ellauri152.html on line 73: The poems are in the manner of Sappho; the collection's introduction claims they were found on the walls of a tomb in Cyprus, written by a woman of Ancient Greece called Bilitis (Greek: Βιλιτις), a courtesan and contemporary of Sappho to whose life Louÿs dedicated a small section of the book. On publication, the volume deceived even expert scholars.
ellauri159.html on line 1329: Were I obliged to give a short name to the attitude in question, I should call it that of radical empiricism, in spite of the fact that such brief nicknames are nowhere more misleading than in philosophy. I say 'empiricism,' because it is contented to regard its most assured conclusions concerning matters of fact as hypotheses liable to modification in the course of future experience; and I say 'radical,' because it treats the doctrine of monism itself as an hypothesis, and, {viii} unlike so much of the half-way empiricism that is current under the name of positivism or agnosticism or scientific naturalism, it does not dogmatically affirm monism as something with which all experience has got to square. The difference between monism and pluralism is perhaps the most pregnant of all the differences in philosophy. Primâ facie the world is a pluralism; as we find it, its unity seems to be that of any collection; and our higher thinking consists chiefly of an effort to redeem it from that first crude form.
ellauri160.html on line 157: After three days in London he went to Paris, where he worked on a new collection of poetry, Canzoni (1911), panned by the Westminster Gazette as "affectation combined with pedantry". Ford Madox Ford kieriskeli lattialla naurusta kun Calzone oli niin puiseva.
ellauri160.html on line 490: The Homeric Hymns (Ancient Greek: Ὁμηρικοὶ ὕμνοι, romanized: Homērikoì húmnoi) are a collection of thirty-three anonymous ancient Greek hymns celebrating individual gods. The hymns are "Homeric" in the sense that they employ the same epic meter—dactylic hexameter—as the Iliad and Odyssey, use many similar formulas and are couched in the same dialect.
ellauri182.html on line 169: Nianfo (Chinese: 念佛; pinyin: niànfó, Japanese: 念仏 (ねんぶつ, nenbutsu), Korean: 염불; RR: yeombul, Vietnamese: niệm Phật, "laula Buddha") is a term commonly seen in Pure Land Buddhism. In the context of Pure Land practice, it generally refers to the repetition of the name of Amitābha. It is a translation of Sanskrit buddhānusmṛti (or, "recollection of the Buddha").
ellauri183.html on line 323: In 1993, the MIT Press published a collection of essays in linguistics to honor Bromberger on the occasion of his retirement. "The View From Building 20," edited by Ken Hale and Jay Keyser, featured essays by Chomsky, Halle, Alec Marantz, and other distinguished colleagues. Jews every nose of them. Alec is not very distinguished, though he beat me for the Harvard Junior Fellowship.
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ellauri192.html on line 51: Trubetzkoy also acted as a literary critic. In Writings on Literature, a brief collection of translated articles, he analyzed Russian literature beginning with the Old Russian epic The Tale of Igor's Campaign (the one that contains a first mention the Trubetzkoys) and proceeding to 19th-century Russian poetry and Dostoevsky.
ellauri192.html on line 259: Jaroslav Seifert made his debut with the poetry collection Mesto v slzách (1921) (City in Tears). His writings include more than 30 poetry collections. Seifert was a highly regarded poet in his native country. Melody and rhythm characterize his poetry, which is inspired by folk songs, common speech and everyday scenes. At the heart of Seifert’s poems is humanity, and he criticizes the totalitarian state’s attempts to reduce the opportunities and freedom of the individual.
ellauri192.html on line 635: Born in Žižkov, a suburb of Prague in what was then part of Austria-Hungary, Seifert's first collection of poems was published in 1921. He was a member of the Communist Party of Czechoslovakia (KSČ), the editor of a number of communist newspapers and magazines – Rovnost, Sršatec, and Reflektor – and the employee of a communist publishing house.
ellauri192.html on line 663: The other Seifert book is "The Casting of Bells," a 64-page collection translated by Tom O'Grady and Paul Jagasich, and published in August 1983 by The Spirit That Moves Us Press in Iowa City, Iowa. Morty Sklar, who described himself yesterday as "publisher, editor, typesetter and stamp licker" of the press, said his is a small, independent press that publishes two books a year. He published 1,000 copies of the Seifert book, but yesterday, upon hearing the news from Sweden, he reordered 2,500 more. It is available in paperback for $6.
ellauri198.html on line 778: But something of the conclusion can be surmised here, however tentatively. Roland's equivocal triumph is an instance of Kierkegaardian "repetition" rather than of Platonic "recollection" on Hegelian "mediation," if only because the Romantic trope-upon-a-trope or transumption leads to a projective or introjective stance of which Kierkegaard is the conscious anti-Platonic and anti-Hegelian theorist. Precisely what Roland refuses is the Golgotha of Absolute Spirit that Hegel proclaims at the very close of his Phenomenology:
ellauri198.html on line 780: Knowledge is aware not only of itself, but also of the negative of itself, or its limit. Knowing its limit means knowing how to sacrifice itself. This sacrifice is... self-abandonment.... Here it has to begin all over again at its immediacy, as freshly as before, and thence rise once more to the measure of its stature, as if, for it, all that preceded were lost, and as if it had learned nothing from the experience of the spirits that preceded. But re collection has conserved that experience, and is the inner being, and, in fact, the higher form of the substance. While, then, this phase of Spirit begins all over again its formative development, apparently starting solely from itself, yet at the same time it com mences at a higher level. The realm of spirits developed in this way, and assuming definite shape in existence, constitutes a succession, where one detaches and sets loose the other, and each takes over from its predecessor the empire of the spiritual world...
ellauri198.html on line 784: It requires youth to hope, and youth to recollect, but it requires courage to will repetition.... For hope is an alluring fruit which does not satisfy, recollection is a miserable pittance which does not satisfy, but repetition is the daily bread which satisfies with benediction. When one has circumnavigated existence, it will appear whether one has courage to understand that life is a repetition, and to delight in that very fact. . . . Repetition is reality, and it is the seriousness of life...
ellauri198.html on line 828: Yeats kept his sixth-grader occultist badge away from his poems, which are simple enough to be understood by sixth-graders, unlike Blake and Shelley, but like his rhyming predecessor Keats. Even so, Yeats’s visionary and idealist interests were more closely aligned with those of Blake and Shelley than with those of Keats, and in the 1899 collection The Wind among the Reeds the occult symbolism rears its ugly head in several poems.
ellauri198.html on line 846: While Yeats was playing with esoterica, Ireland was rife with internal strife and a world war flitted past. He was now the “sixty-year-old smiling public man” of his poem “Among School Children,” which he wrote after touring an Irish elementary school. He was also a world-renowned artist of impressive stature, having received the Nobel Prize for Literature in 1923. At night the poet could “sweat with terror” because of the surrounding violence, but otherwise he was enjoying himself royally. His collection The Dark Tower (1928) is often considered his best single book.
ellauri198.html on line 848: Another important element of poems in both these collections and other volumes is Yeats’s keen awareness of old age. Even his romantic poems from the late 1890s often mention gray hair and weariness, though those poems were written while he was still a young man. But when Yeats was nearly 60, his health began to fail and he was faced with real, rather than imaginary, “bodily decrepitude” (a phrase from “After Long Silence”) and nearness to death. Despite the author’s often keen awareness of his physical decline, the last 15 years of his life were marked by extraordinary vitality and an appetite for life, including young boys and girls.
ellauri203.html on line 206: En attendant la construction de leur nouvelle résidence (baptisée « palais Marie »), Maximilien et son épouse s'installent au palais d'Hiver. Ils y restent jusqu'en 1845 et c'est là que naissent leurs quatre premiers enfants, Alexandra, Marie, Nicolas et Eugénie. Après cette date, le couple peut enfin prendre son indépendance et Maximilien transfère ses collections de tableaux, d'armes et de minéraux en Russie. Une bonne partie d'entre elles se trouvent aujourd'hui au musée de l'Ermitage ou dans d'autres institutions du pays.
ellauri210.html on line 1226: The French essayist Michel Eyquem de Montaigne’s famous tome Les Essais became celebrated in its age, even being quoted by William Shakespeare in The Tempest. At the core of the collection of writings was “De l’amitie” (“On Friendship”). La Boetie enjoyed a certain level of fame, achieved through political discourses, when he met Montaigne around 1557 and the two would spend four years together, at which time the principles of civil disobedience in matters of love became instilled in Montaigne, according to Robert Aldrich and Garry Wotherspoon’s Who’s Who in Gay and Lesbian History. But La Boetie would succumb to the plague, and Montaigne would write that he never experienced such love again.
ellauri210.html on line 1378: Mansour’s first published collection of poems, titled: Cris, was published in Paris in 1953 by Pierre Seghers. This collection of work references male and female anatomy in explicit language that was unusual for the time. Religious language can also be found. However, it is inverted, replacing what would be Christ with the lover. References of Egyptian mythology are also present in Cris. Mansour references the White Goddess as well as Hathor.
ellauri219.html on line 324: From Bob Dylan (No.15) to David Bowie, Tom Waits to Steely Dan, Beat Generation author Burroughs has influenced many a songwriter over the decades. Less known is that, according to Burroughs himself, he witnessed Paul McCartney (No.64) working on “Eleanor Rigby.” As quoted in A Report From The Bunker, a collection of conversations with author Victor Bockris, Burroughs recalled McCartney putting him up in The Beatles’ flat on 34 Montagu Square: “I saw the song taking shape. Once again, not knowing much about music, I could see that he knew what he was doing.”
ellauri222.html on line 813: Transcendentalism is not a religion per se; it is more like a collection of philosophical and theological thought, an intellectual and a spiritual movement that emphasizes the goodness of nature and the independence of humanity. However, during the 1830s, they became an organized group around a twit named Waldo Wiisas. Tämä kaveri on jo haukuttu perinpohjaisemmin sata albumia sitten albumissa 22.
ellauri240.html on line 132: This story is part of the collection The Call to Serve: Stories of Sacrifice, War and the Way Home, which was funded by the Fred C. and Katherine B. Andersen Foundation.
ellauri244.html on line 453: About the author: Faye Toogood is a British artist working in a diverse range of disciplines, from sculpture to furniture and fashion. Toogood's works have been acquired for the permanent collections of institutions worldwide, and she has exhibited internationally. She is represented by Friedman Benda in New York.
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collection.com/wp-content/uploads/2018/08/30-May-1994-Thousands-of-Rwandan-refugees-cross-the-border-into-Tanzania-carrying-their-belongings.-Jeremiah-Kamau-Reuters.jpg" height="190px" />
ellauri247.html on line 133: Cook and his crew remained for almost seven weeks and made contact with the local Guugu Yimithirr Aborigines, while the naturalists Joseph Banks and Daniel Solander made extensive collections of native flora, while Sydney Parkinson illustrated much of the flora and fauna of the region. Botanical specimens were also collected by Alan Cunningham after he arrived on HMS Mermaid, captained by Philip Parker King on 28 June 1819.
ellauri254.html on line 816: Kaverin managed to republish Lunz's last play, Gorod Pravdy [The City of Truth], in a theatrical journal in 1989, one year after he had helped to effect the first publication in the Soviet Union of Yevgeny Zamyatin's anti-utopian novel, My [We, 1920]. The censorship board was beginning to crack, but still the Lunz collection was delayed beyond the life of the last Serapion (Kaverin) and the end of the Soviet system. Koska matka oli hauska niin, ottivat he mukaan vielä yhden kaverin.
ellauri257.html on line 101: The story was initially published in 1835 as part of the Mirgorod collection of short stories, but a much expanded version appeared in 1842 with some differences in the storyline. The 1842 text has been described by Victor Erlich [ru] as a "paragon of civic virtue and a force of patriotic edification", contrasting the rhetoric of the 1835 version with its "distinctly Cossack jingoism".
ellauri264.html on line 387: The song has some similarities to the hymn "Poor Pilgrim," also known as "I Am a Poor Pilgrim of Sorrow" and "I am a Poor Lonesome Cowboy", which George Pullein Jackson speculated to have been derived from a folk song of English origin titled collection/025M-C1023X0116XX-0400V0">"The Green Mossy Banks of the Lea".
ellauri264.html on line 475: Born in Gloucester, England, poet, editor, and critic William Ernest Henley was educated at Crypto Grammar School, where he studied with the poet T.E. Brown, and with the University of St. Andrews. His father was a struggling bookseller who died when Henley was a teenager. At age 12 Henley was diagnosed with tubercular arthritis that necessitated the amputation of one of his legs just below the knee; the other foot was saved only through a radical surgery performed by Joseph Lister. As he healed in the infirmary, Henley began to write poems, including “Invictus,” which concludes with the oft-referenced lines “I am the master of my fate; / I am the captain of my soul.” Henley’s poems often engage themes of inner strength and perseverance. His numerous collections of poetry include A Book of Verses (1888), London Voluntaries (1893), and Hawthorn and Lavender (1899).
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ellauri267.html on line 1393: Sebastião was one of the most extraordinary monarchs that Portugal ever produced. Ascending the throne in an atmosphere of great emotion, he was widely acclaimed as the answer to his subjects’ prayers and a prince who would save his country’s independence. Two decades later, he achieved precisely the opposite, dying heroically but unnecessarily on the distant North African battlefield of Al-Ksar al-Kabir on 4 August 1578, leaving no heir to succeed him. The collection concludes with studies under the heading of 'historiography and problems of interpretation', on Britain's Charles III and his boxer Camilla, and on Vasco da Gama's reputation for violence.
ellauri270.html on line 300: In “The Daemon Lover,” the second story in The Lottery and Other Stories, Jackson’s collection of 25 tales, the reader sees James Harris only through his fiancée’s eyes as a tall man wearing a blue suit. Neither the reader nor anyone in the story can actually claim to have seen him. Nonetheless, this piece foreshadows the appearance of Harris in such other stories in the collection as “Like Mother Used to Make,” “The Village,” “Of Course,” “Seven Types of Ambiguities,” and “The Tooth.” As James Harris wanders through the book, he sheds the veneer of the ordinary that covers his satanic nature.
ellauri270.html on line 302: The irony in “The Daemon Lover” is that the female protagonist becomes suspect as she hunts for the mysterious young man “who promised to marry her” (DL 23). Everywhere she searches, she encounters couples who mock her with not-so-subtle insinuations that she is crazy. Indeed, at the end of the story she may well have become insane; the narrative is ambiguous on this point. Significantly, however, if the nameless woman has indeed lost her mind, it is James who is responsible. Although some critics speculate that the disruptive male figure—both in this story and in the others in the collection—is a hallucination of a sexually repressed character, the epilogue to The Lottery, a ballad entitled “James Harris, The Daemon Lover,” suggests otherwise: He is, in fact, the devil himself.
ellauri270.html on line 304: For Jackson, The Lottery is more than a ghost story; “The Daemon Lover” in particular and the collection in general critique a society that fails to protect women from becoming victims of strangers or neighbors. As in “The Lottery,” Jackson’s shocking account of a housewife’s ritualistic stoning, or in “The Pillar of Salt,” which traces a wife’s horror and growing hysteria when she has lost her way, the threatened characters are women. Although many of Jackson’s stories are modern versions of the folk tale of a young wife’s abduction by the devil, and although her characters are involved in terrifying circumstances, the point is that these tales seem true: They are rooted in reality. Thus, Jackson exposes the threat to women’s lives in a society that condones the daemon lover.
ellauri282.html on line 77: [3.4. klo 12.23] +358 44 2776451: Luen Otto Pipatin open access kirjaa Westermarckista ja sen oppilaista. Jos W ihaili Humea ja Smithiä, ja on vaikuttanut paljon Malinowskiin, ja Hume herättänyt Kantin dogmaattisuuden unesta, maailman myllerrys muutti kaikkea: älä tee toiselle sitä mistä se ei ole vamis maksamaan. One for me, one for you, 10% to the collection and 4% for the owners. Kun kaupallinen järjestelmä monimutkaistuu, Humen sentimentit ja human understanding vähitellen venähtää. Ehkä westermarckilainen teoria hyväksymisen emfaattisista ja hylkäämisen inhon tunteista moraalisten käsitysten pohjana on osa tällaista venymistä: pyrkimystä hieman väljempiin liiveihin. Voisihan ajatella että rakasta lähimmäistä, koaka hän voi olla vielä asiakkaasi, tai ratkaiseva äänestäjä.
ellauri283.html on line 118: Bernsen has one of the largest snow globe collections in the world, with 9,000 globes, give or take a few.
ellauri285.html on line 154: Rudolph Etzenhouser, who was a traveling elder of the Reorganized Church of Jesus Christ of Latter Day Saints (RLDS), saw the relics as proof of the historicity of the Book of Mormon. Etzenhouser even published a book on his collection of the Michigan Relics.
ellauri322.html on line 264: She was rescued, again, and lived on with deadened spirit. In 1796 collection/mary-wollstonecrafts-adventures-in-scandinavia/">these "Letters from Sweden and Norway " were published. Early in 1797 she was married to William Godwin. On the 10th of September in the same year, at the ago of thirty-eight, Mary Wollstonecraft Godwin died, after the birth of the daughter who lived to become the wife of Shelley and write a blockbuster bestseller. The mother also would have lived, if a womanly feeling, in itself to be respected, had not led her also to unwise departure from the customs of the world. Peace be to her memory. None but kind thoughts can dwell upon the life of this too faithful disciple of Rousseau (except for the feminismim).
ellauri323.html on line 129: Zuleika was the smiling target of all snap-shooters, and all the snap-shots were snapped up by the press and reproduced with annotations: Zuleika Dobson walking on Broadway in the sables gifted her by Grand Duke Salamander—she says “You can bounce blizzards in them”; Zuleika Dobson yawning over a love-letter from millionaire Edelweiss; relishing a cup of clam-broth—she says “They don’t use clams out there”; ordering her maid to fix her a warm bath; finding a split in the gloves she has just drawn on before starting for the musicale given in her honour by Mrs. Suetonius X. Meistersinger, the most exclusive woman in New York; chatting at the telephone to Miss Camille Van Spook, the best-born girl in New York; laughing over the recollection of a compliment made her by George Abimelech Post, the best-groomed man in New York; meditating a new trick; admonishing a waiter who has upset a cocktail over her skirt; having herself manicured; drinking tea in bed. Thus was Zuleika enabled daily to be, as one might say, a spectator of her own wonderful life. On her departure from New York, the papers spoke no more than the truth when they said she had had “a lovely time.”
ellauri324.html on line 799: parking and manual collection of fees when parking had
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ellauri344.html on line 294: Kylläpä oli Disneyn maxamassa tuotannossa vanhan ajan white supremacy henkeä kun rypistyneet britit palaavat dominioon näyttämään kuraverisille ex-alamaisille miten hoidetaan kannattavaa bisnistä. Hölmöt itäintiaanit hymyilevät hampaat välähdelllen knääkille ja kumartelevat kiitollisina kämmenet yhdessä saadessaan niiltä builders teetä ja aitoja brittikexejä. Ja onnex virttyneetkin britit osaa neuvoa miten tosi rakkaus tekee tyhjäxi kastilaitoxen. The cast is as impressive a collection of British hasbeens as you could assemble, and its members are entirely predictable.
ellauri352.html on line 611: The novel has been compared with Edgar Lee Masters´s poetry collection Spoon River Anthology, published in 1915. Tim Martin, writing for Literary Review, compared its "babble of American voices", some from primary sources and some expertly fabricated, with the last act of Thornton Wilder´s play Our Town. Kaskun ei Divina Comediaan.
ellauri368.html on line 316: This work purports to be a genuine collection of letters by several hasidim, but it adopts the epistolary genre primary in order to expose corruption that Perl associated with the Hasidic movement.
ellauri368.html on line 331: Hasidism began in the late 1850s under Ukrainian Rabbi Ba'al Shem Tov. His followers published a collection of stories about his life, Shivhei ha-Besht (ln Praise of the Ba'al Shem Tov), in 1815.
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ellauri381.html on line 587: In David Remnick’s profile of the writer in The New Yorker, Solzhenitsyn is quoted as saying, “Purely for my work, the 18 years in Vermont have been the happiest of my life.” His other son, Yermolai Solzhenitsyn, adds, “You should know that it wasn’t like my father was some kind of anti-Western ogre at home.” The younger Solzhenitsyns’ recollections of their American childhoods reveal a father who sent his sons to local schools, encouraged them to learn English, let them listen to music he detested – like Black Sabbath – and generally allowed them the freedom to assimilate with their peers.
ellauri389.html on line 387: The collection was headed by an elegant Latin motto on the mutual friendship of the authors, attributed to "Groscollius," but in reality composed by Coleridge. Coleridge shortly afterwards asserted that he had only allowed Lloyd's poems to be published together with his own at the earnest solicitation of the writer, and ridiculed both them and Lamb's poems in sonnets subscribed "Nehemiah Higginbotham" in the Monthly Magazine, November 1797.
ellauri389.html on line 411: For some time he displayed a flurry of literary activity, publishing in 1819 a collection of his poems, under the title of Nugæ Canoræ; in 1821, Desultory Thoughts in London; Titus and Gisippus; and other Poems; and Poetical Essays on the Character of Pope; in 1822, The Duke D'Ormond, a tragedy written in 1798, together with Beritola, a metrical tale in the Italian manner; and a small volume of poems in 1823. Nothing to write home about, alackaday.
ellauri392.html on line 93: David Harry Hirsch (1930-1999) taught English and American literature and Judaic Studies at Brown University from 1961 until his death in 1999 at age 69. His field of study was English and American literature, with an emphasis on the literature of Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, and T. S. Eliot. Aika luurankogalleria. He also contributed greatly to the fields of Literary and Linguistic theory. His collection of essays The Deconstruction of Literature: Criticism After Auschwitz (1991) was the product of his research on Deconstruction theory and its relation to the ideas of Martin Heidegger, who was a supporter of Nazi politics.
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ellauri434.html on line 189: In “Kiev — town” Bulgakov gave full rein to his nostalgia for the Kyiv of his childhood and to his antipathy to Ukrainian nationalism. The essay belongs to a genre of modernist city sketches and ironic travel guides that were popular among male prose writers at the time. Vladimir Nabokov’s “Guide to Berlin” and Viktor Shklovsky’s “Petersburg in the Blockade” were published in the same year. Shklovsky’s decision to give Petrograd, soon to be Leningrad, its pre-revolutionary name parallels Bulgakov’s choice to spell place names in the language of the Russian Empire rather than in Ukrainian. For Bulgakov, modernity had brought devastation to the “mother of Russian cities” causing it to regress to the status of a provincial town. His accounts of local opportunists, citizens’ shifting religious and political affiliations, an ugly new sculpture of Karl Marx, and even the actions of the competing armies who tried to seize Kyiv during the Civil War are affectionate and mildly cynical. However, the essay’s ironic comparisons of the former glory of the Russian Empire with its inferior modern Soviet version turn to crude hostility when Bulgakov describes his native city’s burgeoning Ukrainian identity. The section labelled ‘Science, Literature and Art’ contains a single damning word: “none”. Kyiv’s citizens are dependent on American charitable aid and find it hard to believe their fashionably dressed visitor’s stories of Moscow nightlife. Had he wished, Bulgakov could have told a vastly different story of Kyiv in the mid 1920s, one of the “jubilant experimentation” demonstrated in the multilingual title of Irena Makaryk and Virlana Tkacz’s 2017 collection of essays Modernism in Kiev/ Kyiv/ Київ/ Киев/ Kijów/ קייעוו
ellauri434.html on line 195: I am myself among the readers who found in Bulgakov a gateway drug to a country obsessed with literature, a place where fiction became true, and truth was somewhat fictional. The Master and Margarita, recommended by my dad, was responsible for my decision to move to Moscow rather than St Petersburg in the mid-90s. One more stately, seedy European city could hardly compete with the home of the naughty apartment and the caviar-eating black cat riding the tram without a ticket. Barely literate, with my collection of metro and phone tokens and up to date knowledge of how to avoid using them, I met book-obsessed friends at the real Patriarch’s Ponds. Later I joined a crowd of teenagers and their high school literature teacher as they walked for hours around Moscow reciting whole paragraphs from The Master and Margarita from memory, in front of the real – and also fictional – places from the novel.
xxx/ellauri027.html on line 970: Think about the participation in the Paphos seminar as an opportunity to play in in a band, like Eski´s heavy gentlemen. The conductor a true maestro, and the audience hopefully generous. The conductor leads the collection of offertory as well as the musicians, and facilitates the lucrative process. It would be naïve to assume that the concert is chiefly for the conductor’s recreation, or that anything but a straightforward cost-and-benefit logic applies. Buzzwords that go with this orchestra metaphor are presents, merchandise, prices, trust, pretext, merry tunes, procreation and contention. In god we trust, all others pay cash.
xxx/ellauri086.html on line 933: Paikannäyttäjän talo (The Fall of the House of Usher) is a short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine, then included in the collection Tales of the Grotesque and Arabesque in 1840. The short story, a work of Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities.
xxx/ellauri087.html on line 454: Many authors have borrowed the phrase "World enough and time" from the poem's opening line to use in their book title or inside. The most famous is Robert Penn Warren's 1950 novel World Enough and Time: A Romantic Novel, about murder in early-19th-century Kentucky. (WTF,? bet Ernest Heminway's booklet Farewell for Arms (p. 129) is famouser.) With variations, it has also been used for books on the philosophy of physics (World Enough and Space-Time: Absolute versus Relational Theories of Space and Time), geopolitics (World Enough and Time: Successful Strategies for Resource Management), a science-fiction collection (Worlds Enough & Time: Five Tales of Speculative Fiction), and a biography of the poet (World Enough and Time: The Life of Andrew Marvell). The phrase is used as a title chapter in Andreas Wagner's pop science book on the origin of variation in organisms, "Arrival of the Fittest". The verse serves as an epigraph to Mimesis, literary critic Erich Auerbach's most famous book. It is also the title of an episode of Big Finnish Productions's The Diary of River Song series 2, and of part 1 of Doctor Who's Series 10 finale. It is the title of a Star Trek New Voyages fan episode where George Takei reprises his role as Sulu after being lost in a rift in time. The title of Robert A. Heinlein's 1973 novel Time Enough for Love also echoes this line.
xxx/ellauri116.html on line 278: Chapters 2, 5, 7, 9, 12, and 14 contain a color print of a famous painting accompanied by a narration, each from a separate voice. Vizi takuulla mä kynäilin jotain sarkastista tostakin. Rigoberto, Lucrecia, Alfonso, and perhaps even Justiniana, all become the protagonist/narrator of one of the paintings by Jordaenes, Boucher, Titian, Francis Bacon, Fernando de Szyszlo, and Fra Angelico. This rather heterogenous collection of prints share the fact that they could be viewed as depicting various aspects of sensuality, from the voyeuristic to the immaculate.
xxx/ellauri121.html on line 299: She thinks Moby Dick was a great masterpiece. Figures. She got engaged to James "Jay" Ford, a fellow student, in 1963, but by Easter the following year, she also met Jim Polk, a sensitive, witty graduate student from Montana whom she would marry in 1967. Polk’s recollections of Atwood are instructive and often amusing. He recalls one costume party at Harvard where she came disguised as Cleopatra’s breast.
xxx/ellauri121.html on line 304: After graduating in English from the University of Toronto, the young poet— she was by now publishing in Canadian literary magazines—enrolled in graduate school at Radcliffe, the all-female women university at Harvard, in 1961. She was chagrined by the intensely chauvinistic atmosphere: among other things, female students were not allowed access to the university’s modern poetry collection in the Lamont Library. Only men could read all the juicy bits.
xxx/ellauri121.html on line 306: Atwood’s career as a graduate student stretched, with many interruptions, for half a dozen years. During that period she had an affair with Quebec poet D. G. Jones— which Sullivan mentions so obliquely that it is over before the reader realizes it has begun. She had broken it off, as a result of the stresses caused by his workload. She subsequently courted Jim Polk (an American writer she had met at Harvard) and, in January 1967, she decided to marry him "after five years of equivocation". She also worked at odd jobs including market researcher like Fred Waterford, and despite never finishing her PhD, began a university teaching career that would take her to cities across Canada. At 27, she became the youngest person to ever win the Governor General’s Award with her 1967 poetry collection, The Circle Game. Siitä nousi sille aika lailla kusi päähän.
xxx/ellauri123.html on line 372: Weinreb grew up in Scheveningen, Netherlands, to which his family had moved in 1916, and became notorious for selling a fictitious escape route for Jews from the occupied Netherlands in the Second World War. When his scheme fell apart in 1944, he left his home in Scheveningen and went into hiding in Ede. He was imprisoned for 3½ years after the war for fraud as well as collaboration with the German occupier. In his memoirs, published in 1969 he maintained that his plans were to give Jews hope for survival and that he had assumed that the liberation of the Netherlands would take place before his customers were deported. The debate about his guilt or innocence—called the “Weinreb affair”—was very heated in the Netherlands in the 1970s, involving noted writers like Renate Rubinstein and Willem Frederik Hermans. In an attempt to end this debate, the government asked the Rijksinstituut Oorlogsdocumentatie (Netherlands institute for war documentation) to investigate the matter. in 1976 the institute issued a report (of which a part already was leaked to the press in 1973), which determined that his memoirs were "a collection of lies and fantasies," and that his collaboration had caused 70 deaths. Although his activities did contribute to some Jews' survival, most Jews who fell for Weinreb's swindle were deported and killed.
xxx/ellauri123.html on line 756: Nabokov, a "champion of aesthetic autonomy", was keenly aware of the stakes of publication from 1916, when he had a collection of his poems printed at his own expense. The volume brought him embarrassment; his teacher read the worst lines out to the budding author´s classmates, who roared with laughter.
xxx/ellauri123.html on line 1154: Remu was born in Nogent-le-Rotrou. A nobleman (under the tutelage of the Lorraine family), he did his studies under Marc Antoine Muret and George Buchanan. As a student, he became friends with the young poets Jean de La Péruse, Étienne Jodelle, Jean de La Taille and Pierre de Ronsard and the latter incorporated Remy into the "La Pléiade", a group of revolutionary young poets. Belleau´s first published poems were odes, les Petites Inventions (1556), inspired by the ancient lyric Greek collection attributed to Anacreon and featuring poems of praise for such things as butterflies, oysters, cherries, coral, shadows, turtles, and twats. His last work, les Amours et nouveaux Eschanges des Pierres precieuses (1576), is a poetic description of gems and their properties inspired by medieval and renaissance lapidary catalogues. He died impotent in Paris on 6 March 1577, and was buried in Grands Augustins. Remy Belleau was greatly admired by impotent poets in the twentieth century, such as Francis Ponge. Francis Ponge (1899 Montpellier, Ranska – 1988 Le Bar-sur-Loup, Ranska) oli ranskalainen runoilija. Ponge työskenteli kirjailijanuransa ohella toimittajana, kustannustoimittajana ja ranskan kielen opettajana. Hän osallistui toisen maailmansodan aikana vastarintaliikkeeseen ja kuului vuosina 1937–1947 kommunistipuolueeseen. Hän sai vaikutteita eksistentialismista, ja esinerunoissaan hän paljastaa kielen avulla objektin itsenäisenä, omanlakisena maailmana. Francis Ponge was born in Montpellier, France in 1899. He has been called “the poet of things” because simple objects like a plant, a shell, a cigarette, a pebble, or a piece of soap are the subjects of his prose poems. To transmute commonplace objects by a process of replacing inattention with contemplation was Ponge’s way of heeding Ezra Pound’s edict: ‘Make it new.’ Ponge spent the last 30 years of his life as a recluse at his country home, Mas des Vergers. He suffered from frequent bouts with nervous exhaustion and numerous psychosomatic illnesses. He continued to write up until his death on August 6, 1988.
xxx/ellauri127.html on line 131: The constant accrual of money and fame reinforced his certainty of his own genius, which he was never shy about proclaiming. “I think like a genius” are the first five words of his 1973 collection of interviews and essay, “Strong Opinions.”
xxx/ellauri127.html on line 138: Plenty of monsters make great art, and many of their names emblazon lists of Nobelists, poet laureates, and so. And there is no doubt that Nabokov created great art, in two languages, like Joseph Conrad, whom he predictably disdained. (“A collection of glorified cliches.”) His achievements speak volumes. If only he hadn’t been such a jerk.
xxx/ellauri127.html on line 282: The most famous literary version of Melusine tales, that of Jean d'Arras, compiled about 1382–1394, was worked into a collection of "spinning yarns" as told by ladies at their spinning coudrette (coulrette (in French)). He wrote The Romans of Partenay or of Lusignen: Otherwise known as the Tale of Melusine, giving source and historical notes, dates and background of the story. Another version, Chronique de la princesse (Chronicle of the Princess). tells how in the time of the Crusades, Elynas, the King of Albany (an old name for Scotland or Alba), went hunting one day and came across a beautiful lady in the forest. She was Pressyne, mother of Melusine. He persuaded her to marry him but she agreed, only on the promise—for there is often a hard and fatal condition attached to any pairing of fay and mortal—that he must not enter her chamber when she birthed or bathed her children. She gave birth to triplets. When he violated this taboo, Pressyne left the kingdom, together with her three daughters, and traveled to the lost Isle of Avalon.
xxx/ellauri127.html on line 622: On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper, instantly and eagerly wrote down the lines that are here preserved. At this moment he was unfortunately called out by a person on business from Porlock, and detained by him above an hour, and on his return to his room, found, to his no small surprise and mortification, that though he still retained some vague and dim recollection of the general purport of the vision, yet, with the exception of some eight or ten scattered lines and images, all the rest had passed away like the images on the surface of a stream into which a stone has been cast, but, alas! without the after restoration of the latter!
xxx/ellauri128.html on line 601: Margaret Caroline Anderson (November 24, 1886 – October 19, 1973) was the American founder, editor and publisher of the art and literary magazine The Little Review, which published a collection of modern American, English and Irish writers between 1914 and 1929. The periodical is most noted for introducing many prominent American and British writers of the 20th century, such as Ezra Pound and T. S. Eliot in the United States, and publishing the first thirteen chapters of James Joyce's then-unpublished novel, Ulysses. A large collection of her papers on Gurdjieff's teaching is now preserved at Beinecke Rare Book and Manuscript Library, Yale University. She was blond, shapely, with lean ankles and a Scandinavian face. ... In 1916, Anderson met Jane Heap. The two became lovers. In early 1924, through Alfred Richard Orage, Anderson came to know of spiritual teacher George Ivanovitch Gurdjieff, and saw performances of his 'Sacred dances', first at the 'Neighbourhood Playhouse', and later at Carnegie Hall. Shortly after Gurdjieff's automobile accident, Anderson, along with Georgette Leblanc, Jane Heap and Monique Surrere, moved to France to visit him at Fountainebleau-Avon, where he had set up his institute at Château du Prieuré in Avon.
xxx/ellauri130.html on line 174: Marcion of Sinope (/ˈmɑːrʃən, -ʃiən, -siən/; Greek: Μαρκίων [note 1] Σινώπης; c. 85 – c. 160) was an early Christian theologian, an evangelist, and an important figure in early Christianity.Marcion preached that the benevolent God of the Gospel who sent Jesus Christ into the world as the savior was the true Supreme Being, different from and opposed to the malevolent demiurge or creator god, identified with the Hebrew God of the Old Testament. He considered himself a follower of Paul the Apostle, whom he believed to have been the only true apostle of Jesus Christ, a doctrine called Marcionism. Marcion published the earliest extant fixed collection of New Testament books, making him a vital figure in the development of Christian history.[citation needed] Early Church Fathers such as Justin Martyr, Irenaeus, and Tertullian denounced Marcion as a heretic, and he was excommunicated by the church of Rome around 144. He published the first known canon of Christian sacred scriptures, which contained ten Pauline epistles (the Pastoral epistles weren't included) and a shorter version of the Gospel of Luke (the Gospel of Marcion). This made him a catalyst in the process of the development of the New Testament canon by forcing the proto-orthodox Church to respond to his canon. Varmaan Marcion oli sitten yhtä persepää kuin Puovoli.
xxx/ellauri138.html on line 107: Eker’s writing and speaking often focus on his concept of the "Millionaire Mind," a collection of "mental attitudes that facilitate wealth." This theory proposes that we each possess a "financial blueprint," or an "internal script that dictates how we relate to money," and that by changing this blueprint people can change their ability to accumulate wealth.
xxx/ellauri148.html on line 120: Golda Meir reacted to the overture by forming a committee to examine the proposal and vet possible concessions. When the committee unanimously concluded that Israel's interests would be served by full withdrawal to the internationally recognized lines dividing Israel from Egypt and Syria, returning the Gaza Strip and, in a majority view, returning most of the West Bank and East Jerusalem, Meir was angered and shelved the document next to her stash of knotted french letters and Joshua's foreskin collection. The United States was infuriated by the cool Israeli response to Egypt's proposal, and Joseph Sisco informed Yitzhak Rabin that "Israel would be regarded responsible for rejecting the best opportunity to reach peace since the establishment of the state." Israel responded to Jarring's plan also on February 26 by outlining its readiness to make some form of withdrawal, say in some New York bank, while declaring it had no intention of returning to the pre-June 5, 1967 lines.
xxx/ellauri157.html on line 152: The Gemara is not just a collection of superhero stories. If one searches the gemara for demon stories as one would eagerly anticipate the next Superman comic book, then one has missed the point. The gemara is not an action and adventure story, but a work of religious and ethical instruction. The gemara would not have mentioned the "cat method" for viewing demons if it did not contain some message of religious import. Though it remains a mystery which message.
xxx/ellauri170.html on line 150: Quote is from Ode on Intimations of Immortality from Recollections of Early Childhood by William Wordsworth
xxx/ellauri173.html on line 175: Et tous les épisodes du Nouveau-Testament ! Quelles épreuves ! ― Et toutes les anecdotes de l’Histoire des empires d’Orient et d’Occident ! Quelle collection ! Et les martyres ! et les supplices ! Depuis celui des sept Machabées et de leur mère, jusqu’à ceux de Jean de Leyde et de Damiens, sans omettre les principaux sacrifices des chrétiens livrés aux bêtes dans les cirques de Rome, de Lyon et d’ailleurs !
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xxx/ellauri179.html on line 635: Writing to his sister Alice, James characterized Zhukovski as “the same impracticable and indeed ridiculous mixture of Nihilism and bric-à-brac as before.” He adds that Zhukovski always needs to be sheltered by a strong figure: “First he was under Turgenev, then the Princess Urusov, whom he now detests and who despises him, then under H.J. Jr. (!!), then under that of a certain disagreeable Onegin (the original of Turgenev’s Nazhdanov, in Virgin Soil) now under Wagner, and apparently in the near future that of Madame Wagner.” Novick bypasses these letters; he avoids looking at facts that might spoil his case. He does allude to the James remark about Zhukovski’s bric-a-brac, but he seems to misunderstand its irony. He claims that James was “cautious” about this visit because of crime and disease in the Naples area–all this, says Novick, is “out of keeping with the collection of bric-à-brac with which Zhukovski was surrounded.” James may indeed have been referring to the villa’s human bric-a-brac.
xxx/ellauri193.html on line 608: Harry Martinson’s Views from a Tuft of Grass is a collection of short essays, mostly on the natural world. I give this a three.
xxx/ellauri199.html on line 907: Contemporary odes to Neptune were harder to come by, but divine intervention ensured I found one that mentioned him by name. One of the highlights of my recent trip to Odesa, discussed here on the blog, was a visit to the literary museum, which houses a small collection of Anna Akhmatova’s work. The statuesque Russian poet, melancholic lover and resolute witness to the Stalinist and Putinist terrors, was born near Odesa and spent her childhood summers in the region. The display included a palm-sized booklet of the long poem ‘Close to the Sea’, or as my host translated, ‘very close’: an intimate relationship. I looked it up in The Complete Poems when I got home and assumed it must be ‘By the Edge of the Sea’. The ballad of a fierce young woman willing the arrival of her beloved from the waves, the poem was too long for the workshop and extracts would not do it justice. A shame, I thought, setting down the 950 page book, which promptly fell open to:
xxx/ellauri225.html on line 295: Le Guin responded to these critiques in her subsequent writing. She intentionally used feminine pronouns for all sexually latent Gethenians in her 1995 short story "Coming of Age in Karhide", and in a later reprinting of "Winter's King", which was first published in 1969. "Coming of Age in Karhide" was later anthologized in the 2002 collection The Birthday of the World, which contained six other stories featuring unorthodox sexual relationships and marital arrangements. She also revisited gender relations in Earthsea in Tehanu, published in 1990. This volume was described as a rewriting or reimagining of The Tombs of Atuan, because the power and status of the female protagonist Tenar are the inverse of what they were in the earlier book, which was also focused on her and Ged. During this later period she commented that she considered The Eye of the Heron, published in 1978, to be her first work genuinely centered on a woman.
xxx/ellauri225.html on line 375: Recently, chanting Walt Whitman to himself at night—he describes Whitman as “our repressed voice,” a loosener and liberator whose fearlessness embraces every living moment—Bloom brought forth an almost feverish recollection from over 70 years ago. There was a young lady of 17 with lustrous long red hair. They were students at Cornell and took long walks together, picking apples that she would transform into a delicious applejack. And then, as with his mother, Bloom stops. We learn nothing else about the girl, what transpired, did he score, or what this memory meant to him on this restless night. He has already moved on, to his infatuation with Proust’s “privileged moments” and “sudden ecstasies of revelation,” which bring back to Bloom his dead parents whom he misses dearly.
xxx/ellauri228.html on line 504: What follows are some sample recipes of dishes one might find at a Holy Supper in Eastern U.S. The meal should include fluffy bread with a lot of gas in it. Breaking wind at a meal is a longstanding Christian tradition evoking a key characteristic of our Lord. Feel free to build your own menu with additional appropriate fishes from your own family fish collection.
xxx/ellauri229.html on line 465: In this book four children share a dream. They all wake in the Castle of the Story Giant, a being that only comes alive when children dream him. He collects all the stories of the world, from the very dawn of consciousness and is waiting to hear the one last story he’s not yet found before he dies. This is a very wonderful collection of folk tales and version, told in Patten’s pinpoint prose.
xxx/ellauri230.html on line 481: Visitors to Monywa, 138 kilometres northwest of Mandalay, will be treated to not one, but two giant Buddhas – one standing, one lying down. At 90 metres long, the one lying down is the largest reclining Buddha in the world. It houses a collection of 9,000 etchings illustrating Buddha’s life that can be viewed by entering through a door in the statue’s backside. The standing Buddha directly behind is 116 metres tall and is known as Laykyun Setkyar.
xxx/ellauri230.html on line 620: Influenced by Chinese custom (no tietysti), the Heian court (794–1185) took to Chrysanthemum the Imperial Blossomdrinking chrysanthemum wine and using chrysanthemum dew as a kind of body lotion. All of this is recounted in The Pillow Book, a collection of observations by the court lady "Sei silmiä" Shonagon. The Chrysanthemum Festival is the last of Japan’s five annual festivals, which includes Boys’ Day in May and Tanabata in July.
xxx/ellauri250.html on line 603: His posthumous collections have been heavily 'John Martinized', removing booze, hell and Hitler and replacing dick, cunt and arse with ****. American band Red Hot Chili Peppers reference Bukowski and his works in several songs. A legion of other wannabe baddies have saddled his horses.
xxx/ellauri268.html on line 505: Sedaris went slightly off course with Squirrel Seeks Chipmunk (2010), an audio book collection of gay animal fables, noting the sudden change from "having 50 listeners to 50 million listeners." A New Republic article charged him with fabricating his bio, but the allegations ultimately had little effect on the author´s popularity. Sedaris continues to tour hickland in support of his books, with his readings drawing huge crowds.
xxx/ellauri268.html on line 508: The author has been with longtime boyfriend Hugh Hamrick, an artist and designer, since the early 1990s. After living together in New York City, Paris and Tokyo, the couple resides in West Sussex, England. He became known for his bitingly funny recollections of his youth, sex life and travel experiences in foreign countries.
xxx/ellauri281.html on line 652: Well known qasā´id include the Seven Mu´allaqat and Qasida Burda ("Poem of the Mantle") by Imam al-Busiri and Ibn Arabi´s classic collection "The Interpreter of Desires".
xxx/ellauri281.html on line 726: A yet murkier side of Mr. Train’s political engagement was documented in Joel Whitney’s 2016 book, “Finks: How the C.I.A. Tricked the World’s Best Writers,” a history of connections between Paris Review founders and intelligence agencies. Drawing on a collection of Mr. Train’s papers at Seton Hall University and two interviews with him, Mr. Whitney wrote that in the 1980s Mr. Train used a “shell nonprofit to foster schemes” furthering U.S. “intelligence and propaganda missions” in Afghanistan. Mr. Train ran an organization, the Afghanistan Relief Committee, which presented itself as largely devoted to helping refugees and offering other forms of humanitarian aid, but a study by the left-leaning Institute for Policy Studies found that its budget was spent largely on “media campaigns.” Vanhuxena John Train koitti lukea hankkimiaan afgaanimattoja.
xxx/ellauri295.html on line 596: The Mishnah or the Mishna (/ˈmɪʃnə/; Hebrew: מִשְׁנָה, "study by repetition", from the verb shanah שנה, or "to study and review", also "secondary") is the first major written collection of the Jewish oral traditions that are known as the Oral Torah. It is also the first major work of rabbinic literature.
xxx/ellauri295.html on line 598: The Gemara (also transliterated Gemarah, or in Yiddish Gemore) is an essential component of the Talmud, comprising a collection of rabbinical analyses and commentaries on the Mishnah and presented in 63 books. The term is derived from the Aramaic word גמרא and rooted in the Semitic word ג-מ-ר (gamar), which means "to finish" or "complete".
xxx/ellauri304.html on line 222: collections/yiddish-books/spb-nybc210906/shir-hashirim" />Lähde
xxx/ellauri304.html on line 623: What to read? If you get no checks, read Writer’s Digest. Read the how-to books. If you want to read books on writing, you can’t find much better stuff then Stephen King on Writing, anything by Dean Koontz or Larry Block, a very specific mystery writing manual from Hallie Ephron (*1948), Writing Mysteries from MWA, a collection which includes me and my ex-partner, read my blogs and those about the writer’s soul by Molly Cochran. Read “Trial and Error”by Jack Woodford (+1971), one of the great commercial writing geniuses. And be sure to read my long time personal favorite book by one of my all time, all-star heroes, “Dare to be a Great Writer” by Leonard Bishop, which is not 300 pages of “rah-rah boys, go do it” but is instead 329 specific tips on how to get the trucks out of the garage in the morning. Fabulous. Reading and writing and remembering, are the only two of the three R’s that count. Who the hell cares about ‘rithmetic? Except Chuck Berry, who could count 6/8 time like a genius.
xxx/ellauri329.html on line 97: In 2004, Harper’s magazine published Natasha, a first short story by a promising 31-year-old Jewish Canadian writer, David Bezmozgis. This memorable tale of a doomed teenage love between Mark, a Jewish Toronto slacker, and his troubled (shiksa) Russian cousin by marriage was eventually released in a collection chronicling the lives of a Latvian immigrant family, not unlike the author’s own. Bezmozgis’s debut became a cult sensation with critics drawing literary comparisons to Bernard Malamud and Philip Roth. The story was subsequently reprinted in 15 languages. After penning two more acclaimed novels, then writing and directing his first feature Victoria Day (SFJFF 2010), Bezmozgis finally brings his modern classic to the big screen in a remarkably assured adaptation that’s both highly provocative and deeply poignant. At the heart of this emotional, coming-of-age drama are the extraordinarily measured performances of Alex Ozerov as Mark and newcomer Sasha K. Gordon as the sexually precocious Natasha, the dark star who forever alters Mark’s staid, suburban existence. Fans of the writer’s original source material will not be disappointed in David Bezmozgis’s haunting narrative of forbidden love caught between the old world and the new, further proof of this talented artist’s notable command of both literature and the cinema. —Thomas Logoreci Note: Mature Content. A New Life in the west means a second chance for precocious Latvian jews.
xxx/ellauri385.html on line 280: 3 Seinfeld May be pedophile but apparently he ain't really gay. Seinfeld expressed support for Israel during the Israel–Hamas war, saying "I will always stand with Israel and the Jewish people." In 2024, Bloomberg declared Seinfeld a billionaire, with a net worth standing at more than $1 billion, thanks to various syndication deals his sitcom signed, with $465 million coming from those deals. Seinfeld is an automobile enthusiast and collector, and he owns a collection of about 150 cars, including a large Porsche collection. What a motherfucker.
xxx/ellauri387.html on line 235: Ode: Intimations of Immortality from Recollections of Early Childhood Oodi: Muistamiani kuolemattomuuden etiäisiä tenavaiältä
xxx/ellauri387.html on line 410: Those shadowy recollections, hämäristä muistoista,
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xxx/ellauri410.html on line 243: Marja Palmer Lundista sums it up rather neatly: The sexual undertone in the early "Love Song" runs through Eliot's poetry between 1910 and 1925, gaining greater emphasis in The Waste Land and The Hollow Men . The agony and distress associated with sexual matters play a vital role in his early poems, a circumstance which has not always been fully recognized. Erotic concerns and preoccupations fill the lives of the main "characters" in this poetry, men and women alike. However, experiences of this kind are unsettling, and any attempt at a dialogue between the sexes is bound to fail. In each of the four collections, the theme of relationships between men and women indicates a step further downwards into isolation. There is an afflicting want of any feelings of love and tenderness - only a mechanized sexuality is left, stripped of all its generative force and with sterility and impotence as the consistent, final result.
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xxx/ellauri422.html on line 194: Tate had requested the 19-year-old climate activist's email address so he could send a "complete list of my car collection and their respective enormous emissions."
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