color:red;background:#9daecc;font-size:7em;text-align:center;margin-top:0%;margin-bottom:0%">Hevoshullu

color:red;background:#75912b;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">color:white">16 sivua POLLEA!

Novelleja

color:white;background:red;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">ARIZONA-SARJA

color:yellow;background:black;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">PUNAVYÖN VANHAT YSTÄVÄT

Hyötykirjoja

color:black">
ellauri028.html on line 883:

color:black">
ellauri028.html on line 885:

color:black">
ellauri028.html on line 887:

color:black">

ellauri028.html on line 900: 
color:black">

ellauri028.html on line 902: 
color:black">		 TOTAL		LOVE		TOTAL/LOVE

ellauri028.html on line 907: 
color:black">

ellauri028.html on line 909: 
color:black">

ellauri028.html on line 911: 
color:black">

ellauri028.html on line 932: 
color:black">

ellauri028.html on line 938: 
color:black">

ellauri028.html on line 944: 
color:black">

ellauri028.html on line 946: 
color:black">

ellauri029.html on line 7:       color: blue;

ellauri029.html on line 18: 
color:blacke;background:yellow;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">ÖÖ MITÄ TARKOITAT
Huuhaata

ellauri029.html on line 19: 
color:yellow;background:magenta;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">PRO-AKATEMIA

ellauri030.html on line 6:       color: blue;

ellauri030.html on line 17: 
color:#8b8390;background:#1b242d;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">UNIVERSITY PROFESSOR

ellauri030.html on line 18: 
color:#8b8390;background:#1b242d;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">NOT SURE IF HOMELESS
Vanhuudesta

ellauri030.html on line 465: 
color:#add8e6">

ellauri031.html on line 6:       color: blue;

ellauri031.html on line 17: 
color:black;background:#a4a4a4;font-size:8em;font-style:italic;text-align:center;margin-top:0%;margin-bottom:0%">En yrhätta
Yrsel

ellauri031.html on line 18: 
color:black;background:#f79f81;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">color:white;background:#df0101">Dikken Zwilgmeyer

ellauri031.html on line 460:   Från statsmaktens sida fanns ett intresse att förbättra möjligheten att ta sig förbi fallen med hjälp av slussar, eftersom det är effektivare. Större skepp kunde inte heller dras förbi fallen. Under Karl IX påbörjades slussarbeten. I Vänersborg påbörjades Karls grav, som dock inte blev färdig förrän 1752. color:red">Vad ba!? Är morfar Kalle begravd i Vänersborg? Det tog faktiskt en lång tid förrän graven var djup nog. Karl IX dog ju 1611. I Lilla Edet stod en första sluss färdig cirka 1607. Det viktigaste området var dock fallen vid Trollhättan, som visade sig svårast att lösa. Christopher Polhem började 1718 ett arbete på slussar. 

ellauri031.html on line 464: På 6 år, fram till år 1800, färdigställde Baltzar von Platen slussarna. Bygget av Göta kanal möjliggjorde större båtar och för att dessa skulle komma förbi Trollhättan byggdes större slussar under Nils Ericson. Dessa stod klara 1844, längre ned i fallområdet, vid Åkerström. Von Platens och Ericssons slussleder användes parallellt fram till år 1916, då de nuvarande slussarna stod klara. Dessa finns strax öster om Ericssons slussar. När dessa invigts togs de båda äldre slussystemen ur bruk. color:red">Och nu ska slussen i Stockholm också tas ur bruk. Stackars sluss, skulle Charlotte säga. Finska fyllon samtycker med henne.

ellauri031.html on line 472: Vattenfall levererade i början främst energi till järnvägen och industrin. Hushållselkunderna var relativt få på grund av de höga priserna. color:red">Nu säljer Vattenfall el åt oss i Fredstrand, Sysmä socken, med de samma höga priserna i kraft. Nåja, åtminstone är det morfar Kalles gamla goda el från Trollhättan som vi köper.

ellauri032.html on line 7:       color: blue;

ellauri032.html on line 18: 
color:white;background:black;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">Eläinystävämme

ellauri032.html on line 19: 
color:black;background:#a4a4a4;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">Supikoira
Hajuviestejä

ellauri033.html on line 6:       color: blue;

ellauri033.html on line 17: 
color:black;background:#d7b882;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Par PAUL BOURGET
de l´Académie Française.

ellauri033.html on line 18: 
color:white;background:#4a1a10;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">VIVE LA DISCIPLINE
Ilkikuria

ellauri034.html on line 6:       color: blue;

ellauri034.html on line 10: 	  color: blue;

ellauri034.html on line 24: 
color:white;background:#b7baaf;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">hans fallada


ellauri034.html on line 25: 
color:black;background:#d8d7b8;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">kukin kuolee izexeen
Yxinpuhelua

ellauri035.html on line 7:       color: blue;

ellauri035.html on line 18: 
color:black;background:#efaf43;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Bilhana


ellauri035.html on line 19: 
color:#efaf43;background:#5b1515;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">Kaunapahkasika
Exotiikkaa

ellauri036.html on line 6:       color: blue;

ellauri036.html on line 17: 
color:black;background:#eefcef;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">AKU ANKKA


ellauri036.html on line 18: 
color:black;background:#eefcef;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">TÄNÄÄN EI MIKÄÄN VOI MENNÄ PIELEEN
Mussutusta

ellauri036.html on line 402: Vient boire avidement son sang décoloré.

ellauri036.html on line 820: Quand des feux du matin l'horizon se colore,

ellauri036.html on line 1962:   In particular, we have had a lot of literature on a few colorful shaming penalties,like sentencing businessmen who urinate in public to scrub the streets with toothbrushes, or sentencing shoplifters to wear T-shirts announcing their offenses to the world. It is no surprise that criminal law professors enjoy debating these shaming penalties -call them T-shirt and bumper-sticker sanctions. 

ellauri037.html on line 6:       color: blue;

ellauri037.html on line 17: 
color:black;background:#97989c;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">HBL MITTEN 2021


ellauri037.html on line 18: 
color:black;background:#97989c;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Klassiker fyller sjuttio
Memorabilia

ellauri038.html on line 6:       color: blue;

ellauri038.html on line 17: 
color:black;background:white;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">John Tenniel


ellauri038.html on line 18: 
color:black;background:white;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">The Walrus and the Carpenter
Yli-inhimillistä

ellauri039.html on line 6:       color: blue;

ellauri039.html on line 17: 
color:black;background:#e0e2e1;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Wilhelm Busch


ellauri039.html on line 18: 
color:black;background:#e0e2e1;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">𝔐𝔞𝔵 𝔲𝔫𝔡 𝔐𝔬𝔯𝔦𝔱𝔷
Käytännön piloja

ellauri040.html on line 7:       color: blue;

ellauri040.html on line 19: 
color:black;background:#e1b4c8;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Wilhelm Busch


ellauri040.html on line 20: 
color:black;background:#e1b4c8;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Schwarze Parze
McGarmiwaa

ellauri041.html on line 7:       color: blue;

ellauri041.html on line 25: 
color:black;background:#636468;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Kornei Tšukovski


ellauri041.html on line 26: 
color:grey;background:orange;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">NORSU LUKEE
Vaikealukuista

ellauri041.html on line 488: 
color:red">Vorwort

ellauri041.html on line 502: Aber wo ist color:red">Frömmigkeit???

ellauri041.html on line 519:     Wie z. Beispiel color:red">Sanct Anton 


ellauri041.html on line 529:     
color:red">Alkusana

ellauri041.html on line 543:   vaan missä on se color:red">laupeus???

ellauri041.html on line 560:   Kuten esim. color:red">Pyhä Anttoni, 


ellauri041.html on line 571: 
color:red">Frühe Talente

ellauri041.html on line 662:     
color:red">Aikaisia taipumuxia

ellauri041.html on line 751:         
color:red">Liebe und Bekehrung

ellauri041.html on line 814:       
color:red">Rakkaus ja kääntymys

ellauri041.html on line 879:         
color:red">Mariae Bildniss

ellauri041.html on line 890: 	  Das color:red">Bildnis unsrer lieben Frau. 


ellauri041.html on line 970: 	color:red">Recht nützlich ist die Malerei, 


ellauri041.html on line 974:       
color:red">Marian kuva

ellauri041.html on line 986: 	maalaa kuvaa color:red">rakkaasta Madonnasta. 


ellauri041.html on line 1067: 	color:red">Maalailussa on paljon hyvää 


ellauri041.html on line 1074:         
color:red">Zwei Stimmen von Oben

ellauri041.html on line 1086: 	  color:red">Dominus vobiscum über das Dieder 


ellauri041.html on line 1095: 	  Er spricht das color:red">Salve, sub tuum präsidium 


ellauri041.html on line 1112: 	  Donnert eine Stimme: color:red">Tödte! Tödte!

ellauri041.html on line 1116: 	  color:cyan">Huit! Knatteradoms!!! - ein Donnerkeil 


ellauri041.html on line 1117: 	  color:cyan">Und Alopecius hat sein Theil... 


ellauri041.html on line 1130: 	  color:red">Dank die, o Himmelskönigin! 


ellauri041.html on line 1136:       
color:red">2 ääntä ylhäältä

ellauri041.html on line 1150: 	teki color:red">Dominus vobiscum merkin tissiin, 


ellauri041.html on line 1159: 	Se sanoo vaan color:red">Salve, sub tuum praesidium 
 

ellauri041.html on line 1178: 	color:red">Tapa se! Tapa se!

ellauri041.html on line 1182: 	color:cyan">Ja Räks! Tapapaukaus!!! - lyö salama 
 

ellauri041.html on line 1183: 	color:cyan">Ja Alopecius on saanut osansa... 


ellauri041.html on line 1196: 	color:red">Kiitti madonna että kävi näin! 
 

ellauri041.html on line 1204:         
color:red">Kraft des Gebetes

ellauri041.html on line 1225: 	  
color:red"> 

ellauri041.html on line 1243:       
color:red">Rukouxen voima

ellauri041.html on line 1264: 	  
color:red">

ellauri041.html on line 1283:         
color:red">Bischof Rusticus

ellauri041.html on line 1314: 	  Antonius sprach: color:red">Sag an, mein Kind, 


ellauri041.html on line 1319: 	  color:cyan">Der Bischof Rusticus, der ist... 


ellauri041.html on line 1324: 	  color:red">Antonius mit dem Heilgenschein.

ellauri041.html on line 1327:       
color:red">Piispa Rimpiläinen

ellauri041.html on line 1358: 	Näin puhui Toni: color:red">Sanoppas itiö, 


ellauri041.html on line 1362: 	color:cyan">No piispa Rimpinenhän se... 
	

ellauri041.html on line 1368: 	color:red">Antoniuksen sädekehä loistaa. 


ellauri041.html on line 1374:         
color:red">Beichte

ellauri041.html on line 1441:       
color:red">Rippi

ellauri041.html on line 1506:         
color:red">Wallfahrt

ellauri041.html on line 1554: 	  color:red">Mein lebelang bekümmer'ich mich 


ellauri041.html on line 1559:       
color:red">Pyhiinvaellus

ellauri041.html on line 1603: 	color:red">Ikinä kyllä en enää syö aasia.

ellauri041.html on line 1608:         
color:red">Die Versuchung

ellauri041.html on line 1660:       
color:red">Kiusaus

ellauri041.html on line 1713:         
color:red">Klausnerleben u. Himmelfahrt

ellauri041.html on line 1766:       
color:red">Erakkoelämä ja taivaaseenastuminen

ellauri042.html on line 6:       color: blue;

ellauri042.html on line 22: 
color:black;background:khaki;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">J. Agusta - Z. Burian


ellauri042.html on line 23: 
color:brown;background:white;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">MUINAISAJAN ELÄIMIÄ
Luonnonnoppia

ellauri043.html on line 6:       color: blue;

ellauri043.html on line 18: 
color:white;background:black;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Bosch / Brueghel / Flaubert 


ellauri043.html on line 19: 
color:white;background:peru;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">ANTTONI PYP PIPO
Kielilläpuhumista

ellauri045.html on line 7:       color: blue;

ellauri045.html on line 24: 
color:#98558a;background:#e9e9e9;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Urheilumuseon legendat


ellauri045.html on line 25: 
color:#98558a;background:#e9e9e9;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">VEIKKO KANKKONEN
Urheilulegendaa

ellauri045.html on line 714: Vaiko Lostin mustaa miestä? Lost oli joku mystistyyppinen teeveesarja, risteytys Selviytyjistä ja Twin Peaxistä. Näistä kolmesta en ole nähnyt yhtään jaxoa. Game of Thronesista on puolet kärsitty eläkeläisinä. Samaa pursotetta ne ovat kaikki aivan takuulla. Puuttuu vaan että kazois Diiliä. Helvetti että teeveestä pursottaa paljon ehtaa color:red">SPOILERIVAROITUS paskaa:

ellauri046.html on line 6:       color: blue;

ellauri046.html on line 22: 
color:blue;background:white;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">PETER CHEYNEY


ellauri046.html on line 23: 
color:red;background:yellow;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">REIKÄRAUTA RENE
Ruudinkatkuista

ellauri047.html on line 6:       color: blue;

ellauri047.html on line 17: 
color:#282a5a;background:#ccc5b2;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">DEUTSCHE POST


ellauri047.html on line 18: 
color:#ccc5b2;background:#282a5a;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">GOETHE 50+25
Jöötinvääntöä

ellauri048.html on line 7:       color: blue;

ellauri048.html on line 18: 
color:black;background:#b97939;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">M. Andrejev


ellauri048.html on line 19: 
color:#9b2500;background:#b97939;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">OPETTELE LUKEMAAN
Laulurunoutta

ellauri049.html on line 6:       color: blue;

ellauri049.html on line 18: 
color:black;background:#b97939;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Gary Larson


ellauri049.html on line 19: 
color:#9b2500;background:#b97939;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">DISTANT HILLS
Valitusvirsiä

ellauri050.html on line 6:       color: blue;

ellauri050.html on line 21: 
color:524b5d;background:#b4c2c3;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Walt Disney


ellauri050.html on line 22: 
color:#524b5d;background:#b4c2c3;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">FROZEN YOGHURT
Jäähyväiset aseelle

ellauri050.html on line 23: 
color:white;background:#b4c2c3;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">25 Milk Chocolates

ellauri051.html on line 7:       color: blue;

ellauri051.html on line 24: 
color:black;background:#d29e62;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Gary Larson


ellauri051.html on line 25: 
color:black;background:#d29e62;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">BOOM
Politiikkaa

ellauri051.html on line 565: 24 The sniff of green leaves and dry leaves, and of the shore and dark-color'd sea-rocks, Nuuhku vihreitten ja kuivien lehtien, ja rannan ja tummansävyisten merikivien ,

ellauri051.html on line 677: 117 Darker than the colorless beards of old men,					  Tummempaa kuin vanhojen miesten homeparrat,

ellauri051.html on line 1185: 592 The ring of alarm-bells, the cry of fire, the whirr of swift-streaking engines and hose-carts with premonitory tinkles and color'd lights,		592 Hälytyskellojen soittoa, tulen huutoa, nopeasti juoksevien moottoreiden surinaa ja letkukärryjä, joissa on ennakkoääniä ja värillisiä valoja,

ellauri051.html on line 1516: 914 If our colors are struck and the fighting done?													914 Jos väreihimme lyötiin ja taistelu on tehty?

ellauri051.html on line 1560: 956 My face is ash-color'd, my sinews gnarl, away from me people retreat.										956 Kasvoni ovat tuhkanväriset, jänteeni kiemurtelevat, ihmiset vetäytyvät pois minusta.

ellauri052.html on line 7:       color: blue;

ellauri052.html on line 24: 
color:blue;background:#e9e9e9;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">SINUN VUOTESI color:red">1952
Tyyylsäää

ellauri053.html on line 7:       color: blue;

ellauri053.html on line 24: 
color:white;background:green;font-size:10em;text-align:center;margin-top:0%;margin-bottom:0%">2 kanaa
Jyviä ja akanoita

ellauri054.html on line 7:       color: blue;

ellauri054.html on line 23:     
color:red;text-align:center;margin-top:0%;margin-bottom:0%">
ROLF KAUKA color:black">zeigt: 

ellauri054.html on line 24: 
color:yellow">FiX und color:blue">FOXi
Einfach Klasse

ellauri055.html on line 7:       color: blue;

ellauri058.html on line 8:       color: blue;

ellauri058.html on line 25: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Voitto-Sanomat

ellauri058.html on line 26: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">RAUHAA
Setämiehissä

ellauri058.html on line 101: Demokratia oli Hellaassa laahuxen diktatuuria (paizi ettei oikeasti ollut, vain pieni vähemmistö oli ns. vapaita, loput orjia). Res publica oli Roomassa patriisien oligarkiaa. Sama touhu jatkuu ryssissä ja jenkeissä. Keskilännen publikaanit on persuja, köyhtynyttä white trashia joka koittaa pitää värillistä laahusta poissa tontilta. Nää on mun maita ei tartte oravien tulla tänne mesomaan. Minähän sen oravan myrkytin. Ite on koko konkkaronkka vitun mamuja. People of pink color. Palefaceja. Vahinko ettei inkkareilla ollut ympäristömyrkkyjä. Olisivat syöttäneet maahantunkijoille maissin sijaan mikromuovia. Matut sano kiitos ja päästi punasulat pois päiviltä. Sen kunniaxi vielä järjestävät kiitospäiviä.

ellauri060.html on line 7:       color: blue;

ellauri060.html on line 24: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Walt Disney

ellauri060.html on line 25: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Aku näkee punaista
Punapyllypaviaaneja

ellauri061.html on line 7:       color: blue;

ellauri061.html on line 23: 
color:#4e3b2d;background:#d8cfc8;text-align:center;margin-top:0%;margin-bottom:0%">Keihäänheiluttaja lapsille

ellauri061.html on line 24: 
color:black;background:#d8cfc8;text-align:center;margin-top:0%;margin-bottom:0%">MYRSKY JA MYLVÄYS
Myrkyllistä

ellauri062.html on line 7:       color: blue;

ellauri062.html on line 23: 
color:#4e3b2d;background:green;text-align:center;margin-top:0%;margin-bottom:0%">J.A. Hunter

ellauri062.html on line 24: 
color:green;background:black;text-align:center;margin-top:0%;margin-bottom:0%">color:white">VALKOINEN 
  MEZÄSTÄJÄ
Puunhalausta

ellauri062.html on line 223: 
The states that make up Gilead in complete occupation are: Minnesota, Wisconsin, Illinois (except for Chicago), Michigan, color:red">Indiana, Ohio, Tennessee, Kentucky, West Virginia, Virginia, North Carolina, Maryland, Pennsylvania, Delaware, New Jersey, New York, Connecticut, Rhode Island, color:red">Maine, New Hampshire, and Massachusetts. 

ellauri062.html on line 284: Disgusted at Serena, Moira (the dyke of color) asks Serena who does she think she really is, adding that new clothes doesn't make her any different, and is still the woman who held June down while Fred raped her. 

ellauri062.html on line 868:   
color:blue;font-size:small">

ellauri062.html on line 1031: 
color:blue">

ellauri063.html on line 7:       color: blue;

ellauri063.html on line 23: 
color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">George Orwell

ellauri063.html on line 24: 
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">color:white">ELÄINTEN VALLANKUMOUS
Syväpolitiikkaa

ellauri063.html on line 377: 
color:blue">    

ellauri064.html on line 7:       color: blue;

ellauri064.html on line 23: 
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">C.E.Carlson

ellauri064.html on line 24: 
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">color:white">Liskohumanoideja
Salaliittoteoriaa

ellauri065.html on line 7:       color: blue;

ellauri065.html on line 23: 
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Hikipedia

ellauri065.html on line 24: 
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">color:white">Jaltan konferenssi
Sotahistoriaa

ellauri065.html on line 176: 
color:blue">

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Toini Virtanen

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">color:white">Näkemiin Anus
Elämää ja teoxia

ellauri066.html on line 458: Pynchon Press has been serving Western Massachusetts Businesses with Commercial Printing Services for over 50 years.  We have a long standing history as a printer that you can trust in, with deep ties to the community.  Print is in our blood.  We’ve recently relocated our print shop from our original location in Springfield, MA to a new building on Grattan Street in Chicopee, MA.  This new location gives us better capacity to handle your print jobs.  We have made considerable investment into digital printing presses which allows us to produce beautifully printed full color print jobs with incredible turn around.  Smaller run print jobs for booklets and flyers can be ordered.  The days of having to order 1000 of something you only need 100 of are over.  If you can design it, we can print it.  We’ve been a trusted printer for customers throughout Western Massachusetts and Northern CT.  Our quality printing services speak for themselves.  When you are looking for a printer for your next print job, contact Pynchon Press, the local printer you can trust your printing to.

ellauri066.html on line 537:       Pynchon käyttelee ahkerasti ällösanoja. Pyhiä maasiankoloja, mystisiä voimia ja symboleja. Velvollisuuden ja syyllisyyden tunnetta. Maxutaseita, vastaavaa ja vastattavaa. "Kohtalokkaita" persoonattomia passiiveja: meidät on valittu. Vcolor:red">alittu. Isoja alkukirjaimia. Heidän on Tarkoitus Kohdata Toisensa. Kaikki tollanen totalitääris-paranoidi musta magia on vaan ällöä. 

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color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Tommi Kinnunen

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color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">color:white">Ihana uutuus
Antiikkia & designiä

ellauri067.html on line 566: "his batman, a Corporal Wayne" [Batman's "real-world" identity was Bruce Wayne], 11; comicbook fangs, 21; Sir Denis Nayland Smith, 83, 277-78, 592, 631, 751; Hop Harrigan, Tank Tinker, 117; "old-fashioned comical room" 122; Dumbo, 135; Donald Duck, 146; Hansel and Gretel, 174; "comic-book colors" 186; "paint FUCK YOU in a balloon coming out the mouth of one of those little pink shepherdesses" 203; Plasticman, 206, 314, 331, 752; "he passes into a bickering of canary-yellow Borsalini, corksoled comicbook shoes with enormous round toes" 254; "this cartoon here" 263; "a Sunday-funnies dawn" 295; Rocketman, 366, 376, 379, 436, 512, 596; Captain Midnight Show, 375; Green Hornet, 376; "the only beings who can violate their space are safely caught and paralyzed in comic books" 379; Mickey Mouse, 392; Sundial, 472; Wilhelm Busch (cartoonist), 501; Porky Pig, 545; "comic technocracy" 579; "comic-book cats dogs and mice" 586; Bugs Bunny, 592; "comicbook-orange chunks of island" 634; Porky Pig tattoo, 638 (on Osbie Feel's stomach), 711 (on André Omnopon´s stomach); Robin Hood, 664; Mary Marvel, Wonder Woman, 676; comic-book Kamikazes, 680; "down comes a comic-book guillotine on one black & white politician" 687; Crime Does Not Pay, 709; Superman, 751; The Lone Ranger & Tonto, 752; Philip Marlowe, 752; Submariner, 752; Jimmy Olson, 752; See also Byron the Bulb; Floundering Four; Komical Kamikazes; Plasticman; film/cinema references.

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">My Butt

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">color:yellow">Fountain
Lähdekritiikkiä

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Sale Niinistö

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">color:yellow">Demokratian painajainen
Jyrähtelyä

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">THOMAS PYNCHON

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color:red;background:white;text-align:center;margin-top:0%;margin-bottom:0%">color:red">Western RANGERS
Länsiviihdettä

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color:yellow;background:#2b1e0d;text-align:center;margin-top:0%;margin-bottom:0%">David Foster Wallace

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color:black;background:#ead3b1;text-align:center;margin-top:0%;margin-bottom:0%">color:black">Vastenmielisten miesten lyhyitä haastatteluja
Valivalia

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kakoli Ruma

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">color:blue">Emmä tiedä, hähähä!
Vulgääriä

ellauri073.html on line 202:     Cain gets introduced by some kind of very high-ranking Highway Patrol officer whose big hanging gut and face the color of rare steak seemed right out of southern-law-enforcement central casting and who spoke approvingly and at some length about Senator McCain’s military background and his 100 percent conservative voting record on crime, punishment, firearms, and the war on drugs. Wendy—who has electric-blue contact lenses and rigid blond hair and immaculate makeup and accessories and French nails and can perhaps best be described as a very Republican-looking young lady indeed—is back here at the beige table eating a large styrofoam cup of soup and using her cell phone to try to find someplace in downtown Charleston where Mrs. McCain can get her nails done.

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color:black;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">MIT Press

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">DON'T WORRY!
Vetolaastareita

ellauri074.html on line 669: Birth of a white nation, death to colorful minorities. Rednekit kukkoilevat alboissa näyttäen tikkunekuilta. Ku Klux Klan Bang. Before its too late and the whites become a minority. National Rifle Association. Karsee maa. Euroopan pahin pilssivesi rahdattu sinne paateilla. 

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Thomas Ball Barratt

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Telemakhrian yritelmä
Rappinkia

ellauri077.html on line 198:   Loputtomassa läpässä on oleellisesti 3 juonta: Incandenzan perheen puuhat Tennisakatemiassa (tätä mä oon lukenut nyt 1 romskun verran, 245 sivua); Don Gatelyn ja muiden toipilaitten sekoilut Ennetin puolimatkankodissa (näitä on jo nähty, huoh kiitos vaan); ja filmin 'Loputon läppä' kvesti, jossa tähtinä on Remy Martin (se pyörätuolijäbä), ja Hugh/Helen Steeply (hirmu iso transu joka bylsii Orinia). Niiden suuhun Wallu panee syvälliset mietteensä. Ne on kuin jumala ja jeesus Miltonin Paradise Lostissa. Ekat 2 juonta ei liity mitenkään toisiinsa (miten niin? onhan siinä samoja henkilöitä, niiku et Orin bylsii sitä transua (Hal-Orin, haha, sanaleikki, joka osottaa että ne on Tävskytin kaxi puolta. The Halorin family name was found in the USA in 1880. Massachusetts had the highest population of Halorin families in 1880.) Mario on varmaan sit Amy, tai sit Super Mario, tai luultavimmin Wallu taas. Orin, Mario ja Hal on Tupu, Hupu ja Lupu, Wallukolmoset. Wallu kyllä vinkkaa että juonet yhtyvät kun romsku on jo loppunut. Varmaan siinä kustannustoimittajan poisleikkaamassa 300 sivussa. Kaikki 3 juonta liittyy temaattisesti: viihde, valinta ja stöpselöinti. Leffan 'Loputon läppä' filmas Wallun pappa Jim Incandenza, koittaessaan tehdä jotain niin pakottavaa että se pysäyttäisi Hal-pojan putoomisen solipsismin, ilottomuuden ja kuoleman sudenkuoppaan. Filmiä ei koskaan julkaistu ja se jäi kesken kun Jim teki ize seppukun sen loppusuoralla. Mutta romskun edetessä (color:red">SPOILERIVAROITUS!) lukijalle selviää että filmi oli löytynyt ja toimii ehkä terroristiaseena. (No sehän tuli selväxi jo tässä alkuosassa.) Leffa on tosiaankin niin "vitun pakottava" että se tekee kazojista zombieita, ne on kuin Lassi telkan edessä, töllöttävät vaan, eikä enää muuta tahdokaan. Loppuviimein, vinkkaa kertoja, Hal ja Gately jossain vaiheessa kaivaa kahteen pekkaan isä Jimin pään maasta eziessään filmiä. Filmin sisällöstä ei ole kunnon kuvausta. Jotain kohtauxia väläytellään, esim Joelle van Dynen jossa se "pyytää anteexi" kazojilta uudestaan ja uudestaan, sanoen ‘I’m so sorry. I’m so terribly sorry. I am so, so sorry. Please know how very, very, very sorry I am’ (939). Huh, onpas pitkällä. Tää on kyllä kertaalleen sanottu jo tässä alkupätkässä. Tämmönen anteexipyytely on kanssa saamaa markkinapaskaa kuin toi "luottamus", ilmaisexi pyydetään, kun luottokortti vingahtaa. Koko kirjasta (vaiko vaan filmistä) tulee 1 suuri anteexipyyntö, onxe sitten isältä pojalle vai päinvastoin, sama se. Ne ei koskaan pystyneet "keskustelemaan". Tää "We gotta talk" on kanssa yx jenkkitomppelius, hemmetti, mitä sitä varten pitää erixeen tilata vastaanotto tai merkata kalenteriaika, senkun riitelevät vaan. Niin mekin tehdään. Tää mun juttu, Barrett tunnustaa, kuuluu perinteiseen "elämä ja teos" genreen, Wallun romsku on "symbolistiteos" "kirjailijan sisällyttämisestä textiin". Wallu koittaa estää kokonaista sukupolvea uppoutumasta pelkkään viihteen kazeluun. Lukekaa kirjoja, ääliöt! Paxuja kirjoja! Mun kirjoja, ne on kaikista paxuimpia! Saatana! Kun tiili kolahtaa päähän nukahtaessa tulee pahoja kuhmuja. We apologize for the inconvenience. 

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ellauri077.html on line 794:   Pretentious diction. Words like phenomenon, element, individual (as noun), objective, categorical, effective, virtual, basic, primary, promote, constitute, exhibit, exploit, utilize, eliminate, liquidate , are used to dress up a simple statement and give an aire of scientific impartiality to biased judgements. Adjectives like epoch-making, epic, historic, unforgettable, triumphant, age-old, inevitable, inexorable, veritable, are used to dignify the sordid process of international politics, while writing that aims at glorifying war usually takes on an archaic color, its characteristic words being: realm, throne, chariot, mailed fist, trident, sword, shield, buckler, banner, jackboot, clarion.

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color:black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Sally Jean Foster

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color:black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Ad Nauseam
Jaxaajaxaa

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color:yellow;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Pynchon & Wallace

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color:yellow;background:black;text-align:center;margin-top:0%;margin-bottom:0%">American HILLBILLIES
Läppäkeppejä

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color:white;background:navy;text-align:center;margin-top:0%;margin-bottom:0%">Theofrastos et al.

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color:white;background:navy;text-align:center;margin-top:0%;margin-bottom:0%">Luonteenvikoja
Psykopatiaa

ellauri080.html on line 577: Gilligan's Island ran for 98 episodes. All 36 episodes of the first season were filmed in black and white and were later colorized for syndication. The show's second and third seasons (62 episodes) and the three television film sequels (aired between 1978 and 1982) were filmed in color. Last aired: 2001.

ellauri080.html on line 716: Rogers died of stomach cancer on February 27, 2003 at age 74. Rogers was red-green color-blind. He became a pescatarian in 1970, after the death of his father, and a vegetarian in the early 1980s, saying he "couldn't eat anything that had a mother". Rogers was a registered Republican, and a confirmed presbyterian. Despite his strong faith, Rogers struggled with anger, conflict, and self-doubt, especially at the end of his life. Despite Rogers' family's wealth, he cared little about making money, and lived frugally, especially as he and his wife grew older.

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color:white;background:mediumspringgreen;text-align:center;margin-top:0%;margin-bottom:0%">David Foster Wallace

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color:white;background:mediumspringgreen;text-align:center;margin-top:0%;margin-bottom:0%">FLOW IN A BLOW
Juonipaljastuxia

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color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">HELMI $ TAALA

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color:black;background:gold;text-align:center;margin-top:0%;margin-bottom:0%">HYVÄÄ PUUTA
Puutaheinää

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Arrival

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">HUMAN
Pyllykielitiedettä

ellauri088.html on line 343:   Roni Arvonen on color:blue">kiinteistönvälittäjä ja sijoittaja, joka color:blue">valloittaa pääkaupunkiseutua Bo LKV:n color:blue">riveissä. Arvosesta color:blue">huokuu lämmin asiakashenkisyys, innokkuus työhönsä sekä valtava halu kehittyä. Tämän color:blue">nuoren miehen menestymisen nälkä on lähes käsin kosketeltavissa.

ellauri088.html on line 345: Arvonen on monelle tuttu color:blue">sosiaalisesta mediasta, sillä hän color:blue">rummuttaa aktiivisesti useammassakin color:blue">eri kanavassa. Lisäksi hän color:blue">kirjoittaa ahkerasti omaa blogiaan. ”Aloitin heti color:blue">tekemään somea ja blogia, koska color:blue">minun oli pakko saada sitä kautta color:blue">asiakkaita. Ei ollut ystäviä tai tuttavia, jotka olisivat heti ensimmäisiä color:blue">asiakkaitani. Kaikilla on vain color:blue">ASP-lainalupauksia ja ostofiiliksiä. Ei niissä color:blue">euroakaan ole itsellä kiinni. Täytyi siis color:blue">kehittää jotain. Kirjoittaminen tulee luonnostaan, joten päätin sitten tehdä tätä color:blue">lähinnä Linkkarin, Twitterin ja oman blogin kautta.” Arvonen onkin verrattain nuoresta iästään huolimatta onnistunut (ehkä osittain juuri color:blue">aktiivisen somettamisen ansioista) kehittymään color:blue">myynnin ja kiinteistönvälitysalan rautaiseksi ammattilaiseksi lyhyessä ajassa.

ellauri088.html on line 347: Tässä työssä color:blue">motivoi se, että mitä enemmän color:blue">palvelen asiakkaita, sitä color:blue">enemmän saan itsekin. Toimitan lisäarvoa, joten vaikka color:blue">itse otan ehkä jonkun mielestä paljon, annan kuitenkin color:blue">vielä enemmän. Jollain kierolla tavalla  kiehtoo sekin, että color:blue">jos en toimita mitään, en myöskään saa mitään. Vain tuloksella on väliä. Mitä keinoista, kyllä tulos ne pyhittää.”

ellauri088.html on line 349:   Kysyttäessä mitä Arvonen color:blue">touhuaa vapaa-ajalla, on ensimmäinen vastaus color:blue">pilke silmäkulmassa: ”töitä”. ”Tämä on color:blue">oikeastaan elämäntapa eikä varsinaisesti työ. Mutta color:blue">urheilen joka päivä ja luen paljon. Kuten Patrik ”Telinekeisari” Sarinko sanoo: ’Maastaveto pitää color:blue">ryhdin suorana, joka taas auttaa color:blue">myymään enemmän. Kukaan ei osta selkärangattomalta pötköttäjältä.’ Vedän maasta ja luen kirjoja. Toki teen muutakin, kuten vedän käteen ja luen lakia, nim. elokapinalle ja muulle roskaväelle. Mutta tässä ne tärkeimmät. 

ellauri088.html on line 355: Työnteon, urheilemisen ja lukemisen lisäksi Arvonen on  color:blue">innokas asuntosijoittaja. Hän color:blue">sijoittaa asuntojen lisäksi muihinkin omaisuusluokkiin, mutta kokee asuntojen sopivan hänelle erityisen hyvin. ”Asunnot ovat yksinkertaiselle helposti ymmärrettävä color:blue">omaisuusluokka, joka sopii kaltaiselleni umpipöntölle. color:blue">Ostan asunnon oikein, vuokraan sen oikein ja annan ajan kulua. Toki kuvioon kuuluu muutama muukin juttu, mutta yksinkertaisuudessaan niin se menee. Se sopii minulle, koska ymmärrän sen ja se ymmärtäminen, color:blue">vahva näkemys, on todella tärkeää. Olen pysynyt kaukana vahvoista huumeista ja muista omaisuusluokista, joihin minulla ei ole luontaista kiinnostusta ja, joiden fundamentteja en ymmärrä.”

ellauri088.html on line 357: Arvonen kertoo aloittaneensa color:blue">asuntosijoittamisen itse asiassa puolivahingossa. Hän laittoi oman ensiasuntonsa vuokralle ollessaan opiskelija ja heräsi silloin color:blue">toiminnan tuottavuuteen. ”Ensiasuntoni oli color:blue">sijoituskelpoinen yksiö ja kun vuokrasin sen, siitä jäi color:blue">kolme numeroa kuussa verojen jälkeen käteen. Ajattelin, että näitä pitää hankkia sata.” color:blue">Kassavirta oli siis se elementti, joka Arvosta color:blue">asuntosijoittamisessa kiehtoi.  ”Arvonnousu on spekulaatiota, color:blue">osingot eli vuokrat taas varmasti tilillä joka kuukausi.” Oli selvää, että asuntojen osto ja vuokraus on hänelle sopiva color:blue">strategia. ”Tajusin, että jos näitä hankkii monta, niin ei ehkä tarvitse tehdä enää eräänä päivänä mitään. Voi vaan pötkötellä. Kyllä varmasti silti teen, vedän käteen ainakin, mutta ei ole pakko. color:blue">Taloudellinen riippumattomuus on niin color:blue">hype sana, etten sitä käytä. color:blue">Ammattisijoittaja kuulostaa paremmalle.”

ellauri088.html on line 359:     Armeijan ja opiskeluiden jälkeenkin Arvonen on color:blue">maltillisesti kasvattanut asuntosalkkuaan, mutta toteaa, että color:blue">sijoitusasuntoja on vielä color:blue">”aivan liian vähän”. Selkeän sijoitusstrategian itselleen laatinut Arvonen sijoittaa Turkuun keskeisille alueille. ”Olen asunut Turussa melkein koko ikäni, joten tunnen kaupungin jokaista kulmaa myöten. Sen lisäksi, että pitää ymmärtää color:blue">asuntosijoittamista aiheena, on tietenkin ymmärrettävä ja tunnettava se alue syvällisesti – on oltava color:blue">vahva näkemys. Ilman näkemystä hukka perii.” Päätös sijoittaa vain alueelle, jonka hän tuntee perin pohjin, on varmasti auttanut Arvosta color:blue">välttämään useita virheitä.

ellauri088.html on line 363: color:blue">Toinen keskeinen kriteeri Arvosen color:blue">sijoitusstrategiassa on asuntojen pieni koko. ”Sijoitan vain yksiöihin ja tykkään, jos se neliömäärä alkaa kakkosella. Liian pieni asunto ei ole koti, mutta kakkosella alkava on jo läävä. Toisaalta taas yli 30 neliön asunnoissa vastikkeet ja neliöt kasvavat lineaarisesti, mutta color:blue">lisävuokra per neliö ei nouse samassa suhteessa. color:blue">En näe arvoa, siis mulle, asukkaasta vitun väliä. Mun arvot koskee striktisti vaan Ronia. color:blue">Hyvä diili kannattaa kyllä aina ostaa ja vaikka myydä heti eteenpäin, jos ei sovi color:blue">pitkään possaan.” Arvosen color:blue">strategia on siis selkeästi tarkkaan harkittu ja laskettu.

ellauri088.html on line 365: color:blue">Asuntosijoittamisessa onnistuminen on osittain riippuvaista myös color:blue">markkinatilanteesta ja tällä hetkellä color:blue">hyvien kohteiden löytäminen color:blue">järkevään hintaan on color:blue">haastavaa. ”Hyvien diilien löytäminen on color:blue">tässä markkinatilanteessa haastavinta. Ja itse asiassa se ei ole vaikeaa, että saisi color:blue">hyvään hintaan kohteita. Sen sijaan vaikeaa on löytää color:blue">hyvään hintaan kohteita, jotka vielä sopivat color:blue">niihin omiin kriteereihin.”

ellauri088.html on line 367: Vaikka color:blue">asuntosijoitustoiminnan laajentaminen kiinnostaa ja houkuttelee, ei Arvonen halua color:blue">tinkiä laatimastaan strategiasta. ”En aio color:blue">syklin takia muuttaa color:blue">omaa hartaudella mietittyä ydintä. En ole color:blue">ostanut koko vuonna mitään. En aio color:blue">ostaa ostamisen vuoksi. Mieluummin color:blue">lyhennän lainoja, kerrytän käteistä ja sijoitan muualle. Jonkin ajan kuluttua color:blue">käteisellä ostavat ovat kuninkaita. 

ellauri088.html on line 369: Osasyyllisenä color:blue">Arvosen menestymiseen on varmastikin color:blue">ahkera opiskelu ja color:blue">innokas oman toiminnan systemaattinen parantaminen. Vaikka vapaa-aika color:blue">sulautuu sujuvasti yhteen työn kanssa, hän color:blue">järjestää itselleen aikaa lukemiseen. ”Luen kirjan per viikko. Perustietoni color:blue">karttuu sieltä kirjoista ja niiden avulla usein myös color:blue">kertaan perusasioita. Esimerkiksi Kiyosakin Rich Dad Poor Dad -kirjan olen lukenut aika monta kertaa ja sieltä löytyy joka kerta jotain uutta. color:blue">Ammattilaiset palvovat perusasioita. Ei tämä vaikeaa ole. Kaikessa yksinkertaisuudessaan tämä on tosi simppeliä hommaa. Otat muilta vielä tyhmemmiltä ja panet omaan taskuun, siinä se. Kertaan tän Kiyosakin kirjasta vähintään kerran viikossa.”

ellauri088.html on line 371: Arvonen siis lukee 52 kirjaa vuodessa, joten muitakin kuin asuntosijoittamiseen keskittyviä kirjoja varmasti tulee luettua. ”Kyllä. color:blue">Kunhan se on faktaa, niin luen. Vaihtoehtoistakin saa olla joukossa, siitä oppii empatiaa. Luen paljon color:blue">bisnekseen ja sijoittamiseen keskittyviä kirjoja. Myös color:blue">arvoihin sopivia myyntikirjoja tulee luettua. Yritän poimia kirjoista color:blue">sellaisia juttuja, jotka sopivat color:blue">omaan työhöni ja arvomaailmaani. Suurin osa myyntikirjoista on sellaista color:blue">epäeettistä luukuttamista. Toki nekin ovat ihan hyviä juttuja, mutta aika vaikeita. En vielä tajua ihan kaikkea."

ellauri088.html on line 373: Arvonen ei kuitenkaan turvaudu color:blue">toiminnan kehittämisessä pelkästään kansien välistä löytyvään color:blue">informaatioon, vaan hän myös color:blue">kysyy vinkkejä muilta sijoittajilta. ”Kysyn neuvoa nimenomaan niiltä, jotka color:blue">tekevät asioita sillä tasolla, jolla itsekin haluan joskus tehdä. Enimmäxeen miljonääreiltä.” Arvonen kokeekin, että nimenomaan kysymysten esittäminen color:blue">menestyneille ammattisijoittajille on yksi hänen color:blue">suurimmista onnistumisistaan asuntosijoittajana. ”Olen color:blue">onnistunut hyvin, sillä tiedän, että verennimijät ovat tehneet tätä ennenkin, eikä minun tarvitse keksiä pyörää uudelleen. Olen rohkeasti uskaltanut kysyä ja kopioida muilta, luvalla tietenkin.”

ellauri088.html on line 375: Tämän color:blue">nuoren ja nälkäisen kiinteistönvälittäjän menestymisen reseptin voisikin tiivistää seuraavasti: color:blue">tankkaa tietoa ja color:blue">toista perusasioita. Se ei riitä, mutta opi ne. Älä anna sen harmittaa, vaan ala jo. Sillä sinun on päästävä joholle!  laadi color:blue">tarkka sijoitusstrategia ja pysy siinä sekä kysy neuvoa itseäsi kokeneemmilta. Hälise somessa ja mätki vähempiosaisia rumasti. Puolusta äänekkäästi omistajistoa ja muista näkyä, ryhdy vaikka kökkäreiden vaaliehdokkaaxi jos pääset (mä pääsin). Kokoomuxen persulaidalla on vielä tilaa.

ellauri089.html on line 7:       color: blue;

ellauri089.html on line 27: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Addams

ellauri089.html on line 28: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Illegal Aliens
Ufoa

ellauri089.html on line 415:         § 6. and the answer to this question is that it is indefinable … color:red">indefinable ja simple ei ole sama asia. G.E.Mooren määäritelmäteoria oli aika alkeellista tasoa. Kyllä "hyvä" on hajotettavissa tekijöihin ja sillä on oma logiikka, kuten olen osoittanut tärkeässä artikkelissani hyvästä joka ilmestyi Kouvolan julkaisusarjassa.

ellauri089.html on line 423:         § 10. "Good", then, denotes one unique simple object of thought among innumerable others; but this object has very commonly been identified with some other—a fallacy which may be called "the naturalistic fallacy" … color:red">Tässä Jyriltä alkaa lähteä riimu käsistä. Sillä on niin iso lehmälauma ojassa, ettei se pysty pitelemään sitä. 1 lehmistä on että ainoa merkizevä hyvä on termiittiapinoiden hyvä, lehmistä ei mitään väliä. Niitä on hyvä popsia aivan vapaasti. Koska lehmät ei ole meikäläisiä, niillä ei ole sielua, ei äänioikeutta eikä armeijaa, ja ne maistuu meistä apinoista hyvältä. So there!

ellauri089.html on line 475:         § 35. Summary of chapter. color:red">Tulihan se sieltä. Tää on tää iänikuinen talousliberaali silmäänkuseskelu. Että me sielukkaat apinaolennot ollaan jotain luonnon yläpuolella kun me osataan näitä pelejä. Ilkka Niiniluoto 70-luvulla ivaili Ahmavaaran korkkiruuvia, että tosiasioista voitas muka päättää miten asioiden oisi paras olla. Senhän hydran pään katkaisi jo Hume sillä giljotiinilla. Ja eihän maailma ole satunnainen eikä deterministinen, eihän? Kai me ollaan muumipelin pelaajia jotka voi vaikka arvaamalla valkata jonkun parhaan reitin, jonka varrella on 2 näkinkenkiä ja muumitalon avain? 

ellauri089.html on line 537:         § 65. Summary of chapter. color:red">Tää luku on aivan joutava. Pelkkää olkimiehen mätkintää. Ei edes Epikuros ollut kiinnostunut noin paljon pyllynreijän kutkuttelusta.

ellauri089.html on line 541:   
color:red">Tässä Moore alkaa päästä vauhtiin, marssitetaan henkivoimat lavalle. Eihän etiikasta tule mitään ellei mukaan rontata tota kuolematonta sielua, ja sen mahdollistamia kuolemanjälkeisiä taannehtivia palkintoja ja rangaistuxia. Vähän sellaisia side payments, sivumaxuja kuten kaupankäyntipeleissä. 

ellauri089.html on line 584: 
color:red">So far so good, hyvin ja pahoin, oikein ja vasein, pitäsj ja pitäsj, mutta mitä Jyrin ja poikien oikeasti tulee sitten duunata? Voidaanko jatkaa entisellä mallilla, vai pitäisikö persereijät tervata? No ei nyt sentään, Moore lohduttaa. Tulkaa tyköni te janoovaiset ja isoreikäiset kuten ennenkin, kolkuttavalle avataan.

ellauri089.html on line 637: 
color:red">

ellauri089.html on line 689:     
color:red">Kaikkein traagisinta on, että kaikella tälläsellä pöpinällä on vitun verran virkaa siinä, mihkä suuntaan termiittilauma sännistää. Yhtenä miehenä tai oikeammin lisääntymiskyvyttömänä naaraana ne kiipeää saman kaislan vartta ylös, joka vääjäämättä kallistuu niiden painosta kohti jorpakkoa. Tää askartelu vaan piti Jyrin leivässä ja leivän päällisessä, jotta se voi kuzua opetuslapsia kotiin ehtoolliselle ja sen jälkeiselle kimppakivalle.

ellauri090.html on line 7:       color: blue;

ellauri090.html on line 27: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Joaquim do Pato

ellauri090.html on line 28: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">A Panelinha
Brassailua

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ellauri092.html on line 11: 	  color: blue;

ellauri092.html on line 33: 
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">John Bunyan

ellauri092.html on line 34: 
color:white;background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Badman and Robin
Näkyjä

ellauri093.html on line 7:       color: blue;

ellauri093.html on line 27: 
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Hudson Taylor

ellauri093.html on line 28: 
color:white;background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Yours Faithfully is Christ
Haahkanuntuvia

ellauri094.html on line 7:       color: blue;

ellauri094.html on line 27: 
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Hanski ja Helmi Häyrinen

ellauri094.html on line 28: 
color:white;background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Saukki ja siipioravat
Papanoita

ellauri095.html on line 7:       color: blue;

ellauri095.html on line 26: 
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">The Manly Hopkinses

ellauri095.html on line 27: 
color:white;background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Go fly a Kestrel
Leijailua

ellauri095.html on line 87: 
color:brown">

ellauri096.html on line 7:       color: blue;

ellauri096.html on line 27: 
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">2 Hippoa sohvalla

ellauri096.html on line 28: 
color:white;background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Tallitylleröt
Heppaharrastusta

ellauri096.html on line 806: In Piaget´s theory of cognitive development, the third stage is called the Concrete Operational Stage. During this stage, which occurs from age 7-12, the child shows increased use of logic or reasoning. One of the important processes that develops is that of Seriation, which refers to the ability to sort objects or situations according to any characteristic, such as size, color, shape, or type. For example, the child would be able to look at his plate of mixed vegetables and eat everything except the brussels sprouts. 

ellauri097.html on line 7:       color: blue;

ellauri097.html on line 11: 	  color: blue;

ellauri097.html on line 33: 
color:navy;background:#b5f2d0;text-align:center;margin-top:0%;margin-bottom:0%">ALFRED KINSEY

ellauri097.html on line 34: 
color:magenta;background:#b5f2d0;text-align:center;margin-top:0%;margin-bottom:0%">Schopenholic und Schwester
Tipukirjallisuutta

ellauri097.html on line 141: It is impossible to talk anything resembling discretion or judgment to a colored woman. They are all essentially child-like, and even hard experience does not teach them anything.

ellauri097.html on line 551:     
color:white">

ellauri098.html on line 7:       color: blue;

ellauri098.html on line 28: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">MARILE

ellauri098.html on line 29: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">GOOGLE: THERE ARE 129,864,880 BOOKS 
 IN THE ENTIRE WORLD
Kirja-arvostelua

ellauri098.html on line 212: color:red">SPOILERI: Nun /ˈnʊn/, in the Hebrew Bible, was a man from the Tribe of Ephraim, grandson of Ammihud, son of Elishama, and father of Joshua (1 Chronicles 7:26–27). Nun grew up in and may have lived his entire life in the Israelites´ Egyptian captivity, where the Egyptians "made life bitter for them with harsh labor at mortar and bricks and with all sorts of tasks in the field" (Exodus 1:14). In Aramaic, "nun" means "fish". Thus the Midrash tells: "[T]he son of him whose name was as the name of a fish would lead them [the Israelites] into the land" (Genesis Rabba 97:3).

ellauri098.html on line 442: color:red">Kexeliään kieroja juonittelijoita, esim talousliberaalit ja muut tyhjän naurajat, laillistetut kiinteistövälittäjät ja pörssimeklarit 


ellauri098.html on line 449: color:red">Speertyyppisiä holokaustiarkkitehtejä tai softakehittäjiä 


ellauri098.html on line 457: color:red">Röyhkeitä poliitikkoja, rähiseviä julkkixia ja maineikkaita fasistikihoja 


ellauri098.html on line 465: color:red">Göringtyyppisiä propagandaäijiä, pedofiilejä Keynesejä, kapitalismin kumihanskoja, suspekteja vasureita ja muita ateisteja. 


ellauri098.html on line 473: color:red">Motivoivia puhujia tai lipeviä imurimyyjiä, läjittäin vasureita pahixia 


ellauri098.html on line 481: color:red">Sekopäitä mystikoita ja saarnamiehiä. Väpelöitä romantikkoja. 


ellauri098.html on line 491: color:red">Goebbelsluokan suu vaahdossa huutajia, ml upseerit ja opettajat, paljon taas vasureita, neekereitä ja rääväsuisia naisia 


ellauri098.html on line 500: color:red">Propellipäisiä kexijäpellejä lobbareita, fanaatikkoja ja hulluja tyranneja 


ellauri098.html on line 509: color:red">Rekkakuskeja, pomottavia pikkunilkkejä, aliupseereja ja muuttomiehiä 


ellauri098.html on line 519: color:red">Kenraaleja, ylihoitajia ja muita pakko-oireisia nilkkejä 


ellauri098.html on line 527: color:red">Piirimyyjiä ja sairaanhoitajia, enimmäxeen säälittäviä häviäjiä: naisia, klovneja, muotopuolia ja värivirheisiä 


ellauri098.html on line 534: color:red">Lähihoitajia siivoojia ja muita mamuja, todella väpelöjå häviäjiä 


ellauri098.html on line 543: color:red">Mieltäkääntäviä sarja- ja massayrittäjiä 


ellauri098.html on line 550: color:red">Asianajajia lääkäreitä ja mezäprofessoreja, supermiehiä 


ellauri098.html on line 558: color:red">Juontajia ja muita typeriä julkkisklovneja, hurjasti hulvattomia piirrettyjä hahmoja. Kaikki virnuilevat kuvissa. 


ellauri098.html on line 566: color:red">Muusikkoja urheilijoita ja muita vähäpuheisia viihdyttäjiä, selkeästi pönttöpäitä 


ellauri099.html on line 7:       color: blue;

ellauri099.html on line 27: 
color:orange;background:white;text-align:center;margin-top:0%;margin-bottom:0%">The Figure of Dorian Gray
Toteemipaalu

ellauri099.html on line 28: 
color:green;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Oscar Wilde

ellauri100.html on line 7:       color: blue;

ellauri100.html on line 27:     
color:navy;background:#e9f07c;text-align:center;margin-top:0%;margin-bottom:0%">The Daily Telegraph

ellauri100.html on line 28:     
color:black;background:#e9f07c;text-align:center;margin-top:0%;margin-bottom:0%">Wincent was not mad, he had problems
Sekoilua

ellauri101.html on line 7:       color: blue;

ellauri101.html on line 28:     
color:silver;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Jjarrii!

ellauri101.html on line 29:     
color:orange;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">WHO IS YOUR INNER HERO?
Sankareita sukkahousuissa

ellauri101.html on line 38: We don’t find the meaning of the hero’s journey in slaying the dragon or saving the princess—these are colorful metaphors and symbols for a more significant purpose.

ellauri102.html on line 7:       color: blue;

ellauri102.html on line 28:     
color:silver;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Naimi Pikkari

ellauri102.html on line 29:     
color:gold;background:black;text-align:center;margin-top:0%;margin-bottom:0%">NO LOGO
Nimettömiä vihapuheita

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ellauri105.html on line 28:     
color:black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Oiva Ketonen

ellauri105.html on line 29:     
color:brown;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Vie paska painoon
Kökköä

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ellauri106.html on line 27:     
color:black;background:#bfc1bc;text-align:center;margin-top:0%;margin-bottom:0%">Phillu-Roth

ellauri106.html on line 28:     
color:black;background:#bfc1bc;text-align:center;margin-top:0%;margin-bottom:0%">Elämäni setämiehenä
Törkyä

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ellauri107.html on line 27:     
color:white;background:#90EE90;text-align:center;margin-top:0%;margin-bottom:0%">Peppy

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color:pink;background:#90EE90;text-align:center;margin-top:0%;margin-bottom:0%">Herttaisia muistoja
Herttaista

ellauri107.html on line 465: color:red">Looking out for #1    

ellauri107.html on line 468: color:red">Anticommunism        

ellauri107.html on line 472:     color:red">Hypocrisy

ellauri107.html on line 476:     color:red">Old boys network    

ellauri107.html on line 480:     color:red">This watch shows how poor I am        

ellauri107.html on line 486:     color:red">I saw that look (Loiri and E.S. at the latrine)   

ellauri107.html on line 489:     color:red">Capitalist ennui at meaningless life       

ellauri107.html on line 499:     color:red">Capitalist exploitation               

ellauri107.html on line 503:     color:red">Competition and penis envy

ellauri107.html on line 509:   
color:red">Money talks

ellauri107.html on line 517: 
color:red">Motivational images of banknotes

ellauri108.html on line 7:       color: blue;

ellauri108.html on line 26:     
color:red;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Haile Selassie

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color:#a55a44;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">MUSTARASTAS
Vapaaliikkeitä

ellauri108.html on line 289: First Jew of color to lead an American Jewish museum resigns, citing gender and racial discrimination. Gugulethu Moyo, former executive director of the Jewish History Museum in Tucson, Arizona. (Courtesy of Gugulethu Moyo).

ellauri109.html on line 7:       color: blue;

ellauri109.html on line 27:     
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">10 Promis

ellauri109.html on line 28:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Grabsprüche
Nekrologeja

ellauri109.html on line 767: celadon (n.) "pale grayish-green color," 1768, from French Céladon , name of a character in the once-popular romance of "l'Astrée" by Honoré d'Urfé (1610); an insipidly sentimental lover who wore bright green clothes, he is named in turn after Celadon (Greek Keladon) , a character in Ovid's "Metamorphoses," whose name is said to mean "sounding with din or clamor."

ellauri110.html on line 7:       color: blue;

ellauri110.html on line 27:     
color:blue;background:#bbbcb7;text-align:center;margin-top:0%;margin-bottom:0%">Heppahullu

ellauri110.html on line 28:     
color:green;background:#bbbcb7;text-align:center;margin-top:0%;margin-bottom:0%">Kirjoita hevoseläimestäsi!
Pollerunoilua

ellauri110.html on line 135: It is possible to interpret the Houyhnhnms in a number of different ways. One interpretation could be a sign of Swift's liberal views on race, or one could regard Gulliver's preference (and his immediate division of Houyhnhnms into color-based hierarchies) as absurd and the sign of his self-deception. It is now generally accepted that the story involving the Houyhnhnms embody a wholly pessimistic view of the place of man and the meaning of his existence in the universe. In a modern context the story might be seen as presenting an early example of animal rights concerns, especially in Gulliver's account of how horses are cruelly treated in his society and the reversal of roles. The story is a possible inspiration for Pierre Boulle's novel Planet of the Apes.

ellauri110.html on line 163:       Piret Saluri on kääntänyt useita lastenkirjojani. Piret on älykäs, viehättävä ja paljon lukenut. Anaalinen Antti kehii köydet kehille siististi. color:red">Loppiaisaattona 2022 löytyi Handen v1997 pikkupoikakirja pikkupekasta ja jättipekasta Väinölänkadun kirjaston poistohyllystä. Se on aika imelä. Se on kai poistettu koska pikkupekan käyttämä viihdeteknologia on täysin vanhentunutta. On kuin kazoisi vanhoja Montalbanoja.

ellauri111.html on line 7:       color: blue;

ellauri111.html on line 27:     
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Fedja-setä

ellauri111.html on line 28:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kirjailijan päiväkirja
Hymistelyä

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ellauri112.html on line 27:     
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Heput

ellauri112.html on line 28:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Höpötysikoneita
Höpötystä

ellauri112.html on line 631: What the FUCK? One has a beard the other not? Marlo and Tully are easier to mix up, and for good reason, see below color:red">[SPOILER WARNING]. They are like two Barbies, except one old and fat, the other young and skinny.

ellauri112.html on line 671: It is a series of humiliations. A goodlooking colored principal throws your son out of posh catholic school. Can it get any worse than that?

ellauri115.html on line 7:       color: blue;

ellauri115.html on line 27:     
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">JJ Rousseau

ellauri115.html on line 28:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Memorisant en herborisant
Herborisointia

ellauri115.html on line 532: Liikkeen alkusyyt ei löydy aineesta; aine vastaanottaa ja välittää liikettä, muttei synnytä sitä. Mitä enemmän havainnoin luonnonvoimien aktiota ja reaktoita toisiinsa, sitä enemmän mä nään että meidän pitää aina mennä yhdestä seurauxesta takaisin toiseen, kunnes löytyy alkusyyxi jonkun tahto; sillä äärettömän syiden jonon kuvitelma johtais otaxumaan ettei ole alkusyytä. Sanalla sanoen, ei ole mitään liikettä joka ei synny jostain toisesta, paizi jos se on spontaania tahdonalaista; elottomissa kappaleissa ei ole toimintaa vaan pelkkää liikettä, eikä ole oikeata toimintaa ilman tahtoa. Tää on mun eka periaate. [Onhan tää kieltämättä ikivanha purkka jota mutusteli jo muinaiset kreikkalaiset, mut kylse mulle kelpaa, mä otan sen mieluusti pulsan alta suuhuni.] Tää on mun alkusyy. Mä uskon sen takia että on olemassa tahto joka veti maailmankaikkeuden vieterin ja antaa luonnolle sen elämän. color:purple">Tää on mun eka dogma, tai mun uskontunnustuxen eka artikla.

ellauri115.html on line 542: Jos aine liikkeessä viittilöi kohti jotain tahtoa, määrättyjen lakien alainen liike musta viittaa johkin superälyyn; color:purple">tää on mun uskontunnustuxen toka artikla. Toiminta, vertailu ja valikointi on aktiivisen ajattelevan olennon operatiivista toimintaa; siis tämmöinen olento on olemassa. [Tää on tää iänikuinen kelloseppävertaus, joka sattuneesta syystä on mulle eri mieluisa.] Ei ainoastaan kiertävissä taivaankehissä, eikä auringossa josta tulee valoa, eikä yxin mussa izessäni, jonka pyllystä se päivä paistaa, vaan märehtivässä lampaassa, lentävässä linnussa, sen päähän putoovassa kivessä, tuulen puhaltamassa lehdessä. Kun aalto vapaa rannan tapaa, siinäkin soi bluuuuuus.

ellauri115.html on line 665: 	Kaiken toiminnan liikkeellepaneva voima on vapaan lehmän tahto; pitemmälle se ei voi mennä kuin sähköaita päästää. Sana vapaus ei ole merkityxetön, vaan sasna välttämättömyys. Se että joku teko ei ole jonkun aktiiviupseerin tulosta on olettaa seurauxia ilman syitä, eli järkeillä kehässä. Joko ei ole alkuperäistä tönäisyä, tai jokainen alkutönaisy on ilman edelläkäyvää syytä, eikä ole mitään varsinaista tahtoa ilman vapautta. Mies on siis vapaa pelaaman pelejä, ja sellaisena sitä liikuttaa aineeton aine, elämätön elämä, ja puhumaton pää. color:purple">Tää on mun uskontunnustuxen kolmas artikla. Näistä kolmesta voi helposti johtaa koko raamatun, eikä mun sixi tarvi sitä luetella.

ellauri117.html on line 7:       color: blue;

ellauri117.html on line 27:     
color:red;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Janne-Jaakkoo

ellauri117.html on line 28:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Eeeemeliii!
Roskaa

ellauri118.html on line 7:       color: blue;

ellauri118.html on line 27:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Choderlos de Laclos

ellauri118.html on line 28:     
color:black;background:lightgreen;text-align:center;margin-top:0%;margin-bottom:0%">Vaarallisia yhteyshenkilöitä
Syysmietteitä

ellauri118.html on line 962: In the book, all of the people in Gilead are white. People of color have been "resettled" to other areas of the country.

ellauri119.html on line 7:       color: blue;

ellauri119.html on line 27:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Batman ja Robin

ellauri119.html on line 28:     
color:black;background:orange;text-align:center;margin-top:0%;margin-bottom:0%">HOLY SMOKE!
Pyhistelyä

ellauri119.html on line 259:     The triangular theory of love suggests "intimacy, passion and commitment" are core components of love. The color wheel theory of love is an idea created by Canadian psychologist John Alan Lee that describes six styles of love, using several of the Latin and Greek words for love. First introduced in his book Colours of Love: An Exploration of the Ways of Loving (1973), Lee defines three primary, three secondary and nine tertiary love styles, describing them in terms of the traditional color wheel. The three primary types are eros, ludus and storge, and the three secondary types are mania, pragma and agape. 

ellauri119.html on line 428:     Scientific research on emotion has increased significantly over the past two decades. The color wheel theory of love defines three primary, three secondary and nine tertiary love styles, describing them in terms of the traditional color wheel. The triangular theory of love suggests "intimacy, passion and commitment" are core components of love. Love has additional religious or spiritual meaning. This diversity of uses and meanings combined with the complexity of the feelings involved makes love unusually difficult to consistently define, compared to other emotional states. Abstractly discussed, love usually refers to an experience one person feels for another. Love often involves caring for, or identifying with, a person or thing (cf. vulnerability and care theory of love), including oneself (cf. narcissism). Tulihan se sieltä!

ellauri119.html on line 502:   Niin ja sitton vielä tää Goethen väriteoria, tai ehkä paremminkin teeveestä tuttu RGB. Technicolor filmit elämisen oppaana. 

ellauri119.html on line 504:   The color wheel theory of love is an idea created by Canadian psychologist John Alan Lee that describes six styles of love, using several of the Latin and Greek words for love. First introduced in his book Colours of Love: An Exploration of the Ways of Loving (1973), Lee defines three primary, three secondary and nine tertiary love styles, describing them in terms of the traditional color wheel. The three primary types are eros, ludus and storge, and the three secondary types are mania, pragma and agape.

ellauri119.html on line 571:     Agape is derived from ἀγάπη a Greek term for altruistic love. Lee describes agape as the purest form of love, derives this definition of love from being altruistic towards one's partner and feeling love in the acts of doing so. The person is willing to endure difficulty that arises from the partner's circumstance. It is based on an unbreakable commitment and an unconditional, selfless love, that is all giving. It is an undying love of compassion and selflessness. Agape love is often referenced with religious meaning and is signified by the color orange.

ellauri131.html on line 7:       color: blue;

ellauri131.html on line 27:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Eastman Kodak

ellauri131.html on line 28:     
color:black;background:cyan;text-align:center;margin-top:0%;margin-bottom:0%">Halusin tallettaa sen hetken
Valemuistoja

ellauri132.html on line 7:       color: blue;

ellauri132.html on line 27:     
color:black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Jack Canafield

ellauri132.html on line 28:     
color:black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">How to Sell a Lot of Copies
Luovaa kirjoittamista

ellauri132.html on line 583: the color drained out of his face	väri valui hänen naamalta

ellauri132.html on line 816:       
color:grey">MITEN

ellauri132.html on line 818: 
color:grey">11 STEPILLÄ

ellauri132.html on line 846:   Perustuu color:grey">john@august.comin plokiin


ellauri132.html on line 847:   Infotaulun tekicolor:grey">Ryan joku

ellauri133.html on line 7:       color: blue;

ellauri133.html on line 27:     
color:cyan;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">PONIT

ellauri133.html on line 28:     
color:pink;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">ponien maailma
Luovaa heppahulluutta

ellauri133.html on line 241: 
color:red">

ellauri133.html on line 427: Stephen King writes, well, colorfully, but his development of female characters leaves much to be desired. Women should have more of a purpose than their sexuality.

ellauri133.html on line 598: color:red">Varoitus:  Seuraava kirjoitus paljastaa yksityiskohtia juonesta.

ellauri133.html on line 612: color:red">Juonipaljastukset päättyy tähän.

ellauri133.html on line 866: After graduating, Jackson and a guy named Hyman married in 1940. Jackson began writing material as Hyman established himself as a critic. In the backwoods town where Hyman managed to get a job, which Shirley hated as much as him, Jackson and Hyman were known for being colorful, generous hosts who surrounded themselves with literary talents, including Ralph Emerson. They were both enthusiastic readers whose personal library was estimated at $ 25,00.

ellauri135.html on line 7:       color: blue;

ellauri135.html on line 27:     
color:cyan;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">K. Paustovski

ellauri135.html on line 28:     
color:pink;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Iljitshin syvänne
Asosiaalista realismia

ellauri140.html on line 7:       color: blue;

ellauri140.html on line 27:     
color:black;background:#fefefe.jpg;text-align:center;margin-top:0%;margin-bottom:0%">E. Difpenfer

ellauri140.html on line 28:     
color:black;background:#fefefe;text-align:center;margin-top:0%;margin-bottom:0%">THE DRAGGE QVEENE.
Liian pitkä lukea

ellauri141.html on line 7:       color: blue;

ellauri141.html on line 27:     
color:black;background:#fefefe;text-align:center;margin-top:0%;margin-bottom:0%">HORATIUS FLACCUS

ellauri141.html on line 28:     
color:black;background:#fefefe;text-align:center;margin-top:0%;margin-bottom:0%">OODEJA
Oodeja

ellauri141.html on line 320:       iam manet umida creta colorque		          The finale? a makeup meltdown (drenched foundation	

ellauri141.html on line 321: stercore fucatus crocodili iamque Subando	    & blush–colored in crocodile crap–blurring), capped		

ellauri142.html on line 7:       color: blue;

ellauri142.html on line 31:     
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Bhagavadgita

ellauri142.html on line 32:     
color:yellow;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">AUM!!
Indoeuroviisuja

ellauri142.html on line 401: color:red">Pas pithekos phusei eidenai oregei, eli apinat on luonnostaan uteliaita kuin apinat. (Urkund merkkasi ton punaisella, se on plagiaatti Arilta.) color:red">Mutta mitä se hyödyttää, siitä saa vaan sielullensa vahingon, parempi olla tyhmä maalainen ja kyyristellä herran kynnyxellä. Laat af an oonmatige wijsbegeerte. Pane se kirja pois, riittää kun hypistelet omaa napanöyhtää, color:red">gnothi seauton. 

ellauri143.html on line 7:       color: blue;

ellauri143.html on line 31:     
color:white;background:orange;text-align:center;margin-top:0%;margin-bottom:0%">Valluvar

ellauri143.html on line 32:     
color:white;background:orange;text-align:center;margin-top:0%;margin-bottom:0%">Tikku Kuralla
Singlejä

ellauri144.html on line 7:       color: blue;

ellauri144.html on line 31:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Lauri Schlager Carlson

ellauri144.html on line 32:     
color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kuvia varten Carlson Lauri
Nugaata

ellauri145.html on line 7:       color: blue;

ellauri145.html on line 31:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Andre Breton

ellauri145.html on line 32:     
color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Anthologie de l´humour ligneux
Puisevaa

ellauri145.html on line 436:     Charles Cros Émile-Hortensius-Charles Cros (October 1, 1842 – August 9, 1888) was a French poet and inventor. He was born in Fabrezan, Aude, France, 35 km to the East of Carcassonne. Cros was a well-regarded poet and humorous writer. He developed various improved methods of photography including an early color photo process. He also invented improvements in telegraph technology. In the early 1870s Cros had published with Mallarmé, Villiers and Verlaine in the short-lived weekly Renaissance littéraire et artistique, edited by Emile Blémont. His poem The Kippered Herring inspired Ernest Coquelin to create what he called monologues, short theatrical pieces whose format was copied by numerous imitators. The piece, translated as The Salt Herring, was translated and illustrated by Edward Gorey. He spent years petitioning the French government to build a giant mirror that could be used to communicate with the Martians and Venusians by burning giant lines on the deserts of those planets. He was never convinced that the Martians were not a proven fact, nor that the mirror he wanted was technically impossible to build. Tästä hepusta tulee mieleen Spede Pasanen ja sen hiihtolinko. 

ellauri145.html on line 537: Nietzsche’s image, through no more fault of his own than Hawking´s (LOL), has grown in a similar way to that of Hawking. We all have a vague notion of what the Ubermensch is, we’ve all heard “God is dead,” and we all know Nietzsche was a crazy philosopher with a giant mustache who wrote really hard books and scared his contemporaries and was apparently a favorite of the Nazis. There are little quips and quotes from him around the internet that sound awfully cryptic and enigmatic. And the publishing industry plays on this image, too: I have a copy of Beyond Good And Evil with a black cover and the title text printed in red and white, and the color scheme looks a little sinister. I strongly suspect that, if Nietzsche did not have a popular image as a crazy nihilist Nazi Ubermensch from the 1800s, the publisher would not have made the decision to print his books with a black and red color scheme. A cursory look at Amazon’s book listing also shows copies of Thus Spake Zarathustra with a picture of a panther’s eyes on the cover, glowering at the reader. Because… “Nietzsche was that crazy German writer or philosopher or whatever, right? And he was, like, an anarchist or nihilist or Nazi or something, right? Didn’t he kill God or something like that? Yeah.”

ellauri146.html on line 7:       color: blue;

ellauri146.html on line 32:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Gottliebchen Klopfestock

ellauri146.html on line 34:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">der Meffias.
Hölzernes

ellauri147.html on line 7:       color: blue;

ellauri147.html on line 32:     
color:black;background:#cdc8b5;text-align:center;margin-top:0%;margin-bottom:0%">Ale Tyynni-Haapio

ellauri147.html on line 33:     
color:7d466d;background:#cdc8b5;text-align:center;margin-top:0%;margin-bottom:0%">OLEN TYPERÄ KANA
Kotkotusta

ellauri150.html on line 7:       color: blue;

ellauri150.html on line 31:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Emile Zola

ellauri150.html on line 32:     
color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">J'Accuse!
Sysin seppoja

ellauri150.html on line 97: Ajatusta siitä, että ihonväristä tai rodullistamisesta ei haluta puhua, kutsutaan värisokeaksi rasismiksi (eng. colorblind racism), Hai Nguyen kertoo.

ellauri150.html on line 463: 
color:red">Spoileri

ellauri150.html on line 508: Lewis kynäilijänlaatu ilmenee  seuraavista otteista. Siinä on tosiaan technicolor fiilistä.

ellauri150.html on line 563: The two gazed at each other. We know what Esther presented—a beautiful woman, a happy mother, a contented wife. On the other side, it was very plain that fortune had not dealt so gently with her former rival. The tall figure remained with some of its grace; but an evil life had tainted the whole person. The face was coarse; the large eyes were red and pursed beneath the lower lids; there was no color in her cheeks, no makeup. The lips were cynical and hard, and general neglect was leading rapidly to premature old age. Her attire was ill chosen and draggled. The mud of the road clung to her sandals. Iras broke the painful silence. 


ellauri150.html on line 668:     
Leo was the first person in the world to be captured on color film. Maybe that is why he gave his blessings on Ben-Hur. The blessings worked, it too came out on color film. Here's some more messages from him. 

ellauri151.html on line 7:       color: blue;

ellauri151.html on line 11: 	  color: blue;

ellauri151.html on line 37:     
color:black;background:#158dc1;text-align:center;margin-top:0%;margin-bottom:0%">N'EST-CE PAS
Paskakirjoja

ellauri151.html on line 38:     
color:black;background:#158dc1;text-align:center;margin-top:0%;margin-bottom:0%">ANDREA GUIDO

ellauri151.html on line 281: Dilthey a le premier noté l’importance d’un texte de jeunesse de Hegel et y a signalé comme une première esquisse de ce que sera plus tard color:red">«la conscience malheureuse». On sait quelle importance revient à la conscience malheureuse dans la Phénoménologie de Hegel, et plus tard encore dans la Philosophie de la Religion. Sous une forme abstraite la conscience malheureuse est la conscience de la contradiction entre la vie finie de l’homme et sa pensée de l’infini. « En pensant je m’élève à l’absolu en dépassant tout ce qui est fini, je suis donc une conscience infinie et en même temps je suis une conscience de soi finie et cela d’après toute ma détermination empirique... Les deux termes se cherchent et se fuient — je suis le sentiment, l’intuition, la représentation de cette unité et de ce conflit et la connexion de ces termes en conflit... je suis ce combat, je ne suis pas un des termes engagés dans le confit, mais je suis les deux combattants et le combat lui-même, je suis le feu et l’eau, qui entrent en contact et le contact et l’unité de ce qui absolument se fuit. » La conscience malheureuse qui dans la Phénoménologie trouve son incarnation historique dans le judaïsme et dans une partie du moyen âge chrétien est en effet la conscience de la vie comme du malheur de la vie. L’homme s’est élevé au-dessus de sa condition terrestre et mortelle ; il n’est plus que le conflit de l’infini et du fini, de l’absolu qu’il a posé en dehors de la vie, et de sa vie réduite à la finitude…

ellauri151.html on line 287: Im Skeptizismus erfährt das Bewußtsein in Wahrheit sich als ein in sich selbst widersprechendes Bewußtsein; es geht aus dieser Erfahrung eine neue Gestalt hervor, welche die zwei Gedanken zusammenbringt, die der Skeptizismus auseinander hält. Die Gedankenlosigkeit des Skeptizismus über sich selbst muß verschwinden, weil es in der Tat ein Bewußtsein ist, welches diese beiden Weisen an ihm hat. Diese neue Gestalt ist hiedurch ein solches, welches für sich das gedoppelte Bewußtsein seiner als des sich befreienden, unwandelbaren und sichselbstgleichen, und seiner als des absolut sich verwirrenden und verkehrenden – und das Bewußtsein dieses seines Widerspruchs ist. – Im Stoizismus ist das Selbstbewußtsein die einfache Freiheit seiner selbst; im Skeptizismus realisiert sie sich, vernichtet die andere Seite des bestimmten Daseins, aber verdoppelt sich vielmehr, und ist sich nun ein Zweifaches. Hiedurch ist die Verdopplung, welche früher an zwei einzelne, an den Herrn und den Knecht, sich verteilte, in eines eingekehrt; die Verdopplung des Selbstbewußtseins in sich selbst, welche im Begriffe des Geistes wesentlich ist, ist hiemit vorhanden, aber noch nicht ihre Einheit, und color:red">das unglückliche Bewußtsein ist das Bewußtsein seiner als des gedoppelten nur widersprechenden Wesens.

ellauri152.html on line 7:       color: blue;

ellauri152.html on line 31:     
color:darkred;background:#faf2a1;text-align:center;margin-top:0%;margin-bottom:0%">THEOKRITOS

ellauri152.html on line 32:     
color:darkred;background:#faf2a1;text-align:center;margin-top:0%;margin-bottom:0%">EPYLLEJÄ
Luontopalveluja

ellauri152.html on line 363: o formose puer, nimium ne crede colori!			Voi kaunis poika, älä luota liikaa ihonväriin!

ellauri153.html on line 7:       color: blue;

ellauri153.html on line 31:     
color:darkred;background:#e9d6ae;text-align:center;margin-top:0%;margin-bottom:0%">Saad

ellauri153.html on line 32:     
color:darkred;background:#e9d6ae;text-align:center;margin-top:0%;margin-bottom:0%">FARSSEJA RUUSUTARHASSA
Röyhkeää

ellauri153.html on line 326: the world reaches its telos. color:red">Who cares what the monkeys think. Dog knows best.

ellauri153.html on line 327: 
“God is omnipotent” means that God can achieve His plans and defeat evil. color:red">Dog has a winning strategy. Not all the moves in the game.

ellauri153.html on line 329: proceed from the actions of chaotic forces that are opposed to God’s plans and the world order. color:red">Mani rules. Dog is just another player behind the board, with opposing forces not under his control. 

ellauri153.html on line 332: be presented as a zero-sum game. color:red">Mixi zero-sum? Eikös trendaavampaa olis tollanen win-win situation? Selvää manikeolaisuutta! Länkkäri Ford Hippo on huolestunut, mutta riisipussit Ahura ja Mazda riemuizevat.

ellauri153.html on line 342: 
The players of the Justice-of-God game G are God, Job and Leviathan. color:red">Mix Leviathan? Sehän oli se krokodiili, tai paremminkin Moby Dick. Tekeekö Jaakko tässä Dogista munattoman Ahasveruxen, ja Job olis niikö se homo Ishmael?

ellauri153.html on line 345: 
God plays first. He can either (question Job) or (⌐question Job). color:red">Negaatiomerkkikin on väärinpäin! Naurettavaa! Amatöörimäistä tunarointia. If God does not question Job in the council of angels, Leviathan is left undefeated and God and Job lose. color:red">Lose what? Face? Mitä vittua jahven tarvii olla tollanen yllytyshullu? Mixeise vaan vedä lättyyn saatanaa sen sijaan että kiusaa tyhmää Jopi apinaa? Koko kasku on aivan vituralla. Dog on vaan ilkee julmuri. Siitä ei pääse mihinkään. 

ellauri153.html on line 347: 
If the situation is (question Job, disaster), then Job moves. He can either play (question God) or (⌐question God). If Job plays (⌐question God), he loses as he does not seek justice for the evil (disaster). color:red">Wot? Where is this in the rulebook? Wouldn't it be best for Dog if Job didn't pester him? L would lose the bet. Or why not blame Moby Dick instead! Seems we are inventing rules here as we go along. Vähän tällästä lassipalloa.  If Job plays (question), he curses creation and attempts to be like God, putting the evil (challenge) into play. 

ellauri153.html on line 348: 
If the situation is (question Job, disaster, question God), then God moves. He can either play (Answer to Job) or (⌐answer to Job), i.e. answer Job and defeat Job’s challenge, or leave Job suffering, Job’s challenge unanswered and the creation to collapse. If God plays (⌐answer to Job), God and Job lose, as the evils (disaster) and (challenge) leave Job suffering and the creation into meaninglessness and collapse. color:red">Wait a minute, where does Dog answer Job's why-question? In my bible, Dog just shouts Job down, brags, throws wanton threats and explains nothing. In what way does that count as an answer to a why-question? It is a completely different speech act in my book.

ellauri153.html on line 349:   
If the situation is (question Job, disaster, question God, Answer), Job moves. He can either play (Recognize God without PSR color:red">Principle of Sufficient Reason, kz. Schopenhauerin väitöskirja plus infra, or (⌐Recognize God without PSR), i.e. recognize that God can reach His goals of repairing suffering and the claim that God must be rejected for evil without reasons is false. If Job plays (⌐Recognize God without PSR), Job and God lose. If Job plays (recognize God), the evil (challenge) is taken out of play.

ellauri153.html on line 353: win as Leviathan is defeated, there are no undefeated challenges and Job lives a happy life. color:red"> Forget the 7 senselessly killed monkey pups and some 10K dead slaves and other animals who nobody cared a shit about anyway.

ellauri153.html on line 357: only if Job reaches the telos of a good life and evil is defeated. color:red">OK, lassipalloa pelataan ilmeisesti jesuiittasäännöillä, eli lopputulos pyhittää keinot. Sama se mitä tuhoa saadaan aikaan matkan varrella ja kuinka siinä käy muille kuin meidän tiimille. Hyvä dog! huutaa dog-kaulaliinaiset kazojat. Muut murjottavat paiziorajan takana krokettiportit kaulassa.

ellauri153.html on line 358:   
“God is omnipotent” is true at game history w if and only if God has a winning strategy in the justice-of-God game G. color:red">Tässähän se tapahtuu se suuri lässähdys. Muka omnipotentti jumala saa häthätää saatanasta matin loppupeleissä. Matkan varrella isokyrpäinen valas voi syödä vaikka kaikki sen nappulat paizi kurkon, joka jää viimeisenä laudalle. Aika lohduttavaa sen muulle tiimille. One can make a few clarifying remarks about the structure of the game. The form of the game is  relatively simple: it’s an ordinary extended-form perfect information game. color:red">tuskinpa Jobilla oli täydellistä informaatiota pelitilanteesta tai edes pelin säännöistä, muista pelaajista puhumattakaan. Aika isoja informaatiojoukkoja oli niiden kalloissa. Sitäpaizi ei luonnossa pelaajat siirrä vuoronperään, vaan koko ajan, niinkuin differentiaalipeleissä. . The goal is here not to go deeply into technical details, but to construct an übersichtlich representation for the theological  grammar of biblical stories and to highlight the uses of terms like “good” and “omnipotent” in  them. The game or model can then be used as a simplified fragment that can be projected onto, contrasted with and used to interpret biblical stories. The point of this clarification is to highlight  the grammar of the divine properties “good” and “omnipotent” within the logic of the struggle myth, and to get the consistency of {God is good, God is omnipotent, There is chaotic evil} as in the Book of Job. The argument needs two assumptions. First, the games between God, humans and creation are genuine dialogues. color:red">Paskanmarjat, ei nää ole edes mitään signaling gameja, puhumattakaan dialogipeleistä. Olis kannattanut lukea mun väitöskirja Dialogue Games, siinä on oikeeta sananvaihtoa. The players answer each other and thus have to take turns in making moves and participating in them. Then the game of Job and the struggle against chaos is in extended form to represent the sequence of the debate, and its resolution gives the drama of the fight against kid chaos. Second, the properties of God like “omnipotent” and “good” are defined against the background of Job’s encounter with God and the struggle against chaos. This redefinition builds on both James’ reinterpretation of the properties of God in terms of religious practices, and also of Job’s new world of faith in the encounter. Job’s encounter with God and the struggle against chaos are modelled in the game, so such properties of God as “good” and “omnipotent” are then internal to the game. color:red">Missä kohtaa Jopilla on tässä jotain pelivaraa? Montako valintaruutua Jobilla edes on: Marise-älä marise, ja Pyllistä-älä pyllistä. Siinä kaikki. Jotta jumalan tiimi voittaisi, sen pitää ensin marista ja sit pyllistää. Nain on meidankin elamassamme! Marise mitä mariset, mut muista pyllistää!

ellauri153.html on line 366: left unchecked, or it arises from a tendency S that is strategically opposed to the good in G. color:red">Ai siis evil on nimenomaan apinoiden takaiskut, ja ne on kaoottisia silloin kun ne ei ole dogin nimenomaisia pyrkimyxiä vaan vahinkolaukaus, valitettava sivuvaikutus. We apologize for the inconvenience. Paizi jopin kohdalla ne oli täysin tahallisia. Ja miten niin kaaos? Aika kosmeettinen apinamorfinen luonnehdinta maailman menosta. Tuskin on mielessä nonlineaarinen determinismi.

ellauri153.html on line 375:     there is no larger context of meaning for embedding s. color:red">Turhaa tekomalliteoreettista termikiemurointia. Tää on taas tätä jesuiittamaista "you don't see the big picture" seliseliä. Tää voi sua juuri nyt vähän kirpasta, muze on kaikki sunkin omaxi hyväxi, jonsei nyt niin sitten kuonpuoleisessa viimestään. 

ellauri153.html on line 384: happiness. color:red">Eli joo syyttele vaan pahaa pikku cheefiä Moby Duckia, ei jumala sille mitään voi vaikka loikin sen ja on sen iso cheefi. Vitun tunari, mixet suunnitellut pelilautaa paremmin? Siis meidän kannalta ja vähän izesikin. Job’s evil (challenge) is tragic, as his quest for justice ends up challenging creation as a 

ellauri153.html on line 390:     of A:s strategy and A wins iff God and Job lose. color:red"> Höh mix kilpailjaa tai muuten vaan ihan muuhun tavoitteeseen pyrkivää kanssapelaajaa hyödyttävä siirto olis pointless? "Nyt panit pahan." Onhan sillä sille vinha pointti. Vitun izekästä omanvoitonpyyntistä ajattelua. Muzehän onkin näille teofiileille luonteenomasta, ne on yxisilmäisiä kuin kykloopit. Narsistisesti ne ajattelee olevansa ainut moukka laudalla. Mitäs jos jumala onkin kana? Nehän taitaa olla lukumääräisesti apinoita joholla. Lisääntykää ja täyttäkäää häkkikanalat.

ellauri153.html on line 402: “God’s megaphone” to pressure human beings into accepting His salvation. color:red">Hyvä imizi. Pystyy ihan näkemään dogin mylvimässä kovaääniseen: hajaantukaa! Ei täällä ole mitään nähtävää! Law an order. Tää on taas tällästä teismiä: jumalan pyjama on tarttunut sen ize keximän koneen rattaisiin. Sorry folks, tässä nyt vaan kävi näin, lämpöverkko on epätasapainossa, eikä taulu kestä lisää sähkölaitteita, mutta voin tuoda teille lisäpattereita. Even horrendous evils 

ellauri153.html on line 406: carry through with the plan. color:red"> Se mikä näissä turinoissa ihmetyttää eniten on miten moraalisesti alamittaisia paskiaisia ne jumalistaan tekevät. Infantiileja narsisteja, vitun marvel comixin supermiehiä. Mutta omaxi kuvaxeenhan ne niitä laativat, peilistä tihrustavat mallia. A world of happy creatures is a great good for the world w, but the 

ellauri153.html on line 408: greater good for w.  color:red">Sure. Funny how everybody still clings to this measly earthly life to the last, given the joys that await them in the clouds. Then the Incarnation and the Gospel stories discussed in Ch. 6.3.1 are God’s 

ellauri153.html on line 416: of Christ. Why the cross? Why not some other manner? color:red">Water torture? Eikö niskalaukaus olis riittänyt? Vitun kaupantekoa apinoiden hengillä. Toi lunastusmetafora on aina hämmästyttänyt näissä tomfooleryissä. Huomaa kyllä et tän juonen kexivät maailman etevimmät lumppukauppiaat, ja ymmärtää mix tää uskonto on kapitalismin merkkituote.  The use of PSR-based theodicism as a 

ellauri153.html on line 429:   color:red">Vizi etmä oon väsynyt tähän peliteoriaan. Emmä ole edes koskaan tykännyt mistään peleistä, liian seurallisia. No joku matopeli ehkä, ja taskubiljardi. Enkä 5 hengen Aspektin jälkeen kuulunut mihkään yhdistyxiin. Nekin on aivan perseestä. 11 hehtaaria mezää ympärille reviirixi kiitos. Tän lassipallon hauska piirre on et siinä jumalakin saa sinkoilla vapaasti ympäriinsä kuin irtonainen kanuuna, ilman sääntöjä ja antamatta tyhjentäviä meriselityxiä, noita Schopenhauerin neljän juuren juurihoitoja. Ennustamattomasti toilaileva jumala on aika uskottava. Sehän selittäisi kaiken, ja enemmänkin.

ellauri153.html on line 449: color:red">Loppu hyvin, kaikki hyvin. Jobille kävi hyvin ellei paremmin vielä tällä puolen kiveä. Jos sulla ei käy yhtä hyvä viuhka, älä sure, yläpilvellä viimeistään puntit tasataan. I promise! No ollaanko nyt viisaampia kun hellitettiin koalan nelijuurisesta juurikkaasta? Jumalalle ainakin on pelitilanne nyt helpottunut, ei tarvi kaikkea enää selittää parhain päin. Ja saatana- tarkoitan Moby Dick on saanut lisää statusta. Jobin marinakin on välttämätön osa voittosanomaa. Ilman sitä siirtoa ei oltaisi nyt tässä. Good Job! Eläköön ruukunsirkamat! Kylla Jopi elamassa parjaa! Kazo kuinka se on nytkin rynninyt Carlsonien nelikon ihan kärkeen loppumetreillä. Älkää nuolaisko ennenkö tipahtaa, kazotaan ensin loppuun tämä tilanne! 

ellauri153.html on line 466: color:red">Hinoa Lassi, vaikkakin supererogatorista, eli turha vaiva, sillä jumalan julma vedonlyönti Jobin kustannuxella riitti näytöxi, se oli niin pointless evil kuin vaan voi toivoa.

ellauri153.html on line 469: 
color:red">Nyt alkas sitten saarnaosuus. Rukoilkaamme. Mä lakkasin jossain vaiheessa edes teeskentelemästä kirkonpenkissä kädet ristissä pää köyryssä hartaan näköstä. Herra näki kuitenkin sieluuni ja ettei siellä ollut ketään kotona. Vaan riepumatot rytyssä. Mutta ensin kirjeitä ja sanomia pikkuprofeetoilta eli Lassin peukuttamilta hämärämiehiltä.

ellauri153.html on line 479: The problem of evil has been shown to be a deep problem in Wittgenstein’s sense. color:red">Vittu näitä kielimiehiä. Tulee mieleen 60-luvun hammastahnamainos, jossa ehdotettiin kielikoetta, että onko etuhampaat Hamannin harjan ja lipeäsaippuan (Malakia 3:2) jälkeen enää tahmaiset. Syvältä, indeed. Syvällisyys on suunnilleen yhtä ällösana kuin humanismi (alla). The existence of 

ellauri153.html on line 489: color:red">Carlson Lauri, [8.12.2021 12.36] HERÄÄ! Oza irti kirkonpenkistä! Kuuntele nyt tarkasti, kuin Kalevi Jankko, Jankon betoni, tämä herran sana: HAISTA SINÄ PASKA! Terv. Aabrahamin ja Iisakin jumala. Thanks for listening. Aasia kunnossa.

ellauri153.html on line 498: theodicy are then humanistic projects at heart. color:red">Humanismi on vielä pahempaa kuin teismi. Kun kuulen sen sanankin poistan varmistimen lipeäsaippuastani. 

ellauri153.html on line 535: defined as the claim that God or meaning exist only, if all evils are justified by sufficient reasons.color:red"> No suurin osa vaikkei välttämättä kaikki tapahtumista on seurauxia jostain aikasemmista, sevverran determinististä tää touhu on. Sen kummempaa perustelua ei edes kaivata, paizi jos olet joku vitun narsisti tai nazi. Ei ole mitään pahan ongelmaa, tää on ihan Darwinin apinoiden normipäivää. 

ellauri153.html on line 554:   Now that the problem of evil has been exposed as a conceptual confusion, the way is clear for a  Jamesian science of religions and worldviews. The methods of grammatical description can be  extended to the practices and ways of sense-making in different worldviews: how they give  meaning to moral practices and how do they approach the intelligibility of the world? What  practical responses do they have for coping with evil? For example, the grammar of seeing-as for  models and metaphors can be applied to the metaphors in the Hebrew Bible for God’s activity to  understand what it is to see the world as God’s creation. The grammar of virtues can be used to  describe Buddhist practices and explore, how these approaches contribute to the human good.  Similar approaches can be taken to secular worldviews as well. These descriptions can then be used  to assess the worldviews through dialogical encounters between them. However, one thing should  be clear. There is no point in devaluing the world by arguing for the meaninglessness of life or  atheism on the basis of evil, or in giving justifications for evils that can stand in the way of divine or  human meliorist projects of fighting for justice. To paraphrase the judgment of the Divine Judge in  the Book of Job, such approaches are not even wrong. color:red">They are as meaningless as life itself.

ellauri153.html on line 556: color:red">So we can do as Ludi Wittgenstein and start seeing the evil Bugs Bunny as the good Scrooge McDuck. James, hyi, epämiellyttävä farmarihousuinen optimistijolla, Will-to-Believe jenkki pragmaatikko luottokortteineen ja kehruujennyineen. Sellaistako tääkin lassipalloilija lopultakin peukuttaa? Niinpä tietysti.

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ellauri155.html on line 31:     
color:black;background:lightgrey;text-align:center;margin-top:0%;margin-bottom:0%">Ano Turtiainen

ellauri155.html on line 32:     
color:black;background:lightgrey;text-align:center;margin-top:0%;margin-bottom:0%">Täällä ei saatana juhlita!
Persuuxia

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ellauri156.html on line 31:     
color:white;background:#85b8cb;text-align:center;margin-top:0%;margin-bottom:0%">Bob & Dawg

ellauri156.html on line 32:     
color:white;background:#85b8cb;text-align:center;margin-top:0%;margin-bottom:0%">Bathsheba pesulla
Sananlaskuja

ellauri156.html on line 70: This sequence of events and its accompanying tragedies is the subject of chapters 11 and 12 of 2 Samuel. I have chosen to expound these chapters in three lessons. This first lesson will deal with “David and Bathsheba,” as described in 11:1-4. In the following lesson, we will address the subject of “David and Uriah,” as told by our author in 11:5-27. The third lesson will focus on “David and Nathan,” as this confrontation is put forth in chapter 12. Our text has much to say about the sins of adultery and murder, but rest assured that it addresses much more sins than this. It is a text we all need to hear and to heed, for if a “man after God's own heart” can fall so quickly and so far, surely we are capable of similar or even bigger failures. May the Spirit of God take this portion of the Word of God and illuminate it to each of us in full color, as we come to this study. 

ellauri156.html on line 331: I must press the point a little further, at the risk of coming off. Of course it is wrong for David to use his power to have sex with another man's wife. But it is not right to abuse power even when sex is permissible. A husband should not abuse his power in order to have sex with his wife. And a wife should not abuse her power (of saying “No,” for example) to punish or put off her husband. (LOL! Bob, you show you true colors here!) Within marriage, sex is simply another area of serving our mate. It is not the opportunity to lord it over our mate. Put that in your pipe and smoke it, Jennifer! And you girls as well!

ellauri156.html on line 415:     David and Bathsheba is a 1951 historical Technicolor epic film about King David made by 20th Century Fox. It was directed by King Saul, produced by Dog, a.k.a. Zanuck, from a screenplay by Philip Dunno. The cinematography was by Leon Shameonyou. Gregory Peck stars as King David and the film follows King David's life as he adjusts to ruling as a King, and about his relationship with Uriah's wife Bathsheba, played by Susan Wayward. Goliath of Gath was portrayed by 203 cm-tall (6'8") Lithuanian wrestler Walter Talun. These days Walter would no longer get a bench seat in a high-school basketball team. 

ellauri156.html on line 451: A. H. Weiler of The New York Times described the film as "a reverential and sometimes majestic treatment of chronicles that have lived three millennia." He praised Dunno's screenplay and Peck's "authoritative performance" but found that Wayward "seems closer to Hollywood than to the arid Jerusalem of his Bible." Variety wrote, "This is a big picture in every respect. It has scope, pageantry, sex (for all its Biblical background), cast names, color—everything. It's a surefire boxoffice entry, one of the really 'big' pictures of the new selling season." Philip K. Scheuer of the Los Angeles Times wrote that the film "leaves little to be desired" from the standpoint of production values with Peck "ingratiating" as David and Wayward "a seductress with flaming tresses, in or out of the bath, and only her final contrition is a little difficult to believe." Richard L. Coe of The Washington Post wrote, "On the whole, the picture suggests a Reader's Digest story expanded into a master's thesis for the Ecole Copacabana."] Harrison's Reports wrote, "The outstanding thing about the production is the magnificent performance of Gregory Peck as David; he makes the characterization real and human, endowing it with all the shortcomings of a man who lusts for another's wife, but who is seriously penitent and prepared to shoulder his guilt. Susan Wayward, as Bathsheba, is beautiful and sexy, but her performance is of no dramatic consequence." The Monty Python Bulletin commented that the film had been made "with restraint and relative simplicity" compared to other historical epics, "and the playing of Gregory Peck in particular is competent. The whole film, however, is emotionally and stylistically quite unworthy of its subject." Philip Hamburger of The New Yorker wrote that "the accessories notwithstanding, something is ponderously wrong with 'David and Bathsheba.' The fault lies, I suppose, in the attempt to make excessive enlargements of an essentially-simple story." Zanuck the Hot Dog agreed. 

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ellauri158.html on line 30:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Pentti Siili

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">ETIIKKA
Axiomatikkaa

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">LÄSKIMOOSES'S

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color:#ffdf00;background:black;text-align:center;margin-top:0%;margin-bottom:0%">color:white">LES 
VINGT 
COMMANDEMENTS
Kyykytystä

ellauri159.html on line 1201: You enjoy colorful and figurative language, and like to infuse your work with images of your personal underware. At the same time, however, your writing may be too abstract for their readers, they want to see you inside them. During revision, add concrete details. In creative writing, appeal to the five senses and the 9 mortal sins. In freelance writing, include specifics like percentages and dollar amounts to get the audience´s attention. In technical writing, find out whether the customer needs to use a flat-head or a cross-head screwdriver (our dishwasher installer guys did not have a flathead anymore, I had to loan them one), and what the recommended torque is. These may be boring details to you, but they’re essential for your male reader. Wrong head, no screw. 

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ellauri160.html on line 27: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Riku

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color:black;background:#faf8bb;text-align:center;margin-top:0%;margin-bottom:0%">Cathay
Paasaajia

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color:black;background:#e1f5fe;text-align:center;margin-top:0%;margin-bottom:0%">Jori Huysmans - Andy Nyölén

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">VASTAAN HANKAAN
Nonbinääriä

ellauri161.html on line 485: 9/10 A really color:blue">good movie, yet color:red">painful to watch

ellauri161.html on line 487: I understand why some people color:red">hate this film. It feels real in its entirety, it shows you how color:red">stupid and insignificant we are and it is extremely apropos today. Also, it was marketed as a comedy, when in fact is a dramatic film that is humorous only in its accurate portrayal of humanity. Then again some people try to "tell you" what it is about and, while it is certainly metaphoric, it isn't about anything more specific than ourselves. It is a mirror. Some people docolor:red">n't color:blue">like what they see in it.

ellauri161.html on line 489: I found it an almost color:blue">perfect film, with some deliciously carefully crafted moments and color:blue">great acting. At first I thought the comedic side was actually color:red">too much and wished that someone like Steven Soderbergh made the movie instead, but as I was watching it I started to appreciate how methodical the approach was and now I believe Adam McKay was the color:red">right man for the job. I color:blue">enjoyed the overall plot, I color:blue">liked the characters and how things were presented, but I color:blue">loved the little things like, for example, the only scene where Europe is mentioned, as a short scene of a news item when they say they are going to convene and find their own solution, resulting in absolutely color:red">nothing. I am European and color:blue">sad to say it struck home. Or the meal scene at the end, which is both color:blue">emotional, focusing (= religious) and reminding us how even that option can be taken away by something as small as a virus.

ellauri161.html on line 491: color:red">Annoyingly, in these days movies from the U. S. are becoming more and more of "a color". They are color:red">not telling a story, but are taking a side. They are either color:blue">democrat or color:red">republican, color:red">conservative or color:red">liberal, blue or red, flyover or coast. Don't Look Up is not a big offender, but the language and presentation was clearly on the "coast" side. Thus, it will be probably appreciated by people who already saw the world this way and ignored or at best color:red">maligned by the people on the other side. And it's a color:red">pity, because this film is meant to bring us together as a civilization and not keep us divided. I feel like it could have done a better job in that direction.

ellauri161.html on line 493: Initially then I wascolor:red">n't really color:red">overly hooked on watching the 2021 movie "Don't Look Up" since I wascolor:red">n't really won over by the movie's synopsis. Granted, I hadcolor:red">n't checked out the movie's trailer, so I wascolor:red">n't really sure what I would be in for here. But as friends started to praise the movie, I opted to sit down and watch it.

ellauri161.html on line 494: Now, one friend said that "Don't Look Up" was a color:blue">masterpiece. Well, I wouldcolor:red">n't go as far as to calling it a color:blue">masterpiece. Sure, "Don't Look Up" was a watchcolor:blue">able movie, and writers Adam McKay and David Sirota definitely had some color:blue">good jabs at the color:red">crazy world we live in today, with the likes of a color:red">crazy president, everything being on social media, people being concerned about riches even when facing extinction and such. I found the movie to be watchcolor:blue">able and color:blue">enjoycolor:blue">able, sure, but it wascolor:red">n't a color:blue">masterpiece, nor will it become a classic movie for me.

ellauri161.html on line 496: The comedy used in "Don't Look Up", as written by Adam McKay and David Sirota wascolor:red">n't really something that had me laughing. Sure, I could see the jabs at society and the ridiculing of certain aspects of the society and world we live in today, but it didcolor:red">n't make me laugh.

ellauri161.html on line 498: Running at 2 hours and 18 minutes, the movie feels a bit color:red">long, to be bluntly honest. (Höh, tällä kertaa en pitkästynyt. Mutta mulla ei ole jenkkien sisäistämää tv-kelloa.)

ellauri161.html on line 499: What works for "Don't Look Up" is the cast, as it has a handful of color:blue">great names on the list, with the likes of Leonardo DiCaprio, Jennifer Lawrence, Meryl Streep, Cate Blanchett, and so forth. Mitä enemmän julkkixia, sen parempi leffa. On kiva bongata tuttuja naamoja. Ne on kuin perhettä. 

ellauri161.html on line 501: After mulling it over, of course, the picture is really quite color:red">sad and color:red">depressing, if exceptionally accomplished. 

ellauri161.html on line 502: It is so close to home that it sometimes makes the film color:red">irritating to watch: you'd rather color:red">not be reminded how color:red">incompetent, superficial, self-servicing and nefarious the government, media etc are, how they color:red">screw up your life on a regular basis and how likely it is that they will eventually wipe out mankind.

ellauri161.html on line 504: Overall, Don't Look Up is color:red">devoid of the color:blue">fun, finesse & ferocity that goes into making a biting & stinging satire. Just like his previous ventures, McKay remains color:red">clueless about the necessity of color:blue">restraint when dealing with topics such as this and gets carried away color:red">too often.

ellauri161.html on line 507: Over 30% of the American population does color:red">not believe in global warming and think it is a hoax, or color:red">fake news. What's more perilous though is the fact that governments worldwide are NOT taking the proposed measures that could curb global warming beneath 1.5 Celsius. Above that treshold of 1.5 degrees Celsius we get a runaway effect of increasing global warming, which would be color:red">nothing less than CATASTROPHIC.

ellauri161.html on line 509: Starts OK but then it turns into a really color:red">boring farce that bares no resemblance to reality.

ellauri161.html on line 511: Before Covid, former Saturday Night live head writer Adam McKay had already written his color:red">smug doomsday satire Don't Look Up based on the usual liberal tropes. Chief among them was the old progressive color:red">rant linking those on the color:red">right to a predatory elite consisting of a group who were referred to as, in the parlance of days gone by, "robber barons."

ellauri161.html on line 515: But something happened in 2016 that set the wheels in motion to eventually cause McKay to change the focus of the Don't Look Up script. And that was the humiliating victory of businessman Donald Trump in the presidential election--a man with no political experience--over the color:blue">left's heir apparent, Hillary Clinton.

ellauri161.html on line 517: The color:blue">left was utterly ruined by Donald Trump's victory and it looked like they would never recover until a Savior came along and resurrected the once proud party who championed the "little guy." And that Savoir of course was mainstream orthodox medical science.

ellauri161.html on line 519: Climate change was hardly the issue that was going to get the color:blue">Democratic party out of the mess it was in until "science" easily outplayed the unsophisticated Trump who had no idea how to cope with such an incredibly powerful and clever juggernaut.

ellauri161.html on line 520: Initially the "comet" stood for climate change in the original script. But now liberals were beholden to a far more scary narrative way better than the idea of climate change that might pose a threat only in an unforeseeable future--and that is of course infectious disease medicine. They realized without "the science" they had no chance against the color:red">right. So now the comet came to represent the "virus."

ellauri161.html on line 522: How ironic that the giant killer comet would now be reduced to millions of sub-microscopic particles. But the analogy is color:red">lame: the decimation of earth by a comet crashing into earth is quantifiable-the conclusion that viruses can cause widespread death is purely speculative based on computer simulations. Where of course is all the widespread death? Unless of course you believe in unsubstantiated color:red">propagandistic reports promulgated by fear-mongering mainstream media and social media platforms.

ellauri161.html on line 524: McKay proffers up more cheap digs at the color:red">right when he has President Orlean send up a caricature of a flag-waving racist and bigot vet in a suicide mission to deflect the comet from its path.

ellauri161.html on line 529: So what exactly is color:red">wrong with McKay's picture of the "robber barons" aligning with the color:red">right? Well it's anachronistic. Today it's the color:blue">left who are in power and it appears that Big Tech is in lock step with them. What's more the color:blue">left can no longer be said to be sticking up for the "little guy," as they have granted a monopoly to pharmaceutical companies in their promotion of vaccines.

ellauri161.html on line 530: Despite McKay's seeming awareness of the danger of Big Tech setting up one big surveillance state, he color:red">fails to recognize that the color:blue">left-particularly in the encouragement of censorship by social media platforms-has gone way beyond what the color:red">right ever did in terms of a threat to our constitutional freedoms.

ellauri161.html on line 532: All of the performers here are saddled with a color:red">smug script that promotes the fantasy that the color:blue">left has a monopoly on virtue, insight and knowledge. That includes Kate Winslet as duplicitous media personality, Brie Evantee, who Dr. Mindy is temporarily seduced by until seeing the error of his ways.

ellauri161.html on line 535: Another color:red">propaganda film by Netflix! color:red">Too color:red">long, slow, and full of color:red">annoying color:red">overuse scene! color:red">Not recommended! Entire film full of color:red">boring conversation, and color:red">annoying color:red">overuse scene! Such as, color:red">overuse of the walking scene, color:red">overuse of the arguing scene, color:red">overuse of the calling names scene, color:red">overuse of the kissing scene, color:red">overuse of the staring scene, color:red">overuse of the driving scene, color:red">overuse of the eating scene, color:red">overuse of the drinking scene, color:red">overuse of the smoking scene, color:red">overuse of the taking pill scene, color:red">overuse of the singing scene, color:red">overuse of the song playing at the background scene, color:red">overuse of the watching video scene, color:red">overuse of the tweeting scene, color:red">overuse of the making speech scene, color:red">overuse of the blackout scene, color:red">overuse of the talking on the phone scene, and color:red">overuse of the interviewing scene!

ellauri161.html on line 536: Make the film color:red">unwatchcolor:blue">able! That's it! Another color:red">disappointed film!

ellauri161.html on line 540: Entonces, hay suficientes razones para el ridículo, más que suficientes. De hecho, una de las color:red">deficiencias de Don't Look Up es que no se ha seleccionado ningún grupo que esté específicamente dirigido. Los dos personajes principales están en una racha perdedora con su trabajo científico porque el mundo entero parece estar formado solo por color:red">egoístas e idiotas. Quizás el director y el guionista incorporan una gran cantidad de personajes que no serían necesarios. (Vittu mikä ääliö! "ningun grupo johon satiiri olisi "especificamenti dirigido" ei ole "seleccionado". Helvetti, se just on se pointti! Kaikki on tässä pankrotissa mukana! Satira para tontos, nimenomaan! Exactamente la pelicula que nuestra sociedad se merece.)

ellauri161.html on line 546: The targets of the satire – incompetent governments, media, tech billionaires, populace believing in politics not science – are obvious. There’s a shorthand that makes each character’s real world avatar easy to get hence the laughs but does that color:red">undermine the film’s intelligence? No, it's spot on.

ellauri161.html on line 553: Like: the way he delivers it makes it feel like a line he made up, but it has such color:red">poor timing it isn’t color:blue">funny. color:red">Sadly, the entire performance feels that way.

ellauri161.html on line 555: But one gets a color:red">flawed but entirely color:blue">worthwhile viewing experience. Enough time too to get thru all the popcorns. What's on next?

ellauri161.html on line 557: I’ve seen some color:red">negative reactions to Don’t Look Up—complaints that it is color:red">too color:red">despairing for its own color:blue">good.

ellauri161.html on line 558: They say it’s color:red">too color:red">dark. It’s color:red">too color:red">depressing. color:red">Haters are moaning that writer-director Adam McKay repeatedly hits his audience over the head with his “the planet is dying” message.

ellauri161.html on line 560: Haha, yeah, he is—and amen to that. This is the truest, most on-point movie I saw in 2021. McKay gets color:red">sinister in Don’t Look Up, and I, for one, am glad somebody is being color:blue">appropriately color:red">nasty in pointing out how absolutely color:red">moronic humans have become in the new millennium. Sorry, folks: We are color:red">fucking up big time; McKay knows it; and he’s pulling no punches.

ellauri161.html on line 562: This is the color:red">darkest of color:red">dark comedies, and it covers many topics, including the continued decimation of our planet, our color:red">over-reliance on tech, our soul-killing color:red">obsession with social media, and the color:red">crazy space-race programs created by billionaire men. McKay’s brutal satire takes no prisoners, eviscerates political extremists and lemmings, and basically says we are all color:red">fucked if we continue on this current course—with or without an apocalyptic comet hurtling toward Earth

ellauri161.html on line 564: The comet symbolizes many things going color:red">wrong in the world color:red">right now, including Trumpism, COVID-19, global warming and tech color:red">obsession. Yes, the film is a bit heavy-handed, but necessary.

ellauri161.html on line 566: This movie is color:red">devoid of color:blue">hope. There is no color:red">optimism in Don’t Look Up. Yes, it deserves comparison to Stanley Kubrick’s Dr. Strangelove, because it pulls laughs out of the fact that the human race is on a crash course with destruction. In Don’t Look Up, the technology has multiplied and advanced, but the message is the same as it was when Slim Pickens rode that bomb to the doomed ground in Strangelove: Humans are messing up big-time, in a manner that is so egregious you just have to laugh at it … to prevent yourself from going insane. The situation is hopeless but not serious.

ellauri161.html on line 568: Kate Blanchett was way the color:red">dullest character on the cast. All silicon, no AI. No interest whatsoever, human or otherwise. Dr Strangelove was a lot color:red">worse satire than this. The problem with Kubrik was that  he had a villain, while the real world  has not just one- rather, there are 7 billion of them.

ellauri161.html on line 570: Mark Rylance is hits dead centre as a marvellously color:red">moronic mashing of Bill Gates and Steve Jobs. Hey, don't miss Larry Page,  Silverfish, Belos, Musk and the rest of the rats!

ellauri161.html on line 572: Pressed together, however, the mix just doesn’t work. color:red">Too many characters, such as Jonah Hill’s presidential aide, know they’re in a comedy and play for laughs accordingly. There’s way color:red">too much going on in Don’t Look Up, so the story focus is constantly diffused as we jump from one narrative thread to another. Consequently the soiree packs very little punch; as a satire on corporate greed, media ethics and celebrity culture it’s pretty color:red">limp. All bite but no teeth, you could say. (color:red">Fuck yourself droopy-lip, this is a tableau true to life, not a sketch.)

ellauri161.html on line 576: Like an increasing amount of streaming content, you can keep track of what’s going on with your peripheral vision, turning to give the TV screen your full attention only when something color:blue">good starts happening.

ellauri161.html on line 578: Footnote: For some reason in the past week or so Don’t Look Up has been subject to far more coverage and discussion than it deserves. No idea why. Maybe people are color:red">desperate for non-Covid talking points. Just a theory. (Ouch. This guy is JUST The type of people being made color:red">desperate color:blue">fun of. How color:red">sad.

ellauri161.html on line 580: Ja naurettavaa miten jenkit ajattelee vieläkin olevansa yxin maailmassa. Vaivaiset 300M kärpästä 6,7G mitättömän tunarin keskellä. The world is only seriously shown to be America’s to color:red">fail to save, an unwieldy act of arrogance that misses the chance to engage with how long it has been since this country led the way.

ellauri161.html on line 584: A lady critic: His approach to comedy and my ability to color:blue">enjoy his work as a director  began to diverge when he had a sequence about bailouts and crony capitalism tacked on to another otherwise color:blue">funny film. That was tasteless. The problem was McKay seemed to find entertainment and real-world issues to be fundamentally separate, deploying one in hopes of getting eyes on the other. While all we droopy lips know that they are part of one and the same entertainment scene! 

ellauri161.html on line 585: For McKay, however, that rage seems incompatible with the comedies he nevertheless feels compelled to keep making. Misanthropy isn’t in itself a barrier to turning out color:blue">great work!

ellauri161.html on line 587: He seems to believe that people need laughs and famous faces to be lured into thinking about more pressing matters, and he color:red">hates them for it. While actually people need laughs just on order not to think about them!

ellauri161.html on line 590: Don’t Look Up wants to color:red">paint our inaction with regard to climate change as the result of denialism and being distracted by silly things like, say, a movie streaming on Netflix. But climate change isn’t a comet headed our way in less than a year — a lousy, faulty metaphor for where we’re at right now. Except that IT IS! It's probably too late already. Now get a big mouth color:red">fuck goddam Allison Willmore,

ellauri161.html on line 593: As a comedy, Don’t Look Up doesn’t work because it’s not color:blue">funny. As a satire, it color:red">flops because the attempts at mockery are broad, puerile, and obvious, unintentionally trivializing the issues it seeks to highlight. As a drama, it color:red">collapses because it never makes much of an attempt to be color:blue">serious. 

ellauri161.html on line 595: Meryl Streep’s attempts to lampoon Donald Trump hit all the color:red">wrong notes. She can do comedy and impersonations but not at the same time. (Why not? Trump does that too, without intending to.)

ellauri161.html on line 597: Speaking of “climate,” that’s the main target here – how people are color:red">too color:red">stupid to come together even when their survival depends on it. Or maybe it’s the pandemic McKay is allegorizing. Probably both. Meanwhile, the writer/director’s color:blue">left-of-center politics are on full display. Although Don’t Look Up occasionally ridicules the color:blue">left, it represents a full-on fusillade against the right. Now that is NOT color:blue">funny.

ellauri161.html on line 599: The satire not only color:red">lacks subtlety, it pushes the bounds of ridiculousness to levels where it works neither as a comedy nor as social commentary. It is color:red">too true for laughs.

ellauri161.html on line 601: General Buck Turgidson knockoff (played by an unsmiling Ron Perlman) illustrates how far wide he misses the mark. By exaggerating certain aspects of human behavior, Don’t Look Up takes cynicism to a level that is not only excessive but doesn’t make for a story that’s either compelling or entertaining. During the course of watching Don’t Look Up, the only emotion I experienced was color:red">frustration – color:red">frustration that the movie could color:red">waste so much talent in the service of something so color:red">underwhelming.  In other words, I could not laugh at all because the laugh was on me.

ellauri161.html on line 609: An Indian (of the elephant kind) color:blue">liked it:

ellauri161.html on line 610: In the line of the film's fire are power-color:red">crazed politicians, corporate czars and co-opted scientists peddling their convenient delusions to a crowd lulled and manipulated through news cycles aimed at achieving collective complacency and complicity. This is just color:red">too many for laughs, about 100% of the color:red">fucking Americans.

ellauri161.html on line 614: and color:red">overly alarmist but nothing that the film places on the table can be dismissed as a figment of a fevered imagination running away from the facts on the ground.

ellauri161.html on line 618: A voice from Vagina.com: Informative, color:blue">funny, well written, well acted, and crystal clear in its message are  words I emphatically cannot use.

ellauri161.html on line 619: Among the baddies are vacuous United States President Janie Orlean (Streep, color:red">bad), douchebro Chief of Staff and President’s son Jason Orlean (Hill, color:red">worse), perpetually cheery and vapid morning TV show hosts Brie Evantee (Blanchett) and Jack Bremmer (Perry), and creepy tech-billionaire Peter Isherwell (Rylance, who really should know better than the strange attempts at possibly neurodivergent caricature that this role seems to consist of? How so better pray tell cowboy?), as well as the truth-hostile environment of mainstream and social media.

ellauri161.html on line 622: I have to applaud Adam McKay for using the platform that he has to address the single most pressing issue that we face as a species, but I can’t help but be deeply color:red">frustrated that the way he has chosen to do so color:red">fails on so many levels, both dramatically and didactically.

ellauri161.html on line 625: This might be less damaging if those cartoons were color:blue">funny, or if the overall story was compelling, but neither is the case. 

ellauri161.html on line 626:  Väärin sammutettu douchebro! Once again the critic's problem is: why am I among the color:red">bad guys here? That's color:red">NOT color:blue">funny.

ellauri161.html on line 628: The way that Lawrence’s color:blue">angry, idealistic scientist refuses to get co-opted by a system she correctly identifies as corrupt while DiCaprio’s more amiccolor:blue">able character gets swept up in things for a while would seem to be easy material for a scriptwriter to use not just as a commentary on the way the world works, but as rich dramatic material for the ups and downs of a personal and professional relationship. 

ellauri161.html on line 629: The world is going color:red">under, but is there still time for a quick color:red">fuck? Will there be Superbowl?

ellauri161.html on line 631:  I’ve seen some people criticise Don’t Look Up for color:red">lacking subtlety. I’m not bothered by this. I don’t necessarily need or want the communications about climate change to be subtle. The issue itself certainly is not subtle. We are heading towards—and, again, already are in the midst of—unprecedented death and destruction. Our systems and rulers are not just woefully ill-equipped to deal with this or to prevent the color:red">worst of it, they are actively complicit in bringing it about. Those communities around the world that are the most vulnerable and that have had the least part to play in causing the crisis will be the ones to suffer the first and the color:red">worst. This isn’t subtle sh*t! This is horrifying, grotesque, psychologically debilitating stuff to ponder—if you even have the privilege to ponder in the first place! I don’t necessarily need subtlety here. Sometimes, to fight color:red">propaganda, you need to go loud and bold. But you still have to be effective. We are fighting an almightily powerful enemy. Competence is a necessary minimum. Regrettably, Don’t Look Up does not meet those standards. Its central metaphor doesn’t even make sense! Yes, capitalism is responding as dreadfully to climate change in real life as it does to the comet in the film—the key difference is that capitalism didn’t cause that comet to come hurtling out of the sky in the first place. 

ellauri161.html on line 635:   A Kike lady says it well: Granted, many will accuse Don’t Look Up of color:red">lacking the subtlety of McKay’s earlier movies, but there is something refreshingly honest about the film that undeniably lends itself to the silliness of its narrative. Furthermore, it is a film about the absurdity of the current times we live in and nobody can argue that is isn’t color:red">crazy to deny facts in favour of outlandish fabrications — or can they?

ellauri161.html on line 641: By the way, this is a comedy with several parts that aren’t color:blue">funny, often deliberately so. It’s also a horror film about substance being smothered by fluff instead of coexisting in healthy moderation. Sometimes tonally jagged is OK. Sharp and broad. Awkward and devastating. If you can’t call out danger without sounding alarmist, how do you actually sound an alarm? (Sheesh, think of what’s changed since 2011’s “Melancholia.”) Hyvä pointti Matt! Tässä sotketaan genrejä ihan kiitettävällä tavalla, ei ihme että jenkkiturvelot on exyxissä. 

ellauri161.html on line 647: The film also falls apart in its total runtime, with the movie being color:red">over two hours color:red">long. Two hours is a long time admittedly, it feels longer than six months, or time until 2030.

ellauri161.html on line 657: It's a glib, color:red">uncolor:blue">funny infomercial that are closer to Ted Talks than Talladega Nights.

ellauri161.html on line 668: Ricky's new car is color:red">painted by Susan (next significant other) with a cougar to remind him of his passion and the word "ME" in place of large sponsors.  After some more mindless car chases and crashes

ellauri161.html on line 671: For the majority of the film (not Talladega, the new one), we’re bouncing from one color:red">republican caricature to the next. Streep is a female version of Donald Trump. Jonah Hill is a fratty version of Donald Trump Jr. Mark Rylance is a color:red">right-wing version of Tim Cook. (What a joke, he's way too poor.) And Ron Perlman is a red-eyed version of General Turgidson. When General Turgidson wonders aloud what kind of name "Strangelove" is, saying to Mr. Staines (Jack Creley) that it is not a "Kraut name", Staines responds that Strangelove's original German surname was Merkwürdigliebe ("Strange love" in German) and that "he changed it when he became a citizen". A kike anyway, by the name.

ellauri161.html on line 673: The color:red">grim satire  is usually pretty color:red">tame and ranges anywhere from color:blue">hilarious to color:red">stupid.  But the color:red">nastiness and color:red">negativity here just makes the filmmaker come off like a color:red">jerk. At the end of Don’t Look Up,  you’re color:blue">left feeling color:red">agitated and color:blue">angry– not at color:red">republicans, but at McKay for making such a color:red">dismal affair. If you are a closet color:red">republican like me, that is.

ellauri161.html on line 675: More color:red">jerks:

ellauri161.html on line 677: Look, I appreciate cynicism but this is unbearably color:red">smug and simplistic. Honestly it pulls a lot of punches too (especially at Hollywood and the media) so it really iscolor:red">n't all that edgy, just fairly typical condescension and rage that's entirely unearned.

ellauri161.html on line 679: Eddie F: color:red">Stupid and color:red">not color:blue">funny.

ellauri161.html on line 682: Very color:red">unfortunate watch. Only reason I kept watching was the hope of it getting better. Though I was let down. This was a movie gone color:red">bad.

ellauri161.html on line 685: The writers of this satire unfortunately were as vapid as the characters they wrote. The science is awful, it's satire losses its bite when it tries to color:red">paint the whole country as anti-intellectual and all media as entertainment. If you are going to pan the anti-intellectualism that is straining this country do it with some intelligence.

ellauri161.html on line 688: Not sure where all these positive reviews are coming from - I thought it was a rather color:red">boring film, color:red">lacking in plot and color:red">failing on many levels to keep me interested. I found this film did color:red">nothing to compliment Meryl Streep's talent. It just kinda dragged on. color:blue">Great cast color:red">wasted on a color:red">bad script and mediocre directing.

ellauri161.html on line 691: This films keeps tripping color:red">over itself like a color:red">sad old drunk person, I had reasonably high hopes for this self indulgent color:red">poorly focused ruse. Definitely save your time.

ellauri161.html on line 694: This was color:red">terrible. I regret color:red">waisted time.

ellauri161.html on line 697: Absolutely color:red">terrible. color:red">Stupidest movie with and even color:red">stupider ending. Just was color:red">boring. Wascolor:red">n't even color:blue">funny when it tried.

ellauri161.html on line 701: No idea what they were trying to do here. Couldcolor:red">n't even get through it. Basically had the plot of Armageddon but wasn't a spoof, guess they were going for a comedy but it wascolor:red">n't color:blue">funny at all. Just very Hollywood and very odd. Docolor:red">n't color:red">waste your time.

ellauri161.html on line 704: Came in with low expectations, and it didcolor:red">n't even meet them. Started relatively average (for a disaster movie) and when down from there. The biggest disaster is that this steaming pile was made,

ellauri161.html on line 707: color:red">Annoyingly color:red">bad. I suppose this might appeal to those who color:blue">like their humor and satire delivered like a sledge hammer to the head, but if you prefer a more subtle approach, this is not for you. Added to this are the ludicrously exaggerated characters that are so color:red">bad that they are laughcolor:blue">able, but in the color:red">wrong way. The DiCaprio character is just plain color:red">irritating. After 20 minutes of this film, I was just wishing the comet would arrive much earlier than anticipated.

ellauri161.html on line 709: Almost like it was produced to be color:red">stupid? The president and other characters are like laughing the whole time while experts are giving them info it’s like a color:red">bad satire color:red">not good at all.

ellauri161.html on line 712: color:red">Lame. color:red">Not color:blue">funny. Way color:red">over-hyped.

ellauri161.html on line 715: All star Cast, All star color:red">disappointment! This movie received so much publicity, we thought it would be good. However, not one character endeared themselves to us in actually caring what happened to them. We had hope the movie would gain momentum and get better but.... it never did.

ellauri161.html on line 718: If you have more less 5 braincells and laugh at thing like poop or penis you probbably like it, otherwise what a mess of a movie with color:red">terrible humor.

ellauri161.html on line 722: My first movie review: After reading the color:red">negative reviews from many of the critics I realized that they are of the same character as the corrupt group that the movie portrays and as in the movie either disconnected from the people or threatened by the message. (Right on Vicki!)

ellauri161.html on line 725: Horrible!! I couldcolor:red">n't even finish it. It feels like a joke.

ellauri161.html on line 728: It wascolor:red">n't color:blue">funny. color:red">Too obviously a jab at the Trump admin, trying color:red">too hard, fell color:red">flat

ellauri161.html on line 731: This a movie that is color:red">over 2h, I had to skip forward so much that it ended up being a 60m movie, this is a color:red">boring movie, 95% of jokes are not jokes but cringe moments. This had everything to be a color:blue">great movie, color:blue">great cast, good plot, good cgi, but nope lets make this cringe movie. (You are so right!)

ellauri161.html on line 737: This was a color:red">waste of 2 and a half hours of my life. How they got at least 4 academy award winners to make this steaming pile of color:red">crap shocks me. Would have rather had major dental work done than watch this movie.

ellauri161.html on line 740: I literally couldcolor:red">n't stay awake. I started it twice, and fell asleep both times. I looked up the ending, and from my interpretation of what the movie was supposed to show (how global warming is not being addressed by our current politicians), I think my nap was more productive than staying awake to watch this.

ellauri161.html on line 746: What a piece of sh**t. complete waist of time. It's a shame that with such color:blue">great cast they couldcolor:red">n't do an even color:blue">decent movoe.

ellauri161.html on line 749: One of the color:red">worst movies I have ever seen. I will never get back that 2.5 hours of my life. Who payed for this color:red">crap to be put on film? (Esim sinä.)

ellauri161.html on line 752: color:red">Annoying and trying to hard to be color:blue">funny. Could get past the color:red">underwhelming 30 minutes of the movie.

ellauri161.html on line 755: Absolutely the color:red">Best Picture of the Year. 

ellauri161.html on line 758: color:red">worst movie I've seen this year

ellauri161.html on line 761: color:blue">Loved it and i have to laugh at some of the review bombing from the maga crowd.

ellauri161.html on line 764: color:red">too color:red">long, color:red">over acted, color:red">non-senseical, and not compeling.

ellauri161.html on line 767: If I could give this color:red">zero stars I would. I want the last 2.5 hours of my life back.

ellauri161.html on line 772: Satire needs more than jokes to be color:blue">funny, and everyone in this movie is equally color:red">stupid. A large cast of familiar faces floats through this color:red">painfully color:red">uncolor:blue">funny exercise in futility.

ellauri161.html on line 775: Predictable and color:red">boring. Didcolor:red">n´t laugh once the entire movie. The only character I color:blue">enjoyed was Dr. Oglethorpe w/wig.

ellauri161.html on line 778: This movie is supposed to be satire but the jokes are just so awful. I remember when liberals actually were color:blue">funny, and men like Jon Stewart were hysterical. Whoever wtote this steaming pile needs to go back and learn. The dialogue was ridiculous, the plot was a thin veil for climate change but just fell color:red">flat. Its just not worth watching when there are so many better shows out there to watch instead.

ellauri161.html on line 781: I´m color:red">over halfway through and I want to turn it off.

ellauri161.html on line 784: Just a color:red">dumb movie with a color:red">stupid story line and situations.

ellauri161.html on line 787: This movie was color:red">atrocious and color:red">not even remotely color:blue">funny. color:red">Poorly made and color:red">tacky.

ellauri161.html on line 790: Its a color:blue">love or color:red">hate it movie. I dont think this is a color:blue">birilliant movie, but i would color:blue">recomend it. You can tell if you color:blue">like it in the first 20 min of the movie. Yeah so that´s my speech about dont look up. (Way to go Sondre o!)

ellauri161.html on line 851: 
Yleiset termit ja lausekkeet
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color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">www.expressen.se

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Lakeja

ellauri163.html on line 957:   Tässä eilisen Hannah Arendtin filosofiaa käsitelleen työväenopiston zoomuennon innoittama kirjoitus. Se muistuttaa vähän paasauksia. color:blue">Sen herättämät ajatuxet sinisellä.

ellauri163.html on line 959: Hämärän aikaan peurat ja jäljelle jääneet hirvet liikkuvat. Mutta liikkuvatko ne yhtä usein aamuhämärän kuin iltahämärän aikaan? color:blue">Sen ratkaisemisexi pitäisi herätä vakoilemaan niitä aamuhämärissä, mikä ei oikein nappaa. Sen on paras jäädä uskonasiaxi. Kysymys herättää ajatuksen niiden elämästä mutta myös meidän autoilijoiden. Filosofit viime vuosisadalla pysähtyvät eläimen eteen color:blue"> kuin peura kaukovaloihin huomaamatta, että kyse on ihmisen ja toisen välisestä suhteesta, joka koskee myös jumalia.

ellauri163.html on line 961: Ajatus ihmisen syntisyydestä muistuttaa tupakanpolttoa. Kaikki polttavat tupakkaa. Mutta sitoutumalla synnittömyyden esimerkkiin color:blue">- Jeesus ei polttanut - he voivat olla polttamatta. Ja jos joku sanoo, että enhän minä polta tupakkaa, voi sanoa niinkuin englantilainen pappi soimatessaan kuuntelijoita siitä että he moittivat toisia viinan juomisesta, että kyllä kermaiset kakut ovat sitten hyviä. color:blue"> Pappi on kuin tienviitta: menkää tuonnepäin, minä jään tähän osoittamaan oikeaan. Hyvää kakkua, kuului Sakun morähdys helluntaiystävien syysjuhlan nauhalta kahvikuppien ja lusikoiden kilinän lomasta.

ellauri163.html on line 963: Ajatus jumalista kuvaa ajatusta ihmisentapaisista olennoista, jotka eivät tarvitse mitään. color:blue">Paizi tarvizevathan ne uskovien kiitosta, ne ovat sille oikeinkin makeankipeitä. Pahastuvat jos ei sitä ala kuulua. Kristina-täti pahastui ja muikeni kuin vaari, kun sen jakamista töräyxistä ei kiitetty. Nyt ei olla edes pen pälejä.

ellauri163.html on line 965: Teologian kieltäminen perustuu ajatukseen ihmisen vapaudesta. color:blue">Tai nimenomaan toisinpäin, kz. esim Payot tahdon vapaudesta. Musta koko vapaus on yliarvostettua. Mitä vanha ilosta, koha mis on lämmin.  

ellauri163.html on line 967: Uskonnollinen ihminen elää laivassa, joka muistuttaa merellä lojuvaa ja ajalehtivaa laivaa aalloissa sillä erotuksella että siinä on tunnustettu kapteeni. Se ei kellu syvemmällä, niinkuin miinanraivaaja painavine runkoineen, eikä se vähennä ihmisen vapautta vaikuttaa sen kulkuun, mutta tosiasia, että siinä on kapteeni, muuttaa kokonaiskuvaa niin että ihminen voi olla rauhassa. Huolimatta kaikesta epätoivosta siinä voi olla rauhassa. color:blue">Mutta mitä jos tulee sähkökatko ja keulapotkureita ei voi ohjata, kuten Gabriellalla? Eikö siinä voi syntyä vaaratilanne? Ei voi, vauhti on niin hiljainen, enintään pari solmua. Tulee enintään pieni tömähdys ja vesirajan yläpuolisia kuhmuja.

ellauri163.html on line 972: Psalmit ovat saarnojen tärkeä lähtökohta, koska niissä puhutaan tunteista. color:blue">Payot ei voisi olla enempää samaa mieltä. Tunteet ovat tahdon voimanlähteenä. Tahto on aivokuoren säätelemää halua.

ellauri163.html on line 974: Söderblomin ajatus frambringareista, tuojajumalista, jotka ovat kulttuurihyvien alku, kuvaa jumalia, jotka eivät ole vihaisia kuin Jahve. Hän itse pohdinnoissaan, voiko Kiinan taivaan herraa koskevat ajatukset liittää frambringare (producteur) -uskon piiriin on kristinuskon suhteen frambringare. Hänen ajatuksensa, miten ajatus Jumalasta taivaassa voisi olla tuontitavaraa Kiinasta joskus ensimmäisen vuosituhannen alkupuolella on kiinnostava, mutta juuri tässä suhteessa. color:blue">Ajankohta olisi kyllä yllättävän myöhäinen. Taivaalle on kaikki apinat tirkistelleet ja väistelleet Ukon nyrkkiä, ei siihen tarvi vinosilmiä.

ellauri163.html on line 976: Ajatukset Mooseksesta vuorella on todella kiinnostava. Siinä hän yhdistää maagisen vihaisen olennon käsitteen yksijumalaisuuden aluksi juutalaisilla. Alkupamaus on huomattava, mutta vielä maaginen, mutta sitten Jumala etääntyy ja kehittyy lain säätäjäksi, eräänlaiseksi alueneuvostoksi. Taustalla on kuitenkin Mooseksen (frambringarena) vahva kokemus Jumalan mahdollisesta rankaisevasta vihasta, niinkuin hevoselle sähköaita. color:blue">Sähköaita on jumalaxi liian aloitekyvytön. Se ei kiellä eikä komenna, se on vaan rajoite. Jos et sitä häirize, sekään ei häirize Polle sinua. Ruoho aidan toisella puolella on vaan pyhitettyä.

ellauri163.html on line 978: Veikko Anttosen ajatus pyhästä pyhitettynä alueena, joka elää ihmisten toiminnassa luonnossa ja talon luoman tilan käsittelyssä (Jumalaa katsotaan kuin sika uutta naurismaan aitaa) väistää ajatuksen Jumalan vihasta sellaisena kuin Mooses sen koki. Varominen ja pelkääminen ovat eri asioita, color:blue">Niinpä. Maahanmuuttajien jumala vaati aktiivisia valloitustoimia. Ei saanut jäädä tuleen makaamaan ja märehtimään. Kiivas jumala tulee ja heittää niska peffa ulos.

ellauri163.html on line 980: Usko on teologisen ajattelun päästämistä aivoihin ja sydämeen. color:blue">Siitähän se lähtee helposti repsahtamaan. Mutta kyllä siihen lisäxi tarvitaan jotain will to believeä. Eli jotain iloakin on siitä saatava, tai vähintäänkin lohtua.

ellauri163.html on line 982: Uskossa ihminen suostuu näkemään sen, mitä ei voi nähdä. Sen, mikä oncolor:blue">jää tietämisen ja oman ruumiillisen olemassaolon taakse, sen, minne ei määritelmän mukaan voi nähdä. color:blue"> No kyllä oman takaraivonkin voi nähdä selfiestä, ja perseen belfiestä. Ja alzheimerin syömät aivot tomografikuvasta. Pikemminkin uskovainen sanoo kuin sokkee: niinpä näkkyy, eika valita vaikka puttoo keskelle jokkee. Siiloan seurakunta kastoi samat spuget uudestaan kerran vuodessa. Sitä kilpailevat lahkot pitivät nölönä. 

ellauri163.html on line 984: Vapautta ei voi olla mahdottoman ja olemattoman kunnioitus, ellei ymmärrä ajan olemusta ihmiselle. Tunne vapaudesta on sisäinen (tästä Schiskinin kuvaus Sartren vankilapapista, jota vanki soimaa tulosta häntä pilkkaamaan, kun sanoo, että vanki on vankilassa, mutta sisäisesti vapaa). color:blue">Oisko tää nyt ymmärrettävä niin, että menen taivaaseen vaikka teurastamon sika-autossa, jos sillä pääsen tästä valitettavasta aikapulasta. Ken vaivojansa vaikertaa on vaivojensa vanki, oli äiti Pirkolla tapana sanoa, jos sille jotain valitti. 

ellauri163.html on line 987:   Filosofia, joka ei ota ihmistä syliinsä, on yleinen ilmiö, koska viisaus ja sen rakastaminen ei ole ihmisestä color:blue">siis minusta huolehtimista, vaan haastaa korkeampaan yleistykseen, samanlaista kuin Kreikan uskonto. Se on uskonnossa tapahtuvan yleistämisen koskettelua hengen asein niin, että osasta jumalauskoon liittyvistä maagisista elementeistä (kuten Zeuksen vihanpurkaukset? color:blue">Mixi ne just on maagisia? Kuuluuko niissä Callen tohvelien läpinä sen tullessa lastenuoneeseen pää punasena huutamaan?) voitaisiin vapautua ajattelemalla asiaa ihmisen järjellä, joka nähdään tämänpuoleisena kuin katupoika. color:blue">No tollanen henk.koht. jumalasuhde on oikeastaan aika herännäistä. Monet helpottuvat siitäkin ettei kiivas jumala kyylää niiden joka siirtoa, vaan nää syvälliset asiat hoidetaan ikäänkuin virkatyönä. Sekin jo lohduttaa ettei kenelläkään ole yhtään paremmin.

ellauri163.html on line 989:   Se tapahtuu, kuten Sokrateella, yleisiä järjen ilmiöitä tarkastelemalla, arjen filosofiassa. color:blue">Sokrates harjoitti arjen filosofiaa Alkibiadeen peräaukolla (Fig. 2). Onko mahdollista demytologisoida Jumala niin, että hän kuten kreikkalaistenkin jumalat, säilyvät olemassaolevina, mutta tavallaan myyttiseksi tunnustettuina. Tällainen juuri on hermeneutikkojen Jumala. Mitä silloin tarkoittavat rukoukset, mitä liturgia? Ja voidaanko uskon eteen nostetut tulkinnan tikapuut kun asia on ymmärretty (Jumalaa tietyssä katupojan näkökulmassa ei todellakaan ole olemassa) heittää pois ja liittyä katoliseen kirkkoon? Ja miksi mihinkään tarvitsisi liittyä? color:blue">Koska se on kivaa. On upeeta kuulua johkin tiimiin, voi heilutella niiden kaulaliinoja ja olla sillä lailla taas vähän muita parempi ja paremmassa turvassa kuin silakka parvessa. Kazo vaikka Andy Nyöleniä. Kylä sitäpaizi kristinuskokin on jo aika meemistynyt, kz. esim. HBO:n sarjaa His dark materials.

ellauri163.html on line 992: Voiko tästä päätellä, että toisten ihmisten olemassaolo, ja eläinten, konstituoi ilmoituksen, ja että ilmoitus sellaisena kuin se esiintyy Raamatun teksteissä on vain kehittynyt osa samaa, eräänlaisen eläintarhan käsikirja. color:blue">(Durkheimilta tuli tähän peukkuja.) Aamu valkenee, peuroja ei ole tiellä, jossa toissailtana pimeässä, viikkoja ennen jäniksenmetsästystä, näin auton valossa kolme keväistä rusakonpoikasta, vaimoni on lähtenyt töihin junalla, jonne hänet vein autolla. Maailma ilmenee jotenkin hymyilevänä ja olen onnellinen.

ellauri163.html on line 993: Ilmeisesti ilmenen ja ilmestys on toisenlainen asia, mutta tämä on silti osa ilmoitusta. color:blue">Ilmoitusasioista ei tehdä päätöstä. Raamattu on vain yxi toistensa päälle liimatuista ilmoituxista, kuin heippalaput rapussa. Revi siitä puh.num. jos tarviit apua. Taivaassa pitäisi olla takaisinsoittopalvelu kuten Maisassa. Ehkä siellä onkin, yhtä toimiva. 

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color:black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Arttu Rimpula

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color:black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Helvetin seslonki
Angstailua

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color:gold;background:#8e333c;text-align:center;margin-top:0%;margin-bottom:0%">VOITTO-SANOMAT

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color:gold;background:#8e333c;text-align:center;margin-top:0%;margin-bottom:0%">ne naiset
Panennaisia

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color:gold;background:#8e333c;text-align:center;margin-top:0%;margin-bottom:0%">Sr. Brueghel

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color:gold;background:#8e333c;text-align:center;margin-top:0%;margin-bottom:0%">JUONIPALJASTUS
Spoilereita

ellauri172.html on line 825:       Émile de Jean-Jacques Rousseau, 1762, dans la partie Profession de foi du Vicaire savoyard, le personnage du Vicaire savoyard, porte-parole des idées de Rousseau color:white;background:green">CHECK

ellauri172.html on line 840:     Le Rouge et le Noir, roman de Stendhal, 1830, personnage de l'abbé Chélan, mentor et conseiller de Julien Sorel. color:white;background:green">CHECK

ellauri172.html on line 850:     La Chartreuse de Parme, roman de Stendhal, 1839, personnage de l'abbé Blanès. color:white;background:green">CHECK

ellauri172.html on line 856:     Splendeurs et misères des courtisanes, roman d'Honoré de Balzac, 1838-1847, l'abbé Carlos Herrera sous l'habit duquel se cache Vautrin. color:white;background:green">CHECK

ellauri172.html on line 864:     Illusions perdues, roman d'Honoré de Balzac 1836 et 1843 avec le personnage du vicaire général de l'évêque d'Angoulême. color:white;background:green">CHECK

ellauri172.html on line 881:     Madame Bovary, roman de Gustave Flaubert, 1857, l'abbé Bournisien présenté comme un raté, ne sachant pas accompagner ses ouailles. color:white;background:green">CHECK

ellauri172.html on line 885:     Un prêtre marié roman de Jules Barbey d'Aurevilly, 1864, le prêtre défroqué Jean Sombreval. color:white;background:green">CHECK

ellauri172.html on line 893:     La Faute de l'abbé Mouret, roman d'Émile Zola, 1875. color:white;background:green">CHECK

ellauri172.html on line 895:     Bouvard et Pécuchet, roman de Gustave Flaubert, (1882) l'abbé Jeufroy formidablement crédule. color:white;background:green">CHECK

ellauri172.html on line 905:     Père Brown (The Wisdom Of Father Brown, The Incredulity Of Father Brown..), séries de nouvelles par G. K. Chesterton, 1911-1935, avec le personnage du père Brown. color:white;background:green">CHECK

ellauri172.html on line 908: - André Gide, La symphonie pastorale, roman, éd. Gallimard, 1920. color:white;background:green">CHECK

ellauri172.html on line 920:     Le Journal d'un curé de campagne, roman de Georges Bernanos, 1936, avec le curé de Torcy, personnage inspiré à Bernanos par ses souvenirs d'enfance de Fressin, et le curé d'Ambricourt[38] qui emprunte plusieurs traits au curé Fenouille de Monsieur Ouine. color:white;background:green">CHECK

ellauri172.html on line 932:     La Peste, roman d'Albert Camus, 1947. Le père Paneloux a un rôle secondaire. Ses deux sermons sont des passages clefs du roman. color:white;background:green">CHECK

ellauri172.html on line 934:     Don Camillo, série de nouvelles humoristiques de Giovannino Guareschi, 1948 color:white;background:green">CHECK

ellauri172.html on line 958:     Le Nom de la rose, roman d'Umberto Eco, 1980 color:white;background:green">CHECK

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color:#cf4b24;background:#d2b4a9;text-align:center;margin-top:0%;margin-bottom:0%">Meet Author

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color:#a383c4;background:#d2b4a9;text-align:center;margin-top:0%;margin-bottom:0%">KAYLA ANCRUM
Värikästä

ellauri180.html on line 375: Robert "Bobby" Pendragon is an everyday athletic junior high school student from (fictional) Stony Brook, Connecticut, located in the greater New York metropolitan area. Bobby is a prisoner of color. Oops sorry my bad he's not, rather he looks a lot like Harry Potter without the spectacles. But his date Lori (whatever) is a WOC. Bobby's Uncle Stop Press reveals that he will train Bobby to become one of the "Travelers": asshole-journeying young warriors from a variety of different planets and cultures. Great Dane threatens to mix them all together like a kid with watercolors until they are all the same shade of shit.

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color:black;background:#a47f55;text-align:center;margin-top:0%;margin-bottom:0%">CH. DARWIN

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color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">PENIS DE MONO
Hominointia

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color:black;background:#ffcba4;text-align:center;margin-top:0%;margin-bottom:0%">Banana Split

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color:black;background:#ffcba4;text-align:center;margin-top:0%;margin-bottom:0%">Food as a Value
Japonais-täytettä

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color:#8fa9a6">BERNARD
color:white">MALAMUD

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color:#a04016;background:#8fa9a6;text-align:center;margin-top:0%;margin-bottom:0%">God's Grace
Jumalanpilkkaa

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color:white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Norman Mailer

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color:white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">KAPERNAUMIN EVANKELIUMI
Nysväystä

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color:red;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Belovin Sale

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color:black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Horatio Alger
Sikailua

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">APINOIDEN KANTTIINI
Koijausta

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">HERMAN MELVILLE

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color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Anttoni Pyp Pipo

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color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Steppenwolf
Steppailua

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color:white;background:lightgrey;text-align:center;margin-top:0%;margin-bottom:0%">George V. Woodchuck

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color:white;background:lightgrey;text-align:center;margin-top:0%;margin-bottom:0%">Irtopäitä
Sotahistoriaa

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">HINOA JOHN
Kulttuurihistoriaa

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">KULTURPROFILERNA

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Ruhtinas Trubetzkoy

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Sekasorron aika
Sekasortoa

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color:white;background:#bd0a0d;text-align:center;margin-top:0%;margin-bottom:0%">Nätti-Jussi

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color:white;background:#bd0a0d;text-align:center;margin-top:0%;margin-bottom:0%">Apocalypse Now
Lopunaikoja

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Race = color + territory


ellauri194.html on line 326:   The crime genre glorifies, justifies and normalizes the systematic violence and injustice meted out by police, making heroes out of police and prosecutors who engage in abuse, particularly against people of color.

ellauri194.html on line 330:   "Attorneys of color get way less respect, even by clients,” said a female attorney of color.

ellauri194.html on line 332:   Of US crime series’ 27 show runners, 21 were white men. Of 275 writers, more than 75% were white and 9% were black. 37% of writers across law and order programming were women, and 11% were women of color.

ellauri194.html on line 337: Many film professionals today still believe that there is no truly equal "Black Hollywood," as evidenced by the "Oscars So White" scandal in 2015 that caused uproar when no black actors were nominated for "Best Actor" Oscar Awards. Prior to the 2016 Oscars, Academy membership was roughly comprised of 92% white voters and 75% male members. We see a direct impact on how the #OscarsSoWhite has created change in this composition. Following the outcry, the Academy instated 41% voters of color and 46% female voters.

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color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">Sr. Brueghel

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color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">Molskis sanoi Ikaros
Molskintaa

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Butler Yeast

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Lapis Lazuli
Kylmiä paloja

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color:black;background:gray;text-align:center;margin-top:0%;margin-bottom:0%">J. H. Carlson

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color:black;background:gray;text-align:center;margin-top:0%;margin-bottom:0%">Carlson Credo
Vaihtoehtoisia tunnustuxia

ellauri198.html on line 227: The smallest color of the smallest day:   

ellauri198.html on line 306: Police are calling on volunteers to aid in the search and are asking all residents to keep an eye out and report anything unusual they might have noticed, or believe might be relevant to the case. The actual transcript of the colored poetry session is here:

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">N.V. Gogol

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">IL GRANDE SCRITTORE RUSSO
Vaihtoehtoisia bioja

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Gebrüder Grimm

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Der eiserne Hans
Mytopoetiikkaa

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color:white;background:#486573;text-align:center;margin-top:0%;margin-bottom:0%">Valtameediot

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color:#d7c7ae;background:#623113;text-align:center;margin-top:0%;margin-bottom:0%">PUTIN JA EUROOPPA
Eurodollareita

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color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Naguib Mahfouz

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color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Riannan hemmottelupäivä
Paapomista

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color:red;background:yellow;text-align:left;margin-top:0%;margin-bottom:0%">VILHO SORVARI

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color:black;background:yellow;text-align:right;margin-top:0%;margin-bottom:0%">KONGON OSKARI
Konnankoukkuja

ellauri207.html on line 240: color:red">Varoitus:  Seuraava kirjoitus paljastaa yksityiskohtia juonesta.

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color:black;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">Andre Breton

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color:red;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">Loppupään dadaisteja
Dadaa

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color:yellow;background:crimson;text-align:center;margin-top:0%;margin-bottom:0%">Kalutut Palat

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color:yellow;background:crimson;text-align:right;margin-top:0%;margin-bottom:0%">Lukijan Ruoansulatus  
Naurua

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color:white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Walt Disney (†)

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color:white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">EMBOTELLADO
Taikamatuja

ellauri213.html on line 344: 	Sigonella incident oli todella röyhkeää öykkäröintiä jenkkiporukoilta Italian maaperällä. "Pilots on board the U.S. and Italian jets exchanged colorful epithets over the radio about their respective intentions, family heritage, and sexual preferences." Ja nyt ne ovat täällä. Amer. jalkaväkipataljoona harjoittelee öykkäröintiä Suomessa. Voi perkele. Amer. rotinkaiset kovaäänisesti mongertaen haukkuivat Suomea seiskan raitiovaunussa. Seiska ajaa nyt Käpylään. Sekin vielä. 

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color:black;background:orange;text-align:center;margin-top:0%;margin-bottom:0%">NEMI

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color:black;background:orange;text-align:center;margin-top:0%;margin-bottom:0%">FOSSIILEJA KAIVAMASSA
Kliseitä

ellauri214.html on line 72: Though Rowling’s transphobia has been publicized the most, fans have also begun to notice prejudice in her writing. Very few people of color are featured in J. K. Rowling’s books, and those that are have few lines and no detailed story arcs. One of the people of color given more thought was Cho Chang, Harry Potter’s love interest who was first introduced in the third book, Harry Potter and the Prisoner of Azkaban. Rowling’s racism toward Asians and lack of knowledge of Asian culture is clearly evident from just the name Cho Chang, which is a mix of Korean and Chinese surnames. Korea and China have a longstanding history as political adversaries and each country has a distinct culture. While Rowling went to great efforts in creating a wonderfully immersive wizarding world, she gave no thought to what Cho’s ethnicity is. Cho was also sorted into Ravenclaw house, the school house for those of high intelligence, playing into a common stereotype of Asians. The only other Asian characters mentioned in the series are Indian twins Padma and Pavarti Patil. While Rowling appears to have given more thought to these characters, placing Padma in Ravenclaw and breaking the Asian stereotype by placing Pavarti in Gryffindor, she ultimately fails to adequately write Asian characters. While Pavarti, as a member of Harry Potter’s house, was given more depth than Cho or her sister, many South Asian fans were irritated by the girls’ dresses in the fourth movie, Harry Potter and the Goblet of Fire. The twins wore dull and unflattering traditional Indian attire, which many saw as a mockery of Indian culture. Cho herself wore an East Asian style dress in this movie which was a mix of different Asian styles. Rowling continued her habit of stereotyping Asians in the Fantastic Beast Movies, the first of which was released in 2016 and set in the 1920’s, several decades before the Harry Potter series. In this pre-series, the only Asian representation is displayed in the form of a woman who has been cursed to turn into a beast. Fans may remember the villain Voldemort’s pet snake, Nagini, who served him throughout the Harry Potter series. Fans were surprised to learn when watching The Crimes of Grindelwald, the second movie in the Fantastic Beasts series, that Nagini was not always a snake, but was actually a woman who had been cursed to turn into a snake. In the movie, Nagini, in human form, is caged and forced to perform in a circus. Though we do not know how Nagini came to meet Voldemort, we do know that she became his servant and the keeper of a wee snakelike portion of his soul. This is more than slightly problematic. Not only was Nagini the only Asian representation in the film, but she was also a half-human who was forced to serve an evil white man for a great part of her existence. Author Ellen Oh commented on Nagini’s inclusion in the film saying “I feel like this is the problem when white people want to diversify and don’t actually ask POC how to do so. They don’t make the connection between making Nagini an Asian woman who later on becomes the pet snake of an EEVIL whitish man.”

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Petri Sarho

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">TIMANTTISET ROSSIT
Propagandaa

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color:violet;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Naguib Mahfouz

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color:violet;background:white;text-align:center;margin-top:0%;margin-bottom:0%">POPEYE THE SAILOR MAN!
Romantiikkaa

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color:gold;background:white;text-align:center;margin-top:0%;margin-bottom:0%">KERS. PIPPURIN 
color:black">YXINÄISTEN SYDÄNTEN 
KERHOSOITINYHTYE
Poppia

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color:red;background:white;text-align:center;margin-top:0%;margin-bottom:0%">KUORIAISET

ellauri219.html on line 379: Another vaudeville star, British comic Max Miller picked up the nickname “The Cheeky Chappie.” Known for his colorful dress sense and his risqué humor, Miller was the master of the double entendre. He also appeared in a number of films throughout the 30s.

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color:red;background:black;text-align:center;margin-top:0%;margin-bottom:0%">RADIO CITY color:gold;font-family:AdineKirnberg">Music Hall
Sätkytystä

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color:red;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Rockettes

ellauri220.html on line 187:     The Zapruder film is a silent 8mm color motion picture sequence shot by Abraham Zapruder with a Bell & Howell home-movie camera, as United States President John F. Kennedy's motorcade passed through Dealey Plaza in Dallas, Texas, on November 22, 1963. The film captures the moment of the President's assassination. Abraham Zapruder (May 15, 1905 – August 30, 1970) was a Ukrainian-born American clothing manufacturer. 

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(Hong Kong and South China) A White man. Gwei or kwai (鬼) means 'ghost', which the color white is associated with in China; and the term lo (佬) refers to a regular guy (i.e. a fellow, a chap, or a bloke). Once a mark of xenophobia, the word was promoted by Maoists as insulting but is now in general, informal use.

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(US) a black person. Once generally accepted as inoffensive, this word is now considered disrespectful by some. The National Association for the Advancement of Colored People (NAACP) continues to use its full name unapologetically. This is not to be confused with the term "person of color" which is the preferred term for collectively referring to all non-white people.

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(International) a black person. From the word negro, which means the color black in numerous languages. Diminutive appellations include Nigg and Nigz. Over time, the terms nigga and niggaz (plural) have come to be frequently used between some African or black diaspora without the negative associations of nigger. Considered very offensive and typically censored as "the n-word" even in reference to its use. The terms niggress, negress, and nigette are feminized formulations of the term.

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">JAMES BOND color:gold">007
Elvistelyä

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color:red;background:black;text-align:center;margin-top:0%;margin-bottom:0%">MOONRAKER

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color:red;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Horatio Alger

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color:red">Prix Nobel de littérature

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color:black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Les Aventures de Saul Bellow
Finnin puristelua

ellauri222.html on line 1033: Then he was gone in the forest, and Henry went back to the battle field, where the firing had now wholly ceased. The white victory was complete. Many Indians had fallen. Their losses here and at the river had been so great that it would be long before they could be brought into action again. But the renegades had made good their escape. They did not find the body of a single one of them, and it was certain that they were living to do more mischief. Noble warriors don´t change sides, they stick to their own color scheme. 

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color:while;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">Tommaso Campanella

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color:white;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">Aurinkovaltio
Dystopiaa

ellauri223.html on line 68:  This shrewdness, however, is not necessary among the inhabitants of the City of the Sun. For with them deformity is unknown. When the women are exercised they get a clear complexion, and become strong of limb, tall and agile, and with them beauty consists in tallness and strength. Tanakka, punakka ja rivakka, täst mie piän! Therefore, if any woman dyes her face, so that it may become beautiful, or uses high-heeled boots so that she may appear tall, or garments with trains to cover her wooden shoes, she is condemned to capital punishment. But if the women should even desire them they have no facility for doing these things. For who indeed would give them this facility? Further, they assert that among us abuses of this kind arise from the leisure and sloth of women. By these means they lose their color and have pale complexions, and become feeble and small. For this reason they are without proper complexions, use high sandals, and become beautiful not from strength, but from slothful tenderness. And thus they ruin their own tempers and natures, and consequently those of their offspring. Furthermore, if at any time a man is taken captive with ardent love for a certain woman, the two are allowed to converse and joke together and to give one another garlands of flowers or leaves, and to make verses. But if the race is endangered, by no means is further union between them permitted. Her fanny must be locked in a love girdle, and his pecker lassoed and bound behind his butt. Moreover, the love born of eager desire is not known among them; only that born of friendship. LOL

ellauri223.html on line 105: Each one takes the woman he loves most, and they dance for exercise with propriety and stateliness under the peristyles. The women wear their long hair all twisted together and collected into one knot on the crown of the head, but in rolling it they leave one curl. The men, however, have one curl only and the rest of their hair around the head is shaven off. Further, they wear a slight covering, and above this a round hat a little larger than the size of their head. In the fields they use caps, but at home each one wears a biretta, white, red, or another color according to his trade or occupation. Moreover, the magistrates use grander and more imposing-looking coverings for the head. Vizi että apinat rakastavat hattuja!

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color:burlywood;background:whitesmoke;text-align:center;margin-top:0%;margin-bottom:0%">Rantojen Miehet

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color:burlywood;background:whitesmoke;text-align:center;margin-top:0%;margin-bottom:0%">CHEESE!
Publikaaneja

ellauri226.html on line 293: The off-color residents in The Bronx created a very segregated community,

ellauri226.html on line 313: as you could not really see who they were and what color.

ellauri226.html on line 332: The crime reached its peak in the late 1960s and 1970s, until the colored

ellauri226.html on line 336: and the streets became safe again for inhabitants of color. 

ellauri226.html on line 445: The economic problems seen in The Bronx were not industrially based but rather, the work force was dominated by totally clueless colorful minorities. By 1975 the entire city was engulfed in an economic crisis.

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color:white;background:burlywood;text-align:center;margin-top:0%;margin-bottom:0%">James Hadley Chase

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color:white;background:burlywood;text-align:center;margin-top:0%;margin-bottom:0%">FUX NEWS
Rupusakkia

ellauri236.html on line 485: Captain Charles Brennan, City Police, a fat, red-faced man with blue hard eyes and sandy-colored hair, greying at the temples, reached across his desk to shake dicks with Fenner. Why do these policemen always have the same look and feel? I guess its natural selection. Chase has an unerring touch of the hackneyed and obvious.

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color:black;background:#f1dd96;text-align:center;margin-top:0%;margin-bottom:0%">PENA OLKIMARSALKKA

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color:black;background:#f1dd96;text-align:center;margin-top:0%;margin-bottom:0%">Hämynä talsit
Turrnipsi pellossa

ellauri238.html on line 881: My thoughts were like a bunch of colored balloons			Mun ajatuxet oli kuin värikkäitä ilmapalloja

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color:gold;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Grace Metalious

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color:gold;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Kaupunki nimeltä
Misogyniaa

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color:white;background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">Kiits

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color:black;background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">Leimiä
Misokeittoa

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Krista Kosonen

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">BEFOREIGNERS
Taistoturrukoita

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color:black;background:#C4A484;text-align:center;margin-top:0%;margin-bottom:0%">QUENTIN TARANTELLA

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Onnettomat paskiaiset
Paskiaiset vormuissa

ellauri243.html on line 135:   Nevada is home to a number of federal reservations and colonies. The major tribes are the Washouts, Northern Paiute, Southern Paiute, and Western Shoeshines. Many have been hit disproportionately hard by the coronavirus and may have pre-existing health conditions or live in remote areas with limited access to medical care. In the Reno-Sparks Indian Colony, a clever color-coded card system was set up for people to signal from their windows for help with a health issue, food shortage, or other problem.

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color:yellow;background:navy;text-align:center;margin-top:0%;margin-bottom:0%">Benoît Mandelbrot

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color:red;background:navy;text-align:center;margin-top:0%;margin-bottom:0%">KLICHEITÄ
Klicheitä, klicheitä

ellauri244.html on line 551:   
color:red">Varoitus:  Seuraava kirjoitus paljastaa yksityiskohtia juonesta.

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color:red">Varoitus: Juonipaljastukset päättyvät tähän.
	

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color:red">Varoitus:  Juonipaljastuxet jatkuvat.

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color:red">Varoitus:  Juonipaljastuxet päättyvät.

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color:white;background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">Jonne Nääsnääsböö

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color:gold;background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">CASH BY CANS
Tölkeittäin natomatoja

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color:red">SPOILERI:

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hindric Julius Oldenburg

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Oh korsteenit
Poliittista runoutta

ellauri246.html on line 75: 	Bengt Gunnar Ekelöf, född 15 september 1907 i Stockholm, död 16 mars 1968 i Sigtuna i Stockholms län, var en svensk författare, poet och översättare. Han var från 1958 ledamot av Svenska Akademien. color:red">A-ha!

ellauri246.html on line 87: Lindegren oli Ruotsin akatemian jäsen 1962–1968.  color:red">A-ha! Hänet valittiin Ruotsin akatemiaan Dag Hammarskjöldin seuraajaksi tämän kuoleman jälkeen. Hän oli Bonniers Litterära Magasinin, Stockholms-Tidningenin ja Dagens Nyheterin kirjallisuuskriitikko. Vuosina 1948–1950 hän oli aikakauskirja Prisman  ja Alepan päätoimittaja. Hänen isoisänsä oli säveltäjä Johan Lindegren. Muikean näköinen Lindegren teki oopperalibrettoja, muun muassa Karl-Birger Blomdahlin oopperaan Aniara, joka perustuu 1/2nobelisti Harry Martinsonin runoelmaan Aniara (color:red">a-ha!).

ellauri246.html on line 89: Bo Johannes Edfelt (21 December 1904 - 27 August 1997) was a Swedish writer, poet, translator and literary critic. A native of Tibro, Edfelt was elected to be a member of the Swedish Academy in 1969, occupying seat No. 17. He succeeded Erik Lindegren and, following his death, was succeeded by - who else but Horace Engdahl!  color:red">A-HA! Aha jaha! Jaså på det lilla viset! Nu klarnar det!

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color:gold;background:brown;text-align:center;margin-top:0%;margin-bottom:0%">Tauno Köriläs

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color:gold;background:brown;text-align:center;margin-top:0%;margin-bottom:0%">SUURI KASKUKIRJA
Kaskuja

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color:red;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Marjaana Madagaskarissa
Nuorten toiveita

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color:black;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">AINO-MARJA RÄSÄNEN

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">MARZIAL
Latin obscenity

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">ENKEFALOGRAMMEJA

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color:white;background:black;text-align:left;margin-top:0%;margin-bottom:0%">MAXIM GORKI

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">СЕРАПИОНОВЫ БРАТЬЯ
Sosialistista realismia

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color:black;background:#d1cdae;text-align:center;margin-top:0%;margin-bottom:0%">Lady Ceepu

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color:black;background:#d1cdae;text-align:center;margin-top:0%;margin-bottom:0%">MUODIN HISTORIA
 Ornamentalismia

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color:black;background:#f6e2ae;text-align:center;margin-top:0%;margin-bottom:0%">color:red">Mikola color:green">Gogolj

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color:darkred;background:#f6e2ae;text-align:center;margin-top:0%;margin-bottom:0%">TARAS BULJBA
Koomikoita

ellauri257.html on line 77: Franz Waxman’s bombastic score bursts across the lush Technicolor screen as a reminder of how much Gogol’s novel has been cheapened, Cossacks on horseback engage the Poles in battle giving the film its life pulse and the action-packed film ultimately serves as a paean to Ukrainian nationalism as it rewrites history to leave out how the violently anti-Semitic Cossacks attacked the Jewish population of Poland with a barbaric ruthlessness to dispense with their ethnic cleansing. Yul chews the scenery, but is watchable. Tony demonstrates he can’t act by giving an unbearably gooey performance.

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color:black;background:#dcc1ae;text-align:center;margin-top:0%;margin-bottom:0%">KIREÄHERMOISTA VÄKEÄ
Videotörkyä

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color:#bc4a3c;background:#dcc1ae;text-align:center;margin-top:0%;margin-bottom:0%">МИХАИ‌Л ЗО‌ЩЕНКО

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Martin Luther King

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">In pirsona pirsonalmente
Perseilyä

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">C.S. Lewis

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Till We Have Faeces
Fanzua

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Singer Brothers

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Shadows on the Hudson 
Part 1
Pyllistelyä

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hertz Dovid Grein

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color:black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Semitismiä
Semitismiä

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color:#d58135;background:black;text-align:right;padding-right:5%;margin-top:0%;margin-bottom:0%">PLANET APE
Alastomuutta

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color:#d58135;background:black;text-align:right;padding-right:5%;margin-top:0%;margin-right:2px;margin-bottom:0%">DESMOND
MORRIS

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color:red;background:white;text-align:right;margin-top:0%;margin-bottom:0%">

ellauri267.html on line 40:   Пожалуйста ответить на 
color:black">телефон!
Väkivaltaa

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color:#39ff14;background:#a85740;text-align:center;margin-bottom:0%">Joe-setä ja Voldemort

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color:red;background:#a85740;text-align:center;margin-top:0%;margin-bottom:0%">Fotataidon Maailma
Silmitöntä väkivaltaa

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color:lightyellow;border:solid red 1pt;padding:1em">

ellauri269.html on line 816:   Kirjasarjan toisessa osassa, Salaperäisessä veitsessä, siirrytään Lyran maailmasta toiseen maailmaan, jossa tapahtumat keskittyvät lähinnä Cittàgazze-nimiseen kaupunkiin. Tätä maailmaa vaivaavat haamut, ilmiselvät Harry Potter-mentorien kopiot, jotka käyvät vain aikuisten kimppuun. Söpösti animoidut totemielukatkin on selvä plagiaatti vinosuu JK Rowlingin patronuxista. Kirjassa liikutaan myös meidän omassa maailmassamme ja Lyran maailmassa. Ajatellaan asiaa omalta kannaltamme ja vähän Lyyrankin kannalta. Maagisen kaukoputken tapahtumat sijoittuvat lukuisiin eri maailmoihin. color:red">Varoitus:  Seuraava kirjoitus paljastaa yksityiskohtia juonesta. Aikaisempi paasaus samasta aiheesta löytyy albumista 165. Lontoossa Lyralle selviää, että rouva Coulter on itse asiassa kahmaisijoiden johtaja. Pakomatkalta Lyran pelastavat gyptit, vesireittien vaeltava kansa, joka myy kadunkulmissa Osta Iso Numero! lehtiä, joka myös on kärsinyt kahmaisijoiden kaappauksista. Gyptit paljastavat, että rouva Coulter on todellisuudessa Lyran äiti, ja hänen isänsä on lordi Asriel, jota hän on aiemmin luullut sedäkseen. Yhdessä Lyra ja gyptit lähtevät kohti pohjoista pelastaakseen kaapatut lapset. Matkalla Lyra tutustuu panserbjørn Iorek Byrnisoniin, haarniskoituun jääkarhuun, texasilaiseen kuumailmapallolentäjään Lee Scoresbyyn sekä noita Serafina Pekkalaan. Varsinkin Toivo Pekkala suomea solkkaavine apureineen on tosi hilpeå, mutta on toi Jo Nesbön kirjoista muistuttava panserbjörnkin monen naurun arvoinen. Neuvokkuutensa avulla Lyran onnistuu pelastaa kaapatut lapset, joilla kirkon Uhraamislautakunta on suorittanut julmia kokeita Bolvangarin tutkimusasemalla tarkoituksenaan oppia vapauttamaan ihmiset perisynnistä. Tässä mennään jo rienauxessa K-12 rajan laittomalle puolelle!

ellauri269.html on line 819:   Lyra ja Will rakastuvat toisiinsa, mutta ymmärtävät, etteivät voi nussia samassa maailmassa, sillä kaikki maailmojen väliset ikkunat on suljettava Tomun säilyttämiseksi huoneissa. color:green">Helpotus: Juonipaljastukset päättyvät tähän.

ellauri269.html on line 825: Pullmanin tuorein teos on Rehti mies Jeesus ja kieromieli Kristus, kirjailijan uudelleentulkinta Jeesuksen tarinasta. Skotlantilainen Canongate Books -kustantamo julkaisi kirjan keväällä 2010 osana kansainvälistä Kuka lohduttaisi Myytiä-sarjaa. Kirja pohjautuu Pullmanin tulkintaan, jonka mukaan apostoli Paavalin kirjoitukset vaikuttivat suuresti jo evankeliumien sisältöön – ajatus Jeesuksesta Jumalan poikana on hänen mukaansa peräisin Paavalilta. color:blue">Siinä Pullman on varmasti aivan oikeassa.

ellauri270.html on line 7:       color: blue;

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ellauri270.html on line 37:       
color:black;background:#f9ede0;text-align:center;margin-bottom:0%">"COL. DWIGHT DOGCOLLAR"

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color:black;background:#f9ede0;text-align:center;margin-top:0%;margin-bottom:0%">"APINOIDEN SILTA"
Lisää silmitöntä väkivaltaa

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ellauri271.html on line 38:       
color:black;background:white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">Frans de Waal

ellauri271.html on line 39:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">I feel your pain
Karvaperseitä

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color:black;background:white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">Zane Grey

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">50 shades of Zane
Blacklistoja

ellauri272.html on line 330: Indian. Never mind the practically extinct aborigines, but he is a dangerous role model for the millions of immigrant more colorful hopefuls.

ellauri272.html on line 341: Even though the Bible has worked its way into the top 10, the truth is that a high percentage of these attempts at censorship are aimed at what the ALA calls "diverse content" -- in other words, "books by and about people of color, LGBT people and/or disabled people."

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color:black;background:white;text-align:center;margin-bottom:0%">Siegel and Schuster

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">A BIG JOB FOR SUPERMAN
Valtapeliä

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color:black;background:white;text-align:center;margin-bottom:0%">Konsta Pylkkänen

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">JOE color:red">✭ SETÄ
color:gray"> VOLDEMORT
Oikeutettua  väkivaltaa

ellauri275.html on line 455: Chavchavadze's contradictory career – his participation in the struggle against the Russian control of Georgia, on one hand, and the loyal service to the tsar, including the suppression of Georgian peasant revolts, on the other hand – found a noticeable reflection in his writings. The year 1832, when the Georgian plot collapsed, divides his work into two principal periods. Prior to that event, his poetry was mostly impregnated with laments for the former grandeur of Georgia, the loss of national independence and his personal grievances connected with it; his native country under the Russian empire seemed to him a prison, and he pictured its present state in extremely gloomy colors. The death of his beloved friend and son-in-law, Griboyedov, also contributed to the depressive character of his writings of that time.

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color:white;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">KYNTÄJIÄ
Kyntöä

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color:white;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">GET A HUMP ON YOU!
Kyttyröitä

ellauri277.html on line 258:   In 1928 Gibran published his longest book, Jesus, the Son of Man: His Words and His Deeds as Told and Recorded by Those Who Knew Him. It was the most lavishly produced of Gibran’s books, with some of the illustrations in color. For once, the reviews were strongly and uniformly favorable, and the book has remained the most popular of his works next to The Prophet.

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color:black;background:white;text-align:center;margin-bottom:0%">Chicherin ja Litvinov

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tykkivenediplomatiaa
Kansanmurhia

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ellauri279.html on line 36:       
color:black;background:white;text-align:center;margin-bottom:0%">Aleksanteri Isajevits Solzhenizyn

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Еб твою мать
Nobelismia

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color:black;background:white;text-align:center;margin-bottom:0%">Antonio Banderas

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Pensasneuvostoliittolaisia


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color:black;background:#8ea0ac;text-align:center;margin-top:0%;margin-bottom:0%">LÖYHÄPÄINEN KANSA
Käärijöitä ja munamiehiä

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color:black;background:#8ea0ac;text-align:center;margin-bottom:0%">KOTKAA KAHLEITANSA

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color:black;background:#d6d6d6;text-align:center;margin-bottom:0%">FOTO: NATO

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color:black;background:#d6d6d6;text-align:center;margin-top:0%;margin-bottom:0%">Finneken i Piss
Vitun hölmöjä

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color:black;background:#d6d6d6;text-align:center;margin-bottom:0%">FOTO: UK

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color:black;background:#d6d6d6;text-align:center;margin-top:0%;margin-bottom:0%">Suursota 1914-18
Öyhöttäjiä

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color:black;text-align:center;margin-bottom:0%">PATTI MULKKINEN

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color:darkred;text-align:center;margin-top:0%;margin-bottom:0%">Paasauxia kasarista
Paasauxia

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color:white;background:#921e1f;text-align:center;margin-bottom:0%">Sofi Oxenan

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color:black;background:#921e1f;text-align:center;margin-top:0%;margin-bottom:0%">Stalinin lehmä
Herutusta

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color: #0cbaba;background-image: linear-gradient(315deg, #0cbaba 0%, #380036 74%);color:white;padding:1em">

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color:black;background:#e2e9fc;text-align:center;margin-bottom:0%">Sofi Oxenan

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color:black;background:#e2e9fc;text-align:center;margin-top:0%;margin-bottom:0%">Jaxuhali<3
Mitä vittua!

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color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">PEKKA ja PÄTKÄ SUEZ'illa
Eihän asia kyllä minulle kuulu

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color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">SUOMEN FILMITEOLLISUUS (SF)

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">TURKIN FILMITEOLLISUUS (SF)

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">ALPARSLAN SUURI SELZHUKKI
Reittiopas

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color:black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Ammi Ruhama

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color:black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">HOOSEA AJASSAMME
Finnin puristelua

ellauri297.html on line 441: Jeesus käski meitä johtajina olemaan rajoittamatta johtajuuttamme uskoviin, kuten pakanat tekevät, ja siksi tässä on joitain uskovien oikeuksien perusperiaatteita. Tämä color:red">ARC GUIDE LEVEL 1 on Ihanteellinen Ammi Ruhama Communityn ajatteluprosessiimme tutustuville.

ellauri297.html on line 470: Eskin mielihokemia on kukoistus. Ällösana. Ammi Ruhaman Daniel L. Bacon määrittelee ihmisen kukoistuksen sielujen välisen viestinnän tuotteeksi. Eski varmaan olisi valmis tähän yhtymään, ainakin Ruhamaan tilaisuuden jälkeen. Tämä paasaus on color:red">ARC GUIDE LEVEL 3: Ihanteellinen Ammi Ruhama Communityn ajatteluprosessimme hyvin tunteville..

ellauri299.html on line 7:       color: blue;

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color:gold;background:#294865;text-align:center;margin-top:0%;margin-bottom:0%">Teppo Kurko ja Jasper Pääkallo

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color:gold;background:#294865;text-align:center;margin-top:0%;margin-bottom:0%">MUSTA TORNI
Kauhua

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ellauri300.html on line 37:       
color:grey;background:#eceae9;text-align:center;margin-top:0%;margin-bottom:0%">part 2 of

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color:#287da1;background:#eceae9;text-align:left;margin-top:0%;margin-bottom:0%">
Shoah business 
baym Hudson
Lisää pyllistelyä

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color:white;background:dodgerblue;text-align:center;margin-top:0%;margin-bottom:0%">HARRI NYKÄNEN

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color:white;background:dodgerblue;text-align:center;margin-top:0%;margin-bottom:0%">KAVERI TAPETTIIN TAPETTIIN
Tappavaa

ellauri301.html on line 157: Wallander was once married, but his wife Mona (remember? the immigrant charity dish) left him and he has since had a difficult relationship with his rebellious only child, Linda, who barely survived a suicide attempt when she was fifteen. He also had issues with his late father, an artist who painted the same landscape 7,000 times for a living; the elder Wallander strongly disapproved of his son´s decision to join the police force and frequently derided him for it. Fair enough: painting sunsets with/without a black grouse pays off better than finding random middle fingers of color. Kurt Wallander sr is a great fan of the opera. Kurt Wallander jr says he actually hates opera. I bet that was a joke. 

ellauri301.html on line 349: Heritage Day on September 24 is a day that celebrates South Africa’s roots, their rich, vibrant, and diverse cultures. South Africa is called the ‘‘Rainbow Nation’’ due to its color and gender diversity, and this is why Heritage Day exists. Its goal is to nurture and embrace South African culture for what it truly is, accepting all races and genders. The day is usually celebrated with a cookout known as a braai and we suggest that you channel your inner South African and celebrate with a feast of your own.

ellauri302.html on line 7:       color: blue;

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color:blue;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Sholem Ash

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color:green;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">KOST' JUMALA
Hulabaloota

ellauri302.html on line 190:  In the background of the basement brothel, several small compartments, separated from one another by thin partitions, and screened by thick black curtains. One of the curtains has been drawn aside; in the compartment are seen a bed, a wash-stand, a mirror and various toilet articles. A colored night-lamp sheds a dim light over the tiny room. 

ellauri302.html on line 251: Manke, steals from her compartment into the basement. She is half-dressed, with a shawl thrown over her private parts. Her colored stockings are visible, and her hair is in disorder. Her eyes sparkle with wanton cunning. Her face is long, and insolently pretty; she is quite young. A lock of hair falls over her forehead. Her eyes blink as she speaks, and her whole body quivers. She looks about in surprise. What? Nobody here?

ellauri308.html on line 7:       color: blue;

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color:gold;background:maroon;text-align:center;margin-top:0%;margin-bottom:0%">JUUTALAISTA HUUMORIA
Huumoria

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color:grey;background:maroon;text-align:center;margin-top:0%;margin-bottom:0%">Tuomiset

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ellauri309.html on line 32: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Nora "Genital" Roberts

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Far, Far Away
Kapitalistinen manifesti

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Daniel 

ellauri310.html on line 24: style="font-family:sans-serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Life's 

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kirsi Salo

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tantrista
Terdellä

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tuukka Pietarinen

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tanssivat karhut
Aika heikkoa

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color:white;background:#3c6bd5;text-align:center;margin-top:0%;margin-bottom:0%">Untitled Goose

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color:white;background:#3c6bd5;text-align:center;margin-top:0%;margin-bottom:0%">Simple Reasoning
Simppeliä

ellauri316.html on line 4:       color: blue;

ellauri316.html on line 25: 
color:red;background:white;text-align:center;margin-top:0%;margin-bottom:0%">B. MARKOBCSKNÑ

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color:white;background:#19228b;text-align:center;margin-top:0%;margin-bottom:0%">КЕМ БЫТЬ?
Kommando pimppeling

ellauri316.html on line 407: colorized-741x571.jpg?width=480" />

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color:black;background:#a2a882;text-align:center;margin-top:0%;margin-bottom:0%">Kuppalehti

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color:black;background:#a2a882;text-align:center;margin-top:0%;margin-bottom:0%">AIVAN PARASTA ROISTOKIRJALLISUUTTA
Roistomaista

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color:purple;background:white;text-align:right;margin-top:0%;margin-bottom:0%">JENS VAPIDUS

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color:black;background:white;text-align:right;margin-top:0%;margin-bottom:0%">RAHALLA SAA 
JA HEVOSELLA PÄÄSEE
Konnailua

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color:red;background:teal;text-align:right;margin-top:0%;margin-bottom:0%">
JUAN 
AMERIKASSA
Matuja

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color:black;background:lightyellow;text-align:right;margin-top:0%;margin-bottom:0%">ERIC LINKLATER

ellauri321.html on line 103: Among other books there fell into a guy named Hazlitt's hands a little volume of double interest to him by reason of his own early sojourn in America, and in a fitting connection he gave it a word of praise. In the Edinburgh Review for October, 1829, he speaks of it as giving one an idea “how American scenery and manners may be treated with a lively poetic interest. The pictures are sometimes highly colored, but they are vivid and strikingly characteristic.” “The author,” he continues, “gives not only the objects, but the feelings of a new country.” Hazlitt had read the book and had been delighted with it nearly a quarter of a century before he wrote of it, and in the earliest years of the century he had commended it warmly to his friends. In November, 1805, Lamb wrote: “Oh, tell Hazlitt not to forget the American Farmer. I dare say it is not so good as he fancies; but a book's a book.”* And it is this book, which not only gained the sympathies of Hazlitt and Charles Lamb, but also by its idealized treatment of American country life may possibly have stirred, as Professor Moses Coit Tyler thought, the imaginations of Byron and Coleridge.

ellauri322.html on line 4:       color: blue;

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Mary Wolstonecraft & kumpp.

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tom Dick and Harry Paineella
Sentimentalismia

ellauri323.html on line 4:       color: blue;

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color:black;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Max Beerbohm

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color:lightyellow;margin-top:0%;margin-bottom:0%" />

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color:lightyellow;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Zuleika Dobson
Eetuilua

ellauri324.html on line 4:       color: blue;

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color:black;background:cyan;text-align:center;margin-top:0%;margin-bottom:0%">WILLIAM BLUM

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color:red;background:cyan;text-align:center;margin-top:0%;margin-bottom:0%">ROISTO-
VALTIO
Ryöstökapitalismia

ellauri324.html on line 273:   Why is America in such poor shape, with its crumbling roads, crappy power distribution, and pitiful public transport systems? color:green">It is because Americans have been propagandized for decades into believing that “liberty” is the ultimate virtue, and this “liberty” is so valuable that it justifies the cost of living as a selfish asshole under a dysfunctional government. “Raise taxes to pay for public infrastructure?” “Jeez Louise; over my dead body! Taxation is theft, government is bad!” For much of the 20th century, America defined itself against the collectivist USSR, and the fatuous argument was made that since everything was under the control of the state in the USSR, the US government should do as little as possible, apart from outspending the evil Commies in national defense.

ellauri324.html on line 279: color:red">The US is run by an oligarchy of libertarian fantasists, who have spent so long sucking hallucinogenic bile from the withered teats of Ayn Rand that they have lost all contact with reality. The government is not entirely to blame for the current situation; a lot of the social problems are the result of the narcissistic counter culture that started in the 1960s, but now that these problems are getting worse, the question is, can the government continue to pretend that they don’t exist, or that there is somehow a “free market” solution to mass shootings, drug addiction, and homelessness?

ellauri324.html on line 289: If the author of the question long one is wealthy and well traveled he would know that Europe and Asia had many technological advances long before USA did or will ever have such as TGV or bullet trains for example. After spending time in Europe and Asia it was decades later I saw many of these advances here to buy or experience. Japanese cars nearly sunk USA automakers. Why didn’t the corp heads heed anything. TGV in France and Japan and other nations is unrivaled and we have not even one such train here. Tankless water heaters, available in Asia and Europe decades before here. Roads and other infrastructure also superior. My research shows that Americans were so busy creating totalitarian policies like redlining and private cars and pools and expressways removed entire neighborhoods of blacks to create all white suburbs that they were unconcerned with advances that would unite people. Sure everywhere are class societies but it’s a whole different level here. The homeless situation is opening eyes in this country and many things are borne out of a highly segregated society where it’s expensive to live in certain cities and suburbs and the rest be damned. Obviously California has destroyed itself from within. The liberals there and other states are the most class and race conscious than any other people on earth. This blind spot is like a beacon. A prism that breaks down social order. The wealthy libs have to accept their roles in American destruction. It will get worse long before it improves. [Redlining is an illegal practice in which lenders avoid providing credit services to individuals living in or seeking to live in, communities of color because of the race, color, or national origin of the residents in those communities.]

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color:orange;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Tom 
Clancy´s

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color:red;background:black;text-align:center;margin-top:0%;margin-bottom:0%">POLITIKA
Antikommunismia

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color:#253127;background:#a09661;text-align:center;margin-top:0%;margin-bottom:0%">SALAMANTERI- 
SOTA
Antiputinismia

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color:#253127;background:#adc75c;text-align:center;margin-top:0%;margin-bottom:0%">Koirameemejä
Reviiriajattelua

ellauri327.html on line 104: Viktor Pavlik: This is considered the best argument: inappropriate name, skin color? Right, Mr. Adolph? It is no secret that many students from Asia and Africa studied in Ukraine and received citizenship. But the Ukrainian allies of Great Britain divide citizens into those who are ethnically correct and those with the wrong language, culture, and views. Is it so civilized that it requires support with Western missiles?

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">VAD ÄR EN 
DIKTATUR?
Lipilaaria

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">P. Pylkkänen

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color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Tietoisuuden mysteeri
Höpsismiä

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Anna-Lena Lauren

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">PROPAGANDASOTAA
Voluntarismia

ellauri331.html on line 700: 	25. heinäkuuta 2016 Thomas Rid, Lontoon King´s Collegen turvallisuustutkimuksen professori ja Johns Hopkinsin yliopiston School for Advanced International Studiesin ulkopuolinen tutkija Washington DC:ssä (taskuprofessori vailla vertoa), teki oman yhteenvedon todisteista, osoittaaxeen Venäjän olevan kaiken takana. Hän päätteli, että nämä toimet heikensivät onnistuneesti "DNC:n kykyä käyttää oppositiotutkimustaan ​​yllätyksenä Trumpia vastaan..." Hän kirjoittaa lisäksi, että monet maat suorittavat tietojen suodattamista poliittisista järjestöistä ja sitä pidetään laillisena tiedustelutyötä. "Mutta digitaalinen suodattaminen ja mahdollisesti manipuloitujen asiakirjojen julkaiseminen vapaalla hacktivismilla naamioituna ylittää suuren punaisen viivan ja muodostaa vaarallisen ennakkotapauksen: autoritaarinen maa suoraan, mutta silti salaisesti yrittää sabotoida Yhdysvaltain vaaleja." Jos se maa edes olisi antiautotaarinen...

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color:white;background:#83a9b6;text-align:center;margin-top:0%;margin-bottom:0%">Jar-Jar Bling
Kinefiliaa

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Mlecch
Koprolaliaa

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ellauri334.html on line 118:     Juu tällästä soopaa kazoo koirasapinat. Ja mikä kutittaa naaraspaviaanien perseitä? Tällä hetkellä se on misandria eli sarjat missä näytetään havainnollisesti miten kusipäitä miehet on, miten ne kusettavat naisia ja mätkivät niitä sitten sinipunaisixi apinan raivolla. Ezellasta viihdettä. No hopeaselät saavat mitä pyysivät. Esim se Enid Blytonin nelikko, jossa on vammanen britti isoäiti, laiha miehetön brittikuikelo, tanakka jenkki työväenluokan tyttö ja jyrsijännäköinen  high yaller colored woman. Tämmöisiä tiimejä kyllä taas tarvitaan nyt kun Eurooppa on halennut ja kolonialistianglosaxien on pidettävä huoli toisistaan. 

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color:lightgrey;background:black;margin-top:0%;margin-bottom:0%">Cos'é la vita?
Trendejä

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color:pink;background:#cce8f3;margin-top:0%;margin-bottom:0%;padding-right:2%">Rebbe Chinuch

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color:#12a0b4;background:#cce8f3;margin-top:0%;margin-bottom:0%">Puhtaiden mielien 
JA 
sydänten kasvattaminen
Kimchiä

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ellauri336.html on line 697: color:red">Perdón. color:orange">Por favor. color:green">Gracias señor.

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color:gold;background:black;margin-top:0%;margin-bottom:0%">Strategy of Inner Conflict
Demilitarisaatiota

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color:black;background:#edab5d;margin-top:0%;margin-bottom:0%;padding-right:2%">Marshal Zhukov

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color:black;background:#edab5d;margin-top:0%;margin-bottom:0%">Zhuk v muraveynike
Rautaesiripun takana

ellauri339.html on line 601: Americans will be forgiven if they never hear this bad news, never mind be surprised by it if they did. The narrative which drove sports teams to wear blue and yellow patches and E Street Band member Steve Van Zandt to paint his guitar the Ukrainian colors was simple. Amidst a flood of propaganda, the story was always the same: Ukraine was pushing back the Russians with weapons provided by a broad range of agreeable NATO benefactors. Between Ukrainian jet fighter aces with improbable kill ratios to patriotic female sniper teams with improbable hair and makeup, Russia was losing. It would be a difficult but noble slog for “as long as it takes” to drive the Russians out.

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color:white;background:black;margin-top:0%;margin-bottom:0%;padding-right:2%">★ TUOMARILIIGA

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color:white;background:black;margin-top:0%;margin-bottom:0%">PISSALIISA
Peilailua

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color:white;background:#3ba3da;margin-top:0%;margin-bottom:0%;padding-right:2%">Täävoi Purra

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color:white;background:#3ba3da;margin-top:0%;margin-bottom:0%">Uuteen Jerusalemiin
Persuilua

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color:green;background:black;margin-top:0%;margin-bottom:0%">Neljäs Laine
Lisää matuja

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ellauri342.html on line 494: Long for colors on your dresses,		Kaipaat mekkoihisi värejä,			

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color:black;background:lightgrey;margin-top:0%;margin-bottom:0%">kärhämää 
POHJANMAALTA
Fasilitointia

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color:white;background:darkgrey;margin-top:0%;margin-bottom:0%;padding-right:5%">PASKA TUURI

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color:black;background:red;margin-top:0%;margin-bottom:0;padding-right:5%">MUROPAKETTI
Anaalisosialismia

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color:black;background:red;margin-top:0%;margin-bottom:0%;padding-right:5%">(C) LAINEET

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color:brown;background:white;margin-top:0%;margin-bottom:0%;padding-right:5%">Benjy

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color:black;background:white;margin-top:0%;margin-bottom:0;padding-right:5%">Valinnaisia sukulaisia
To business!

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color:black;background:beige;margin-top:0%;margin-bottom:0%;padding-right:5%">LEONID BREZHNEV

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color:black;background:beige;margin-top:0%;margin-bottom:0;padding-right:5%">KOHTA ON KIVAA
Kulturnoje

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color:white;background:black;margin-top:0%;margin-bottom:0;padding-right:5%">VANHUSMAISTA
Geriatriaa

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color:black;background:lightgreen;margin-top:0%;margin-bottom:0%;padding-right:5%">Pirjo "Säi säi" Winter

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color:white;background:lightgreen;margin-top:0%;margin-bottom:0;padding-right:5%">TOIVOSSA 
ON HYVÄ ELÄÄ
Toiveikasta

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color:black;background:white;margin-top:0%;margin-bottom:0%;padding-right:5%">E. SAARISEN

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color:black;background:white;margin-top:0%;margin-bottom:0;padding-right:5%">AJAT
US
TEN T
ONA
VA
Positiivista

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color:black;background:beige;margin-top:0%;margin-bottom:0%;padding-right:5%">ANGELA MONTENEGRO-AHOLA

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color:red;background:beige;margin-top:0%;margin-bottom:0;padding-right:5%">DIGI
RUNKKAUSTA
{span style="color:white;background-color:purple"}2024{/span} Runkkua

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color:black;background:lightgrey;margin-top:0%;margin-bottom:0%;padding-right:5%">PUNTUN PAAVO ja KIRJAPAJA

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color:red;background:lightgrey;margin-top:0%;margin-bottom:0;padding-right:5%">WIIKSI 
VA✷
HA-✷A✷
MME
color:red">🖕
Vihapuhetta

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color:red;background:black;margin-top:0%;margin-bottom:0;padding-right:5%">color:yellow;font-size:2em">Die Geschichte vom 
 hölzernen Bengele
Emävaleita

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color:black;background:beige;margin-top:0%;margin-bottom:0%;padding-right:5em;padding-bottom:20px">TUULIKKI MÄYHÄ

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color:black;background:beige;margin-top:0%;margin-bottom:0;padding-right:5%">MÄYHÄ
Hätävaleita

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color:black;background:beige;margin-top:0%;margin-bottom:0;padding-right:5%">Lähikuvia Marko Tapion elämästä

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color:black;background:lightblue;margin-top:0%;margin-bottom:0%;padding-bottom:20px">Svetlana Aleksijevits

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color:black;background:beige;margin-top:0%;margin-bottom:0%">Ostankinon juna
Puolitotuuxia

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color:teal;background:black;margin-top:0%;margin-bottom:0%;padding-bottom:20px">William Blake

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color:indianred;background:black;margin-top:0%;margin-bottom:0%">Kirpun henki
Ilmaisrakkautta

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color:black;background:yellow;margin-top:0%;margin-bottom:0%;padding-bottom:20px">ROBBE GRILLET présente:

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color:rebeccapurple;background:yellow;margin-top:0%;margin-bottom:0%">Jeg elsker
 GRILLET FISK
Modernismia

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color:green;background:white;margin-top:0%;margin-bottom:0%">Ylpeys ja ennakkoluulo
Varhaisromantiikkaa

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color:green;background:white;margin-top:0%;margin-bottom:0%;padding-bottom:20px">color:black">A Novel by JANE AUSTEN

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color:white;background:firebrick;margin-top:0%;margin-bottom:0%;padding-bottom:20px">Anttoni Pyp Pipo

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color:firebrick" />


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color:white;background:firebrick;margin-top:0%;margin-bottom:0%">HERMOMME 
JA ME
Neurolepsiaa

ellauri364.html on line 252: color:blue;font-style:italic">This article is not about the album by Blood, Sweat & Tears. For the song by the Beach Boys, see Child Is Father of the Man.  

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color:black;background:#e3d3af;margin-top:0%;margin-bottom:0%;padding-bottom:20px">The Family Guy

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color:black;background:#e3d3af;margin-top:0%;margin-bottom:0%">TUULIRUUSU
Kuppasta

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color:yellow;background:dodgerblue;text-align:center;margin-top:0%;margin-bottom:0%">SARJAKUVA-VIISIKKO

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">VIISIKKO 
VAKOILIJOIDEN NAAMIAISISSA
Vakoilua

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color:gold;background:#8e4c20;bronze;text-align:left;margin-top:0%;margin-bottom:0%">Täys rove kranaatteja
Sukoilua

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color:gold;background:#8e4c20;text-align:left;margin-top:0%;margin-bottom:0%">Poems of Avron Sutzkever

ellauri368.html on line 303: When he (Scrooge McDuck) gave a coin in alms to a poor man, he shouted at him this: 'Why do you sit with thy hands folded? The sleep of the laborer is sweet; go, then, till the earth and live with the labor of thine  own hands. Thy hands are not bound, nor are thy feet put into fetters. By Jehovah, all of you are poor, because you hold your hands akimbo.  If you had in your possession all the gold of my money bin, you would squander it. Do you perhaps wait for manna to come down from beaven, as it did for those who went out of Egypt, or for the earth to bring forth white bread and garments of fine wool, colored and embroidered, or do you wait for God to open windows in heaven?

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color:black;background:white;text-align:leftr;margin-top:0%;margin-bottom:0%">CORNE 
LIUS
NEPOS

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color:olive;background:white;bronze;text-align:left;margin-top:0%;margin-bottom:0%">KUULUISIA 
MIEHIÄ
Paleofiktiota

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color:white;text-align:center;margin-top:0%;margin-bottom:0%">Poul Borchsenius

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color:white;background-color:black;text-align:center;margin-top:0%;margin-bottom:0%">Den evige Jøde
Syntipukkeilua

ellauri370.html on line 94: It might be well, however, to inquire, What is sin ? What is the biblical definition of it ? We find the answer in the following language: " Whosoever committeth sin trans-gresseth also the law : for sin is the transgression of the law." color:red">Gresseth! The Jews did a lot of it. We quote the following from the Prophet Isaiah:

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color:black;background-color:#ffbc57;text-align:center;margin-top:0%;margin-bottom:0%">PROTOKOLY SiONSKIXb MUDRETSOBb.
Paranoidia

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color:black;background-color:#ffbc57;text-align:center;margin-top:0%;margin-bottom:0%">(Po textu S.A. Nilusa)

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color:Khaki">

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color:black;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Flaccid Horace

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color:black;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Oodi hippiäiselle
Sikasovinismia

ellauri372.html on line 141: damnum: neque amissos colores			lisäätte tappioon: eikä haalistuneen

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color:#880808;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">YXI PORUKOISTA

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Feminismiä

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color:grey;color:black;text-align:center;margin-top:0%;margin-bottom:0%">SEISOO UKRAINAN KANSSA
Kökkäreitä

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color:black;background-color:grey;text-align:center;margin-top:0%;margin-bottom:0%">Даниел Сазоновъ

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color:white;background-color:darkgreen;text-align:center;margin-top:0%;margin-bottom:0%">Steven Spielberg

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color:darkgreen;color:white;text-align:center;margin-top:0%;margin-bottom:0%">MAAILMOJEN SOTA
Pökäleitä

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color:black;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Pistis Sofia

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color:black;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Lihan iloja
Hurlumheitä

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color:black;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Schwerbelastungskörper
Rapukarkkeja

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color:black;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">el alamy

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color:black;background:white;text-align:center;margin-bottom:0%">Antonio Banderas

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Puskaryssiä
Pomilointia

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color:black;background:#8faa81;text-align:center;margin-bottom:0%">Vladimir Zhirinovski-vainaja

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color:black;background:#8faa81;text-align:center;margin-top:0%;margin-bottom:0%">Itätyttöjä
Suunsoittoa

ellauri382.html on line 369:       Goggins was born on February 17, 1975, to Trunnis and Jackie Goggins. In 1981, he lived in Williamsville, New York, on a street called Paradise Road (same as Donald Duck!) with his parents and brother, Trunnis Jr. While Goggins's neighborhood held "model citizens consisting of white people," he describes his colorful home experience as "hell on Earth." Goggins's father owned the roller skating rink Skateland, located in East Buffalo, New York. At age six, Goggins often worked the night shift at Skateland alongside his family, lining up roller skates. Goggins’s mother left his father due to abuse and eventually moved herself and her children to live with Goggins's grandparents in Brazil, Indiana. Goggins enrolled in second grade at a small Catholic school and made First and Second Communion but failed the Third. His brother, Trunnis Jr., returned to Buffalo to live with their father.

ellauri382.html on line 721: Suomen talvisota hetki hetkeltä - te mukana! color:red">IS Extra tarjoaa:

ellauri382.html on line 725: Lisää extraa elämääsi: Lääkärit Elina ja Markku näkevät, miten suomalaiset tuhoavat suolistonsa – näitä jo kerran syötyjä ruokia he eivät enää omalle lautaselleen laita. color:red">IS Extran tilaajille 15.5. 18:00:

ellauri382.html on line 727:  color:red">IS Extran tilaajille 6:00: Naapuri ihmetteli Petran ulkonäköä, kun tämä oli tonkimassa roskia – pari päivää myöhemmin Petra taisteli rinnoistaan lääkäreitä vastaan teho-osastolla!   

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color:black;background:#f4f3ef;text-align:center;margin-bottom:0%">Various authors

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color:black;background:#f4f3ef;text-align:center;margin-top:0%;margin-bottom:0%">Poena Cullei
Mölinää

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Hölinää

ellauri384.html on line 383: After five seasons, 20 Emmy awards and plenty of Jewish jokes, the hit series “The Marvelous Mrs. Maisel” will air its final episode on Friday. Lebanese Christian Adrian Monk played Midge's complaining dad in the first season. The acclaimed Amazon Prime show by creator Amy Sherman-Palladino has enveloped viewers in a shimmering, candy-colored version of New York during the late 1950s and early 1960s — a world in which "money" meant Jewish money, “humor” meant Jewish humor and “culture” meant Jewish culture.

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color:#f4f3ef;text-align:center;margin-bottom:0%">Teppo Tulppu

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color:#f4f3ef;text-align:center;margin-top:0%;margin-bottom:0%">Oman elämänsä Teppo
Teppoilua

ellauri389.html on line 7:       color: blue;

ellauri389.html on line 11: 	  color: blue;

ellauri389.html on line 37:       
color:teal;text-align:center;margin-bottom:0%">PIENIÄÄNINEN AUTISTI

ellauri389.html on line 38: 
color:teal;text-align:center;margin-top:0%;margin-bottom:0%">THE EMPEROR       OF EVERYTHING
Kupla kurkussa

ellauri390.html on line 7:       color: blue;

ellauri390.html on line 11: 	  color: blue;

ellauri390.html on line 37:       
color:black;text-align:center;margin-bottom:0%">James Fennimore Cooper

ellauri390.html on line 38: 
color:red;text-align:center;margin-top:0%;margin-bottom:0%">Viimeinen mohikaani
Tappojuttuja

ellauri390.html on line 430: The man in the crowd with the multicolored mirrors

ellauri391.html on line 7:       color: blue;

ellauri391.html on line 11: 	  color: blue;

ellauri391.html on line 37:       
color:black;text-align:center;margin-bottom:0%">Piisamirotta

ellauri391.html on line 38: 
color:blue;text-align:center;margin-top:0%;margin-bottom:0%">Kaiken turhuudesta
Turhuutta

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xxx/ellauri010.html on line 19: 
color:yellow;background:#3ea0bb;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">LOS MUERTOS

xxx/ellauri010.html on line 20: 
color:red;background:yellow;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">Mustan mantiljan salaisuus
Sensuroitua

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xxx/ellauri013.html on line 19: 
color:yellow;background:#3ea0bb;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">EL MUERTO

xxx/ellauri013.html on line 20: 
color:red;background:yellow;font-size:4em;text-align:center;margin-top:0%;font-style:italic;margin-bottom:0%">VIESTI KUOLEMALTA
Salatietoa

xxx/ellauri027.html on line 7:       color: blue;

xxx/ellauri027.html on line 19: 
color:black;background:orange;font-size:4em;text-align:left;margin-top:0%;margin-bottom:0%">SMURFFIEN SEIKKAILUJA

xxx/ellauri027.html on line 20: 
color:white;background:green;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">color:blue">SMURFFIT
 JA TAIKAMUNA
Smurffijuttuja

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color:blue">

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color:blue">

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color:blue">  

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color:blue">  

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color:blue">  

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color:blue">  

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color:blue;font-family:sans-serif">

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color:black;font-family:serif">

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color:black;font-family:serif">

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color:black;font-family:serif">

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color:black">

xxx/ellauri027.html on line 497: 
color:red">

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xxx/ellauri044.html on line 24: 
color:red;background:#deb463;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">BAMSE


xxx/ellauri044.html on line 25: 
color:black;background:#deb463;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Maailman Paskin Nalle
Kevätnarsismia

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color:yellow">

xxx/ellauri056.html on line 7:       color: blue;

xxx/ellauri056.html on line 24: 
color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">ENID BLYTON 

xxx/ellauri056.html on line 25: 
color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">Viisikko color:red">
ja aavejuna
Tunnelimaista

xxx/ellauri057.html on line 7:       color: blue;

xxx/ellauri057.html on line 24: 
color:#156077;background:#ae534a;text-align:center;margin-top:0%;margin-bottom:0%">Tex Willer 

xxx/ellauri057.html on line 25: 
color:#1c6645;background:#bfab6c;text-align:center;margin-top:0%;margin-bottom:0%">DJEVEL-FJELLET
Tuhat tulimmaista

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color:#f4f5f7">

xxx/ellauri057.html on line 379: 
color:#f7f9c5">

xxx/ellauri057.html on line 717: 
color:#d4f9a7">

xxx/ellauri057.html on line 1442: Tatulla on technicolor näkymiä ja mehevää antisemitismiä.

xxx/ellauri059.html on line 8:       color: blue;

xxx/ellauri068.html on line 7:       color: blue;

xxx/ellauri068.html on line 23: 
color:black;background:#aaa27e;text-align:center;margin-top:0%;margin-bottom:0%">PYNCHON ORIGINAL

xxx/ellauri068.html on line 24: 
color:yellow;background:#aaa27e;text-align:center;margin-top:0%;margin-bottom:0%">color:yellow">BOЯДT SUBSEQUENT MOVIEFILM
Sekatavaraa

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color:pink">

xxx/ellauri075.html on line 7:       color: blue;

xxx/ellauri075.html on line 27: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">David Foster Wallace

xxx/ellauri075.html on line 28: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Tennis on parasta huumetta
Hörhöilyä

xxx/ellauri075.html on line 79: Schestows Gedanken bilden auf den ersten Blick alles andere als eine Philosophie: Sie bilden keine systematische Einheit, kein kohärentes System von Aussagen, keine theoretische Erklärung philosophischer Probleme. Ein Großteil von Schestows Werk ist fragmentarisch, sowohl in Bezug auf die Form (er benutzte oft color:red">Aphorismen) als auch in Bezug auf Stil und Inhalt. Schestow scheint sich selbst häufig zu widersprechen, das color:red">Paradoxe sogar zu suchen.

xxx/ellauri075.html on line 81: Dies kommt daher, dass Schestow das Leben selbst als letztendlich in höchstem Maße paradox ansieht. Er hält es für mit Hilfe von Logik oder Vernunft nicht erfassbar. Keine Theorie könne die color:red">Geheimnisse des Lebens ergründen. Schestows Philosophie ist nicht „problemlösend“, sondern wirft Probleme auf und versucht, das Leben so rätselhaft wie möglich erscheinen zu lassen. Schestows Philosophie geht nicht von einer Idee, sondern von einer Erfahrung aus.

xxx/ellauri075.html on line 83: Diese Grunderfahrung ist für Schestow die Verzweiflung, die er als Verlust von Gewissheiten, Verlust von Freiheit und Verlust des color:red">Lebenssinnes beschreibt. Die Wurzel dieser Verzweiflung ist, was Schestow oft „Notwendigkeit“, „Vernunft“, „Idealismus“ oder „Schicksal“ nennt: eine bestimmte Art zu denken, die aber gleichzeitig ein ganz realer Aspekt der Welt ist, welche das Leben Ideen, Abstraktionen und Verallgemeinerungen unterwirft und es so vernichtet, indem es seine color:red">Einzigartigkeit und Lebendigkeit verkennt.

xxx/ellauri075.html on line 87: In Schestows Denken kommt auch ein color:red">individualistischer Zug zum Tragen: Menschen könne man nicht auf Ideen, soziale Strukturen oder eine mystische Einheit reduzieren.

xxx/ellauri075.html on line 92:     Dieses nennt er color:red">Glaube. Gemeint ist nicht ein Glaube im Sinn einer Sicherheit, sondern eine andere Art zu denken, die aus tiefstem Zweifel und Unsicherheit hervorgeht. Es ist die Erfahrung, dass alles möglich ist (Dostojewski), dass das Gegenteil von Notwendigkeit nicht der Zufall ist, sondern die color:red">Möglichkeit. Dass eine grenzenlose color:red">Freiheit existiert.

xxx/ellauri075.html on line 94:     Schestow behauptet niemals, dass das Leben einen Sinn hat, dass es „ein Licht hinter dem Vorhang“ gibt. Das Licht am Ende des Tunnels is der Scheinwerfer eines annähernden Zuges. Er widerspricht auch nicht dem Wort, dass alles Kämpfen zu einer Niederlage führt. Aber Schestow beharrt darauf, dass man weiter gegen das Schicksal und die Notwendigkeit ankämpfen solle, selbst wenn kein color:red">Erfolg mehr möglich ist.

xxx/ellauri076.html on line 7:       color: blue;

xxx/ellauri076.html on line 27: 
color:black;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">KIRJAVA MIEHISTÖ

xxx/ellauri076.html on line 28: 
color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">TYPYJÄ TYPYJÄ TYPYJÄ
{span style="color:white;background-color:orange"}2021{/span} Hulvatonta

xxx/ellauri081.html on line 7:       color: blue;

xxx/ellauri081.html on line 27: 
color:yellow;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Gian Lorenzo Bernini

xxx/ellauri081.html on line 28: 
color:yellow;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Ecstasy of St. Teresa, 1645–52
Ekstaasia

xxx/ellauri084.html on line 7:       color: blue;

xxx/ellauri084.html on line 27: 
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">James Wallace

xxx/ellauri084.html on line 28: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kuuluisien diktaattorien vauvavalokuvia
Nalkutusta

xxx/ellauri084.html on line 395: color:brown">Ron Ruskea, Fysiikan Professori, Emeritus:

xxx/ellauri084.html on line 412: color:brown">Yunlok Lee, entinen Akateemikko, Tutkimus, Kunnia ja PhD neuvoja ja kuulustelija, SCU, NSW (1999-2014)

xxx/ellauri084.html on line 421: color:brown">Michael McBain, Rehki Australialaisissa Yliopistoissa ~40 Vuotta  

xxx/ellauri084.html on line 442: color:brown">Joshua Törkeä, Apulainen Tietojenkäsittelytieteessä, CSUMB

xxx/ellauri084.html on line 454: color:brown">Leonard Poon, entinen Huomattava Tutkimus Professori Emeritus Gruusian Yliopistosta    

xxx/ellauri084.html on line 464: color:brown">Bryan Lewis, Professori (Täysi)    

xxx/ellauri084.html on line 478: color:brown">Alva Sohva, Apulaisprofessori Tuftin Yliopistossa (1994-nyt)  

xxx/ellauri084.html on line 490:   color:brown">  Ben Eicher, opiskeli kandixi kaikissa ammateissa maisterixi ei-missään Malplena Universitatossa

xxx/ellauri084.html on line 520: color:brown">Ronald Harmon Brown (August 1, 1941 – April 3, 1996) oli Amerikkalainen poliitikko. Hän palveli Yhdysvaltojen Kauppasihteerinä Presidentti Bill Clintonin ykköskaudella. Ennen tätä hän oli Demokraattisen Kansallisen Komitean (DNC) tuolimies. Hän oli ensimmäinen mutiainen näissä hommissa. Hän oli oikeasti ruskea. Hän kuoli 34 muun kansa 1996 lentokonerysähdyxessä Kroatiassa.

xxx/ellauri084.html on line 524: color:brown">Ron Brown (Australialainen poliitikko) (1915-1992), Tasmanialainen poliitikko Ronald Brown (Englantilainen poliitikko) (1921-2002), Brittiparlamentin jäsen alueelta Hackney South and Shoreditch. Ron Brown (Skottilainen poliitikko) (1940-2007), Entinen Parlamentin Jäsen Leithistä Ron Brown (1941-1996), Yhdysvaltain Kauppasihteeri; Ron Brown (Wisconsinin poliitikko) (born 1946), Wisconsin ...

xxx/ellauri084.html on line 526: color:brown">Ron Brown on kolmannella kaudella Nebraskan pelaajakehitysjohtajana. Hänellä on pitkä liittymä Husker jalkapalloon, toimien assistenttivalmentajana 24 kautta (1987-2003 ja taas 2008-14). Brown palvelee ei-valmentajaroolissa, neuvoen Husker jalkapallo-atleetteja monissa kentänulkoisissa kehittämisalueissa.

xxx/ellauri084.html on line 528: Paikallista Kiinteistöä — Kylmäkaivo Pankkiiri color:brown">Ron Brown Yhtiö. Kylmäkaivo Pankkiiri Ron Brown Yhtiö 2505 Pohjois-Navarrontie, Victoria, TX 77901 361.575.1446 Vepipaikan tarjoaa ja omistaa Kylmäkaivo Pankkiiri Ron Brown Yhtiö.

xxx/ellauri084.html on line 530: color:brown">Ron Brown musiikki @ Kaikki Jazzista

xxx/ellauri084.html on line 534: color:brown">Ron Brown (Tennessee) - Äänestyspedia. 

xxx/ellauri084.html on line 537: color:brown">Ron Brown Valokuvaus. 

xxx/ellauri084.html on line 540: color:brown">Ron Brown Nekrologi - Kuolin Ilmoitus ja Palvelu Tietoa. 

xxx/ellauri084.html on line 543: 18 552 henkilöä nimeltä color:brown">Ron Brown löytyi Kaliforniasta, Floridasta ja 50 muusta valtiosta.

xxx/ellauri085.html on line 7:       color: blue;

xxx/ellauri085.html on line 27: 
color:white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Sally Jean Foster

xxx/ellauri085.html on line 28: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">CENSORED DIALOGUE
Makulatuuria

xxx/ellauri085.html on line 324: 
color:blue">
Troy Bortz

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color:red">


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color:red">


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color:blue">


xxx/ellauri085.html on line 363: 
color:red">Ryan Davidson, BPh Biotechnology (2000)


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color:blue">

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color:red">

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color:blue">

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color:blue">

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color:blue">

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color:red">        

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color:blue">        

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color:red">        

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color:blue">                

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color:blue">                

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color:red">       

xxx/ellauri086.html on line 7:       color: blue;

xxx/ellauri086.html on line 27: 
color:white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Hieno japanilainen animaatio

xxx/ellauri086.html on line 28: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Sydämen kuiskaus
Kuiskauxia

xxx/ellauri087.html on line 7:       color: blue;

xxx/ellauri087.html on line 27: 
color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">E. Saarinen

xxx/ellauri087.html on line 28: 
color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Ilman Pipsaa ei olisi muutakaan
Huutoja

xxx/ellauri091.html on line 7:       color: blue;

xxx/ellauri091.html on line 27: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Hilja Haahti

xxx/ellauri091.html on line 28: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Päiväkirjan lisälehtiä
Muistoja

xxx/ellauri091.html on line 839: 	From Wikipedia, the free encyclopedia: The Grammicolepididae are a small family of deep-sea fishes, called tinselfishes due to their silvery color. They are related to the dories, and have similar deeply compressed bodies. The largest species, the thorny tinselfish, Grammicolepis brachiusculus, grows up to 64 cm (25 in) long.

xxx/ellauri103.html on line 7:       color: blue;

xxx/ellauri103.html on line 28:     
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Lionel Drivel

xxx/ellauri103.html on line 29:     
color:red;background:black;text-align:center;margin-top:0%;margin-bottom:0%">We have to talk about Kevin
Toxisia penseitä

xxx/ellauri103.html on line 245: In The Mandibles, I have one secondary character, Luella, who’s black. She’s married to a more central character, Douglas, the Mandible family’s 97-year-old patriarch. I reasoned that Douglas, a liberal New Yorker, would credibly have left his wife for a beautiful, stately African American because arm candy of color would reflect well on him in his circle, and keep his progressive kids’ objections to a minimum. But in the end the joke is on Douglas, because Luella suffers from early onset dementia, while his ex-wife, staunchly of sound mind, ends up running a charity for dementia research. As the novel reaches its climax and the family is reduced to the street, they’re obliged to put the addled, disoriented Luella on a leash, to keep her from wandering off. LOL! What a laugh, ain't it? Get it, the guy thought he was getting arm candy, but instead he got a goat!

xxx/ellauri104.html on line 7:       color: blue;

xxx/ellauri104.html on line 28:     
color:silver;background:black;text-align:center;margin-top:0%;margin-bottom:0%">John Nash

xxx/ellauri104.html on line 29:     
color:gold;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Iltaan mennessä selkenevää
Hulluttelua

xxx/ellauri113.html on line 7:       color: blue;

xxx/ellauri113.html on line 27:     
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Stephen Hawking
&
Pekka Reinikainen

xxx/ellauri113.html on line 28:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Theory of Everything
Kaiken teoriaa

xxx/ellauri113.html on line 354:   Koko raamattu nojaa ensimmäiseen 11 lukuun, johon viitataan yli 400x myöhemmässä textissä. Niissä on eniten satua, ml jumalan näyttävimmät rangaistuxet apinaseurakunnalle: 1. sormi pystyssä: kuolema (mitähän pahaa kivat eläimet oli tehneet kun niille tuli sama seuraamus? Mato kyllä haukkaa omenaa ja käärme näyttää sanonko miltä.) 2. sormi: vedenpaisumus. Meininki oli kuin Nooan päivinä. 2. sormi: Baabel (iloisella äänellä)! Jumala tuli kattoo et mitä noi puuhaa täälä? Kaikki puhuu samaa kiältä! Jumalat sanoi monikossa ettei tää käy päinsä ja potkas keon hajalle. Piäxänmäellä eemerituspiispa sanoi tuskin ymmärrettävällä savonkielellä että alotettaan kadotuxenpurkutalkoot! Ihmeellistä harhaoppia! Kuka teistä tietää mikä oli Jeesuxen puheiden pääsisältö? Sen voi mitata viivottimella. Se on tässä punaisella: se color:red">varotti iankaikkisesta kadotuxesta! Minkä takia tää on komedia? Kai sixi kun tää päättyy hyvin! Kun valetta todistetaan tieteellisesti todexi, siitä tulee komedia. Tutkistele maata, niin se kertoo sinulle! Darwin mittasi vuosikymmenien ajan pellolla multakerroxien paxuutta, joita madot paskansivat, nähdäxeen ehtiskö ne paskantaa tarpeexi miljoonassa vuodessa. Hyvin ehtivät. Good job worms! Job 12:7-9. Mitä komediaa. 

xxx/ellauri114.html on line 6:       color: blue;

xxx/ellauri114.html on line 26:     
color:black;background:#dcdcdc;text-align:center;margin-top:0%;margin-bottom:0%">Mamuhuijarit

xxx/ellauri114.html on line 27:     
color:white;background:#2be264;text-align:center;margin-top:0%;margin-bottom:0%">Do vil inte ha pengar ?
Vittuilua

xxx/ellauri114.html on line 770: Nevertheless, most Christians, Muslims, Jews and Mormons now disagree with such interpretations, because in the biblical text, Ham himself is not cursed, and race or skin color is never mentioned.

xxx/ellauri116.html on line 7:       color: blue;

xxx/ellauri116.html on line 27:     
color:red;background:white;text-align:center;margin-top:0%;margin-bottom:0%">ILTALEHTI

xxx/ellauri116.html on line 28:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Moskaportaali
Moskaa

xxx/ellauri116.html on line 278:   Chapters 2, 5, 7, 9, 12, and 14 contain a color print of a famous painting accompanied by a narration, each from a separate voice. Vizi takuulla mä kynäilin jotain sarkastista tostakin. Rigoberto, Lucrecia, Alfonso, and perhaps even Justiniana, all become the protagonist/narrator of one of the paintings by Jordaenes, Boucher, Titian, Francis Bacon, Fernando de Szyszlo, and Fra Angelico. This rather heterogenous collection of prints share the fact that they could be viewed as depicting various aspects of sensuality, from the voyeuristic to the immaculate.

xxx/ellauri120.html on line 7:       color: blue;

xxx/ellauri120.html on line 27:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Snoopy

xxx/ellauri120.html on line 28:     
color:black;background:cyan;text-align:center;margin-top:0%;margin-bottom:0%">It was a dark and stormy night.
Lyttäystä

xxx/ellauri120.html on line 35: Novelist Bulwer-Lytton was a friend and contemporary of Charles Dickens and was one of the pioneers of the historical novel, exemplified by his most popular work, The Last Days of Pompeii. He is best remembered today for the opening line to the novel Paul Clifford, which begins "It was a dark and stormy night..." and is considered by some to be the worst opening sentence in the English language. However, Bulwer-Lytton is also responsible for well-known sayings such as "The penis mightier than the sword" from his play Richelieu. Despite being a very popular author with 19th-century readers, few people today are even aware of his prodigious body of literature spanning many genres. In the 21st century he is known best as the namesake for the Bulwer-Lytton Fiction Contest (BLFC), sponsored annually by the English Department at San Jose State University, which challenges entrants "to compose the opening sentence to the worst of all possible novels", and the township of Lytton, or Camchin until the British nosey parkers came, saw and beat the copper-colored nlaka'pamuxes. Now their village got burned to ashes thanx to the industrial revolution. 

xxx/ellauri121.html on line 7:       color: blue;

xxx/ellauri121.html on line 27:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Varhaiskasvattajat

xxx/ellauri121.html on line 28:     
color:black;background:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">Lapsenkokoinen kazomuskasvatus
Hartautta

xxx/ellauri122.html on line 7:       color: blue;

xxx/ellauri122.html on line 31:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Olivera

xxx/ellauri122.html on line 32:     
color:black;background:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">Tips
Vinkkejä

xxx/ellauri123.html on line 7:       color: blue;

xxx/ellauri123.html on line 31:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Ivar Kreuger

xxx/ellauri123.html on line 32:     
color:black;background:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">THE COCK
Löysiä kukkoja ja kanoja

xxx/ellauri123.html on line 774: 
color:mistyrose">

xxx/ellauri123.html on line 1157: 
color:lightyellow">

xxx/ellauri124.html on line 7:       color: blue;

xxx/ellauri124.html on line 31:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Mark O'Connell

xxx/ellauri124.html on line 32:     
color:black;background:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">To Be a Machine
Masinointia

xxx/ellauri124.html on line 567: All those differently colored emoji hearts allow us to express love in every color of the rainbow, and the Apple emoji keyboard has 12 different options for trains, which is arguably a higher number than the actual amount of trains I've spotted in my entire life. We're clearly an emoji-driven society, and our pictorial vocabulary has expanded accordingly.

xxx/ellauri125.html on line 7:       color: blue;

xxx/ellauri125.html on line 31:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Владимир Набоков

xxx/ellauri125.html on line 32:     
color:black;background:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">Лолита
Gastropodiaa

xxx/ellauri126.html on line 7:       color: blue;

xxx/ellauri126.html on line 31:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Me Naiset

xxx/ellauri126.html on line 32:     
color:black;background:#cbe7f3;text-align:center;margin-top:0%;margin-bottom:0%">Miten reagoit naapureihisi?
Urbaania

xxx/ellauri127.html on line 7:       color: blue;

xxx/ellauri127.html on line 31:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vladimir Nabokov

xxx/ellauri127.html on line 32:     
color:black;background:#cbe7f3;text-align:center;margin-top:0%;margin-bottom:0%">Pigita
Mansplainingia

xxx/ellauri127.html on line 647: 
color:aliceblue;font-family:sans-serif">

xxx/ellauri128.html on line 8:       color: blue;

xxx/ellauri128.html on line 28:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo

xxx/ellauri128.html on line 29:     
color:black;background:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">Kootut töräyxet
FUCK!

xxx/ellauri129.html on line 7:       color: blue;

xxx/ellauri129.html on line 27:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo

xxx/ellauri129.html on line 28:     
color:black;background:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">LIFESTYLE
EAT!

xxx/ellauri130.html on line 7:       color: blue;

xxx/ellauri130.html on line 27:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo

xxx/ellauri130.html on line 28:     
color:black;background:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">Tuomiopäivän pasuunat
KILL!

xxx/ellauri130.html on line 585: So the other day, he blacked up as [black footballer] Lee for a sketch, complete with a pineapple to represent his hair. Boy that went down in the colored audience! Skinner has been that funny for as long as he can remember as far as he can remember. He has a masters in English literature; he is a practising Roman catholic. What a laugh. Skinner once had a chat with Eddie Izzard about what they could share about their lives on stage. It was fine for Izzard to discuss wearing women’s clothes, but as for Skinner’s own religious beliefs about God's knob? God, no. Too shameful.

xxx/ellauri130.html on line 765: Christine Chubbuck (August 24, 1944 – July 15, 1974) was an American television news reporter who worked for WTOG and WXLT-TV in Sarasota, Florida. She was the first person to die by suicide on a live television broadcast. She lamented to co-workers that her 30th birthday was approaching, and she was still a virgin who had never been on more than two dates with a man. Co-workers said she tended to be brusque and defensive whenever they made friendly gestures toward her. She was self-deprecating, criticizing herself constantly and rejecting any compliments others paid her. The film reel of the restaurant shooting had jammed and would not run, so Chubbuck shrugged it off and said on-camera, "In keeping with the WXLT practice of presenting the most immediate and complete reports of local blood and guts news, TV 40 presents what is believed to be a television first. In living color, an exclusive coverage of an attempted suicide." She drew the .38-caliber Smith & Wesson Model 36 revolver and shot herself behind her right ear. Chubbuck fell forward violently and the technical director faded the broadcast rapidly to black. "The crux of the situation was that she was a 29-year-old girl who wanted to be married and who wasn't," Simmons said in 1977.

xxx/ellauri134.html on line 7:       color: blue;

xxx/ellauri134.html on line 27:     
color:white;background:purple;text-align:center;margin-top:0%;margin-bottom:0%">Erika Vikman ja Arttu Viskari

xxx/ellauri134.html on line 28:     
color:white;background:purple;text-align:center;margin-top:0%;margin-bottom:0%">Tääl on niin kuuma
Virallinen musiikkivideo

xxx/ellauri136.html on line 7:       color: blue;

xxx/ellauri136.html on line 27:     
color:White;background:#b93c2b;text-align:center;margin-top:0%;margin-bottom:0%">AS Pushkin

xxx/ellauri136.html on line 28:     
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">SOLD
Somepöhinää

xxx/ellauri137.html on line 7:       color: blue;

xxx/ellauri137.html on line 31:     
color:white;background:#52b1df;text-align:center;margin-top:0%;margin-bottom:0%">Turun Darwin

xxx/ellauri137.html on line 32:     
color:white;background:#eeb8b8;text-align:center;margin-top:0%;margin-bottom:0%">Hentosudenkorento ja Jauhopukki
{span style="color:white;background-color:green"}2022{/span} Evoluutiopsykologiaa

xxx/ellauri137.html on line 707: Seasonal festivals are held on its top. In autumn the colors of its tree leaves are very beautiful and in spring its cherry blossoms are very beautiful.

xxx/ellauri138.html on line 7:       color: blue;

xxx/ellauri138.html on line 27:     
color:yellow;background:#a6b1ad;text-align:center;margin-top:0%;margin-bottom:0%">J.W.v Goethe

xxx/ellauri138.html on line 28:     
color:red;background:#a6b1ad;text-align:center;margin-top:0%;margin-bottom:0%">Dichtung und Wahrheit
Alternatiivista totuutta

xxx/ellauri138.html on line 219: Gloria Grey was born Maria Dragomanovich in Portland, Oregon in 1909. She was educated in San Francisco, California. Her career was spent chiefly during the 1920s in Hollywood, and the 1940s in Argentina. She was given praise for her starring role in the 1924 adaptation of Gene Stratton-Porter's A Girl of the Limberlost, which garnered her the honor of being selected as one of the WAMPAS Baby Stars in 1924. She also sang Jingo etc kneeling beside two black-and-white kids in a tub, (but not the juicy parts), and alleged got arrested because of indecency. Grey was found deceased in bed at her mother's home in Hollywood, California on November 22, 1947, having succumbed to a two-month bout of influenza. She was survived by her husband, Argentine magazine editor Ramón Romero, and their daughter, whose name is unmentionable. 'Oh By Jingo' sung by Gloria Grey (colorized) Shortly Before Her Arrest...(Allegedly). "I din't know there were nude kids in the tub, a black male and a white female in fact." The little pickaninny boy looks slightly shocked. 

xxx/ellauri139.html on line 7:       color: blue;

xxx/ellauri139.html on line 27:     
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Dosto täällä hei

xxx/ellauri139.html on line 28:     
color:red;background:black;text-align:center;margin-top:0%;margin-bottom:0%">IDIOOTTI!
Idiotiaa

xxx/ellauri148.html on line 7:       color: blue;

xxx/ellauri148.html on line 32:     
color:white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">The McCormacks

xxx/ellauri148.html on line 33:     
color:white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">WORLD HOORAY DAY
Uraata

xxx/ellauri148.html on line 256:      R. Alexandri said: “R. Y’hoshua’a ben Levi explained:  ‘If they will be righteous, [the Messiah will come] on the clouds of heaven (Daniel 7:13); if they will not be righteous, [he will come] as a poor man riding upon an ass (Zech. 9:9)….King Shabur [Sapur] said to Sh’muel: “You say that the Messiah will come upon an ass; I shall send him a well-groomed horse.” He answered “do you, perchance, have a horse of a hundred colors?”  Babylonian Talmud Sanhedrin 98a[20]

xxx/ellauri148.html on line 318: 7 Jan	Thursday	color:red">International Programmers' Day

xxx/ellauri148.html on line 324: 11 Feb	Thursday	color:red">World Day of the Sick

xxx/ellauri148.html on line 325: 1 Mar	Monday		color:red">World Self-Injury Awareness Day

xxx/ellauri148.html on line 328: 1 Apr	Thursday	color:red">April Fool's Day

xxx/ellauri148.html on line 335: 13 Aug	Friday		color:red">Friday the 13th Day

xxx/ellauri148.html on line 337: 4 Sep	Saturday	color:red">World Sexual Health Day

xxx/ellauri148.html on line 338: 10 Sep	Friday		color:red">World Suicide and Birth Prevention Day

xxx/ellauri148.html on line 339: 13 Sep	Monday		color:red">Another International Programmers' Day

xxx/ellauri148.html on line 341: 23 Sep	Thursday	color:red">International Cerebrate Bisexuality Day

xxx/ellauri148.html on line 350: 17 Nov	Wednesday	color:red">World Premature Ejaculation Day

xxx/ellauri148.html on line 351: 19 Nov	Friday		color:red">International Men's Day

xxx/ellauri148.html on line 360: 14 January	color:red">World Logic Day 

xxx/ellauri148.html on line 361: 24 January	color:red">International Day of Education

xxx/ellauri148.html on line 366: 21 February	color:red">International Mother Tongue Day 

xxx/ellauri148.html on line 370: 20 March	color:red">International Francophone Day 

xxx/ellauri148.html on line 371: 21 March	color:red">World Poetry Day 

xxx/ellauri148.html on line 372: 		color:red">International Day for Racial Discrimination

xxx/ellauri148.html on line 377: 23 April	color:red">World Book End and Copyright Expiration Day 

xxx/ellauri148.html on line 381: 		color:red">World Portuguese Language Day  

xxx/ellauri148.html on line 384: 21 May		color:red">World Day for Cultural Diversity of Dialogue Games

xxx/ellauri148.html on line 385: 22 May		color:red">International Day for Biological Diversity 

xxx/ellauri148.html on line 391: 9 August	color:red">International Day of the World's Indignant People 

xxx/ellauri148.html on line 394: 8 September	color:red">International Literacy Day 

xxx/ellauri148.html on line 399: 5 October	color:red">World Teachers', Gurus', Motivational Speakers' and Personal Trainers' Day 

xxx/ellauri148.html on line 401: 13 October	color:red">International Day for Disasters 

xxx/ellauri148.html on line 410: Third Thursday in November	color:red">World Philosophy Day 

xxx/ellauri148.html on line 416: 29 November	color:red">International Day of Solidarity with the Philistines

xxx/ellauri148.html on line 421: 		color:red">World Arabic Language Day 

xxx/ellauri148.html on line 499: Moscow, Russia. The Russian Philosophical Society and the National University of Science and Technologies «MISiS» will host no less than 3 colorful events. 


xxx/ellauri149.html on line 7:       color: blue;

xxx/ellauri149.html on line 32:     
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">E. Saarinen et al.

xxx/ellauri149.html on line 33:     
color:yellow;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">LIMAA
Limaa

xxx/ellauri149.html on line 381: Jesus Christ Superstar is a Rock Opera and (subverted?) Passion Play by Andrew Lloyd Webber and Tim Rice. Originally released as a Concept Album in 1970 (when Lloyd Webber and Rice were still in their very early twenties, no less!), it made its way to the Broadway and London stage in 1971, and was adapted into a film directed by Norman Jewison in 1973. An updated version was recorded sometime around 2000 by Webber's Really Useful Group for PBS. A filmed version of the UK arena tour starring Tom Munchin as Judas was released on DVD and digital in 2012, and a live adaptation starring John Lennon as Jesus, Sara Bareilles as Mary Magdalene and Alice Cooper as Herod that aired on NBC in 2018. The show lives on in stage productions and tours (and even non-theatrical tribute albums from fans who were more attracted to it as an album than a show) to this day. Inspired by… The Four Gospels of The Bible (specifically the arrival in Jerusalem and subsequent crucifixion of Jesus), it chronicles the last seven days of Jesus' life, focusing mainly on the characters of Jesus, Judas and Mary Magdalene. It's regarded among Andrew Lloyd Webber's best works, which is not saying much. It's a pseudo-sequel to Joseph and the Amazing Technicolor Dreamcoat, though this took a bit more liberty with the source material and is considerably less playful.

xxx/ellauri154.html on line 7:       color: blue;

xxx/ellauri154.html on line 28:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Gonorrhé de
color:gold;font-style:regular">BALLSACK

xxx/ellauri154.html on line 29:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Comtes droolatiques
Leikkisää

xxx/ellauri154.html on line 89:     color_plate_facing_page_166.jpg/330px-The_strange_story_book_color_plate_facing_page_166.jpg" height="300px" />

xxx/ellauri157.html on line 7:       color: blue;

xxx/ellauri157.html on line 31:     
color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">Kuka Ruikki

xxx/ellauri157.html on line 32:     
color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">TIEDE 2022
Naturalia atque turpia

xxx/ellauri165.html on line 7:       color: blue;

xxx/ellauri165.html on line 28: 
color:white;background:#ac5a34;text-align:center;margin-top:0%;margin-bottom:0%">St. Ambrose

xxx/ellauri165.html on line 29: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">"HIS MASTER'S VOICE."
Neizeellistä

xxx/ellauri166.html on line 7:       color: blue;

xxx/ellauri166.html on line 28: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">יהוה

xxx/ellauri166.html on line 29: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">AARON SKEBA
Käärmeilyä

xxx/ellauri166.html on line 454: 
    Deut 11:21 11:21 Syystä että päiväsi ja lastesi color:blue">päivät moninkertaistuvat maalla, jonka Herra vannoi isienne antavan teille, taivaiden päivinä maan päällä.

xxx/ellauri166.html on line 461: 
    Oltua 32:45 Ja kun Mooses lopetti kaikkien näiden sanojen puhumisen koko Israelille, 32:46 hän sanoi heille: "Aseta sydämesi kaikkiin niihin sanoihin, joilla todistan teille tänä päivänä; että voitte syyttää lapsianne heidän kanssaan siitä, että he noudattavat tämän lain kaikkien sanojen noudattamista. 32:47 Sillä se ei ole turha asia sinulle; koska se on sinun elämäsi, ja sitä kautta tämän asian, että color:blue">pidennät päiviäsi maalla, johka olet menossa Jordanian yli omistamaan sitä.

xxx/ellauri167.html on line 7:       color: blue;

xxx/ellauri167.html on line 32: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Inferno-Dante

xxx/ellauri167.html on line 33: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">MALA TESTA
Päänsärkyä

xxx/ellauri167.html on line 185: quella lettura, e scolorocci il viso;			siinä lukiessa, ja naamat punehtui;	

xxx/ellauri167.html on line 556:     The possibility that Adam Weishaupt killed George Washington and took his place, serving as our first President for two terms, is now confirmed. . . . The two main colors of the American flag are, excluding a small patch of blue in one corner, red and white: these are also the official colors of the Hashishim. The flag and the Illuminati pyramid both have thirteen horizontal divisions: thirteen is, of course, the traditional code for marijuana . . . and is still used in that sense by Hell’s Angels among others.

xxx/ellauri168.html on line 7:       color: blue;

xxx/ellauri168.html on line 32: 
color:white;background:#35225e;text-align:left;margin-top:0%;margin-bottom:0%">Fritz the Cat ja Cisco Caramba

xxx/ellauri168.html on line 33: 
color:white;background:#35225e;text-align:leftr;margin-top:0%;margin-bottom:0%">SYVEMPÄÄ TIETOA...
Kähmintää

xxx/ellauri169.html on line 7:       color: blue;

xxx/ellauri169.html on line 32: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">LENA FURBERG

xxx/ellauri169.html on line 33: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">KELPAAN TÄLLAISENA!
Syviä asanoita

xxx/ellauri169.html on line 191: colorwheel.jpg" />

xxx/ellauri170.html on line 7:       color: blue;

xxx/ellauri170.html on line 32: 
color:grey;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Rodolphe Bresdin

xxx/ellauri170.html on line 33: 
color:grey;background:white;text-align:center;margin-top:0%;margin-bottom:0%">LA COMÉDIE DE LA MORT
Tragikoomista

xxx/ellauri173.html on line 7:       color: blue;

xxx/ellauri173.html on line 32: 
color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Aku Aatamisaari

xxx/ellauri173.html on line 33: 
color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Papinin marmiitti
Protoplasmaa

xxx/ellauri174.html on line 7:       color: blue;

xxx/ellauri174.html on line 32: 
color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Aku Aatamisaari

xxx/ellauri174.html on line 33: 
color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hadaly
Ektoplasmaa

xxx/ellauri175.html on line 7:       color: blue;

xxx/ellauri175.html on line 32:       
color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Aku Aatamisaari

xxx/ellauri175.html on line 33: 
color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">SOWANA
Misofransiaa

xxx/ellauri176.html on line 7:       color: blue;

xxx/ellauri176.html on line 11: 	  color: blue;

xxx/ellauri176.html on line 38:       
color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Emily Pseudo-Cooper

xxx/ellauri176.html on line 39: 
color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Ruppari
Samaa vaan

xxx/ellauri176.html on line 114: 
Merkin
A wig for the pubic area. It may be decorative and colorful (yellowish), more natural (Alanis) or you can skip it entirely and go porcellain (Britney).

xxx/ellauri176.html on line 472:       Liukuaineet käytettäväksi color:blue">genitaali- ja anaalialueella

xxx/ellauri176.html on line 474:       Glijmiddelen voor gebruik in color:blue">het genitale alsmede anale gebied

xxx/ellauri176.html on line 477:       a) sukupuoliyhteys, joka käsittää seuraavat kosketustavat: color:blue">genitaali-genitaali, oraali-genitaali, anaali-genitaali tai oraali-anaali,

xxx/ellauri176.html on line 479:       a) geslachtsgemeenschap, inclusief color:blue">genitaal-genitaal, oraal-genitaal, anaal-genitaal of oraal-anaal verkeer; EurLex-2

xxx/ellauri176.html on line 482:   Kai pesitte kädet ja color:blue">genitaalit?

xxx/ellauri176.html on line 484:   Ik hoop dat je je handen hebt gewassen, en je color:blue">genitaliën. OpenSubtitles2018.v3

xxx/ellauri176.html on line 487:       Lukuun ottamatta color:blue">genitaalia, josta näyttää tulevan hilleri.

xxx/ellauri176.html on line 489:       Behalve color:blue">Geslachtsdeel, die geloof ik fret wil worden. OpenSubtitles2018.v3

xxx/ellauri177.html on line 7:       color: blue;

xxx/ellauri177.html on line 32:       
color:red;background:white;text-align:center;margin-top:0%;margin-bottom:0%">NOUVEAU MASTER HAUTE DÉFINITION

xxx/ellauri177.html on line 33: 
color:red;background:white;text-align:center;margin-top:0%;margin-bottom:0%">PAPPI ASTUU PASKAAN
Katollista

xxx/ellauri177.html on line 243: Tosi paljon luontokuvausta, miljoonia kasvilajeja, haaltuneita technicolorvärejä. Onko tästä tehty 50-luvun filmiä? No 70-luvun filmi on:

xxx/ellauri178.html on line 7:       color: blue;

xxx/ellauri178.html on line 32:       
color:black;background:#FBB117;text-align:center;margin-top:0%;margin-bottom:0%">BENITO ROTH

xxx/ellauri178.html on line 33: 
color:white;background:#FBB117;text-align:center;margin-top:0%;margin-bottom:0%">Intohimon Professori
Himokasta

xxx/ellauri178.html on line 309:   Isaiah 16:14 But now the Lord speaks, saying, “Within three years, as a hired man would count them, the glory of Moab will be degraded along with all his great population, and his remnant will be very small and color:pink">impotent.”

xxx/ellauri178.html on line 311:   Acts 4:9 If we this day be examined of the good deed done to the color:pink">impotent man, by what means he is made whole;

xxx/ellauri178.html on line 313:   John 5:3 In these lay a great multitude of color:pink">impotent folk, of blind, halt, withered, waiting for the moving of the water.

xxx/ellauri178.html on line 315:   Acts 14:8 And there sat a certain man at Lystra, color:pink">impotent in his feet, being a cripple from his mother's womb, who never had walked.

xxx/ellauri178.html on line 317: John 5:7 The color:pink">impotent man answered him, Sir, I have no man, when the water is troubled, to put me into the pool: but while I am coming, another steppeth down before me.

xxx/ellauri179.html on line 7:       color: blue;

xxx/ellauri179.html on line 32:       
color:black;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Ernestine Hemingwau

xxx/ellauri179.html on line 33: 
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Ford Fiesta
Homokasta

xxx/ellauri179.html on line 488: “I've come to appreciate this. The harsh details in the background with the stillness in the foreground here—” It was Swans Reflecting Elephants by Dalí. “See this arrogant son of a bitch, Juice, missing the scene. The elephants standing on the shore and the swans floating over them.” Behind the swans grew trees, twisting to the sky. “He's so arrogant. And ignorant. He walked all the way from the town up the hill in the distance and here he's facing away with his hand on his hip. He can't see the color of the sky different from the reflection in the pond.”

xxx/ellauri179.html on line 518: The Americans paid their tab and stepped outside. Cobblestones ran through narrow alleys and slightly less narrow streets that led to the sea with buildings all along. Across from Harry's, a white building stood next to a red one. The Americans glanced at the spot the people had been killed. It was a few feet into the street and in line with the stark change in color between the buildings. Four children walked over the spot carelessly. They jumped and skipped happily to where the men couldn't see them.

xxx/ellauri179.html on line 520: While they walked along a narrow street through tall, colored buildings, it started to rain.

xxx/ellauri179.html on line 988:   “The Sun Also Rises” is, for many readers, their introduction to Hemingway. It is taught in our schools. In writing it, Hemingway felt no need to censor himself, assuming, apparently, that readers shared his prejudice or at the very least did not object to it — indeed, that it added color to his story.

xxx/ellauri179.html on line 1046:     The Sun Also Rises is a 1957 film adaptation of the 1926 Ernest Hemingway novel of the same name directed by Henry King. The screenplay was written by Peter Viertel and it starred Tyrone Power, Ava Gardner, Mel Ferrer, and Errol Flynn. Much of it was filmed on location in France and Spain in Cinemascope and color by Deluxe. A highlight of the film is the famous "running of the bulls" in Pamplona, Spain and two bullfights.

xxx/ellauri186.html on line 7:       color: blue;

xxx/ellauri186.html on line 31: 
color:black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">JOSÉ DE SOUSA
Sotarikollista

xxx/ellauri186.html on line 32:       
color:black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">O EVANGELHO
SECUNDO A MINHA PALAVRA

xxx/ellauri187.html on line 7:       color: blue;

xxx/ellauri187.html on line 31:     
color:white;background:#e2e5ea;text-align:center;margin-top:0%;margin-bottom:0%">RACHEL CORBETT

xxx/ellauri187.html on line 32: 
color:black;background:#e2e5ea;text-align:center;margin-top:0%;margin-bottom:0%">CHINS UP
Panettelua

xxx/ellauri187.html on line 121:       Freedman's Rilke, oddly enough, dwells on the dark underside of contemporary American life. Behind the mingled, multicolored yarn of his passions, obsessions, powerful yearnings, and self-interest--all wisely balanced in Donald Prater's majestic and definitive 1986 biography--Freedman sees only self-interest. Rilke is "hucksterish." His carefully cultivated literary success Freedman characterizes as a "relentless career." He refers to Rilke's "careerist standards." The places Rilke settles in for a time are not homes but Rilke's "bases."

xxx/ellauri193.html on line 7:       color: blue;

xxx/ellauri193.html on line 31: 
color:red;background:yellow;text-align:left;margin-top:0%;margin-bottom:0%">MIN 
GALNA 
HAGE
Smuts

xxx/ellauri193.html on line 32:       
color:black;background:yellow;text-align:left;margin-top:0%;margin-bottom:0%">POVEL 
RAMEL

xxx/ellauri193.html on line 458: 

xxx/ellauri195.html on line 7:       color: blue;

xxx/ellauri195.html on line 31:       
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Agricola

xxx/ellauri195.html on line 32: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Vitun vitun vittu
Kyrkästystä

xxx/ellauri199.html on line 7:       color: blue;

xxx/ellauri199.html on line 31:       
color:white;background:#2c4758;text-align:center;margin-top:0%;margin-bottom:0%">Neptune

xxx/ellauri199.html on line 32: 
color:white;background:#2c4758;text-align:center;margin-top:0%;margin-bottom:0%">Hello Poetry
Poetiikkaa

xxx/ellauri199.html on line 213: Pink is the color that brings life anew

xxx/ellauri200.html on line 7:       color: blue;

xxx/ellauri200.html on line 31:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hergé

xxx/ellauri200.html on line 32: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">I am levitating now
Rodullistusta

xxx/ellauri201.html on line 7:       color: blue;

xxx/ellauri201.html on line 31:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Isokukko Uljas

xxx/ellauri201.html on line 32: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Meninas do pinup
Kovaxikeitettyä

xxx/ellauri202.html on line 6:       color: blue;

xxx/ellauri202.html on line 30:       
color:black;background:#fcc58c;text-align:center;margin-top:0%;margin-bottom:0%">ROGER MARTIN DU GARD

xxx/ellauri202.html on line 31: 
color:black;background:#fcc58c;text-align:center;margin-top:0%;margin-bottom:0%">Hiljaa virtaa jaaritus
Jaaritusta

xxx/ellauri208.html on line 8:       color: blue;

xxx/ellauri208.html on line 33:       
color:black;background:red;text-align:center;margin-top:0%;margin-bottom:0%">color:yellow">Näkyip
color:yellow">Nahkapouz

xxx/ellauri208.html on line 34:       
color:black;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Middag-kuja
Tyyylsäää

xxx/ellauri209.html on line 7:       color: blue;

xxx/ellauri209.html on line 32:       
color:black;background:#474342;text-align:center;margin-top:0%;margin-bottom:0%">Frederick McCubbin

xxx/ellauri209.html on line 33:       
color:white;background:#474342;text-align:center;margin-top:0%;margin-bottom:0%">On the Wallaby Track
Tumpelointia

xxx/ellauri212.html on line 8:       color: blue;

xxx/ellauri212.html on line 33:       
color:beige;background:#5b3039;text-align:center;margin-top:0%;margin-bottom:0%">JOHN LODWICK

xxx/ellauri212.html on line 34:       
color:beige;background:#5b3039;text-align:center;margin-top:0%;margin-bottom:0%">AMOR ME DIO LA DESPEDIDA
Sexiä

xxx/ellauri215.html on line 8:       color: blue;

xxx/ellauri215.html on line 33:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">TH. KITTELSEN

xxx/ellauri215.html on line 34:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">TROLLET PÅ KARL JOHAN
Trollausta

xxx/ellauri218.html on line 9:       color: blue;

xxx/ellauri218.html on line 34:       
color:white;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">Naurunappula

xxx/ellauri218.html on line 35:       
color:white;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">KUOLEMAN KUNNARI
Kauhua
 xxx/ellauri218.html on line 134: 

xxx/ellauri218.html on line 135: 

xxx/ellauri218.html on line 481: The ruling class and the Trump administration are ramping up attacks on public sector workers and unions, the majority of whom are women and people of color. A negative ruling on Janus v. AFSCME, scheduled to be heard by the U.S. Supreme Court on Feb. 26, could strike a financial blow at the ability of public sector unions to collect dues. As racist, sexist right-to-work backers spew their message supporting Janus, the U.S. labor movement is mobilizing resistance to this threat around the country, including a Feb. 24 NYC protest. We are not prepared to accept this assault on our rights without a fight!

xxx/ellauri224.html on line 8:       color: blue;

xxx/ellauri224.html on line 32:     
color:yellow;background:cyan;margin-top:0%;margin-bottom:0%"/>

xxx/ellauri224.html on line 35:       
color:black;background:cyan;text-align:center;margin-top:0%;margin-bottom:0%">SMORE

xxx/ellauri224.html on line 38:       
color:white;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">KUOLEMA JAUHONAAMOILLE
Röhönaurua
 xxx/ellauri225.html on line 8:       color: blue;

xxx/ellauri225.html on line 32:       
color:black;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">URSULA KRÖBER L. G.

xxx/ellauri225.html on line 33:       
color:black;background:gold;text-align:center;margin-top:0%;margin-bottom:0%">2x haarautuva halko
Sapfekasta

xxx/ellauri225.html on line 329: I told my literature students about Ursula K. Le Guin today, squeezing a few minutes for her into a class on American science fiction writers of color, a class where she didn’t strictly speaking belong – though to be honest, I rather think she’d improve almost any class.  I told them about the six books that comprise Earthsea, about the gender-bending brilliance of The Left Hand of Darkness, the anarchist explorations in The Dispossessed, the stories in The Birthday of the World and Four Ways to Forgiveness (many of which I teach, gratefully).  I mentioned her National Book Award, and her host of awards in science fiction and fantasy.  I gave them her story “The Ones Who Walk Away from Omelas,” which is one of the most brilliant, uncomfortable stories I’ve ever read. But no blow-by-blow romps in the sack, alas. 

xxx/ellauri227.html on line 7:       color: blue;

xxx/ellauri227.html on line 32:       
color:white;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">КАМИЛЛА ЛЭКБЕРГ

xxx/ellauri227.html on line 33: 
color:gold;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">IS PRINSESSA
Jäätävää

xxx/ellauri228.html on line 7:       color: blue;

xxx/ellauri228.html on line 32:       
color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">CHICKEN CACCIATORE &CO

xxx/ellauri228.html on line 33: 
color:gold;background:green;text-align:center;margin-top:0%;margin-bottom:0%">HEI BEIBI, 
color:lightpink">MÄ OON 
TULLA! 
Koomista sexiä

xxx/ellauri228.html on line 495: With the symbolic preliminaries out of the way, grace was said and the family began to eat the delicious fast foods on the table. Hot mineral oil with ball bearings floating in it, plus colorful red and white-painted walnuts on the trees. No one was permitted to by-pass a food; he or she at least had to taste it or be whacked.

xxx/ellauri229.html on line 7:       color: blue;

xxx/ellauri229.html on line 32:       
color:pink;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Harry Bosch

xxx/ellauri229.html on line 33: 
color:ivory;background:black;text-align:center;margin-top:0%;margin-bottom:0%">6-SEAT CHRONOBUS
Retroa

xxx/ellauri229.html on line 57: Bošković asui Ranskassa kymmenen vuotta, jatkoi tieteen harrastamista ja julkaisi monia artikkeleita. Niiden joukossa oli ratkaisu komeetan radan määrittämiseen kolmesta havainnosta sekä artikkelit mikrometristä ja akromaattisista kaukoputkista. Vuonna 1783 hän palasi Italiaan ja vietti kaksi vuotta Bassanossa, jossa hän keskittyi julkaisemaan teoksensa Opera impertinentia ad opticam et gastronomiam (cum illustrationibus multicoloribus), joka ilmestyi moniväripainoxena vuonna 1785. Hänen terveytensä oli kuitenkin heikentynyt, hänen maineensa oli hiipumassa eivätkä hänen teoksensa enää myyneet. Nolo epäonnistuminen Ijon Tichyn johtamassa maapallon historian taannehtivassa oikaisussa oli viimeinen isku Roger ressulle. Bošković kuoli pettyneenä Milanossa 15. helmikuuta 1787. (LEMissä on väärä kronologia, siellä sanotaan että B. lähetettiin 17. vuosisadalle.)

xxx/ellauri229.html on line 65:       
color:lightyellow;border:1pt solid;padding:1em">

xxx/ellauri230.html on line 7:       color: blue;

xxx/ellauri230.html on line 32:       
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">"Kustu" Ramstedt

xxx/ellauri230.html on line 33: 
color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">MUISTINVARAISESTI NIPPONISTA
Japonais-täytettä

xxx/ellauri230.html on line 645: The chrysanthemum blooms in bright colors during chilly autumn, a time when most flowers wither. Facing coldness and a tough environment, it blooms splendidly without attempting to compete with other flowers – this unique aspect of the chrysanthemum makes it a symbol of strong vitality and tenacity in the eyes of scholars.

xxx/ellauri231.html on line 7:       color: blue;

xxx/ellauri231.html on line 32:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Wikipedia

xxx/ellauri231.html on line 33: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Töhnä-kerhon jälkeenjääneet paperit
Sotahistoriaa

xxx/ellauri232.html on line 7:       color: blue;

xxx/ellauri232.html on line 32:       
color:red;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Ung Wallenberg

xxx/ellauri232.html on line 33:       
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Feminism underifrån
Oivalluxia ja niteitä

xxx/ellauri233.html on line 7:       color: blue;

xxx/ellauri233.html on line 32:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">MICAEL DAHLEN

xxx/ellauri233.html on line 33:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Våga drömma
Limaista

xxx/ellauri234.html on line 7:       color: blue;

xxx/ellauri234.html on line 32:       
color:gold;background:#990000;text-align:center;margin-top:0%;margin-bottom:0%">VILLI LÄNSIÖ JA ESA SAARINEN

xxx/ellauri234.html on line 33:       
color:gold;background:#990000;text-align:center;margin-top:0%;margin-bottom:0%">TÖRNI KÄRJESSÄ
Maanpuolustushenkeä

xxx/ellauri235.html on line 7:       color: blue;

xxx/ellauri235.html on line 32:       
color:pink;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Willy Wanker

xxx/ellauri235.html on line 33:       
color:pink;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Kävin kirjastossa 
Suklaaosastossa
Seiloriaiheista

xxx/ellauri237.html on line 7:       color: blue;

xxx/ellauri237.html on line 32:       
color:white;background:teal;text-align:center;margin-top:0%;margin-bottom:0%">Pablo Basoalto

xxx/ellauri237.html on line 33: 
color:white;background:teal;text-align:center;margin-top:0%;margin-bottom:0%">THIS SUCKS
Ylimakeaa

xxx/ellauri237.html on line 388: 
color:mistyrose;border:1pt solid pink;padding:1em">


xxx/ellauri237.html on line 825: color=FF0000&quality=9&ar_method=rescaleIn&ar_ratio=1.33&file=https:%2F%2Fimg.culturebase.org%2Fa%2Fc%2F3%2F8%2F3%2Fpic_1613473757_ac383271ffab1c40cc9e7cf388eb7357.jpeg&do=cropOut&width=1100&height=688" width="90%" />

xxx/ellauri239.html on line 7:       color: blue;

xxx/ellauri239.html on line 33:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Lao Rui

xxx/ellauri239.html on line 34:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kummastuxen avonainen ovi
Sanoinkuvaamatonta

xxx/ellauri239.html on line 746: 
color:red">  

xxx/ellauri239.html on line 750: 
color:red">  

xxx/ellauri250.html on line 7:       color: blue;

xxx/ellauri250.html on line 11: 	  color: blue;

xxx/ellauri250.html on line 39:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kaksplus

xxx/ellauri250.html on line 40:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Suku on pahin
Sukuvihaa

xxx/ellauri251.html on line 7:       color: blue;

xxx/ellauri251.html on line 11: 	  color: blue;

xxx/ellauri251.html on line 38:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Algernon Swinburne

xxx/ellauri251.html on line 39:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Gjenganger
Algolagniaa

xxx/ellauri252.html on line 7:       color: blue;

xxx/ellauri252.html on line 11: 	  color: blue;

xxx/ellauri252.html on line 38:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hans von Blixt

xxx/ellauri252.html on line 39:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Mondo Cane
Juopporemmejä

xxx/ellauri252.html on line 529: It is very hard to determine, given the facts at hand, whether or not MacArthur would have been right in dropping 30 nuclear bombs on China. I will say this, though; the rose-colored glasses of the present often change the shading of situations in the past. When you consider the decisions of MacArthur and Truman, remember that they lived in a different time with different values and ideas. And don't be afraid to make up your own mind.

xxx/ellauri253.html on line 7:       color: blue;

xxx/ellauri253.html on line 11: 	  color: blue;

xxx/ellauri253.html on line 38:       
color:gold;background:black;text-align:left;margin-top:0%;margin-bottom:0%">UNTO
REMES

xxx/ellauri253.html on line 39:       
color:gold;background:black;text-align:center;margin-top:0%;margin-bottom:0%">KREMLIN 
NYRKISTÄ
{span style="color:white;background-color:red"}2023{/span} Antisosiaalista

xxx/ellauri255.html on line 7:       color: blue;

xxx/ellauri255.html on line 11: 	  color: blue;

xxx/ellauri255.html on line 38:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Nasha Darya

xxx/ellauri255.html on line 39:       
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vienanlahdelta Laatokkaan
Russofobiaa

xxx/ellauri259.html on line 7:       color: blue;

xxx/ellauri259.html on line 11: 	  color: blue;

xxx/ellauri259.html on line 38:       
color:black;background:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">Yrjö Larmola

xxx/ellauri259.html on line 39:       
color:black;background:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">color:#570c07">Vapauden ongelma
Poetic licenses

xxx/ellauri261.html on line 7:       color: blue;

xxx/ellauri261.html on line 11: 	  color: blue;

xxx/ellauri261.html on line 38:       
color:black;background:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">LIISA PARTANEN

xxx/ellauri261.html on line 39:       
color:purple;background:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">HYMINÄÄ
Ankaraa ilostelua

xxx/ellauri261.html on line 468: Cricket  Howard Taubman wrote: Hello, Dolly! ... has qualities of freshness and imagination that are rare in the run of our machine-made musicals. It transmutes the broadly stylized mood of a mettlesome farce into the gusto and colors of the musical stage.  Making the necessary reservations for the unnecessary vulgar and frenzied touches, one is glad to welcome Hello, Dolly! for its warmth, color and high spirits.

xxx/ellauri265.html on line 7:       color: blue;

xxx/ellauri265.html on line 11: 	  color: blue;

xxx/ellauri265.html on line 39:       
color:black;background:#fba375;text-align:center;margin-top:0%;margin-bottom:0%">Samuli Kukko

xxx/ellauri265.html on line 40:       
color:navy;background:#fba352;text-align:center;margin-top:0%;margin-bottom:0%">PUHUKAA BANAANIIN
Kompsastuskiviä

xxx/ellauri268.html on line 8:       color: blue;

xxx/ellauri268.html on line 12: 	  color: blue;

xxx/ellauri268.html on line 38: 
color:#b6654a;background:#e3d2b8;text-align:right;margin-top:0%;margin-bottom:0%">Kuinka valloittaa veitikka
Paritusta

xxx/ellauri268.html on line 39:       
color:black;background:#e3d2b8;text-align:right;margin-top:0;margin-bottom:0%">Svetlana Moskovasta

xxx/ellauri273.html on line 7:       color: blue;

xxx/ellauri273.html on line 11: 	  color: blue;

xxx/ellauri273.html on line 38:       
color:black;background:lightgrey;text-align:left;margin-top:0%;margin-bottom:0%">Veripalttua 
Guate
malassa
Oikeistoketkuja

xxx/ellauri273.html on line 39:       
color:black;background:white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">M.A. Asturias

xxx/ellauri280.html on line 6:       color: blue;

xxx/ellauri280.html on line 10: 	  color: blue;

xxx/ellauri280.html on line 36:       
color:black;background:white;text-align:center;margin-bottom:0%">Ken Follett

xxx/ellauri280.html on line 37: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Joka kynsi halkesi
Kädetystä

xxx/ellauri281.html on line 6:       color: blue;

xxx/ellauri281.html on line 10: 	  color: blue;

xxx/ellauri281.html on line 36:       
color:orange;background:#9da1ad;text-align:center;margin-bottom:0%">Postinen

xxx/ellauri281.html on line 37: 
color:white;background:#9da1ad;text-align:center;margin-top:0%;margin-bottom:0%">Påskägg
Pääsiäismunia

xxx/ellauri281.html on line 376: Pubic Hair Stage 2: There is long, soft, colorless hair near the labia majora (outer labia). 


xxx/ellauri286.html on line 6:       color: blue;

xxx/ellauri286.html on line 10: 	  color: blue;

xxx/ellauri286.html on line 36:       
color:white;background:#921e1f;text-align:center;margin-bottom:0%">Sofi Oxenan

xxx/ellauri286.html on line 37: 
color:black;background:#921e1f;text-align:center;margin-top:0%;margin-bottom:0%">Stalinin lehmä
Herutusta

xxx/ellauri286.html on line 426: 
color: #0cbaba;background-image: linear-gradient(315deg, #0cbaba 0%, #380036 74%);color:white;padding:1em">

xxx/ellauri287.html on line 6:       color: blue;

xxx/ellauri287.html on line 10: 	  color: blue;

xxx/ellauri287.html on line 36:     
color:black;text-align:center;margin-bottom:0%">H.V. MORTON

xxx/ellauri287.html on line 37: 
color:black;text-align:center;margin-top:0%;margin-bottom:0%">PAAVALIN RENKAANJÄLJISSÄ
Mitä ihmettä?

xxx/ellauri289.html on line 6:       color: blue;

xxx/ellauri289.html on line 10: 	  color: blue;

xxx/ellauri289.html on line 36:       
color:#561e27;background:#7f8b7d;text-align:center;margin-bottom:0%">KERTTU JUVA

xxx/ellauri289.html on line 37: 
color:white;background:#561e27;text-align:center;margin-top:0%;margin-bottom:0%">MASULAN PERITA
Ihmiskauppaa

xxx/ellauri291.html on line 6:       color: blue;

xxx/ellauri291.html on line 10: 	  color: blue;

xxx/ellauri291.html on line 36:       
color:orange;background:yellow;text-align:center;margin-bottom:0%">ENSIARVOISEN TÄRKEÄÄ

xxx/ellauri291.html on line 37: 
color:black;background:black;text-align:center;margin-top:0%;margin-bottom:0%">STAR TREK
Tähtireellä

xxx/ellauri292.html on line 6:       color: blue;

xxx/ellauri292.html on line 10: 	  color: blue;

xxx/ellauri292.html on line 36:     
color:black;text-align:center;margin-bottom:0%">ST. PAUL

xxx/ellauri292.html on line 37: 
color:black;text-align:center;margin-top:0%;margin-bottom:0%">FOTO OLIS KIVA YLLÄRI
Kirjeenvaihtoa

xxx/ellauri293.html on line 6:       color: blue;

xxx/ellauri293.html on line 10: 	  color: blue;

xxx/ellauri293.html on line 36: 
color:red;background:#ffffe6;padding-right:1em;text-align:right;margin-top:0%;margin-bottom:0%">ElvenaR
Eläinfantasioita

xxx/ellauri293.html on line 38: 
color:black;text-align:center;margin-bottom:0%">Veljeni Leijonamieli

xxx/ellauri295.html on line 7:       color: blue;

xxx/ellauri295.html on line 11: 	  color: blue;

xxx/ellauri295.html on line 37:     
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Merlin

xxx/ellauri295.html on line 38:     
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Tintagel
Tingeltangelia

xxx/ellauri295.html on line 337: "TÄÄLLÄ TUNNET OLOSI SUUREKSI JA VAPAAKSI KUIN SE color:white">SUURI LUONTO, JOKA SINULLA ON MIELESSÄSI JA MILLAINEN SINUN TULEE AINA OLLA."

xxx/ellauri295.html on line 640: “Valac? Seere? Mitä täällä oikein tapahtuu?” Me molemmat käännähdimme. Rahab color:red"> seisoi ovella tuijottaen meitä silmät leiskuen. Hän astui tasanteelle. Yönmustat liinat sitoivat hänen siipiään. Vartiomiehiä seurasi hänen perässään miekat tai keihäät kourissaan. Me peräännyimme tasanteen reunalle. “Mitä te kaksi kuvittelette tekevänne?” Rahab sihisi hampaidensa välissä. Me katsoimme toisiamme.

xxx/ellauri295.html on line 653: Ei tossa nyt ihan vielä ole tarpeexi sanoja. 10 sanalla voisi jatkaa vielä Rahabin tarinaa.  color:red"> Ottaa siihen vaikka mukaan lokki Joonatan. OK, riitti jo, meni ylikin! 

xxx/ellauri296.html on line 7:       color: blue;

xxx/ellauri296.html on line 11: 	  color: blue;

xxx/ellauri296.html on line 37:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">JOSHUA

xxx/ellauri296.html on line 38:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">ESINAHKAKUKKULA
Siionismia

xxx/ellauri296.html on line 552: butt since 2002 and I'm still more colorful than the average porn star. Tattooed 

xxx/ellauri298.html on line 7:       color: blue;

xxx/ellauri298.html on line 11: 	  color: blue;

xxx/ellauri298.html on line 37:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">EHRLICH WARTEGG

xxx/ellauri298.html on line 38:     
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">SYYLÄMUNATESTI
Hullutusta

xxx/ellauri303.html on line 6:       color: blue;

xxx/ellauri303.html on line 10: 	  color: blue;

xxx/ellauri303.html on line 37: 
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">JEHOVAN IHMISSUHDE
Harrasta pyllistelyä

xxx/ellauri303.html on line 38:       
color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Izec Hersz Zynger (writer)

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color:darkred;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Tyhmyyden Ylistys
Hävyttömän typerää

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color:grey;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Warren Murphy (writer)

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xxx/ellauri305.html on line 37:       
color:#290b00;background:#fff1da;text-align:center;margin-top:0%;margin-bottom:0%">Теодор Драйзер

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color:#99726d;background:#fff1da;text-align:center;margin-top:0%;margin-bottom:0%">Американская трагедия
Sonninsontaa

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color:#290b00;background:#fff1da;text-align:center;margin-top:0%;margin-bottom:0%">Peter Schwartz (writer)

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color:#99726d;background:#fff1da;text-align:center;margin-top:0%;margin-bottom:0%">Ilkeyden ylistys
Pelkkää törkyä

xxx/ellauri306.html on line 161: Sellaiset ovat markkinat ja huomenna isot toripäivät. Surkimuksia turpiin, se on nykyajan sankariteko. Niin että jos vaikkapa mutantit ninjakilpikonnat ja rotta Tikku sattuisivat tähän nyt hyviään tekemään, heidän olisi tykkänään käännettävä kelkkansa. Ei enää köyhien hyysäämistä! Päinvastoin, puukko hampaissa kimppuun ja nylkemään neitoselta viimeistäkin ihokasta ja täyttämään sen kukkaroa iloisten puolikuoriveikkojen cumilla. For the TV show, TMNT creator Peter Laird decided to give each Turtle a different color to make it easier to tell them apart: Leonardo has a blue bandana, Raphael a red bandana, Donatello a purple bandana and Michelangelo an orange bandana. Kilpurit pelaa Aprilin kanssa räsypokkaa ja April häviää.

xxx/ellauri306.html on line 223: Accusé de traîtrise par certains historiens canadiens-français en raison de ses nombreux changements d'allégeance, il est l'un des personnages les plus colorés et controversés de l’histoire de la Nouvelle-France. 

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color:white;background:magenta;text-align:center;margin-top:0%;margin-bottom:0%">Walt Disney

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color:white;background:magenta;text-align:center;margin-top:0%;margin-bottom:0%">PRINSSINNAKKEJA
Lisää törkyä

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hummeripoika

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Syntymästä lautaselle
Nurinkurista

xxx/ellauri312.html on line 926: color:red">Varoitus:  Seuraava kirjoitus paljastaa yksityiskohtia juonesta.

xxx/ellauri312.html on line 936: color:red">Varoitus:  Seuraava kirjoitus paljastaa yksityiskohtia juonesta. 

xxx/ellauri312.html on line 945: Brawne Lamia’s name comes from a combination of John Keats’ beloved Fanny Brawne, and his poem named Lamia (1819). She is described as a rather short and muscular with an intense gaze. She has shoulder-length black curls, dark eyes, sharp nose and wide expressive mouth. She is said to be very beautiful anyway.  She becomes "romantically involved" with Johnny and pregnant to boot.  She's from Lusus, a world that has gravity 1.3 times stronger than that of Earth. Because of that, she's shorter than many others, but has "heavy layers of mussel". color:red">Varoitus! seuraava kuva paljastaa yxityiskohtia ulkosynnyttimistä!

xxx/ellauri312.html on line 951: color:green">Juonipaljastukset päättyvät tähän. No vittu miten siinä sitten kävi hä? Kumpi ja kampi tappelivat, kumpi voitti? Mixi tuuhea musta osteri piti raapia tolla lailla paljaaxi? Muuten tässä misukassa on vähän Estheriä. Stringit vaan pois ja hoitoon.

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Seng-Zan

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Känslor i kroppen
Tunnehälyä

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color:white;background:black;text-align:leftt;margin-top:0%;margin-bottom:0%">Trölli eli Allu Tuppurainen

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color:white;background:black;text-align:left;margin-top:0%;margin-bottom:0%">Omituisten Otusten Kerho
Omituisia otuxia

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xxx/ellauri320.html on line 25: 
color:maroon;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Ole Oma Paras Ystäväsi
Omahoitoa

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color:blue;background:lightyellow;text-align:center;margin-top:0%;margin-bottom:0%">"Haj" Ross

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xxx/ellauri329.html on line 25: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">David Bezogis

xxx/ellauri329.html on line 26: 
color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">color:green;font-size:5em;font-family:AdineKirnberg">Natasha 
Mail order bride...
Housut pois hoitoa

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Heinrich Böll

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color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Gruppenbild mit Damen
Antifaa

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color:orange;background:beige;margin-top:0%;margin-bottom:0%;padding-right:5%">Gabi 
Garciá Márquez

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color:black;background:beige;margin-top:0%;margin-bottom:0;padding-right:0%">Memoria de 
mis cojones tristes
Valkoisia valeita

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xxx/ellauri356.html on line 34:   
color:black;background:red;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Eva Maria Korsisaari

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color:black;background:red;margin-top:0%;margin-bottom:0;padding-right:5%">Tule käteeni
Päänavauxia

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color:black;background:#ead5b6;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Hannu Sivenius

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color:black;background:#ead5b6;margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">AVAUTUA SOLMUUN
Päänauontaa

xxx/ellauri357.html on line 538: Palvoin color:green">Näkymätöntä yksin.


xxx/ellauri357.html on line 544: Laajentuvaan color:green">sieluun asti, kiehtoo, siirretään,


xxx/ellauri357.html on line 548: Herätä color:green">sieluni! ei vain passiivista kiitosta


xxx/ellauri357.html on line 587: color:green">Jumala! antakoot purot kuin kansakuntien huudon,  


xxx/ellauri357.html on line 588: Vastaus! ja anna jäätasankojen kaikua, color:green">Jumala!


xxx/ellauri357.html on line 589: color:green">Jumala! laulakaa niittyvirrat iloisella äänellä! 


xxx/ellauri357.html on line 592: Ja heidän vaarallisessa lankeemuksessaan jyrisee, color:green">Jumala!


xxx/ellauri357.html on line 599: Puhukaa color:green">Jumala ja täyttäkää kukkulat ylistyksellä!


xxx/ellauri357.html on line 607: color:green">Palvonnassa, ylöspäin pohjastasi


xxx/ellauri357.html on line 612: Sinä kuninkaallinen color:green">Henki valtaistui kukkuloiden keskellä,


xxx/ellauri357.html on line 617: Maa, tuhannella äänellään, ylistää color:green">Jumalaa.

xxx/ellauri357.html on line 624: color:red">Ihmisen ajattelun lähde sen kunnianosoitus tuo


xxx/ellauri357.html on line 658: Oma, color:red">ihmismieli, joka passiivisesti


xxx/ellauri357.html on line 667: Kaiken olevan color:red">haamut, sinun varjosi,


xxx/ellauri357.html on line 668: Joku color:red">haamu, joku heikko kuva; rintaan asti


xxx/ellauri357.html on line 677: Elämän ja color:red">kuoleman verho? vai valehtelenko


xxx/ellauri357.html on line 700: Joka opettaa color:red">kauheaa epäilystä tai niin lievää uskoa,


xxx/ellauri357.html on line 711: color:red">Daedal maan sisällä; salama ja sade,


xxx/ellauri357.html on line 717: color:red">Ihmisen teot ja tiet, heidän color:red">kuolemansa ja syntymänsä,


xxx/ellauri357.html on line 720: Syntyvät ja color:red">kuolevat; pyöriä, laantua ja turvota.


xxx/ellauri357.html on line 728: Pakkanen ja aurinko color:red">kuolevaisen voiman halveksunnassa


xxx/ellauri357.html on line 730: color:red">Kuoleman kaupunki, jossa on monia torneja


xxx/ellauri357.html on line 738: color:red">Kuolleiden ja elävän maailman rajat,


xxx/ellauri357.html on line 743: color:red">Ihminen lentää kauas pelossa; hänen työnsä ja asuntonsa


xxx/ellauri357.html on line 756: Ja monia ääniä, ja paljon elämää ja color:red">kuolemaa.


xxx/ellauri357.html on line 770: Jos color:red">ihmismielen kuvitelmiin


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xxx/ellauri358.html on line 34:   
color:black;background:#fdfff4;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">HANNU HARJU

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color:red;background:#fdfff4;margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">HALOT
Peukutusta

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xxx/ellauri361.html on line 34:   
color:beige;background:black;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Paxu Lexa

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color:lightpink;background:black;margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">Ylösnousemus
Profetioita

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xxx/ellauri363.html on line 32:   
color:black;background:white;margin-top:0%;margin-bottom:0%;padding-bottom:20px">color:black">Hannes Heikinheimo

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color:black;background:white;margin-top:0%;margin-bottom:0%">ROTU JA ENNAKKOLUULO
Xenofobiaa

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xxx/ellauri366.html on line 32:   
color:black;background:#ba2174;margin-top:0%;margin-bottom:0%;padding-bottom:20px">color:black">Hannu Mäkelä

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color:white;background:#ba2174;margin-top:0%;margin-bottom:0%">HERRA HUU
Pedofiliaa

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xxx/ellauri376.html on line 30:   
color:#34afd1;color:#6c414b;text-align:center;margin-top:0%;margin-bottom:0%">JAG, OLLE OCH PENSÉ
Muistolaattoja

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color:black;background-color:#ac926f;text-align:center;margin-top:0%;margin-bottom:0%">HASSE ÅSKVIGG

xxx/ellauri376.html on line 895: color:beige">

xxx/ellauri379.html on line 4:       color: blue;

xxx/ellauri379.html on line 30:   
color:white;background-color:#5C4033;text-align:center;margin-top:0%;margin-bottom:0%">Ford Coppola

xxx/ellauri379.html on line 32:   
color:white;background-color:#5C4033;text-align:center;margin-top:0%;margin-bottom:0%">Pepun hajua
Peppurointia

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xxx/ellauri380.html on line 30: 
color:lightpink;background-color:black;text-align:center;margin-top:0%;margin-bottom:0%">JALLU
Pyllyröintiä

xxx/ellauri380.html on line 32:   
color:white;background-color:#5C4033;text-align:center;margin-top:0%;margin-bottom:0%">Emmi Kastehelmi ja Joel Laikka

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xxx/ellauri385.html on line 11: 	  color: blue;

xxx/ellauri385.html on line 42:   
color:white;background-color:black;text-align:center;margin-top:0%;margin-bottom:0%">Mötley Crüe
Törkyä

xxx/ellauri385.html on line 43: 
color:white;background-color:black">EST.
1980

xxx/ellauri385.html on line 44: 
color:white;background-color:red;text-align:center;margin-top:0%;margin-bottom:0%">törkyä

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xxx/ellauri387.html on line 10: 	  color: blue;

xxx/ellauri387.html on line 41: 
color:gold;background-color:purple;text-align:center;margin-top:0%;margin-bottom:0%">JAN GUILLOU

xxx/ellauri387.html on line 42:   
color:gold;background-color:purple;text-align:center;margin-top:0%;margin-bottom:0%">Vägen till Moskau
Sotaintoa

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xxx/ellauri388.html on line 11: 	  color: blue;

xxx/ellauri388.html on line 37:       
color:black;background:#f4f3ef;text-align:center;margin-bottom:0%">Mika Waltari

xxx/ellauri388.html on line 38: 
color:black;text-align:center;margin-top:0%;margin-bottom:0%">Puhdas ihannes
Tumputusta

1923