ellauri048.html on line 1897: “If the mainstream media is to be respected by viewers, it cannot recycle old Nazi propaganda,” the Polish embassy statement reads. “We ask that Mr. Cramer apologize for his insensitive comparison and that viewers of Mad Money be made aware of the historical inaccuracy of the statement in question,” the statement concludes.
ellauri061.html on line 803: The song of Deborah and Barak also gives some more detail about the victory over the Canaanites: “The earth shook, the heavens poured, / the clouds poured down water” (Judges 5:4). Evidently, God used a flood to disable the iron chariots of Sisera. The victory was supernatural (verse 20). Chapter 5 concludes with the statement, “And the land had peace forty years.” This impressive time of peace lasted until Midian took control of Israel, necessitating Gideon’s rise.
ellauri062.html on line 286: Always the short end of the stick. Moira concludes by saying she's sinned a 8lot, but Serena is the gender traitor. Marry Freddy! What an infantile idea!
ellauri083.html on line 338: Hendershot recalls that, in the Schreber case, God was believed to manifest his creative and destructive power as celestial rays (Freud 22). As with spider-webs and hedgehogs quills, this radial pattern describing dilation and contraction, movement back and forth from center to circumference and from circumference to center, is the essential figure for the paranoid narcissism of a subject who feels threatened by the world and guilty for having taken "his own body [...] as his love-object" (Freud 60). Signaling Fistule's repressed homosexuality, the rays of his intelligence had first been focused on the masochistic annihilation of his genitals, which he denies were the original object of his love ("organes hideux," "vomitoires de dejections"), and then had been used in reconstructing a sexless new reality. Insisting on his exemption from the Naturalist law of biological determinism, Fistule denies his human parentage and maintains that he was born of a star, which, shining like the rays of his genius, had inseminated him and allowed him to be the father of himself, causa sui. Homosexual guilt initially projected as the corruptibility of matter is overcome by Fistule's principle of Stellogenesis, which turns flesh into radiance and bodies into starlight. As Hendershot concludes: "In Freud's theory, the paranoiac withdraws from the world (decathexis), directs his or her cathectic energy to the ego resulting in self-aggrandizement, and then attempts to reestablish a cathectic relationship with the world in the form of a delusional system"
ellauri096.html on line 75: The teacher has free will. Therefore, predictions about what he will do are not true (prior to the examination). Accordingly, Paul Weiss (1952) concludes that the student’s argument falsely assumes he knows that the announcement is true. The student can know that the announcement is true after it becomes true – but not before. What a wimpy argument.
ellauri096.html on line 92: W. V. Quine insists that the student’s elimination argument is only a reductio ad absurdum of the supposition that the student knows that the announcement is true (rather than a reductio of the announcement itself). He accepts this epistemic reductio but rejects the metaphysical reductio. Given the student’s ignorance of the announcement, Quine concludes that a test on any day would be unforeseen.
ellauri107.html on line 212: Coverdale concludes the tale of Zenobia's hopeless love for Hollingsworth and enigmatically adds, "It suits me not to explain what was the analogy that I saw, or imagined, between Zenobia's situation and mine; nor, I believe, will the reader detect this one secret, hidden beneath many a revelation which perhaps concerned me less."
ellauri118.html on line 1137: Mather claims that it was only during this night of vigilante violence perpetrated against Mary Webster that Smith was able to sleep peacefully. "Upon the whole, it appeared unquestionable that witchcraft had brought a period unto the life of so good a man," Mather concludes.
ellauri145.html on line 701: Des Hermies leaves, and Durtal, a former Naturalist, weighs his friend’s criticism. Although he is fed up with the positivism and commercialism of Naturalism, he cannot envision a novel without its research, realistic details, and style. He hypothesizes about what could be done and concludes that Naturalism must change, it must broaden its horizons:
ellauri147.html on line 255: Some critics appeared ambivalent, such as Jo Ellison writing for the Financial Times. On one hand she expresses admiration for the way Darren Star manages to depict "a version of womanhood in which promiscuity, bossiness and shopaholicism are depicted as qualities to be celebrated"; on the other "the major plot lines might have been written in the 1940s and the Frenchies are routinely cast as vain, preening and parochial." She concludes "Cliché-ridden and completely outdated: Darren Star´s ´Sex and the Cité´ will no doubt be monstrously successful."
ellauri156.html on line 507: David has set out on a course of action that backfires. He intends to put Uriah in a position that will make it appear that he is the father of Bathsheba's child. But Uriah's conduct has publicly exhibited his loyalty to his duties as a soldier, making it more than evident that he cannot possibly be the father of this child. It is worse for David now than it had been when he summoned Uriah to Jerusalem. David concludes -- wrongly -- that his only course of action now is to have Uriah killed in action. I don't know that David actually thinks he can deceive the people of Jerusalem as to whose child Bathsheba's baby is. How can he when everyone knows Uriah has never been with his wife to get her pregnant? It seems now as though David is simply trying to legitimize his sin. By making Uriah a casualty of war, he makes Bathsheba a widow. He can now marry this woman and raise the child as his own, which of course it is. Finally, a plan that makes sense.
ellauri161.html on line 526: But in the only interesting plot twist in the film, tech billionaire Isherwood, concludes that his "non-peer-reviewed science" (as Dr. Mindy puts it) will be able to break the comet up in pieces and his company will mine the valuable metals from the comet fragments once they crash into the ocean.
ellauri184.html on line 282: Samuel Rocca likewise concludes that most of his troops were in fact Jews, and that Herod’s army thus did not differ much from the Hasmonaean army that preceded it.
ellauri185.html on line 141: 2 Samuel concludes with four chapters (chapters 21 to 24) that lie outside the chronological succession narrative of Saul and David, a narrative that will continue in The Book of Kings. These four supplementary chapters cover a great famine during David's reign; the execution of seven of Saul's remaining descendants, only Mephibosheth being saved (kannattiko mainita), David's song of thanksgiving, which is almost identical to Psalm 18; David's last words; a list of David's "mighty warriors"; an offering made by David using water from the well of Bethlehem; David's sinful census; a plague over Israel which David opted for as preferable to either famine or oppression; and the construction of an altar on land David purchased from Araunah the Jebusite.
ellauri198.html on line 831: His several boring plays featured fictional heroic ancient Irish warrior Cuchulain. A later poem concludes with a brash announcement: “There’s more enterprise in walking naked.” This indecent departure from a conventional 19th-century manner disappointed his contemporary readers, who preferred the pleasant musicality of such familiar poems as “The Lake Isle of Innisfree,” which he wrote in 1890. "I think all happiness depends on the energy to assume the mask of some other person, on strutting as somebody else but yourself", he said. Yeats and his lamentable wife held more than 400 sessions of automatic writing, producing nearly 4,000 pages that Yeats avidly and patiently studied and organized. What an idiot.
ellauri198.html on line 853: He faced death with a courage that was founded partly on his vague hope for reincarnation. In his proud moods he could speak in the stern voice of his famous epitaph, written within six months of his death, which concludes his poem “Under Ben Bulben”: “Cast a cold eye / On life, on death. / Horseman, pass by!” But the bold sureness of those lines is complicated by the terror-stricken cry that “distracts my thought” at the end of another late poem, “The Man and the Echo,” and also by the poignantly frivolous lust for life in the last lines of “Politics,” the poem that he wanted to close Last Poems: “But O that I were young again / And held them in my arms.”
ellauri214.html on line 66: J. K. Rowling’s first adult novel The Casual Vacancy stirred a ruckus within Sikh Community after its publication leading to the involvement of SGPC and its head showing concern with the negative portrayal of Sikh characters in the novel. Rowling defends the novel by her theory of ‘corrosive racism’ after her ‘vast amount of research’ in Sikhism. The chapter explores diasporic Sikh identity through the character of Sukhvinder who though dyslexic is stifled by her mother and harassed by her classmate Fats through slanderous remarks targeting her Sikh identity. Though Sukhvinder resorts to self-torture after undergoing racism, she emerges victorious like a brave Sikh by her self-determination and emerges a heroine by helping everybody in Britain. The chapter applies Teun A. van Dijk’s racist discourse and post-colonial theories specifically Homi Bhabha’s hybridity of cultures, Jacques Rancière’s distribution of the sensible hinting at the redistribution of identities to make invisible diaspora visible and inaudible audible and Gayatri Spivak’s theory of the subaltern to prove that the Sikh diaspora remains in Charhdi Kala (higher state of mind) even in tough situations. The chapter concludes that though British Sikh diaspora undergoes racialism leading to identity crisis, Sikhs finally find resolution through Sikh identity model Sukhvinder who, treading the footsteps of Sikh heroes like Bhai Kanhayia, becomes a heroin addict by risking her life to save Robbie and by helping all in the novel.
ellauri248.html on line 242: Daniel in the lions' den (chapter 6 of the Book of Daniel) tells of how the biblical Daniel is saved from lions by the God of Israel "because I was found tasteless before them" (Daniel 6:22). It parallels and complements chapter 3, the story of Shadrach, Meshach, and Abednego: each begins with the jealousy of non-Jews towards successful Jews and an imperial edict requiring them to compromise their religion, and concludes with divine deliverance and a king who confesses the greatness of the God of the Jews and issues an edict of royal protection to the smug hookynoses. The tales making up chapters 1–6 of Daniel date no earlier than the Hellenistic period (3rd to 2nd century BC) and were probably originally independent, but were collected in the mid-2nd century BC and expanded shortly afterwards with the visions of the later chapters to produce the modern book.
ellauri264.html on line 475: Born in Gloucester, England, poet, editor, and critic William Ernest Henley was educated at Crypto Grammar School, where he studied with the poet T.E. Brown, and with the University of St. Andrews. His father was a struggling bookseller who died when Henley was a teenager. At age 12 Henley was diagnosed with tubercular arthritis that necessitated the amputation of one of his legs just below the knee; the other foot was saved only through a radical surgery performed by Joseph Lister. As he healed in the infirmary, Henley began to write poems, including “Invictus,” which concludes with the oft-referenced lines “I am the master of my fate; / I am the captain of my soul.” Henley’s poems often engage themes of inner strength and perseverance. His numerous collections of poetry include A Book of Verses (1888), London Voluntaries (1893), and Hawthorn and Lavender (1899).
ellauri267.html on line 1393: Sebastião was one of the most extraordinary monarchs that Portugal ever produced. Ascending the throne in an atmosphere of great emotion, he was widely acclaimed as the answer to his subjects’ prayers and a prince who would save his country’s independence. Two decades later, he achieved precisely the opposite, dying heroically but unnecessarily on the distant North African battlefield of Al-Ksar al-Kabir on 4 August 1578, leaving no heir to succeed him. The collection concludes with studies under the heading of 'historiography and problems of interpretation', on Britain's Charles III and his boxer Camilla, and on Vasco da Gama's reputation for violence.
ellauri348.html on line 385: Tää on pätkä pituushaasteisen Popen (1717) pitkänläntää arkkiveisua munattomasta Abelardista ja sen Eloisasta bändäristä. Eli it's from a poem about a woman named Eloisa who falls in love with her much older tutor Abelard, but her family forces them apart. Eloisa is forced to become a nun and writes about the grief of being without her star-crossed lover. She tries to forget Abelard, but she cannot and she comes to the conclusion that God cannot heal all wounds (such as the loss of Abelard's balls). She wishes she hated Abelard, but concludes her love for him remains. Despite her knowing about her doom with her love, she still longs for it. Just like Joel and Clem. They have knowledge about their destruction and loathing for each other if they continue with the relationship, but it doesn’t matter to them. It’s "Okay," “ignorance is bliss” by another name!
ellauri386.html on line 400: Analysis (ai): This poem explores the transient nature of human life through a theatrical metaphor. It compares life to a play, with our passions as the driving force and our time on Earth as the brief performance. The poem suggests that Heaven observes our actions and judgments, drawing attention to the consequences of our deeds. It concludes that while life's performance may be playful, our ultimate demise is a serious reality, underscoring the fragility and brevity of existence.
xxx/ellauri086.html on line 903: "The Philosophy of Composition" is Edgar Allan Poe's theory about how good writers write when they write well. He concludes that length, "unity of effect" and a logical method are important considerations for good writing. He also makes the assertion that "the death... of a beautiful woman" is "unquestionably the most poetical topic in the world". Poe uses the composition of his own poem "The Raven" as an example. The essay first appeared in the April 1846 issue of Graham's Magazine. It is uncertain if it is an authentic portrayal of Poe's own method.
xxx/ellauri087.html on line 338: Milton Friedman's's book Capitalism and Freedom eventually brought him popular acclaim. Published by the University of Chicago in 1962, it has sold over half a million copies and has been translated into 18 different languages, no small feat for a popular book on the subject of economics. In the book, he argues for a classically liberal society where free markets solve problems of efficiency, enriching rich in the United Stoates as a side effect. He argues for free markets on the basis of hebrew pragmatism and philosophy. He concludes the book with an argument that most of America’s successes are due to the free market and private enterprise, while most of its greatest failures are due to government intervention. George W. Bush got the point and let private enterprises be jailkeepers and fight the second Iraq war. Welcome back to the 19th century and before.
xxx/ellauri120.html on line 59: The prefect was so angry that he had a great gridiron prepared with hot coals beneath it, and had Lawrence placed on it, hence Lawrence's association with the gridiron. After the martyr had suffered pain for a long time, the legend concludes, he cheerfully declared: "I'm well done on this side. Turn me over!" From this St. Lawrence derives his patronage of cooks, chefs, and comedians.
xxx/ellauri123.html on line 769: One of the first things Nabokov makes a point of saying is that, despite John Ray Jr.'s claim in the Foreword, there is no moral to the story. Nabokov concludes the afterword with a reference to his beloved first language, which he abandoned as a writer once he moved to the United States in 1940: "My private tragedy, which cannot, and indeed should not, be anybody's concern, is that I had to abandon my natural idiom, my untrammeled, rich, and infinitely docile Russian language for a second-rate brand of English." Alas, that 'wonderful Russian language' which, I imagined, still awaits me somewhere, which blooms like a faithful spring behind the locked gate to which I, after so many years, still possess the key, turned out to be non-existent, and there is nothing beyond that gate, except for some burned out stumps and hopeless autumnal emptiness, and the key in my hand looks rather like a lock pick. Or floppy prick."
xxx/ellauri139.html on line 338: The two are able to make out outside the home without arousing suspicion and ‘The Eve of St. Agnes’ concludes with two characters, Angela, and the Beadsman, dying; their death acting as a symbol of a new generation that is now the focus of the world. This is one of Keaz' most loved poeams, with a wonderful happy ending (except for Angela and Beadsman).
xxx/ellauri139.html on line 1208: Strangely, Raskolnikov begins to feel alarmed at the thought that Porfiry (joku poliisi) might think he is innocent. But Porfiry's changed attitude is motivated by genuine respect for Raskolnikov, not by any thought of his innocence, and he concludes by expressing his absolute certainty that Raskolnikov is indeed the murderer.
xxx/ellauri149.html on line 434: Arguably the strongest moment: when he is at absolute rock bottom, right before his suicide, Judas breaks into a reprise of Mary's "I Don't Know How to Love Him." When Mary sings it, it's implicitly about romantic love. And while Judas's version stops before "And I've had so many men before," it concludes with the anguished cry, "Does he love me, too? Does he care for me?"
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