarmo. Pikku copycat.
ellauri033.html on line 472: Aika työlästä on Wyszewskiä tankata ranskaxi, mutta kaiketi se koittaa sanoa, että tässä niteessä porvari-Paavali on kääntänyt kelkkansa ja syyttää entisiä kavereitaan taidepellejä kuin ateenan johto Sokratesta nuorison villizemisestä. Tätä taideboheemit piti syystä melkoisena takinkääntönä. Paavalista tuli porvari ja porvarista Paavali, ja 5v myöhemmin akateemikko. Nousujohteista. Bourget teki selloutin katolisille sioille. Wysewski rinnastaa nuorison pilaajat kovaxi keitettyyn Nick Carteriin. En tiennytkään että Nick on noin vanha! Tää copycat ilmiö, eli julkisuuden ilkiöiden apinointi, on takuulla yhtä vanha kuin sapajou-apina. Konnantöiden laajamittainen mainostus tietysti onkin nuorison ja vanhemmankin ääliökannan villizemistä klikkausten hinnalla. Kokeilen samaa, sanoo apinat kuin Wagner Viiville ja apinoi.
ellauri033.html on line 717: Sale ansaizi leipänsä ensin copywriterinä, se halus filmitähdexi.

ellauri040.html on line 103: Kyllä silti noissa kouluammunnoissa ja muissa terroristiteoissa on paljon copycattiutta. Pääasiahan näyttää olevan et pääsee tv- ja nettiuutisiin. Perussyy on tietysti et ihmiset on ahtaalla, mutta niin ne oli ennenkin. Nykyisin kanavointi ahdistuxelle löytyy tv- ja juutuubikanavilta. Mut mulla tuppaakin jäämään eräpäivät ylize. Ei rompskun luku poista ahtautta, en mä sitä tarkoita. Rompskun lukija voi mennä vaikka listimään pikavippiämmän kirveellä.
ellauri040.html on line 383: viedä meemin mukanansa hautaan copywrightin muodossa.

ellauri047.html on line 78: Kirjan Werther oli Woku ize, joka kosiskeli Wetzlarissa (Hessenissä) Charlotte Buffia. Charlotte dumppas Wokun ja otti sen sijaan Johann Christian Kestnerin, jolla oli hyvä paikka Hannoverin hovissa. Se ei pahemmin masentanut Wokua, joka osti jopa kihlat Lotelle ja Hannolle. Se joka teki izarin oli Wokun kolleega Karl Wilhelm Jerusalem, Lessingin kuoma. Woku vaan yhdisti nää tarinat. Tarua ja totta elämästäni. Wertheristä Goethe ei netonnut paljoa, kun ei ollut copyright-lakeja. Niinkuin monet muut (esim. Cervantes ja Rabelais) se julkaisi six aina uusia, muka päivitettyjä versioita omista prujuista. Wetzlarin aikainen tuttu kuvaili Goethea:
ellauri050.html on line 411: He published his book Autobiography of a Yogi in 1946 to critical and commercial acclaim; since its first publishing, it has sold over four million copies, with HarperSan Francisco listing it as one of the "100 best spiritual books of the 20th Century". Former Apple CEO Steve Jobs had ordered 500 copies of the book for his own memorial, for each guest to be given a copy. The book has been regularly reprinted and is known as "the book that changed the lives of millions." A 2014 documentary, Awake: The Life of Yogananda, won multiple awards at film festivals around the world. Tästä viimeistään käy ilmi, että tää tuuba on täysin hanurista, todella syvältä. Mut hyvin vetää hindu ton taivaskoira-räpin.
ellauri058.html on line 267: Hotakainen kirjoitti ylioppilaaksi Rautalammin yhteislukiosta vuonna 1976. Hän opiskeli kotimaista kirjallisuutta Helsingin yliopistossa ja on humanististen tieteiden kandidaatti. Kirjoittamisen Hotakainen aloitti toimittajana Porissa. Hän oli STT:n toimittaja vuosina 1981–1985, Mainonnantekijäin copywriter 1985–1986 ja WSOY:n mainostoimittaja vuosina 1986–1995. Hän on ollut myös Helsingin Sanomien kolumnisti sekä työskennellyt toimittajana Savon Sanomissa. Vuodesta 1995 Hotakainen on ollut vapaa kirjailija.
ellauri065.html on line 184: Reported to Google AdSense. Possible copyright infringement and definitely violates the rules on invasive ads. Also has porn/suggestive ads from other providers.
ellauri065.html on line 209: In January 2016, Tom Six revealed on Twitter that production of a graphic novel adaptation of The Human Centipede was underway, along with posting an image of a test printed copy.
ellauri067.html on line 608: A Hot Time in the Old Town, also titled as "There’ll Be a Hot Time in the Old Town Tonight", is an American popular song, copyrighted and perhaps composed in 1896 by Theodore August Metz with lyrics by Joe Hayden. Metz was the band leader of the McIntyre and Heath Minstrels. The song was a favorite of the American military around the start of the 20th century, particularly during the Spanish–American War and the Boxer Rebellion. The tune became popular in the military after it was used as a theme by Teddy Roosevelt´s Rough Riders.
ellauri069.html on line 78: What was he doing? Daugherty is right to claim that Barthelme conceived of himself as an heir of the modernist tradition—in particular, of Beckett. He encountered Beckett’s work for the first time in 1956, when he picked up a copy of Theatre Arts at Guy’s Newsstand, in Houston, and read the text of “Waiting for Godot.” “It seemed that from the day he discovered ‘Godot,’ Don believed he could write the fiction he imagined,” the woman who was his wife at the time, Helen Moore Barthelme, says in her memoir, “Donald Barthelme: The Genesis of a Cool Sound” (2001).
ellauri077.html on line 875: Bigger, better, higher, humbler. The translation of Klopstock, quite early, contemporaneous, to Swedish is by the Rector of Klara skola. Mr. Humble bought a copy from Sweden wanting to translate Messias suomeksi.
ellauri083.html on line 336: For all their profusion, these paled in comparison with Sachs's newest display pieces: The Cabinet, 2014, and The Rockeths, 2017. The former was a folding case fashioned from orange-and-white striped barricades and festooned with hundreds of tools, hung in groups and inscribed with the names of individuals who have "inspired, influenced, or frightened" the artist--from Le Corbusier and Louis Kahn to the members of the Wu-Tang Clan--while the latter was less a cabinet than a kind of portable workbench and shelving unit, similarly jam-packed with the tools of the artist's trade, as well as a collection of model rockets, all again labeled to namecheck various figures of personal importance--scientists, musicians, artists; Apollo, Dionysus, Stringer Bell. The fetishistic frisson the assembled materials (pens, pliers, drill bits, tape measures) clearly provoke in Sachs was made even more explicit in McMasterbation, 2016, one of a trio of scale-model space modules arrayed on plinths. Featuring a copy of the legendarily comprehensive McMaster-Carr hardware catalogue spread open like a porn mag centerfold designed for lonely gearheads--alongside a ready supply of Vaseline and a handy tissue dispenser--it was part cathectic confession of objectophilia and part self-derogating indictment of his own work's tendencies toward sometimes masturbatory excess. Smart and stupid, funny and somehow a bit sad, it was classic Sachs: too much information, in every sense of the phrase.
ellauri092.html on line 65: Dwight Lyman Moody (February 5, 1837 – December 22, 1899), also known as D. L. Moody, was an American evangelist and publisher connected with Keswickianism, who founded the Moody Church, Northfield School and Mount Hermon School in Massachusetts (now Northfield Mount Hermon School), Moody Bible Institute and Moody Publishers. One of his most famous quotes was “Faith makes all things possible... Love makes all things easy.“ Moody gave up his lucrative boot and shoe business to devote his life to revivalism, working first in the Civil War with Union troops through YMCA in the United States Christian Commission. In Chicago, he built one of the major evangelical centers in the nation, which is still active. Working with singer Ira Sankey, he toured the country and the British Isles, drawing large crowds with a dynamic speaking style. Jesus was a great motivational speaker, and the apostles plus Paul of Tarsus copycatted him to the best of their abilities.
ellauri099.html on line 199: Famously, Aristotle was asked by Philip II of Macedon to be the tutor of his 13-year-old son, Alexander. Aristotle set up school in the Macedonian fortress of Mieza, and the young prince was taught together with his companions, who probably numbered around 30 students. A big class. This was a closed school, a boarding school of sorts. A sense of the seriousness with which Aristotle performed his duties can be gleaned from the fact that he composed two treatises in honor of Alexander, “On Kingship” and "On Colonies" as guidebooks for the prince, as well as editing a copy of Homer’s “Iliad” specifically for Alexander’s use — the so-called “casket copy” (presumably because it was small enough to fit inside his casket).
ellauri099.html on line 205: Two things hit you when you visit the site of the Lyceum and look at its architectural plans. First, it is a direct copy of Plato’s Academy. And second, it is much, much bigger. The relation between the Academy and the Lyceum is a little like that between a twee medieval Cambridge College and the monumental architecture of the University of Chicago.
ellauri099.html on line 209: Expressing ancient money values in modern terms presents a perennial puzzle for historians of economics, so I called on my colleague, the economist Duncan Foley, for help. He very roughly calculated that the annual gross domestic product of classical Athens was about 4,400 talents. If that is right, then 800 talents is a vast figure, 32 times the expenditure on the Academy. Foley is somewhat skeptical of the figure, though. Ancient sources for numerical data (like the size of armies) are notoriously inaccurate, so perhaps a excited copyist simply added a zero.
ellauri102.html on line 370: Popcornia ja Petersiä tärkeämpi minä-brändin sanansaattaja on kuitenkin Daniel H. Pink (ent. Prick). Hän on huomannut tilapäisen työn, alihankintasopimusten ja itsensä työllistämisen yleistymisen ja puhuu 'vapaiden agenttien maasta". Pink kirjoitti kirjaa nimeltä Free Agent Nation ja on ylpeä tästä uudesta isänmaastaan. Hän jätti arvostetun työpaikkansa Al Goren puhemyllynä. Hänen kaltaisensa kuikelot ovat markkinointikonsultteja, copywritereitä, headhuntereita ja ohjelmistosuunnittelijoita, jotka kokeilevat 🧘‍♂️ jooga-asentoja verkotetuissa kotitoimistoissa. Sisäileviä sankareita kuten "Jjarrii!" Headhuntteri oli epämiellyttävä lankoni Iso-Masa, ennenkuin sen päässä naxahti. Ja se pikkiriikkinen suonikohjuinen AHDH oli konsultti, se joka pyöri perskärpäsenä mun kimpussa Kouvolan aikoina. "Nimeä ei löydy", sanoo päänsisäinen Contacts-ohjelma. Ne oli narsisteja kumpikin.
ellauri111.html on line 293: “Nor was I, though it was very frustrating. But you will also remember that he didn’t just go to confess his sin in the way that a normal penitent does: he had even arranged for a full copy to be printed, ready to be published for the world to see.”
ellauri111.html on line 681: God be with you as you run this race. You must read the word of God, the Authorized King James Bible. I strongly suggest that you print out your own copy and bind it. It is in the Authorized King James Bible where you will find your safety, your strength, your power, your love, your comfort, your knowledge, your life and everything you need to know and please and walk with God and his holy child, Jesus. Desire the sincere milk of the word that ye may grow thereby. Never give up and always hearken to God´s word.
ellauri115.html on line 549: Olin yllättynyt ja melkein shokissa kun luin Neuwentitiä. [A Dutch doctor (1654-1718) who wrote a book entitled The Existence of God Demonstrated by the Wonders of Nature.] Miten tää mies saattoi haluta tehdä kirjan luonnon ihmeistä, ihmeistä jotka osoittaa luonnon copyrightin omistajan viisauden? Sen kirjan pitäis olla yhtä iso kuin luonto ize ennenkuin kaikki olis kerrottu, ja heti kun koitetaan mennä detaljeihin, suurin ihme kaikista, nimittäin kokonaisuuden sopusointu ja harmonia, karkaa lahkeesta. Pelkkä orgaanisten ruumiiden tekoprosessi tekee mielen epätoivoisexi; mixei apina voi tehdä vaikka vuohia? Vaikka miten bylsin niitä ei tule kilejä. Tästä näkee että luontoäiti ei ole tarkoittanut sellaista. Se ei ainoastaan järjestänyt juttuja, se suorastaan estää tekemästä tyhmiä.
ellauri140.html on line 76: Amaretto F+, the betrothed of Scudamour, kidnapped by Busirane on her wedding night, saved by Britomart. She represents the virtue of married love, and her marriage to Scudamour serves as the example that Britomart and Artegall seek to copy. Amoret and Scudamor are separated for a time by circumstances, but remain loyal to each other until they (presumably) are reunited. Amaretto on mantelilikööri.
ellauri141.html on line 514: He wrote "Donec Gratus Eram" as a schoolboy, and a series of other 'echoes' of Horace in later life. He carried a copy of Horace’s four books of Odes around with him, in which he wrote original epigrams of his own.
ellauri141.html on line 521: Kipling recognised that Horace was untranslatable. For example, he wrote to Courtauld to thank him for a copy of the third edition of The Odes and Epodes of Horace: metrical translations … selected by S. A. Courtauld.
ellauri143.html on line 990: Luku 63. Httpscopy Ingle (Tuhoutumaton kuolemattomuus): 621–630
ellauri145.html on line 537: Nietzsche’s image, through no more fault of his own than Hawking´s (LOL), has grown in a similar way to that of Hawking. We all have a vague notion of what the Ubermensch is, we’ve all heard “God is dead,” and we all know Nietzsche was a crazy philosopher with a giant mustache who wrote really hard books and scared his contemporaries and was apparently a favorite of the Nazis. There are little quips and quotes from him around the internet that sound awfully cryptic and enigmatic. And the publishing industry plays on this image, too: I have a copy of Beyond Good And Evil with a black cover and the title text printed in red and white, and the color scheme looks a little sinister. I strongly suspect that, if Nietzsche did not have a popular image as a crazy nihilist Nazi Ubermensch from the 1800s, the publisher would not have made the decision to print his books with a black and red color scheme. A cursory look at Amazon’s book listing also shows copies of Thus Spake Zarathustra with a picture of a panther’s eyes on the cover, glowering at the reader. Because… “Nietzsche was that crazy German writer or philosopher or whatever, right? And he was, like, an anarchist or nihilist or Nazi or something, right? Didn’t he kill God or something like that? Yeah.”
ellauri145.html on line 539: What rebellious teenager could resist this kind of thing? You’ve got your long hair, your leather jacket, your Slayer albums and your combat boots. You’ve got a guitar you can almost play. What completes that ensemble better than a copy of “The Antichrist,” placed conspicuously on your book stand? It’ll scare your parents if they’re religious, it’ll freak out your friends, and maybe you can find a sentence that sounds profound and memorize it so you can win some points for being deep. Get an inch or two deeper between her legs.
ellauri151.html on line 350: copy-1.jpg?strip=all&w=300&h=192&crop=1" height="200px" />
ellauri153.html on line 864: After submitting it as his doctoral dissertation Arttu was awarded a PhD from the University of Jena in absentia. Private publication soon followed. "There were three reviews of it, commending it condescendingly. Scarcely more than one hundred copies were sold, the rest was remaindered and, a few years later, pulped."[1] Among the reasons for the cold reception of this original version are that it lacked the author´s later authoritative style and appeared decidedly unclear in its implications. A copy was sent to Goethe who responded by inviting the author to his home on a regular basis, ostensibly to discuss philosophy but in reality to recruit the young philosopher into work on his Theory of Colors.
ellauri156.html on line 681: Third, Nathan comes to David with a story. In the New American Standard Bible, this is not just a story, but a kind of poetic story. In my copy of the NASB, the words of the story are formatted in such a way as to look like one of the Psalms.43 It took me a while to take note of this, but if this is so, it means that Nathan comes to David prepared. Under divine inspiration, I am sure God could inspire a prophet to utter poetry without working at it in advance, but this does not seem to be the norm. Nathan comes to David well prepared. He is not just “spinning a yarn;” Nathan is telling a story, a very important story with a very important message for David. A message for you sir. Nih Nih.
ellauri159.html on line 1046: Yoo respect authority and often cite experts in their writing. Avoid over-copying others, particularly if the subject is unfamiliar, theoretical, or impersonal. Look for ways to draw on your own experience or to explore how the topic affects people.
ellauri159.html on line 1075: When starting a project, you want clear instructions or a model to work from. It is helpful to know what approach has succeeded in the past so you can use it as a framework. If instructions aren’t specific, you may be at a loss, so it’s best to ask for clarification, or just copy from a reliable model.
ellauri159.html on line 1123: You need clear instructions and a personal connection with your audience. You may find it helpful to see an example of what your editor, instructor, or project sponsor expects. Even if you can’t copy this model as such, it will give you a concrete starting point.
ellauri160.html on line 147: Through the Shakespears, he was introduced to the poet W. B. Yeats, Olivia Shakespear's former lover. He had already sent Yeats a copy of A Lume Spento, and Yeats had apparently found it "charming".
ellauri164.html on line 384: I was expecting great things, but I couldn't even get through half of it. Hard to follow, boring, lots of long discourses that didn't have a point. I don't know, didn't get it. I have a copy of it if you'd life to give it a whirl. (less)
ellauri189.html on line 442:
ellauri210.html on line 1111: Educated by governesses, tutors, and nuns, she was expelled from two schools, including New Hall School, Chelmsford, for her rebellious behaviour, until her family sent her to Florence, where she attended Mrs Penrose's Academy of Art. She also, briefly, attended St Mary's convent school in Ascot. In 1927, at the age of ten, she saw her first Surrealist painting in a Left Bank gallery in Paris and later met many Surrealists, including Paul Éluard. Her father opposed her career as an artist, but her mother encouraged her. She returned to England and was presented at Court, but according to her, she brought a copy of Aldous Huxley's Eyeless in Gaza (1936) to read instead.
ellauri217.html on line 150: Arabivaltio nojasi Jumalan kanssa tehtyyn uuteen sopimukseen. Vastineeksi kuuliaisuudesta Jumala antoi Jaakobin jälkeläisille oikeuden luvattuun maahan. Paikka, jonne Jaakob oli pystyttänyt patsaansa, oli Jerusalemin Temppelivuori. Kalifi al-Malik antoi rakennuttaa sinne valtakuntansa keskuspyhäköksi Kalliomoskeijan. Pyhäkön keskellä on pylväiden ympäröimänä paljas kallio, maailman peruskivi. Sen päällä nukkuessaan Jaakob näki taivaaseen johtavat portaat, joita pitkin enkelit kulkivat. Tältä kiveltä myös Muhammed nousi taivaaseen jo Jaakobin käyttämiä tikapuita pitkin. Tällä tavoin hän ylitti copycattina Jaakobin suorituksen. Alef gimel daleth, kissa kävelee, tikapuita pitkin taivaaseen. Tarinassa Muhammed on uusi Jaakob, joten Jaakobin siunaus yhdistyy myös Muhammediin, jolle Jumala näin antoi luvatun maan ja koko maanpiirin hallittavaksi siunaukseksi kaikille kansoille. Tästä sopimusrikkomuxesta kärhämöivät GT-sählämit ja filistealaiset tänäkin päivänä, ja Rifaan porukat pyörii jaloissa joukon jatkona.
ellauri217.html on line 256: Yasser Arafat olikin egyptiläinen ellen väärin muista mokkeri Steinbockin kirjasta. No helkkari, se oli palestiinalainen Gazasta! Tyypillistä farisealaista vääristelyä. Tässä se on Harry Potter tyyppinen velho eli peikkomies. Ilmeisesti niinkö tiedemies. Jaaha, nyt marssitetaan sadun misu esille, nätti vaikka huppu päällä toistaisexi. Pitää popup kahvilaa tossa vastapäätä. Nimi oli Ratafia, Fittavaan tai jotain sellasta. Se ei nyt ole niin tärkeetä. Arafat tahtoo selata luonnon suurta kirjaa niin kauan kun virsikirjan kannet ovat auki. Endoscopy fuck the pussy, to get the cervix point of view. It´s not strange for a bastard to look with all his force for an ancestor. Jöns-setä on tästä esimerkkinä.
ellauri219.html on line 1016: Moonman 157, a Bronx graffiti artist, and the Texas Highway Killer: what do they have in common? One wields spray cans, the other a .38 with a gloved left hand. Moonman paints subway cars, and the Texas Highway Killer shoots random lone drivers? Get it? Okay I'll tell you: They each create an artificial language like Klingon or Ido, that thickens the fog of American collective consciousness; each language is expressed by an individual who remains anonymous. As a natural consequence, they get a lot of copy cats, like de Lillo and myself.
ellauri222.html on line 759: Bellow's first two novels, Dangling Man and The Victim, are brief and disciplined works, darker in mood and less intellectually complex than the later fiction but featuring protagonists who anticipate later Bellovian heroes both in their introspection and in their resistance to urban apathy. In Paris, Saul realized he need not copycat Flaubert and that instead he could write as he spoke. The result was Augie.
ellauri223.html on line 159: Many aspects of the society and history of the island are described, such as the Christian religion – which is reported to have been born there as a copy of the Bible and a letter from the Apostle Saint Bartholomew arrived there miraculously, a few years after the Ascension of Jesus; a cultural feast in honour of the family institution, called "the Feast of the Family"; a college of sages, the Salomon's House, "the very eye of the kingdom", to which order "God of heaven and earth had vouchsafed the grace to know the works of Creation, and the secrets of them", as well as "to discern between divine miracles, works of nature, works of art, and other impostures and illusions of all sorts"; and a series of instruments, process and methods of scientific research that were employed in the island by the Salomon's House.
ellauri236.html on line 198: There exists in America an enormous literature of more or less the same stamp as No Orchids. Quite apart from books, there is the huge array of ‘pulp magazines’, graded so as to cater for different kinds of fantasy, but nearly all having much the same mental atmosphere. A few of them go in for straight pornography, but the great majority are quite plainly aimed at sadists and masochists. Sold at threepence a copy under the title of Yank Mags(4), these things used to enjoy considerable popularity in England, but when the supply dried up owing to the war, no satisfactory substitute was forthcoming. English imitations of the ‘pulp magazine’ do now exist, but they are poor things compared with the original. English crook films, again, never approach the American crook film in brutality. And yet the career of Mr. Chase shows how deep the American influence has already gone. Not only is he himself living a continuous fantasy-life in the Chicago underworld, but he can count on hundreds of thousands of readers who know what is meant by a ‘clipshop’ or the ‘hotsquat’, do not have to do mental arithmetic when confronted by ‘fifty grand’, and understand at sight a sentence like ‘Johnny was a rummy and only two jumps ahead of the nut-factory’. Evidently there are great numbers of English people who are partly americanized in language and, one ought to add, in moral outlook. For there was no popular protest against No Orchids. In the end it was withdrawn, but only retrospectively, when a later work, Miss Callaghan Comes to Grief, brought Mr. Chase's books to the attention of the authorities. Judging by casual conversations at the time, ordinary readers got a mild thrill out of the obscenities of No Orchids, but saw nothing undesirable in the book as a whole. Many people, incidentally, were under the impression that it was an American book reissued in England.
ellauri240.html on line 211: Peyton Place was banned in many communities; in fact, the local public library refused to purchase a copy of the book and did not have one until 1976, when newswoman Barbara Walters donated one to them. In Gilmanton there were threats of libel suits against Grace Metalious. Ministers and political leaders all over the country condemned the novel, claiming that it would corrupt the morals of young people who read it. The novel was banned altogether in Canada and several other countries.
ellauri247.html on line 323: <William Hogarth (10. marraskuuta 1697 Lontoo – 26. lokakuuta 1764 Lontoo) oli englantilainen taidemaalari ja graafikko, joka tunnetaan erityisesti suurta suosiota saavuttaneista kuvasarjoistaan. Hogarth oli erittäin taitava ja tarkka piirtäjä ja suosi runsaita yksityiskohtia ja groteskeja sävyjä. Hänen tyylinsä oli kova ja realistinen. Hogarth kuvasi kuparipiirrossarjoissaan aikaansa ja ihmishahmoja moralisoiden ja ivaten. Hogarth teki vuosina 1731–1732 ensimmäisen moralistisen piirrossarjansa ’Ilotytön tarina’. Hogarth oli äärimmäisen kansallismielinen eikä koskaan myöntänyt saaneensa vaikutteita ulkomaisilta taiteilijoilta vaikka oli käynyt kahdesti Pariisissa ja tuonut sieltä tuomisixi hyppykupan. Hogarth was born in London to a lower-middle-class family. Hogarth's works are mostly satirical caricatures, sometimes bawdily sexual. Kuvissa se on ilkimyxen näköinen. Sen suurin kyseenalainen ansio oli copyrightin laillistaminen. Stanley Kubrick based the cinematography of his 1975 period drama film, Barry Lyndon, on several Hogarth paintings. Muistan että se oli pitkäpiimäinen, en kyllä muista siitä muuta, koska se oli mun ja Seijan eka yhteinen elokuvaretki. Kubrick on kaiken kaikkiaan aika joutavanpäiväinen.
ellauri262.html on line 179: C. S. Lewis wrote that he regarded MacDonald as his "master": "Picking up a copy of Phantastes one day at a train-station bookstall, I began to read. A few hours later, I knew that I had crossed a great frontier."[citation needed] G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence". Even Mark Twain, who initially disliked MacDonald, became friends with him, and there is some evidence that Twain was influenced by him. MacDonald's theology "celebrated the rediscovery of God as Father, and Christ as a shaved Lion King."
ellauri262.html on line 413: Sayers's longest employment was from 1922 to 1931 as a copywriter at an advertising agency.
ellauri270.html on line 42: Paxu pehmeäkantinen semantiikan kirja, jota luin albumeissa 18 ja 115 mainitulla Pihlajasaaren retkellä oli Semantics An Interdisciplinary Reader in Philosophy, Linguistics and Psychology Authors: Danny D. Steinberg Leon A. Jakobovits View all contributors Date Published: May 1974 availability: Available format: Paperback isbn: 9780521204996 Rate & review £ 48.99 Paperback Add to cart Add to wishlist Looking for an inspection copy?
ellauri277.html on line 440: Professori English on miettinyt Batmanin yhteydessä vapaata tahtoa. Onko Batmanleffoja apinoivien copycattien tahto enää vapaa, vai onko se valtameedioiden taskussa? Vielä pienempi on luku nolla, nollassa ei voi mitään olla. Näin jänis lukuja pohti:
ellauri288.html on line 596: Sofin tukkalaite Salen kuzuilla oli kuin lehmänläjä johon on liimaantunut tissiliivit. Sofi on uurastanut hiusjatke hiessä Venäjän mustamaalaamisexi kaikissa tuuteissa. Esim. copy-link-share">Areena, jossa se hevosmaista naamaansa väännellen sättii venäläistä kirjallisuutta epäisänmaallisuudesta melko aiheetta. Sit vielä tää: Sofi on kokeillut kynäillä myös lyriikkaa. Aika roisia siitä tuli, tekijänsä näköistä. (Vähän piti korjailla sanajärjestyxiä että rytmi edes jotenkuten toimisi.) Rumasta suomenkielisestä räpistä tulee vähän kauniimpi kun sen ajaa Googlen kääntimestä. Samaa voisi kokeilla Sofille.
ellauri322.html on line 367: Here I met with an intelligent literary man, who was anxious to gather information from me relative to the past and present situation of France. The newspapers printed at Copenhagen, as well as those in England, give the most exaggerated accounts of their atrocities and distresses, but the former without any apparent comments or inferences. Still the Norwegians, though more connected with the English, speaking their language and copying their manners, wish well to the Republican cause, and follow with the most lively interest the successes of the French arms. So determined were they, in fact, to excuse everything, disgracing the struggle of freedom, by admitting the tyrant’s plea, necessity, that I could hardly persuade them that Robespierre was a monster. Laureenska myöntää että kaikki ukrainalaiset eivät pidä Zelenskystä.
ellauri325.html on line 163: Hei mitä lavastaja Roy eli "Juan Batiste Montabuan", siviilissä Tapio Vilpponen otti myöskin osaa propagandatalkoisiin! Arkadi Avertshenkon tyylilajissa. Tapio Vilpponen (31. toukokuuta 1913 Rauma – 31. elokuuta 1994 Helsinki) oli suomalainen käsikirjoittaja, lavastaja, puvustaja, taidemaalari, graafikko, sisustussuunnittelija, kuvanveistäjä, copywriter, toimittaja, pilapiirtäjä ja pakinoitsija. Hän myös näytteli muutamassa elokuvassa. Vilpponen käytti salanimiä Roy ja Juan Batiste Montauban. Vilpponen kirjoitti useita kioskilukemistoja (El Zorron seikkailut, Tilly, Pekka Lipponen junior) sekä nelisensataa jatkojännäriä. Kexittyään Jussi-palkinnon hän oli itse ensimmäisiä Jussi-palkittuja vuonna 1944, kun hänet palkittiin parhaasta lavastuksesta elokuvaan Herra ja ylhäisyys. Juan Batiste Montabuan on selvä plagiaatti Simo Penttilästä. Zorron porukat on käytkaz yxyhteen TJA Heikkilän, tai Punavyön sivuvaunuineen. Inkkari Tacho on Tlacan kopio. Vilpponen oli Hirvosta 15v nuorempi. Heikon kuulonsa vuoxi hänkään ei joutunut ruotuun.
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ellauri340.html on line 404: Kolmannella vuosituhannelle tullessa kaiken apinoiden EFK sähläyxen esittämiseen viihdemielessä ei ole enää mitään rajoja. Eiku apinoimaan ihan sikana copycatteina.
ellauri347.html on line 559: Miten nää apinoiden kauhuskenaariot onkin niin samanlaisia? No sixi että kun yxi saa hyvän tilin kaikki muut ryntäävät perään copycatteina. En oikeastaan oikein jaxa näitä kazoa, ei näistä saa muuta kuin niskasärkyä. Pain in the butt.
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ellauri368.html on line 335: In 1819 he continued his writings against Hasidism by publishing a novel about the subject. In the novel, characters search for the original copy of a recently published anti-Hasidic book. The novel was originally published anonymously.
ellauri370.html on line 556: January 1927, Hitler, along with several highly ranked members of the Nazi Party, attended Chamberlain´s funeral. In 1909, some months before his 17th birthday, Rosenberg went with an aunt to visit his guardian where several other relatives were gathered. Bored, he went to a book shelf, picked up a copy of Chamberlain´s The Foundations and wrote of the moment: "I felt electrified; I wrote down the title and went straight to the bookshop." In 1930 Rosenberg published The Myth of the Twentieth Century, a homage to and continuation of Chamberlain´s work. Hitler told the ailing Chamberlain that he´d write a sequel to it. The French Germanic scholar Edmond Vermeil considered Chamberlain´s ideas "essentially shoddy".
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ellauri389.html on line 409: In London in June 1819 he was more beneficially affected by the emotion caused by witnessing Macready's performance of Rob Roy, and expressed his feelings in a copy of verses, printed in Macready's Reminiscences.
ellauri409.html on line 626: From Personae by Ezra Pound, copyright © 1926 by Ezra Pound. Reprinted by permission of New Directions Publishing Corporation. All rights reserved. No part of this poem may be reproduced in any form without the written consent of the publisher. 😂😄😃😝😁
xxx/ellauri075.html on line 342: Where once the unique high art forms dominated, now, for Benjamin, the mass-produced realm of the copy had come into its own, neutralizing the traditional concepts of individual creativity, genius, eternal value and mystery. Instead of achieving significance through sacred ritual, art becomes a political practice.
xxx/ellauri085.html on line 128: Similarly to the film ‘ Potted Psalm’ (made by the same filmmaker) ‘The Cage’ was firstly created with no soundtrack. A soundtrack was added later on to accompany the visuals. The copy right of this film belongs to the Californian School of Fine Arts.
xxx/ellauri086.html on line 405: In September 2017, a team of scholars, computer scientists, philologists and linguists at the University of Padua analyzed 150 novels written in Italian by 40 different authors, including seven books by Elena Ferrante, but none by Raja. Based on analysis using several authorship attribution models, they concluded that Anita Raja's husband, author and journalist Domenico Starnone, is the probable author of the Ferrante novels. Raja has worked for E/O Publishing as copy editor and has been editing Starnone's books for years.
xxx/ellauri104.html on line 913: Kaikkein rasittavimpana mä pidän näitä jotka eivät edes omin sanoin pysty maailmankuvaansa perustelemaan vaan heittävät lukemattomaksi jäävän copy/pasten jostain raamatusta/koraanista.
xxx/ellauri121.html on line 454: As we get ready for Prayerfest each year, we prepare our hearts by taking a 40-Day Prayer Journey. We invite you to join us during this time of prayer and fasting as you prepare for YOUR miracle. To access your copy of the following free resources from our Lead Pastor, Dr. David Ireland, simply click the button below! Yea, that little one, between your legs!
xxx/ellauri122.html on line 1033: Many mothers of today that were proud owners of Barbie might have thought twice before they wrapped her up to give to their three year old if they knew her history. Barbie originated in Germany by a man, named Aryan Nation. She was a direct copy of Klaus Barbie...
xxx/ellauri123.html on line 1051: don't know what is. Arresting, as well as disgusting, to suddenly notice that Lolita (who died giving birth to a stillborn girl, for Christ's sake) would have been 86 this year. … the thought that with patience and luck I might have her produce eventually a nymphet with my blood in her exquisite veins, a Lolita the Second, who would be eight or nine around 1960, when I would still be dans la force d'age; indeed, the telescopy of my mind, or un-mind, was strong enough to distinguish in the remoteness of time a vieillard encore vert—or was it green rot?—bizarre, tender, salivating Dr. Humbert, practicing on supremely lovely Lolita the Third the art of being a granddad.
xxx/ellauri125.html on line 59: Melampus sai ennustajan lahjan ja kyvyn ymmärtää eläinten puhetta pelastettuaan 2 käärmeorpoa. Melampus juorusi kaikelle kansalle että Midas-kuningas sai aasinkorvat. San Francisco on Melampuxen copycat. Melampus on myös Impala ja eräs gastropodi. Impala on myös Chevrolet. Niillä Impalan siivekkeillä oli joku Nabokoviin liittyvä nimi joka on karannut mielestä.
xxx/ellauri127.html on line 120: In his lifetime, Nabokov received many contrary and often puzzled reviews. The Hollywood producer Robert Evans famously flew to Switzerland in 1968 to read an advance copy of the novel “Ada” in one day. “It was torture,” he recalled. Dwight Macdonald hated “Pale Fire” on behalf of Partisan Review, calling it “unreadable . . . too clever by half . . . Philistine . . . false” — and he hadn’t even finished his first paragraph!
xxx/ellauri138.html on line 274: Meanwhile, the estate has aggressively decided to control access to the Roth documents independently held at Princeton University, which the university has purchased.Born in 2018 to Roth's friend Benjamin Taylor. The cache includes a copy of "Notes on a Slander-Monger ", unpublished essays on topics such as money, marriage and illness, and a list of his relationships with women, with commentaries.
xxx/ellauri154.html on line 93: Besides a white rabbit, Aurore greatly admired General Murat (especially when he wore his uniform) and was quite convinced he was a fairy prince. Her mother made her a uniform too, not like the general´s, of course, but an exact copy of her father´s. It consisted of a white cashmere vest with sleeves fastened by gold buttons, over which was a loose pelisse, trimmed with black fur, while the breeches were of yellow cashmere embroidered with gold. The boots of red morocco had spurs attached; at her side hung a sabre and round her waist was a sash of crimson silk cords. In this guise Aurore was presented by Murat to his friends, but though she was intensely proud of her uniform, the little aide-de-camp found the fur and the gold very hot and heavy, and was always thankful to change it for the black silk dress and black mantilla worn by Spanish children. One does not know in which costume she must have looked most strange. I would vote for the Scrooge McDuck style high hat.
xxx/ellauri167.html on line 440: In August 1798, George Washington received a letter as well as a copy of John Robison’s Proofs of a Conspiracy from George Snyder. This led to a brief exchange between the two men. Luckily the insect-looking Historians were on the ball and wrote them down.
xxx/ellauri167.html on line 441: In January 1800, Thomas Jefferson received a copy of Abbé Augustin Barruel ‘s Memoirs Illustrating the History of Jacobinism and also commented on the book in a letter to Bishop James Madison.
xxx/ellauri167.html on line 447: There are three letters mentioning the Bavarian Illuminati written by George Washington to George Washington Snyder in response to a August, 1798 letter which came with a copy of John Robison’s anti- Illuminati book, Proofs of Conspiracy. The book itself was found in Washington’s library at his death.
xxx/ellauri170.html on line 421: It’s so good to follow and copy something that works, to follow someone who’s been through it and done it, and to find that modern empirical scientific research is confirming our experiences. And it’s good to be able to describe the process in dictionary definable words and post scientific empirical neurological and genetic research that both confirms actualism and buckets the spiritual belief in an immortal Godly soul. Ah, serendipity abounds … Peter, The Actual Freedom Trust Mailing List.
xxx/ellauri200.html on line 172: Ezekiel's first book, No Time to Change (Phileas Foggillekin tuli kiire vaihtaa vaatteita Hong Kongissa), appeared in 1952. He published another volume of poems, The Deadly Man in 1960. After working as an advertising copywriter and general manager of a picture frame company (1954–59), he co-founded the literary monthly Jumpo, in 1961.
xxx/ellauri208.html on line 1057: Tablet I continues with legends about overpopulation and plagues, mentioning Atra-Hasis only at the end. Tablet II begins with more human overpopulation. To reduce this population, Enlil sends famine and drought at formulaic intervals of 1200 years. Accordingly, in this epic, Enlil is depicted as a cruel, capricious god, while Enki is depicted as kind and helpful, perhaps because priests of Enki were writing and copying the story. Enki can be seen to have parallels to Prometheus, in that he is seen as man's benefactor and defies the orders of the other gods when their intentions are malicious towards humans. Tablet II remains mostly damaged, but it ends with Enlil's decision to destroy humankind with a flood, with Enki bound by oath to keep this plan secret.
xxx/ellauri225.html on line 261: In December 2009, Le Guin resigned from the Authors Guild in protest over its endorsement of Google's book digitization project. "You decided to deal with the devil", she wrote in her resignation letter. "There are principles involved, above all the whole concept of copyright; and these you have seen fit to abandon to a corporation, on their terms, without a struggle."
xxx/ellauri225.html on line 388: Crane´s mother and father were constantly fighting, and they divorced early in April 1917. Crane dropped out of East High School in Cleveland during his junior year and left for New York City, promising his parents he would attend Columbia University later. His parents, in the middle of their divorce proceedings, were upset. Crane took various copywriting jobs and moved between friends´ apartments in Manhattan. Between 1917 and 1924 he moved back and forth between New York and Cleveland, working as an advertising copywriter and a worker in his father´s factory. From Crane´s letters, it appears that New York was where he felt most at home, and much of his poetry is set there.
xxx/ellauri225.html on line 394: Crane returned to New York in 1928, living with friends and taking temporary jobs as a copywriter, or living off unemployment and the charity of friends and his father. For a time he lived in Brooklyn at 77 Willow Street until his lover, Opffer, invited him to live in Opffer´s father´s home at 110 Columbia Heights in Brooklyn Heights. Crane was overjoyed at the views the location afforded him. He wrote his mother and grandmother in the spring of 1924:
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xxx/ellauri229.html on line 146: Phase 10 Score Tracking Spreadsheet. Want to keep track of scores Phase 10 but don’t want to use paper? There really wasn’t any easy way to do it electronically. I can’t think of an app that would do this well. Here’s what I would want the score keeper to be able to do: enter in numbers and the total score is calculated automatically keep track of who has completed a phase in a round easily calculate which phase each player is on Well, could a spreadsheet do that? Yes! Yes it can! Here’s mine: And here’s the template version: https://docs.google.com/spreadsheets/d/1PzaZWrFHKojBDYrMMDB-5gSQEs9ORg65Jt4MMbVfI2M/copy?copyComments=false It accomplishes all of the … Continue readingPhase 10 Score Tracking Spreadsheet
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xxx/ellauri292.html on line 53: Click here to get your copy!
xxx/ellauri306.html on line 278: copywriter, jonka kotipaikka on Kaakkois-Englannissa. Lauren työskenteli
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xxx/ellauri354.html on line 257: My mother in law had a family copy of The Pig book when she was younger in Trieste, she inquired to her sister about its whereabouts but she can not recall....she says her skin crawls when she remembers some of the stories about priests.
xxx/ellauri388.html on line 469: Spenser´s Britomarta is not only an allegorical representation of the virtue of chastity, but also a multidimensional heroine, and the creation of her character goes back to the roots of the epic tradition. It can be said that apart from Ariosto, to whom Spenser was much indebted, and his Bradamante in Orlando Furioso, from whom the character of Britomart was copycatted. Presenting a woman travelling in the guise of a knight and fighting alongside and against male warriors might be seen as something quite uncommon.
xxx/ellauri394.html on line 226: During a 1900 Congressional deadlock, she departed for Honolulu with her Washington, D.C., physician Charles H. English (sometimes referred to as John H. English). Newspapers speculated that the Queen, having been diagnosed with cancer, was going home to die. Historian Helena G. Allen made the case that English intended to gain title to crown lands for himself. According to Allen, the Queen balked at his draft of a settlement letter to Senator George Frisbie Hoar that he wanted her to copy in her handwriting and sign. The doctor was terminated "without cause" a month after her return and sued her.
xxx/ellauri394.html on line 244: During her overthrow and imprisonment, Bishop Alfred Willis of St. Andrew´s Cathedral had openly supported the Queen while Reverend Henry Hodges Parker of Kawaiahaʻo had supported her opponents. Bishop Willis visited and wrote to her during her imprisonment and sent her a copy of the Book of Common Prayer. Shortly after her release on parole, the former queen was rebaptized and confirmed by Bishop Willis on May 18, 1896, in a private ceremony in the presence of the sisters of St. Andrew´s Priory. In her memoir, Liliʻuokalani stated:
xxx/ellauri416.html on line 864: Deuteronomy, derived from Greek, thus means a “copy,” or
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