You shouldn’t compare yourself to just anyone else.
ellauri226.html on line 464: The city’s record daily murder rate was 2,245 homicides. That number reached its peak in 1990 when it was astronomical when compared with the number of murders in 1963. There were almost as many stiffs per capita as in the Stockholm region today.
ellauri236.html on line 198: There exists in America an enormous literature of more or less the same stamp as No Orchids. Quite apart from books, there is the huge array of ‘pulp magazines’, graded so as to cater for different kinds of fantasy, but nearly all having much the same mental atmosphere. A few of them go in for straight pornography, but the great majority are quite plainly aimed at sadists and masochists. Sold at threepence a copy under the title of Yank Mags(4), these things used to enjoy considerable popularity in England, but when the supply dried up owing to the war, no satisfactory substitute was forthcoming. English imitations of the ‘pulp magazine’ do now exist, but they are poor things compared with the original. English crook films, again, never approach the American crook film in brutality. And yet the career of Mr. Chase shows how deep the American influence has already gone. Not only is he himself living a continuous fantasy-life in the Chicago underworld, but he can count on hundreds of thousands of readers who know what is meant by a ‘clipshop’ or the ‘hotsquat’, do not have to do mental arithmetic when confronted by ‘fifty grand’, and understand at sight a sentence like ‘Johnny was a rummy and only two jumps ahead of the nut-factory’. Evidently there are great numbers of English people who are partly americanized in language and, one ought to add, in moral outlook. For there was no popular protest against No Orchids. In the end it was withdrawn, but only retrospectively, when a later work, Miss Callaghan Comes to Grief, brought Mr. Chase's books to the attention of the authorities. Judging by casual conversations at the time, ordinary readers got a mild thrill out of the obscenities of No Orchids, but saw nothing undesirable in the book as a whole. Many people, incidentally, were under the impression that it was an American book reissued in England.
ellauri263.html on line 728: The evolutionary purpose of jealousy isn't relevant anymore: who wants to have children anyway, and by the golden rule of America "look out for N:o 1" everybody is responsible for their own welfare and happiness. We are no fucking communists, after all. Unfortunately, the emotion does still play a role in our lives. Blue compares feeling jealous to having an alarm bell going off in your head.
ellauri269.html on line 594: Oh PS. Jewish =/= Israel. One is a religion and a people spread accross the world and the other is a country with many strengths and weakenesses. Please do not compare Israel’s actions or critism as somehow representative of all jewish people. That is grotesquely anti-semetic; the jewish people are not some sort of hive mind monolith represented by Israel. Stop this silliness.
ellauri272.html on line 72: On 1 August 2012, Amazon UK announced that it had sold more copies of Fifty Shades of Grey than it had any individual book in the Harry Potter series, although worldwide, at that time (now) the Harry Potter series had sold more than 450 million copies, (500M) compared with Fifty Shades of Grey's sales of 60 million copies (150M).
ellauri272.html on line 83: A second study in 2014 was conducted to examine the health of women who had read the series, compared with a control group that had never read any part of the novels. The results showed a correlation between having read at least the first book and exhibiting signs of an eating disorder, having romantic partners that were emotionally abusive and/or engaged in stalking behavior, engaging in binge drinking in the last month, and having 5 or more sexual partners under age 14. The authors could not conclude whether women already experiencing these "problems" were drawn to the series, or if the series influenced these behaviors to occur after reading.
ellauri275.html on line 460: In his Romantic poems, Chavchavadze dreamed of Georgia's glorious past, when "the breeze of life past" would "breathe sweetness" into his "dry soul." In poems Woe, time, time (ვაჰ, დრონი, დრონი), Listen, listener (ისმინეთ მსმენნო), and Caucasia (კავკასია), the "Golden Age" of medieval Georgia was contrasted with its unremarkable present. As a social activist, however, he remained mostly a "cultural nationalist," defender of the native language, and an advocate of the interest of Georgian aristocratic and intellectual elites. In his letters, Alexander heavily criticized Russian treatment of Georgian national culture and even compared it with the pillaging by Ottomans and Persians who had invaded Georgia in the past. In one of the letters he states: The damage which Russia has inflicted on our nation is disastrous. Even Persians and Turks could not abolish our Monarchy and deprive us of our statehood. We have exchanged one serpent for another.
ellauri290.html on line 405: * See map on opposite page and compare with map on page 20 ** The Israelis now occupy a land area of 1,414,589 acres or 21% in excess of the land area allotted to the “Jewish State” under the Partition Plan of 1947.
ellauri301.html on line 248: In her essay "Malintzin, Pocahontas, and Krotoa: Indigenous Women and Myth Models of the Atlantic World", University of Michigan professor Pamela Scully compared Krotoa to Malintzin and Pocahontas, two other women of the same time period that were born in different areas of the world (Malintzin in Mesoamerica, Pocahontas in colonial Virginia). Scully argues that all three of these women had very similar experiences in the colonialist system despite being born in different regions. She reflects on the stories of Malintzin, Pocahontas, and Krotoa and states that they are almost too familiar and resonate so comfortably with a kind of inevitability and truth that seems, on reflection, perhaps too neat. Therefore, she claims, Krotoa is one of the women that can be used to show the universality of the way that indigenous people were treated in the colonial system worldwide.
ellauri321.html on line 164: These new manners being grafted on the old stock, produce a strange sort of lawless profligacy, the impressions of which are indelible. The manners of the Indian natives are respectable, compared with this European medley. Their wives and children live in sloth and inactivity; and having no proper pursuits, you may judge what education the latter receive. Their tender minds have nothing else to contemplate but the example of their parents; like them they grow up a mongrel breed, half civilized, half savage, except nature stamps on them some constitutional propensities. 68 propensities. That rich, that voluptuous sentiment is gone that struck them so forcibly; the possession of their freeholds no longer conveys to their minds the same pleasure and pride.
ellauri349.html on line 505: Politiquement, Sartre a rejoint le camp de l'antiaméricanisme et du soutien (non sans critiques) du PCF et de l'URSS, alors qu'Aron se rapproche de celui de la démocratie libérale et de l'anticommunisme. Alors qu'ils étaient amis dans leur jeunesse, ils se brouillent à partir de 1947, lors d'un débat radiophonique où Sartre, opposé à l'ancien résistant Pierre de Bénouville, compare de Gaulle à Hitler. Il demande alors à Aron de les départager, ce qu'il refuse, sans pour autant soutenir Bénouville. Par la suite, les désaccords iront grandissants. Aron rejoint le RPF gaulliste, quand Sartre co-fonde le Rassemblement démocratique révolutionnaire, un nom que l'intellectuel libéral juge oxymorique, estimant que la révolution souhaitée par Sartre ne peut pas être démocratique. Lenin oli samaa mieltä.
ellauri352.html on line 611: The novel has been compared with Edgar Lee Masters´s poetry collection Spoon River Anthology, published in 1915. Tim Martin, writing for Literary Review, compared its "babble of American voices", some from primary sources and some expertly fabricated, with the last act of Thornton Wilder´s play Our Town. Kaskun ei Divina Comediaan.
ellauri365.html on line 584: Back North, the self-centered man forgot his despondency by merging himself into the larger soul of his estate. To those familiar with his membership of the committee, it came as no surprise that in 1916 Heidenstam was awarded the Nobel Prize for Literature. He is perhaps most like Browning. Above all things he abhors uninspired naturalism; "gray-weather moods," he calls it. Strindberg merely "let the cellar air escape through the house.", he said. He repudiates pessimism no less than sentimentalism. He wrestled with August for the deeper meaning of life. The imagery is often daring, as when a negro's lips are compared to the crimson gash on a foreskin. Heidenstam, though one of the most daringly earnest of poets, is sufficiently an artist to relieve his style by such touches of humor and of the deeper sort of romance. But atonement was repugnant to his manhood. He longs to be worthy of his heritage, to give his life for some damn cause. He believes it is only in moments of great exaltation that we really live. The best bit is where Verner dissuades his poor countrymen from whacking the filthy rich. Without his saying so, we feel in him the quality of St. Paul affirming: "I have fought the good fight, I have kept the faith."
ellauri370.html on line 129: I) It's hard to estimate exactly how many Jews have remained behind. At least 100,000 in Russia; at least 100,000 in Ukraine. Just a tiny remnant compared to 1880.
ellauri375.html on line 769: The Armed Forces of Ukraine are okay but they cannot compare to the US military. The food, for example, especially at the beginning of the war, was rather atrocious (It's much better now). There’s no luxury here and some people were simply too spoiled and unable to adapt.
ellauri377.html on line 300: Instances of enumeration of sins which may be compared with that here given, are found, with respect to the heathen world, in Romans 1:29-31; with reference to Christians, Romans 13:13; 1 Corinthians 6:9, 10; 2 Corinthians 12:20, 21; Ephesians 5:3-5, followed by a brief indication of fruits of the Spirit in ver. 9; Colossians 3:5-9; 1 Timothy 1:9, 10; 2 Timothy 3:2-4. "Manifest;" namely, to our moral sense; we at once feel that these are the outcome of an evil nature, and are incompatible with the influence of the Spirit of God.
ellauri386.html on line 383: The language of the poem is forceful and direct, with Raleigh using vivid imagery and metaphors to emphasize the destructive power of love. He compares love to a "poisoned serpent," a "siren song," and a "maze," suggesting that it is both alluring and deadly. He also uses personification to address love as a "false friend" and an "idle boy," highlighting its treacherous and immature nature.
ellauri386.html on line 400: Analysis (ai): This poem explores the transient nature of human life through a theatrical metaphor. It compares life to a play, with our passions as the driving force and our time on Earth as the brief performance. The poem suggests that Heaven observes our actions and judgments, drawing attention to the consequences of our deeds. It concludes that while life's performance may be playful, our ultimate demise is a serious reality, underscoring the fragility and brevity of existence.
ellauri389.html on line 170: Viestinnän tarkoituksena on usein kääntää huomio pois aiheen sisällöstä (punainen silakka). Tavoitteena voi olla myös kritiikin oikeutuksen ja kriitikon legitiimiyden, rehellisyyden ja oikeudenmukaisuuden kyseenalaistaminen, mikä voi saada kritiikin halveksuvan luonteen, joka voi olla perusteltua tai ei. Argumentin kohteena ovat kaksoisstandardit ja tekopyhyys , mutta sitä voidaan käyttää myös vastapuolen näkemysten tai käyttäytymisen suhteuttamiseksi. Julia Ioffe called whataboutism a "sacred Russian tactic", and compared it to accusing the pot of calling the kettle black. Pata kattilaa soimaa, musta kylki kummallakin.
xxx/ellauri059.html on line 354: However, when we take into account circumstances that took place before the play, as well as what happens over the course of the plot, Shylock begins to seem a like a victim as well as a villain, and his fate seems excessively harsh. In addition to the abuse Antonio and other Christians routinely subject him to, Shylock lost his beloved wife, Leah. His daughter, Jessica, runs away from home with money and jewels she’s stolen from him, including a ring Leah gave him before she died. Although Solanio reports that Shylock’s was equally upset by the loss of his money as his daughter (“My daughter! O my ducats! O my daughter!” (II. Viii.), we must remember that we are getting a second-hand view through the eyes of an anti-Semitic character who compares Shylock to the devil. As we learn from Shylock himself, the Christians of Venice are happy to borrow money from him, but refuse to accept him as part of Venetian society because they equate his religion with Satan. Shylock has been treated as less than human his whole life, because he is not a Christian. Yet when he tries to collect on a loan, the other characters insist that he act like a Christian and forgive the debt.
xxx/ellauri081.html on line 371: I first met Dennis in 1987, when I joined TENNIS Magazine. Throughout the years, I worked closely with him on instruction stories, including the popular “Dennis on Tennis” series. His knowledge both impressed and astounded me, and when he got me out on the tennis court, his instruction was simply beyond compare.
xxx/ellauri103.html on line 433: The comment was one of a string as she defended herself after being called out for “liking” a tweet that compared hormone prescriptions to anti-depressants, which were over-prescribed to teenagers in the past with sometimes harmful results. It’s the second social media tussle the Harry Potter scribe has faced in two months after angering the LGBTQ community and supporters in June over transphobic remarks.
xxx/ellauri121.html on line 327: Although she never felt particularly tough compared with the rest of her family - "It took me a long time to figure out that the youngest in a family of dragons is still a dragon from the point of view of those who find dragons alarming" - Atwood now recognises that "I was certainly very scary to people in my 20s; I think women with talent are scary."
xxx/ellauri122.html on line 890: Kahneman used decades of psychology research to construct 'Thinking Fast and Slow,' which won a Nobel Prize in Economic Sciences. Fuck it did, novels can win literature prices at best. Anyway, economic Nobels are a joke compared to real Nobel prizes, just an ad for laissez faire capitalism.
xxx/ellauri123.html on line 617:
4. Don’t compare your life to others, and don’t judge them.
xxx/ellauri123.html on line 621: Mark Twain said, “Comparison is the death of joy.” Worse, it’s also the birth of misery. The less you compare, the bigger your capacity for empathy. Meet people on their own terms. You won’t doubt yourself as much and be less prone to jealousy, which only leads to fear, anger, hate, and suffering.
xxx/ellauri125.html on line 535: tame compared with self-abuse." Mr. Brown, here, in one of his
xxx/ellauri125.html on line 545: expert of incontestable authority, said, "As compared with the
xxx/ellauri127.html on line 778: Cockney poet Keats was compared to Milton who lived and worked at London's Mermaid Tavern. Coincidentally, his father, Thomas worked as a barman in London's Hoop and Swan Pub until passing in 1804. It is clear John Keats is making a universal statement about poets and the message is associated to lively pub life and drink. The phrase, "new old sign," indicates he recognizes similarities between himself and Milton. Milton vanha kuu pois pyllisti, uusvanha nousee tilalle. Was he a sodomite like Little John? Was he also one of the men in tights?
xxx/ellauri137.html on line 204: Majas on a Balcony 1800-1810 is one of the many genre paintings by Goya portraying scenes from contemporary life. The physical setting is an azotea or balcony, a characteristic appendage of Spanish houses and an integral part of social life and character in the towns and cities of Goya's country. The features and props of the setting are confined to an iron railing with vertical grills, a very austere structure (compared to the rich elaborate grill-work of which we are accustomed to think as flourishing in Spain, or at least in New Orleans), which alludes to the socio-economic character of the house; the edge of the floor; some chairs - rather inelegant - one of which has cheap wicker matting; and in the background, a bare wall, a only proof of whose presence is a shadow to the extreme right suggesting a material surface.
xxx/ellauri137.html on line 376: Inspirer of my youth, mistress beyond compare,
xxx/ellauri137.html on line 380: Inspirer of my youth, mistress beyond compare!
xxx/ellauri149.html on line 442: To compare: in the 1973 version Judas's kiss of betrayal is Judas sneaking up from behind, giving Jesus a very quick light peck on the cheek. In the 2000 version, the two are looking each other directly in the eyes while crying. Then Judas gives him a deep, long, smooch and Jesus responds by briefly wrapping his arms around him before Judas pushes him off.
xxx/ellauri165.html on line 51: Another remarkable difference, according to Papen, is how breastfeeding is seen by the Surma as something natural which can be done in the open, compared to the contradictions on social media and public places in the Western world. Personally I found that a shame to see, but I fear there is no way back when it comes to this.
xxx/ellauri165.html on line 596: I am not surprised by the fact that Christians do not want to be compared with pigs, but I am disturbed that being compared with sheep comes so easy.
xxx/ellauri167.html on line 210: Si tratta del primo film dove compare Teo Teocoli, accreditato nei titoli di testa come Theo Colli. Mala testa dei titoli!
xxx/ellauri176.html on line 146: Unusually for Zola, the novel contains very few characters and locations, and the lack of realist observation compared to outright fantasy is most uncharacteristic; however, the novel remains extraordinarily powerful and readable, and is considered one of Zola's most linguistically inventive and well-crafted works.
xxx/ellauri177.html on line 205: The 24th feature from Hong Sangsoo, doppelgänger of the talkative celeb guy in the last scene of the movie THE WOMAN WHO RAN follows Gamhee (Kim Minhee), a florist and the wife of a translator who never in 5 years time has left her for a moment from his sight. She has three separate encounters with friends while her husband finally is on a business trip. Youngsoon (Seo Youngwha) is divorced, turned lesbian (the couple likes to feed alley cats) and has given up meat and likes to garden in the backyard of her semi-detached house. Suyoung (Song Seonmi) is divorced, has a big savings account and a crush on her architect neighbor and is being hounded by a young poet she met at the bar. Woojin (Kim Saebyuk) works for a movie theater and hates it that her writer husband has become a celeb. Their meetings are polite, but not warm. Some of their shared history bubbles to the surface, but not much. With characteristic humor and grace, Hong takes a simple premise and spins a web of interconnecting philosophies and coincidences. THE WOMAN WHO RAN is a subtle, powerful look at dramas small and large faced by women everywhere. Basically, they are 40+ ladies who may have met at some art school and get a chance to compare notes on how well their childless lives have turned out. Gamhee used to be the celeb's girl friend until the movie theater attendant stole the guy. Now both of them are sorry that she did, but really not that much. The Éric Rohmer of South Korea.
xxx/ellauri186.html on line 701: An aim of Christian apologetics must be to defend and articulate the white supremacy of the Christian religion as compared to Islam. The goal of this paper will be to highlight a historical issue surrounding the Quran’s source material for its account of Jesus Christ and some clay birds. In the best traditions of American free enterprise and Western market economy, I shall do my best to denigrate the musulmans and sell our alternative product in its place.
xxx/ellauri202.html on line 198: He spent most of his time there wandering around ‘the less salubrious districts of the city’, noticing (relative to Paris) the many prostitutes of both sexes and the ready availability of pornography. Encouraged by such reports, André Gide visited Berlin no fewer than five times in 1933. He, too, was delighted by, and seriously interested in, what he found there, although he did concede to Robert Levesque that Paris itself was slowly becoming more Berlin-like even if at the same time (to use that most erotically evocative of geographical terms) more ‘southern’. The two writers coincided in Berlin in October, Gide arriving for a fortnight, Martin du Gard for five weeks. They did their best to avoid each other on their forays into the sexual underworld, but always dutifully compared notes on what they had seen and experienced.
xxx/ellauri218.html on line 324: Spassky was a chess gentleman compared to Bobby, a genius who couldn't tie his own shoes. He went around applauding 9/11, and wanting to commit genocide.
xxx/ellauri218.html on line 441: For years the city had had an unfair policy by which sanitation workers’ salaries had to be lower than police and firefighters’ salaries. And sanitation workers contributed more from their paychecks but got lower pensions compared to police and firefighters.
xxx/ellauri218.html on line 443: The importance of the strike was underlined by a flier handed out by Local 831, which pointed out the life expectancy of a sanitation worker was 54 years compared to 67 for the entire U.S. population. Even today, according to the Federal Bureau of Labor Statistics, “refuse and recyclable material collectors” consistently have one of the highest rates of on-the-job fatalities. Seventeen NYC sanitation workers were killed on the job between 2000 and 2014.
xxx/ellauri224.html on line 131: Moore compares Trump's rise to power to that of Adolf Hitler and the Nazi Party, parallels the Reichstag fire with the September 11 attacks, compares Hitler's hate speeches against different ethnicities, religions, and sexual orientations to some of Trump's comments, and showcases then-recent instances of unprovoked racial violence that he states was inspired by Trump.
xxx/ellauri225.html on line 46: That said, The Telling feels a little different compared to the rest of the Hainish Cycle. And for good reason—released in 2000, The Telling is the first full Hainish novel Le Guin wrote since The Dispossessed in 1974. It reads softer, more intimate than the books that came before, feeling almost more like fantasy than science fiction at times. The Telling follows Sutty Dass, an Observer who arrives on the planet Aka to record its history and culture while Hain makes its diplomatic overtures. During the time dilation of Sutty’s near-light space travel, however, Aka experienced an intense social upheaval that saw a tyrannical capitalist hegemony take power over the planet and attempt to wipe out the entirety of Aka’s long history. It then falls to Sutty, who grew up under religious oppression on Earth, to uncover and understand Aka’s historical and spiritual traditions as they are actively being eradicated by the corporation-state.
xxx/ellauri225.html on line 300: Each volume of Anals of the Western Shore also describes the coming of age of its protagonists, and features explorations of being enslaved to one´s own power. The process of growing up is depicted as seeing beyond narrow choices the protagonists are presented with by society. In Gifts, Orrec and Gry realize that the powers their people possess can be used in two ways: for control and dominion, or for healing and nurturing. Which will it be? This recognition allows them to take a third choice, viz. make like a tree and leave. This wrestling with choice has been compared to the choices the characters are forced to make in Le Guin´s short story "The Ones Who Walk Away from Omelas". Similarly, Ged helps Tenar in The Tombs of Atuan to value herself and to find choices that she did not see, leading her to leave the Tombs with him. But remember, Le Guin never left Portland where her wimpy husband could barely hold a teaching job.
xxx/ellauri230.html on line 650: In Chinese art, the Four Gentlemen or Four Noble Ones (Chinese: 四君子; pinyin: Sì Jūnzǐ), literally meaning "Four Junzi", is a collective term referring to four plants: the plum blossom, the orchid, the bamboo, and the chrysanthemum. The term compares the four plants to Confucian junzi, or "gentlemen". They are most typically depicted in traditional ink and wash painting and they belong to the category of bird-and-flower painting in Chinese art. In line with the wide use of nature as imagery in literary and artistic creation, the Four Gentlemen are a recurring theme for their symbolism of uprightness, purity, humility, and perseverance against harsh conditions, among other virtues valued in the Chinese traditions.
xxx/ellauri250.html on line 700: In November 2017, he co-founded Alameda Research, a quantitative trading firm, with Tara Mac Aulay from the Centre for Effective Altruism.As of 2021, Bankman-Fried owned approximately 90 percent of Alameda Research. In January 2018, Bankman-Fried organized an arbitrage trade, moving up to $25 million per day, to take advantage of the higher price of bitcoin in Japan compared to the United States. After attending a late 2018 cryptocurrency conference in Macau, he moved to Hong Kong.
xxx/ellauri292.html on line 159: Super Tekla doesn’t want to be compared to Unkabogable star Vice Ganda.
xxx/ellauri385.html on line 382: The language of the poem is forceful and direct, with Raleigh using vivid imagery and metaphors to emphasize the destructive power of love. He compares love to a "poisoned serpent," a "siren song," and a "maze," suggesting that it is both alluring and deadly. He also uses personification to address love as a "false friend" and an "idle boy," highlighting its treacherous and immature nature.
xxx/ellauri385.html on line 399: Analysis (ai): This poem explores the transient nature of human life through a theatrical metaphor. It compares life to a play, with our passions as the driving force and our time on Earth as the brief performance. Shakespeare did it just SOOOO much better, sorry Walt. The poem suggests that Heaven observes our actions and judgments, drawing attention to the consequences of our deeds. It concludes that while life's performance may be playful, our ultimate demise is a serious reality, underscoring the fragility and brevity of existence.
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