ellauri063.html on line 262: The role was retired in official contexts and replaced with Marksman icon.png Marksman, to distinguish between Ranged role.png ranged basic attackers (including those that do not build AD, e.g. Azir Azir) and the ability to carry , with Melee role.png melee ADCs being distributed between the Slayer icon.png Slayer and Fighter icon.png Fighter roles.
ellauri108.html on line 154: The principal ritual of Rastafari is the smoking of ganja, also known as marijuana or cannabis or pot. Among the names that Rastas give to the plant are callie, Iley, "the herb", "the holy herb", "the grass", and "the weed". Cannabis is usually smoked during groundings, although some practitioners also smoke it informally in other contexts. Some Rastas smoke it almost all of the time, something other practitioners regard as excessive, and many practitioners also ingest cannabis in a tea, as a spice in cooking, and as an ingredient in medicine. However, not all Rastas use ganja; abstainers explain that they have already achieved a higher level of consciousness and thus do not require it.
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  • Breakdown of all contexts: s renders a practice P for pursuing the good and viewing the world
    ellauri153.html on line 380: distinguishes between sufficient reasons and systemic contexts as in Ch. 5., one cannot infer
    ellauri221.html on line 110: Narcissistic personality disorder was nearly dropped from the DSM V. Narcissistic personality disorder was first defined in 1967. The DSM-IV defines the essential feature of narcissism as "a pervasive pattern of grandiosity, need for admiration, and lack of empathy that begins in early adulthood and is present in a variety of contexts." It's a definition that was set before the rise of social networking, reality TV, or partisan news channels designed to confirm our every opinion. Perhaps it truly is time to update it.
    ellauri222.html on line 777: The words animated and gay can be used in similar contexts, but animated applies to what is spirited and active. An animated discussion of current LBQT events.
    ellauri249.html on line 110: Verpa is also a basic Latin obscenity for "penis", in particular for a penis with the foreskin retracted due to erection and glans exposed, as in the illustration of the god Mercury below. As a result, it was "not a neutral technical term, but an emotive and highly offensive word", most commonly used in despective or threatening contexts of violent acts against a fellow male or rival rather than mere sex (futūtiō "fucking"). It is found frequently in graffiti of the type verpes (= verpa es) quī istuc legēs ("You're a dick you who read this").
    ellauri277.html on line 300: new contexts of identification", Philosophy Questions, vol. providing: Monograph], Delta, Kyiv, Ukraine.
    ellauri375.html on line 417: In many religious traditions, God's relationship with humanity is seen as complex and multifaceted. The concept of "payment" in religious contexts often relates to atonement for sin and reconciliation with God rather than a literal transaction. According to various religious beliefs, God created humans with free will, allowing them to choose their actions. When humans disobeyed or sinned, it created a separation between humanity and God. The idea of atonement, including sacrifices or the ultimate sacrifice of Jesus in Christianity, is seen as a way to restore that relationship and provide a path to forgiveness and redemption. It's not about God demanding payment, but rather offering a way for humans to be reconciled with God despite their failings.
    ellauri375.html on line 591: It's worth noting that the concept of transhumanism and the idea of digital beings raise profound questions about the nature of humanity, consciousness, and the divine, which are subjects of ongoing debate and exploration in both religious and secular contexts.
    ellauri432.html on line 340: The study explores how diverse backgrounds and historically underrepresented groups face discrimination, prejudice, and inequalities in various contexts. We investigate the role of implicit biases and stereotypes in perpetuating discrimina...
    xxx/ellauri027.html on line 1054: The human-centered tone of William James is sadly lacking in academic philosophy. But while oral life-philosophical philosophy might not advocate theories for other experts to scrutinize, maybe it can serve another useful function: to deliver contexts for constructive and life-enhancing reflection in which ordinary people can beneficially get involved with reflecting on their life in practice.
    xxx/ellauri224.html on line 513: Dude, Where's My Car? is a 2000 American boner comedy film directed by Danny Lipsanen. The film stars Jared Kutshner and Sean Penn (just back from Ukraine: Zelensky was not at home) as two best friends who find themselves unable to remember where they parked their vehicle after a night of recklessness. Supporting cast members include some busty chicks as usual. Though the film was banned by most critics, it was a box office success and has managed to achieve a cult status, partially from frequent airings on cable television. The film's title became a minor pop culture saying, and was commonly reworked in various pop cultural contexts during the 2000s. Release date December 15, 2000. Budget $13 million. Box office $73.2 million.
    xxx/ellauri410.html on line 136: This essay assembles the “Bolovian Epic” from the Columbo and Bolo verses and nonsense letters that T.S. Eliot wrote over a period of eighteen years (1910–1928). Such an aggregation is made possible by the publication of excised poems from the “Waste Land” Notebook and Volumes I–IV of The Letters of T.S. Eliot. Rather than seeing individual parts of the epic as simply obscene, I interpret the whole project and its contexts as grounded in his appreciation for the primitive and a critical disdain for the so-called civilized. Eliot invents a composite race of people, the Bolovians, whose influence on modern times includes racy behavior, religious affinities, and bowler hats. Understanding this bawdy, blue, or nonsense material contributes capitally to previous scholarship defaming Eliot's moral and cultural values.
    xxx/ellauri410.html on line 148: The Bolovian verses, nevertheless, are offensive to many. Eliot’s “Triumph of Bullshit” was one of the poems that Lewis had rejected for publication. Lois Cuddy opines that “Eliot’s pornographic verses in an ‘epic’ about ‘King Bolo and His Great Black Kween’ indicate the extent and depth of his racial/sexual stereo- types and eugenic prejudices.” They are written from his own “sense of emptiness,” “puritanical principles,” and “sexual repressions.” Furthermore, these poetic vulgarities display Eliot’s acceptance of sexual stereotypes related to black men and women (229). Yet a look at the contexts of these poems, both as “nonsense” for friends and as reflections on the complexities of culture, reveals an earnest belief in the value of the “primitive mind” and even a reversal of “sexual stereotypes related to black men and women.” The man with the prodigious bolo is not King Bolo but sephardic Cristoforo Columbo who regrettably "found" America. “Eliot is today being refashioned as a prescient and extraordinarily sensitive mediator of the major currents of twentieth century cultural and technological change” (Murphet 31).
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