ellauri098.html on line 300: Tropes are not the same thing as cliches. They may be brand new but seem trite and hackneyed; they may be thousands of years old but seem fresh and new. They are not bad, they are not good; tropes are tools that the creator of a work of art uses to express their ideas to the audience. It's pretty much impossible to create a story without tropes.
ellauri133.html on line 80:

Before you scream that your reader won’t understand without a lot of explanation of what is going on, remember that this is the generation that watched the Matrix and Inception. Your reader is smart and will understand what is happening. Spending forty pages explaining the unnecessary is insulting to your reader. You call it smart to know all the tv cliches by heart? The XYZ generations, force fed with tv cliches from the cradle, are arguably the worst class retards so far in world history.


ellauri171.html on line 1086: After a sly middle, the third act is just slasher-flick cliches; worse, it largely keeps Tamara offscreen. Villainy shouldn't be outsourced.
ellauri196.html on line 900: Elfriede Jelinek, an Austrian Jew, won the Nobel in Literature in 2004. According to the committee, she got it for revealing the absurdity of society´s cliches and their subjugating power. Take that, society´s cliches! One Swedish Academy member wasn´t exactly a fan. He quit in a fit, claiming that Jelinek´s writing is "whining, unenjoyable public pornography". Bet if it had been enjoyable private pornography, then his stance would have been different.
xxx/ellauri127.html on line 138: Plenty of monsters make great art, and many of their names emblazon lists of Nobelists, poet laureates, and so. And there is no doubt that Nabokov created great art, in two languages, like Joseph Conrad, whom he predictably disdained. (“A collection of glorified cliches.”) His achievements speak volumes. If only he hadn’t been such a jerk.
xxx/ellauri193.html on line 557: Nadine's problem is that she states platitudes in artistic terms. She even goes to say they are the most reliable truths of all. Fair enough, but they are no less cliches even so. Nadine saarnaa kuin leipääntynyt pastori: nain on meidankin elamassamme.
xxx/ellauri441.html on line 345: When US President Donald Trump said “Islam hates us,” it was Bernard Lewis speaking. When Trump’s first National Security Adviser Michael Flynn said “Islam is… like cancer,” it was Bernard Lewis speaking.  Bernard Lewis was hated by the global left, adored by the right-wing Zionists. Lewis was always on the wrong side of history, blinded by his hatred, animated by the most racist cliches in the trade. His reaction to the rise of Arab revolutions in 2011 is the perfect example of who Bernard Lewis was and how he thought. “Another thing is the sexual aspect of it,” he opined at the commencement of Arab revolutions, “One has to remember that in the Muslim world, casual sex, Western-style, doesn’t exist. If a young man wants sex, there are only two possibilities – marriage and the brothel. You have these vast numbers of young men growing up without the money, either for the brothel or the bride price, with raging sexual desire. On the one hand, it can lead to the suicide bomber, who is attracted by the virgins of paradise – the only ones available to him. On the other hand, sheer frustration. While skinned swine like me can always empty our seed sacks into pay pals for we got sacks full of bucks."
7