ellauri040.html on line 333: More recently metamodernism, post-postmodernism and the "death of postmodernism" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled "After Postmodernism" that "declarations of postmodernism's demise have become a critical commonplace". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories or labels have so far gained very widespread acceptance. Sociocultural anthropologist Nina Müller-Schwarze offers neostructuralism as a possible direction.
ellauri048.html on line 1292: And common is the commonplace, Mut laahusmaista on toi tavanomaisuus,
ellauri109.html on line 750: John Keats admired the "Fables. " Matthew Arnold famously dismissed him. T. S. Eliot wrote that he was "his ancestor," and had like Eliot a "commonplace mind."
ellauri141.html on line 533: The spoof book of late Horace (it refers to contemporary politicians such as Lloyd George, gas masks, land girls, daylight saving, spiritualism, canteens and so on) which came out in 1920, was inspired by a long tradition in English literature and by Kipling’s early imitation odes and Charles Graves’s Hawarden Horace (1894) and More Hawarden Horace (1896, with a delightful introduction by T. E. Page), where felicitous modernising English versions of the Odes (and an Epode) are put in the mouth of Gladstone (251) . A[lfred] D[enis] Godley, for one, had often imagined Greek and Roman authors as still alive and commenting on nineteenth- and twentieth-century Oxford and England. (252) Kipling delighted in humorous verse. In 1917 he had enjoyed Maurice Baring’s Translations (found in a commonplace book) (253) .
ellauri184.html on line 312: (1) Sex between Gentile masters and slaves was commonplace.
ellauri194.html on line 269: While the confounding Gog and Magog as confined Jews was becoming commonplace, some, like Riccoldo or Vincent de Beauvais remained skeptics, and distinguished the Lost Tribes from Gog and Magog. As noted, Riccoldo had reported a Mongol folk-tradition that they were descended from Gog and Magog. He also addressed many minds (Westerners or otherwise) being credulous of the notion that Mongols might be Captive Jews, but after weighing the pros and cons, he concluded this was an open question.
ellauri362.html on line 289: "Tom and Jerry" was a commonplace phrase for young men given to drinking, gambling, and riotous living in 19th-century London, England. The term comes from Life in London; or, The Day and Night Scenes of Jerry Hawthorn, Esq., and his elegant friend, Corinthian Tom (1821) by Pierce Egan, the British sports journalist who authored similar accounts compiled as Boxiana. However Brewer notes no more than an "unconscious" echo of the Regency era, and thus Georgian era, origins in the naming of the cartoon.
xxx/ellauri116.html on line 391: Bienenfeld, who was Jewish, later narrowly escaped the Nazi occupation of France. Neither de Beauvoir nor Sartre tried to find her. When she read “Letters to Sartre” and saw the flippant tone the pair took toward her, she said, “Their perversity was carefully concealed beneath Sartre’s meek and mild exterior and the Beaver’s serious and austere appearance. In fact, they were acting out a commonplace version of ‘Liaisons Dangereuses’”.
xxx/ellauri123.html on line 1154: Remu was born in Nogent-le-Rotrou. A nobleman (under the tutelage of the Lorraine family), he did his studies under Marc Antoine Muret and George Buchanan. As a student, he became friends with the young poets Jean de La Péruse, Étienne Jodelle, Jean de La Taille and Pierre de Ronsard and the latter incorporated Remy into the "La Pléiade", a group of revolutionary young poets. Belleau´s first published poems were odes, les Petites Inventions (1556), inspired by the ancient lyric Greek collection attributed to Anacreon and featuring poems of praise for such things as butterflies, oysters, cherries, coral, shadows, turtles, and twats. His last work, les Amours et nouveaux Eschanges des Pierres precieuses (1576), is a poetic description of gems and their properties inspired by medieval and renaissance lapidary catalogues. He died impotent in Paris on 6 March 1577, and was buried in Grands Augustins. Remy Belleau was greatly admired by impotent poets in the twentieth century, such as Francis Ponge. Francis Ponge (1899 Montpellier, Ranska – 1988 Le Bar-sur-Loup, Ranska) oli ranskalainen runoilija. Ponge työskenteli kirjailijanuransa ohella toimittajana, kustannustoimittajana ja ranskan kielen opettajana. Hän osallistui toisen maailmansodan aikana vastarintaliikkeeseen ja kuului vuosina 1937–1947 kommunistipuolueeseen. Hän sai vaikutteita eksistentialismista, ja esinerunoissaan hän paljastaa kielen avulla objektin itsenäisenä, omanlakisena maailmana. Francis Ponge was born in Montpellier, France in 1899. He has been called “the poet of things” because simple objects like a plant, a shell, a cigarette, a pebble, or a piece of soap are the subjects of his prose poems. To transmute commonplace objects by a process of replacing inattention with contemplation was Ponge’s way of heeding Ezra Pound’s edict: ‘Make it new.’ Ponge spent the last 30 years of his life as a recluse at his country home, Mas des Vergers. He suffered from frequent bouts with nervous exhaustion and numerous psychosomatic illnesses. He continued to write up until his death on August 6, 1988.
xxx/ellauri215.html on line 425: Legends cited by Sidney John Hogben say that she took a new lover in every town she went through, each of whom was said to meet the same unfortunate fate in the morning: "her brief bridegroom was beheaded so that none should live to tell the tale." Under Amina, Zazzau controlled more territory than ever before. To mark and protect her new lands, Amina had her cities surrounded by earthen walls. These walls became commonplace across the nation until the British conquest of Zazzau in 1904, and many of them survive today, known as ganuwar Amina (Amina's walls)
xxx/ellauri298.html on line 208: become a commonplace solution in organizations. Identity, identification, and
xxx/ellauri312.html on line 619: Redemption is also bound up with the sacred, or the locus of a manifestation of something great and holy as opposed to the profane or commonplace. Charles Taylor distinguishes the sacred as non-human forces located in ‘‘certain places (e.g., temples), times (e.g., feast days), actions (e.g., rituals), or people (e.g., priests, victims)’’ in contrast to the ‘‘merely worldly’’ (2011, p. 118).
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