ellauri011.html on line 990: A stopped clock shows right time twice a day.
ellauri011.html on line 994: or the year, never mind Coelho's clock's second hand.
ellauri048.html on line 1218: And in the dusk of thee, the clock Ja sun hämärässä, kaappikello
ellauri051.html on line 885: 303 The bride unrumples her white dress, the minute-hand of the clock moves slowly, 303 Morsian purkaa valkoisen mekkonsa, kellon minuuttiosoitin liikkuu hitaasti,
ellauri051.html on line 1457: 857 They show as the dial or move as the hands of me, I am the clock myself. 857 Ne näkyvät kellotauluna tai liikkuvat minun osoittimina, olen itse kello.
ellauri051.html on line 1487: 886 The work commenced about five o'clock and was over by eight. 886 Työ alkoi noin kello viisi ja oli ohi kahdeksalta.
ellauri051.html on line 1496: 895 At eleven o'clock began the burning of the bodies; 895 Kello 11 alkoi ruumiiden polttaminen;
ellauri051.html on line 1510: 908 Ten o'clock at night, the full moon well up, our leaks on the gain, and five feet of water reported, 908 Kymmenen yöllä, täysikuu nousi, vuotomme noususta ja viisi jalkaa vettä raportoitu,
ellauri051.html on line 1748: 1137 The clock indicates the moment -- but what does eternity indicate? 1137 Kello näyttää hetken – mutta mitä ikuisuus osoittaa?
ellauri082.html on line 52: He was crazy as a cuckoo clock.
ellauri093.html on line 182: Wingate was known for various eccentricities. For instance, he often wore an alarm clock around his wrist, which would go off at times, and had raw onions and garlic on a string around his neck, which he would occasionally bite into as a snack (the reason he used to give for this was to ward off mosquitoes). He often went about without clothing. In Palestine, recruits were used to having him come out of the shower to give them orders, wearing nothing but a shower cap, and continuing to scrub himself with a shower brush. Sometimes Wingate would eat only grapes and onions.
ellauri100.html on line 393: Js tend to establish deadlines and take them seriously, expecting others to do the same. Ps may tend more to look upon deadlines as mere alarm clocks which buzz at a given time, easily turned off or ignored while one catch an extra forty winks, almost as if the deadline were used more as a signal to start than to complete a project.
ellauri102.html on line 77: Soon as three o'clock rolls around
ellauri108.html on line 158: Rastas typically smoke cannabis in the form of a large, hand-rolled cigarette known as a spliff. This is often rolled together while a prayer is offered to Jah; the spliff is lit and smoked only when the prayer is completed. At other times, cannabis is smoked in a water pipe referred to as a "chalice": styles include kutchies, chillums, and steamers. The pipe is passed in a counter-clockwise direction around the assembled circle of Rastas.
ellauri133.html on line 77: Alarm clock. Possibly the worst opening of all: “I groaned as the alarm went off. Oh no, I’m late, I thought to myself. I got up, and put on my blue denims, and my cute pink top...” Never miss an opportunity for random misogyny! Anyway, look at the beginnings of world lit classics. You would have ended up mutilating most of them, turning them to more episodes of Paw Patrol.
ellauri147.html on line 135: joka syvyyden yli lakkaamatta valoa säteilee. It should have round the clock lighting over your abyss.
ellauri196.html on line 210: Stop all the clocks, cut off the telephone! Pysäyttäkää kellot, hiljentäkää kännykät!
ellauri196.html on line 211: Stop all the clocks, cut off the telephone, Pysäyttäkää kellot, hiljentäkää kännykät,
ellauri222.html on line 761: Though in some ways separated from American society, Bellow's protagonists also strongly connect their identity with America. Augie begins his adventures by claiming, "I am an American, Chicago born—Chicago, that somber city." Almost all of Bellow's novels take place in an American city, most often Chicago or New York. Through his depiction of urban reality, Bellow anchors his novels in the actual world, and he uses the city as his central metaphor for contemporary materialism. Although recognizing the importance of history and memory, Bellow's novels maintain a constant engagement with the present moment. His characters move in the real world, confronting sensuous images of urban chaos and clutter that often threaten to overwhelm them. Looking down on the Hudson River, Tommy Wilhelm sees "tugs with matted beards of cordage" and "the red bones of new apartments rising on the bluffs." Sammler denounces contemporary New Yorkers for the "free ways of barbarism" that they practice beneath the guise of "civilized order, property rights [and] refined technological organization." In Humboldt's Gift, which is replete with images of cannibalism and vampirism, Charlie Citrone sees Von Trenck, the source of his material success, as "the blood-scent that attracted the sharks of Chicago." Acknowledging the influence of the city on his fiction, Bellow himself has remarked, "I don't know how I could possibly separate my knowledge of life such as it is, from the city. I could no more tell you how deeply it's gotten into my bones than the lady who paints radium dials in the clock factory can tell you." However, although the city serves to identify the deterministic social pressures that threaten to destroy civilization, Bellow's heroes refuse to become its victims and instead draw on their latent nondeterministic resources of vitality to reassert their uniquely American belief in individual freedom, as well as their faith in the possibility of community.
ellauri226.html on line 102: end of the journey. Tt is past four o’clock.
ellauri244.html on line 618: 46 years his junior. They divorced 1977, when he was 86 and she 40. Maybe Hoki's biological alarm clock went.
ellauri270.html on line 311: The morning of June 27th is a sunny, summer day with blooming flowers and green grass. In an unnamed village, the inhabitants gather in the town square at ten o’clock for an event called “the lottery.” In other towns there are so many people that the lottery must be conducted over two days, but in this village there are only three hundred people, so the lottery will be completed in time for the villagers to return home for noon dinner.
ellauri276.html on line 1020: Now six o´clock boys to breakfast you come, "Nyt kello kuusi pojat aamiaiselle, tulette,
ellauri276.html on line 1035: When four o´clock comes, then up we all rise, Kun kello neljä koittaa, nousemme kaikki ylös,
ellauri276.html on line 1040: Then six o´clock comes, at breakfast we meet, Sitten tulee kello kuusi, aamiaisella tapaamme,
ellauri276.html on line 1061: “It´s past two o´clock, boys; it´s time to unyoke. "Kello on yli kaksi, pojat; on aika purkaa.
ellauri276.html on line 1106: So when four o´clock comes, boys, then up we do rise Joten kun kello neljä tulee, pojat, nousemme ylös
ellauri276.html on line 1111: At six o'clock then our breakfast we seek; Klo kuusi sitten etsimme aamiaisemme;
ellauri276.html on line 1129: “Oh, it's past two o'clock, boys, it's time to unyoke.” "Oi, kello on yli kaksi, pojat, on aika päästää ikeestä."
ellauri276.html on line 1144: Then when four o'clock comes, boys, and up we will rise, Sitten kun kello neljä koittaa, pojat ja ylös me nousemme,
ellauri276.html on line 1149: Then when six o'clock comes, boys, at breakfast we meet, Sitten kun kello kuusi tulee, pojat, tapaamme aamiaisella,
ellauri276.html on line 1154: Then when seven o'clock comes, boys, and out we will go Sitten kun kello tulee seitsemän, pojat, me lähdemme
ellauri276.html on line 1171: “It's past four o'clock, boys; it's time to unyoke. "Kello on yli neljä, pojat; on aika purkaa.
ellauri276.html on line 1185: When five o'clock comes we merrily rise, Kun kello viisi tulee, nousemme iloisesti,
ellauri276.html on line 1190: When six o'clock comes, to breakfast we meet, Kun kello kuusi koittaa, tapaamme aamiaisella.
ellauri276.html on line 1211: “It's past three o'clock, boys; it's time to unyoke "Kello on yli kolme, pojat; on aika irrottaa
ellauri276.html on line 1225: When five o'clock comes to the stable we're away. Kun kello viisi tulee tallille, olemme poissa.
ellauri276.html on line 1230: When six o'clock comes then our breakfast we meet, Kun kello kuusi tulee, tapaamme aamiaisemme.
ellauri276.html on line 1235: When seven o'clock comes to the fields brave and bold, Kun kello seitsemän tulee pelloille rohkea ja rohkea,
ellauri276.html on line 1251: “It's past two o'clock, boys and it's time to unyoke. "Kello on yli kaksi, pojat ja on aika purkaa ikeet.
ellauri285.html on line 370: Silk hose with clocks of scarlet ; Silkkihousut punasella vuoratut,
xxx/ellauri179.html on line 382: Papa looked at the clock. He had waited half an hour for Nick Adams to arrive and the clock read two.
xxx/ellauri179.html on line 478: “Meet here tomorrow. Ten o'clock.”
xxx/ellauri179.html on line 803: It is the close of a busy and vexatious day—say half past five or six o´clock of a winter afternoon. I have had a cocktail or two, and am stretched out on a divan in front of a fire, smoking. At the edge of the divan, close enough for me to reach her with my hands, sits a woman not too young, but still good-looking and well dressed—above all, a woman with a soft, low-pitched, agreeable voice. As I snooze she talks—of anything, everything, all the things that women talk of: books, music, the play, men, other women. No politics. No business. No religion. No metaphysics. Nothing challenging and vexatious—but remember, she is intelligent; what she says is clearly expressed... Gradually I fall asleep—but only for an instant... then to sleep again—slowly and charmingly down that slippery hill of dreams. And then awake again, and then asleep again, and so on. I ask you seriously: could anything be more unutterably beautiful?
xxx/ellauri199.html on line 193: Hiski! 29 year old aspiring house plant. Currently residing in Texas with my darling fiancé and precious cats. My style is varied. You’ll find everything from odes to nature (especially flowers and the moon) to dark poetry about mental illness to mindless ramblings about bananas and clocks. I hope you enjoy it.
xxx/ellauri199.html on line 964: Holy time in eternity holy eternity in time holy the clocks in space holy the fourth dimension holy the fifth International holy the Angel in Moloch!
xxx/ellauri354.html on line 370: All sundial mottos are sad like that. The earliest sundials, from Ancient Egypt to China to Europe, were often marked with dedications to god(s), patrons, and/or the craftsmen who made them. In the 1500s sundials began bearing mottos relating to time—its passage, the limited quantities allotted, how it should be spent, or as a brief memento mori to the reader to stop looking at the sundial and get on with their life. Sundials represent a willful, anachronistic affectation in a world that has begun to dispense with clocks and watches.
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