ellauri197.html on line 164: He was born on 16 December 1907, the son of John Talbot Clifton and Violet Mary Beauclerk, from a very wealthy family with extensive estates and other property holdings in England and Scotland. He was educated at Downside School and Oxford University. He knew the novelist Evelyn Waugh, having possibly met him at Oxford, and who is thought by some to have used him as a model for the Brideshead Revisited character, Sebastian Flyte, although other sources (e.g. Paula Byrne) attribute the inspiration to Hugh Lygon. Waugh was certainly a guest at the family seat, Lytham Hall, in the 1930s and described the Clifton family as “tearing mad”. Clifton's mother, Violet, believed that much of Brideshead Revisited was about the Clifton family and was furious when it was published.
ellauri197.html on line 647: His father was a well-paid clerk for the Bank of England, earning about £150 per year. Browning's paternal grandfather was a slave owner in Saint Kitts, West Indies, but Browning's father was an abolitionist. Browning's father had been sent to the West Indies to work on a sugar plantation, but due to a slave revolt there, had returned. Browning's mother was the daughter of a German shipowner who had settled in Dundee, Scotland, and his Scottish wife. His paternal grandmother, Margaret Tittle, had inherited a plantation in St Kitts and was rumoured in the family to have a mixed-race ancestry including some Jamaican blood, but author Julia Markus suggests she was Kittitian rather than Jamaican. The evidence is inconclusive. Robert's father, a literary collector, amassed a library of some 6,000 books, many of them rare so that Robert grew up in a household with significant literary resources. His mother, to whom he was close (no tietysti), was a devout nonconformist and a talented musician. His younger sister, Sarianna, also gifted, became her brother's "companion" in his later years, after the death of his wife in 1861. His father encouraged his children's interest in literature and the arts.
ellauri219.html on line 196: His parents divorced before he was 10, and he lived with various relatives over the next decade. His British-born father, Myron (Mickey) Schneider, was a shoe clerk; they saw each other very infrequently. His mother, Sally Marr (legal name Sadie Schneider, born Sadie Kitchenberg), was a stage performer and dancer and had an enormous influence on Bruce's career. He defiantly convinced his ship's medical officer that he was experiencing homosexual urges toward him, leading to his dishonorable discharge in July 1945. However, he had not admitted to or been found guilty of any breach of naval regulations, and successfully applied to change his discharge to "Under Honorable Conditions ... by reason of unsuitability for the naval service". At Hanson's diner Bruce met Joe Anjovis (named by his taste) who had a profound influence on Bruce's approach to comedy.
ellauri222.html on line 359: The foremost theme in The Adventures of Augie March is the search for identity. Unsure of what he wants from life, Augie is pulled along into the schemes of friends and strangers, trying on different identities and learning about the world through jobs ranging from union organizer to eagle trainer to book thief. His path seems random, but as Augie notes, quoting the Greek philosopher Heraclitus, “a man’s character is his fate.” As Augie goes through life, knocking on various doors, these doors of fate open up for him as if by random, but the knocks are unquestionably his own. In the end of the novel, Augie defines his identity as a “Columbus of those near-at-hand,” whose purpose in life is to knock some eggs. Augie notes that “various jobs” are the Rosetta stone, or key, to his entire life. Americans define themselves by their work (having no roots, family or land to stick to), and Augie is a sort of vagabond, trying on different identities as he goes along. Unwilling to limit himself by specializing in any one area, Augie drifts from job to job. He becomes a handbill-distributor, a paperboy, a Woolworth’s stocker, a newsstand clerk, a trinket-seller, a Christmas helper at a department store, a flower delivery boy, a butler, a clerk at fine department stores, a paint salesman, a dog groomer, a book thief, a coal yard worker, a housing inspector, a union organizer, an eagle-trainer, a gambler, a literary researcher, a business machine salesman, a merchant marine, and ultimately an importer-exporter working in wartime Europe. Augie’s job changing is emblematic of the social mobility that is so quintessentially American. Augie is the American Everyman, continually reinventing himself, like Donald Duck. Olemme kaikki oman onnemme Akuja, joopa joo. Yrmf, olet tainnut mainita. You are telling me!
ellauri236.html on line 91: “There’s a lot of fraud,” said Kátia de Lima, 47, a store clerk at a rally for Mr. Bolsonaro this month. “It’s proven.”
ellauri378.html on line 298: Dikkon Eberhart is the son of the Pulitzer Prize-winning former United States Poet Laureate, Richard Eberhart. Dad’s poetic voice gave me a rhythm, a rhyme, and enriched me with poetic references. My poet father molded me as I sought to know our more prosaic Father. I’ve had a few careers: cab driver, gardener, baker, sales clerk, chef, teacher. I’m married to Channa Eberhart—we’ve past 45 years—who is now a partially retired commercial real estate appraiser with a national specialty in Section Eight housing projects. My dad's best poem The Groundhog is reprinted below.
ellauri389.html on line 61: Indeed, the essay not only represents the sales flows that Lamb, in his role as a clerk, tabulated daily, but also it evokes a burgeoning domestic industry that significantly nurtured Coleridge's literary career as well: as is widely known, Coleridge's career as a poet was supported by an annuity he received from the porcelain manufacturers Thomas and Josiah Wedgwood.
ellauri389.html on line 69: Elia sees no inconsistency in the fact that porcelain can be both an exclusive luxury item found at "great houses" and an ordinary household accessory such as his teacup, affirming the empire's newly inclusive economy in which porcelain is inexpensive, and a clerk can live like a king; indeed, Elia foregrounds imperialism's integrative effects on porcelain by intimating that his teacup has become precisely the "cheap luxury" for which Bridget always longs. Indeed, the essay itself is replicated by the visual image on Elia's teacup: the cup's picture of "a young and courtly Mandarin, handing tea to a lady from two miles off' is a miniature, orientalized reflection of Elia's and Bridget's (qua Mary) incestuous tea-time smooching.
ellauri409.html on line 238: I’m a clerk at thirty bob as you can see. Olen 30 markan kirjuri, näethän.
ellauri409.html on line 552: Is there anything left to say about The Waste Land? More ink has been spilt over TS Eliot’s great modernist song of despair (https://www.telegraph.co.uk/books/what-to-read/broken-down-bank-clerk-three-months-margate-ts-eliot-wrote/) than any other poem published in the past hundred years. Its centenary has been marked by the second volume of Robert Crawford’s Eliot biography (https://www.telegraph.co.uk/books/what-to-read/new-biography-makes-ts-eliots-life-seem-unthinkably-grim/), the memoirs of Eliot’s confidante Mary Trevelyan and a life of his muse Emily Hale (https://www.telegraph.co.uk/books/what-to-read/hidden-women-ts-eliots-life/), following not all that long after a biography of his first wife, Vivienne (https://www.telegraph.co.uk/books/what-to-read/fall-sparrow-ann-pasternak-slater-review-tragic-life-ts-eliots/). That’s ignoring the nine volumes of Eliot’s letters (https://www.telegraph.co.uk/books/what-to-read/letters-ts-eliot-vol-8-review-really-necessary/), each a convenient size to club a man to death with.
xxx/ellauri075.html on line 387:
"Kâtibim" ("my clerk"), or "Üsküdar'a Gider İken" ("while going to Üsküdar") is a Turkish folk song about someone's clerk (kâtip) as they travel to Üsküdar. The tune is a famous Istanbul türkü, which is spread beyond Turkey in many countries, especially in the Balkans.
xxx/ellauri075.html on line 410:
My clerk's frock coat is long, with its skirt muddied.
xxx/ellauri075.html on line 411: It seems the clerk just woke up, his eyes are languid.
xxx/ellauri075.html on line 412: - The clerk belongs to me, I belong to the clerk, what is it to others?
xxx/ellauri075.html on line 413: - How handsome my clerk looks with starched shirts!
xxx/ellauri075.html on line 416: As I was looking for my clerk, I found him next to me.
xxx/ellauri075.html on line 417: - The clerk belongs to me, I belong to the clerk, what is it to others?
xxx/ellauri075.html on line 418: - How handsome my clerk looks with starched shirts!
xxx/ellauri125.html on line 107: Reader, I married him. A quiet wedding we had: he and I, the parson and clerk, were alone present. When we got back from church, I went into the kitchen of the manor-house, where Mary was cooking the dinner and John cleaning the knives, and I said—
xxx/ellauri127.html on line 522: Like Bassanio, he is willing to prefer Antonio’s life to his newly-acquired wife’s. The law-clerk manages to convince him to give his wedding ring as a gift of thanks in return, which leads to some problems on his return to Belmont, as he had sworn to Nerissa that he would never remove it. He gives away that Bassanio has done much the same.
xxx/ellauri127.html on line 524: On it being revealed that Nerissa and the clerk were one and the same, he is much relieved to discover that he has not in fact been cuckolded, and closes the play on a bawdy pun. Nerissa's ring is the sphincter between her legs.
xxx/ellauri127.html on line 533: That I were couching with the doctor's clerk.
xxx/ellauri186.html on line 143: 
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xxx/ellauri199.html on line 360: Born into slavery at the Lloyd Manor on Long Island, Hammon learned to read and write. In 1761, at the age of nearly 50, Hammon published his first poem, "An Evening Thought: Salvation by Christ with Penitential Cries." Se oli aika mitäänsanomaton. He was the first African-American poet published in North America. Also a well-known and well-respected preacher and clerk-bookkeeper, he gained wide circulation of his poems about slavery. As a devoted Christian evangelist, Hammon used biblical fundamentalism to criticize the institution of slavery.
xxx/ellauri228.html on line 343: Andrei´s paternal grandfather Aleksandr Karlovich Tarkovsky (in Polish: Aleksander Karol Tarkowski) was a Polish nobleman who worked as a bank clerk. His wife Maria Danilovna Rachkovskaya was a Romanian language teacher who arrived from Iași. Andrei´s maternal grandmother Vera Nikolayevna Vishnyakova (née Dubasova) belonged to an old Dubasov family of Russian nobility that traces its history back to the 17th century; among her relatives was Admiral Fyodor Dubasov, a fact she had to conceal during the Soviet days. She was married to Ivan Ivanovich Vishnyakov, a native of the Kaluga Governorate who studied law at the Moscow State University and served as a judge in Kozelsk.
xxx/ellauri235.html on line 857: In March 1920, the ICC had Eben Moody Boynton, the inventor of the Boynton Bicycle Railroad, committed as a lunatic to an asylum in Washington, D.C. Boynton's monorail electric light rail system, it was reported, had the potential to revolutionize transportation, superseding then-current train travel. ICC officials said that they had Boynton committed because he was "worrying them to death" in his promotion of the bicycle railroad. Based on his own testimony and that of a Massachusetts congressman, Boynton won release on May 28, 1920, overcoming testimony of the ICC's chief clerk that Boynton was virtually a daily visitor at ICC offices, seeking Commission adoption of his proposal to revolutionize the railroad industry. CS Forester's bicyclist son John would have applauded Boynton's invention.
xxx/ellauri250.html on line 573: By 1960, Bukowski had returned to the post office in Los Angeles siistissä sisätyössä as a letter sorting clerk, a position he held for more than a decade. In 1962, he was distraught over the death of Jane Cooney Baker, his first serious girlfriend. Im Januar 1962 starb Bukowskis frühere Lebensgefährtin Jane Cooney Baker, laut Bukowski infolge ihres übermäßigen Alkoholkonsums. Bukowski turned his inner devastation into a series of poems and stories lamenting her death. 1962 brachte die Literaturzeitschrift The Outsider eine Sonderausgabe über Bukowski und verlieh ihm den Titel „Outsider of the Year“. He had finally found his way inside.
xxx/ellauri261.html on line 438: Cornelius Hackl: Vandergelder's chief clerk who yearns for one exciting day in New York City. Energetic, enthusiastic, and adventurous young man who has a sweet innocence about him.
xxx/ellauri261.html on line 460: Horace explains to his two clerks, Cornelius Hackl and Barnaby Tucker, that he is going to get married because "It Takes a Woman" to cheerfully do all the household chores. He plans to travel with Dolly to New York City to march in the Fourteenth Street Association Parade and propose to the widow Irene Molloy, who owns a hat shop there. Dolly arrives in Yonkers and "accidentally" mentions that Irene's first husband might not have died of natural causes, and also mentions that she knows an heiress, Ernestina Money, who may be interested in Horace. Horace leaves for New York and leaves Cornelius and Barnaby to run the store.
xxx/ellauri261.html on line 464: Irene and Minnie open their hat shop for the afternoon. Irene wants a husband, but does not love Horace Vandergelder. She declares that she will wear an elaborate hat to impress a gentleman ("Ribbons Down My Back"). Cornelius and Barnaby arrive at the shop and pretend to be rich. Horace and Dolly arrive at the shop, and Cornelius and Barnaby hide from him. Irene inadvertently mentions that she knows Cornelius Hackl, and Dolly tells her and Horace that even though Cornelius is Horace's clerk by day, he's a New York playboy by night; he's one of the Hackls. Minnie screams when she finds Cornelius hiding in the armoire. Horace is about to open the armoire himself, but Dolly, Irene and Minnie distract him with patriotic sentiments related to subjects like Betsy Ross and The Battle of the Alamo shown in the famous lyrics "Alamo, remember the Alamo!" ("Motherhood March"). Cornelius sneezes, and Horace storms out, realizing there are men hiding in the shop, but not knowing they are his clerks.
xxx/ellauri261.html on line 476: Directed by Gene Kelly and written and produced by Ernest Lehman, the film stars Barbra Streisand, Walter Matthau, Michael Crawford, Danny Lockin, Tommy Tune, Fritz Feld, Marianne McAndrew, E. J. Peaker and Louis Armstrong (whose recording of the title tune had become a number-one single in May 1964). The film follows the story of Dolly Levi, a strong-willed matchmaker who travels to Yonkers, New York in order to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder. In doing so, she convinces his niece, his niece's intended and Horace's two clerks to travel to New York.
xxx/ellauri261.html on line 515: In 1890, all of New York City is excited because the well-known widowed matchmaker Dolly Levi is in town. Dolly is currently seeking a wife for grumpy Horace Vandergelder, the well-known "half-a-millionaire", but it soon becomes clear that she intends to marry Horace herself. Meanwhile, Ambrose Kemper, a young artist, wants to marry Horace's niece, Ermengarde. However, Horace opposes this, feeling Ambrose cannot provide financial security. Horace, who is the owner of Vandergelder's Hay and Feed, explains to his two clerks, Cornelius Hackl and Barnaby Tucker, that he is going to get married, though what he really wants is a housekeeper. He plans to travel to New York that very day to march in the 14th Street Parade, and also to propose to milliner Irene Molloy, whom he has met through Dolly Levi. Dolly arrives in Yonkers and sends Horace ahead to the city. Before leaving, he tells Cornelius and Barnaby to mind the store.
xxx/ellauri261.html on line 519: In New York, Irene and Minnie open their hat shop for the afternoon. Irene does not love Horace Vandergelder, but knows that the marriage will provide her with financial security and an escape from her boring job. However, Irene hopes to escape her loveless marriage, and plans to try and find real love before the summer is over. Cornelius and Barnaby arrive at the shop and pretend to be rich- Irene seems to take to Cornelius immediately. Horace and Dolly arrive, and Cornelius and Barnaby hide. Minnie screams when she finds Cornelius hiding in an armoire. Horace is about to open the armoire himself, but Dolly "searches" it and pronounces it empty. After hearing Cornelius sneeze, Horace storms out upon realizing there are men hiding in the shop, although he is unaware that they are his clerks. Dolly arranges for Cornelius and Barnaby, who are still pretending to be rich, to take the ladies out to dinner at Harmonia Gardens to make up for their humiliation. Dolly briefly tries to teach Cornelius and Barnaby to dance, which leads to the whole town dancing in the local park.
xxx/ellauri261.html on line 521: The clerks and the ladies go to watch the Fourteenth Street Association Parade together. Alone, Dolly asks her first husband Ephram´s permission to marry Horace, requesting a sign. She resolves to move on with life. After meeting an old friend, Gussie Granger, on a float in the parade, Dolly catches up with the annoyed Vandergelder as he is marching in the parade. She tells him the heiress Ernestina Simple would be perfect for him and asks him to meet her at Harmonia Gardens that evening.
xxx/ellauri261.html on line 523: Cornelius is determined to get a kiss before the night is over. Since the clerks have no money to hire a carriage, they tell the girls that walking to the restaurant is more stylish. In a quiet flat, Dolly prepares for the evening. At the Harmonia Gardens Restaurant, Rudolph, the head waiter, whips his crew into shape for Dolly Levi´s return. Horace arrives to meet his date, who is really Dolly´s friend Gussie. As it turns out, she is not rich or elegant as Dolly implied, and she soon leaves after being bored by Horace, just as she and Dolly planned.
xxx/ellauri304.html on line 517: Sometimes though they might do a little more. They won’t steal the real action but they set the mood, they add humor, they make the setting more believable. You can do this by making placeholders eccentric or obsessive. I read analysis once of an old flick called Beverly Hills Cop. It featured a clerk in an art gallery. He was effeminate. By itself, that’s not unusual. But he had a Jewish accent, and that was unusual because Jews weren’t generally treated as queens in Hollywood — it teems with them (although today H’wood can say anything it wants about Jews, even Christians. You can tell this was an old movie.) What that character did however in the film was to help make Detroit cop Eddie Murphy, the negro comedian, feel even more alien in L.A. than he otherwise would have.
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