ellauri073.html on line 258: Really, I would have expected one of the first pictures I saw of Matt Fartey to be one of professional caliber, but interestingly enough the first thing that came up when I searched his name was that picture -- a picture so startling in all that it conveys that it was almost too much for me to witness its allure and then continue along on this tirade; luckily I am a man of strong willpower, and so I was able to continue writing after seeing that picture without shooting myself in the head.) Anyways where was I...oh that's right! Matt Fartey's "accomplishments" and character! Well ladies and gents, he runs a fucking hate blog. Enough said. I doubt he even earns much from it too, though he obviously earns enough to afford an adequate amount of fast food meals that will surely keep his little hate-filled body going until the age of 47, where he will surely die of a collapsed lung or heart attack. When they find his body he will be mistaken for Matt FOLEY, which will obviously be a total disparagement on the late Chris Farley. If you know, you know.
ellauri096.html on line 110: Unlike the believer in ‘No man is an immortal’, the skeptic has trouble asserting ‘There is no knowledge’. For assertion expresses the belief that one knows. That is why Sextus Empiricus (Outlines of Pyrrhonism, I., 3, 226) condemns the assertion ‘There is no knowledge’ as dogmatic skepticism. Sextus prefers agnosticism about knowledge rather than skepticism (considered as “atheism” about knowledge). Yet it just as inconsistent to assert ‘No one can know whether anything is known’. For that conveys the belief that one knows that no one can know whether anything is known.
ellauri101.html on line 155: Joseph Campbell, arguably the greatest mythologist of the twentieth century, was certainly one of our greatest storytellers. This masterfully crafted book interweaves conversations between Campbell and some of the people he inspired, including poet Robert Bly, anthropologist Angeles Arrien, filmmaker David Kennard, Doors drummer John Densmore, psychiatric pioneer Stanislov Grof, Nobel laureate Roger Guillemen, and others. Campbell reflects on subjects ranging from the origins and functions of myth, the role of the artist, and the need for ritual to the ordeals of love and romance. With poetry and humor, Campbell recounts his own quest and conveys the excitement of his lifelong exploration of our mythic traditions, what he called “the one great story of mankind.” Hemmetti nää sen sankarit on lähes yhtä tuntemattomia kuin se ize.
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Although this word is sometimes confused with “entitlement” or “snobbishness,” in the code of chivalry it conveys the importance of upholding one’s convictions at all times, especially when no one else is watching.
ellauri159.html on line 1221: You have a keen insight into the nature of things. Your prose often conveys startling images of mood or atmosphere rather than objects. Maybe you should consider poetry, or rap. You enjoy complexity and can patiently unravel dense material like a terrier. You are able to see many sides of an argument and so may have difficulty reaching a conclusion, or even reaching a period, like Pynchon. During the writing process, you may often pause to consider alternatives or to seek seeming connections between obviously disparate things. That´s a paranoid feature, so you may be an asthenic person. Consult Krezmer´s typology.
ellauri163.html on line 817: That said, the reason the film does succeed, and rises to greatness, rests primarily on the shoulders of the lead actress, Nadine Nortier, who, despite little dialogue, conveys great depths within her character, despite being a non-professional actress at the time. On the other hand, Jean-Claude Guilbert (a professional actor who also appeared in Au Hasard Balthazar, as another drunkard, Arnold) is also very good. The rest of the cast is solid. Yet, critical missteps abound, especially when some claim Mouchette is filled with anger. Yes, there may be acts of seeming anger (tossing dirt at her female rivals), but clearly the character of Mouchette is a walking mass of desensitisation. This would explain why she reacts the way she does to sex with Arsene, rather than seeing it as her ‘striking back’ at the world.
ellauri222.html on line 106: Not long thereafter, Saul went through what Greg called “a spiritual crisis.” It was then that he began to write Mr. Sammler’s Planet, which literary critic Adam Kirsch described as “a document of the cravings of 1960s America, and an attempt to bring the Holocaust to bear on America.” Greg told JNS.org that Mr. Sammler’s Planet is a “watershed novel” because it conveys not only a message about the Holocaust in general, but also “an indictment against the self-imposed blindness that prevented people from seeing the Nazi threat.
ellauri222.html on line 767: In their quest to find the beaver that gives meaning to life, Bellow's protagonists must also come to terms with death. The message Bellow conveys in almost all of his novels is that one must fear death to know the meaning of life and what it means to be human. Henderson overcomes his fear of death when he is buried and symbolically resurrected in the African king Dahfu's experiment. Similarly, in Seize the Day, Tommy Wilhelm confronts death in a symbolic drowning. Charlie Citrine in Humboldt's Gift echoes Whitman in viewing death as the essential question, pointing out that it is only through death that Sauls can complete the cycle of life by liberating self from the body. Bellow's meditations on death darken in Mr. Sammler's Planet and The Dean's December. While the title character in Mr. Sammler's Planet eagerly awaits the death of the person he most values in the world, Bellow contemplates the approaching death of Western culture at the hands of those who have abandoned humanistic values. The Dean's December presents an apocalyptic vision of urban decay in a Chicago totally lacking the comic touches that soften Charlie Citrone's portrait of this same city as a "moronic inferno" in Humboldt's Gift. An uncharacteristically bleak yarn from he old standup comic. With More Die of Heartbreak and the recent novellas, however, Bellow returns to his more characteristic blend of pathos and farce in contemplating the relationship between life and death. In the recent Ravelstein, Bellow once again charts this essential confrontation when Saul recounts not only his best friend's death from AIDS but also his own near-death experience from food poisoning. Through this foreground, in a fictionalized memoir to his own gay friend Allan Bloom, Bellow reveals the resilient love and tenderness that offer the modern world its saving grace.
ellauri321.html on line 164: These new manners being grafted on the old stock, produce a strange sort of lawless profligacy, the impressions of which are indelible. The manners of the Indian natives are respectable, compared with this European medley. Their wives and children live in sloth and inactivity; and having no proper pursuits, you may judge what education the latter receive. Their tender minds have nothing else to contemplate but the example of their parents; like them they grow up a mongrel breed, half civilized, half savage, except nature stamps on them some constitutional propensities. 68 propensities. That rich, that voluptuous sentiment is gone that struck them so forcibly; the possession of their freeholds no longer conveys to their minds the same pleasure and pride.
ellauri372.html on line 97: In a famous Roman military disaster, the Parthians crushed an expeditionary force led by Crassus in 53 BCE. This flaccid ode was written about thirty years later, when a new war against Parthia seemed to be in the offing (in practice an agreement in 20 BCE avoided one: Crassus’s legions’ captured standards were returned, which would have helped Roman national pride). As well as expressing straightforward patriotism, the poem conveys the important messages that national prestige is safe with Augustus, and that accepting defeat must never be the Roman way.
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