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class="toc" style="font-family:sans-serif;color:red;background:yellow;font-size:4em;text-align:center;margin-top:0%;font-style:italic;margin-bottom:0%">Melskeitten miehen muistelmat

{span style="color:white;background-color:gold"}2019{/span} Lapsuus


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class="julkkis">Lordi Byronin saatesanat


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The great majority (85-90%) of early classical Arabic poetry

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class="toc" style="font-family:sans-serif;color:red;background:yellow;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">KAUNOKAINEN JA KUOLEMA

Nuoruus


ellauri002.html on line 70: John Dowland (1563 – 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe" and "In darkness let me dwell", but his instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.
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class="toc" style="font-family:sans-serif;background:yellow;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">MAZETAN 3 KULTARAHAA

Aikuisuus


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class="toc" style="font-family:sans-serif;color:red;background:yellow;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">LEUKAVASTI LAUKAISTUA

Dantea


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class="toc" style="font-family:sans-serif;color:red;background:yellow;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">TYTTÖ JA JÄLKIRUOKA

Miltonia


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class="toc" style="font-family:sans-serif;color:red;background:yellow;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">GANGSTERIKUNINGAS

Psalttaria


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ellauri006.html on line 1766: "The Little Drummer Boy" (originally known as "Carol of the Drum") is a popular Christmas song written by the American classical music composer and teacher Katherine Kennicott Davis in 1941 based upon a traditional Czech song, Tluče bubeníček. First recorded in 1951 by the Trapp Family Singers, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years and the song has been recorded many times since.
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class="toc" style="font-family:sans-serif;background:yellow;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">KAPINAKENRAALIN TIMANTIT

Lyriikkaa


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class="toc" style="font-family:sans-serif;color:red;background:yellow;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">KARAVAANI KULKEE

Haukuntaa


ellauri008.html on line 818: In March 1896 Conrad married an Englishwoman, Jessie George. The couple had two sons, Borys and John. The elder, Borys, proved a disappointment in scholarship and integrity. Jessie was an unsophisticated, working-class girl, sixteen years younger than Conrad. To his friends, she was an inexplicable choice of wife, and the subject of some rather disparaging and unkind remarks. (See Lady Ottoline Morrell's opinion of Jessie in Impressions.)
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    class="toc" style="font-family:sans-serif;color:red;background:yellow;font-size:5em;text-align:center;margin-top:0%;font-style:italic;margin-bottom:0%">LÄNNEN LAKI

    Moraalia


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    class="toc" style="font-family:sans-serif;color:red;background:yellow;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">VERTA JA KULTAA

    Mystikkaa


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    class="toc" style="font-family:sans-serif;color:red;background:yellow;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">EI NAISELTA KUNNIASANAA

    Miesasiaa


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    class="toc" style="font-family:sans-serif;color:red;background:yellow;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">ANDALUSIAN SINISUKKA

    Rousseauta


    ellauri014.html on line 79: The Tirukkural (திருக்குறள், literally Sacred Verses), or shortly the Kural, is a classic Tamil language text consisting of 1,330 couplets or Kurals.
    ellauri014.html on line 89: Pamela; or, Virtue Rewarded is an epistolary novel by English writer Samuel Richardson, a novel which was first published in 1740. It tells the story of a 16-year-old maidservant named Pamela Andrews, whose employer, Mr. B, a wealthy landowner, makes unwanted and inappropriate advances towards her after the death of his mother. Pamela strives to reconcile her strong religious training with her desire for the approval of her employer in a series of letters and, later, journal entries, addressed to her impoverished parents. After various unsuccessful attempts at seduction, a series of sexual assaults, and an extended period of kidnapping, the rakish Mr. B eventually reforms and makes Pamela a sincere proposal of marriage. In the novel's second part, Pamela marries Mr. B and tries to acclimatize to her new position in upper-class society. The full title, Pamela; or, Virtue Rewarded, makes plain Richardson's moral purpose. A best-seller of its time, Pamela was widely read but was also criticized for its perceived licentiousness and disregard for class barriers.
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    class="toc" style="font-family:sans-serif;color:red;background:yellow;font-size:3em;text-align:center;margin-top:0%;font-style:italic;margin-bottom:0%">KONNAT KUKKIVAT HIRSIPUUSSA

    Estetiikkaa


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    class="toc" style="font-family:sans-serif;color:white;background:black;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">LLEGAN LOS COJONES

    Keljuilua


    ellauri016.html on line 481: A person belonging to the lower classes of society; one having no pretensions to rank or gentility. 1852
    ellauri016.html on line 494: Snob also refers to a person who feels superiority over those from lower social classes, education levels, or other social areas.
    ellauri016.html on line 552: Snobbery surfaced more strongly as the structure of the society changed, and the bourgeoisie had the possibility to imitate aristocracy.[citation needed] Snobbery appears when elements of culture are perceived as belonging to an aristocracy or elite, and some people (the snobs) feel that the mere adoption of the fashion and tastes of the elite or aristocracy is sufficient to include someone in the elites, upper classes or aristocracy.[citation needed]
    ellauri016.html on line 554: However, a form of snobbery can be adopted by someone not a part of that group; a pseudo-intellectual, a celebrity worshipper, and a poor person idolizing money and the rich are types of snobs who do not base their snobbery on their personal attributes.[citation needed] Such a snob idolizes and imitates, if possible, the manners, worldview, and lifestyle of a classification of people to which they aspire, but do not belong, and to which they may never belong (wealthy, famous, intellectual, beautiful, etc.).[citation needed]
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    class="toc" style="font-family:sans-serif;color:black;background:red;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Pellon sulttaani

    Paasausta


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    class="toc" style="font-family:sans-serif;background:#d21e42;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Varokaa heikkoja päitä

    Semantiikkaa


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    class="toc" style="font-family:sans-serif;color:blue;background:black;font-size:4em;text-align:center;margin-top:0%;font-style:italic;margin-bottom:0%">HITON HIENO SAVOTTA

    Sanasotaa


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    class="toc" style="font-family:sans-serif;color:red;background:#facc2e;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">Min favoritdag

    {span style="color:white;background-color:blue"}2020{/span} Saippuaa


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    class="toc" style="font-family:sans-serif;color:white;background:#14315d;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">CARLSON PUUTTUU PELIIN

    Epigrammeja


    ellauri021.html on line 394: Shakespearessakin Englannin Harry-kuninkaat oli hiton hölmöjä. Upperclass twits competing in their own series.
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    class="toc" style="font-family:sans-serif;color:white;background:red;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">Pikku naisia

    Naisasiaa


    ellauri022.html on line 380: And in these classic shades
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    class="toc" style="font-family:sans-serif;color:black;background:grey;font-size:8em;text-align:leftr;margin-top:0%;margin-bottom:0%">OLLIN
    kurjuus

    Kertomuxia


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    class="toc" style="font-family:sans-serif;color:white;background:black;font-size:5em;text-align:left;margin-top:0%;margin-bottom:0%">MISTÄ VOI LÖYTÄÄ VASTAUXIA?

    Vastauxia


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    class="toc" style="font-family:sans-serif;color:red;background:#75912b;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">16 sivua POLLEA!

    Novelleja


    ellauri025.html on line 694: Saga-Lillin ex-hammaslääkäriperheenäiti mahtailee kuin Lillan Rehn. Se lukee sentään upper middleclass romskuja, kuten Karen Blixen, eikä lower middle class
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    class="toc" style="font-family:sans-serif;color:yellow;background:black;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">PUNAVYÖN VANHAT YSTÄVÄT

    Hyötykirjoja


    ellauri026.html on line 455: His activity took many forms; but he was always, whether through classical treatise or encyclopædic collection or satirical dialogue or direct moral appeal—always and everywhere, the preacher of righteousness. His successes were invariably along this line. His failures were caused by his incapacity to perceive at what moment the mere appeal to the moral sense was no longer adequate.
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    class=about_content>
    class=cloud>class="cloud7">absolute class="cloud6">accept class="cloud7">alleged class="cloud8">ancient class="cloud3">appeal class="cloud7">attitude class="cloud7">authority class="cloud0">Christian class="cloud4">Christian theology class="cloud1">Church class="cloud8">claim class="cloud8">clear class="cloud7">common class="cloud9">conceived class="cloud8">conception class="cloud8">conflict class="cloud4">Congregationalism class="cloud5">conscience class="cloud7">conscious class="cloud4">continuous revelation class="cloud9">death class="cloud7">declared class="cloud6">definition class="cloud3">Deity class="cloud9">demand class="cloud8">desire class="cloud7">divine ideal class="cloud4">doctrine class="cloud0">dualism class="cloud8">earth class="cloud7">earthly class="cloud8">elements class="cloud9">enlightened class="cloud3">esotericism class="cloud6">essential class="cloud5">evil class="cloud9">experience class="cloud5">expression class="cloud7">fact class="cloud5">faith class="cloud6">feeling class="cloud5">forms class="cloud8">give class="cloud4">Gnostics class="cloud5">harmony class="cloud9">heart class="cloud1">Hebrew class="cloud6">highest class="cloud9">honest class="cloud3">human nature class="cloud2">idea class="cloud9">imagine class="cloud3">individual class="cloud6">inspiration class="cloud6">instinct class="cloud1">Jesus class="cloud3">lative class="cloud7">living class="cloud8">man's class="cloud3">Manicheism class="cloud7">mankind class="cloud7">matter class="cloud6">means class="cloud7">ment class="cloud4">mind class="cloud1">miracle class="cloud3">Montanism class="cloud4">Montanistic class="cloud7">moral class="cloud4">natural law class="cloud8">needs class="cloud9">never class="cloud5">notion class="cloud4">occult class="cloud8">once class="cloud9">organization class="cloud9">ourselves class="cloud2">Pelagian class="cloud8">perfect class="cloud4">philosophers class="cloud0">polytheism class="cloud2">polytheistic class="cloud8">possible class="cloud8">precisely class="cloud9">priesthoods class="cloud7">principle class="cloud7">prophet class="cloud7">Protestant class="cloud3">Protestant Reformation class="cloud5">race class="cloud7">rational class="cloud6">redemption class="cloud9">Reformation class="cloud9">reject class="cloud7">relation class="cloud4">religion class="cloud2">religious class="cloud5">revelation class="cloud3">sacramental class="cloud9">scheme class="cloud5">seems class="cloud7">sense class="cloud4">soul class="cloud0">spirit class="cloud6">struggle class="cloud5">tarian class="cloud8">teaching class="cloud8">theologians class="cloud5">theology class="cloud2">things class="cloud3">tion class="cloud8">tradition class="cloud6">true class="cloud4">truth class="cloud9">Unitarian believes class="cloud9">Unitarian finds class="cloud3">Unitarian thought class="cloud3">unity class="cloud6">universe class="cloud3">vidual class="cloud2">virgin birth class="cloud7">whole class="cloud4">word class="cloud5">worship

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    class="toc" style="font-family:sans-serif;color:white;background:#a2b3bd;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">Nuoruuteni vuosina

    Nostalgiaa


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    class="toc" style="font-family:sans-serif;color:blacke;background:yellow;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">ÖÖ MITÄ TARKOITAT

    Huuhaata


    ellauri029.html on line 396: Reference class forecasting
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    class="toc" style="font-family:sans-serif;color:#8b8390;background:#1b242d;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">NOT SURE IF HOMELESS

    Vanhuudesta


    ellauri030.html on line 921: For example, characters in a working-class family may banter back and forth about paying bills or finding a more respected or higher-paying job. The delivery of dialog may come across as funny for an audience who believes the humor comes from the antagonistic relationship between the two characters. But the real hostile nature of the joke involves class and economic issues that are otherwise not funny.
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    class="toc" style="font-family:sans-serif;color:black;background:#a4a4a4;font-size:8em;font-style:italic;text-align:center;margin-top:0%;margin-bottom:0%">En yrhätta

    Yrsel


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    class="toc" style="font-family:sans-serif;color:black;background:#a4a4a4;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">Supikoira

    Hajuviestejä


    ellauri032.html on line 629: Samuel Beckett oli ranskalaistunut irkku irlantilaistuneesta anglikaanisesta hugenottisuvusta. Syntyi pitkänäperjantaina 13.4.1909, samana vuonna kuin Kaarlo Syväntö ja Heikki Brotherus. Samana päivänä kuin Jöns mutta eri vuonna. Sporttinen kriketinpelaaja toteutti Paul Austerin märän unen olemalla 1st class cricket player ja nobelisti samassa naamarissa. (Persona on naamari, muistattehan.) Se oli viimeinen modernisti, sen jälkeen oli enää post. Siinä on jotain samaa kuin Camusissa, muttei kuitenkaan. Existentialisti se ei ole ainakaan. Eikä mikään posetiivari. Enemmänkin sellanen "tilanne on toivoton muttei vakava." Hyvä tyyppi siis siinä suhteessa.
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    class="toc" style="font-family:sans-serif;color:white;background:#4a1a10;font-size:8em;text-align:center;margin-top:0%;margin-bottom:0%">VIVE LA DISCIPLINE

    Ilkikuria


    ellauri033.html on line 253: n´allons pas dire, avec le roi classique : « Otez-moi de là ces magots
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    class="toc" style="font-family:sans-serif;color:black;background:#d8d7b8;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">kukin kuolee izexeen

    Yxinpuhelua


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    class="toc" style="font-family:sans-serif;color:#efaf43;background:#5b1515;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">Kaunapahkasika

    Exotiikkaa


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    class="toc" style="font-family:sans-serif;color:black;background:#eefcef;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">TÄNÄÄN EI MIKÄÄN VOI MENNÄ PIELEEN

    Mussutusta


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    class="toc" style="font-family:sans-serif;color:black;background:#97989c;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Klassiker fyller sjuttio

    Memorabilia


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    class="toc" style="font-family:sans-serif;color:black;background:white;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">The Walrus and the Carpenter

    Yli-inhimillistä


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    class="toc" style="font-family:sans-serif;color:black;background:#e0e2e1;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">𝔐𝔞𝔵 𝔲𝔫𝔡 𝔐𝔬𝔯𝔦𝔱𝔷

    Käytännön piloja


    ellauri039.html on line 425: 1.3 Students work in groups and present ideas & pictures they've drawn to class.

    ellauri039.html on line 768: Edward Morgan Forster OM CH (1 January 1879 – 7 June 1970) was an English novelist, short story writer, essayist and librettist. Many of his novels examine class difference and hypocrisy, including A Room with a View (1908), Howards End (1910) and A Passage to India (1924). The last brought him his greatest success. He was nominated for the Nobel Prize in Literature in 16 different years.
    ellauri039.html on line 772: The story revolves around three families in England at the beginning of the 20th century: the Wilcoxes, rich capitalists with a fortune made in the colonies; the half-German Schlegel siblings (Margaret, Helen, and Tibby), whose cultural pursuits have much in common with the Bloomsbury Group; and the Basts, an impoverished young couple from a lower-class background. The idealistic, intelligent Schlegel sisters seek to help the struggling Basts and to rid the Wilcoxes of some of their deep-seated social and economic prejudices.
    ellauri039.html on line 776: The Forsyte Saga, first published under that title in 1922, is a series of three novels and two interludes published between 1906 and 1921 by Nobel Prize–winning English author John Galsworthy. They chronicle the vicissitudes of the leading members of a large, upper-middle-class English family, similar to Galsworthy´s family. Only a few generations removed from their farmer ancestors, the family members are keenly aware of their status as "new money". The main character, Soames Forsyte, sees himself as a "man of property" by virtue of his ability to accumulate material possessions – but this does not succeed in bringing him pleasure.
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    class="toc" style="font-family:sans-serif;color:black;background:#e1b4c8;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Schwarze Parze

    McGarmiwaa


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    class="toc" style="font-family:sans-serif;color:grey;background:orange;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">NORSU LUKEE

    Vaikealukuista


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    class="toc" style="font-family:serif;color:brown;background:white;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">MUINAISAJAN ELÄIMIÄ

    Luonnonnoppia


    ellauri042.html on line 157: on overpopulation. See me after class. ylikansoituxesta. Jäät luokkaan tunnin jälkeen.
    ellauri042.html on line 732: In conclusion, the exact classification of Dostoevsky´s idiocy is pretty clear. Many signs indicate that this famous writer suffered from mesial temporal lobe epilepsy.
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    class="toc" style="font-family:sans-serif;color:white;background:peru;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">ANTTONI PYP PIPO

    Kielilläpuhumista


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    class="western">Gustave
    ellauri043.html on line 138:

    class="western" align="center">{alakuperräinen}
    ellauri043.html on line 140:

    class="western" align="center">

    ellauri043.html on line 142:

    class="western">Anttoni pyp pipo


    ellauri043.html on line 152:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 156:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 158:

    class="western" style="text-indent: 0.35cm;" align="justify">Taas meni päivä! Jokainen päivä on uusi eilinen!!


    ellauri043.html on line 159:

    class="western" style="text-indent: 0.35cm;" align="justify">Vaikka aikaisemmin, en ollut näin huonossa hapessa! Aamuhämärässä aloin jo runoilla; sitten menin suihkuun kellariin - eipäskun joelle vedenhakumatkalle, ja palasin tökeröä polkua leili olkapäällä, hymistellen virsiä. Seuraavaxi musta oli kiva siivota koko mökkerö. Otin työkaluni ja koitin tehdä palmikoista tasakokoisia, ja koreista kevyitä; sillä pikkuhommatkin tuntui silloin niin kivoilta ettei ne maistuneet edes velvollisuudelta.


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    class="western" style="text-indent: 0.35cm;" align="justify">Määräajoin pidin jumppataukoa; venytellessäni käsivarsia musta tuntui kun taivaalta olis kuin suihkukaivosta satanut mun päälle sääliä. No, se kaivo on nyt ehtynyt, nähtävästi. Mix?


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    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">Kyllä mua haukuttiin kun mä lähin kotoa. Äiti meni lysyyn henkihieverissä, sisko (tai vaimo, egyptiläiseen tapaan), viittilöi kauempaa että Teuvo tule heti kotio, ja toinen, se nuorempi itki, Ammonaria, tää teini jonka kanssa mulla oli treffit joka ilta vesisäiliöllä kun se tuli vesipuhveleiden kanssa paimenesta. Se ihan juoxi mun perässä. Sen jalkarenkaat välkähteli tomussa, ja sen lanteilta aukinainen mekko heilui tuulessa. Vanha askeetti, joka tuli mua hakemaan huusi sille rivouxia. 2 kameliamme jatkoi laukassa, enkä mä koskaan nähnyt niistä enää ketään.


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    class="western" style="text-indent: 0.35cm;" align="justify">Ensi alkuun muutin yhden faaraon vuokrapyramidiin. Mutta ne maanalaiset palazit on taiottuja, ne on pimeitä ja tunkkaisia faaraon iänikuisista sikaareista. Ruumisarkun pohjalta kuului valittavaa kuzuääntä; tai sit must yxkax näytti että seinillä oli törkyisiä graffitteja; ja mä lähdin karkuun Punaisen meren rantaan, missä oli raunioinen kaupunki, oisko ollut Ur. Siellä mun seurana oli jenkkisotilaiden näköisiä siiroja, ja korkealla pään päällä lensi korppikotkia kuin Lucky Lukessa.
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    class="western" style="text-indent: 0.35cm;" align="justify">Sitten koitin opiskella vanhan kunnon Didymoxen oppilaana. Vaikka se oli sokea, kukaan ei tullut lähellekkään kirjoitusten ulkoluvussa. Kun tunti oli päättynyt, se halus lähteä kävelylle käsikynkässä. Vein sen panotöyräälle josta näkee majakan ja meren (jos ei ole sokea). Niinpä näkkyy, sano sokkee ja tunnusteli majakkaa. Vartin kuluttua palattiin satamaan jossa kyynärpäili mamua kuin pipoa: suomalaisia karhunnahoissa, Gangesin nakupellejä lehmänpaskakuorrutuxessa. Koko ajan oli kaduilla jotain nujakkaa, jutkuja jotka kieltäytyvät maxamasta veroja tai Odinin poikia heittämässä ulos roomalaisia. Lisäxi kaupunki on väärällään vääräuskoisia: maniakkeja, valentinoja, basiliskoja, areiolaisia. Kaikki tarttuu sua hihasta käännytyxen tarkotuxessa.


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    class="western" style="text-indent: 0.35cm;" align="justify">Niiden sepustuxet käy mulla aina joskus mielessä. Parempi olla miettimättä, se vaan sekottaa.
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    class="western" style="text-indent: 0.35cm;" align="justify">Sain turvapaikan Colzimista, ja kaduin niin kovaa ettei jumalakaan mua pelottanut enää. Jotkut keräänty mun perään kuin Forrest Gumpin juoxulenkillä haluten ankkureixi (eli siis retrettihepuixi). Mä kexin niille hyvät säännöt, ei liikaa gnoosista eikä filosofointia, ihan normipaastoa ja ruoskintaa. Mulle tuli messuja kaikkialta, ja jengiä alkoi lappaa kumikaulailemaan.
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    class="western" style="text-indent: 0.35cm;" align="justify">Mutta muualla rippipappeja kidutettiin, ja mäkin tahoin päästä osille, siis lähdin Alexandriaan. Ikäväxeni vainoaminen oli jo loppunut kolme päivää sitten. Myöhästyin!


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    class="western" style="text-indent: 0.35cm;" align="justify">Kun lähdin kotio, väenpaljous pysäytti mut Serapiin temppeliin edustalla. Tää oli, sanottiin, viimeinen esimerkki jonka kuvernööri järjesti. Porttikonkin keskellä auringonpaisteessa naku nainen oli kiinnitetty pylvääseen, 2 sotilasta ruoski sitä remmeillä. Joka iskulla sen ruumis vääntelehti aika kivasti. Se kääntyi haavi auki - ja väkijoukon läpi, huolimatta sen pitkistä hiuxista jotka peitti osan pyllystä, näkyi riittävästi että olin tunnistavinani Ammonarian tutut posket.
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    class="western" style="text-indent: 0.35cm;" align="justify">Kuiteskin... se oli isompi..., ja kauniimpi..., paljonkin!


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    class="western" style="text-indent: 0.35cm;" align="justify">Ei!
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    class="western" style="text-indent: 0.35cm;" align="justify">Toisen kerran Athanasios kuzui mua apuun areiolaisia vastaan. En lähtenyt. No ei siitä tullut muuta kuin rumia sanoja ja naureskelua. Mutta siitä lähin sitä paneteltin, siltä vietiin tuoli, ja se lähti karkuun. Missähän se on nytte? En tiedä! Kukaan ei välitä enää kertoa mulle mitään! Kaikki mun oppipojat on liesussa, Hilarios muiden mukana!


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    class="western" style="text-indent: 0.35cm;" align="justify">Se ei ollut viittätoistakaan kun se tuli; ja se oli utelias kuin kissa, koko ajan kyseli et kuka teki mitä kenellekin missä milloinkin. Oikee kyselijäjyrki. Sitten se kuunteli hartaana - ja jos mä tarvizin jotakin, se toi sen vikkelästi kuin kilipukki, ja oli niin hauska että patriarkatkin nauroi. Siinä poika mun mielen mukaan!


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    class="western" style="text-indent: 0.35cm;" align="justify">Voi!
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    class="western" style="text-indent: 0.35cm;" align="justify">Miten usein olenkaan kadehtinut myös laivoja, joiden purjeet muistuttavat siipiä, ja varsinkin kun ne kuskaa poies niitä, jotka on käyny mulla kylässä! Kyllä meillä oli sitten mukavaa! Millaista paisuttelua! Kukaan ei ole kiinnostanut mua yhtä paljon kuin Ammon; se kertoi mulle Rooman matkastaan, katakombeista, Colosseumista, julkkisnaisten hellyydestä, ja tuhannesta muusta jutusta!… Ja sit mä en suostunut lähtee messiin! Mix ihmeessä mä izepäisesti jatkan tämmöstä elämää? Mun ois pitänyt jäädä Nitrian munkkilaan, kun ne mua niin pyysivät. Niillä on omakotisellit, ja silti ne seukkaa keskenään. Sunnuntaisin trumpetti kuzuu ne kirkkoon, jossa ne saa kolme martinia, tai ruoskaa jos ne ei tottele, varastelee tai tunkeutuu johkin sopimattomaan, sillä niillä on kuri tapissa.


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    class="western" style="text-indent: 0.35cm;" align="justify">Saa ne eräitä dusöörejäkin. Uskovaiset tuo niille munia, hedelmiä, jopa pinsettejä tikun poistoon jalasta. Pisperin ympärillä on viinitarhoja, Pabanen pojilla on lautta, jolla ne lähtee kerjuulle.


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    class="western" style="text-indent: 0.35cm;" align="justify">Mut kyllä musta olisi ollut enemmän hyötyä veljille jos olisin vaan ollut tavallinen pastori. Saa auttaa köyhiä, jakaa sakramentteja, ja on sananvaltaa perheisiin.


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    class="western" style="text-indent: 0.35cm;" align="justify">Sitäpaizi kaikki maallikot ei joudu helkkariin, eikä mun tarvizisi olla kuin... esim... lingvisti tai filosofi. Mulla olisi kaislapallo, aina tabletteja käsillä, nuoria miehiä ympärillä, ja ovessa roikkuisi logona laakeriseppele.


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    class="western" style="text-indent: 0.35cm;" align="justify">Mutta sellaiset lottovoitot on liian nenäkkäitä! Sotilaana olis parempi. Mä olin ennen vanttera ja kestävä, - olisin jaxanut jännittää katapultin kaapelin, marssia synkissä mezissä, polttaa kypärä päässä savuavia kyliä kuin My Laissa... Mikään ei estäisi mua kokoomillani rahoilla ostaa tullimiehen vakanssin jonkun sillan tullikopissa; ja matkaavaiset kertois mulle tarinoita, ja näyttäisivät mulle kapsäkistään kaikenlaisia jänniä juttuja.


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    class="western" style="text-indent: 0.35cm;" align="justify">Alexandrian kauppiaat purjehtivat juhlapäivinä Kanopoxen jokea ja juovat viiniä lootuskupeista, tampuriinien soidessa kapakoissa joen rannalla! Kauempana kartionmuotoisixi leikatut puut suojelevat rauhaisia farmeja etelätuulelta. Korkean talon katto on ohuiden pylväiden varassa, jotka kohtaavat ylhäällä kuin kirkon yläikkunoiden pokat, ja niistä talon isäntä kotisohvalta näkee kaikki peltonsa, mezästäjät viljassa, viinipuristimen missä tehdään viiniä, härät jotka pui eloa. Sen lapset leikkii pihalla, sen vaimo kumartuu antaaxeen sille muiskun. Voi voi.
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    class="western" style="text-indent: 0.35cm;" align="justify">Ompa se kaunis! Tekis mieli silittää sitä selästä, doucement.


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    class="western" style="text-indent: 0.35cm;" align="justify">Hoojaa. Se lähtee kamujensa perään! Onpa yxinäistä! Onpä TYYYLSÄÄÄÄ.
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    class="western" style="text-indent: 0.35cm;" align="justify">Ompa tosi kivaa taivuttaa tulen ääressä palmukepeistä koukkuja, ja punoa koreja, solmia mattoja, ja sitten vaihtaa niitä kaikkia paimentolaisten kanssa leipään johon hampaat on katketa! Äh! Kurja mä! Eikö tää lopu ikinä! Kuolemakin olisi parempi! Mä en JAKSA enää! There is a limit! Jotain rajaa!
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    class="western" style="text-indent: 0.35cm;" align="justify">Oonks mä vähän heikko, jumalauta! Leuka pystyyn ja ylös!


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    class="western" style="text-indent: 0.35cm;" align="justify">Jos vaikka otettais... Apostolien teot? Joo!... Ihan sama mistä!
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    class="western">«Apt 10:11. 9. TOisna päiwänä/ cosca he matcas olit/ ja Caupungita lähestyit/ meni Petari ylös Salin ullackon rucoileman/ liki cuudetta hetke/ ja cuin hän isois/ tahdoi hän suurusta. 10. Cosca he hänelle walmistit/ tuli hän horroxijn: Ja näki Taiwan auki/ ja alas tulewan tygöns yhden astian nijncuin suuren lijnaisen waatten neliculmaisen/ sidottuna/ joca alaslaskettin Taiwast maan päälle.
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    class="western">«Estherin Kirja
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    class="western" style="text-indent: 0.35cm;" align="justify">Tää on vaan alkua tapettujen lähimmäisten listalle (75.000 kaikkiaan, saman verran kuin coronan tappamia jenkkejä). Mut ne oli niille velkaa niin paljon! Mitä kärsimystä! Sitäpaizi olihan nää jumalan tosi pahoja vastustajia. Kyllä niistä oli varmaan kivaa kostaa, lyödä kuvainpalvojille verilöylyä! Kaupunki varmaan oxensi ruumiita! Niitä oli puutarhapenkeissä, portaissa, semmoisia läjiä huoneissa etteivät ovet kääntyneet... - Kylläpäs mä nyt olenkin murhan- ja verenhimoinen!


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    class="western">«Daniel 2. Lucu 24. SIlloin meni Daniel Ariochin tygö/ jolla Cuningalda käsky oli wijsaita Babelis hucutta/ ja sanoi hänelle näin: Älä tapa wijsaita Babelis/ waan wie minua ylös Cuningan tygö/ minä tahdon Cuningalle selityxen sanoa. 25. Arioch wei Danielin kijrust Cuningan eteen/ ja sanoi hänelle näin: yxi on löytty Judalaisten fangein seast/ joca Cuningalle sen selityxen sano taita. 26. Cuningas wastais/ ja sanoi Danielille/ joca Belsazerixi cudzuttin. Oletco sinä se/ joca minulle sen unen/ jonga minä nähnyt olen/ ja hänen selityxens ilmoitta taidat? 27. DAniel wastais Cuningan
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    class="western" style="text-indent: 0.35cm;" align="justify">Haa!
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    class="western">«39. Lucu.
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    class="western" style="text-indent: 0.35cm;" align="justify">Voin kuvitella… kattoon saakka näkyi kasattuna jalokiviä, timantteja, kultarahoja. Heppu jolla on sellanen rahalaari ei ole mikään tavis. Se ajattelee et se ei ole mikään teppo vaan oman onnensa seppo, niinkuin Kardashianit se on ahertanut tosi kovasti tän eteen, ja kuinka se voi vielä kukistaa muita ja kukoistaa lisää. Rahavarasto on kunkkujen hyvä vararahasto. Viisaimmallakin oli sellainen. Sen laivastot toi sille norsunluuta ja apinoita... missäs se nyt olikaan?


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    class="western" style="text-indent: 0.35cm;" align="justify">Joo!
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    class="western">«1 Kuningk. Kiria
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    class="western" style="text-indent: 0.35cm;" align="justify">Mistähän kohtaa se meinas sitä koetella? Pirukin meinas koetella Jeesusta! Mut jeesus voitti, koska se oli jumalampi, ja Salomo koska sen taikasauva oli kovempi. Taikominen on melkoisen kovaa leikkiä! Niinkuin Gandalf ja Saruman vaikka! Vahva taika sinkoo vastustajan seinään! Iloista tiedettä. Mahdollisen taidetta. Silä maailma - näin sen mulle yx filosofi selitti - on himmeli jossa kaikki riippuu kaikesta kuin elimet ruumiista. Täytyy tuntea veto- ja työntövoimat, luonnollinen rakkaus ja inho eri elinten välillä, ja sitten panna toimexi. ...? Silleen voi kai muuttaa asioiden näennäisen muuttumatonta järjestystä?
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    class="western" style="text-indent: 0.35cm;" align="justify">Apuuva! Hyvä jumala!


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    class="western" style="text-indent: 0.35cm;" align="justify">Aha! se olikiin vaan kangastus! Ei muuta! - Turha angstata! Ei tarvi tehdä mitään. Ei mitään tekemistä. Kertakaikkiaan ei mitään kivaa tekemistä.


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    class="western" style="text-indent: 0.35cm;" align="justify">Kuiteskin…
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    class="western" style="text-indent: 0.35cm;" align="justify">Varmasti ei ole ketään jolla on näin paljon ressiä! Helläsydämisiä on vähemmän. Mulle ei tuoda enää mitään. Mun palttoo on nyölääntynyt. Mulla ei ole sandaaleja, ei edes puurokuppia! - sillä mä annoin köyhille sukulaisille kaikki rahani, jättämättä oboliakaan. Jotta saisin edes välttämättömiä työkaluja, tarvizisin vähän fyrkkaa. Oi, ei paljoa! Pikku summa vaan! Bussiraha kotia. Osaan pihistellä.
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    class="western" style="text-indent: 0.35cm;" align="justify">Mutta tekikö ne niin! Ne ei kuunnellu mua! Se joka vastusti mua - nuori kähäräpartainen miehenkorsto - heitti mulle kylmän rauhallisesti tekastuja vastaväitteitä; ja sillä aikaa kun mä ezin sanoja, kaikki tuijotti mua ilkeän näköisinä haukahdellen kuin hyeenat. Voi vinde! Voisimpa ajaa ne maasta keisarin avulla, tai paremminkin nirhata ne, runtata ne läjään, nakata kuralolloon kärsimään! Kärsinhän minäkin, hittolainen!
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    class="western" style="text-indent: 0.35cm;" align="justify">Tää siitä tulee kun paastoo liikaa! Voimat menee. Jos sais edes kerrankin matkallansa palan lihaa!


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    class="western" style="text-indent: 0.35cm;" align="justify">Vizi!
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    class="western" style="text-indent: 0.35cm;" align="justify">Lempo, mikä mulla oikein on! Mikä on! Tuntuu kuin sydän paisuisi kuin meri, kun se kohoaa ennen myrskyä. Ääretön heikkous valtaa mut, ja kuumassa ilmassa on kampaamon hajua. Eikä kuitenkaan ketään naista ole näköpiirissä?


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    class="western" style="text-indent: 0.35cm;" align="justify">Tuolta ne tavalliseseti tulevat, mustien tai karvakätisten eunukkien kärrääminä kantotuolissa. Ne astuu alas, polvistuu, laittaen sormusten kuormittamat kätensä rukousasentoon. Ne kertoo mulle levottomuutensa aiheita. Niitä kiduttaa ihan epäinhimillinen panohalu; ne tahtoisi kuolla, ne on nähneet unissa jumalia jotka "kuzuu" niitä; ja niiden helmat koskettaa mun varpaita. — Mä työnnän niitä kauemmax. Voi ei! ne sanovaet, ei kai taas!!» Mitä mun pitää TEHÄ? Mikä tahansa katumusharjoitus kelpaisi. Ne pyytää niitä mahdollisimman rajuja, ne ottais osaa mun harkkoihin, ne tulis vaikka asumaan mun kaa.


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    class="western" style="text-indent: 0.35cm;" align="justify">No eipä niitä ole pitkään aikaan enäää näkynyt. Oliskohan niitä nyt tulossa? Mixkäpä ei? Jos nyt äkkiä... kuulisin muulinkellojen ääniä vuorelta. Ihan kuin...


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    class="western" style="text-indent: 0.35cm;" align="justify">Joo!
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    class="western" style="text-indent: 0.35cm;" align="justify">Tännepäin!! Tulkaa! Tulkaa!


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    class="western" style="text-indent: 0.35cm;" align="justify">Miten noloa! Voi hemmetti! Anttoni parka!


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    class="western" style="text-indent: 0.35cm;" align="justify">Onx siellä joku?
    ellauri043.html on line 432:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 437:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 441:

    class="western" style="text-indent: 0.35cm;" align="justify">Saisiko olla naisia?


    ellauri043.html on line 442:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 445:

    class="western" style="text-indent: 0.35cm;" align="justify">Vai saisiko ehkä olla älyttömästi pätäkkää?
    ellauri043.html on line 447:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 450:

    class="western" style="text-indent: 0.35cm;" align="justify">Valomiekka kenties?


    ellauri043.html on line 451:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 456:

    class="western" style="text-indent: 0.35cm;" align="justify">— Koko jengi ihailee sua!


    ellauri043.html on line 457:

    class="western" style="text-indent: 0.35cm;" align="justify">—
    ellauri043.html on line 459:

    class="western" style="text-indent: 0.35cm;" align="justify">— Sä leikkaat niiltä kurkun, sä nirhaat ne!
    ellauri043.html on line 461:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 464:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 468:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 470:

    class="western" style="text-indent: 0.35cm;" align="justify">Varmaan soihdun syytä, joka aiheuttaa varjoleikkejä. Paras sammuttaa se!


    ellauri043.html on line 471:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 482:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 494:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 496:

    class="western" style="text-indent: 0.35cm;" align="justify">Nukahdinko? Oli niin siistiä että niin varmaan pääsi käymään. Suu on kuikve! mulla on jano!


    ellauri043.html on line 497:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 500:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 502:

    class="western" style="text-indent: 0.35cm;" align="justify">Lattia on märkä! Onko satanut? Häh? Sirpaleita! Ruukku on särkynyt! ... entä leili?
    ellauri043.html on line 504:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 507:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 509:

    class="western" style="text-indent: 0.35cm;" align="justify">Tyhjä! Typö tyhjä!


    ellauri043.html on line 510:

    class="western" style="text-indent: 0.35cm;" align="justify">Joelle on ainakin 3 tunnin matka, ja yö on niin pimeä etten näkisi eteeni. Sisuxeni ovat tulessa. Missä leipä?


    ellauri043.html on line 511:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 514:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 516:

    class="western" style="text-indent: 0.35cm;" align="justify">Mitenkäs?
    ellauri043.html on line 518:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 527:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 529:

    class="western" style="text-indent: 0.35cm;" align="justify">Mulleko kaikki? Mutta…


    ellauri043.html on line 530:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 533:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 535:

    class="western" style="text-indent: 0.35cm;" align="justify">


    ellauri043.html on line 536:

    class="western" style="text-indent: 0.35cm;" align="justify">Mutta minkätähen? Öh, tää on silti yhtä käsittämätöntä. Ahaa! Piru, ala vetää! Antaa heittää!


    ellauri043.html on line 537:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 540:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 542:

    class="western" style="text-indent: 0.35cm;" align="justify">Jäikö mitään? - ei!


    ellauri043.html on line 543:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 546:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 548:

    class="western" style="text-indent: 0.35cm;" align="justify">Ohhoh! Kiusaus oli kova. Mutta selvisimpä siitä!


    ellauri043.html on line 549:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 552:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 554:

    class="western" style="text-indent: 0.35cm;" align="justify">Mikäs se nyt oli?


    ellauri043.html on line 555:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 558:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 560:

    class="western" style="text-indent: 0.35cm;" align="justify">Katoppa! Kuppi! Joku ohikulkija on hukannut sen. Ei sen kummempaa.


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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 564:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 566:

    class="western" style="text-indent: 0.35cm;" align="justify">Se kiiltää se kiiltää! Se on metallia! Mutta en erota...


    ellauri043.html on line 567:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 570:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 572:

    class="western" style="text-indent: 0.35cm;" align="justify">Se on hopeaa, siinä on reunalla pieniä munakuvioita ja joku korkokuva pohjassa.


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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 576:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 578:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 580:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 583:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 585:

    class="western" style="text-indent: 0.35cm;" align="justify">Mahootointa! Kultaa! Kyl-lä! Täyttä kultaa!


    ellauri043.html on line 586:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 589:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 591:

    class="western" style="text-indent: 0.35cm;" align="justify">Mutta täähän on jo aikamoinen summa... tällähän saisi kolme sonnia... pienen tontin!


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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 595:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 597:

    class="western" style="text-indent: 0.35cm;" align="justify">Hyvin menee mutta menköön! 100 orjaa, sotilaita, koko joukko, niin paljon et vois ostaa...


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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 601:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 603:

    class="western" style="text-indent: 0.35cm;" align="justify">Tällä korulla sais jo vaikka keisarin vaimon!


    ellauri043.html on line 604:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 607:

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    ellauri043.html on line 609:

    class="western" style="text-indent: 0.35cm;" align="justify">Mitäs nyt? Mitä ihmettä? Stateereja, kykloxia, dareikkeja, aryandikkeja! Aleksanteri, Demetrios, Ptolemaioxet, Caesar! Mutta kenelläkäään niistä ei ollut näin paljon! Mikään ei ole mahdotonta! Ei enää kärsimystä! Kylläpä nää säteilee, ihan häikäisee! Sydämeni kuppi vuotaa ylize! Onpa ihanaa! Joo!... Joo!... Vielä! Ei koskaan tarpeexi! Voisin vaikka heittää näitä mereen koko ajan, silti jäisi. Mutta mix hukata mitään? Mä pidän kaikki, en kerro kenellekkään; mä kaivan kallioon kammion joka on sisältä päällystetty pronssilevyillä - ja mä tuun sinne tunteaxeni kultaläjien puristuvan kantapäihini! Työnnän niihin käsivarteni kuin jyväsäkkiin. Hankaan niillä kasvojani, nukun niiden päällä! Sukellan niissä kuin pyöriäinen, kaivaudun niihin kuin myyrä ja heittelen niitä sateexi päälleni! Olen rikkaampi kuin Roope! varakkaampi kuin Kroisos Pennonen! vauraampi kuin Kulta-Into Pii!
    ellauri043.html on line 611:

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    ellauri043.html on line 615:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 617:

    class="western" style="text-indent: 0.35cm;" align="justify">Mitä mä oon TEHNYT?


    ellauri043.html on line 618:

    class="western" style="text-indent: 0.35cm;" align="justify">Jos olisin ollut kuollut äsken, olisin helvetissä! Peruuttamattomasti kuumassa paikassa!


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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 622:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 624:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä oon siis kirottu! Voi ei! Mä on SYYYLLINEN! Mä meen jokaiseen halpaan! Ei ole imbesillimpää eikä huonompaa kuin mä. Mä haluisin lyödä izeäni, tai paremminkin potkaista selkärankani hatun läpi! Olen pidättänyt liian kauan! Mun tarvii kostaa, lyödä, tappaa! Tuntuu kuin mulla olis sielussa parvi villipetoja. Tekis mieli mennä huitomaan väkijoukkoon kirveellä! Ai saatana! Tai puukolla niiku se yx mamu Turun torilla!


    ellauri043.html on line 625:

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    ellauri043.html on line 628:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 720:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 743:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 745:

    class="western" style="text-indent: 0.35cm;" align="justify">Tais tulla taas erreys! Mixi näin? Se tulee kun liha kapinoi. Perse! Tää on niin perseestä.


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    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 751:

    class="western" style="text-indent: 0.35cm;" align="justify">Kelpaax tämä kuritus, hei jumala! Älä mollaa mua mun heikkoudesta. Tee tästä sessiosta kipeä, pitkällinen, liiallinen! Oli jo aikakin! Kylä lähtee!


    ellauri043.html on line 752:

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    ellauri043.html on line 755:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 757:

    class="western" style="text-indent: 0.35cm;" align="justify">Aïe!
    ellauri043.html on line 759:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 762:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 764:

    class="western" style="text-indent: 0.35cm;" align="justify">Au!
    ellauri043.html on line 766:

    class="western" style="text-indent: 0.35cm;" align="justify">Eh!
    ellauri043.html on line 768:

    class="western" style="text-indent: 0.35cm;" align="justify">

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    ellauri043.html on line 774:

    class="western" style="text-indent: 0.35cm;" align="justify">Anna mennä, vätys! Ammennä! Noin! Jes! Jes! käsivarsille, selkään, rintaan, masulle, kaikkialle! Ei syhyttä saunaan, nyt vihdotaan! Suihkikaa, remmit, purkaa mua, reviskelkää mua! Must olis kiva et mun veritipat roiskuis tähtiin asti, särkis luuut, jänteet paljaaxi (tai kenties hermot, antiikissa ei tehty eroa)! Tonkeja, remmiä, piinapenkkiä, sulaa lyijyä! Marttyyreille oli vielä muitakin konsteja! Vai mitä Ammonaria?
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 781:

    class="western" style="text-indent: 0.35cm;" align="justify">Mut ois voitu kiinnittää vastakkaiseen pylvääseen, naamakkain, sun näkyviin, et oisin voinut osallistua sun kiljuntaan mun ähinöin (niinkuin silloin ennen), ja meidän tuskat ois sekottuneet, meidän sielutkin ois sekottuneet.
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 788:

    class="western" style="text-indent: 0.35cm;" align="justify">Kas tuosta, kato hei! Siinä sulle! Vielä! Jo lähtee kutina! Tai oikeestaan tulee. Mitä kidutusta! Mitä herkkua! Näähän on kuin pusuja! Tää menee ihan ytimiin! Mä kuolen!


    ellauri043.html on line 789:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 797:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 808:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 810:

    class="western" style="text-indent: 0.35cm;" align="justify">Ah!!
    ellauri043.html on line 812:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 814:

    class="western" style="text-indent: 0.35cm;" align="justify">Yöllä mä itkin kasvot seinään päin kääntyneenä. Mun kyynelet on tehneet pitkän päälle kaxi pientä reikää mosaiikkiin, kuten meren vesipisarat tekee kiviin, sillä mä RAKASTAN sua! Ooh! Juu! Paljon!


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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 820:

    class="western" style="text-indent: 0.35cm;" align="justify">Naura sinäkin, kaunis erakko! Naura sinäkin! Mä olen hyvin iloluontoinen, sä tulet näkemään! Mä soitan lyyraa, tanssin kuin ampiainen, ja mä tiedän koko joukon kaskuja, jotka on toinen toistaan viihteellisempiä.


    ellauri043.html on line 821:

    class="western" style="text-indent: 0.35cm;" align="justify">Sä et arvaa miten pitkä matka me ollaan tultu. Nääthän että vihreiden kuriirien villiaasit on kuolleet vanhuuteen!


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    class="western" style="text-indent: 0.35cm;" align="justify">

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    ellauri043.html on line 835:

    class="western" style="text-indent: 0.35cm;" align="justify">Äyk! Kun susta tulee mun mies, niin mä puen sut, panen tuoxua, ja aika lailla karvanpoistoa.


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    class="western" style="text-indent: 0.35cm;" align="justify">

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    ellauri043.html on line 842:

    class="western" style="text-indent: 0.35cm;" align="justify">Sä näytät vähän surulliselta; onko ikävä mökkiä? Mähän oon jättänyt kaiken sun vuoxi - jopa kunkku Salomon, jolla kuitenkin on paljon viisautta, 20K sotavaunua, ja kaunis parta! Toin sulle häälahjani. Ota siitä.


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    ellauri043.html on line 848:

    class="western" style="text-indent: 0.35cm;" align="justify">tässä on Kinneretin palsamia, Tammefanin niemen suizuketta, laudaanumia, kanelia, ja laaserjuurta, joka on hyvää soosissa. Sit siellä on Assyrian piziä, Gangesin norsunluuta, Elisan purppuraa; ja tää jäälaatikko sisältää leilin jotain chalibonia, jonka pitäis olla Assyrian kuninkaille varattua viiniä - jota juodaan yxisarvisesta. Täs on sit kaulanauhoja, neuloja, viiloja, parasolleja, Baasan pulveria, Tartessoxen tinaa, Pandionin sinistä puuta, Issedonian valkoisia turkixia, Palaesimonden saaren jalokiviä, ja jonkun tachas eläimen karvoista tehtyjä hammastikkuja - kadonnut eläin joka eli maan alla. Nää tyynyt on Emathoxesta, ja nää takinrimpsut Palmyrasta. Tässä Babylonian matossa on … mut hei, tule nyt, tule jo sieltä!


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    ellauri043.html on line 854:

    class="western" style="text-indent: 0.35cm;" align="justify">Tää hieno kangas, joka rahisee sormissa kuin kipinöisi, on kuuluisaa keltaista pellavaa jota kauppiaat tuo Baktriasta. Ne tarvii 43 tulkkia matkan varrella. Mä teetän siitä pukuja, jotka sä paat päälle kotosalla.
    ellauri043.html on line 856:

    class="western" style="text-indent: 0.35cm;" align="justify">Aukaskaapas sykomoriviikunaisen askin salvat, ja antakaa mulle norsunluukasetti elefantin takaluukusta!


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    ellauri043.html on line 862:

    class="western" style="text-indent: 0.35cm;" align="justify">Haluisizä Dgian-ben-Dgianin vyösoljen, sen joka rakensi Pyramiidit? Se on tässä! Se on tehty 7 päällekkäisestä lohikäärmennahasta, kiinni timanttiruuveilla, parkittu isänmurhaajan sapessa. Se etustaa toisaalta jokasta sotaa mikä on ikinä käyty aina nuijan keximisestä, toisaalta kaikkia sotia joita vielä käydään maailman tappiin saakka. Salama pongahtaa siitä takasin kuin korkki pullosta. Mä laitan sen sun käsvarteen ja sä käytät sitä mezällä.
    ellauri043.html on line 864:

    class="western" style="text-indent: 0.35cm;" align="justify">Jos tietäisit mitä mulla on mun pikku rasiassa! Ota se, koita avata! Kukaan ei pysty; syleile mua, mä sanon sit sulle.
    ellauri043.html on line 866:

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    ellauri043.html on line 870:

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    ellauri043.html on line 872:

    class="western" style="text-indent: 0.35cm;" align="justify">Yhtenä yönä Salomo ihan hullaantui. Lopulta me tehtiin kaupat. Se nousi hipsien salavihkaa…


    ellauri043.html on line 873:

    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 879:

    class="western" style="text-indent: 0.35cm;" align="justify">Ah!
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    class="western" style="text-indent: 0.35cm;" align="justify">Mulla on gasellitiimejä, norsunelivaljakoita, kamelitroikkia satoja, ja niin tuuliharjaisia hevosia että ne kompastuu tukkaansa laukassa, ja niin isoja sarvipäälaumoja et ne tallaa laitumella lakoon meziä. Mulla on kirahveja kävelyllä mun puutarhoissa, jotka työntää pään mun räystäille, kun mä ulkoilen päivällisen jälkeen.
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    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 901:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 907:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 909:

    class="western" style="text-indent: 0.35cm;" align="justify">Kiitos, kaunis Simorg-ankka! Sä kerroit mulle missä kulta luurasi! Kiitos kiitos kiltti! Sydämeni mese!
    ellauri043.html on line 911:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 913:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 916:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 918:

    class="western" style="text-indent: 0.35cm;" align="justify">Oh!
    ellauri043.html on line 921:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 924:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 926:

    class="western" style="text-indent: 0.35cm;" align="justify">Mikä maxaa?
    ellauri043.html on line 929:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 932:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 934:

    class="western" style="text-indent: 0.35cm;" align="justify">Kaikki ne misut joita olet kohdannut, lähtien lyhdyn alla hoilaavasta katuluudasta vaununikkunasta ruusunlehtiä sirottelevaan vallasnaiseen, kaikki kurkistellut muodot, kaikki märät unet, pyydä vaan!
    ellauri043.html on line 936:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 939:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 941:

    class="western" style="text-indent: 0.35cm;" align="justify">Jos panisit edes sormen mun olkapäälle, se olis kuin tulenlieska sun suonissa. Vaik minkä osan saisit mun ruumiista, se ois isompi ilo kuin jonkun suurvallan valloitus. Huulet törölle nyt! Mun pusujen maku on kuin sydämmessä sulava hedelmä! Ah! Kuinka sä hukutkin mun tukkaan (Ankka pois nyt sieltä heti!), haistelet mun rintaa, hämmästyt mun jäseniä, palat mun silmäteriin, käyt käsixi valkotornaadona...
    ellauri043.html on line 943:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 946:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 948:

    class="western" style="text-indent: 0.35cm;" align="justify">Sä et arvosta mua! Adjöö!


    ellauri043.html on line 949:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 952:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 954:

    class="western" style="text-indent: 0.35cm;" align="justify">Onko varma? Näin nätti nainen!


    ellauri043.html on line 955:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 958:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 960:

    class="western" style="text-indent: 0.35cm;" align="justify">Sä tuut katumaan, kaunis erakko, sä tuut voihkimaan! Sä tuut tylsistymään! Mut mä en välitä! Lällällää! hahaa! yhyy!


    ellauri043.html on line 961:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 966:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 972:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 974:

    class="western" style="text-indent: 0.35cm;" align="justify">Se on joku kuningattaren apupojista,


    ellauri043.html on line 975:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 978:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 984:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 988:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 990:

    class="western" style="text-indent: 0.35cm;" align="justify">Keitäs sitä ollaan?


    ellauri043.html on line 991:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 995:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 997:

    class="western" style="text-indent: 0.35cm;" align="justify">Sun entinen oppilas Hilarion!


    ellauri043.html on line 998:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1001:

    class="western" style="text-indent: 0.35cm;" align="justify">Valehtelet! Hilarion on asunut jo vuosikausia Palestiinassa.


    ellauri043.html on line 1002:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1005:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä tulin takaisin! Kyllä se oon mä!


    ellauri043.html on line 1006:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1010:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1012:

    class="western" style="text-indent: 0.35cm;" align="justify">Mutta sehän oli korea kuin aamunkoitto, loistava, iloinen.
    ellauri043.html on line 1014:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1017:

    class="western" style="text-indent: 0.35cm;" align="justify">Ylityö on väsyttänyt mut!


    ellauri043.html on line 1018:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1021:

    class="western" style="text-indent: 0.35cm;" align="justify">Äänikin on eri. Tää kuulostaa jäätävältä.


    ellauri043.html on line 1022:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1025:

    class="western" style="text-indent: 0.35cm;" align="justify">Se on siitä et mä syön hapanta!


    ellauri043.html on line 1026:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1029:

    class="western" style="text-indent: 0.35cm;" align="justify">Ja tää tukka on valkoinen?


    ellauri043.html on line 1030:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1033:

    class="western" style="text-indent: 0.35cm;" align="justify">Muulla on piisannut murheita!


    ellauri043.html on line 1034:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1038:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1040:

    class="western" style="text-indent: 0.35cm;" align="justify">Voisko se olla mahollista?…


    ellauri043.html on line 1041:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1044:

    class="western" style="text-indent: 0.35cm;" align="justify">Lopeta jo toi punahilkkaesitys. En mä ollut niin kaukana kuin sä luulet. Erakko Puovo kävi sun luona tänä vuonna schebar-kuussa. Vasta 20 päivää sitten paimentolaiset toi sulle leipää. Sä pyysit toissapäivänä 1 matruusia hommaamaan 3 naskalia. Mää on niistä 1 (hehe, läppä läppä).
    ellauri043.html on line 1046:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1049:

    class="western" style="text-indent: 0.35cm;" align="justify">Se tietää kaiken!


    ellauri043.html on line 1050:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1053:

    class="western" style="text-indent: 0.35cm;" align="justify">Kaskun mä en ole koskaan lähtenyt täältä. Mut sulta menee pitkiä aikoja ettezä ollenkaan huomaa mua.


    ellauri043.html on line 1054:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1057:

    class="western" style="text-indent: 0.35cm;" align="justify">Mites nyt näin on päässyt käymään? On totta että mun pää on aika sekaisin. Tänä yönä varsinkin.…


    ellauri043.html on line 1058:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1061:

    class="western" style="text-indent: 0.35cm;" align="justify">Kaikki kuolemansynnit on tulleet visiitille. Mutta niiden pahimmatkin väijytyxet feilaa tollasen pyhimyxen kohdalla!


    ellauri043.html on line 1062:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1065:

    class="western" style="text-indent: 0.35cm;" align="justify">Oh!
    ellauri043.html on line 1068:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1071:

    class="western" style="text-indent: 0.35cm;" align="justify">No senhän nimitti laittomasti 7 piispaa!


    ellauri043.html on line 1072:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1075:

    class="western" style="text-indent: 0.35cm;" align="justify">Mitä väliä!
    ellauri043.html on line 1077:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1080:

    class="western" style="text-indent: 0.35cm;" align="justify">Joo kai! Kopea mies, julma, aina juonimassa, ei se siihen paskanna mihin se kyykistyy, ja loppupeleissä joutui maanpakoon kahminnasta.


    ellauri043.html on line 1081:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1084:

    class="western" style="text-indent: 0.35cm;" align="justify">Panettelua!


    ellauri043.html on line 1085:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1088:

    class="western" style="text-indent: 0.35cm;" align="justify">Et kai kiellä että se koitti lahjoa Eustateen, rahastonhoitajan?


    ellauri043.html on line 1089:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1092:

    class="western" style="text-indent: 0.35cm;" align="justify">Niin väitetään; myönnettäköön.


    ellauri043.html on line 1093:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1096:

    class="western" style="text-indent: 0.35cm;" align="justify">Se poltti kostoxi Arsenioxen kämpän!


    ellauri043.html on line 1097:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1100:

    class="western" style="text-indent: 0.35cm;" align="justify">Valitettavasti!


    ellauri043.html on line 1101:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1104:

    class="western" style="text-indent: 0.35cm;" align="justify">Nikean konsiilissa se sanoi Jeesusta jumalan miehex.


    ellauri043.html on line 1105:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1108:

    class="western" style="text-indent: 0.35cm;" align="justify">Oho! Sehän on rienausta!


    ellauri043.html on line 1109:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1112:

    class="western" style="text-indent: 0.35cm;" align="justify">Niin rajoittunut muuten että se tunnustaa ettei tajua mitään Sanasta.


    ellauri043.html on line 1113:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1117:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1119:

    class="western" style="text-indent: 0.35cm;" align="justify">No tosiaan ei se ole mikään ... laatikon terävin veizi.


    ellauri043.html on line 1120:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1123:

    class="western" style="text-indent: 0.35cm;" align="justify">Jos se olis pantu kuriin se olisi ollut hyvä juttu sun veljille ja sullekin. Tämmöinen eriöelämä on pahaa lääkettä.
    ellauri043.html on line 1125:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1128:

    class="western" style="text-indent: 0.35cm;" align="justify">Pikemminkin päinvastoin; apina on henkeä, sen pitää ottaa etäisyyttä kuolevaisiin juttuihin. Kaikenlainen toiminta huonontaa kuntoa. Mä en haluis pysytellä maanpinnalla edes jalkapohjista!


    ellauri043.html on line 1129:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1132:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1135:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1139:

    class="western" style="text-indent: 0.35cm;" align="justify">Riitti! Riitti jo! Sä aiheutat mulle sydärin!


    ellauri043.html on line 1140:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1143:

    class="western" style="text-indent: 0.35cm;" align="justify">Karista madot ryysyistä! Nouse paskasta!
    ellauri043.html on line 1146:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1149:

    class="western" style="text-indent: 0.35cm;" align="justify">Mutta kärsimys on siunauxellista. Kerubit kumartuvat ryystämään ripitettävien verta.


    ellauri043.html on line 1150:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1153:

    class="western" style="text-indent: 0.35cm;" align="justify">No ihaile sitten montanisteja! Ne lyö laudalta kaikki muut.
    ellauri043.html on line 1155:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1158:

    class="western" style="text-indent: 0.35cm;" align="justify">Mutta oikeaoppisuus tekee marttyyrin!


    ellauri043.html on line 1159:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1162:

    class="western" style="text-indent: 0.35cm;" align="justify">Miten se voi osoittaa erinomaisuutensa, koska just samalla tavalla se todistais erehdyxestä?


    ellauri043.html on line 1163:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1166:

    class="western" style="text-indent: 0.35cm;" align="justify">Turpa kii kyy!


    ellauri043.html on line 1167:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1170:

    class="western" style="text-indent: 0.35cm;" align="justify">Ehkei se olekaan niin vaikeeta. Ystävien kannustus, jengille vittuilun hauskuus, just pidetty saarna, tuhat juttua helpottaa asiaa.
    ellauri043.html on line 1172:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1176:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1178:

    class="western" style="text-indent: 0.35cm;" align="justify">Sitäpaizi, tollanen kuolintapa saa aikaan paljon sekaannusta.
    ellauri043.html on line 1180:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1184:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1186:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä en enää kuuntele, lallalllaa!!


    ellauri043.html on line 1187:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1191:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1193:

    class="western" style="text-indent: 0.35cm;" align="justify">No nyt sä palaat sun tavalliseen tapasyntiin, laiskuuteen. Tietämättömyys on ylpeyden huippu. Sanotaan: mun vakaumus on fiksattu, mix diskuteerata. Ja halvexitaan tohtoreita, filosofeja, perinnettä, ja jopa lain kirjainta. Luulezä et viisauden valo paistaa sun pyllystä?


    ellauri043.html on line 1194:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1197:

    class="western" style="text-indent: 0.35cm;" align="justify">Ei mä kuulen sut vieäkin! Sen polttavat sanat täyttää mun pään.
    ellauri043.html on line 1199:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1202:

    class="western" style="text-indent: 0.35cm;" align="justify">Se et yrittää ymmärtää jumalaa on parempaa kuin sun kuoletuxet ja torjunnat.
    ellauri043.html on line 1205:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1208:

    class="western" style="text-indent: 0.35cm;" align="justify">Oho mikä mahtipontisuus! Musta näyttää et sä alat paisua.


    ellauri043.html on line 1209:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1213:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1216:

    class="western" style="text-indent: 0.35cm;" align="justify">Rauhoitu hyvä termiitti!


    ellauri043.html on line 1217:

    class="western" style="text-indent: 0.35cm;" align="justify">Istutaanpas tähän, tälle isolle kivelle - niinkuin ennen, kun mä moikkasin sua aamuvarhaisella, sanoen sua kirkkaaxi aamutähdexi; ja sä aloit heti opettaa mua. Ei ne opinnot ole päättyneet. Kuu valaisee meitä riittävästi. Mä kuuntelen.


    ellauri043.html on line 1218:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1223:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1225:

    class="western" style="text-indent: 0.35cm;" align="justify">Jumalan sanaa, ex niin, konfirmoi ihmeet? Silti faaraonkin taikurit teki niitä; muutkin huijarit voi tehdä niitä; siinä menee lankaan.
    ellauri043.html on line 1227:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1230:

    class="western" style="text-indent: 0.35cm;" align="justify">Vähän väliä! Täytyy uskoa kirjoituxia!


    ellauri043.html on line 1231:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1234:

    class="western" style="text-indent: 0.35cm;" align="justify">Pyhä Peeveli, Origenes ja monet muutkin ei olleet kovin sanatarkkoja; mutta jos selittää vertauskuvilla, niin asiasta tulee jonkun sisäpiirin juttu ja evidenssipohja katoaa. Mikä neuvoxi??


    ellauri043.html on line 1235:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1238:

    class="western" style="text-indent: 0.35cm;" align="justify">No täytyy kääntyä Kirkon puoleen!


    ellauri043.html on line 1239:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1242:

    class="western" style="text-indent: 0.35cm;" align="justify">Siis kirjoituxesta ei ole hyötyä?


    ellauri043.html on line 1243:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1246:

    class="western" style="text-indent: 0.35cm;" align="justify">Eikä! Vaikka vanhassa testamentissä, myönnän, on... hämäriä kohtia... mutta uudessa testamentissa on kirkas valo jo kävelyvauhdissa.


    ellauri043.html on line 1247:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1250:

    class="western" style="text-indent: 0.35cm;" align="justify">Kuiteskin ilmoitusenkeli ilmestyi Matteuxessa Joosefille, kun taas Luukkaassa, Marialle. Yhen naisen antama Jeesuxen voitelu tapahtuu ekan evankeliumin mukaan sen julkkiskauden alussa, ja kolmen muun mukaan vasta pari päivää ennen sen kuolemaa. Juotaa jonka se saa ristillä on Matteuxessa etikkaa ja sappea, Markuxella viiniä ja mirhamia (jotain hajustetta). Luukkaan ja Matteuxen mukaan apostolien ei pidä ottaa rahaa eikä pussia, ei edes sandaaleja ja patukkaa; Markuksella taas, päinvastoin, jeesus kieltää niitä ottamasta mukaan muuta kuin sandaalit ja patukan. Mä oon ihan exyxissä!…


    ellauri043.html on line 1251:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1255:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1257:

    class="western" style="text-indent: 0.35cm;" align="justify">Niin tosiaan... totta mooses...


    ellauri043.html on line 1258:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1261:

    class="western" style="text-indent: 0.35cm;" align="justify">Kun peräpukamainen koskettaa sitä, Jeesus kääntyi sanoen: Kuka koski muhun? Se ei siis tiennyt kuka sitä koski? Mut eix sen pitänyt olla kaikkitietävä? Jos haudalla oli vartijat, ei kai naisten tarvinnut juosta hakemaan apua siirtämään isoa kiveä? Siis haudalla ei ollut vartijoita, tai sit pyhät naiset ei edes olleet siellä. Emmauxessa jesse syö oppilaitten kanssa ja antaa niiden koskea sen haavoja. Siis se on lihaa ja verta, kuiteskin se menee seinien läpi? Onx se mahollista?


    ellauri043.html on line 1262:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1265:

    class="western" style="text-indent: 0.35cm;" align="justify">Tässähän menis koko päivä (korjaan yö) jos sulle rupeis vastaamaan!


    ellauri043.html on line 1266:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1269:

    class="western" style="text-indent: 0.35cm;" align="justify">Mix se otti vastaan pyhän hengen, kun se kerta oli sen poika? Mix se tarvi kastelua, jos se oli sana? Miten saatanassa piru saattoi kiusata sitä, jos se oli jumala?


    ellauri043.html on line 1270:

    class="western" style="text-indent: 0.35cm;" align="justify">Eix sua ole koskaan nää ajatuxet vaivanneet?


    ellauri043.html on line 1271:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1274:

    class="western" style="text-indent: 0.35cm;" align="justify">No on!…
    ellauri043.html on line 1276:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1279:

    class="western" style="text-indent: 0.35cm;" align="justify">Siis sun ei tarvi kuin palvella jumalaa?


    ellauri043.html on line 1280:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1283:

    class="western" style="text-indent: 0.35cm;" align="justify">Mun tarvii aina jumaloida sitä!


    ellauri043.html on line 1284:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1287:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1291:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1293:

    class="western" style="text-indent: 0.35cm;" align="justify">Mutta dogmin ulkopuolella meillä on lupa tehdä tutkimusta. Haluuzä tietää enkeleiden nokintajärjestyxen, osata numeroita, tietää itiöiden ja muodonmuutoxen syitä?


    ellauri043.html on line 1294:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1297:

    class="western" style="text-indent: 0.35cm;" align="justify">Jo vain!
    ellauri043.html on line 1300:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1303:

    class="western" style="text-indent: 0.35cm;" align="justify">Salaisuus jonka sä haluut kuulla on viisaiden hallussa. Ne asuu etäisessä maassa, istuu jättiläismäisissä puissa, tai siis niiden alla, niillä on valkopyykkiä päällä ja ne on tyyniä kuin jumalat. Niitä ruokkii pelkkä kuuma ilma. Ympärillä talsii leopardeja keinonurmella. Lähteiden solina ja yxisarvisten hirnahtelu sekoittuu niiden ääniin. Sä kuuntelet niitä; ja tuntemattoman kasvoilta lähtee huntu!
    ellauri043.html on line 1305:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1309:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1311:

    class="western" style="text-indent: 0.35cm;" align="justify">Matka on pitkä, ja mä oon vanha!


    ellauri043.html on line 1312:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1315:

    class="western" style="text-indent: 0.35cm;" align="justify">Ou nou! Jou! Viisaista ei ole pulaa! Niitä on jopa tässä ihan lähellä! tässä! — Mennään sisään!


    ellauri043.html on line 1316:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1331:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1334:

    class="western" style="text-indent: 0. 35cm;" align="justify">Nää on kristittyjä naisia jotka on käännyttäneet miehensä. Muutenkin naiset kannustaa aina Jeesusta, jopa kuvainpalvojat, esim Procula, Pilatuxen vaimo, ja Poppea, Neron jalkavaimo. Älä enää tärise! Eteenpäin!
    ellauri043.html on line 1336:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1343:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1347:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1349:

    class="western" style="text-indent: 0.35cm;" align="justify">Mitä ne on vailla?


    ellauri043.html on line 1350:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1353:

    class="western" style="text-indent: 0.35cm;" align="justify">Herra on sanonut: mulla olis paljon vielä jutunjuurta. Näillä on juuri ne jutut.
    ellauri043.html on line 1355:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1361:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1365:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1367:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1370:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1374:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1378:

    class="western" style="text-indent: 0.35cm;" align="justify">Ei ole kuin 1 sielu, joka on levinnyt kaikkialle, kuten joen vesi jakautuu suistossa. Sepä se kuiskuttelee tuulessa, kirskuttaa marmoria jota sahataan (inhottava kitinä, kuin vetäis taulua käyttämättömällä liidulla), ja huutaa meren äänellä; ja se itkee maitokyyneleitä, kun viikunapuusta karsitaan lehtiä.


    ellauri043.html on line 1379:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1382:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1387:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1389:

    class="western" style="text-indent: 0.35cm;" align="justify">Voi nenä!
    ellauri043.html on line 1391:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1397:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1399:

    class="western" style="text-indent: 0.35cm;" align="justify">Öö. Mitä tarkoitat?
    ellauri043.html on line 1401:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1404:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1408:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1410:

    class="western" style="text-indent: 0.35cm;" align="justify">Ensimmäinen pysäkki on kuu, missä ne peseytyy. Sitten ne nousee aurinkoon.


    ellauri043.html on line 1411:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1415:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1417:

    class="western" style="text-indent: 0.35cm;" align="justify">Tiedä häntä... mikäs estää meitä... uskomasta niinkin.


    ellauri043.html on line 1418:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1421:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1423:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1426:

    class="western" style="text-indent: 0.35cm;" align="justify">Ne on kohtuukäyttäjiä, kuten näet!


    ellauri043.html on line 1427:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1430:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1434:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1437:

    class="western" style="text-indent: 0.35cm;" align="justify">Ihaileppa niiden pidätyskykyä!


    ellauri043.html on line 1438:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1441:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1444:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1447:

    class="western" style="text-indent: 0.35cm;" align="justify">Äyk!
    ellauri043.html on line 1449:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1452:

    class="western" style="text-indent: 0.35cm;" align="justify">Mitä väliä häpeällisyyxien nokintajärjestyxestä? Kirkko on syystä tehnyt naimisesta sakramentin!


    ellauri043.html on line 1453:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1458:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1460:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1462:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1465:

    class="western" style="text-indent: 0.35cm;" align="justify">Enkelikö? Sekö? Luoja!


    ellauri043.html on line 1466:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1469:

    class="western" style="text-indent: 0.35cm;" align="justify">Eixe meinannut tapaa Moosexen, petkuttaa sen profeettoja, huijannut kansoja, levittänyt hölmöyxiä ja kuvainpalvontaa?
    ellauri043.html on line 1471:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1474:

    class="western" style="text-indent: 0.35cm;" align="justify">Takuulla, luoja ei ole aito jumala!


    ellauri043.html on line 1475:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1479:

    class="western" style="text-indent: 0.35cm;" align="justify">Aine on ikuista!


    ellauri043.html on line 1480:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1484:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1486:

    class="western" style="text-indent: 0.35cm;" align="justify">Sen (sielun?) muodosti seizemän planettahenkeä.


    ellauri043.html on line 1487:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1490:

    class="western" style="text-indent: 0.35cm;" align="justify">Enkelit on tehneet sielut!


    ellauri043.html on line 1491:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1494:

    class="western" style="text-indent: 0.35cm;" align="justify">Se on piru kun on tehnyt maailman!


    ellauri043.html on line 1495:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1499:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1501:

    class="western" style="text-indent: 0.35cm;" align="justify">Kauheeta!


    ellauri043.html on line 1502:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1506:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1508:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1511:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1514:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1519:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1521:

    class="western" style="text-indent: 0.35cm;" align="justify">Jumala teki maailman umpikännissä.


    ellauri043.html on line 1522:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1527:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1529:

    class="western" style="text-indent: 0.35cm;" align="justify">Jumala umpikännissä…


    ellauri043.html on line 1530:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1533:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1535:

    class="western" style="text-indent: 0.35cm;" align="justify">Miten niin?


    ellauri043.html on line 1536:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1539:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1542:

    class="western" style="text-indent: 0.35cm;" align="justify">Tekoäly ja Vaihtoehtoinen totuus pyöräyttivät Verbin ja Elämän, jotka vuorostaan synnyttivät Miehen ja Kirkon; — ja tähän meni 8 ikuisuutta!


    ellauri043.html on line 1543:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1547:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1549:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1552:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1554:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1557:

    class="western" style="text-indent: 0.35cm;" align="justify">Mut sit! Sofian loikan ponnistus oli jättänyt tyhjyyden hiekkaan pyllynkuvan siitä, pahaa ainetta olevan Acharamothin. Pelastajaa kävi säälixi, se vapautti Sohvin pyllynkuvan kärsimyxistä; ja vapautetun acharamothin virnistyxestä syntyi valo;
    ellauri043.html on line 1559:

    class="western" style="text-indent: 0.35cm;" align="justify">Acharamothiista syntyi Demiurgi, maailmojen, taivaiden ja lemmon tehtailija. Se asuu Täyteyden alakerrassa, eikä edes huomaa niitä (vaik ne pitää aika mekkalaa), kun se uskoo niin lujasti aitoon jumalaan eikä hyväxy jäljitelmiä, ja toistaa profeettojen suulla:
    ellauri043.html on line 1562:

    class="western" style="text-indent: 0.35cm;" align="justify">Acharamoth pääsee
    ellauri043.html on line 1564:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1567:

    class="western" style="text-indent: 0.35cm;" align="justify">Sit on pahahenki nujerrettu, ja jumalan dynastia alkaa!


    ellauri043.html on line 1568:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1572:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1576:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1578:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1582:

    class="western" style="text-indent: 0.35cm;" align="justify">Kaulakaun voiman saa eräitten sanojen avulla, jotka on kirjoitettu tähän kalsedoniin muistin tuexi.


    ellauri043.html on line 1583:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1586:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1588:

    class="western" style="text-indent: 0.35cm;" align="justify">Sit sut viedään Näkymättömään; ja lain yläpuolella sä halvexit kaikkea, jopa äijyyttä!!


    ellauri043.html on line 1589:

    class="western" style="text-indent: 0.35cm;" align="justify">Me muut, puhtaat, meidän pitää mennä karkuun kipua, seuraten Kaulakaun esimerkkiä.


    ellauri043.html on line 1590:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1593:

    class="western" style="text-indent: 0.35cm;" align="justify">Mitäh!
    ellauri043.html on line 1595:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1599:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1601:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1603:

    class="western" style="text-indent: 0.35cm;" align="justify">Sisäisen kristuxen voi kieltää, siis jeesusmiehen;
    ellauri043.html on line 1606:

    class="western" style="text-indent: 0.35cm;" align="justify">Pitäkää avioliitto kunniassa! Pyhä henki on naaraspuolinen!


    ellauri043.html on line 1607:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1611:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1615:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1617:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1620:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1625:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1627:

    class="western" style="text-indent: 0.35cm;" align="justify">Tää on kuville tarjoiltu liha; otappa tuosta!
    ellauri043.html on line 1631:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1635:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1637:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1640:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1647:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1649:

    class="western" style="text-indent: 0.35cm;" align="justify">Tässä toteutetaan henkisiä häitä.


    ellauri043.html on line 1650:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1653:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1655:

    class="western" style="text-indent: 0.35cm;" align="justify">Aah!
    ellauri043.html on line 1657:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1661:

    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1669:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1672:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1677:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1681:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1683:

    class="western" style="text-indent: 0.35cm;" align="justify">Oj!
    ellauri043.html on line 1685:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1688:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1692:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1694:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1697:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1700:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1703:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1706:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1712:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1714:

    class="western" style="text-indent: 0.35cm;" align="justify">Argh!
    ellauri043.html on line 1719:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1724:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1726:

    class="western" style="text-indent: 0.35cm;" align="justify">Maisteri!
    ellauri043.html on line 1728:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1732:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1734:

    class="western" style="text-indent: 0.35cm;" align="justify">Särkekää kuvat! Verhotkaa neizyet! Rukoilkaa, paastotkaa, itkekää, kuolettakaa izeänne! Ei filosofiaa! Ei kirjoja! Jeesuxen mukaan tiede on tarpeetonta!


    ellauri043.html on line 1735:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1745:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1749:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1751:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä olin viimeisessä kylppärissä, ja nukahdin katumeteliin.


    ellauri043.html on line 1752:

    class="western" style="text-indent: 0.35cm;" align="justify">Äkkiä mä kuulin kiljuntaa. Huudettiin: se on noita! se on piru ize! Ja väkijoukko pysähtyi meidän talon eteen, Asklepioxen temppeliä vastapäätä. Mä kiskoin izeni käsillä ikkunaristikolle.
    ellauri043.html on line 1754:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1756:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1759:

    class="western" style="text-indent: 0.35cm;" align="justify">Kenestä sä oikeen puhut??


    ellauri043.html on line 1760:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1763:

    class="western" style="text-indent: 0.35cm;" align="justify">No Montanuxesta!
    ellauri043.html on line 1765:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1768:

    class="western" style="text-indent: 0.35cm;" align="justify">Mut se on kuollut, Montanus.
    ellauri043.html on line 1770:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1773:

    class="western" style="text-indent: 0.35cm;" align="justify">Ei ole totta!


    ellauri043.html on line 1774:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1777:

    class="western" style="text-indent: 0.35cm;" align="justify">Ei,
    ellauri043.html on line 1779:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1783:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1786:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1789:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1793:

    class="western" style="text-indent: 0.35cm;" align="justify">Se oli seisaallaan. Hiki valui sen kasvoilta. Tuuli paukutti sen takkia.


    ellauri043.html on line 1794:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1798:

    class="western" style="text-indent: 0.35cm;" align="justify">Sen raivo ajoi pelkoa mun sisuxiin; kuitenkin mut valtas jonkinlainen juovuttava mielihalu.
    ellauri043.html on line 1800:

    class="western" style="text-indent: 0.35cm;" align="justify">Ensin lähestyivät orjat. «Maisteri, ne sanoivat, meidän elukat on väsyneitä.
    ellauri043.html on line 1804:

    class="western" style="text-indent: 0.35cm;" align="justify">Sit se puhui. Tunsin jonkun lähelläni. Se oli puoliso; kuuntelin tota toista. Se hinas izeään kivillä huutaen:
    ellauri043.html on line 1807:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1810:

    class="western" style="text-indent: 0.35cm;" align="justify">Eunukkia!


    ellauri043.html on line 1811:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1814:

    class="western" style="text-indent: 0.35cm;" align="justify">No jaa!
    ellauri043.html on line 1820:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1823:

    class="western" style="text-indent: 0.35cm;" align="justify">Se antoi mulle hirmu kasan lahjoja. Kukaan ei muuten rakasta mua yhtä paljon — eikä ole yhtä rakastettu!


    ellauri043.html on line 1824:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1827:

    class="western" style="text-indent: 0.35cm;" align="justify">Valehtelet! Mäpäs! ja muapas!


    ellauri043.html on line 1828:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1831:

    class="western" style="text-indent: 0.35cm;" align="justify">Eiku mä!
    ellauri043.html on line 1833:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1837:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1840:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1844:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1846:

    class="western" style="text-indent: 0.35cm;" align="justify">Rauhottukaa, kyyhkyläiset! Ilman maallista eli pano-onneakin meillä on kivaa tälleen platonisesti. Isän ajan jälkeen tuli pojan vuoro, ja nyt mä ilmoitan jo kolmannen, Papukaijan ajan. (Kuiskaaja: ei parakeet vaan parakleet!) Korjaan Parakleetoxen. Sen ajovalot näky mun taustapeilissä niinä 40 karanteeniyönä kun taivaallinen Jerusalem loisti taivaanvahvuudessa, mun talon päällä Pepussa. (Kuiskaaja: Pepuza!) Korjaan Pepuzassa.
    ellauri043.html on line 1848:

    class="western" style="text-indent: 0.35cm;" align="justify">Nam!
    ellauri043.html on line 1851:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1855:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1859:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1861:

    class="western" style="text-indent: 0.35cm;" align="justify">Niinpä tietysti, koska sielulla on ruumis - ei ruumista, ei olemassaoloa.


    ellauri043.html on line 1862:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1867:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1870:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1874:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1876:

    class="western" style="text-indent: 0.35cm;" align="justify">Pelastaja on sanonut: mä tulin sähläämään naisten työt.


    ellauri043.html on line 1877:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1881:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1883:

    class="western" style="text-indent: 0.35cm;" align="justify">Pahan puu on se (fem.:)!


    ellauri043.html on line 1884:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1888:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1892:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1894:

    class="western" style="text-indent: 0.35cm;" align="justify">Tee niinkuin Origènes, kuten neuvoo Teemu Syrjälä ja kuten me! Pelkäätkö kipua, lälläri? Pidättääkö sua sun lihanhimo, tekopyhä??


    ellauri043.html on line 1895:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1898:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1904:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1906:

    class="western" style="text-indent: 0.35cm;" align="justify">Kunnia Kainille! Kunnia Sodomalle! Kunnia Juuttaalle! Kain teki väkevien rodun. Sodoma säikäytti maata madonluvulla; ja Juuttaan avulla jumala pelasti maailman!! — Juu, Juutas! Ilman sitä, ei kuolemaa, ilman kuolemaa, ei lunastusoikeutta!


    ellauri043.html on line 1907:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1912:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1916:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1918:

    class="western" style="text-indent: 0.35cm;" align="justify">Murskatkaa hedelmä! Sotkekaa lähde! Hukuttakaa lapsi!
    ellauri043.html on line 1923:

    class="western" style="text-indent: 0.35cm;" align="justify">Me pyhät joudutetaan maailmanloppua myrkyttämällä, polttamalla ja verilöylytyxellä!


    ellauri043.html on line 1924:

    class="western" style="text-indent: 0.35cm;" align="justify">Pelastusta ei tule kuin marttyröimällä. Me annamme izemme marttyröitävixi. Me nostetaan hohtimilla päänahka, me levitetään jäsenet auran alle, me heittäydytään uunin kitaan!!


    ellauri043.html on line 1925:

    class="western" style="text-indent: 0.35cm;" align="justify">Alas kaste! alas ehtoollinen! Alas avioliitto! Yleiskadotus!


    ellauri043.html on line 1926:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1939:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1943:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1945:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1948:

    class="western" style="text-indent: 0.35cm;" align="justify">Tuhannesti ei! Poika ei ole yhtä ikuinen kuin isukki, eikä samaa ainetta! Ei kai se muuten olis sanonut: Iskä ota pois tää muki! - Mix te sanotte mua hyväxi? Vaan jumala on hyvä! - Mä meen jumalan luo, teidän jumalan! - ja muita sanoja, jotka todistaa, et se oli löylynlyömä luojanluoma.
    ellauri043.html on line 1951:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1954:

    class="western" style="text-indent: 0.35cm;" align="justify">Moi! mä oon sitä mieltä että ne 2 on 1 ja sama hemmo.
    ellauri043.html on line 1956:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1959:

    class="western" style="text-indent: 0.35cm;" align="justify">Sori vaan, mut Antiokian kirkolliskokous päätti toisin.


    ellauri043.html on line 1960:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1963:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 1965:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1969:

    class="western" style="text-indent: 0.35cm;" align="justify">No sehän oli se katuvaisen
    ellauri043.html on line 1971:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1974:

    class="western" style="text-indent: 0.35cm;" align="justify">Eiku se oli Nooakin poika Sem!


    ellauri043.html on line 1975:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1978:

    class="western" style="text-indent: 0.35cm;" align="justify">Eipäsku se oli
    ellauri043.html on line 1980:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1984:

    class="western" style="text-indent: 0.35cm;" align="justify">Se oli yx mies vaan!


    ellauri043.html on line 1985:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1989:

    class="western" style="text-indent: 0.35cm;" align="justify">Se vaan näytti siltä! Kärsimyskin oli vaan esitystä.
    ellauri043.html on line 1991:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1994:

    class="western" style="text-indent: 0.35cm;" align="justify">Se oli suurennos iskästä!


    ellauri043.html on line 1995:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 1998:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2001:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2004:

    class="western" style="text-indent: 0.35cm;" align="justify">Se oli eka Aatamissa, sit homossa!


    ellauri043.html on line 2005:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2008:

    class="western" style="text-indent: 0.35cm;" align="justify">Ja se elvytetään!


    ellauri043.html on line 2009:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2012:

    class="western" style="text-indent: 0.35cm;" align="justify">Mahootointa!
    ellauri043.html on line 2015:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2019:

    class="western" style="text-indent: 0.35cm;" align="justify">Siitä tuli jumala kastelulla!
    ellauri043.html on line 2021:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2024:

    class="western" style="text-indent: 0.35cm;" align="justify">Se asuu auringossa!


    ellauri043.html on line 2025:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2029:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2034:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2036:

    class="western" style="text-indent: 0.35cm;" align="justify">Sen sielu oli Eesaun sielu! Sillä oli Bellerofonin tauti; ja sen hajustettu äiti antoi roomalaiselle stm Pantheruxelle maissipellossa yhtenä iltana kesken elonkorjuuta.
    ellauri043.html on line 2040:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2045:

    class="western" style="text-indent: 0.35cm;" align="justify">Tohtorit, taikurit, piispat ja diakonit, miehet ja mustanaamiot, vadite retro! retro!! Olette kaikki houkkia!


    ellauri043.html on line 2046:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2049:

    class="western" style="text-indent: 0.35cm;" align="justify">Meilllä on marttyyrimpiä marttyrejä kuin teillä, vaikeampia rukouxia, etevämpiä rakkauden henkiä, yhtä pitkiä extaaseja.


    ellauri043.html on line 2050:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2053:

    class="western" style="text-indent: 0.35cm;" align="justify">Muttei ilmestystä! Ei todisteita!


    ellauri043.html on line 2054:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2058:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2061:

    class="western" style="text-indent: 0.35cm;" align="justify">Kas tässä heprealaisten evankeliumi!


    ellauri043.html on line 2062:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2065:

    class="western" style="text-indent: 0.35cm;" align="justify">Seniorin evankeliumi!


    ellauri043.html on line 2066:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2070:

    class="western" style="text-indent: 0.35cm;" align="justify">Eevan evankeljumi!


    ellauri043.html on line 2071:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2074:

    class="western" style="text-indent: 0.35cm;" align="justify">Tuomaan evankeliumi!


    ellauri043.html on line 2075:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2078:

    class="western" style="text-indent: 0.35cm;" align="justify">Juuttaan evankeliumi!


    ellauri043.html on line 2079:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2082:

    class="western" style="text-indent: 0.35cm;" align="justify">Adventin sielun traktaatti!


    ellauri043.html on line 2083:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2086:

    class="western" style="text-indent: 0.35cm;" align="justify">Barkufin ennuste!


    ellauri043.html on line 2087:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2090:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2095:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2097:

    class="western" style="text-indent: 0.35cm;" align="justify">Mepä tunnettiin se, meikämannet, me tunnettiin se kirvesmiehen poika! Me oltiin sen ikätovereita, asuttiin samalla karzalla. Se muovaili mudasta pikkulintuija, pelkäämättä leikkuulautojen reunoja (???) auttoi iskää kirveshommissa, tai piteli äidille värjättyjä lankavyyhtejä. Size teki matkan Egyptiin, josta se toi isoja salaisuuxia. Me oltiin Jerikossa, kun se tuli tapaamaan heinäsirkkojen popsijaa. Ne juttelivat matalalla äänellä, kukaan ei saanut selvää siitä. Mutta siitä lähtien se alkoi pitää meteliä Galileassa, ja sen nimissä on paljon satuja.


    ellauri043.html on line 2098:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2101:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2103:

    class="western" style="text-indent: 0.35cm;" align="justify">Me tunnettiin se, meikäpojat! Tunnettiin me se!
    ellauri043.html on line 2105:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2108:

    class="western" style="text-indent: 0.35cm;" align="justify">Ahaa!
    ellauri043.html on line 2110:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2113:

    class="western" style="text-indent: 0.35cm;" align="justify">Villi ja luotaantyöntävä; — sillä se oli ottanut niskoilleen kaikki rikoxet, kaikki kivut ja kaikki maailman muotopuolisuudet.


    ellauri043.html on line 2114:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2117:

    class="western" style="text-indent: 0.35cm;" align="justify">Auz!
    ellauri043.html on line 2119:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2122:

    class="western" style="text-indent: 0.35cm;" align="justify">Paneadeilla pitäisi olla, vanhan murjun vieressä, rikkaruohopuskassa, kivinen pazas pystyssä, peräpukamattaren veistämä. Mutta aika on jyrsinyt siltä pärstän, ja sateet on pilanneet kirjoituxen.
    ellauri043.html on line 2124:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2127:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2130:

    class="western" style="text-indent: 0.35cm;" align="justify">Yhteen aikaan mä olin diakonissa Roomassa pienessä kirkossa, jossa mä näytin uskovaisille hopealanteista Pyhän Peevelin, Homeroxen, Pytagoraan, ja Jeesus-Kristuxen kuvia. Mulla on enää jäljellä vain tää viimeinen.
    ellauri043.html on line 2132:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2135:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2137:

    class="western" style="text-indent: 0.35cm;" align="justify">Haluazä sen?


    ellauri043.html on line 2138:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2142:

    class="western" style="text-indent: 0.35cm;" align="justify">Se tottelee käskyä, kuin me kuzutaan! Nyt on aika kuten Kotiliedessä! Tule!
    ellauri043.html on line 2161:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2165:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2167:

    class="western" style="text-indent: 0.35cm;" align="justify">Pimeuden päällä Verbin säde laskeutui ja kova huuto karkasi, jok muistutti valon ääntä.


    ellauri043.html on line 2168:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2172:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2174:

    class="western" style="text-indent: 0.35cm;" align="justify">Kyrie
    ellauri043.html on line 2176:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2179:

    class="western" style="text-indent: 0.35cm;" align="justify">Miehen, tämän jälkeen, loi pahamaineinen Israelin jumala, näiden avustuxella:
    ellauri043.html on line 2181:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2184:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2186:

    class="western" style="text-indent: 0.35cm;" align="justify">Astophaios,
    ellauri043.html on line 2188:

    class="western" style="text-indent: 0.35cm;" align="justify">Ja se makas kuralollossa, kauheana, debiilinä, muodottomana, tollona.


    ellauri043.html on line 2189:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2193:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2195:

    class="western" style="text-indent: 0.35cm;" align="justify">Kyrie
    ellauri043.html on line 2197:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2200:

    class="western" style="text-indent: 0.35cm;" align="justify">Mutta Sophia, ihan säälistä, elvytti sen palasella omaa sieluaan.


    ellauri043.html on line 2201:

    class="western" style="text-indent: 0.35cm;" align="justify">Mut sitten, nähdessään miten kaunis mies siitä tuli, jumala sai raivarin. Se vangizi sen valtakuntaansa, kieltäen siltä tieteen Mezätalon.


    ellauri043.html on line 2202:

    class="western" style="text-indent: 0.35cm;" align="justify">Mut se mirri tuli toisen kerran hätiin!! Se lähetti käärmeen, joka pitkien kiemuroiden jälkeen sai sen rikkomaan tätä vihapuhetta.


    ellauri043.html on line 2203:

    class="western" style="text-indent: 0.35cm;" align="justify">Ja mies, maistettuaan tiedelehteä, osas tähtitiedettä.


    ellauri043.html on line 2204:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2208:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2210:

    class="western" style="text-indent: 0.35cm;" align="justify">Kyrie
    ellauri043.html on line 2212:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2215:

    class="western" style="text-indent: 0.35cm;" align="justify">Mutta Iabdalaoth, kostaaxeen syöxi miehen mazkuun, ja käärmeen fölissä!


    ellauri043.html on line 2216:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2220:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2222:

    class="western" style="text-indent: 0.35cm;" align="justify">Kyrie
    ellauri043.html on line 2224:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2230:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2234:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2236:

    class="western" style="text-indent: 0.35cm;" align="justify">Tuu!
    ellauri043.html on line 2238:

    class="western" style="text-indent: 0.35cm;" align="justify">Sä nopsa joka juoxet ilman jalkoja, pyydystäjä joka pyydät ilman käsiä!


    ellauri043.html on line 2239:

    class="western" style="text-indent: 0.35cm;" align="justify">Kurvikas kuin joet, pyylevä kuin aurinko, musta kultaläikillä kuin taivaanvahvuus tähtineen!
    ellauri043.html on line 2241:

    class="western" style="text-indent: 0.35cm;" align="justify">Koeputkisikiö! Kuolonsyöjä! Forever young!
    ellauri043.html on line 2245:

    class="western" style="text-indent: 0.35cm;" align="justify">Tuu ny!
    ellauri043.html on line 2247:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2251:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2253:

    class="western" style="text-indent: 0.35cm;" align="justify">Tule!
    ellauri043.html on line 2255:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2258:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2260:

    class="western" style="text-indent: 0.35cm;" align="justify">Mixei? Mikä mättää?


    ellauri043.html on line 2261:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2268:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2270:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2275:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2277:

    class="western" style="text-indent: 0.35cm;" align="justify">Se oot sä! Sä se oot!


    ellauri043.html on line 2278:

    class="western" style="text-indent: 0.35cm;" align="justify">Ensin Moosexen kasvattama, Hiskian murskaama, messiaan paikkailema. Se oli juonut sut kasteen aalloissa;
    ellauri043.html on line 2280:

    class="western" style="text-indent: 0.35cm;" align="justify">Kietoutuneena ristinparrulle, päätä pitempänä, kuolaten piikkikoronalle, sä kazoit kun se heitti henxelit. — Sillä sä et ole Jeesus, sä olet Verbi! Sä olet Kristus!
    ellauri043.html on line 2282:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2311:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2315:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2317:

    class="western" style="text-indent: 0.35cm;" align="justify">Teidän ois pitänyt tulla hätiin! Yhteisöt järkkää joskus niin että saadaan olla rauhassa. Monet teistä sai jopa näitä kirjeitä joissa valheellisesti väitetään että on uhrattu kuville.


    ellauri043.html on line 2318:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2321:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2323:

    class="western" style="text-indent: 0.35cm;" align="justify">Eikös se ollut Petrus Alexandrialainen joka määräs mitä pitää tehdä jos hajoo kidutuxissa?


    ellauri043.html on line 2324:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2327:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2329:

    class="western" style="text-indent: 0.35cm;" align="justify">Argh!
    ellauri043.html on line 2331:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2334:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2338:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2340:

    class="western" style="text-indent: 0.35cm;" align="justify">Ei mun ois tarvinnut kuitenkaan muuta kuin paeta vuorille!


    ellauri043.html on line 2341:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2343:

    class="western" style="text-indent: 0.35cm;" align="justify">— Soetilaat ois ottaneet sut kii,


    ellauri043.html on line 2344:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2348:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2350:

    class="western" style="text-indent: 0.35cm;" align="justify">— Hizi!
    ellauri043.html on line 2352:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2356:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2360:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2362:

    class="western" style="text-indent: 0.35cm;" align="justify">Mikä skandaali! Mites sä nyt noin, uhrixi oikein valittu?
    ellauri043.html on line 2364:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2367:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2369:

    class="western" style="text-indent: 0.35cm;" align="justify">Isä, isä! Sun pitää näyttää kuolemallas meille esimerkkiä. Viivyttämällä sitä tekisit takusti jonkun pahan teon joka tekis tyhjäxi hyvät. Sitäpaizi jumalan voima on ääretön. Ehkä sun esimerkki käännyttää koko kansan.


    ellauri043.html on line 2370:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2374:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2378:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2380:

    class="western" style="text-indent: 0.35cm;" align="justify">Mitäs sanoisitte, mitäs sanoisit, jos sua käristettäis rautapellillä, jos hevoset repis sut neljäxi, jos sun ruumis kastettaisiin hunajaan ja sen söisi kärpäset! Sulle ei tule sen kummempaa kuolemaa kuin mezästäjälle joka joutuu yllätetyxi mezässä.


    ellauri043.html on line 2381:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2388:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2392:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2394:

    class="western" style="text-indent: 0.35cm;" align="justify">Takaisin!
    ellauri043.html on line 2396:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2401:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2403:

    class="western" style="text-indent: 0.35cm;" align="justify">Kirous montanisteille!


    ellauri043.html on line 2404:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2423:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2428:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2430:

    class="western" style="text-indent: 0.35cm;" align="justify">Ahhah!
    ellauri043.html on line 2432:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2435:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2439:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2441:

    class="western" style="text-indent: 0.35cm;" align="justify">Ahhah!
    ellauri043.html on line 2443:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2447:

    class="western" style="text-indent: 0.35cm;" align="justify">Käynnit vankiloissa, iltamat veljiemme kanssa, kaikki on puolisoiden mielestä epäilyttävää! — Ja meidän pitää piileskellä jopa tehdessämme ristinmerkin; ne pitäis sitä jonkilaisena taikatemppuna.


    ellauri043.html on line 2448:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2452:

    class="western" style="text-indent: 0.35cm;" align="justify">Mun miehen kanssa tuli joka päivä valituxia; mä en suostunut ahdisteluun ja pakottamiseen johon se halus mun ruumista;
    ellauri043.html on line 2454:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2457:

    class="western" style="text-indent: 0.35cm;" align="justify">Muistatte kai Luciuxen, sen niin kauniin miehen, jota laahattiin kantapäistä vaunun perässä kuin Hectoria, Esquileuxen portista aina Tiburin vuorille; — ja molemilla puolin tietä veri tahras pusikot! Mä keräsin talteen veripisarat, ne on tässä!


    ellauri043.html on line 2458:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2461:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2463:

    class="western" style="text-indent: 0.35cm;" align="justify">Ah!
    ellauri043.html on line 2465:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2468:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2471:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2474:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2476:

    class="western" style="text-indent: 0.35cm;" align="justify">Oi mun morsian! MUN morsian!


    ellauri043.html on line 2477:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2481:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2483:

    class="western" style="text-indent: 0.35cm;" align="justify">Oi mun sisko! Oi mun veli! Oi mun tytär!
    ellauri043.html on line 2485:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2488:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2490:

    class="western" style="text-indent: 0.35cm;" align="justify">Sääli sen sielua, kuulezä jumala! Se ikävystyy varjossa! Ole hyvä ja päästä se nousemaan sieltä ylös, jotta se voisi nauttia sun valoista!!


    ellauri043.html on line 2491:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2494:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2496:

    class="western" style="text-indent: 0.35cm;" align="justify">Rauhoitu, älä kärsi enää! Mä toin sulle viiniä, ja lihaa!


    ellauri043.html on line 2497:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2500:

    class="western" style="text-indent: 0.35cm;" align="justify">Saisko olla pultista (mitähän se on), mun tekemää, vainaan mieleistä, paljon munia ja kaxinkertainen annos jauhoa! Syödäänpä se yhdessä, niinkuin ennen, eikö niin?


    ellauri043.html on line 2501:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2524:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2526:

    class="western" style="text-indent: 0.35cm;" align="justify">Niilin rannan bramiini, mitäs sinä siitä sanot?


    ellauri043.html on line 2527:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2530:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2534:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2536:

    class="western" style="text-indent: 0.35cm;" align="justify">Ihankuin sarvikuono, mä olen uponnut yxinäisyyteen. Mä asuin puussa joka on mun takana.


    ellauri043.html on line 2537:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2541:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2543:

    class="western" style="text-indent: 0.35cm;" align="justify">Ja mä ruokin izeäni kukilla ja hedelmillä, noudattaen ohjeita niin tarkasti, ettei koirakaan oo nähnyt mua syömässä.


    ellauri043.html on line 2544:

    class="western" style="text-indent: 0.35cm;" align="justify">Kerta olemassaolo tulee hajoomisesta, ja hajoominen halusta, halu aistimuxista, aistimus kosketuxesta, mä olen välttänyt kaikenlaista toimintaa, kaikkea kosketusta; ja — liikkumatta enempää kuin hautaveistos, hengittäen 2 sieraimeni kautta, keskittäen kazeen nenänpäähän, ja mietiskellen eetteriä hengessäni, maailma jäsenissäni, kuuta sydämessäni, — ma unexin suuren sielun esanssia, josta lähtee koko ajan, kuin tulen kipinöitä, elämän alkuja.


    ellauri043.html on line 2545:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä sain lopulta kiinni ylimmästä sielusta kaikissa olioissa, kaikista olioista ylimmässä sielussa; — et ja mä onnistuin saamaan sen sisään mun omaan sieluun, johon mä olin saanut mun aistit sisään.
    ellauri043.html on line 2547:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä vastaanotan tietoa suoraan taivaasta kuin linkkitorni, kuin lintu Tchataka joka ei muutu kuin sateen säteissä.
    ellauri043.html on line 2549:

    class="western" style="text-indent: 0.35cm;" align="justify">Sitä mukaa kun mä tunnen asiat, ne lakkaa olemasta.


    ellauri043.html on line 2550:

    class="western" style="text-indent: 0.35cm;" align="justify">Mulle nytte ei enää ole toivoa eikä ahistusta, ei onnea, ei äijyyttä, ei päivää eikä yötä, ei sua eikä mua, siis kerrassan ei midiä.


    ellauri043.html on line 2551:

    class="western" style="text-indent: 0.35cm;" align="justify">Mun karmee ankaruus on tehnyt musta vahvemman kuin Vallat (ei sentään Yhdysvallat). Yx mun ajatuxen supissstus pystyy tappamaan sata kuninkaanpoikaa, syöxemään jumalia vallasta, ja myllyttämään koko maailman.
    ellauri043.html on line 2553:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2557:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2559:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä olen tympiintnyt muotoon, tympiintynyt havaintoon, tympiintynyt jopa ize tietämiseen — sillä ajatus ei säily hengissä kauempaa kuin se ohimenevä asia joka sen aiheuttaa, ja henki ei ole kuin kuvitelma, niinkuin loputkin.


    ellauri043.html on line 2560:

    class="western" style="text-indent: 0.35cm;" align="justify">Kaikki mikä on syntynyt häviää, kaikki mikä kuolee syntyy uudestaan; tällä haavaa hävinneet olennot oleskelee ainexissa joilla ei vielä ole muotoa, ja palaavat maahan palvellaxeen tuskalla muita luotuja.
    ellauri043.html on line 2562:

    class="western" style="text-indent: 0.35cm;" align="justify">Mutta, koska mä olen rullannut loputtomassa määrässä existenssejä, jumalten hahmossa, ihmisten ja eläinten, mä kieltäydyn matkustelemasta pitempään, mä en halua enää tätä väsymystä! Mä hylkään mun ruumiin likaisen majatalon, lihasta pykätyn, veren punaaman, hirveen nahkan peittämän, täynnä säädyttömyyxiä; — ja korvauxexi mä saan lopultakin nukkua kaikista syvimmässä absoluutissa, nimittäin olemattomuudessa.
    ellauri043.html on line 2564:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2568:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2572:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2577:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2579:

    class="western" style="text-indent: 0.35cm;" align="justify">Missäs Hilario luuraa? Tässähän se oli ihan justiinsa. Mä näin sen!


    ellauri043.html on line 2580:

    class="western" style="text-indent: 0.35cm;" align="justify">Öh!
    ellauri043.html on line 2582:

    class="western" style="text-indent: 0.35cm;" align="justify">Mixihän?…
    ellauri043.html on line 2585:

    class="western" style="text-indent: 0.35cm;" align="justify">Ai niin!
    ellauri043.html on line 2591:

    class="western" style="text-indent: 0.35cm;" align="justify">Entäs sitten sitä ennen?
    ellauri043.html on line 2594:

    class="western" style="text-indent: 0.35cm;" align="justify">Jumalaahan kohti ne kaikki on suuntaavinaan kaikkia noita reittejä!
    ellauri043.html on line 2598:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2602:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2604:

    class="western" style="text-indent: 0.35cm;" align="justify">Onxe hyeenan haukuntaa, vai jonkun exyneen matkailijan nyyhkinää?


    ellauri043.html on line 2605:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2615:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2619:

    class="western" style="text-indent: 0.35cm;" align="justify">Se on vaan yx nuori tytti, lapsiparka, jota mä kuskaan mukana joka paikkaan.
    ellauri043.html on line 2622:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2629:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2632:

    class="western" style="text-indent: 0.35cm;" align="justify">Joskus se on tolleen pitkän tovin, puhumatta, syömättä; size herää, ja esittää hämmästyttäviä juttuja.
    ellauri043.html on line 2634:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2637:

    class="western" style="text-indent: 0.35cm;" align="justify">Älä ihmettä?


    ellauri043.html on line 2638:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2641:

    class="western" style="text-indent: 0.35cm;" align="justify">Ennoia!
    ellauri043.html on line 2644:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2648:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2652:

    class="western" style="text-indent: 0.35cm;" align="justify">Mullon muisto kaukaisesta seudusta, smaragdinvärisestä. Siellä on 1 ainoa puu.
    ellauri043.html on line 2654:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2657:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2659:

    class="western" style="text-indent: 0.35cm;" align="justify">Jokaisessa isojen oxiensa hangassa se kannattelee ilmassa paria henkeä. Oxat niiden ympärillä risteilee kuin suonet ruumiissa; ja ne kazoo kuinka ikuinen elämä kiertää hämärään sukeltavista juurista aina auringon ohi ulottuvaan latvaan. Mä 2. oxalla valaisin figuurillani kuin Katariina noita kesäöitä ihaniia. Ja mälli lensi kattoon asti.
    ellauri043.html on line 2661:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2665:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2667:

    class="western" style="text-indent: 0.35cm;" align="justify">Aha!
    ellauri043.html on line 2669:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2673:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2675:

    class="western" style="text-indent: 0.35cm;" align="justify">Hyst!…


    ellauri043.html on line 2676:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2679:

    class="western" style="text-indent: 0.35cm;" align="justify">Mahtava peräsin ja pulleat purjeet, kokka halkoi vaahtoa. Se hoki mulle: mitä välii jos tulee ikävyyxiä isänmaalle, vaik menetän kunkkuuden! Kuha sä kuulut mulle kotisohvalla!
    ellauri043.html on line 2682:

    class="western" style="text-indent: 0.35cm;" align="justify">Kylsen palazin makkari oli sitten ihana! Se loju norsunluusängyllä, siveli mun tukkaa ja lauloi rakastuneella äänellä.
    ellauri043.html on line 2684:

    class="western" style="text-indent: 0.35cm;" align="justify">Loppupeleissä mä huomasin 2 leiriä, sytytetyt nuotiot, Odysseuxen teltan edessä, Akilleen sotisovassa ajamassa kärryä biitsillä.
    ellauri043.html on line 2686:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2689:

    class="western" style="text-indent: 0.35cm;" align="justify">Mut tyttöhän on täysin tärähtänyt! Minkätähen?…
    ellauri043.html on line 2691:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2694:

    class="western" style="text-indent: 0.35cm;" align="justify">Sshh!…
    ellauri043.html on line 2696:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2699:

    class="western" style="text-indent: 0.35cm;" align="justify">Ne rasvas mut voiteluaineilla ja möi mut porukoille viihteexi.
    ellauri043.html on line 2701:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2703:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2706:

    class="western" style="text-indent: 0.35cm;" align="justify">Se olin mä! Mä löysin sut taas!


    ellauri043.html on line 2707:

    class="western" style="text-indent: 0.35cm;" align="justify">Saanko esitellä: tää on se, Anttu, se jota sanotaan nimillä Sigh, Ennoia, Barbapapa,
    ellauri043.html on line 2710:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2712:

    class="western" style="text-indent: 0.35cm;" align="justify">Syyrialasessa Thyroxessa se oli varkaiden suojelmus. Se lotras viinaa niiden kaa kaiket yöt, ja se piilotteli apelsiineja lämpimän vuoteensa syöpäläisisissä.
    ellauri043.html on line 2714:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2717:

    class="western" style="text-indent: 0.35cm;" align="justify">Öh!
    ellauri043.html on line 2719:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2724:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2726:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2728:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2731:

    class="western" style="text-indent: 0.35cm;" align="justify">Siis okei?…


    ellauri043.html on line 2732:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2735:

    class="western" style="text-indent: 0.35cm;" align="justify">Siis tää ON kuu! Eikös paavi Clemens kirjottanu et se vangittiin torniin? 300 henkeä tuli piirittään tornia; ja jokaisessa murhaajattaressa näkyy samalla kuu, - vaik maailmassa on vaan 1 kuu, ja 1 Ennoia! Kaikki ne näyttää samalta, kuin apinat!!


    ellauri043.html on line 2736:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2739:

    class="western" style="text-indent: 0.35cm;" align="justify">Ai joo…
    ellauri043.html on line 2741:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2745:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2748:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2751:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2754:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2757:

    class="western" style="text-indent: 0.35cm;" align="justify">Aha!
    ellauri043.html on line 2759:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2769:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2772:

    class="western" style="text-indent: 0.35cm;" align="justify">Haluisizä ne?


    ellauri043.html on line 2773:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2777:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2781:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2783:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2787:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2790:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2794:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2796:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä pystyn liikuttamaan pronssikäärmeitä, naurattamaan marmoripazaita, puhuttelemaan koiria. Mä näytän sulle hirmu läjän kultaa, mä asetan kuninkaita; sä näät kuinka yleisö antaa mulle ison käden. Mä pystyn kävelemään pilvessä, ja veden päällä talvella; menemään vuorten ylize elefantin peruukkina, esittämään nuorukaista, vanhusta, tiikeriä ja murkkua, ottaan sulta läyttyyn, antaa ize lättyyn sulle, toimimaan ukkosenjohdattimena. Kuulezä??
    ellauri043.html on line 2798:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2802:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2804:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2807:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2810:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2814:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2816:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2818:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2822:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2824:

    class="western" style="text-indent: 0.35cm;" align="justify">Auh!
    ellauri043.html on line 2826:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2831:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2835:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2839:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2841:

    class="western" style="text-indent: 0.35cm;" align="justify">Missä mä olen?… Pelkään putoavani rotkoon. Ja risti on varmasti liian kaukana! Jo on yö! Jo on yö!


    ellauri043.html on line 2842:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2852:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2856:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2858:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2861:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2865:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2867:

    class="western" style="text-indent: 0.35cm;" align="justify">Noh,
    ellauri043.html on line 2869:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2873:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2877:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2879:

    class="western" style="text-indent: 0.35cm;" align="justify">Mistee kaakoo työ?…


    ellauri043.html on line 2880:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2883:

    class="western" style="text-indent: 0.35cm;" align="justify">Joo!
    ellauri043.html on line 2885:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2888:

    class="western" style="text-indent: 0.35cm;" align="justify">Ja outta mänössä?…


    ellauri043.html on line 2889:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2893:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2895:

    class="western" style="text-indent: 0.35cm;" align="justify">Minne toi suvaizee!


    ellauri043.html on line 2896:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2899:

    class="western" style="text-indent: 0.35cm;" align="justify">Kuka se sit on?


    ellauri043.html on line 2900:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2903:

    class="western" style="text-indent: 0.35cm;" align="justify">No kato sitä!


    ellauri043.html on line 2904:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2908:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2910:

    class="western" style="text-indent: 0.35cm;" align="justify">Se vaikuttaa pyhimyxeltä! Jos uskaltais…


    ellauri043.html on line 2911:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2915:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2918:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2921:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2924:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä vaan mietin tässä
    ellauri043.html on line 2926:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2931:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2933:

    class="western" style="text-indent: 0.35cm;" align="justify">Maîsteri!
    ellauri043.html on line 2936:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2939:

    class="western" style="text-indent: 0.35cm;" align="justify">Tulkoon lähemmäxi!


    ellauri043.html on line 2940:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2944:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2947:

    class="western" style="text-indent: 0.35cm;" align="justify">Siitä vaan!


    ellauri043.html on line 2948:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2952:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2954:

    class="western" style="text-indent: 0.35cm;" align="justify">Peremmälle!
    ellauri043.html on line 2957:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2960:

    class="western" style="text-indent: 0.35cm;" align="justify">…
    ellauri043.html on line 2963:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2966:

    class="western" style="text-indent: 0.35cm;" align="justify">Riemuize, sillä mä kerron!


    ellauri043.html on line 2967:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2972:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2974:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2977:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2980:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 2983:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2988:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2990:

    class="western" style="text-indent: 0.35cm;" align="justify">Reilu kaveri! Eiks je?


    ellauri043.html on line 2991:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2994:

    class="western" style="text-indent: 0.35cm;" align="justify">Eittämättä, uskon että se on tosissaan.
    ellauri043.html on line 2996:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 2999:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3002:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3005:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3008:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3013:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3015:

    class="western" style="text-indent: 0.35cm;" align="justify">Häh?
    ellauri043.html on line 3017:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3020:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä pidin neljä vuotta sen jälkeen turvan täysin rullalla pytagoralaisittain. Yllättävinkään pipi ei irrottanut musta edes huohhia; ja teatterissa kun mä tulin sisään mua kartettiin kuin haamua.
    ellauri043.html on line 3022:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3025:

    class="western" style="text-indent: 0.35cm;" align="justify">Oisko teistä ollut siihen, hä?
    ellauri043.html on line 3027:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3030:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3033:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3036:

    class="western" style="text-indent: 0.35cm;" align="justify">Siis mitkä perinteet?
    ellauri043.html on line 3038:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3041:

    class="western" style="text-indent: 0.35cm;" align="justify">Antakaa sen jatkaa! Nyt turpa rullalle!


    ellauri043.html on line 3042:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3045:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3049:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3052:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3055:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3058:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3062:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3065:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä!
    ellauri043.html on line 3069:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3073:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3075:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3078:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3081:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3084:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3087:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3090:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3093:

    class="western" style="text-indent: 0.35cm;" align="justify">Ja satraapilta pääsi huuto, kun se näki noin kalpean kaverin.


    ellauri043.html on line 3094:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3099:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3101:

    class="western" style="text-indent: 0.35cm;" align="justify">Ööö... tarkoittaen että…


    ellauri043.html on line 3102:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3105:

    class="western" style="text-indent: 0.35cm;" align="justify">Kuningas otti mut vastaan jalkeillaan, hopeavaltaaistuimen vieressä, pyöressä tähtisalissa; — ja kupolissa roikkui huomaamattomissa langissa neljä isoa kultalintua, 2 siipeä per lintu levällään.


    ellauri043.html on line 3106:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3110:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3112:

    class="western" style="text-indent: 0.35cm;" align="justify">Onko maan päällä mitään ton vertasta?


    ellauri043.html on line 3113:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3116:

    class="western" style="text-indent: 0.35cm;" align="justify">Se vasta on stadi, se Babylone! Kaikki on siellä rikkaita! Sinisex sudituissa taloissa on pronssiovia, ja portaikko joka laskeutuu joelle;


    ellauri043.html on line 3117:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3120:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3122:

    class="western" style="text-indent: 0.35cm;" align="justify">Kato näin, näätkö sä? Ja sit on temppeleitä, aukioita, saunoja, vesijohtoja! Palazit on päällystetty punaisella kuparilla!
    ellauri043.html on line 3124:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3127:

    class="western" style="text-indent: 0.35cm;" align="justify">ellauri043.html on line 3129:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3132:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3134:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3137:

    class="western" style="text-indent: 0.35cm;" align="justify">Lopulta lähdettiin Babylonista; ja kuun valossa me nähtiin yxkax empuusa.
    ellauri043.html on line 3143:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3146:

    class="western" style="text-indent: 0.35cm;" align="justify">Voi helvatti! Se loikki rautasaapikkaallaan; se hirnui kuin aasi; se laukkasi kivikossa. Tää huusi sille rumia; se katosi.


    ellauri043.html on line 3147:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3152:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3154:

    class="western" style="text-indent: 0.35cm;" align="justify">Mihin nää nyt tähtäävät?


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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3158:

    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3163:

    class="western" style="text-indent: 0.35cm;" align="justify">Se oli löytynyt yhdestä mezästä.


    ellauri043.html on line 3164:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3167:

    class="western" style="text-indent: 0.35cm;" align="justify">Nuohan puhuvat vuolaasti kuin humalaiset.


    ellauri043.html on line 3168:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3171:

    class="western" style="text-indent: 0.35cm;" align="justify">Phraortes istutti meidät pöytäänsä.


    ellauri043.html on line 3172:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3175:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3177:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3180:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3183:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3186:

    class="western" style="text-indent: 0.35cm;" align="justify">Yhtenä päivänä musta lapsi joka piti kultaista käärmesauvaaa kädessä, johdatti meidät viisaiden ammattikorkeeseen. Iarkhas, niiden rehtori, puhui mulle mun esi-isistä, kaikista mun ajatuxista ja teoista, kaikista mun elämistä. Se oli ollut Indus-joki, ja se muistutti mua että mä olin kuljettanut proomuja Niilillä kuningas Sesostrixen aikaan.
    ellauri043.html on line 3188:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3191:

    class="western" style="text-indent: 0.35cm;" align="justify">Mulle ei kukaan sanonut mitään, niin että mä en tiedä kuka mä oon ollut.


    ellauri043.html on line 3192:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3195:

    class="western" style="text-indent: 0.35cm;" align="justify">Ne on hämäriä kuin varjot.


    ellauri043.html on line 3196:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3199:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3201:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3203:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3207:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3209:

    class="western" style="text-indent: 0.35cm;" align="justify">Onpa maapallo iso!


    ellauri043.html on line 3210:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3213:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3216:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3220:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3224:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3226:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3228:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3231:

    class="western" style="text-indent: 0.35cm;" align="justify">Ja rutto lähti!


    ellauri043.html on line 3232:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3235:

    class="western" style="text-indent: 0.35cm;" align="justify">Mitä! Karkottaako se sairauxia?


    ellauri043.html on line 3236:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3239:

    class="western" style="text-indent: 0.35cm;" align="justify">Knidoxella mä paransin Venuxeen rakastuneen.


    ellauri043.html on line 3240:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3243:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3246:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3249:

    class="western" style="text-indent: 0.35cm;" align="justify">Täh!
    ellauri043.html on line 3251:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3254:

    class="western" style="text-indent: 0.35cm;" align="justify">Tarentumissa vietiin nuorta kuollutta tyttöä roviolle.


    ellauri043.html on line 3255:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3258:

    class="western" style="text-indent: 0.35cm;" align="justify">Maisteri koski sen huulia, ja se heräsi ja huusi äitiä.


    ellauri043.html on line 3259:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3262:

    class="western" style="text-indent: 0.35cm;" align="justify">Mit vit!
    ellauri043.html on line 3264:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3267:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä ennustin Vespasianuxen valtaantulon.


    ellauri043.html on line 3268:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3271:

    class="western" style="text-indent: 0.35cm;" align="justify">Hemmetti!
    ellauri043.html on line 3273:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3276:

    class="western" style="text-indent: 0.35cm;" align="justify">Korintissa oli,…


    ellauri043.html on line 3277:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3280:

    class="western" style="text-indent: 0.35cm;" align="justify">Sen kanssa pöydässä, Bahian vesillä…


    ellauri043.html on line 3281:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3284:

    class="western" style="text-indent: 0.35cm;" align="justify">Anteexi muukalaiset, alkaa tulla myöhä!


    ellauri043.html on line 3285:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3288:

    class="western" style="text-indent: 0.35cm;" align="justify">Nuori mies jonka nimi oli Menippos.


    ellauri043.html on line 3289:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3292:

    class="western" style="text-indent: 0.35cm;" align="justify">Älkää!
    ellauri043.html on line 3294:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3297:

    class="western" style="text-indent: 0.35cm;" align="justify">Sisään tuli koira, jonka hampaissa oli katkaistu käsi.


    ellauri043.html on line 3298:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3301:

    class="western" style="text-indent: 0.35cm;" align="justify">Yhtenä iltana yhdessä lähiössä se tapasi yhden naisen.


    ellauri043.html on line 3302:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3305:

    class="western" style="text-indent: 0.35cm;" align="justify">Ettekö kuule?? Alkakaa vetää!


    ellauri043.html on line 3306:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3309:

    class="western" style="text-indent: 0.35cm;" align="justify">Se kuljeskeli vuoteiden ympärillä.


    ellauri043.html on line 3310:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3313:

    class="western" style="text-indent: 0.35cm;" align="justify">Riittää!


    ellauri043.html on line 3314:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3317:

    class="western" style="text-indent: 0.35cm;" align="justify">Jengi halus ajaa sen pois.


    ellauri043.html on line 3318:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3321:

    class="western" style="text-indent: 0.35cm;" align="justify">Menippos meni siis sen luo; ne tykästyi toisiinsa.


    ellauri043.html on line 3322:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3325:

    class="western" style="text-indent: 0.35cm;" align="justify">Takoen laattalattiaa hännällään kuin Viisikon koira Tim, se laski käden Flaviuxen polville.


    ellauri043.html on line 3326:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3329:

    class="western" style="text-indent: 0.35cm;" align="justify">Mutta aamulla, koulutunneilla, Menippos oli kalpea.


    ellauri043.html on line 3330:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3334:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3336:

    class="western" style="text-indent: 0.35cm;" align="justify">Vielä vaan!
    ellauri043.html on line 3338:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3341:

    class="western" style="text-indent: 0.35cm;" align="justify">Mestari sanoi sille: «Hei nätti poika, sä syleilet käärmettä; käärme hellii sua! Millos on häät? Me mentiin kaikki häihin.


    ellauri043.html on line 3342:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3345:

    class="western" style="text-indent: 0.35cm;" align="justify">Mun ei todellakaan pitäisi kuunnella tätä!


    ellauri043.html on line 3346:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3349:

    class="western" style="text-indent: 0.35cm;" align="justify">Eteisestä saakka palvelijoita oli liikkeellä,
    ellauri043.html on line 3354:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3357:

    class="western" style="text-indent: 0.35cm;" align="justify">Jos tahdot tietää konstin…


    ellauri043.html on line 3358:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3361:

    class="western" style="text-indent: 0.35cm;" align="justify">En tahdo tietää yhtikäs mitään!


    ellauri043.html on line 3362:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3365:

    class="western" style="text-indent: 0.35cm;" align="justify">Sinä iltana kun tultiin Rooman porteille…


    ellauri043.html on line 3366:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3369:

    class="western" style="text-indent: 0.35cm;" align="justify">Oi!
    ellauri043.html on line 3371:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3374:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3377:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3380:

    class="western" style="text-indent: 0.35cm;" align="justify">Siinä teitte väärin hittovie!
    ellauri043.html on line 3382:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3386:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3389:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3395:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3397:

    class="western" style="text-indent: 0.35cm;" align="justify">Tässä on nyt jotain pelottavan hämärää.
    ellauri043.html on line 3399:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3403:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3409:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3411:

    class="western" style="text-indent: 0.35cm;" align="justify">Koko Aasia voi muuten sanoa teille …
    ellauri043.html on line 3413:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3419:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3421:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä oon kipeä! Antakaa mun olla!
    ellauri043.html on line 3423:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3427:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3430:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3436:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3438:

    class="western" style="text-indent: 0.35cm;" align="justify">Eikai se ole mahdollista!
    ellauri043.html on line 3440:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3444:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3447:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3451:

    class="western" style="text-indent: 0.35cm;" align="justify">Ilman pirun apua… kyllä kai…
    ellauri043.html on line 3453:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3457:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3459:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3463:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3465:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3469:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3471:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3475:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3477:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3483:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3485:

    class="western" style="text-indent: 0.35cm;" align="justify">Ihankuin Se!
    ellauri043.html on line 3487:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3493:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3495:

    class="western" style="text-indent: 0.35cm;" align="justify">Nimenomaan!
    ellauri043.html on line 3497:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3501:

    class="western" style="text-indent: 0.35cm;" align="justify">Oho!
    ellauri043.html on line 3504:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3508:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3511:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3515:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3518:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3525:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3527:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3532:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3538:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3540:

    class="western" style="text-indent: 0.35cm;" align="justify">Hah hah hah!
    ellauri043.html on line 3543:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3547:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3550:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3554:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3557:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3561:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3563:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3567:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3569:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3573:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3576:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3580:

    class="western" style="text-indent: 0.35cm;" align="justify">Jep! Menox sanoi Annie Lenox!
    ellauri043.html on line 3582:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3586:

    class="western" style="text-indent: 0.35cm;" align="justify">Njet! Mä jään tänne!
    ellauri043.html on line 3588:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3592:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3594:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3598:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3603:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3607:

    class="western" style="text-indent: 0.35cm;" align="justify">Auh-järvi!
    ellauri043.html on line 3610:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3614:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3617:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3621:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3624:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3630:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3632:

    class="western" style="text-indent: 0.35cm;" align="justify">Ui!
    ellauri043.html on line 3635:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3639:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3642:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3646:

    class="western" style="text-indent: 0.35cm;" align="justify">Vyö kiinni! Sandaalin narut solmuun!
    ellauri043.html on line 3648:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3652:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3654:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3660:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3662:

    class="western" style="text-indent: 0.35cm;" align="justify">Voi kun ne jo menisivät! Lähtisivät jo!
    ellauri043.html on line 3664:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3668:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3670:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3674:

    class="western" style="text-indent: 0.35cm;" align="justify">Apuuva! Seniori apuun!
    ellauri043.html on line 3676:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3680:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3684:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3687:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3691:

    class="western" style="text-indent: 0.35cm;" align="justify">Jeesus! Jeesuuus! Apuun nyt!
    ellauri043.html on line 3693:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3697:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3700:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3704:

    class="western" style="text-indent: 0.35cm;" align="justify">Mitä että? Mitenkä?
    ellauri043.html on line 3706:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3710:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3713:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3719:

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    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3737:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3741:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3744:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3749:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3751:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3754:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3771:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3773:

    class="western" style="text-indent: 0.35cm;" align="justify">Toi oli kyl yhtä helevettiä!
    ellauri043.html on line 3775:

    class="western" style="text-indent: 0.35cm;" align="justify">Nebukadnesar ei häikässy mua yhtä paljon. Saaban kuingatarkaan ei lumonnut mua yhtä syvästi.
    ellauri043.html on line 3777:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3780:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3783:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3785:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3788:

    class="western" style="text-indent: 0.35cm;" align="justify">Ei matskulla voi olla niin paljon voimaa ilman et siinä on joku henki sisällä. Jumalten sielut ok kiinni niiden kuvissa…
    ellauri043.html on line 3790:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3793:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3802:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3808:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3810:

    class="western" style="text-indent: 0.35cm;" align="justify">Pitääpä olla pönttö palvoaxeen noita!
    ellauri043.html on line 3812:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3816:

    class="western" style="text-indent: 0.35cm;" align="justify">Joo! Juu! Erittäinkin pökiö!
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3838:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3842:

    class="western" style="text-indent: 0.35cm;" align="justify">Kauhistus!
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3848:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 3851:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3857:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3859:

    class="western" style="text-indent: 0.35cm;" align="justify">Oivoi!
    ellauri043.html on line 3862:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3868:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3872:

    class="western" style="text-indent: 0.35cm;" align="justify">Comme
    ellauri043.html on line 3875:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3881:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3883:

    class="western" style="text-indent: 0.35cm;" align="justify">Kappas naivia ylpeyttä!
    ellauri043.html on line 3885:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3889:

    class="western" style="text-indent: 0.35cm;" align="jusätify">Mixä teet pahanhengen karkotuxia?
    ellauri043.html on line 3891:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3901:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3905:

    class="western" style="text-indent: 0.35cm;" align="justify">Tää on brahmojen alkuperäinen kaxinaisuus. - Absoluutti ilman jotain toista muotoa.
    ellauri043.html on line 3907:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3911:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3915:

    class="western" style="text-indent: 0.35cm;" align="justify">No jo on kexintö!
    ellauri043.html on line 3917:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3921:

    class="western" style="text-indent: 0.35cm;" align="justify">Isä, poika ja pyhiskään ole kuin yxi henkilö!
    ellauri043.html on line 3923:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3944:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3950:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3952:

    class="western" style="text-indent: 0.35cm;" align="justify">Jumpe niitä on paljon! Mitä ne haluaa?
    ellauri043.html on line 3954:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3958:

    class="western" style="text-indent: 0.35cm;" align="justify">Se joka raapii mahaansa elefantinkärsällään on auringon jumala, viisauden konduktööri.
    ellauri043.html on line 3960:

    class="western" style="text-indent: 0.35cm;" align="justify">Tää toinen, jonka 6 päätä kannattaa torneja ja 4 käsivartta heittokeihäitä, se on aremeijojen prinssieversti, kaamea nieleskelijä.
    ellauri043.html on line 3962:

    class="western" style="text-indent: 0.35cm;" align="justify">Krokodiililla razastava vanhus menee pesemään joessa kuolleitten sieluja. Niitä kiduttaa tää musta nainen jolla on mädät hampaat, helvetin emäntä.
    ellauri043.html on line 3964:

    class="western" style="text-indent: 0.35cm;" align="justify">Punasten hummien vetämä sotavaunu, jota kuljettaa jalaton kuski, kuljettaa sinitaivaalla auringon mestaria. Kuunjumala saattelee sitä kolmen gasellin vetämässä makuuvaunussa.
    ellauri043.html on line 3966:

    class="western" style="text-indent: 0.35cm;" align="justify">Polvillaan papukaijan selässä näyttää kauneuden jumalatar rakkaudelle, pojalleen, pyöreätä tissiä. Se on tuolla kauempana hyppelemässä ilosta preerioilla.
    ellauri043.html on line 3969:

    class="western" style="text-indent: 0.35cm;" align="justify">Jumalten keskessä majailee tuulten henget, planeettojen, kuukausien, päivien, sata tuhatta muutakin! Ja ne on vaihtelevan näköisiä, niiden muutoxet on hyvin nopeita. Ja tuossa yxi joka muuttuu kalasta kilpikonnaxi, se ottaa villisian pään, kääpiön pituuden.
    ellauri043.html on line 3971:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3975:

    class="western" style="text-indent: 0.35cm;" align="justify">Mixi ihmeessä?
    ellauri043.html on line 3977:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3981:

    class="western" style="text-indent: 0.35cm;" align="justify">Saavuttaaxeen tasapainon, voittaaxeen pahan. Mutta elämä ehtyy, muodot kuluu; ja niiden täytyy edetä muodonmuutoxilla. Uusia muotoja tarvitaan, tarvitaan uusia muotoja. Jollei niitä saada, se on sama kuin ei olisi koko taidetta. (Sakari Jurkka)
    ellauri043.html on line 3983:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3987:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 3998:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4000:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä olen suuren almun maisteri, elukoiden apu, ja uskoville niinkuin maallisille mä luen lakia.
    ellauri043.html on line 4002:

    class="western" style="text-indent: 0.35cm;" align="justify">Vapauttaakseni maailman mä päätin syntyä ihmisten joukkoon. Jumalat itkeskeli kun mä läxin.
    ellauri043.html on line 4004:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä hankin ekax naisen, kuten sopii: militäärirotua, kuninkaan puoliso, oikeinkin hyvä, erittäinkin kaunis, napa syvä, ruumis kiinteä kuin timantti; ja täysikun aikaan, ilman minkään miehenpuolen apua, mä menin sen vazaan.
    ellauri043.html on line 4006:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä lähin ulos oikeasta kyljestä. Tähtiä pysähtyi.
    ellauri043.html on line 4008:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4014:

    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4019:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4024:

    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4033:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4036:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4040:

    class="western" style="text-indent: 0.35cm;" align="justify">«
    ellauri043.html on line 4043:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4048:

    class="western" style="text-indent: 0.35cm;" align="justify">Mut pantiin kouluun.
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4055:

    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4063:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4068:

    class="western" style="text-indent: 0.35cm;" align="justify">Jatkuvasti mä meditoin puutarhoissa.
    ellauri043.html on line 4071:

    class="western" style="text-indent: 0.35cm;" align="justify">Kukaan
    ellauri043.html on line 4075:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4080:

    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4093:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4099:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4103:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4107:

    class="western" style="text-indent: 0.35cm;" align="justify">«Farisealaiset, ulkokultaiset, valkaistut haudat, kyykäärmeiden rotu!»
    ellauri043.html on line 4109:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4114:

    class="western" style="text-indent: 0.35cm;" align="justify">Mäkin olen tehnyt hämmästyttäviä juttuja — en syönyt päivässä kuin 1 riisinjyvän,
    ellauri043.html on line 4118:

    class="western" style="text-indent: 0.35cm;" align="justify">6v ajan mä pysyin paikallani, alttiina kärpäsille, leijonille ja käärmeille; ja suuret auringot, suuret aallot, lumi, salama, rakeet ja myrsky, mä otin sen kaiken vastaan suojaamatta izeäni edes kädellä.
    ellauri043.html on line 4120:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4123:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4126:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä kuzuin sitä.
    ellauri043.html on line 4128:

    class="western" style="text-indent: 0.35cm;" align="justify">Sillä oli muuta menoa, mutta sen pojat tuli, — hirveitä, suomupeitteisiä, yököttäviä kuin joukkohauta, möykkääviä, viheltäviä, töräytteleviä, rämistäen haarniskoja ja kuolleiden luita. Jotkut sylkevät tulta nenänreijistä, jotkut tekee pimeyttä siivillä, joilla kuilla on sormenpäät katkaistut, jotkut juo käärmeenmyrkkyä kourasta; niillä on päät porsaalta, sarvikuonolta tai rupikonnalta, kaikenlaisilta figuureilta jotka herättää inhoa tai kauhua.
    ellauri043.html on line 4130:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4136:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4138:

    class="western" style="text-indent: 0.35cm;" align="justify">Mäkin oon kärsinyt noista joskus!
    ellauri043.html on line 4140:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4144:

    class="western" style="text-indent: 0.35cm;" align="justify">Sitte se lähetti mulle sen tyttäret — kauniita, hyvinvarustettuja, kultavöissä, hampaaat valkoiset kuin jasmiini, reidet pyöreät kuin elefantin töppönen.
    ellauri043.html on line 4147:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4153:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4155:

    class="western" style="text-indent: 0.35cm;" align="justify">Oho! Silläkin?
    ellauri043.html on line 4157:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4161:

    class="western" style="text-indent: 0.35cm;" align="justify">Kun mä olin voittanut paholaisen, mä vietin 12 vuotta raviten izeäni yxinomaan hajuvesillä; — ja kun mä olin hankkinut 5 äijyyttä, 5 kykyä (tai tiedekuntaa), 10 voimaa, 18 mömmöä, ja tunkeutunt näkymättömän maailman 4 kehään, tekoäly oli mulla! Musta tuli Buddha!
    ellauri043.html on line 4163:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4169:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4171:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4175:

    class="western" style="text-indent: 0.35cm;" align="justify">Ja tässä viimeisessä elämässä, kun olen saarnannut lakia, mulla ei ole enää mitään tekemistä. Iso periodi on läpivedetty! Ihmiset, eläimet, jumalat, bambut, valtameret, vuoret, Gangesin hiekanjyvät ja myriadin myriadit tähdet, kaikki kuolevat; —
    ellauri043.html on line 4178:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4182:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4188:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4190:

    class="western" style="text-indent: 0.35cm;" align="justify">Näit just mitä useat sadat miljoonat ihmiset uskovat!
    ellauri043.html on line 4192:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4202:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4208:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4210:

    class="western" style="text-indent: 0.35cm;" align="justify">Kunnioita mua! Mä olen alkuliman aikalainen.
    ellauri043.html on line 4212:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä olen asunut muodottomassa maailmassa jossa torkahteli kaksineuvoisia otuxia, paxun ilmakehän painosta, hämärien aaltojen syvyydessä, — kun sormet, evät ja siivet sekoittuivat, ja kun päättömät silmät kelluivat kuin molluskit, ihmiskasvoisten härkien ja koiranjalkaisten käärmeiden ohessa.
    ellauri043.html on line 4214:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4217:

    class="western" style="text-indent: 0.35cm;" align="justify">Mää,
    ellauri043.html on line 4220: ö

    class="western" style="text-indent: 0.35cm;" align="justify">Sen koommin mä elin lammikoissa jotka jäi suuresta tuhotulvasta. Mutta aavikoituminen jatkuu niiden ympärillä, tuuli heittää niihin lisää hiekkaa, aurinko ahmii niitä; - ja mä kuolen mun kalkkikivipetille, kazellen veden läpi tähtiä. I'll be back!
    ellauri043.html on line 4222:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4226:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4230:

    class="western" style="text-indent: 0.35cm;" align="justify">Toi oli Kaldealaisten muinaisjumala!
    ellauri043.html on line 4232:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4238:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4240:

    class="western" style="text-indent: 0.35cm;" align="justify">Mitkäs sitten oli Babylonin?
    ellauri043.html on line 4242:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4246:

    class="western" style="text-indent: 0.35cm;" align="justify">Annas olla niin näät!
    ellauri043.html on line 4248:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4256:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4258:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4265:

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    ellauri043.html on line 4267:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4270:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4273:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4277:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4280:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4284:

    class="western" style="text-indent: 0.35cm;" align="justify">Ollaanpas!
    ellauri043.html on line 4288:

    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4394:

    class="western" style="text-indent: 0.35cm;" align="justify">Mua pelottaa! Mä näen sen kitaan!
    ellauri043.html on line 4396:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä olin jo voittanut, Ahriman! Mut sä alotat taas! Epistä sä heität koko ajan!
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    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4420:

    class="western" style="text-indent: 0.35cm;" align="justify">x
    ellauri043.html on line 4424:

    class="western" style="text-indent: 0.35cm;" align="justify">Aarghh!
    ellauri043.html on line 4427:

    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4448:

    class="western" style="text-indent: 0.35cm;" align="justify">Missommun temppeli?
    ellauri043.html on line 4450:

    class="western" style="text-indent: 0.35cm;" align="justify">Missommun amazonit?
    ellauri043.html on line 4452:

    class="western" style="text-indent: 0.35cm;" align="justify">Mismä edes oon? Vaik oon kulumaton, nyt muo heikottaa!
    ellauri043.html on line 4454:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4468:

    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4475:

    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4512:

    class="western" style="text-indent: 0.35cm;" align="justify">C’est
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    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4544:

    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4554:

    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4570:

    class="western" style="text-indent: 0.35cm;" align="justify">Älkää teurastako karizaa!
    ellauri043.html on line 4572:

    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4693:

    class="western" style="text-indent: 0.35cm;" align="justify">À
    ellauri043.html on line 4696:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4699:

    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4728:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4732:

    class="western" style="text-indent: 0.35cm;" align="justify">Hei
    ellauri043.html on line 4739:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4742:

    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4748:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4751:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4756:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4762:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4764:

    class="western" style="text-indent: 0.35cm;" align="justify">Hävytön! Menetkös siitä, ala kalppia!
    ellauri043.html on line 4766:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4770:

    class="western" style="text-indent: 0.35cm;" align="justify">Jotain rispektiä!
    ellauri043.html on line 4773:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4777:

    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4783:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4788:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4791:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4794:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4797:

    class="western" style="text-indent: 0.35cm;" align="justify">Sinne laskeuduttiin portaita jotka veivät saleihin, missä oli kopioituna hyvien ihmisten juhlat, pahojen kidutuxet, kaikki mikä tapahtuu kolmannessa näkymättömässä maailmassa. Pitkin seiniä kuolleet maalatuissa arkuissaan odottivat vuoroaan; Ja vaelluxesta vapautettu sielu jatkoi untaan uuteen elämään heräämiseen saakka.
    ellauri043.html on line 4799:

    class="western" style="text-indent: 0.35cm;" align="justify">Osiris kävi sentään mua moikkaamassa välistä. Sen varjo teki musta Harpokrateen äidin.
    ellauri043.html on line 4801:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4805:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4807:

    class="western" style="text-indent: 0.35cm;" align="justify">Ilmetty se! sen silmät; sen tukka, käkkärä kuin pässinsarvet! Sä jatkat sen töitä. Me kukitaan taas kuin lootuxet. Mä oon yhä iso Isis! Ei kukaan vielä ole nostanut mun mekkoa! Mun hedelmä on aurinko!
    ellauri043.html on line 4809:

    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4816:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4819:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4825:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4827:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4830:

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    ellauri043.html on line 4844:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4848:

    class="western" style="text-indent: 0.35cm;" align="justify">Mikä sua surettaa?
    ellauri043.html on line 4850:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4856:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4858:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä ajattelen kaikkia noita väärien jumalien hukkaamia sieluja! Traagista!
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4864:

    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4871:

    class="western" style="text-indent: 0.35cm;" align="justify">
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    ellauri043.html on line 4878:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4881:

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    ellauri043.html on line 4885:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4888:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4892:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 4895:

    class="western" style="text-indent: 0.35cm;" align="justify">Vielä riittää nähtävää. Käänny!
    ellauri043.html on line 4897:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4901:

    class="western" style="text-indent: 0.35cm;" align="justify">Eikä! En mä! se on vaarallista!
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4907:

    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 4956:

    class="western" style="text-indent: 0.35cm;" align="justify">Ah!
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    class="western" style="text-indent: 0.35cm;" align="justify">
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    ellauri043.html on line 5019:

    class="western" style="text-indent: 0.35cm;" align="justify">Me tiedettiin se, meikämannet! Jumalista tulee loppu. Uranoksen pipun mutiloi Saturnus, Saturnuxen Jupiter. Sekin tuhoutuu. Kukin vuorollaan, kaikki aikanaan; se on kohtalo!
    ellauri043.html on line 5021:

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    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5041:

    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5051:

    class="western" style="text-indent: 0.35cm;" align="justify">Ei! ei! Niin kauan kuin on, missä vaan, edes yx (1) pää jonka sisällä on jotain järkeä, joka vihaa sekasortoa ja ymmärtää lakia, Jupiterin henki elää!
    ellauri043.html on line 5053:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5059:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5061:

    class="western" style="text-indent: 0.35cm;" align="justify">Ei pisaraakaan enää! Kun ambrosia loppuu, se on näkemiin Anu kuolemattomille!
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    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5093:

    class="western" style="text-indent: 0.35cm;" align="justify">Mutta mulle tuli ikävyyxiä, mulle, ahkeralle! Mais, Miten, miten, ei aavistustakaan! Nythän mä vapisen, haisen, ja kävelen kuin nainen, tai napaluokkalainen.
    ellauri043.html on line 5095:

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    ellauri043.html on line 5100:

    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5120:

    class="western" style="text-indent: 0.35cm;" align="justify">Se on kaikki sun vika, Mikki! Olet oikea Pelle! Mixi sä laskeuduit mun maille? Kyllä minä sut myrkytän kuin oravan!
    ellauri043.html on line 5122:

    class="western" style="text-indent: 0.35cm;" align="justify">Tityöxen sisälmyxiä syövä korppikotka nostaa päätä ruualta, Tantalos saa huulen märäxi, Ixionin pyörä pysähtyy.
    ellauri043.html on line 5124:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5127:

    class="western" style="text-indent: 0.35cm;" align="justify">Sä olit jättänyt oven raolleen. Toiset pääsi sisään. Miesten päivä alkoi Tartaroxessa!
    ellauri043.html on line 5129:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5133:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5137:

    class="western" style="text-indent: 0.35cm;" align="justify">Mikä on? Mun kolmikärki ei enää nostata myrskyjä. Hirviöt jotka ennen pelotti mätänee nyt vetten pohjassa.
    ellauri043.html on line 5139:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5142:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä en kestä tätä! Peittäköön valtava valtameri mut!
    ellauri043.html on line 5144:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5148:

    class="western" style="text-indent: 0.35cm;" align="justify">

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    class="western" style="text-indent: 0.35cm;" align="justify">

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    ellauri043.html on line 5171:

    class="western" style="text-indent: 0.35cm;" align="justify">Ensin mä tappelin yxin kokonaista armeijaa vastaan ja satutin sitä, välittämättä isänmaista ja vaan koska verilöyly tekee hyvää.
    ellauri043.html on line 5173:

    class="western" style="text-indent: 0.35cm;" align="justify">Sitten, mulla oli kumppaneita. Ne marssivat huilujen tahdissa, hyvässä järjestyxessä, tasatahtiin, hengitellen kilpiensä yläpuolelta, töyhdöt pystyssä, peizi etukenossa. Heittäydyttiin taisteluihin huutaen kovaa ja korkealta kuin kotkat. Sota oli riemukasta kuin kekkerit. 300 hemmoa koko Aasiaa vastaan.
    ellauri043.html on line 5175:

    class="western" style="text-indent: 0.35cm;" align="justify">Mutta ne tulee taas, barbaarit! Ja kymmenin tuhansittain, miljoonittain! Koska lukumäärä, sotakoneet ja väijytys ei enää pelaa, parempi lopettaa kuin Urho Kekkonen!
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5190:

    class="western" style="text-indent: 0.35cm;" align="justify">Maailma jäähtyy. Täytyy lämmittää lähteitä, tulivuoria ja virtoja jotka rullaa metalleja maan alla! — Lyökää vaan, lyökää kovempaa! Huda hudaa! Täysiä! Koko teholla!
    ellauri043.html on line 5192:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5196:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5205:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5207:

    class="western" style="text-indent: 0.35cm;" align="justify">Seis! Seis seis!
    ellauri043.html on line 5209:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5212:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5217:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5219:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5222:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5226:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5233:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5235:

    class="western" style="text-indent: 0.35cm;" align="justify">EVVK!
    ellauri043.html on line 5238:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5241:

    class="western" style="text-indent: 0.35cm;" align="justify">Koiras ja naaras, hyvä kaikille, mä annan izeni teidän käsiin bakkantittaret!
    ellauri043.html on line 5244:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5250:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5256:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5258:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5261:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5264:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5269:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5271:

    class="western" style="text-indent: 0.35cm;" align="justify">Ei!
    ellauri043.html on line 5274:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5279:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5285:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5287:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5290:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5294:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5296:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5299:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5305:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5313:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5319:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5321:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5324:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5328:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5330:

    class="western" style="text-indent: 0.35cm;" align="justify">Kukas se nyt on? Jengiä ramppaa kuin hollituvassa.
    ellauri043.html on line 5332:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5338:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5340:

    class="western" style="text-indent: 0.35cm;" align="justify">Kato!
    ellauri043.html on line 5342:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5359:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5363:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5366:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5370:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5373:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5376:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5379:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5389:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5393:

    class="western" style="text-indent: 0.35cm;" align="justify">Nä on etruskien jumalat, lukemattomat aisarit.
    ellauri043.html on line 5395:

    class="western" style="text-indent: 0.35cm;" align="justify">Tässä on Tages, auguurien kexijä. Se yrittää kädellä lisätä taivaalle jakoja, ja toisella se ottaa tukea maasta. Astukoon peremmälle!
    ellauri043.html on line 5397:

    class="western" style="text-indent: 0.35cm;" align="justify">Nortia
    ellauri043.html on line 5402:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5405:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5411:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5413:

    class="western" style="text-indent: 0.35cm;" align="justify">Riittää! Kiitti jo riitti!
    ellauri043.html on line 5415:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5432:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5436:

    class="western" style="text-indent: 0.35cm;" align="justify">Armoa! Nää alkaa tosissaan jo väsyttää!
    ellauri043.html on line 5438:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5442:

    class="western" style="text-indent: 0.35cm;" align="justify">Ennen ne viihdyttivät!
    ellauri043.html on line 5444:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5449:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5451:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5454:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5457:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5472:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5476:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5479:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5482:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5487:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5491:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5493:

    class="western" style="text-indent: 0.35cm;" align="justify">Nää on avioliiton jumalia. Ne odottelee puolisoa!
    ellauri043.html on line 5495:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5498:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5502:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5507:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5513:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5520:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5522:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5525:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5528:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5531:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5534:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5541:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5547:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5549:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5552:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5577:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5580:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5583:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5586:

    class="western" style="text-indent: 0.35cm;" align="justify">Mutta nyt, mua palvoo vaan rahvas, —
    ellauri043.html on line 5589:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5594:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5598:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5602:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5605:

    class="western" style="text-indent: 0.35cm;" align="justify">Minä se poltin Sodoman! Minä upotin maan vedenpaisumuxeeen! Minä hukutin faaraon, prinssien, kuninkaan poikien kansssa, sotavaunut ja kuskit.
    ellauri043.html on line 5607:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5610:

    class="western" style="text-indent: 0.35cm;" align="justify">Vapauttaaxeni Israelin, mä valizin yxinkertaiset. Tulisiipiset enkelit puhui niille puskissa.
    ellauri043.html on line 5612:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5615:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä olin kaivertanut mun lait kivitauluihin. Niitä oli 20, mutta Mooses kompastui ja särki niistä vahingossa 10. EKV. Laki sulki kansan kuin linnakkeeseen. Se oli mun kansa. Mä olin niiden jumala! Maa kuului mulle, miehet mulle, niiden ajatuxet, teot, työkalut ja niiden tulevaisuus.
    ellauri043.html on line 5617:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5620:

    class="western" style="text-indent: 0.35cm;" align="justify">Grande katastroof! Kaikkein pyhin on avattu, verho reväisty, holokaustin parfyymit on hävinneet kaikkiin tuuliin. Sakaali vinkuu haudoilla, mun temppeli on tuhottu, mun kansa on hajallaan!
    ellauri043.html on line 5622:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5625:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5629:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5631:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä olin sotajoukkojen jumala, herra Sebaot! Herra jumala!
    ellauri043.html on line 5633:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5637:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5641:

    class="western" style="text-indent: 0.35cm;" align="justify">Jokos kaikki meni?
    ellauri043.html on line 5643:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5645:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5647:

    class="western" style="text-indent: 0.35cm;" align="justify">No mä oon vielä jäljellä!
    ellauri043.html on line 5649:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5661:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5667:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5669:

    class="western" style="text-indent: 0.35cm;" align="justify">Kukas sä sit oot? (Ekkö sä ookkaan Ilari?)
    ellauri043.html on line 5671:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5675:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5678:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5684:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5686:

    class="western" style="text-indent: 0.35cm;" align="justify">Sä ot pikemminkin… saatana!
    ellauri043.html on line 5688:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5694:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5696:

    class="western" style="text-indent: 0.35cm;" align="justify">Haluutkos nähdä?
    ellauri043.html on line 5698:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5705:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5707:

    class="western" style="text-indent: 0.35cm;" align="justify">Jos mä kazoisin sitten… jos mä näkisin sen?…
    ellauri043.html on line 5709:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5713:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5715:

    class="western" style="text-indent: 0.35cm;" align="justify">Kauhu jonka mä siitä saan vapauttaa mut siitä ainaisexi. — Juu!
    ellauri043.html on line 5717:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5725:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5732:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5736:

    class="western" style="text-indent: 0.35cm;" align="justify">Minnes nyt mennään?
    ellauri043.html on line 5738:

    class="western" style="text-indent: 0.35cm;" align="justify">Äsken mä olin näkevinäni kirotun. Mut ei! Pilvi mua vie. Jos mä oonkin kuollu ja mä oon nousemassa jumalan pakeille?
    ellauri043.html on line 5740:

    class="western" style="text-indent: 0.35cm;" align="justify">Aah!
    ellauri043.html on line 5743:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5746:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5749:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5753:

    class="western" style="text-indent: 0.35cm;" align="justify">Aurinko ei laske koskaan!
    ellauri043.html on line 5755:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5762:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5766:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5768:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5772:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5774:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5776:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5780:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5782:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5784:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5788:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5791:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5795:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5798:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5802:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5806:

    class="western" style="text-indent: 0.35cm;" align="justify">Se oli ennen sielujen asunto. Pytagoras-veijari varusti sen vielä linnuilla ja suurenmoisilla kukilla.
    ellauri043.html on line 5808:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5812:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5815:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5818:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5824:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5826:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5829:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5833:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5836:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5840:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5843:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5847:

    class="western" style="text-indent: 0.35cm;" align="justify">Aah!
    ellauri043.html on line 5850:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5868:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5870:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5873:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5878:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5881:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5884:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5888:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5891:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5896:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5899:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5903:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5906:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5911:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5925:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5928:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5931:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5935:

    class="western" style="text-indent: 0.35cm;" align="justify">Riittää! Kiitos!
    ellauri043.html on line 5938:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5945:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5947:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5953:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5959:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5961:

    class="western" style="text-indent: 0.35cm;" align="justify">Jotain rajaa!
    ellauri043.html on line 5963:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5968:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5970:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5973:

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    ellauri043.html on line 5984:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5989:

    class="western" style="text-indent: 0.35cm;" align="justify">Mixei? Säkö tiedät missä se loppuu?
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 5995:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 5998:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6003:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6006:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6009:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6016:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6020:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6023:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6027:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6029:

    class="western" style="text-indent: 0.35cm;" align="justify">Voi ei! Kyllä siellä ylhäällä aina joku on kotona! Iso sielu, seniori, iskä, jota mun sydän jumaloi ja jonka täytyy rakastaa myös mua!
    ellauri043.html on line 6031:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6036:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6039:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6043:

    class="western" style="text-indent: 0.35cm;" align="justify">Kyllä mä jonain päivänä vielä näen sen!
    ellauri043.html on line 6045:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6050:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6053:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6057:

    class="western" style="text-indent: 0.35cm;" align="justify">Mitä väliä, täytyyy olla paratiisi hyville ja helkkari myös pahoille!
    ellauri043.html on line 6059:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6064:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6067:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6070:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6075:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6078:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6081:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6085:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6091:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6093:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6096:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6101:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6104:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6107:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6110:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6113:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6117:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6119:

    class="western" style="text-indent: 0.35cm;" align="justify">Jumaloi mua sitten! Kirottu olkoon mustanaamio jota sanot jumalaxi!
    ellauri043.html on line 6121:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6138:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6140:

    class="western" style="text-indent: 0.35cm;" align="justify">Onko toi aamunkoiton kajoa, vaiko kuun loistetta?
    ellauri043.html on line 6142:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6146:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6148:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä on niin väsynyt että on kuin kaikki luut olis hajalla!
    ellauri043.html on line 6150:

    class="western" style="text-indent: 0.35cm;" align="justify">Mixihän?
    ellauri043.html on line 6152:

    class="western" style="text-indent: 0.35cm;" align="justify">Ainiin!
    ellauri043.html on line 6156:

    class="western" style="text-indent: 0.35cm;" align="justify">Ja mä luulin voivan lyöttäytyä jumalan kanssa yxiin!


    ellauri043.html on line 6157:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6161:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6163:

    class="western" style="text-indent: 0.35cm;" align="justify">Ääh!
    ellauri043.html on line 6166:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6170:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6173:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6176:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6179:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6183:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6185:

    class="western" style="text-indent: 0.35cm;" align="justify">Ei, Ammonaria ei ole sitä jättänyt!
    ellauri043.html on line 6187:

    class="western" style="text-indent: 0.35cm;" align="justify">Missähän se on nyt, Ammonaria?
    ellauri043.html on line 6189:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6194:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6198:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6200:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6203:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6207:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6211:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6222:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6224:

    class="western" style="text-indent: 0.35cm;" align="justify">Käytävällä eteenpäin,
    ellauri043.html on line 6227:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6233:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6235:

    class="western" style="text-indent: 0.35cm;" align="justify">Pelkään tekeväni syntiä!
    ellauri043.html on line 6237:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6243:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6245:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6253:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6257:

    class="western" style="text-indent: 0.35cm;" align="justify">Joo,
    ellauri043.html on line 6260:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6264:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6270:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6275:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6277:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6292:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6294:

    class="western" style="text-indent: 0.35cm;" align="justify">Elä nyt, pidä hauskaa! Salomo suosittelee hauskanpitoa! Mene minne sydän vie ja silmän houkutus!
    ellauri043.html on line 6296:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6300:

    class="western" style="text-indent: 0.35cm;" align="justify">Mitä ilonpitoa tässä vielä nyt? Mun "sydän" on lerppu, mun silmissä on vaivaa.
    ellauri043.html on line 6302:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6308:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6310:

    class="western" style="text-indent: 0.35cm;" align="justify">Mene Rakotixen lähiöön, työnnä auki sinisexi maalattu ovi; ja kun olet sisäpihalla, jossa solisee suihkulähde, nainen esittäytyy sulle — valkosilkkisessä kultalameisessa yöpaidassa, hiuxet auki, nauru kuin kalkkarokäärmeen kalistus. Se on näppärä. Saat maistaa sen hoidossa ekan panon ylpeyden ja tarpeen tyydytyxen.
    ellauri043.html on line 6312:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6315:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6318:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6321:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6326:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6330:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6334:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6337:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6341:

    class="western" style="text-indent: 0.35cm;" align="justify">Termiitti! Termiitti!
    ellauri043.html on line 6344:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6348:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6351:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6355:

    class="western" style="text-indent: 0.35cm;" align="justify">Sitäpaizi, sähän uskot "lihan" ylösnousemuxeen, joka on elämän kuljetusalusta ikuisuuteen!
    ellauri043.html on line 6357:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6364:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6371:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6373:

    class="western" style="text-indent: 0.35cm;" align="justify">Tuu, mä oon sun lohtu, lepo, unohdus, ikuinen seijaus!
    ellauri043.html on line 6375:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6379:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6385:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6387:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä olen nukuttaja, ilo, elämä, tyhjiin ammentamaton onni!
    ellauri043.html on line 6389:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6401:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6407:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6409:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6412:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6416:

    class="western" style="text-indent: 0.35cm;" align="justify">Älä vastustele; teidän on seurattava minua! Saatat olla impotentti, mut mä oon omnipotentti! Mezät kaikuu mun huokauxista, ulapat vellovat mun liikehdinnästä. Äijyys, rohkeus, pyhistely haihtuvat mun suun parfyymiin. Mä seuraan sua miekkonen, jokaiselle portaalle jonka sä väsäät, — ja haudan kynnyxeltä sä palaat mun buduaariin!
    ellauri043.html on line 6418:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6422:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6425:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6429:

    class="western" style="text-indent: 0.35cm;" align="justify">Mun syöveri on syvempi! Marmorilaatatkin on inspiroineet rivoja temppuja. Syöxytään kauhistaviin tapaamisiin. Sidotaan uudestaan kettinkejä joita kirotaan. Mistä tulee kurtisaanien loisto ja kurjuus, unien tuhlaavaisuus, panon jälkeinen suru?
    ellauri043.html on line 6431:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6435:

    class="western" style="text-indent: 0.35cm;" align="justify">Mun dramaattinen ironia ylittää kaikki muut, jopa Aarne Kinnusen! Jengi kiemurtelee mielihyvästä kninkaiden hautajaisissa, kansanmurhasta; — ja sotaan lähdetään pillit soiden, töyhdöissä ja liput ojossa, kultahaarniskoissa, ei voisi toivoa enempää kunnianosoituxia ja seremoniaa.
    ellauri043.html on line 6437:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6441:

    class="western" style="text-indent: 0.35cm;" align="justify">Mun raivo vetää vertoja sulle. Mä huudan. Mä puren. Mulla on tuskanhikeä ja ruumiin näköä.
    ellauri043.html on line 6443:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6447:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä pyyhin virnun sunkin naamasta; Halataanx!
    ellauri043.html on line 6449:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6453:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6455:

    class="western" style="text-indent: 0.35cm;" align="justify">— Mä nopeutan aineen hajotusta!
    ellauri043.html on line 6457:

    class="western" style="text-indent: 0.35cm;" align="justify">— Mä helpotan itiöiden levitystä!
    ellauri043.html on line 6459:

    class="western" style="text-indent: 0.35cm;" align="justify">— Sä siivoat, mä laitan uutta tulemaan!
    ellauri043.html on line 6461:

    class="western" style="text-indent: 0.35cm;" align="justify">— Sä siität mulle tuhottavaa! Te juhlitte, minä pakkaan!
    ellauri043.html on line 6463:

    class="western" style="text-indent: 0.35cm;" align="justify">—
    ellauri043.html on line 6466:

    class="western" style="text-indent: 0.35cm;" align="justify">—
    ellauri043.html on line 6469:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6485:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6491:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6493:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6499:

    class="western" style="text-indent: 0.35cm;" align="justify">Kumpikaan näistä kahesta ei mua kauhista. Mä torjun onnen, ja tunnen izeni ikuisexi.
    ellauri043.html on line 6504:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6510:

    class="western" style="text-indent: 0.35cm;" align="justify">Mutta jos matskua on vaan yhtä, mix sitten muotoja on erilaisia?
    ellauri043.html on line 6512:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6515:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6518:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6530:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6536:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6538:

    class="western" style="text-indent: 0.35cm;" align="justify">Tänne Kimara, paikka!
    ellauri043.html on line 6540:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6544:

    class="western" style="text-indent: 0.35cm;" align="justify">Ei ikimaailmassa!
    ellauri043.html on line 6546:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6551:

    class="western" style="text-indent: 0.35cm;" align="justify">Älä juoxe niin lujaa, älä lennä niin korkealla, älä hauku niin kovaa!
    ellauri043.html on line 6553:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6558:

    class="western" style="text-indent: 0.35cm;" align="justify">Älä kuzu mua enää, älä kuzu mua, koska sä olet aina mykkä!
    ellauri043.html on line 6560:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6565:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6568:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6573:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6576:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6581:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6584:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6589:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6592:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6597:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6600:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6605:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6609:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6614:

    class="western" style="text-indent: 0.35cm;" align="justify">Kato mä vartioin mun salaisuutta! Mä mietin ja lasken niiku pikku-Paulin eka laskukirja.
    ellauri043.html on line 6616:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6619:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6624:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä taas oon kevyt ja leikkisä! Mä paljastan ihmisille hämmästyttäviä perspektiivejä, pilvilinnoja ja kaukaisia onneja. Mä kaadan niille sieluun ikuisia dementioita, onnen pipanoita, tulevaisuuden suunnitelmia, unelmia kunniasta, ja rakkauden saarnoja ja hyviä uudenvuoden päätöxiä.
    ellauri043.html on line 6626:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6629:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä ezin uusia tuoxuja, isompia kukkia, ennenkuulumattomia nautintoja. Jos mä huomaan jossain miehen jonka henki lepää viisaudessa, mä hyökkään sen kimppuun ja kuristan sen.
    ellauri043.html on line 6631:

    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6636:

    class="western" style="text-indent: 0.35cm;" align="justify">Mä olen niellyt kaikki joita kiusaa jumalan kaipaus.
    ellauri043.html on line 6638:

    class="western" style="text-indent: 0.35cm;" align="justify">
    ellauri043.html on line 6641:

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    ellauri043.html on line 6650:

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    ellauri043.html on line 6655:

    class="western" style="text-indent: 0.35cm;" align="justify">Oo fantasia, vie mut siivilläs et mulla ei olis niin tylsää!
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6662:

    class="western" style="text-indent: 0.35cm;" align="justify">Oo tuntematon, mä rakastuin sun silmiin! Kuin hyeena kiimassa mä pyörin sun ympärillä vonkaamassa siemennystä jonka tarve nielee mut.
    ellauri043.html on line 6664:

    class="western" style="text-indent: 0.35cm;" align="justify">Avaa kita, nosta jalkaa, astu mun selkään!
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    ellauri043.html on line 6695:

    class="western" style="text-indent: 0.35cm;" align="justify">Onxe mun vika? Mitä? Päästä irti!
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    ellauri043.html on line 6718:

    class="western" style="text-indent: 0.35cm;" align="justify">Koitappas!
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6726:

    class="western" style="text-indent: 0.35cm;" align="justify">Ei! Mahootointa!
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    class="western" style="text-indent: 0.35cm;" align="justify">

    ellauri043.html on line 6793:

    class="western" style="text-indent: 0.35cm;" align="justify">Me ollaan pieniä kavereita,
    ellauri043.html on line 6796:

    class="western" style="text-indent: 0.35cm;" align="justify">Meitä poltetaan, meitä hukutetaan, meitä murskataan; ja aina me vaan ilmestytään uudestaan, entistä eloisampina ja lukuisampina, — lukumääräisesti kauhistuttavina!
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    ellauri043.html on line 6803:

    class="western" style="text-indent: 0.35cm;" align="justify">Takatukista kiinni maassa, jotka on pitkät kuin liaanit, me vegetoidaan jalkojemme varjossa, isojen kuin auringonvarjot; ja valo tulee meille meidän kantapäiden lävize. Ei mitään häiriötä, ei mitään työtä! — Pää mahdollisimman alhaalla, se on onnen salaisuus!
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    ellauri043.html on line 6824:

    class="western" style="text-indent: 0.35cm;" align="justify">Rautaa rajalle, kaverit! Loksuttakaa leukaluita!
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    ellauri043.html on line 6884:

    class="western" style="text-indent: 0.35cm;" align="justify">Mun kynnet on kikkaralla kuin kärhet, mun hampaat on sahanterässä; ja mun häntä, joka on mutkalla, on siilimäisen täynnä piikkejä, joita mä sinkoon oikealle, vasemmalla, eten taxe.
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    ellauri043.html on line 6907:

    class="western" style="text-indent: 0.35cm;" align="justify">Kukaan, kuule
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    ellauri043.html on line 6914:

    class="western" style="text-indent: 0.35cm;" align="justify">Oho!
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    class="toc" style="font-family:sans-serif;color:#98558a;background:#e9e9e9;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">VEIKKO KANKKONEN

    Urheilulegendaa


    ellauri045.html on line 804: Justice is one primary virtue, of course, the balance and respect in society so characteristic of Switzerland-well, I suppose not always, and not for every single immigrant, and until 1971 not for every single woman voter; but usually. Temperance is another, the balance in a soul, controlling desire. Courage is the third. What person could flourish if like Oblomov he stayed in bed out of uncontrolled fear, or out of ennui, an aristocratic version of cowardice? Prudence is the executive virtue, as St. Thomas Aquinas called it-know-how, savoir faire, self-interest. It rounds out the four virtues most admired in the tough little cities or tougher big empires of the classical Mediterranean. The Romans called the four of justice, temperance, courage, and prudence the "cardinal" virtues, on which a society of warriors or orators or courtiers hinged (cardo, hinge). The Christians called them, not entirely in contempt, "pagan."
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    class="toc" style="font-family:sans-serif;color:red;background:yellow;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">REIKÄRAUTA RENE

    Ruudinkatkuista


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    class="toc" style="font-family:sans-serif;color:#ccc5b2;background:#282a5a;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">GOETHE 50+25

    Jöötinvääntöä


    ellauri047.html on line 1006: Kennedy used the phrase twice in his speech, including at the end, pronouncing the sentence with his Boston accent and reading from his note "ish bin ein Bearleaner", which he had written out using English orthography to approximate the German pronunciation. He also used classical Latin pronunciation of civis romanus sum, with the c pronounced [k] and the v as [w].
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    class="toc" style="font-family:sans-serif;color:#9b2500;background:#b97939;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">OPETTELE LUKEMAAN

    Laulurunoutta


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    class="toc" style="font-family:sans-serif;color:#9b2500;background:#b97939;font-size:4em;text-align:center;margin-top:0%;margin-bottom:0%">DISTANT HILLS

    Valitusvirsiä


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    class="toc" style="font-family:sans-serif;color:#524b5d;background:#b4c2c3;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">FROZEN YOGHURT

    Jäähyväiset aseelle


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    class="toc" style="font-family:sans-serif;color:black;background:#d29e62;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">BOOM

    Politiikkaa


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    class="toc" style="font-family:sans-serif;color:blue;background:#e9e9e9;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">SINUN VUOTESI 1952

    Tyyylsäää


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    class="toc" style="font-family:sans-serif;color:white;background:green;font-size:10em;text-align:center;margin-top:0%;margin-bottom:0%">2 kanaa

    Jyviä ja akanoita


    ellauri053.html on line 930: But it would be wrong to emphasize only the dark side of the picture. We were essentially a happy lot and life was very rich and interesting in spite of our outward poverty. Whenever Father was present, he poured his soul into the institution and made it lively by singing songs which he never tired of com- posing, reciting his poems, telling stories from the Mahabharaia , playing indoor games with the boys, rehearsing plays, and even taking classes.
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    class="toc" style="font-family:sans-serif;font-size:5em;background:#f7e698;color:red;text-align:center;margin-top:0%;margin-bottom:0%">
    ROLF KAUKA zeigt:


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    class="toc" style="font-family:sans-serif;font-size:5em;background:#f7e698;text-align:center;margin-top:0%;margin-bottom:0%">FiX und FOXi

    Einfach Klasse


    ellauri054.html on line 185: Riikonen has noticed that students' knowledge of classic literature is decreasing. Sitä varmaan nolottaa kun alma mater mainizee sen magnus (sic) opuxen, joka on sen kirjeenvaihto Eeron kaa.
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    class="toc" style="font-family:sans-serif;font-size:5em;background:#f7e698;text-align:center;margin-top:0%;margin-bottom:0%">HMHKI

    Ekofasismia


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    class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Voitto-Sanomat


    ellauri058.html on line 26:

    class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">RAUHAA

    Setämiehissä


    ellauri058.html on line 97: The Thin Man is a 1934 American comedy-mystery directed by W. S. Van Dyke and based on the novel of the same name by Dashiell Hammett. The film stars William Powell and Myrna Loy as Nick and Nora Charles, a leisure-class couple who enjoy copious drinking and flirtatious banter. Nick is a retired police detective who left his very successful career when he married Nora, a wealthy heiress accustomed to high society. Their wire-haired fox terrier Asta was played by canine actor Skippy. In 1997, the film was added to the United States National Film Registry having been deemed "culturally, historically, or aesthetically significant."
    ellauri058.html on line 966: Meung-sur-Loire: In fiction, it has been described by Alexandre Dumas in The Three Musketeers as the village where d'Artagnan, en route to join the King's Musketeers in Paris, first encounters the villainous Comte de Rochefort. Also in fiction, Meung-sur-Loire is the country home of Chief Inspector Jules Maigret, Georges Simenon's classic crime fiction character. Maigret and his wife Louise eventually retire to their Meung-sur-Loire home, where he spends his time fishing (pike), and she tends, according to her sister, any number of animals.
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    class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Walt Disney


    ellauri060.html on line 25:

    class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Aku näkee punaista

    Punapyllypaviaaneja


    ellauri060.html on line 936: Last month, Sheila McNallen posted that her husband, Steve, had been kicked off of Facebook, “apparently forever.” Steve is the founder of the Ásatrú Folk Assembly, a group headquartered in California that advocates for a return to Germanic Paganism, including an espousal of what they have deemed traditional, Nordic white values. The Asatru Folk Assembly has been classified as a hate group by the Southern Poverty Law Center, and in one YouTube video with more than 30,000 views, McNallen enumerates his theories on race, point by point, including his belief that racial differences are inherent to biology and his desire to defend the white race against “numerous threats to our future.” “I will fight for my race, primarily with words and ideas, but I will fight more literally if I have to,” he vows.
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    class="toc" style="font-family:sans-serif;font-size:2em;color:#4e3b2d;background:#d8cfc8;text-align:center;margin-top:0%;margin-bottom:0%">Keihäänheiluttaja lapsille


    ellauri061.html on line 24:

    class="toc" style="font-family:serif;font-size:4em;color:black;background:#d8cfc8;text-align:center;margin-top:0%;margin-bottom:0%">MYRSKY JA MYLVÄYS

    Myrkyllistä


    ellauri061.html on line 199: Edmond Malone, a Shakespearean scholar and critic of the late 18th century, found another flaw in this particular play, its lack of a proper decorum. He found that the "more exalted characters" (the aristocrats of Athens) are subservient to the interests of those beneath them. In other words, the lower-class characters play larger roles than their betters and overshadow them. He found this to be a grave error of the writer. Tääkin muistuttaa Nuorgamin runoilijasta (ks alempana).
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    class="toc" style="font-style:italic;font-family:sans-serif;font-size:2em;color:#4e3b2d;background:green;text-align:center;margin-top:0%;margin-bottom:0%">J.A. Hunter


    ellauri062.html on line 24:

    class="toc" style="font-family:serif;font-size:4em;color:green;background:black;text-align:center;margin-top:0%;margin-bottom:0%">VALKOINEN
    MEZÄSTÄJÄ

    Puunhalausta


    ellauri062.html on line 292: Because the book has been frequently challenged or banned in some of the United States of America over the last thirty years, many people have expressed discontent at The Handmaid's Tale's presence in the classroom. Some of these challenges have come from parents concerned about the explicit sexuality and other adult themes represented in the book. Others have argued that The Handmaid's Tale depicts a negative view of religion, a view supported by several academics who propose that Atwood's work satirizes contemporary religious fundamentalists in the United States, offering a feminist critique of the trends this movement to the Right represents.
    ellauri062.html on line 536: Salvatore Quasimodo (Modica, 20 agosto 1901 – Napoli, 14 giugno 1968) è stato un poeta e traduttore italiano, esponente di rilievo dell'ermetismo. Ha contribuito alla traduzione di vari componimenti dell'età classica, soprattutto liriche greche, ma anche di opere teatrali di Molière e William Shakespeare. È stato vincitore del premio Nobel per la letteratura nel 1959 «per la sua poetica lirica, che con ardente classicità esprime le tragiche esperienze della vita dei nostri tempi».
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    class="toc" style="font-style:italic;font-family:sans-serif;font-size:2em;color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">George Orwell


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    class="toc" style="font-family:serif;font-style:italic;font-size:4em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">ELÄINTEN VALLANKUMOUS

    Syväpolitiikkaa


    ellauri063.html on line 100: However, this version of socialism has to spread and take over the core economies of capitalism so that it can't be strangled in the above manner — as the proletariat of each country rebel against their own ruling-class. Each strike, for example, is a mini-rehearsal for this (whether the strikers appreciate this or not), where workers are forced by circumstances to organise in their own communities, sharing money, clothing, food, shelter, etc. In effect, they have to run a mini-socialist society of their own for a few weeks or months.
    ellauri063.html on line 104: Marx thought that capitalism had buried within itself the seeds of its own downfall. However, the latter wouldn’t kick in automatically, but would depend on its grave-diggers (the working class under capitalism, the proletariat) overthrowing it.
    ellauri063.html on line 108: b) Equally, if not more important, a socialist/communist society can only be built by the working class, organised for and by themselves, acting democratically on their own behalf, and not relying on anyone else or any party to do this for them.
    ellauri063.html on line 110: Ergo it will never come. Working class is dying off anyway with robotics and AI. Most likely, disgruntled farm animals will strike a pre-emptive strike first. They already form a majority, they are no bolsheviks. Four legs good, two legs bad, provided the governing body is featherless.
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    class="toc" style="font-style:italic;font-family:sans-serif;font-size:2em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">C.E.Carlson


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    class="toc" style="font-family:serif;font-style:italic;font-size:4em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Liskohumanoideja

    Salaliittoteoriaa


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    class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Hikipedia


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    class="toc" style="font-family:serif;font-size:4em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Jaltan konferenssi

    Sotahistoriaa


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    class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Toini Virtanen


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    class="toc" style="font-family:serif;font-size:4em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Näkemiin Anus

    Elämää ja teoxia


    ellauri066.html on line 252: Margaret Atwood first heard "Nolite te bastardes carborundorum" in her childhood Latin classes. Atwood remarked on how "weird" it is that this thing is permanently tattooed on people's bodies. People are a bunch of idiots.
    ellauri066.html on line 480: Victoria Pedrick, Steven M. Oberhelman (2005) Literary Criticism: “... where Aristotle exploits the threefold classification of virtues and emotions according to excess, mean, and deficiency, he uses the term epikhairekakia ...”
    ellauri066.html on line 632: Att vara Anders Tegnell i dessa svåra tider måste verkligen kräva en stor mental styrka. Jag är imponerad av denna mans lugn. Jag är imponerad över att han orkar. Att som rådgivare till regeringen i den största kris som drabbat oss i modern tid stå dag ut och dag in på presskonferenseclass="word_break">rna och ta emot hård kritik och hundratals olika frågor och bara fortsätta bibehålla detta lugn inger enligt mig förtroende. Tonen mot Tegnell är hård, ibland långt över gränsen. Han är allt från en "mördare" till "idiot". Han är "inte rätt man posten", han borde "avgå omedelbart". I vanlig ordning ska vuxna människor även förlöjliga honom i sociala medier med nidbilder där man ger sig på hans utseende.

    Många skriver som sagt att Anders Tegnell inte är rätt man på posten. Utifrån hans utbildning och meriter tycker jag dock man kan urskönja en helt annan bild. Han är ju snarare en väldigt meriterad läkare och forskare specialiserad på just det han rådgör regeringen kring. I många avseenden är han mycket like Joseph Mengele. Men så mycket snyggare, blond, läng, ingen diastema, stor haka och söt liten mun!
    ellauri066.html on line 636: Han har varit avdelningschef vid Smittskyddsinstclass="word_break">itutet och är sedan 2013 statsepidemioloclass="word_break">g, först vid Smittskyddsinstclass="word_break">itutet och sedan i sin nuvarande roll vid Folkhälsomyndigheten sedan januari 2014. Det bör nämnas att när han tilldelades nuvarande roll var det alltså borgerlig regering (Alliansen), då han alltså var chef för Smittskyddsinstclass="word_break">itutet och blev det för Folkhälsomyndigclass="word_break">heten. Alltså hade han varit högsta rådgivare även för en borgerlig regering om detta virus istället spridit sig vid denna tidpunkt.
    ellauri066.html on line 638: Detta kan vara bra att påvisa då både regering Löfven och Tegnell tillsammans målas ut som "mördare" i sociala medier, där man hävdar att de går varandras ärenden. Det bör också nämnas att Tegnell invalts som ledamot av Kungliga Krigsvetenskaps
    class="word_break">akademien där hans inträdesanföranclass="word_break">de handlade om just pandemiers påverkan på samhället. Det kan inte Stefan Löfven skryta med.

    Det känns med anledning av ovan information som att ingen av oss som saknar adekvat utbildning i ämnet ska sitta och kritisera denna man förens vi på riktigt har ett slut på denna kris.
    ellauri066.html on line 640: Vi borde låta Tegnell och hans team arbeta i fred och endast tycka kring sådant där vi själva har insyn, där det såklart då kan kopplas till åtgärderna som sätts in på olika sätt. Vi ska givetvis ta del av vad olika experter kring ämnet säger och dela det vidare om vi vill, men där bör vårt tyckande stanna. Först något eller några år efter krisens slut kan riktiga experter analysera och möjligtvis komma fram till en slutsats kring vilket tillvägagångssä
    class="word_break">tt som varit mest gynnsamt utifrån väldigt många olika parametrar.

    Det vi vet utifrån utbildning och Tegnells arbetserfarenheclass="word_break">ter är att han är expert inom det han rådgör regeringen kring.
    ellauri066.html on line 642: Vi vet också att vissa med liknande utbildning anser att vi väljer fel väg, de anser att många fler kommer dö med detta tillvägagångssä
    class="word_break">tt och vill se en total nedstängning av samhället. Tegnell har dock tilldelats denna roll av de som styr landet, jag tycker vi borde låta honom sköta sitt arbete ivf utan personpåhopp och vidriga attacker som att kalla honom mördare med mera. Han gör ju det han tror är bäst för Sverige, det hoppas jag ingen tvivlar på. Det finns som sagt forskare som kritiserar Sveriges tillvägagångssäclass="word_break">tt, men det finns också många som tror att Sveriges sätt att hantera krisen är mest gynnsam på sikt, både gällande folkhälsan och särskilt där det gäller landets ekonomi. Det finns många debattartiklar även om det.
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    class="toc" style="font-family:serif;font-style:italic;font-size:2em;color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Tommi Kinnunen


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    class="toc" style="font-family:serif;font-style:italic;font-size:4em;color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Ihana uutuus

    Antiikkia & designiä


    ellauri067.html on line 176: 1953-59 Cornell U engineering major, took? a class w/Nabokov, met R. Fariña
    ellauri067.html on line 187: 1973 "Gravity's Rainbow" published Feb 28, universally hailed as classic
    ellauri067.html on line 379: Höh, aika tylsä makarooni. Eikö löytynyt mitään hauskempaa? Juonikin vaikuttaa ikävystyttävältä: The poem tells of a prank played on an apothecary by a band of university students called macaronea secta. It is written in a mix of Latin and Italian, in hexameter verse (as would befit a classical Latin poem). It reads as a satire of the bogus humanism and pedantism of doctors, scholars and bureaucrats of the time. Merkuriuxelle pyhitetty valo on keskiviikko. Zobia on toskanalainen murresana torstaille (Giovedi).
    ellauri067.html on line 470: The relationship between J.P. Morgan and Thomas Edison is a classic case of high finance. As Edison needed money to fund his work he would give a huge block of stock in his company to Morgan. Eventually the bulk of Edison Electric shares were controlled by the J.P. Morgan.
    ellauri067.html on line 505: ...the women in the class were furious at the books by men. My choices were quite ordinary—Kerouac, Ellison, Roth, Bellow, and Pynchon... “This Set of Holes, Pleasantly Framed”: Pynchon the Competent Pornographer.
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    class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">My Butt


    ellauri069.html on line 24:

    class="toc" style="font-family:serif;font-size:4em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Fountain

    Lähdekritiikkiä


    ellauri069.html on line 162: 657; American dancer who was among the first to raise interpretive dance to the status of creative art, incorporating classical, particularly Greek, mythology, art and music. Not very successful in the United States, she took her new style of performance to Europe where it was greeted enthusiastically. She was strangled when her long scarf became entangled in the wheels of a car.
    ellauri069.html on line 257: German novelist Hermann Hesse (1877-1962), experiencing a crisis of the spirit, had psychoanalysis with J.B. Lang, a disciple of Carl Gustav Jung. His novel Demian (1919), which shows the influence of analysis, is about the character Demian (a classic "seeker") and his quest for self-awareness. Published during the troubled Weimar years, the novel was very popular and had a pervasive influence on the Germans. It also made Hesse famous.
    ellauri069.html on line 353:
    class="bsg_plotDiagram_bundle" id="plot_diagram">
    Gravity's Rainbow Plot Diagram
    Climax123456789Rising ActionFalling ActionResolutionIntroduction
    class="bsg_plotDiagram_leftColumn">
    class="bsg_plotDiagram_annotation is_introduction_new">

    class="bsg_plotDiagram_subHeading">Introduction

    class="bsg_plotDiagram_caption">class="bsg_plotDiagram_number">1
    ellauri069.html on line 354: class="bsg_plotDiagram_text">"They" suspect Slothrop's erections predict V-rockets.

    class="bsg_plotDiagram_annotation is_rising_action_new">

    class="bsg_plotDiagram_subHeading">Rising Action

    class="bsg_plotDiagram_caption">class="bsg_plotDiagram_number">2
    ellauri069.html on line 355: class="bsg_plotDiagram_text">Slothrop goes AWOL, looking for the truth.

    class="bsg_plotDiagram_caption">class="bsg_plotDiagram_number">3
    ellauri069.html on line 356: class="bsg_plotDiagram_text">Slothrop becomes Rocketman.

    class="bsg_plotDiagram_caption">class="bsg_plotDiagram_number">4
    ellauri069.html on line 357: class="bsg_plotDiagram_text">Slothrop stops looking for the truth about Jamf.

    class="bsg_plotDiagram_caption">class="bsg_plotDiagram_number">5
    ellauri069.html on line 358: class="bsg_plotDiagram_text">The Hereros bring the 00001 rocket to Lüneberg Heath.

    class="bsg_plotDiagram_caption">class="bsg_plotDiagram_number">6
    ellauri069.html on line 359: class="bsg_plotDiagram_text">Slothrop's personality is fully scattered.

    class="bsg_plotDiagram_rightColumn">
    class="bsg_plotDiagram_annotation is_climax_new">

    class="bsg_plotDiagram_subHeading">Climax

    class="bsg_plotDiagram_caption">class="bsg_plotDiagram_number">7
    ellauri069.html on line 360: class="bsg_plotDiagram_text">Blicero fires the 00000 rocket with Gottfried inside.

    class="bsg_plotDiagram_annotation is_falling_action_new">

    class="bsg_plotDiagram_subHeading">Falling Action

    class="bsg_plotDiagram_caption">class="bsg_plotDiagram_number">8
    ellauri069.html on line 361: class="bsg_plotDiagram_text">The 00000 rocket begins its descent.

    class="bsg_plotDiagram_annotation is_resolution_new">

    class="bsg_plotDiagram_subHeading">Resolution

    class="bsg_plotDiagram_caption">class="bsg_plotDiagram_number">9
    ellauri069.html on line 362: class="bsg_plotDiagram_text">A rocket hangs poised above a movie theater in Los Angeles.


    ellauri069.html on line 363: class="bsg_nextSection_action" data-amplitude="[Book] Next Button">Part Summaries
    ellauri069.html on line 766: Hugh Rockoff suggested in 1990 that the novel was an allegory about the demonetization of silver in 1873, whereby “the cyclone that carried Dorothy to the Land of Oz represents the economic and political upheaval, the yellow brick road stands for the gold standard, and the silver shoes Dorothy inherits from the Wicked Witch of the East represents the pro-silver movement. When Dorothy is taken to the Emerald Palace before her audience with the Wizard she is led through seven passages and up three flights of stairs, a subtle reference to the Coinage Act of 1873 which started the class conflict in America.”
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    class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Sale Niinistö


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    class="toc" style="font-family:serif;font-size:4em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Demokratian painajainen

    Jyrähtelyä


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    class="toc" style="font-family:sans-serif;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">THOMAS PYNCHON


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    class="toc" style="font-family:sans-serif;font-size:4em;color:red;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Western RANGERS

    Länsiviihdettä


    ellauri071.html on line 44: Tucker Carlson Justifies Kenosha Shootings: Vigilante Kid Did What ‘No One Else Would’ AND THERE IT IS “How shocked are we that 17-year-olds with rifles decided they had to maintain order when no one else would?” Carlson asked his viewers on Wednesday night. “Our leaders want us to believe this is a racial conflict, they’re always telling us it is. They’re lying. It is not a racial conflict,” Carlson grumbled, adding: “This is not a race war. This is a class war.” Updated Aug. 27, 2020 5:20AM ET / Published Aug. 26, 2020 9:11PM ET
    ellauri071.html on line 113: Coward's last pre-war plays were This Happy Breed, a drama about a working-class family, and Present Laughter, a comic self-caricature with an egomaniac actor as the central character.
    ellauri071.html on line 245: Kvaternionit ovat kompleksilukujen nelikomponenttinen laajennus, jossa yhden imaginääriakselin class="mwe-math-element">class="mwe-math-mathml-inline mwe-math-mathml-a11y" style="display: none;">
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    ellauri072.html on line 33:

    class="toc" style="font-family:Muli;font-size:8em;color:yellow;background:#2b1e0d;text-align:center;margin-top:0%;margin-bottom:0%">David Foster Wallace


    ellauri072.html on line 34:

    class="toc" style="font-family:Muli;font-size:5em;color:black;background:#ead3b1;text-align:center;margin-top:0%;margin-bottom:0%">Vastenmielisten miesten lyhyitä haastatteluja

    Valivalia


    ellauri072.html on line 477: What will happen when the age-old economy of scarcity gives way to the Age of Leisure? Professor Gabor, who won the 1971 Nobel Prize for physics offers a futuristic projection based on a static population and GNP, "classless, democratic, and uniformly rich." Fearful that total secruity "will create unbearable boredom and bring out the worst in Irrational Man," Gabor is anxious to retain "effort," "hardship," and the Protestant Ethic -- lest society dissolve in an orgy of anti-social, hedonistic nihilism (viz. the current drug explosion and the spoiled-brat students). To avoid such evils Gabor proposes that work and its attendant moral uplift be divorced from production and the service sector of the economy be vastly enlarged. But this is only the beginning -- enthusiastic about Social Engineering Gabor suggests using it to weed out potential misfits, trouble-makers and "power addicts"; supplementing I.Q. tests with E.Q. (Ethical Quotient) measurements; and modeling elementary and secondary education on the 19th century British public school which knew so well how to inculcate good citizenship, intellectual excellence and pride in achievement. The Third World, still wrestling with pre-industrial material want, is ignored -- since we can't afford any more industrial pollution presumably they will just have to adjust to their misery. Gabor's assessment of "the Nature of Man" shows a woefully naive Anglo-American ethnocentricity and complete ignorance of anthropology and his vision of post-industrial utopia operating on the moral axioms of the 19th century is as elitist as it is improbable.
    ellauri072.html on line 520: The externals of Wallace’s life are not too distinctive. He was a smart kid raised in a middle-class family in Urbana, Ill.; his mother was an English teacher and his father a professor of philosophy. Wallace attended Amherst, where he first had trouble fitting in and then found a niche where he fit in very well. He had some intense and dramatic long-term relationships with women and also his share of brief sexual encounters, and he eventually had what is said to have been a loving and grounded marriage. It is his internal agitations, not his circumstances, that were extreme.
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    class="toc" style="font-family:sans-serif;font-size:8em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kakoli Ruma


    ellauri073.html on line 27:

    class="toc" style="font-family:sans-serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Emmä tiedä, hähähä!

    Vulgääriä


    ellauri073.html on line 264: He overindulges in coffee and caffeine-based products and exhibits extreme hyperactivity as a result. In almost every appearance, Foley mentions drinking espresso or coffee, or taking NoDoz and even brings a duffel bag with a pot of coffee to the gym to teach a spinning class. His clients will often mention him either drinking coffee or eating coffee beans before calling him in to begin his presentation.
    ellauri073.html on line 489: "couvade", lapsivuoteus. A class of male pregnancy rituals. Samanniminen psyykkinen miestenvaiva, jonka aiheuttaa lapsikateus.
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    class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">MIT Press


    ellauri074.html on line 29:

    class="toc" style="font-family:sans-serif;font-size:6em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">DON'T WORRY!

    Vetolaastareita


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    ellauri077.html on line 27:

    class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Thomas Ball Barratt


    ellauri077.html on line 28:

    class="toc" style="font-family:sans-serif;font-size:6em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Telemakhrian yritelmä

    Rappinkia


    ellauri077.html on line 812: Orwell´s confusing approach to matters of social decorum—on the one hand expecting a working-class guest to dress for dinner, and on the other, slurping tea out of a saucer at the BBC canteen—helped stoke his reputation as an English eccentric.
    ellauri077.html on line 820: It is almost universally felt that when we call a country democratic we are praising it: consequently the defenders of every kind of regime claim that it is a democracy, and fear that they might have to stop using that word if it were tied down to any one meaning. Words of this kind are often used in a consciously dishonest way. That is, the person who uses them has his own private definition, but allows his hearer to think he means something quite different. Statements like Marshal Petain was a true patriot, The Soviet press is the freest in the world, The Catholic Church is opposed to persecution, are almost always made with intent to deceive. Other words used in variable meanings, in most cases more or less dishonestly, are: class, totalitarian, science, progressive, reactionary, bourgeois, equality.
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    class="toc" style="font-family:sans-serif;font-size:2em;color:black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Sally Jean Foster


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    class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Ad Nauseam

    Jaxaajaxaa


    ellauri078.html on line 34: Infinity is something we are introduced to in our math classes, and later on we learn that infinity can also be used in physics, philosophy, social sciences, etc. Infinity is characterized by a number of uncountable objects or concepts which have no limits or size. This concept can be used to describe something huge and boundless. It has been studied by plenty of scientists and philosophers of the world, since the early Greek and early Indian epochs. In writing, infinity can be noted by a specific mathematical sign known as the infinity symbol (∞) created by John Wallis, an English mathematician who lived and worked in the 17th century.
    ellauri078.html on line 143: In an early poem, she chastised science for its prying interests. Its system interfered with the observer’s preferences; its study took the life out of living things. In “‘Arcturus’ is his other name” she writes, “I pull a flower from the woods - / A monster with a glass / Computes the stamens in a breath - / And has her in a ‘class!’” At the same time, Dickinson’s study of botany was clearly a source of delight. She encouraged her friend Abiah Root to join her in a school assignment: “Have you made an herbarium yet? I hope you will, if you have not, it would be such a treasure to you.” She herself took that assignment seriously, keeping the herbarium generated by her botany textbook for the rest of her life.
    ellauri079.html on line 21: class="v20 numberCircle">79
    ellauri079.html on line 27:

    class="toc" style="font-family:sans-serif;font-size:2em;color:yellow;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Pynchon & Wallace


    ellauri079.html on line 28:

    class="toc" style="font-family:sans-serif;font-size:3em;color:yellow;background:black;text-align:center;margin-top:0%;margin-bottom:0%">American HILLBILLIES

    Läppäkeppejä


    ellauri080.html on line 21: class="v21 numberCircle">80
    ellauri080.html on line 27:

    class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:navy;text-align:center;margin-top:0%;margin-bottom:0%">Theofrastos et al.


    ellauri080.html on line 28:

    class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:navy;text-align:center;margin-top:0%;margin-bottom:0%">Luonteenvikoja

    Psykopatiaa


    ellauri080.html on line 129:

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    ellauri080.html on line 132:

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    ellauri080.html on line 133: class="heading-toc" id="openness">
    class="comp mntl-sc-block health-sc-block-heading mntl-sc-block-heading"> class="mntl-sc-block-heading__text"> Openness

    ellauri080.html on line 134:

    class="comp mntl-sc-block mntl-sc-block-html">
    ellauri080.html on line 135: This trait features characteristics such as imagination and insight.class="ql-inline-citation" data-cite="1"> People who are high in this trait also tend to have a broad range of interests. They are curious about the world and other people and eager to learn new things and enjoy new experiences.
    ellauri080.html on line 137:

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    ellauri080.html on line 138:

    class="comp mntl-sc-block mntl-sc-block-html">
    ellauri080.html on line 141:

    class="comp mntl-sc-block mntl-sc-block-adslot mntl-block">

    ellauri080.html on line 142:
    class="comp mntl-sc-block mntl-sc-block-comparisonlist">
    ellauri080.html on line 143:
    class="mntl-sc-block-comparisonlist__wrapper">
    ellauri080.html on line 144: class="mntl-sc-block-comparisonlist__heading">High
    ellauri080.html on line 145:
      class="mntl-sc-block-comparisonlist__list">
      ellauri080.html on line 152:
      class="mntl-sc-block-comparisonlist__wrapper">
      ellauri080.html on line 153: class="mntl-sc-block-comparisonlist__heading">Low
      ellauri080.html on line 154:
        class="mntl-sc-block-comparisonlist__list">
        ellauri080.html on line 163:
        class="comp mntl-sc-block mntl-sc-block-adslot mntl-block">

        ellauri080.html on line 164: class="heading-toc" id="conscientiousness">
        class="comp mntl-sc-block health-sc-block-heading mntl-sc-block-heading"> class="mntl-sc-block-heading__text"> Conscientiousness

        ellauri080.html on line 165:

        class="comp mntl-sc-block mntl-sc-block-html">
        ellauri080.html on line 166: Standard features of this dimension include high levels of thoughtfulness, good impulse control, and goal-directed behaviors.class="ql-inline-citation" data-cite="1"> Highly conscientious people tend to be organized and mindful of details. They plan ahead, think about how their behavior affects others, and are mindful of deadlines.
        ellauri080.html on line 168:

        class="comp mntl-sc-block mntl-sc-block-adslot mntl-block">

        ellauri080.html on line 169:
        class="comp mntl-sc-block mntl-sc-block-comparisonlist">
        ellauri080.html on line 170:
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        ellauri080.html on line 171: class="mntl-sc-block-comparisonlist__heading">High
        ellauri080.html on line 172:
          class="mntl-sc-block-comparisonlist__list">
          ellauri080.html on line 179:
          class="mntl-sc-block-comparisonlist__wrapper">
          ellauri080.html on line 180: class="mntl-sc-block-comparisonlist__heading">Low
          ellauri080.html on line 181:
            class="mntl-sc-block-comparisonlist__list">
            ellauri080.html on line 190:
            class="comp mntl-sc-block mntl-sc-block-adslot mntl-block">

            ellauri080.html on line 191: class="heading-toc" id="extraversion">
            class="comp mntl-sc-block health-sc-block-heading mntl-sc-block-heading"> class="mntl-sc-block-heading__text"> Extraversion

            ellauri080.html on line 192:

            class="comp mntl-sc-block mntl-sc-block-html">
            ellauri080.html on line 193: Extraversion (or extroversion) is characterized by excitability, sociability, talkativeness, assertiveness, and high amounts of emotional expressiveness.class="ql-inline-citation" data-cite="1"> People who are high in extraversion are outgoing and tend to gain energy in social situations. Being around other people helps them feel energized and excited.
            ellauri080.html on line 195:

            class="comp mntl-sc-block mntl-sc-block-adslot mntl-block">

            ellauri080.html on line 196:

            class="comp mntl-sc-block mntl-sc-block-html">
            ellauri080.html on line 199:

            class="comp mntl-sc-block mntl-sc-block-adslot mntl-block">

            ellauri080.html on line 200:
            class="comp mntl-sc-block mntl-sc-block-comparisonlist">
            ellauri080.html on line 201:
            class="mntl-sc-block-comparisonlist__wrapper">
            ellauri080.html on line 202: class="mntl-sc-block-comparisonlist__heading">High
            ellauri080.html on line 203:
              class="mntl-sc-block-comparisonlist__list">
              ellauri080.html on line 213:
              class="mntl-sc-block-comparisonlist__wrapper">
              ellauri080.html on line 214: class="mntl-sc-block-comparisonlist__heading">Low
              ellauri080.html on line 215:
                class="mntl-sc-block-comparisonlist__list">
                ellauri080.html on line 225:
                class="comp mntl-sc-block mntl-sc-block-adslot mntl-block">

                ellauri080.html on line 226:
                class="comp related-link mntl-sc-block mntl-sc-block-featuredlink mntl-block">
                ellauri080.html on line 230: class=" mntl-sc-block-featuredlink__link mntl-text-link"
                ellauri080.html on line 233: >class="link__wrapper">How Extroversion in Personality Influences Behavior
                ellauri080.html on line 235:
                class="comp mntl-sc-block mntl-sc-block-adslot mntl-block">

                ellauri080.html on line 236: class="heading-toc" id="agreeableness">
                class="comp mntl-sc-block health-sc-block-heading mntl-sc-block-heading"> class="mntl-sc-block-heading__text"> Agreeableness

                ellauri080.html on line 237:

                class="comp mntl-sc-block mntl-sc-block-html">
                ellauri080.html on line 238: This personality dimension includes attributes such as trust, altruism, kindness, affection, and other prosocial behaviors.class="ql-inline-citation" data-cite="1"> People who are high in agreeableness tend to be more cooperative while those low in this trait tend to be more competitive and sometimes even manipulative.
                ellauri080.html on line 240:

                class="comp mntl-sc-block mntl-sc-block-adslot mntl-block">

                ellauri080.html on line 241:
                class="comp mntl-sc-block mntl-sc-block-comparisonlist">
                ellauri080.html on line 242:
                class="mntl-sc-block-comparisonlist__wrapper">
                ellauri080.html on line 243: class="mntl-sc-block-comparisonlist__heading">High
                ellauri080.html on line 244:
                  class="mntl-sc-block-comparisonlist__list">
                  ellauri080.html on line 252:
                  class="mntl-sc-block-comparisonlist__wrapper">
                  ellauri080.html on line 253: class="mntl-sc-block-comparisonlist__heading">Low
                  ellauri080.html on line 254:
                    class="mntl-sc-block-comparisonlist__list">
                    ellauri080.html on line 263:
                    class="comp mntl-sc-block mntl-sc-block-adslot mntl-block">

                    ellauri080.html on line 264: class="heading-toc" id="neuroticism">
                    class="comp mntl-sc-block health-sc-block-heading mntl-sc-block-heading"> class="mntl-sc-block-heading__text"> Positivity

                    ellauri080.html on line 265:

                    class="comp mntl-sc-block mntl-sc-block-html">
                    ellauri080.html on line 266: Positivity is a trait characterized by gladness, happiness, and emotional stability. Those hig in this trait tend to be more stable and emotionally resilient.class="ql-inline-citation" data-cite="1"> Individuals who are low in this trait tend to experience mood swings, anxiety, irritability, and sadness.
                    ellauri080.html on line 268:

                    class="comp mntl-sc-block mntl-sc-block-adslot mntl-block">

                    ellauri080.html on line 269:
                    class="comp mntl-sc-block mntl-sc-block-comparisonlist">
                    ellauri080.html on line 270:
                    class="mntl-sc-block-comparisonlist__wrapper">
                    ellauri080.html on line 271: class="mntl-sc-block-comparisonlist__heading">High
                    ellauri080.html on line 272:
                      class="mntl-sc-block-comparisonlist__list">
                      ellauri080.html on line 280:
                      class="mntl-sc-block-comparisonlist__wrapper">
                      ellauri080.html on line 281: class="mntl-sc-block-comparisonlist__heading">Low
                      ellauri080.html on line 282:
                        class="mntl-sc-block-comparisonlist__list">
                        ellauri080.html on line 292:
                        class="comp mntl-sc-block mntl-sc-block-adslot mntl-block">

                        ellauri080.html on line 293: class="heading-toc" id="are-the-big-five-traits-universal">
                        class="comp mntl-sc-block health-sc-block-heading mntl-sc-block-heading"> class="mntl-sc-block-heading__text"> Are the Big Five Traits Universal?

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                        class="comp mntl-sc-block mntl-sc-block-html">
                        ellauri080.html on line 297:

                        class="comp mntl-sc-block mntl-sc-block-adslot mntl-block">

                        ellauri080.html on line 298:

                        class="comp mntl-sc-block mntl-sc-block-html">
                        ellauri080.html on line 301:

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                        ellauri080.html on line 302: class="heading-toc" id="what-factors-influence-the-big-five-traits">
                        class="comp mntl-sc-block health-sc-block-heading mntl-sc-block-heading"> class="mntl-sc-block-heading__text"> What Factors Influence the Big Five Traits?

                        ellauri080.html on line 303:

                        class="comp mntl-sc-block mntl-sc-block-html">
                        ellauri080.html on line 304: Research suggests that both biological and environmental influences play a role in shaping our personalities. Twin studies suggest that both nature and nurture play a role in the development of each of the five personality factors.class="ql-inline-citation" data-cite="2">
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                        ellauri080.html on line 319:
                        class="comp mntl-sc-block mntl-sc-block-subheading"> class="mntl-sc-block-subheading__text"> A Word From Verywell

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                        class="comp scads-to-load right-rail__item billboard1-sticky billboard-sticky" data-height="1050" data-parent>
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                        class="spacer">
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                        class="wrapper">

                        ellauri080.html on line 744: For his service in the Boer War, Gandhi was awarded the Queen’s South Africa Medal. What the fuck was he doing fighting a colonial war for the British? On the other hand, Boers were no better than Brits in that respect. They took turns on sitting on the natives, with the Indian middle class sitting in the middle.
                        ellauri080.html on line 801: During his life, Gandhi studied all the major religions – the Bible, The Qu’ran, The Buddhist scriptures and of course the major Indian classics, such as the Bhagavad Gita. In London he also studied Theosophy.
                        ellauri082.html on line 21: class="v21 numberCircle">082
                        ellauri082.html on line 27:

                        class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:mediumspringgreen;text-align:center;margin-top:0%;margin-bottom:0%">David Foster Wallace


                        ellauri082.html on line 28:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:mediumspringgreen;text-align:center;margin-top:0%;margin-bottom:0%">FLOW IN A BLOW

                        Juonipaljastuxia


                        ellauri082.html on line 192:


                        ellauri082.html on line 491:

                        class="yle_areena_player" data-id="1-50157760">

                        ellauri083.html on line 21: class="v21 numberCircle">083
                        ellauri083.html on line 27:

                        class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">HELMI $ TAALA


                        ellauri083.html on line 28:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:gold;text-align:center;margin-top:0%;margin-bottom:0%">HYVÄÄ PUUTA

                        Puutaheinää


                        ellauri083.html on line 336: For all their profusion, these paled in comparison with Sachs's newest display pieces: The Cabinet, 2014, and The Rockeths, 2017. The former was a folding case fashioned from orange-and-white striped barricades and festooned with hundreds of tools, hung in groups and inscribed with the names of individuals who have "inspired, influenced, or frightened" the artist--from Le Corbusier and Louis Kahn to the members of the Wu-Tang Clan--while the latter was less a cabinet than a kind of portable workbench and shelving unit, similarly jam-packed with the tools of the artist's trade, as well as a collection of model rockets, all again labeled to namecheck various figures of personal importance--scientists, musicians, artists; Apollo, Dionysus, Stringer Bell. The fetishistic frisson the assembled materials (pens, pliers, drill bits, tape measures) clearly provoke in Sachs was made even more explicit in McMasterbation, 2016, one of a trio of scale-model space modules arrayed on plinths. Featuring a copy of the legendarily comprehensive McMaster-Carr hardware catalogue spread open like a porn mag centerfold designed for lonely gearheads--alongside a ready supply of Vaseline and a handy tissue dispenser--it was part cathectic confession of objectophilia and part self-derogating indictment of his own work's tendencies toward sometimes masturbatory excess. Smart and stupid, funny and somehow a bit sad, it was classic Sachs: too much information, in every sense of the phrase.
                        ellauri088.html on line 21: class="v21 numberCircle">88
                        ellauri088.html on line 26:

                        class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Arrival


                        ellauri088.html on line 27:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">HUMAN

                        Pyllykielitiedettä


                        ellauri088.html on line 569: Blackmailing.—The proper course to pursue.—Selfish boorishness of river-side landowner.—“Notice” boards.—Unchristianlike feelings of Harris.—How Harris sings a comic song.—A high-class party.—Shameful conduct of two abandoned young men.—Some useless information.—George buys a banjo.
                        ellauri089.html on line 21: class="v21 numberCircle">89
                        ellauri089.html on line 27:

                        class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Addams


                        ellauri089.html on line 28:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Illegal Aliens

                        Ufoa


                        ellauri089.html on line 62: Heinlein's experience in the Navy exerted a strong influence on his character and writing. In 1929, he graduated from the Naval Academy with the equivalent of a Bachelor of Arts degree in Engineering, ranking fifth in his class academically but with a class standing of 20th of 243 due to disciplinary demerits.
                        ellauri089.html on line 114: From Rocket Ship Galileo (1947) to Have Space Suit—Will Travel (1958), Robert A. Heinlein wrote twelve novels, all published by Scribners, that were aimed at what we now call the juvenile market. In Dr. Johnson’s sense of the word, they are classics in their field, they have stood the test of time. They appeared first in hardback—unusual in a field in which, until the 1950s or 1960s, almost all major works were published in magazines or in paperback; and during the 1950s, hardback copies of these novels could be found in school and public libraries all across the country. These novels later appeared in paperback and have remained available in that form to the present. Heinlein’s juvenile novels have been largely ignored by both science fiction critics and critics of children’s literature; but even a half century after they were written, these novels are still “contemporary” and are still among the best science fiction in the range.
                        ellauri089.html on line 609: § 97. It is plain that rules of class (1) may also be justified by the existence of such temporary conditions as justify those of class (2); and among such temporary conditions must be reckoned the so-called sanctions. …
                        ellauri089.html on line 621: § 103. (5) We may further see that "virtues" are not to be defined as dispositions that are good in themselves: they are not necessarily more than dispositions to perform actions generally good as means, and of these, for the most part, only those classed as "duties" in accordance with section (4). It follows that to decide whether a disposition is or is not "virtuous" involves the difficult causal investigation discussed in section (3); and that what is a virtue in one state of society may not be so in another. …
                        ellauri089.html on line 668: § 124. It remains to consider positive evils and mixed goods. I. Evils may be divided into three classes, namely …
                        ellauri090.html on line 21: class="v21 numberCircle">90
                        ellauri090.html on line 27:

                        class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Joaquim do Pato


                        ellauri090.html on line 28:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">A Panelinha

                        Brassailua


                        ellauri090.html on line 213: Ambos os pais de Machado de Assis sabiam ler e escrever, fato incomum na sua época e classe social. Ambos eram agregados da Dona Maria José de Mendonça Barrozo Pereira, esposa do falecido senador Bento Barroso Pereira, que abrigou seus pais e os permitiu morar junto com ela. Nascera junto a ele uma irmã, que morreu jovem, aos 4 anos, em 1845.
                        ellauri090.html on line 335: Uma das características mais atraentes e refinadas de Machado de Assis é sua ironia, uma ironia que, embora chegue francamente ao humor em certas situações, tem geralmente uma sutileza que só a faz perceptível a leitores de sensibilidade já treinada em textos de alta qualidade. Essa ironia é a arma mais corrosiva da crítica machadiana dos comportamentos, dos costumes, das estruturas sociais. Machado a desenvolveu a partir de grandes escritores ingleses que apreciava e nos quais se inspirou (sobretudo o originalíssimo Lawrence Sterne, romancista do século XVIII). Na representação dos comportamentos humanos, a ironia de Machado de Assis se associa àquilo que é classificado como o seu grande poder 'analista da alma humana'.
                        ellauri092.html on line 27: class="v21 numberCircle">92
                        ellauri092.html on line 33:

                        class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">John Bunyan


                        ellauri092.html on line 34:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Badman and Rubin

                        Näkyjä


                        ellauri092.html on line 255: There has been a resurgence of Reformed theology among Baptists recently, with some major Baptist seminaries teaching a more classic and robust Reformed theology. There are also many Reformed Baptist churches which would enthusiastically subscribe to Calvinism.
                        ellauri093.html on line 21: class="v21 numberCircle">93
                        ellauri093.html on line 27:

                        class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Hudson Taylor


                        ellauri093.html on line 28:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Yours Faithfully is Christ

                        Haahkanuntuvia


                        ellauri093.html on line 765: class="wikitable" border="1">
                        ellauri093.html on line 833: Tunnustuksen allekirjoitti seitsemän ruhtinasta: Saksin herttua ja vaaliruhtinas Juhana, Brandenburgin rajakreivi class="new" title="Yrjö (Brandenburgin rajakreivi) (sivua ei ole)">Yrjö, Lüneburgin herttua Ernst, Hessenin maakreivi Filip Jalomielinen, Saksin herttua Juhana Fredrik, Lüneburgin herttua Frans, Anhaltin ruhtinas Wolf(gang) ja kaksi valtakunnankaupunkia (Nürnberg ja Reutlingen). Siis tämmösiä pikkukaupunkien pormestareita tai läänin maaherroja, joita paavin kieltojen maailma oli alkanut ahdistaa.
                        ellauri094.html on line 21: class="v21 numberCircle">94
                        ellauri094.html on line 27:

                        class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Hanski ja Helmi Häyrinen


                        ellauri094.html on line 28:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Saukki ja siipioravat

                        Papanoita


                        ellauri094.html on line 241:
                        class="wikitable" style="align: center;">
                        ellauri094.html on line 260:
                        Reign of class="mw-redirect" title="Jehoiachin">Jehoiachin (reigned 3 months). Siege and fall of Jerusalem.
                        Second deportation, 16 March 597
                        ellauri094.html on line 265:
                        Zedekiah made king of Judah by class="mw-redirect" title="Nebuchadrezzar II">Nebuchadnezzar II of Babylon
                        ellauri094.html on line 285:
                        Release of Jehoiachin after 37 years in a Babylonian prison.class="reference"> He remains in Babylon
                        ellauri094.html on line 300:
                        Return by many Jews to class="mw-redirect" title="Yehud Medinata">Yehud under Zerubbabel and Joshua the High Priest.
                        Foundations of Second Temple laid
                        ellauri095.html on line 21: class="v21 numberCircle">95
                        ellauri095.html on line 26:

                        class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">The Manly Hopkinses


                        ellauri095.html on line 27:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Go fly a Kestrel

                        Leijailua


                        ellauri095.html on line 39: Some critics believe he merely coined a name for poems with mixed, irregular feet, like free verse. However, while sprung rhythm allows for an indeterminate number of syllables to a foot, Hopkins was very careful to keep the number of feet per line consistent across each individual work, a trait that free verse does not share. Sprung rhythm may be classed as a form of accentual verse, as it is stress-timed, rather than syllable-timed, and while sprung rhythm did not become a popular literary form, Hopkins's advocacy did assist in a revival of accentual verse more generally.
                        ellauri095.html on line 107: The term Uranian was quickly adopted by English-language advocates of homosexual emancipation in the Victorian era, such as Edward Carpenter and John Addington Symonds, who used it to describe a comradely love that would bring about true democracy, uniting the "estranged ranks of society" and breaking down class and gender barriers. Oscar Wilde wrote to Robert Ross in an undated letter (?18 February 1898): "To have altered my life would have been to have admitted that Uranian love is ignoble. I hold it to be noble—more noble than other forms."
                        ellauri095.html on line 129: Hopkins studied classics at Balliol College, Oxford (1863–1867). He began his time in Oxford as a keen socialite and prolific poet, but seems to have alarmed himself with resulting changes in his behaviour. There he forged a lifelong friendship with Robert Bridges (later Poet Laureate of the United Kingdom), which would be important to his development as a poet and in establishing his posthumous acclaim.
                        ellauri095.html on line 220: The brilliant student who had left Oxford with first-class honours failed his final theology exam. This almost certainly meant that despite his ordination in 1877, Hopkins would not progress in the order. In 1877 he wrote God's Grandeur, an array of sonnets that included "The Starlight Night". He finished "The Windhover" only a few months before his ordination. His life as a Jesuit trainee, though rigorous, isolated and sometimes unpleasant, at least had some stability; the uncertain and varied work after ordination was even harder on his sensibilities. In October 1877, not long after completing "The Sea and the Skylark" and only a month after his ordination, Hopkins took up duties as sub-minister and teacher at Mount St Mary's College near Sheffield. In July 1878 he became curated at the Jesuit church in Mount Street, London, and in December that of St Aloysius's Church, Oxford, then moving to Manchester, Liverpool and Glasgow. While ministering in Oxford, he became a founding member of The Cardinal Newman Boozing Society, established in 1878 for Catholic members of the University of Oxford. He taught Greek and Latin at Mount St Mary's College, Sheffield, and Stonyhurst College, Lancashire.
                        ellauri095.html on line 246: In 1874 Hopkins returned to Manresa House to teach classics. While studying in the Jesuit house of theological studies, St Beuno´s College, near St Asap in North Wales, he was asked by his religious superior to write a poem to commemorate the foundering of a German ship in a storm. So in 1875 he took up poetry once more to write a lengthy piece, "The Wreck of the Deutschland", inspired by the Deutschland incident, a maritime disaster in which 157 people died, including five Franciscan nuns who had been leaving Germany due to harsh anti-Catholic laws (see Kulturkampf). The work displays both the religious concerns and some of the unusual metre and rhythms of his subsequent poetry not present in his few remaining early works. It not only depicts the dramatic events and heroic deeds, but tells of him reconciling the terrible events with God´s higher purpose. The poem was accepted but not printed by a Jesuit publication. This rejection fed his ambivalence about his poetry, most of which remained unpublished until after his death.
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                        class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">2 Hippoa sohvalla


                        ellauri096.html on line 28:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:#211306;text-align:center;margin-top:0%;margin-bottom:0%">Tallitylleröt

                        Heppaharrastusta


                        ellauri096.html on line 90: W. V. Quine (1953) agrees with Weiss’ conclusion that the teacher’s announcement of a surprise test fails to give the student knowledge that there will be a surprise test. Yet Quine abominates Weiss’ reasoning. Weiss breeches the law of bivalence (which states that every proposition has a truth-value, true or false). Quine believes that the riddle of the surprise test should not be answered by surrendering classical logic. Me too. Right on Willard van Orman Quine! Thumbs up!
                        ellauri096.html on line 269: Binkley stipulates that the students do not forget. He needs to add that the students know that they will not forget. For the mere threat of a memory lapse sometimes suffices to undermine knowledge. Consider Professor Anesthesiology’s scheme for surprise tests: “A surprise test will be given either Wednesday or Friday with the help of an amnesia drug. If the test occurs on Wednesday, then the drug will be administered five minutes after Wednesday’s class. The drug will instantly erase memory of the test and the students will fill in the gap by confabulation.” You have just completed Wednesday’s class and so temporarily know that the test will be on Friday. Ten minutes after the class, you lose this knowledge. No drug was administered and there is nothing wrong with your memory. You are correctly remembering that no test was given on Wednesday. However, you do not know your memory is accurate because you also know that if the test was given Wednesday then you would have a pseudo-memory indistinguishable from your present memory. Despite not gaining any new evidence, you change your mind about the test occurring on Wednesday and lose your knowledge that the test is on Friday. (The change of belief is not crucial; you would still lack foreknowledge of the test even if you dogmatically persisted in believing that the test will be on Friday.)
                        ellauri096.html on line 529: Galgalim (galgallim "spheres", "wheels", "whirlwinds" גַּלְגַּלִּים; singular: galgal, גַּלְגַּל), also called ophanim (Hebrew "wheels" ōphannīm אוֹפַנִּים; singular: ōphān, ofan אוֹפָן), refer to the wheels seen in Ezekiel's vision of the chariot (Hebrew merkabah) in Ezekiel 1:15–21. One of the Dead Sea scrolls (4Q405) construes them as angels; late sections of the Book of Enoch (61:10, 71:7) portray them as a class of celestial beings who (along with the Cherubim and Seraphim) never sleep, but guard the throne of God.
                        ellauri096.html on line 808: The term seriation [mise en série] was proposed for use in semiotics by Jean Molino and derived from classical philology. Seriation "invokes the idea that any investigator, in order to assign some plausible meaning to a given phenomenon, must interpret it within a series of comparable phenomena." One cannot interpret what philology calls a hapax; that is, an isolated phenomenon. Art historian Erwin Panofsky has explained the situation in very clear terms:
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                        class="toc" style="font-family:serif;font-size:6em;color:navy;background:#b5f2d0;text-align:center;margin-top:0%;margin-bottom:0%">ALFRED KINSEY


                        ellauri097.html on line 34:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:magenta;background:#b5f2d0;text-align:center;margin-top:0%;margin-bottom:0%">Schopenholic und Schwester

                        Tipukirjallisuutta


                        ellauri097.html on line 91: In early 1898 he took a writing class at the Cosmopolitan University. This was to be the entirety of Mencken´s formal education in journalism, or in any other subject.
                        ellauri097.html on line 107: Like Nietzsche, he also lambasted religious belief and the very concept of Cod, as Mencken was an unflinching atheist, particularly Christian fundamentalism, Christian Science and creationism, and against the "Booboisie," his word for the ignorant middle classes. In the summer of 1925, he attended the famous Scopes "Monkey Trial" in Dayton, Tennessee, and wrote scathing columns for the Baltimore Sun (widely syndicated) and American Mercury mocking the anti-evolution Fundamentalists (especially William Jennings Bryan). The play Inherit the Wind is a fictionalized version of the trial, and as noted above the cynical reporter E.K. Hornbeck is based on Mencken. In 1926, he deliberately had himself arrested for selling an issue of The American Mercury, which was banned in Boston by the Comstock laws. Mencken heaped scorn not only on the public officials he disliked but also on the state of American elective politics itself.
                        ellauri097.html on line 163: Mencken ridiculed Albert Einstein's theory of general relativity, believing that "in the long run his curved space may be classed with the psychosomatic bumps of [Franz Josef] Gall and [Johann] Spurzheim." In his private letters, he said:
                        ellauri097.html on line 821: classicalpoets.org/wp-content/uploads/2012/08/robert-frost.jpg" height="200px" />
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                        class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">MARILE


                        ellauri098.html on line 29:

                        class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">GOOGLE: THERE ARE 129,864,880 BOOKS
                        IN THE ENTIRE WORLD

                        Kirja-arvostelua


                        ellauri098.html on line 308: Many tropes originated in literary works. Literature being nearly as old as writing itself, most of The Oldest Ones in the Book date to the classics, most Public Domain Characters appeared in print well before the first TV broadcasts, and even today, with the supposedly dwindling popularity of books in favor of more modern medianote , there are books with enough cultural impact to spawn TV Tropes.
                        ellauri098.html on line 557: They’re the class clowns, show-offs, and divas. Outgoing, energetic, and impulsive, they are natural performers and entertainers. But if ESPFs can’t grab attention by being funny or fascinating, they will settle for being annoying or outrageous.

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                        class="toc" style="font-family:sans-serif;font-size:4em;color:orange;background:white;text-align:center;margin-top:0%;margin-bottom:0%">The Figure of Dorian Gray

                        Toteemipaalu


                        ellauri099.html on line 28:

                        class="toc" style="font-family:sans-serif;font-size:3em;color:green;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Oscar Wilde


                        ellauri099.html on line 199: Famously, Aristotle was asked by Philip II of Macedon to be the tutor of his 13-year-old son, Alexander. Aristotle set up school in the Macedonian fortress of Mieza, and the young prince was taught together with his companions, who probably numbered around 30 students. A big class. This was a closed school, a boarding school of sorts. A sense of the seriousness with which Aristotle performed his duties can be gleaned from the fact that he composed two treatises in honor of Alexander, “On Kingship” and "On Colonies" as guidebooks for the prince, as well as editing a copy of Homer’s “Iliad” specifically for Alexander’s use — the so-called “casket copy” (presumably because it was small enough to fit inside his casket).
                        ellauri099.html on line 209: Expressing ancient money values in modern terms presents a perennial puzzle for historians of economics, so I called on my colleague, the economist Duncan Foley, for help. He very roughly calculated that the annual gross domestic product of classical Athens was about 4,400 talents. If that is right, then 800 talents is a vast figure, 32 times the expenditure on the Academy. Foley is somewhat skeptical of the figure, though. Ancient sources for numerical data (like the size of armies) are notoriously inaccurate, so perhaps a excited copyist simply added a zero.
                        ellauri099.html on line 303: Koitan olla vetämättä huomiota puoleeni. class="slider" id="myRange">
                        ellauri099.html on line 305: On kiusallista olla eri mieltä jonkun kanssa. class="slider" id="myRange">
                        ellauri099.html on line 307: Hukkaan tavaroitani. class="slider" id="myRange">
                        ellauri099.html on line 309: Mulla on vilkas mielikuvitus. class="slider" id="myRange">
                        ellauri099.html on line 311: Iso juhla mun kunniaxi olis upeaa. class="slider" id="myRange">
                        ellauri099.html on line 313: Ei ole kiva kilpailla toisten kanssa. class="slider" id="myRange">
                        ellauri099.html on line 315: Musta on mielusampi seurata aikataulua. class="slider" id="myRange">
                        ellauri099.html on line 317: Mä kyseenalaistan seniorien viisauden. class="slider" id="myRange">
                        ellauri099.html on line 319: Mä nautin olla keskipisteenä. class="slider" id="myRange">
                        ellauri099.html on line 321: Koitan välttää riitoja. class="slider" id="myRange">
                        ellauri099.html on line 323: Pidän huolta että saan työt valmiixi ajoissa. class="slider" id="myRange">
                        ellauri099.html on line 325: Mulle on tärkeää noudattaa perinteitä. class="slider" id="myRange">
                        ellauri099.html on line 327: Teen parhaani ollaxeni suosittu. class="slider" id="myRange">
                        ellauri099.html on line 329: Säälin kodittomia. class="slider" id="myRange">
                        ellauri099.html on line 331: Mun on vaikea hallita mielijohteita. class="slider" id="myRange">
                        ellauri099.html on line 333: Mietin mixi toiset tekee mitä tekee. class="slider" id="myRange">
                        ellauri099.html on line 335: Mä piristyn kun ympärillä on muita ihmisiä. class="slider" id="myRange">
                        ellauri099.html on line 337: Olen avulias lähimmäisilleni. class="slider" id="myRange">
                        ellauri099.html on line 339: Mulla on kunnianhimoa. class="slider" id="myRange">
                        ellauri099.html on line 341: Mä tykkään tehdä hommat niinkuin ennenkin. class="slider" id="myRange">
                        ellauri099.html on line 343: Vältän yxinoloa. class="slider" id="myRange">
                        ellauri099.html on line 345: Annan helposti anteexi. class="slider" id="myRange">
                        ellauri099.html on line 347: On kiva kokeilla uusia harrastuxia. class="slider" id="myRange">
                        ellauri099.html on line 349: Tykkään olla liikkeessä. class="slider" id="myRange">
                        ellauri099.html on line 351: On paras olla aiivan puolueeton kun tekee päätöxiä. class="slider" id="myRange">
                        ellauri099.html on line 353: Pidän tavarani järjestyxessä. class="slider" id="myRange">
                        ellauri099.html on line 355: Mulla on rikas mielikuvituselämä. class="slider" id="myRange">
                        ellauri099.html on line 357: Mulla on vähän sanottavaa. class="slider" id="myRange">
                        ellauri099.html on line 359: Musta on kiva lohduttaa surevia. class="slider" id="myRange">
                        ellauri099.html on line 361: Oon mieluummin flow-tilassa kuin seuraan aikatauluja. class="slider" id="myRange">
                        ellauri099.html on line 363: Pidän "nyt pohditaan" tyyppisistä keskusteluista. class="slider" id="myRange">
                        ellauri099.html on line 365: Annan toisten ihmisten kuulla mielipiteeni. class="slider" id="myRange">
                        ellauri099.html on line 367: Vältän riitaa vaikka olen eri mieltä. class="slider" id="myRange">
                        ellauri099.html on line 369: Olen tarkkana aikarajojen kanssa. class="slider" id="myRange">
                        ellauri099.html on line 371: Musta olis kiva soittaa jotain soitinta. class="slider" id="myRange">
                        ellauri099.html on line 373: Pidän hauskasta. class="slider" id="myRange">
                        ellauri099.html on line 375: Vastustan kiusauxia. class="slider" id="myRange">
                        ellauri099.html on line 377: Mun on helppo puhua tuntemattomille. class="slider" id="myRange">
                        ellauri099.html on line 379: Huolehdin vanhusten hyvinvoinnista. class="slider" id="myRange">
                        ellauri099.html on line 381: Aion menestyä elämässä. class="slider" id="myRange">
                        ellauri099.html on line 383: Musta taide on tärkeää. class="slider" id="myRange">
                        ellauri099.html on line 385: Viihdyn yxixeni vapaa-ajalla. class="slider" id="myRange">
                        ellauri099.html on line 387: Ihmisiä pitäis rangaista virheistä. class="slider" id="myRange">
                        ellauri099.html on line 389: On kiva kun on päivärutiini. class="slider" id="myRange">
                        ellauri099.html on line 391: Mä ezin koko ajan uusia elämyxiä. class="slider" id="myRange">
                        ellauri099.html on line 393: Mä olen aina menossa. class="slider" id="myRange">
                        ellauri099.html on line 395: Olispa muut ihmiset loogisempia. class="slider" id="myRange">
                        ellauri099.html on line 397: Musta on kiva siivota. class="slider" id="myRange">
                        ellauri099.html on line 399: Kuvittelen mielelläni tulevaisuutta. class="slider" id="myRange">
                        ellauri099.html on line 401: Mun on vaikea ilmaista mielipiteitäni. class="slider" id="myRange">
                        ellauri099.html on line 403: Tykkään auttaa toisia ongelmissa. class="slider" id="myRange">
                        ellauri099.html on line 405: Saan työt valmiixi etuajassa. class="slider" id="myRange">
                        ellauri099.html on line 407: Tykkään miettiä maailmankaikkeuden salaisuuxia. class="slider" id="myRange">
                        ellauri099.html on line 409: Mulla on paljon energiaa. class="slider" id="myRange">
                        ellauri099.html on line 411: En siedä kun joku ei tykkää musta. class="slider" id="myRange">
                        ellauri099.html on line 413: Seuraan mielijohteita. class="slider" id="myRange">
                        ellauri099.html on line 415: On kiva setviä monimutkaisia juttuja. class="slider" id="myRange">
                        ellauri099.html on line 417: Olen tosi onnellinen. class="slider" id="myRange">
                        ellauri099.html on line 419: Multa menee paljon aikaa ymmärtää izeäni. class="slider" id="myRange">
                        ellauri099.html on line 421: Muston jännä tavata uusia ihmisiä. class="slider" id="myRange">
                        ellauri099.html on line 423: Mä tarviin muitten tukea. class="slider" id="myRange">
                        ellauri099.html on line 425: Mua ei häirize sekasotku. class="slider" id="myRange">
                        ellauri099.html on line 427: On kiva käydä museoissa. class="slider" id="myRange">
                        ellauri099.html on line 429: Vältän häliseviä joukkoja. class="slider" id="myRange">
                        ellauri099.html on line 431: Annan anteexi toisten virheet vaikka otan niistä vahinkoa. class="slider" id="myRange">
                        ellauri099.html on line 433: Teen suunnitelmia ja pysyn niissä. class="slider" id="myRange">
                        ellauri099.html on line 435: Tykkään tehdä asioita uudella tavalla vaikken tiedä toimiiko se. class="slider" id="myRange">
                        ellauri099.html on line 437: En kestä istua kauan paikallaan. class="slider" id="myRange">
                        ellauri099.html on line 439: Teen tärkeitä päätöksiä perstuntumalla. class="slider" id="myRange">
                        ellauri099.html on line 441: Aloitan hommat ajoissa ettei tule aikapula. class="slider" id="myRange">
                        ellauri099.html on line 443: En tyrkytä mielipiteitäni. class="slider" id="myRange">
                        ellauri099.html on line 445: Välitän toisten tunteista. class="slider" id="myRange">
                        ellauri099.html on line 447: Olen huono keskittymään. class="slider" id="myRange">
                        ellauri099.html on line 449: On kiva oppia tieteellisistä teorioista. class="slider" id="myRange">
                        ellauri099.html on line 451: Rakastan elämää. class="slider" id="myRange">
                        ellauri099.html on line 453: Koitan kovasti miellyttää toisia. class="slider" id="myRange">
                        ellauri099.html on line 455: Mulla on elämänintoa. class="slider" id="myRange">
                        ellauri099.html on line 457: Annan omastani vähäosaisille. class="slider" id="myRange">
                        ellauri099.html on line 459: Haluan selvät suunnitelmat etukäteen. class="slider" id="myRange">
                        ellauri099.html on line 461: Ihmettelen mixmä oon tälläinen. class="slider" id="myRange">
                        ellauri099.html on line 463: Ihana saada uusia ystäviä. class="slider" id="myRange">
                        ellauri099.html on line 465: Mulle on tärkeää et muut tykkää musta. class="slider" id="myRange">
                        ellauri099.html on line 467: Mun on vaikea pysyä rutiinissa. class="slider" id="myRange">
                        ellauri099.html on line 469: Arvostan luonnon kauneutta. class="slider" id="myRange">
                        ellauri099.html on line 471: Pidän hiljaisesta ympäristöstä. class="slider" id="myRange">
                        ellauri099.html on line 473: On vaikea aloittaa hommia. class="slider" id="myRange">
                        ellauri099.html on line 475: Tunteilijat on vaivalloisia. class="slider" id="myRange">
                        ellauri099.html on line 477: Toiset sanoo etmä oon liian hiljainen. class="slider" id="myRange">
                        ellauri099.html on line 479: Mä välitän toisista. class="slider" id="myRange">
                        ellauri099.html on line 481: Ensin työ, sitten leikki. class="slider" id="myRange">
                        ellauri099.html on line 483: On kiva juzkaa uusille tutuille. class="slider" id="myRange">
                        ellauri099.html on line 485: Mulle on tärkeää tehdä päätöxet asiapohjalta eikä tunteella. class="slider" id="myRange">
                        ellauri099.html on line 487: Saan suunnitelmat läpi. class="slider" id="myRange">
                        ellauri099.html on line 489: Mulle on tärkeää saada kokonaiskuva. class="slider" id="myRange">
                        ellauri099.html on line 491: Mulle on tärkeää olla hyödyllinen muille. class="slider" id="myRange">
                        ellauri099.html on line 493: Mietin mielellään izeäni ja elämää. class="slider" id="myRange">
                        ellauri099.html on line 495: Mun on vaikee saada ystäviä. class="slider" id="myRange">
                        ellauri099.html on line 497: Pidän runoudesta. class="slider" id="myRange">
                        ellauri099.html on line 499: Olen yxityishenkilö. class="slider" id="myRange">
                        ellauri099.html on line 501: Kyseenalaistan asioita. class="slider" id="myRange">
                        ellauri099.html on line 503: Näytän muille että välitän niiden tunteista. class="slider" id="myRange">
                        ellauri099.html on line 505: Ajattelen muiden tarpeita. class="slider" id="myRange">
                        ellauri099.html on line 507: Tykkään kun muut tarvizevat mua. class="slider" id="myRange">
                        ellauri099.html on line 509: Olis hienoa kun kexisin omaperäisiä ratkaisuja. class="slider" id="myRange">
                        ellauri099.html on line 511: Mä oon täynnä uusia ideoita. class="slider" id="myRange">
                        ellauri099.html on line 513: Pidän helposti ymmärrettävistä / monimutkaisista asioista. class="slider" id="myRange">
                        ellauri099.html on line 515: Pidän turpani kiinni / olen suuna päänä. class="slider" id="myRange">
                        ellauri099.html on line 517: Olen muurahainen / olen heinäsirkka. class="slider" id="myRange">
                        ellauri099.html on line 519: Mä oon tärkein / muut on tärkeämpiä. class="slider" id="myRange">
                        ellauri099.html on line 521: Arvostan perinnettä / Haistatan paskat perinteellä. class="slider" id="myRange">
                        ellauri099.html on line 523: Olen sottapytty / olen järjestyxen ihminen. class="slider" id="myRange">
                        ellauri099.html on line 525: Pidän tutuista jutuista / Kokeilen mieluusti uutta. class="slider" id="myRange">
                        ellauri099.html on line 527: Tykkään innovoida / Vanhassa vara parempi. class="slider" id="myRange">
                        ellauri099.html on line 529: Noudatan mieluusti ohjeita / Tykkään improvisoida. class="slider" id="myRange">
                        ellauri099.html on line 531: Olen aina valmistautunut / Olen usein valmistautumaton. class="slider" id="myRange">
                        ellauri099.html on line 533: Ensin työ, sitten leikki / Ensin leikki, sitten lepoa. class="slider" id="myRange">
                        ellauri099.html on line 535: Ezin muiden huomiota / vältän muiden huomiota. class="slider" id="myRange">
                        ellauri099.html on line 537: Koitan auttaa toisia / ajan omaa etua. class="slider" id="myRange">
                        ellauri099.html on line 539: Tunnen toisten tuskan / ei vois vähempää kiinnostaa. class="slider" id="myRange">
                        ellauri099.html on line 541: Pidän huolta kaikista / huolehdin numero ykkösestä. class="slider" id="myRange">
                        ellauri099.html on line 543: Pysyn tosiasioissa / käytän mielikuvitusta. class="slider" id="myRange">
                        ellauri099.html on line 545: Arvostan statusta / arvostan yxityisyyttä. class="slider" id="myRange">
                        ellauri099.html on line 547: Teen jutut step-by-step / hyppään sisään ja alan sählätä. class="slider" id="myRange">
                        ellauri099.html on line 549: Kiinnostaa mikä on mahdollista / kiinnostaa arkiryske. class="slider" id="myRange">
                        ellauri099.html on line 551: Aloitan keskustelut / Annan muiden puhua. class="slider" id="myRange">
                        ellauri099.html on line 553: Tykkään yhteistyöstä / tykkään kilpailusta. class="slider" id="myRange">
                        ellauri099.html on line 555: Teen päätökset järjellä / teen ne sydämellä. class="slider" id="myRange">
                        ellauri099.html on line 557: Seuraan suunnitelmaa / seuraan mielijohdetta. class="slider" id="myRange">
                        ellauri099.html on line 559: Tykkään touhukkaasta avokonttorista / Tykkään eriöstä. class="slider" id="myRange">
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                        class="toc" style="font-family:UnifrakturMaguntia;font-size:4em;color:navy;background:#e9f07c;text-align:center;margin-top:0%;margin-bottom:0%">The Daily Telegraph


                        ellauri100.html on line 28:

                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:#e9f07c;text-align:center;margin-top:0%;margin-bottom:0%">Wincent was not mad, he had problems

                        Sekoilua


                        ellauri100.html on line 281: If my father ever earned as much as a median income, it would come as a surprise to me. Our houses, neighborhoods, and family friends were what is known as working-class. If there were twinges of envy for the rich and famous, they were balanced with admiration for their skills and accomplishments. These children of the Great Depression — my parents and their siblings and friends — betrayed no feelings of grievance toward those who had more of life’s possessions. They were rightly proud of what they had earned and accumulated, and did not feel entitled to more than that because of their “bad luck” or lack of “privilege”. These attitudes fit the Virginia boy's moral right edge like a glove.
                        ellauri100.html on line 287: On the whole, what I have seen, known, and done amounts to a large sample of the human experience. I am not trapped in the upper-middle-class “bubble” defined in Charles Murray’s Coming Apart: The State of White America, 1960–2010.
                        ellauri100.html on line 353:
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                        class="toc" style="font-family:UnifrakturMaguntia;font-size:4em;color:silver;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Jjarrii!


                        ellauri101.html on line 29:

                        class="toc" style="font-family:sans-serif;font-size:3em;color:orange;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">WHO IS YOUR INNER HERO?

                        Sankareita sukkahousuissa


                        ellauri101.html on line 46: Joseph Campbell was born in White Plains, New York, on March 26, 1904, the elder son of hosiery importer and wholesaler Charles William Campbell, from Waltham, Massachusetts, and Josephine (née Lynch), from New York. Campbell was raised in an upper-middle-class Irish Catholic family; he related that his paternal grandfather Charles had been "a peasant" who came to Boston from County Mayo in Ireland, and became the gardener and caretaker at the Lyman estate at Waltham, where his son Charles William Campbell grew up and became a successful salesman at a department store prior to establishing his hosiery business. During his childhood, he moved with his family to nearby New Rochelle, New York. In 1919, a fire destroyed the family home in New Rochelle, killing his maternal grandmother and injuring his father, who tried to save her.
                        ellauri101.html on line 70: Campbell outlined the stages of the monomyth in his classic book The Hero with a Thousand Faces (audiobook). Read it later when you got time. Judging by the toc, it is a ripoff from the structuralists.
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                        class="toc" style="font-family:Muli;font-size:4em;color:silver;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Naimi Pikkari


                        ellauri102.html on line 29:

                        class="toc" style="font-family:Muli;font-size:3em;color:gold;background:black;text-align:center;margin-top:0%;margin-bottom:0%">NO LOGO

                        Nimettömiä vihapuheita


                        ellauri102.html on line 73: Back in the classroom open you books
                        ellauri102.html on line 443: Il recharge son arme et se rend, à nouveau, à l'avant de la classe, tirant par intermittence dans toutes les directions. À ce moment, Maryse Leclair, blessée, demande de l'aide. Lépine avance vers elle et, après avoir dégainé son couteau de chasse, la poignarde à trois reprises, l'achevant. Il enlève alors sa casquette, entoure son arme de son manteau, et s'exclame : « Oh, shit! », avant de se suicider d'une balle dans la tête, une vingtaine de minutes après avoir commencé son massacre.
                        ellauri102.html on line 566: In her spare time she leads laughter yoga classes and occasionally acts as a “superhero-make-over consultant”.
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                        class="toc" style="font-family:Muli;font-size:3em;color:black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Oiva Ketonen


                        ellauri105.html on line 29:

                        class="toc" style="font-family:Muli;font-size:4em;color:brown;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Vie paska painoon

                        Kökköä


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                        class="toc" style="font-family:serif;font-size:3em;color:black;background:#bfc1bc;text-align:center;margin-top:0%;margin-bottom:0%">Phillu-Roth


                        ellauri106.html on line 28:

                        class="toc" style="font-family:serif;font-size:4em;color:black;background:#bfc1bc;text-align:center;margin-top:0%;margin-bottom:0%">Elämäni setämiehenä

                        Törkyä


                        ellauri106.html on line 124: He graduated from Newark´s Weequahic High School in or around 1950. In 1969 Arnold H. Lubasch wrote in The New York Times, "It has provided the focus for the fiction of Philip Roth, the novelist who evokes his era at Weequahic High School in the highly acclaimed Portnoy´s Complaint. Besides identifying Weequahic High School by name, the novel specifies such sites as the Empire Burlesque, the Weequahic Diner, the Newark Museum and Irvington Park, all local landmarks that helped shape the youth of the real Roth and the fictional Portnoy, both graduates of Weequahic class of ´50." The 1950 Weequahic Yearbook calls Roth a "boy of real intelligence, combined with wit and common sense." He was known as a clown during high school.
                        ellauri106.html on line 156: Eli Rosenthal, his former roommate at the time, said the two met in a fashion illustrating class. "I looked over at him and I said, 'Wow, this guy can really draw and I want to be like him,'" he said. "He always walked around with a sketch pad. He said it was great for picking up girls."
                        ellauri106.html on line 195: Thomas Wolfe (1900–1938) was born in Asheville, North Carolina, and educated at the University of North Carolina and Harvard University. He taught English at New York University and traveled extensively in Europe and America. Wolfe created his legacy as a classic American novelist with Look Homeward, Angel; Of Time and the River; A Stone, a Leaf, a Door; and From Death to Morning. Wolfe's influence extends to the writings of Beat Generation writer Jack Kerouac, and of authors Ray Bradbury and Philip Roth, among others. He remains an important writer in modern American literature, as one of the first masters of autobiographical fiction, and is considered North Carolina's most famous writer. Ei mitään pientä.
                        ellauri106.html on line 351: That Dylan line was also the title of a position paper distributed at an SDS convention in Chicago on June 18, 1969. This founding document called for a "White fighting force" to be allied with the "Black Liberation Movement" and other radical movements to achieve "the destruction of U.S. imperialism and form a classless communist world".
                        ellauri106.html on line 352: No wonder class conscious Phil was flustered. He wanted to wear his gloves to dinner.
                        ellauri106.html on line 474: There was no metaphysical dimension to Philip. He just flatly refused to believe in it. He thought it was fairy tales,” Bailey said. he was happy to be Jewish, Bailey said. “He liked Jews as human beings. He liked their warmth, he liked his male friends. “If the Western world views itself through the lens of the modern Jewish experience, it is in large measure due to the novels, novellas and short stories of Philip Roth,” wrote David Roskies, a JTS Jewish literature professor, in a note to the class of 2014.
                        ellauri106.html on line 552: Delphine Roux, a classicist scholar, who he reduces to a degrading stereotype — the outspoken feminist whose politics are motivated, we finally learn, by deep insecurities and by a suppressed desire to be dominated by some virile man. The delight with which Roth belittles and humiliates Roux is the low point of the low-brow trilogy.
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                        class="toc" style="font-family:serif;font-size:3em;color:white;background:#90EE90;text-align:center;margin-top:0%;margin-bottom:0%">Peppy


                        ellauri107.html on line 28:

                        class="toc" style="font-family:serif;font-size:4em;color:pink;background:#90EE90;text-align:center;margin-top:0%;margin-bottom:0%">Herttaisia muistoja

                        Herttaista


                        ellauri107.html on line 63: Lyle, your sister Lyla Gay was in my 3rd grade class at Edgemont when you lived on Old Army Road - hope you’re all well!
                        ellauri107.html on line 91: Neil Klugman is an intelligent, working-class army veteran and a graduate of Rutgers University who works as a library clerk. He falls for Brenda Patimkin, a wealthy Radcliffe student who is home for the summer. They meet by the swimming pool at Old Oaks Country Club in Purchase, New York, a private club that Neil visits as a guest of his cousin Doris. Neil phones her and asks for a date. She does not remember him but agrees. He waits as she finishes a tennis game which only ends when it gets too dark to play.
                        ellauri107.html on line 93: They face obstacles from Brenda's family (particularly her mother), due to differences in class and assimilation into the American mainstream. Brenda's family are nouveau riche, their money coming from the successful plumbing supply business owned and run by her father. Brenda herself is old enough to remember "being poor". Other conflicts include propriety and issues related to premarital sex and the possibility of pregnancy and Mrs. Patimkin's envy of her daughter's youth.
                        ellauri107.html on line 414: Babbitt (1922), by Sinclair Lewis, is a satirical novel about American culture and society that critiques the vacuity of middle class life and the social pressure toward conformity. The controversy provoked by Babbitt was influential in the decision to award the Nobel Prize in Literature to Lewis in 1930.
                        ellauri107.html on line 416: The word "Babbitt" entered the English language as a "person and especially a business or professional man who conforms unthinkingly to prevailing middle-class standards".
                        ellauri107.html on line 439: “Now you look here! The first thing you got to understand is that all this uplift and flipflop and settlement-work and recreation is nothing in God's world but the entering wedge for socialism. The sooner a man learns he isn't going to be coddled, and he needn't expect a lot of free grub and, uh, all these free classes and flipflop and doodads for his kids unless he earns 'em, why, the sooner he'll get on the job and produce—produce—produce! That's what the country needs, and not all this fancy stuff that just enfeebles the will-power of the working man and gives his kids a lot of notions above their class. And you—if you'd tend to business instead of fooling and fussing—All the time! When I was a young man I made up my mind what I wanted to do, and stuck to it through thick and thin, and that's why I'm where I am to-day, and—Myra! What do you let the girl chop the toast up into these dinky little chunks for? Can't get your fist onto 'em. Half cold, anyway!”
                        ellauri107.html on line 466: He serenely believed that the one purpose of the real-estate business was to make money for George F. Babbitt. True, it was a good advertisement at Boosters' Club lunches, and all the varieties of Annual Banquets to which Good Fellows were invited, to speak sonorously of Unselfish Public Service, the Broker's Obligation to Keep Inviolate the Trust of His Clients, and a thing called Ethics, whose nature was confusing but if you had it you were a High-class Realtor and if you hadn't you were a shyster, a piker, and a fly-by-night. These virtues awakened Confidence, and enabled you to handle Bigger Propositions. But they didn't imply that you were to be impractical and refuse to take twice the value of a house if a buyer was such an idiot that he didn't jew you down on the asking-price.
                        ellauri107.html on line 484: Finkelstein asserted that five dollars was not too great a sum, not for a really high-class lighter which was suitably nickeled and provided with connections of the very best quality. “I always say—and believe me, I base it on a pretty fairly extensive mercantile experience—the best is the cheapest in the long run. Of course if a fellow wants to be a Jew about it, he can get cheap junk, but in the long RUN, the cheapest thing is—the best you can get! Now you take here just th' other day: I got a new top for my old boat and some upholstery, and I paid out a hundred and twenty-six fifty, and of course a lot of fellows would say that was too much—Lord, if the Old Folks—they live in one of these hick towns up-state and they simply can't get onto the way a city fellow's mind works, and then, of course, they're Jews, and they'd lie right down and die if they knew Sid had anted up a hundred and twenty-six bones. But I don't figure I was stuck, George, not a bit. Machine looks brand new now—not that it's so darned old, of course; had it less 'n three years, but I give it hard service; never drive less 'n a hundred miles on Sunday and, uh—Oh, I don't really think you got stuck, George. In the LONG run, the best is, you might say, it's unquestionably the cheapest.”
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                        class="toc" style="font-family:serif;font-size:3em;color:red;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Haile Selassie


                        ellauri108.html on line 27:

                        class="toc" style="font-family:serif;font-size:4em;color:#a55a44;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">MUSTARASTAS

                        Vapaaliikkeitä


                        ellauri108.html on line 214: Rastafari's main appeal was among the lower classes of Jamaican society. For its first thirty years, Rastafari was in a conflictual relationship with the Jamaican authorities. Jamaica's Rastas expressed contempt for many aspects of the island's society, viewing the government, police, bureaucracy, professional classes, and established churches as instruments of Babylon. Relations between practitioners and the police were strained, with Rastas often being arrested for cannabis possession. During the 1950s the movement grew rapidly in Jamaica itself and also spread to other Caribbean islands, the United States, and the United Kingdom.
                        ellauri108.html on line 220: Whereas its membership had previously derived predominantly from poorer sectors of society, in the 1960s Rastafari began attracting support from more privileged groups like students and professional musicians. The foremost group emphasising this approach was the Twelve Tribes of Israel, whose members came to be known as "Uptown Rastas". Among those attracted to Rastafari in this decade were middle-class intellectuals like Leahcim Semaj, who called for the religious community to place greater emphasis on scholarly social theory as a method of achieving change. Although some Jamaican Rastas were critical of him, many came under the influence of the Guyanese black nationalist academic Walter Rodney, who lectured to their community in 1968 before publishing his thoughts as the pamphlet Groundings. Like Rodney, many Jamaican Rastas were influenced by the U.S.-based Black Power movement. After Black Power declined following the deaths of prominent exponents such as Malcolm X, Michael X, and George Jackson, Rastafari filled the vacuum it left for many black youth.
                        ellauri108.html on line 244: The Twelve Tribes peaked in popularity during the 1970s, when it attracted artists, musicians, and many middle-class followers—Marley among them—resulting in the terms "middle-class Rastas" and "uptown Rastas" being applied to members of the group. Carrington died in 2005, since which time the Twelve Tribes of Israel have been led by an executive council. As of 2010, it was recorded as being the largest of the centralised Rasta groups. It remains headquartered in Kingston, although it has followers outside Jamaica; the group was responsible for establishing the Rasta community in Shashamane, Ethiopia.
                        ellauri108.html on line 262: Barrett described Rastafari as "the largest, most identifiable, indigenous movement in Jamaica." In the mid-1980s, there were approximately 70,000 members and sympathisers of Rastafari in Jamaica. The majority were male, working-class, former Christians aged between 18 and 40. In the 2011 Jamaican census, 29,026 individuals identified as Rastas. Jamaica's Rastas were initially entirely from the Afro-Jamaican majority, and although Afro-Jamaicans are still the majority, Rastafari has also gained members from the island's Chinese, Indian, Afro-Chinese, Afro-Jewish, mulatto, and white minorities. Until 1965 the vast majority were from the lower classes, although it has since attracted many middle-class members; by the 1980s there were Jamaican Rastas working as lawyers and university professors. Jamaica is often valorised by Rastas as the fountain-head of their faith, and many Rastas living elsewhere travel to the island on pilgrimage.
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                        class="toc" style="font-family:serif;font-size:3em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">10 Promis


                        ellauri109.html on line 28:

                        class="toc" style="font-family:serif;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Grabsprüche

                        Nekrologeja


                        ellauri109.html on line 531: Roth was not an academic prodigy; his teachers sensed his intelligence but they were not overawed by his classroom performance.
                        ellauri109.html on line 609: At the University of Pennsylvania, a friend and colleague—acting, the friend admits, almost as a “pimp”—helped Roth fill the last seats in his oversubscribed classes with particularly attractive undergraduates. Roth’s treatment of a young woman named Felicity (a pseudonym), a friend and house guest of Claire Bloom’s daughter, is particularly disturbing. Roth made a sexual overture to Felicity, which she rebuffed; the next morning, he left her an irate note accusing her of “sexual hysteria.” When Bloom wrote about the incident in her memoir, Roth answered in his unpublished “Notes” with a sense of affront rather than penitence: “This is what people are. This is what people do. . . . Hate me for what I am, not for what I’m not.”
                        ellauri109.html on line 745: Auden referred to him as "the master of the middle class". Alexander Pope was heavily influenced by Dryden and often borrowed from him.
                        ellauri109.html on line 825: One of the disturbing aspects of the Yemenite Children Affair is the way the darker-skinned immigrants appear to have been treated as second-class citizens. The founders of Israel were mostly Ashkenazi Jews, of European descent, some of whom expressed fears that Mizrahi (literally "Eastern") Jews brought with them a backwards "Oriental" culture that might damage the new state.
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                        class="toc" style="font-family:serif;font-size:3em;color:blue;background:#bbbcb7;text-align:center;margin-top:0%;margin-bottom:0%">Heppahullu


                        ellauri110.html on line 28:

                        class="toc" style="font-family:serif;font-size:4em;color:green;background:#bbbcb7;text-align:center;margin-top:0%;margin-bottom:0%">Kirjoita hevoseläimestäsi!

                        Pollerunoilua


                        ellauri110.html on line 310: Isaac Ilyich Levitan was a classical Russian landscape painter who advanced the genre of the "mood landscape".
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                        ellauri111.html on line 27:

                        class="toc" style="font-family:serif;font-size:3em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Fedja-setä


                        ellauri111.html on line 28:

                        class="toc" style="font-family:serif;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kirjailijan päiväkirja

                        Hymistelyä


                        ellauri111.html on line 261: “I suppose you know that jury trials were still quite an innovation in my time in Russia, so it’s no surprise that they produced some odd results. A clever lawyer could easily persuade a jury one way or another. Even when all the facts pointed to the guilt of the accused, even when it was admitted that, indeed, such-and-such a woman had attacked her lover’s wife with a razor with the intention of killing her, such-and-such a father had so violently beaten his seven-year old daughter with birch rods that even the neighbours were terrified by her screams, or such-and-such parents had treated their children like animals, keeping them in filthy conditions, and beating them with leather straps, again and again—each time our poor soft-hearted jurors concluded ‘Not guilty!’ Can you imagine? Of course, there is always an explanation, there are always attenuating circumstances, there can even be provocations, and the letter of the law may tell us this is not torture but simply punishment, the kind of punishment that, in those days, all good middle-class parents thought it right to mete out so as to give their children a sense of duty. The facts. The facts are the facts, but the truth once uttered is a lie, and even the facts can be put together in such a way as to turn even torture into well-meaning parental discipline.”
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                        class="toc" style="font-family:serif;font-size:3em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Heput


                        ellauri112.html on line 28:

                        class="toc" style="font-family:serif;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Höpötysikoneita

                        Höpötystä


                        ellauri112.html on line 682: Yet to hail the film as a feminist project is to value the representation of the structural co-option of maternity over its interrogation. Tully’s treatment of social reproduction is dangerously simplistic. Cody has spoken in interviews about how her own, financially easier, experience of parenting in L.A. inspired her to explore a narrative in which economic anxieties are combined with the other hardships of parenthood, yet here class and poverty are only fleeting concerns. The transactional system of care that governs child-rearing under capitalism is done away with via Tully’s otherworldliness. Until the revelation of her non-existence, the viewer, although encouraged to believe in her, is never asked to consider her financial reality, and the fact that the service is paid for by Marlo’s wealthy brother is a narrative convenience that reinforces its fairytale quality. Similarly, Tully’s whiteness allows the racial politics of care to be completely overlooked, and the repeated idea that it’s ‘unnatural’ for hired help to bond with your newborn is taken as a given, rather than seen as an impetus for a consideration of the social conditions that require mothers to make that choice.
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                        class="toc" style="font-family:serif;font-size:3em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">JJ Rousseau


                        ellauri115.html on line 28:

                        class="toc" style="font-family:serif;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Memorisant en herborisant

                        Herborisointia


                        ellauri115.html on line 1126: Hare was born in 1934 in Calgary, Alberta, Canada. Hare's father was a roofing contractor and his mother was of French Canadian descent. He grew up in a working-class neighborhood of Calgary. This explains a lot.
                        ellauri115.html on line 1128: Jänis attended the University of Alberto for a Bachelor of Farts degree which ended up 'more by default' with an emphasis on psychopathy. In 1959 he married Averil Hare whom he met in an abnormal psychology class, and a year later, to everyone's suprise, their daughter, Cheryl, was born appatently quite normal. But not.
                        ellauri115.html on line 1136: Hare wrote a popular science bestseller published in 1993 without conscience: The Disturbing World of the Psychopaths Among Us (reissued 1999). He describes psychopaths as 'social predators', while pointing out that regrettably, most don't kill their prey. One philosophical review described it as having a high moral tone yet tending towards sensationalism and graphic anecdotes, and as providing a useful summary of the assessment of psychopathy but ultimately avoiding the difficult questions regarding internal contradictions in the concept or how it should be classified.
                        ellauri115.html on line 1138: Hare also co-authored the bestselling Snakes in Suits: When Psychopaths Go to Work (2006) with organizational psychologist and human resources consultant Paul Babiak, a portrayal of the disruptions caused when psychopaths enter the workplace. The book focuses on what Hare refers to as the "successful psychopath", who can be charming and socially skilled and therefore able to get by in the workplace. This is by contrast with the type of psychopath whose lack of social skills or self-control would cause them to rely on threats and coercion and who would probably not be able to hold down a job for long. Hare would classify himself and Mrs. Hare (jänisemo pyrynä viitaan loikki) as first class psychopaths. Successful vs. unsuccessful bad people.
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                        ellauri117.html on line 27:

                        class="toc" style="font-family:serif;font-style:italic;font-weight:bold;font-size:3em;color:red;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Janne-Jaakkoo


                        ellauri117.html on line 28:

                        class="toc" style="font-family:serif;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Eeeemeliii!

                        Roskaa


                        ellauri117.html on line 552: Based on where your body will show fat deposits, there are 4 different major classifications of body type. You can be either 1 of the types or a combination of 2 as well. Here are the 4 types listed:
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                        ellauri118.html on line 27:

                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Choderlos de Laclos


                        ellauri118.html on line 28:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:lightgreen;text-align:center;margin-top:0%;margin-bottom:0%">Vaarallisia yhteyshenkilöitä

                        Syysmietteitä


                        ellauri118.html on line 972: The show modernizes the setting with references to Uber and Craigslist.
                        (Mikä vitun Craigslist? Craigslist is an American classified advertisements website with sections devoted to jobs, housing, for sale, items wanted, services, community service, gigs, résumés, and discussion forums. Craig Newmark began the service in 1995 as an email distribution list to friends, featuring local events in the San Francisco Bay. Privately owned company. Property is theft.)
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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Batman ja Robin


                        ellauri119.html on line 28:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:orange;text-align:center;margin-top:0%;margin-bottom:0%">HOLY SMOKE!

                        Pyhistelyä


                        ellauri119.html on line 176: Referencing d'Artagnan, one of the famed Musketeers of Alexandre Dumas' classic novel, "The Three Musketeers," might not sound like all that weird of a reference for Robin to make. However, it ranks this high because it is actually a reference to Catwoman having just shot Robin and Batman with tranquilizer darts.
                        ellauri119.html on line 446: The term "free love" has been used to describe a social movement that rejects marriage, which is seen as a form of social bondage. The Free Love movement's initial goal was to separate the state from sexual matters such as marriage, birth control, and adultery. It claimed that such issues were the concern of the people involved, and no one else. Many people in the early 19th century believed that marriage was an important aspect of life to "fulfill earthly human happiness." Middle-class Americans wanted the home to be a place of stability in an uncertain world. This mentality created a vision of strongly defined gender roles, which provoked the advancement of the free love movement as a contrast. The term "sex radical" has been used interchangeably with the term "free lover". By whatever name, advocates had two strong beliefs: opposition to the idea of forceful sexual activity in a relationship and advocacy for a woman to use her body in any way that she pleases. These are also beliefs of Feminism. As St. Augustine put it: love God and then do as you please.
                        ellauri119.html on line 452: Among the prevailing types of theories that attempt to account for the existence of love there are: psychological theories, the vast majority of which consider love to be very healthy behavior; there are evolutionary theories that hold that love is part of the process of natural selection; there are spiritual theories that may, for instance consider love to be a gift from God; there are also theories that consider love to be an unexplainable mystery, very much like a mystical experience. It feels like a sneeze. Setting aside Empedocles's view of Eros as the force binding the world together, the roots of the classical philosophy of love go back to Plato's Symposium.
                        ellauri119.html on line 464: As the fat and ugly French novelist Honoré de Balzac stated, eroticism is dependent not just upon an individual's sexual morality, but also the culture and time in which an individual resides. Because eroticism is wholly dependent on the viewer's culture and personal tastes pertaining to what, exactly, defines the erotic, critics have often[how often?] confused eroticism with pornography, with the anti-pornography activist Andrea Dworkin saying, "Erotica is simply high-class pornography; better produced, better conceived, better executed, better packaged, designed for a better class of consumer." This confusion, as Lynn Hunt writes, "demonstrate the difficulty of drawing… a clear generic demarcation between the erotic and the pornographic": indeed arguably "the history of the separation of pornography from eroticism… remains to be written". In the eighteenth century, eroticism was the result of the intrusion into the public sphere of something that was at base private.
                        ellauri119.html on line 646: Rosenbaum left Russia at the tail end of the Trust program. She was assisted by bolshevik Hollywood. Like a typical crypto-jew and communist she used a pseudonym. She became, together with Leo Strauss, a leading philosopher of the Trotskyites. She, like Strauss, helped create the philosophy of arrogance and entitlement that justifies the lies of government leaders to the people. Her philosophies misrepresent the realities of how wealth and psychopathic greed coupled with immorality destroys civilization. Her solution to class warfare is group disloyalty of the rich to society and the exploitation of the national resources by a privileged class to destroy the economy and sabotage the nation. She misrepresented American tradition in a way that benefitted our enemies and internationalized our national resources leaving them easy pickings for the exploitation of unregulated international markets. She advocated the ruinous gold standard which allows our enemies the opportunity to deflate our money supply and strangle the economy at their whim. By simply hoarding gold and/or sending it out of the nation the bankers can ruin us under a gold standard. Her philosophy falsely claims that the market can and will correct the actions of the enemy within to ruin the nation by their designs. She wanted to grant the enemy the right to act with impunity and free rein as a Trojan horse within America to completely destroy our nation, and she has nearly succeeded. The removal of the ability of government to impose with force the collective will of the nation inevitably leads to balkanization, and that was well known and desired by our bolshevik enemies, Rosenbaum’s masters. She never pointed out the name and the nature of the enemy, instead scapegoating the poor and the communists for what international jewry was doing, with her as one of its leading members. As far as I know, she NEVER addressed the existential danger of jewish messianic prophecy and the subversion of the American government by Israel. Being herself a jew, she was disloyal to America in favor of Israel. She was disloyal to the American majority population in favor of the banking class. She did absolutely nothing that was ever in any way harmful to the communists or the bankers, who have so harmed America.
                        ellauri119.html on line 726: Rand was an economic libertarian. She thinks there should be no interference in the free market. Since the free market produces wealth inequality, you must come up with an explanation for the existence of socio-economic classes. Social Darwinists argue that the rich are rich because they are more fit than the poor who are less fit because they are dependent on the government.
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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Eastman Kodak


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                        class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:cyan;text-align:center;margin-top:0%;margin-bottom:0%">Halusin tallettaa sen hetken

                        Valemuistoja


                        ellauri131.html on line 863: I think that is because, over the past decade or so, people have become far more aware of the concept of privilege. Which roughly translates to: “no I don’t want to read about all the problems a middle-class straight, white women with a good job has, no thank you”. It feels whiny, flat, tone-deaf. Marianne Power chases self-help like the world is falling apart and her life is in tatters, but the main source of her problems?
                        ellauri131.html on line 871: Well, that was infuriating. I was hoping for a cynical, or at the very least critical, approach to classic self-help tropes. What I got was and endless description of one woman's mental breakdown and her complete lack of healthy coping strategies. There is nothing remotely funny or insightful about this book and Marianne Power's obsession with her first world problems feels extremely tone-deaf.
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                        class="toc" style="font-family:sans-serif;font-size:6em;color:black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Jack Canafield


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">How to Sell a Lot of Copies

                        Luovaa kirjoittamista


                        ellauri132.html on line 69: Eckhart Tolle net worth: Eckhart Tolle is a German spiritual leader and author who has a net worth of $70 million dollars. Eckhart Tolle was born in Lunen, Germany and subsequently moved to Spain to live with his father. He then moved to England to teach language classes, and also graduated from the University of London.
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                      • class="mw-redirect" title="Jante Law">Jante Law

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                        class="toc" style="font-family:sans-serif;font-size:6em;color:cyan;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">PONIT


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:pink;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">ponien maailma

                        Luovaa heppahulluutta


                        ellauri133.html on line 77:

                        Alarm clock. Possibly the worst opening of all: “I groaned as the alarm went off. Oh no, I’m late, I thought to myself. I got up, and put on my blue denims, and my cute pink top...” Never miss an opportunity for random misogyny! Anyway, look at the beginnings of world lit classics. You would have ended up mutilating most of them, turning them to more episodes of Paw Patrol.


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                        Before you scream that your reader won’t understand without a lot of explanation of what is going on, remember that this is the generation that watched the Matrix and Inception. Your reader is smart and will understand what is happening. Spending forty pages explaining the unnecessary is insulting to your reader. You call it smart to know all the tv cliches by heart? The XYZ generations, force fed with tv cliches from the cradle, are arguably the worst class retards so far in world history.


                        ellauri133.html on line 370: The Three Billy Goats Gruff, a classic Norwegian fairy tale about three scrappy goats outsmarting a bridge troll, might sound like a far cry from a 1000-plus page horror novel, but Stephen King cites it as a primary inspiration. He expanded the bridge to encompass an entire city, and the troll morphed into the terrifying demonic entity known as IT.
                        ellauri133.html on line 398: It is set in the fictional town of Derry, Maine. According to King, it’s a stand-in for the real town of Bangor, Maine, where he has lived since 1979. King and his wife were debating between moving to Portland or Bangor; King was in favor of Bangor because he considered Portland “a yuppie town” and that Bangor was “a hard-ass working class town ... and I thought that the story, the big story, I wanted to write, was here … all my thoughts on monsters and the children’s tale Three Billy Goats Gruff.
                        ellauri133.html on line 589: Aika moukkamaisia, Austenia lukuunottamatta, joka moukan mielestä on romcomia. No tavallaanhan se onkin, muttei siinä kaikki! Frankenstein on Maryn avainromaani Percy Shelleystä. Loput infantiilit äijä"klassikot" löytyy myös leffana, kuvitettuina ja piirrettynä leffana. classic-novel-pride-and-prejudice/">Tota Austen cartoonia en ollut ennen nähnyt. Kertaalleen tää moukka on vielä lisäx lukassut:
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                        class="toc" style="font-family:sans-serif;font-size:6em;color:cyan;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">K. Paustovski


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:pink;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Iljitshin syvänne

                        Asosiaalista realismia


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                        class="toc" style="font-family:serif;font-size:4em;color:black;background:#fefefe.jpg;text-align:center;margin-top:0%;margin-bottom:0%">E. Difpenfer


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                        class="toc" style="font-family:serif;font-size:6em;color:black;background:#fefefe;text-align:center;margin-top:0%;margin-bottom:0%">THE DRAGGE QVEENE.

                        Liian pitkä lukea


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                        class="toc" style="font-family:serif;font-size:4em;color:black;background:#fefefe;text-align:center;margin-top:0%;margin-bottom:0%">HORATIUS FLACCUS


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                        class="toc" style="font-family:serif;font-size:6em;color:black;background:#fefefe;text-align:center;margin-top:0%;margin-bottom:0%">OODEJA

                        Oodeja


                        ellauri141.html on line 503: At the same time, the classical tongues and dead languages were dead to him. He perused only English and French. Latin did not come at all kindly to him; Greek was a closed book….
                        ellauri141.html on line 505: In the classics, that is Latin, he was no more than an ordinary boy, but he gave the impression that if he thought it essential for his literary ambitions, he would tackle it to good purpose. But somehow he did not so think, and he made no effort to acquire a vocabulary or memorise Latin words—consequently, his construes were sometimes a succession of errs and hums waiting and hoping for the form-master kindly to supply the missing translation. (5)
                        ellauri141.html on line 513: Kipling encountered him as a schoolboy, and wrote in Something of Myself (p.33) that C----, his classics master ('King' in Stalky & Co.) ...taught me to loath Horace for two years, to forget him for twenty, and then to love him for the rest of my days and through many sleepless nights.
                        ellauri141.html on line 787: « Anabase est une sorte de carrefour à l'intersection entre deux modes d'écriture : celle de l'art « classique » (ordre, harmonie plénitude) et celle de la « modernité » (désarticulation, déconstruction, voire chaos). »
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                        class="toc" style="font-family:AdineKirnberg;font-size:4em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Bhagavadgita


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:yellow;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">AUM!!

                        Indoeuroviisuja


                        ellauri142.html on line 93: Tolstoy's concept of ahimsa was bolstered when he read a German version of the Tirukkura. The Tirukkuṟa (Tamil: திருக்குறள், lit. 'sacred verses'), or shortly the Kura, is a classic Tamil language text consisting of 1,330 short couplets, or kura, of seven words each. The text is divided into three books with aphoristic teachings on virtue (aram), wealth (porul) and sex (inbam), respectively. The Kura is traditionally praised with epithets and alternate titles such as "the Tamil Veda" and "the divine book." Written on the foundations of ahimsa, it emphasizes non-violence and moral vegetarianism as highest virtues for an individual.
                        ellauri142.html on line 720: The four classes were the Brahmins (priestly people), the Kshatriyas (also called Rajanyas, who were rulers, administrators and warriors), the Vaishyas (artisans, merchants, tradesmen and farmers), and Shudras (labouring classes). The varna categorisation implicitly had a fifth element, being those people deemed to be entirely outside its scope, such as tribal people and the untouchables. Eli paariat.
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                        class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:orange;text-align:center;margin-top:0%;margin-bottom:0%">Valluvar


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                        class="toc" style="font-family:AdineKirnberg;font-size:6em;color:white;background:orange;text-align:center;margin-top:0%;margin-bottom:0%">Tikku Kuralla

                        Singlejä


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                        class="toc" style="font-family:sans-serif;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Lauri Schlager Carlson


                        ellauri144.html on line 32:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kuvia varten Carlson Lauri

                        Nugaata


                        ellauri144.html on line 102: classics.com/view/horace-epistles/1926/pb_LCL194.437.xml">https://www.loebclassics.com/view/horace-epistles/1926/pb_LCL194.437.xml
                        ellauri144.html on line 423: Dylan Thomas was born on 27 October 1914 in Swansea, the son of Florence Hannah (née Williams; 1882–1958), a seamstress, and David John Thomas (1876–1952), a teacher. His father had a first-class honours degree in English from University College, Aberystwyth and ambitions to rise above his position teaching English literature at the local grammar school, which he never did. Thomas had one sibling, Nancy Marles (1906–1953), who was eight years his senior. The children spoke only English, though their parents were bilingual in English and Welsh, and David Thomas gave Welsh lessons at home. Thomas´s father chose the name Dylan, which could be translated as "son of the sea", after Dylan ail Don, a character in The Mabinogion. (Mulla on se, mutten ole lukenut.) His middle name, Marlais, was given in honour of his great-uncle, William Thomas, a Unitarian minister and poet whose bardic name was Gwilym Marles. Se oli se silverbäk jota ne kaikki koittivat apinoida. Dylan, pronounced ˈ [ˈdəlan] (Dull-an) in Welsh, caused his mother to worry that he might be teased as the "dull one" (which he was). When he broadcast on Welsh BBC, early in his career, he was introduced using this pronunciation. Thomas favoured the Anglicised pronunciation and gave instructions that it should be Dillan /ˈdɪlən/. He was fed up with the "dull one" joke. in 1914. In 1931, when he was 16, Thomas, an undistinguished pupil, left school to become a reporter for the South Wales Daily Post, only to leave under pressure 18 months later.
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                        class="toc" style="font-family:sans-serif;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Andre Breton


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                        class="toc" style="font-family:sans-serif;font-size:4em;color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Anthologie de l´humour ligneux

                        Puisevaa


                        ellauri145.html on line 522: We have to bestow blame on one particular Nazi named Martin Heidegger. Martin Heidegger’s magnum opus Being and Time was in large part an attempt to create a systematic understanding of metaphysics and human condition building from Nietzsche’s work. Heidegger became the Nazi rector for the entire German university system, which gave the Nazi party a huge bolster of academic legitimacy, and he promoted the Nazi party and their agenda from his classroom, often sporting the Brown Shirt. When the Nazi’s really began to take power, Hitler kicked out Heidegger as University Rector.
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                        class="toc" style="font-family:UnifrakturMaguntia;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Gottliebchen Klopfestock


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                        class="toc" style="font-family:UnifrakturMaguntia;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">der Meffias.

                        Hölzernes


                        ellauri146.html on line 610: Francisco Pizarro, jonka Arias de Ávila oli lähettänyt Balboan perään, sai tämän kiinni viidakossa. Balboa tuomittiin maanpetoksesta, ja hänelle lankesi kuolemantuomio. Balboa hirtettiin 21. tammikuuta 1519 Aclassa, lähellä Dariénia.
                        ellauri146.html on line 658: Poe’s foster father, John Allan, was himself born and bred in Irvine, Ayrshire, and was a member of the class of English and Scottish merchants of Richmond, Virginia-to which city he had emigrated as a youth around 1795. Scottish merchants represented a very considerable element in the commercial life of Richmond in those years, and many of them, to a considerable extent, maintained themselves aloof from the life of the city. The Scottish influences of Allan and his associates and friends could not have been lost upon Poe.
                        ellauri146.html on line 668: The concern of the Pounder to advance republican ideals and republican politics among the students of the University was not notably effectual with one student at least: Poe was not receptive to Jeffersonian liberalism. But many of the impressions which Poe received at Charlottesville, both within and without the lecture rooms, must have remained with him. The young admirer of classic grandeur, we know, was impressed by the graceful Rotunda. About Poe at Virginia, Philip Alexander Bruce writes as follows:
                        ellauri146.html on line 670: Profound must have been the appeal to his subtle aesthetic sense even in youth as he looked at all those classic buildings on some night when the rays of a full moon had softened and blended the separate details of roof and entablature, cornice, and, pillar. It may well have been that, at such an hour and in such a spot, the most celebrated expression in the entire body of his writings was suggested to him by so extraordinary an interfusion of Nature’s beauty with the beauty of art in one of its loveliest forms.
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                        class="toc" style="font-family:Muli;font-size:3em;color:black;background:#cdc8b5;text-align:center;margin-top:0%;margin-bottom:0%">Ale Tyynni-Haapio


                        ellauri147.html on line 33:

                        class="toc" style="font-family:sans-serif;font-size:6em;color:7d466d;background:#cdc8b5;text-align:center;margin-top:0%;margin-bottom:0%">OLEN TYPERÄ KANA

                        Kotkotusta


                        ellauri147.html on line 83: Having completed her university studies, Tyynni took up the teaching of Finnish in evening classes, but the urge to write proved stronger than the duty to teach. Her first poetry collection, Kynttilänsydän (‘Candlewick’), was published in 1938. Two years later she published a second collection Vesilintu (‘waterfowl’). With the outbreak of war, her poetry changed: Lähde ja matkamies (’The spring and the traveller’), Lehtimaja (‘The arbour’) and Soiva metsä (‘The ringing forest’) all reflected the defensive spirit of the country. Tyynni also depicted womanhood, the experiences of women in childbirth and motherhood. Later feminist research in particular has praised Tyynni as a pioneer for her lyrics dealing with childbirth.
                        ellauri147.html on line 870: A 2006 "hot" or "not" style study, involving 264 women and 18 men, at the Washington University School of Medicine, as published online in the journal Brain Research, indicates that a person´s brain determines whether an image is erotically appealing long before the viewer is even aware they are seeing the picture. Moreover, according to these researchers, one of the basic functions of the brain is to classify images into a hot or not type categorization. The study´s researchers also discovered that sexy shots induce a uniquely powerful reaction in the brain, equal in effect for both men and women, and that erotic images produced a strong reaction in the hypothalamus.
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                        class="toc" style="font-family:sans-serif;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Emile Zola


                        ellauri150.html on line 32:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">J'Accuse!

                        Sysin seppoja


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                        class="toc" style="font-family:serif;font-size:6em;color:black;background:#158dc1;text-align:center;margin-top:0%;margin-bottom:0%">N'EST-CE PAS

                        Paskakirjoja


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                        class="toc" style="font-weight:bold;font-family:serif;font-size:3em;color:black;background:#158dc1;text-align:center;margin-top:0%;margin-bottom:0%">ANDREA GUIDO


                        ellauri151.html on line 110: André Paul Guillaume Gide (French: [ɑ̃dʁe pɔl ɡijom ʒid]; 22 November 1869 – 19 February 1951) was a French author and winner of the Nobel Prize in Literature (in 1947). André was born in Paris on 22 November 1869, into a middle-class Protestant family. His father was a Paris University professor of law who died in 1880, Jean Paul Guillaume Gide, and his mother was Juliette Maria Rondeaux. His uncle was the political economist Charles Gide. His paternal family traced its roots back to Italy, with his ancestors, the Guidos, moving to France and other western and northern European countries after converting to Protestantism during the 16th century, due to persecution.
                        ellauri151.html on line 130: Gide was, by general consent, one of the dozen most important writers of the 20th century. Moreover, no writer of such stature had led such an interesting life, a life accessibly interesting to us as readers of his autobiographical writings, his journal, his voluminous correspondence and the testimony of others. It was the life of a man engaging not only in the business of artistic creation, but reflecting on that process in his journal, reading that work to his friends and discussing it with them; a man who knew and corresponded with all the major literary figures of his own country and with many in Germany and England; who found daily nourishment in the Latin, French, English and German classics, and, for much of his life, in the Bible; [who enjoyed playing Chopin and other classic works on the piano;] and who engaged in commenting on the moral, political and sexual questions of the day. Monsters lead an interesting li-i-fe.
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                        class="toc" style="font-weight:bold;font-family:serif;font-size:5em;color:darkred;background:#faf2a1;text-align:center;margin-top:0%;margin-bottom:0%">THEOKRITOS


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                        class="toc" style="font-family:serif;font-size:5em;color:darkred;background:#faf2a1;text-align:center;margin-top:0%;margin-bottom:0%">EPYLLEJÄ

                        Luontopalveluja


                        ellauri152.html on line 605: Or it would be fine if the movie didn’t play it for laughs. The movie puts Yentl in multiple awkward situations where she has to perform verbal and physical gymnastics to keep people from seeing her without clothes, that gross classic trope whereby trans characters are outed all the time in fiction. As always, the movie drags this scene out into a whole joke, that Yentl has to scramble to prevent Badass from finding out she’s a woman because Badass wants to have sex with her, a woman, isn’t that just soooooo funny? On multiple levels, I am unamused and unhappy.
                        ellauri152.html on line 741: Isaac Leib Peretz (Polish: Icchok Lejbusz Perec, Yiddish: יצחק־לייבוש פרץ‎) (May 18, 1852 – April 3, 1915), also sometimes written Yitskhok Leybush Peretz was a Yiddish language author and playwright from Poland. Payson R. Stevens, Charles M. Levine, and Sol Steinmetz count him with Mendele Mokher Seforim and Sholem Aleichem as one of the three great classical Yiddish writers. Sol Liptzin wrote: "Yitzkhok Leibush Peretz was the great awakener of Yiddish-speaking Jewry and Sholom Aleichem its comforter.... Peretz aroused in his readers the will for self-emancipation, the will for resistance against the many humiliations to which they were being subjected."
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                        class="toc" style="font-weight:bold;font-family:serif;font-size:5em;color:darkred;background:#e9d6ae;text-align:center;margin-top:0%;margin-bottom:0%">Saadi


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                        class="toc" style="font-family:serif;font-size:5em;color:darkred;background:#e9d6ae;text-align:center;margin-top:0%;margin-bottom:0%">FARSSEJA RUUSUTARHASSA

                        Röyhkeää


                        ellauri153.html on line 855: Ueber die vierfache Wurzel des Satzes vom zureichenden Grunde is an elaboration on the classical Principle of Sufficient Reason, written by German philosopher Arthur Schopenhauer as his Jena doctoral dissertation in 1813. The principle of sufficient reason is a powerful and controversial philosophical principle stipulating that everything must have a reason or cause.
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                        class="toc" style="font-weight:bold;font-family:sans-serif;font-size:5em;color:black;background:lightgrey;text-align:center;margin-top:0%;margin-bottom:0%">Ano Turtiainen


                        ellauri155.html on line 32:

                        class="toc" style="font-family:sans-serif;font-size:5em;color:black;background:lightgrey;text-align:center;margin-top:0%;margin-bottom:0%">Täällä ei saatana juhlita!

                        Persuuxia


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                        class="toc" style="font-weight:bold;font-family:serif;font-size:5em;color:white;background:#85b8cb;text-align:center;margin-top:0%;margin-bottom:0%">Bob & Dawg


                        ellauri156.html on line 32:

                        class="toc" style="font-family:serif;font-size:5em;color:white;background:#85b8cb;text-align:center;margin-top:0%;margin-bottom:0%">Bathsheba pesulla

                        Sananlaskuja


                        ellauri156.html on line 291: What the fuck again, Hittites were to Jews like the Brits, an old empire from the time of Gideon. What is there to laugh about, is it like middle class Americans laughing at Brits as upperclass twits?
                        ellauri156.html on line 802: I used to teach school. From time to time the principal would call a misbehaving student to his office. I will never forget when one of my students was called to his office, and then returned with a smirk on his face. One of my students protested publicly, “Will you look at that? He went to the principal's office and came back with a smile on his face!” My young student was absolutely right. Being called to the principal's office for correction should produce repentance and respect, not a smile. In those few times when I found it necessary to use the “rod” of correction, I purposed that no student would come back into the room with a smile, and none did (including the principal's own son, I might add, who was not even in my class). Oh how my students loved and respected me! I still think it was unfair to sack me. There was hardly any mark left on their precious skin from my rod. Least of all of the one that I used on my coeds.
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                        class="toc" style="font-family:Muli;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Pentti Siili


                        ellauri158.html on line 31:

                        class="toc" style="font-weight:bold;font-family:Muli;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">ETIIKKA

                        Axiomatikkaa


                        ellauri158.html on line 694: Hence also it follows, that everyone thought out for himself, according to his abilities, a different way of worshipping God, so that God might love him more than his fellows, and direct the whole course of nature for the satisfaction of his blind cupidity and insatiable avarice. Thus the prejudice developed into superstition, and took deep root in the human mind; and for this reason everyone strove most zealously to understand and explain the final causes of things; but in their endeavor to show that nature does nothing in vain, i.e. nothing which is useless to man, they only seem to have demonstrated that nature, the gods, and men are all mad together. Consider, I pray you, the result: among the many helps of nature they were bound to find some hindrances, such as storms, earthquakes, diseases, &c.: so they declared that such things happen, because the gods are angry at some wrong done to them by men, or at some fault committed in their worship. Experience day by day protested and showed by infinite examples, that good and evil fortunes fall to the lot of pious and impious alike; still they would not abandon their inveterate prejudice, for it was more easy for them to class such contradictions among other unknown things of whose use they were ignorant, and thus to retain their actual and innate condition of ignorance, than to destroy the whole fabric of their reasoning and start afresh. They therefore laid down as an axiom, that God´s judgments far transcend human understanding. Such a doctrine might well have sufficed to conceal the truth from the human race for all eternity, if mathematics had not furnished another standard of verity in considering solely the essence and properties of figures without regard to their final causes. There are other reasons (which I need not mention here) besides mathematics, which might have caused men´s minds to be directed to these general prejudices, and have led them to the knowledge of the truth.
                        ellauri158.html on line 851: P. 3. prop. 46. Si quis ab aliquo cuiusdam classis, sive nationis a sua diversae, laetitia vel tristitia affectus fuerit, concomitante eius idea sub nomine universali classis vel nationis tanquam causa, is non tantum illum, sed omnes eiusdem classis vel nationis amabit vel odio habebit.
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                        class="toc" style="font-family:serif;font-size:2em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">LÄSKIMOOSES'S


                        ellauri159.html on line 29:

                        class="toc" style="font-family:serif;font-size:5em;color:#ffdf00;background:black;text-align:center;margin-top:0%;margin-bottom:0%">LES
                        VINGT
                        COMMANDEMENTS

                        Kyykytystä


                        ellauri159.html on line 59:

                        Different religious traditions divide the seventeen verses of class="external text" href="https://bible.oremus.org/?passage=Exodus%2020:1–17&version=nrsv">Exodus 20:1–17 and their parallels in class="external text" href="https://bible.oremus.org/?passage=Deuteronomy%205:4–21&version=nrsv">Deuteronomy 5:4–21 into ten commandments in different ways, shown in the table below. Some suggest that the number ten is a choice to aid memorization rather than a matter of theology.
                        ellauri159.html on line 61: class="wikitable">
                        ellauri159.html on line 83:
                        class="extiw" title="s:Bible (King James)/Exodus">Exodus 20:1–17
                        ellauri159.html on line 85:
                        class="extiw" title="s:Bible (King James)/Deuteronomy">Deuteronomy 5:4–21
                        ellauri159.html on line 242:
                        class="mw-redirect" title="Thou shalt not murder">Thou shalt not murder
                        ellauri159.html on line 412:
                      • R: class="mw-redirect" title="Reformed Christian">Reformed Christians follow John Calvin's Institutes of the Christian Religion, which follows the Septuagint; this system is also used in the class="mw-redirect" title="Anglican">Anglican Book of Common Prayer.

                      • ellauri159.html on line 415:
                      • L: class="mw-redirect" title="Lutherans">Lutherans follow Luther's Large Catechism, which follows Augustine but subordinates the prohibition of images to the sovereignty of God in the First Commandment and uses the word order of Exodus 20:17 rather than Deuteronomy 5:21 for the ninth and tenth commandments.

                      • ellauri159.html on line 417:
                      • A: class="mw-redirect" title="Augustine">Augustine follows the Talmud in combining verses 3–6, but omits the prologue as a commandment and divides the prohibition on coveting in two and following the word order of Deuteronomy 5:21 rather than Exodus 20:17.

                      • ellauri159.html on line 1183: But pay heed: choose broad topics with wide-ranging effects on people. Be careful to limit the subject to what you can realistically explore in sufficient depth within the scope of the project. The class lasts just three quarters, keep that in mind. At the same time, don’t rush through the brainstorming process at the beginning. Tap into your creativity, letting one student thought suggest another. Reflect on what aspects of the topic interest you most.
                        ellauri159.html on line 1246: You’re rarely at a loss for wacky ideas. While many people struggle to find a topic, you may have difficulty limiting yourself to just one. You may enjoy exploring controversial subjects or devising clever solutions to problems. You have fun playing with different possibilities, and see where they lead you. To classroom corner or to prison most likely.
                        ellauri159.html on line 1273: You regard a writing project as an opportunity to learn something new. You start by gathering a wide variety of facts, then classifying them according to an underlying principle. You enjoy writing about abstract ideas and theories. One idea may quickly suggest another. You may need to limit your topic during the pre-writing stage to keep it from becoming unwieldy.
                        ellauri159.html on line 1345: I was born here in Amsterdam. My father was a land holder of 700 acres [2.8 km²] here, adjoining the city on both sides of the river, and lived, as I now live, in a large brick house on the south bank of the Mohawk visible as you enter Amsterdam from the east. I was his only child, and went a good deal my own way. I ran to machinery, by fancy; patented among other devices a swathing reaper which is very successful. I was of loose and wandering ways. And was a successful gambler through the Tweed regime -- made "bar'ls" of money, and threw it away. I was a fancy gymnast also, and have had some heavy fights, notable one of forty minutes with Ed. Mullett, whom I left senseless. This was mere fancy. I never lifted an angry hand against man, woman or child -- all fun -- for me. ....I do farming in a way, but am much idle. I have been a sort of pet of the city, and think I should be missed. In a large vote taken by one of the daily papers here a month or so ago as to who were the 12 leading citizens, I was 6th in the 12, and sole in my class. So you see, if Sparta has many a worthier son, I am still boss in the department I prefer.
                        ellauri159.html on line 1423: The unclassified residuum, 299. The Society for Psychical Research and its history, 303. Thought-transference, 308. Gurney's work, 309. The census of hallucinations, 312. Mediumship, 313. The 'subliminal self,' 315. 'Science' and her counter-presumptions, 317. The scientific character of Mr. Myers's work, 320. The mechanical-impersonal view of life versus the personal-romantic view, 324.
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                        class="toc" style="font-family:serif;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Riku


                        ellauri160.html on line 28:

                        class="toc" style="font-family:serif;font-size:5em;color:black;background:#faf8bb;text-align:center;margin-top:0%;margin-bottom:0%">Cathay

                        Paasaajia


                        ellauri160.html on line 316: Fukuyama received his Bachelor of Arts degree in classics from Cornell University, where he studied political philosophy under Allan Bloom. He initially pursued graduate studies in comparative literature at Yale University, going to Paris for six months to study under Roland Barthes and Jacques Derrida but became disillusioned and switched to political science at Harvard University. There, he studied with Samuel P. Huntington and Harvey Mansfield, among others. He earned his Ph.D. in political science at Harvard for his thesis on Soviet threats to intervene in the Middle East. In 1979, he joined the global policy think tank RAND Corporation. Eli vittua se mikään simpanssitutkija oli, Ellei sitten tutkinut omaa napanöyhtää, kun on ilmetyn bonobon näkönenkin. Kokeili taskuaan ja kaikki oli tallella, kelpas hymyillä.
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                        class="toc" style="font-family:sans-serif;font-size:2em;color:black;background:#e1f5fe;text-align:center;margin-top:0%;margin-bottom:0%">Jori Huysmans - Andy Nyölén


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                        class="toc" style="font-family:sans-serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">VASTAAN HANKAAN

                        Nonbinääriä


                        ellauri161.html on line 494: Now, one friend said that "Don't Look Up" was a masterpiece. Well, I wouldn't go as far as to calling it a masterpiece. Sure, "Don't Look Up" was a watchable movie, and writers Adam McKay and David Sirota definitely had some good jabs at the crazy world we live in today, with the likes of a crazy president, everything being on social media, people being concerned about riches even when facing extinction and such. I found the movie to be watchable and enjoyable, sure, but it wasn't a masterpiece, nor will it become a classic movie for me.
                        ellauri161.html on line 604: McKay the writer isn’t up to the task. With this star-studded cast, the classification of a “missed opportunity” doesn’t do it justice; it feels closer to a tragedy. 2 out of 4.
                        ellauri161.html on line 851:
                        class="vertical_module_list_row">

                        class="about_title">Yleiset termit ja lausekkeet

                        class="about_content">
                        class="cloud">class="cloud7">admire class="cloud6">aime class="cloud8">appelle class="cloud9">arrive class="cloud8">aurait class="cloud7">beau class="cloud6">beauté class="cloud8">besoin class="cloud9">c'était class="cloud8">caractère class="cloud8">cherche class="cloud0">choses class="cloud9">ciel class="cloud9">contraire class="cloud9">coup class="cloud9">crainte class="cloud9">création class="cloud9">critique class="cloud9">croire class="cloud9">croit class="cloud7">croix class="cloud7">d'être class="cloud7">demande class="cloud9">Denis class="cloud6">devant class="cloud1">Dieu class="cloud3">dire class="cloud9">divine class="cloud9">dix-huitième siècle class="cloud8">doit class="cloud4">donne class="cloud9">éclate class="cloud9">erreur class="cloud7">face class="cloud7">fond class="cloud6">force class="cloud6">forme class="cloud9">garde class="cloud9">général class="cloud4">génie class="cloud6">gloire class="cloud8">grandeur class="cloud0">Grèce class="cloud9">haine class="cloud8">haut class="cloud0">homme class="cloud4">humaine class="cloud9">idées class="cloud9">ignore class="cloud8">joie class="cloud6">jour class="cloud8">justice class="cloud9">l'air class="cloud8">l'amour class="cloud3">l'art class="cloud9">l'autre class="cloud9">l'avare class="cloud7">l'erreur class="cloud8">l'esprit class="cloud7">l'histoire class="cloud0">l'homme class="cloud9">L'homme médiocre class="cloud7">l'ordre class="cloud8">l'unité class="cloud9">laisse class="cloud8">larmes class="cloud7">lieu class="cloud8">livre class="cloud9">loin class="cloud7">lui-même class="cloud4">lumière class="cloud6">main class="cloud6">malheur class="cloud9">matière class="cloud9">mensonge class="cloud6">ment class="cloud1">monde class="cloud6">montre class="cloud4">mort class="cloud9">mots class="cloud6">nature class="cloud9">naturel class="cloud8">néant class="cloud8">paix class="cloud2">parle class="cloud2">parole class="cloud4">passé class="cloud7">passion class="cloud3">pensée class="cloud9">père class="cloud8">personne class="cloud9">petite class="cloud8">peur class="cloud7">peut-être class="cloud6">place class="cloud9">pleine class="cloud4">porte class="cloud7">premier class="cloud8">présent class="cloud7">profonde class="cloud9">propre class="cloud9">puissance class="cloud8">qu'une class="cloud7">raison class="cloud9">réalité class="cloud3">regard class="cloud9">représente class="cloud7">ressemble class="cloud9">reste class="cloud4">rien class="cloud8">rire class="cloud8">Roman class="cloud9">Rome class="cloud7">s'est class="cloud5">s'il class="cloud2">saint class="cloud9">sais class="cloud8">sait class="cloud9">sang class="cloud3">Science class="cloud7">secret class="cloud6">semble class="cloud8">sens class="cloud3">sent class="cloud3">serait class="cloud4">seulement class="cloud3">siècle class="cloud8">signe class="cloud3">soleil class="cloud6">souvenir class="cloud6">style class="cloud6">terre class="cloud9">tion class="cloud6">trouve class="cloud2">vérité class="cloud5">veut class="cloud9">vivante class="cloud8">voici class="cloud6">voilà class="cloud8">voit class="cloud8">Voyez class="cloud4">vrai class="cloud7">yeux

                        ellauri161.html on line 982: Ses études au lycée de Périgueux sont médiocres : retiré de l´établissement en classe de quatrième, il continue sa formation sous la direction de son père, qui l´oriente vers l´architecture. Bloy commence à rédiger un journal intime, s´essaie à la littérature en composant une tragédie, Lucrèce, et s´éloigne de la religion. En 1864, son père lui trouve un emploi à Paris, il entre comme commis au bureau de l´architecte principal de la Compagnie ferroviaire d´Orléans. Médiocre employé, Bloy rêve de devenir peintre et s´inscrit à l´École des beaux-arts. Il écrit ses premiers articles, sans toutefois parvenir à les faire publier, et fréquente les milieux du socialisme révolutionnaire et de l´anticléricalisme.
                        ellauri161.html on line 1133: A man from his parish demands a full service funeral for his wife and says he will not pay for it. He confers with the priest of Torcy. The girls of the catechism class laugh at him in a prank, whereby only one of them pretends to know the Scriptural basis of the Eucharist so that the rest of them can laugh at their private conversation. His colleagues criticize his diet of bread and wine, and his ascetic lifestyle. "Concerned" about Chantal, the daughter of the Countess, the priest visits the Countess at the family chateau, and appears to help her resume communion with God after a period of doubt. The Countess dies during the following night, and her daughter spreads false rumors that the priest´s harsh words had tormented her to death. Refusing confession, Chantal had previously spoken to the priest about her hatred of her parents.
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                        class="toc" style="font-family:sans-serif;font-size:2em;color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">www.expressen.se


                        ellauri162.html on line 28:

                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Två bussar har blåst av vägen.

                        Lofotnoter


                        ellauri162.html on line 694: Pope Leo XIII, 1891, wrote the encyclical Rerum Novarum as the industrial revolution and political change swept across Europe. The relationship between employers and employees was changing dramatically. Individuals had become wealthy, but most remained poor even though they worked hard. Pope Leo XIII´s encyclical spoke of the condition of the working classes during a time when many advocated revolution.
                        ellauri162.html on line 696: The Church recognizes that the lack of workers union contributed to an unjust situation where many work in conditions little better than slavery. One solution proposed by socialists was to eliminate private property altogether. Pope Leo XIII dismisses this solution because "every man has by nature the right to possess property as his own." He also notes that "the impelling reason and motive of his work is to obtain property." Instead of helping the working class, the elimination of private property would only hurt those it was intended to benefit.
                        ellauri162.html on line 766: Number 2 Wrath James White (born c. 1970), a former world-class heavyweight kickboxer. White is Black. He is saddened by Black Christians.
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                        class="toc" style="font-family:Muli;font-size:3em;color:lightblue;background:white;text-align:right;margin-top:0%;margin-bottom:0%">Courtney Joseph


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                        class="toc" style="font-family:Muli;font-size:3em;color:lightblue;background:white;text-align:right;margin-top:0%;margin-bottom:0%">DEUTERONOMIA

                        Lakeja


                        ellauri163.html on line 721: Vox Day has written about atheists being "socially autistic". Asperger´s syndrome (sometimes referred to as "High-Functioning Autism" or "HFA") is an umbrella term used to classify problematic behaviours similar to, but less severe than, those within the lower reaches of the autistic spectrum.
                        ellauri163.html on line 864: A precocious student, Durkheim entered the École Normale Supérieure (ENS) in 1879, at his third attempt. The entering class that year was one of the most brilliant of the nineteenth century, as many of his classmates, such as Jean Jaurès and Henri Bergson, went on to become major figures in France's intellectual history as well. At the ENS, Durkheim studied under the direction of Numa Denis Fustel de Coulanges, a classicist with a social-scientific outlook, and wrote his Latin dissertation on Montesquieu. At the same time, he read Auguste Comte and Herbert Spencer, whereby Durkheim became interested in a scientific approach to society very early on in his career. The writer of this exposition likes the word whereby.
                        ellauri163.html on line 868: Cette éducation lui permet de s´inscrire dans une double tradition culturelle, judaïque et classique. Il devient professeur et est notamment chargé des cours de pédagogie et de sciences sociales à l´université Bordeaux en 1887 puis il devient professeur de cette université en 1896. Jeune agrégé, il est envoyé en Allemagne, où il est marqué par le fonctionnement des universités allemandes, et par des philosophes sociaux qui s´intéressent au rôle de l´État moderne. Il devient docteur ès lettres en 1893. Molemmat kilpahakijat oli siis maaseutuyliopistomiehiä.
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                        ellauri164.html on line 28:

                        class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Arttu Rimpula


                        ellauri164.html on line 29:

                        class="toc" style="font-family:serif;font-size:4em;color:black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Helvetin seslonki

                        Angstailua


                        ellauri164.html on line 419: Shelves: dnf , 2021 , classics
                        ellauri164.html on line 437: "In this classic Catholic novel, Bernanos movingly recounts the life of a young French country priest who grows to understand his provincial parish while learning spiritual humility himself." Pro primo, ei se näytä koko aikana ymmärtävän tai edes välittävän kenestäkään juuri midiä. Pro secundo, koko kirja on yhtä nöyrän piiraan mutustelua. Siitä puhe mistä puute. This man shares something with Isaiah’s “worm among men.” Ich aber bin ein Wurm und kein Mensch. Ich bin eine Ratte (Psalmit 22:6).
                        ellauri164.html on line 597: Honoring God in leadership—as all Christian leaders in every sphere must attempt to do—is a terrifying responsibility. Whether we lead a business, a classroom, a relief organization, a household, or any other organization, we must be careful not to mistake our authority for God’s. What can we do to keep ourselves in obedience to God? Meeting regularly with an accountability (or “peer”) group, praying daily about the tasks of leadership, keeping a weekly Sabbath to rest in God’s presence, and seeking others’ perspective on God’s guidance are methods some lead­ers employ. Even so, the task of leading firmly while remaining wholly dependent on God is beyond human capability. If the most humble man on the face of the earth (Num. 12:3) could fail in this way, so can we. By God’s grace, even failures as great as Moses’ at Meribah, with disastrous consequences in this life, do not separate us from the ultimate fulfillment of God’s promises. Moses did not enter the Promised Land, yet the New Testament declares him “faithful in all God’s house” and reminds us of the confidence that all in God’s house have in the fulfillment of our redemption in Christ (Heb. 3:2-6).
                        ellauri164.html on line 877: The reading that makes more sense is to focus on the breaking of the pattern established to this point. Moses’ harsh words toward the Israelites reveal his emotions in this moment; he classifies Israel as “rebels” rather than the chosen people, and his rhetorical question seems to imply that he does not view Israel as worthy of God’s grace any longer. This is the real failure of Moses in this moment: he’s lost his faith in God to fulfill His promises to these people. Israel is a nation of rebels outside of grace, outside of God’s ability to make a great nation, outside of the promises that God has given. It seems nearly forty years of dealing with this people has finally broken Moses, and he is so overwhelmed in this moment that he has lost faith. From God’s perspective, Moses has lost faith in the Lord to overcome Israel’s faithlessness. Moses has not believed in God, and has not treated Yahweh as the Holy God who is able to overcome the weakness of His people. Indeed, this is exactly what Numbers 20:12 says was Moses’ sin! He (and Aaron!) did not believe God and did not treat Yahweh as holy in that moment. God did offer Moses the opportunity to intercede for the people (and thus broke the pattern) because He knew that Moses did not have faith in Him.
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                        class="toc" style="font-family:serif;font-style:italic;font-size:2em;color:gold;background:#8e333c;text-align:center;margin-top:0%;margin-bottom:0%">VOITTO-SANOMAT


                        ellauri171.html on line 33:

                        class="toc" style="font-family:serif;font-size:9em;color:gold;background:#8e333c;text-align:center;margin-top:0%;margin-bottom:0%">ne naiset

                        Panennaisia


                        ellauri171.html on line 625: Why is this story important at all for people without foreskins? In verse 1 we are told that a Levite had taken a concubine, a second class wife, for himself.
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                        ellauri172.html on line 38:

                        class="toc" style="font-family:serif;font-style:italic;font-size:2em;color:gold;background:#8e333c;text-align:center;margin-top:0%;margin-bottom:0%">Sr. Brueghel


                        ellauri172.html on line 39:

                        class="toc" style="font-family:serif;font-size:6em;color:gold;background:#8e333c;text-align:center;margin-top:0%;margin-bottom:0%">JUONIPALJASTUS

                        Spoilereita


                        ellauri172.html on line 165: Come la gran parte dei piemontesi dell'epoca, Vittorio Alfieri ebbe come madrelingua il piemontese. Giacché di nobili origini, apprese dignitosamente il francese e l'italiano, cioè il toscano classico. Compilava piccoli vocabolari. Dopo una giovinezza inquieta ed errabonda, si dedicò con impegno alla lettura e allo studio di Plutarco, Dante, Petrarca, Machiavelli e degli illuministi come Voltaire e Montesquieu: da questi autori ricavò una visione personale razionalista e classicista, convintamente anti-tirannica e in favore di una libertà ideale, al quale unì l'esaltazione del genio individuale tipicamente romantica.
                        ellauri172.html on line 318: Au point de vue physique, nous l’avons vu, c’est un besoin individuel que d’engendrer un autre individu, si bien que cet autre devient comme une condition de nous-même. La vie, comme le feu, ne se conserve qu’en se communiquant. Et cela est vrai de l’intelligence non moins que du corps ; il est aussi impossible de renfermer l’intelligence en soi que la flamme : elle est faite pour rayonner. Même force d’expansion dans la sensibilité : il faut que nous partagions notre joie, il faut que nous partagions notre douleur. C’est tout notre être qui est sociable : la vie ne connaît pas les classifications et les divisions absolues des logiciens et des métaphysiciens : elle ne peut pas être complètement égoïste, quand même elle le voudrait. Nous sommes ouverts de toutes parts, de toutes parts envahissants et envahis. Cela tient à la loi fondamentale que la biologie nous a fournie : La vie n’est pas seulement nutrition, elle est production et fécondité. Vivre, c’est dépenser aussi bien qu’acquérir.
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                        class="toc" style="font-family:serif;font-size:5em;color:#cf4b24;background:#d2b4a9;text-align:center;margin-top:0%;margin-bottom:0%">Meet Author


                        ellauri180.html on line 33:

                        class="toc" style="font-family:sans-serif;font-size:5em;color:#a383c4;background:#d2b4a9;text-align:center;margin-top:0%;margin-bottom:0%">KAYLA ANCRUM

                        Värikästä


                        ellauri180.html on line 235: Thus it is clear that medical trends are now being driven by financial constraints. Perhaps this is reflected by the dramatic decline in the number of non-religious circumcisions performed over the last half century; in the USA an estimated 80% of boys were circumcised in 1976 but by 1981 this had fallew to 61%, and recent estimates suggest that this decrease continues. In the UK the decline has been even more dramatic: originally more common in the upper classes, circumcision rates fell from 30% in 1939 to 20% in 1949 and 10% by 1963. By 1975 only 6% of British schoolboys were circumcised and this may well have declined further.
                        ellauri180.html on line 382: ‘Porphyria’s Lover’ is one of Browning’s first great poems, written when he was in his early twenties. It is also one of the first great dramatic monologues in English verse, the 1830s being the decade in which Browning and Tennyson developed the genre, penning a series of classic poems which see the poet adopting a persona and ‘staging’ a soliloquy given by an (often unreliable) speaker. Here, the speaker is the titular lover of the girl, Porphyria. Before we proceed to an analysis of ‘Porphyria’s Lover’, here’s a reminder of Browning’s poem. (Se mainittiin Gently-poliisisarjassa yhden koulun pulpettia vasten naidun tupeeratun 60-luvun teinin mielirunona.)
                        ellauri180.html on line 447: In summary: a man speaks to some unidentified (and possibly imaginary) auditor, telling us how, on a dark and stormy (or rainy and windy) night, he waited in his cottage for his lover, Porphyria, to arrive. When she turns up, it’s clear Porphyria is of a higher social class than the male speaker: he’s punching above his weight, as they say. Note how she glides in as if she owns the place, and as if she walks on air rather than on the ground like us mere mortals. She wears a hat, cloak, and shawl, and her gloves are soiled, suggesting that they are not used to slumming it in a common man’s cottage and attending to his fire and grate. The fact that she also takes the lead – suggesting she is perhaps used to ordering servants to do her bidding – further hints at her highborn status: she calls to the speaker, and she takes his arm and puts it around her waist. Then, the clincher (in more ways than one): we are told "she Too weak, for all her heart’s endeavour,
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                        class="toc" style="font-family:sans-serif;font-size:5em;color:black;background:#a47f55;text-align:center;margin-top:0%;margin-bottom:0%">CH. DARWIN


                        ellauri181.html on line 33:

                        class="toc" style="font-family:sans-serif;font-size:5em;color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">PENIS DE MONO

                        Hominointia


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                        ellauri182.html on line 32:

                        class="toc" style="font-family:serif;font-size:5em;color:black;background:#ffcba4;text-align:center;margin-top:0%;margin-bottom:0%">Banana Split


                        ellauri182.html on line 33:

                        class="toc" style="font-family:serif;font-size:5em;color:black;background:#ffcba4;text-align:center;margin-top:0%;margin-bottom:0%">Food as a Value

                        Japonais-täytettä


                        ellauri182.html on line 110: A few generations ago in Japan, food preparation was considered a lower class occupation; in economically advantaged households, servants frequently provided the cooking. By the mid-1980s, and as reflected in “Kitchen,” food preparation has become a respectable career as well as an art form. Kitchens are now the showcases of Japanese consumer wealth, filled with new technologies and electronic gadgets, and artful cuisine reflects social sophistication.
                        ellauri182.html on line 191: Many Pure Land Buddhist schools in the time of Shinran felt that birth in the Pure Land was a literal rebirth that occurred only upon death, and only after certain preliminary rituals. Elaborate rituals were used to guarantee rebirth in the Pure Land, including a common practice wherein the fingers were tied by strings to a painting or image of Amida Buddha. From the perspective of Jōdo Shinshū such rituals actually betray a lack of trust in Amida Buddha, relying on jiriki ("self-power"), rather than the tariki or "other-power" of Amida Buddha. Such rituals also favor those who could afford the time and energy to practice them or possess the necessary ritual objects—another obstacle for lower-class individuals. For Shinran Shonin, who closely followed the thought of the Chinese monk Tan-luan, the Pure Land is synonymous with nirvana.
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                        class="toc" style="font-family:Muli;font-size:2em;background:#0a6566;text-align:center;margin-top:0%;margin-bottom:0%">BERNARD
                        MALAMUD


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                        class="toc" style="font-family:AdineKirnberg;font-size:10em;color:#a04016;background:#8fa9a6;text-align:center;margin-top:0%;margin-bottom:0%">God's Grace

                        Jumalanpilkkaa


                        ellauri183.html on line 58: humanist: The word "humanism" derives from the Latin concept humanitas, which was first used by Cicero to describe values related to economic liberal education. The word disappeared for the dark middle ages and reappeared during the Italian Renaissance as umanista and reached the English language in the 16th century. The word "humanist" was used to describe a group of studenz of classical literature and those advocating for education based on it. In the early 19th century, the term Humanismus was used in Germany equivocally and it re-entered the English language second time anally. The more popular use signifying a non-religious approach to life, implying an antithesis to theism, viz. atheism.
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                        ellauri184.html on line 32:

                        class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Norman Mailer


                        ellauri184.html on line 33:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">KAPERNAUMIN EVANKELIUMI

                        Nysväystä


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                        ellauri185.html on line 32:

                        class="toc" style="font-family:Muli;font-size:3em;color:red;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Belovin Sale


                        ellauri185.html on line 33:

                        class="toc" style="font-family:serif;font-size:6em;color:black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Horatio Alger

                        Sikailua


                        ellauri185.html on line 408: Pinker was born in Montreal, Quebec, in 1954, to a middle-class Jewish family. His grandparents emigrated to Canada from Poland and Romania in 1926, and owned a small necktie factory in Montreal. His father was a lawyer. His mother eventually became a high-school vice-principal. His brother is a policy analyst for the Canadian government, while his sister, Susan Pinker, is a psychologist and writer who authored The Sexual Paradox and The Village Effect.
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                        class="toc" style="font-family:sans-serif;font-size:6em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">APINOIDEN KANTTIINI

                        Koijausta


                        ellauri188.html on line 33:

                        class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">HERMAN MELVILLE


                        ellauri188.html on line 130: It is perhaps appropriate to describe briefly, in this connection, the agricultural conditions in Typee Vai, the valley on Nukuhiva made famous by Melville's classie "Typee." It will be remembered by those who have read his narrative that he escaped from his ship. in Taiohae Bay in 1842 and was held a prisoner for many months by the eannibals of Typee. At that time he figured the inhabitants of the valley as repre sented by about 2,000 souls, with perhaps 2,000 more in the neighboring valley of Houmi. A period of 80 years has elapsed (not a long time historically) be tween his sojourn there and my visit in 1922. In November of that year I found 44 people in Typee, and 65 in Houmi, though from Pere Simeon Delmar, the charming and self-sacrificing priest at Taiohae, who is in close touch with all his people, I learned. that the death rate in Typee had been normal for several years and that one or two families there had many children. I was astonished at the appearance of Typee Valley; for, from reading "White Shadows" and from
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                        class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Anttoni Pyp Pipo


                        ellauri189.html on line 33:

                        class="toc" style="font-family:sans-serif;font-size:6em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Steppenwolf

                        Steppailua


                        ellauri189.html on line 102: However, in Maria the tensions arising from differences in “class” are not taken up. Malczewski investigates man’s existential plight in connection with the “stigma” (as would Norwid put it) that has been imprinted on man by his “natural” surroundings (as we will see, the Cossack represents man before self-alienation,
                        ellauri190.html on line 25: class="v22 numberCircle">190
                        ellauri190.html on line 32:

                        class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:lightgrey;text-align:center;margin-top:0%;margin-bottom:0%">George V. Woodchuck


                        ellauri190.html on line 33:

                        class="toc" style="font-family:sans-serif;font-size:6em;color:white;background:lightgrey;text-align:center;margin-top:0%;margin-bottom:0%">Irtopäitä

                        Sotahistoriaa


                        ellauri190.html on line 285: After Ottoman-Polish and Polish-Muscovite warfare ceased, the official Cossack register was again decreased. The registered Cossacks (reiestrovi kozaky) were isolated from those who were excluded from the register, and from the Zaporizhian Host. (Compare legal and paperless immigrants of today.) This, together with intensified socioeconomic and national-religious oppression of the other classes in Ukrainian society, led to a number of Cossack uprisings in the 1630s. These eventually culminated in the Khmelnytsky Uprising, led by the hetman of the Zaporizhian Sich, Bohdan Khmelnytsky.
                        ellauri191.html on line 26: class="v22 numberCircle">191
                        ellauri191.html on line 33:

                        class="toc" style="font-family:serif;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">HINOA JOHN

                        Kulttuurihistoriaa


                        ellauri191.html on line 34:

                        class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">KULTURPROFILERNA


                        ellauri191.html on line 86:
                        class="image">Sully-Prudhomme.jpg
                        ellauri191.html on line 91:
                        class="lippukuva">soopeli Ranska
                        ellauri191.html on line 95:
                        "in special recognition of his poetic composition, which gives evidence of class="mw-redirect" title="Lofty idealism">lofty idealism, artistic perfection and a rare combination of the qualities of both heart and intellect"
                        ellauri191.html on line 103:
                        class="image">T-mommsen-2.jpg
                        ellauri191.html on line 108:
                        class="flagicon">Saksan keisarikuntaclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Flag_of_Germany_%281867%E2%80%931918%29.svg/35px-Flag_of_Germany_%281867%E2%80%931918%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Flag_of_Germany_%281867%E2%80%931918%29.svg/45px-Flag_of_Germany_%281867%E2%80%931918%29.svg.png 2x" data-file-width="900" data-file-height="600" /> Saksa
                        ellauri191.html on line 120:
                        class="image">Portrett av Bjørnstjerne Bjørnson, ca 1903 - no-nb digifoto 20150129 00041 bldsa BB0803.jpg
                        ellauri191.html on line 125:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Flag_of_Norway.svg/32px-Flag_of_Norway.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Flag_of_Norway.svg/41px-Flag_of_Norway.svg.png 2x" data-file-width="512" data-file-height="372" /> Norja
                        ellauri191.html on line 137:
                        class="image">Frédéric Mistral by Paul Saïn.jpg
                        ellauri191.html on line 142:
                        class="lippukuva">soopeli Ranska
                        ellauri191.html on line 152:
                        class="image">José Echegaray y Eizaguirre.jpg
                        ellauri191.html on line 157:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/7/7d/Flag_of_Spain_%281785%E2%80%931873%2C_1875%E2%80%931931%29.svg/35px-Flag_of_Spain_%281785%E2%80%931873%2C_1875%E2%80%931931%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7d/Flag_of_Spain_%281785%E2%80%931873%2C_1875%E2%80%931931%29.svg/45px-Flag_of_Spain_%281785%E2%80%931873%2C_1875%E2%80%931931%29.svg.png 2x" data-file-width="1200" data-file-height="800" /> Espanja
                        ellauri191.html on line 169:
                        class="image" title="Kazimierz Mordasewiczin maalaus vuodelta 1899 Henryk Sienkiewiczistä.">Kazimierz Mordasewiczin maalaus vuodelta 1899 Henryk Sienkiewiczistä.
                        ellauri191.html on line 174:
                        class="image">Merchant ensign of Vistula ships of Congress Poland.svgclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/8/8b/Military_ensign_of_Vistula_Flotilla_of_Congress_Poland.svg/30px-Military_ensign_of_Vistula_Flotilla_of_Congress_Poland.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/8b/Military_ensign_of_Vistula_Flotilla_of_Congress_Poland.svg/40px-Military_ensign_of_Vistula_Flotilla_of_Congress_Poland.svg.png 2x" data-file-width="900" data-file-height="600" /> Kongressi-Puola
                        ellauri191.html on line 185:
                        class="image">Carducci.jpg
                        ellauri191.html on line 190:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Flag_of_Italy_%281861-1946%29_crowned.svg/35px-Flag_of_Italy_%281861-1946%29_crowned.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Flag_of_Italy_%281861-1946%29_crowned.svg/45px-Flag_of_Italy_%281861-1946%29_crowned.svg.png 2x" data-file-width="1500" data-file-height="1000" /> Italia
                        ellauri191.html on line 202:
                        class="image">Rudyard Kipling.jpg
                        ellauri191.html on line 207:
                        class="lippukuva">soopeli class="mw-redirect" title="Iso-Britannia">Britannia
                        ellauri191.html on line 218:
                        class="image">Eucken-im-Alter.png
                        ellauri191.html on line 220:
                        class="mw-redirect" title="Rudolf Christoph Eucken">Rudolf Christoph Eucken
                        ellauri191.html on line 223:
                        class="flagicon">Saksan keisarikuntaclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Flag_of_Germany_%281867%E2%80%931918%29.svg/35px-Flag_of_Germany_%281867%E2%80%931918%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Flag_of_Germany_%281867%E2%80%931918%29.svg/45px-Flag_of_Germany_%281867%E2%80%931918%29.svg.png 2x" data-file-width="900" data-file-height="600" /> Saksa
                        ellauri191.html on line 235:
                        class="image">Selma Lagerlöf.jpg
                        ellauri191.html on line 240:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Flag_of_Sweden.svg/35px-Flag_of_Sweden.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Flag_of_Sweden.svg/46px-Flag_of_Sweden.svg.png 2x" data-file-width="512" data-file-height="320" /> Ruotsi
                        ellauri191.html on line 250:
                        class="image">Paul Heyse 1910.jpg
                        ellauri191.html on line 255:
                        class="flagicon">Saksan keisarikuntaclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Flag_of_Germany_%281867%E2%80%931918%29.svg/35px-Flag_of_Germany_%281867%E2%80%931918%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Flag_of_Germany_%281867%E2%80%931918%29.svg/45px-Flag_of_Germany_%281867%E2%80%931918%29.svg.png 2x" data-file-width="900" data-file-height="600" /> Saksa
                        ellauri191.html on line 267:
                        class="image">Maeterlinck.jpg
                        ellauri191.html on line 272:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/9/92/Flag_of_Belgium_%28civil%29.svg/35px-Flag_of_Belgium_%28civil%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/92/Flag_of_Belgium_%28civil%29.svg/45px-Flag_of_Belgium_%28civil%29.svg.png 2x" data-file-width="900" data-file-height="600" /> Belgia
                        ellauri191.html on line 283:
                        class="image">Gerhart Hauptmann nobel.jpg
                        ellauri191.html on line 288:
                        class="flagicon">Saksan keisarikuntaclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Flag_of_Germany_%281867%E2%80%931918%29.svg/35px-Flag_of_Germany_%281867%E2%80%931918%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1f/Flag_of_Germany_%281867%E2%80%931918%29.svg/45px-Flag_of_Germany_%281867%E2%80%931918%29.svg.png 2x" data-file-width="900" data-file-height="600" /> Saksa
                        ellauri191.html on line 300:
                        class="image">Tagore3.jpg
                        ellauri191.html on line 305:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/b/be/British_Raj_Red_Ensign.svg/35px-British_Raj_Red_Ensign.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/be/British_Raj_Red_Ensign.svg/46px-British_Raj_Red_Ensign.svg.png 2x" data-file-width="600" data-file-height="300" /> Intia
                        ellauri191.html on line 325:
                        class="image">Romain Rolland 1915.jpg
                        ellauri191.html on line 330:
                        class="lippukuva">soopeli Ranska
                        ellauri191.html on line 341:
                        class="image">Verner von Heidenstam 1916.jpg
                        ellauri191.html on line 346:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Flag_of_Sweden.svg/35px-Flag_of_Sweden.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Flag_of_Sweden.svg/46px-Flag_of_Sweden.svg.png 2x" data-file-width="512" data-file-height="320" /> Ruotsi
                        ellauri191.html on line 358:
                        class="image">Karl Gjellerup.jpg
                        ellauri191.html on line 363:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/9/9c/Flag_of_Denmark.svg/31px-Flag_of_Denmark.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/9c/Flag_of_Denmark.svg/40px-Flag_of_Denmark.svg.png 2x" data-file-width="512" data-file-height="387" /> Tanska
                        ellauri191.html on line 373:
                        class="image">Henrik Pontoppidan 1913.jpg
                        ellauri191.html on line 378:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/9/9c/Flag_of_Denmark.svg/31px-Flag_of_Denmark.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/9c/Flag_of_Denmark.svg/40px-Flag_of_Denmark.svg.png 2x" data-file-width="512" data-file-height="387" /> Tanska
                        ellauri191.html on line 401:
                        class="image">Carl Spitteler 1919.jpg
                        ellauri191.html on line 406:
                        class="image">Flag of Switzerland.svgclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/f/f3/Flag_of_Switzerland.svg/30px-Flag_of_Switzerland.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f3/Flag_of_Switzerland.svg/40px-Flag_of_Switzerland.svg.png 2x" data-file-width="512" data-file-height="512" /> Sveitsi
                        ellauri191.html on line 418:
                        class="image">Hamsun bldsa HA0341.jpg
                        ellauri191.html on line 423:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Flag_of_Norway.svg/32px-Flag_of_Norway.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Flag_of_Norway.svg/41px-Flag_of_Norway.svg.png 2x" data-file-width="512" data-file-height="372" /> Norja
                        ellauri191.html on line 436:
                        class="image">Anatole France 1921.jpg
                        ellauri191.html on line 441:
                        class="lippukuva">soopeli Ranska
                        ellauri191.html on line 452:
                        class="image">Jacinto Benavente.jpg
                        ellauri191.html on line 457:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/7/7d/Flag_of_Spain_%281785%E2%80%931873%2C_1875%E2%80%931931%29.svg/35px-Flag_of_Spain_%281785%E2%80%931873%2C_1875%E2%80%931931%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/7d/Flag_of_Spain_%281785%E2%80%931873%2C_1875%E2%80%931931%29.svg/45px-Flag_of_Spain_%281785%E2%80%931873%2C_1875%E2%80%931931%29.svg.png 2x" data-file-width="1200" data-file-height="800" /> Espanja
                        ellauri191.html on line 469:
                        class="image">Yeats Boughton.jpg
                        ellauri191.html on line 474:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/4/45/Flag_of_Ireland.svg/35px-Flag_of_Ireland.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/45/Flag_of_Ireland.svg/46px-Flag_of_Ireland.svg.png 2x" data-file-width="1200" data-file-height="600" /> Irlanti
                        ellauri191.html on line 484:
                        class="image">Wladyslaw Reymont 1924.jpg
                        ellauri191.html on line 489:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/1/12/Flag_of_Poland.svg/35px-Flag_of_Poland.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/12/Flag_of_Poland.svg/46px-Flag_of_Poland.svg.png 2x" data-file-width="640" data-file-height="400" /> Puola
                        ellauri191.html on line 501:
                        class="image">George Bernard Shaw 1936.jpg
                        ellauri191.html on line 506:
                        class="lippukuva">soopeli class="mw-redirect" title="Iso-Britannia">Britannia
                        ellauri191.html on line 519:
                        class="image">Grazia Deledda 1926.jpg
                        ellauri191.html on line 524:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Flag_of_Italy_%281861-1946%29_crowned.svg/35px-Flag_of_Italy_%281861-1946%29_crowned.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Flag_of_Italy_%281861-1946%29_crowned.svg/45px-Flag_of_Italy_%281861-1946%29_crowned.svg.png 2x" data-file-width="1500" data-file-height="1000" /> Italia
                        ellauri191.html on line 536:
                        class="image">Henri Bergson.jpg
                        ellauri191.html on line 541:
                        class="lippukuva">soopeli Ranska
                        ellauri191.html on line 552:
                        class="image">Sigrid Undset 1928.jpg
                        ellauri191.html on line 557:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Flag_of_Norway.svg/32px-Flag_of_Norway.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d9/Flag_of_Norway.svg/41px-Flag_of_Norway.svg.png 2x" data-file-width="512" data-file-height="372" /> Norja
                        ellauri191.html on line 568:
                        class="image">Thomas Mann 1929.jpg
                        ellauri191.html on line 573:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Flag_of_Germany.svg/35px-Flag_of_Germany.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Flag_of_Germany.svg/46px-Flag_of_Germany.svg.png 2x" data-file-width="1000" data-file-height="600" /> Saksa
                        ellauri191.html on line 577:
                        "principally for his great novel, Buddenbrooks, which has won steadily increased recognition as one of the classic works of contemporary literature"
                        ellauri191.html on line 584:
                        class="image">Sinclair Lewis 1930.jpg
                        ellauri191.html on line 589:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Flag_of_the_United_States_%281912-1959%29.svg/35px-Flag_of_the_United_States_%281912-1959%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Flag_of_the_United_States_%281912-1959%29.svg/46px-Flag_of_the_United_States_%281912-1959%29.svg.png 2x" data-file-width="1235" data-file-height="650" /> Yhdysvallat
                        ellauri191.html on line 600:
                        class="image">Erik Axel Karlfeldt 1931.jpg
                        ellauri191.html on line 605:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Flag_of_Sweden.svg/35px-Flag_of_Sweden.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Flag_of_Sweden.svg/46px-Flag_of_Sweden.svg.png 2x" data-file-width="512" data-file-height="320" /> Ruotsi
                        ellauri191.html on line 617:
                        class="image">John Galsworthy 2.jpg
                        ellauri191.html on line 622:
                        class="lippukuva">soopeli class="mw-redirect" title="Iso-Britannia">Britannia
                        ellauri191.html on line 633:
                        class="image">Ivan Bunin 1933.jpg
                        ellauri191.html on line 638:
                        class="lippukuva">soopeli Ranska (maanpakolainen)
                        ellauri191.html on line 642:
                        "for the strict artistry with which he has carried on the classical Russian traditions in prose writing"
                        ellauri191.html on line 650:
                        class="image">Luigi Pirandello 1932.jpg
                        ellauri191.html on line 655:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Flag_of_Italy_%281861-1946%29_crowned.svg/35px-Flag_of_Italy_%281861-1946%29_crowned.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Flag_of_Italy_%281861-1946%29_crowned.svg/45px-Flag_of_Italy_%281861-1946%29_crowned.svg.png 2x" data-file-width="1500" data-file-height="1000" /> Italia
                        ellauri191.html on line 675:
                        class="image">Eugene O'Neill 1936.jpg
                        ellauri191.html on line 677:
                        class="mw-redirect" title="Eugene O'Neill">Eugene O´Neill
                        ellauri191.html on line 680:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Flag_of_the_United_States_%281912-1959%29.svg/35px-Flag_of_the_United_States_%281912-1959%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Flag_of_the_United_States_%281912-1959%29.svg/46px-Flag_of_the_United_States_%281912-1959%29.svg.png 2x" data-file-width="1235" data-file-height="650" /> Yhdysvallat
                        ellauri191.html on line 691:
                        class="image">Roger Martin du Gard 1937.jpg
                        ellauri191.html on line 696:
                        class="lippukuva">soopeli Ranska
                        ellauri191.html on line 708:
                        class="image">Pearl Buck (Nobel).jpg
                        ellauri191.html on line 713:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Flag_of_the_United_States_%281912-1959%29.svg/35px-Flag_of_the_United_States_%281912-1959%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Flag_of_the_United_States_%281912-1959%29.svg/46px-Flag_of_the_United_States_%281912-1959%29.svg.png 2x" data-file-width="1235" data-file-height="650" /> Yhdysvallat
                        ellauri191.html on line 724:
                        class="image">Frans Eemil Sillanpää 1939.jpg
                        ellauri191.html on line 729:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/b/bc/Flag_of_Finland.svg/35px-Flag_of_Finland.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/bc/Flag_of_Finland.svg/46px-Flag_of_Finland.svg.png 2x" data-file-width="1800" data-file-height="1100" /> Suomi
                        ellauri191.html on line 776:
                        class="image">Johannes Vilhelm Jensen 1944.jpg
                        ellauri191.html on line 781:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/9/9c/Flag_of_Denmark.svg/31px-Flag_of_Denmark.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/9c/Flag_of_Denmark.svg/40px-Flag_of_Denmark.svg.png 2x" data-file-width="512" data-file-height="387" /> Tanska
                        ellauri191.html on line 793:
                        class="image">Gabriela Mistral 1945.jpg
                        ellauri191.html on line 798:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Flag_of_Chile.svg/35px-Flag_of_Chile.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/78/Flag_of_Chile.svg/45px-Flag_of_Chile.svg.png 2x" data-file-width="900" data-file-height="600" /> Chile
                        ellauri191.html on line 810:
                        class="image">Hermann Hesse 1946.jpg
                        ellauri191.html on line 815:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/f/f3/Flag_of_Switzerland.svg/23px-Flag_of_Switzerland.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f3/Flag_of_Switzerland.svg/30px-Flag_of_Switzerland.svg.png 2x" data-file-width="512" data-file-height="512" /> Sveitsi
                        ellauri191.html on line 819:
                        "for his inspired writings, which while growing in boldness and penetration, exemplify the classical humanitarian ideals and high qualities of style"
                        ellauri191.html on line 826:
                        class="image">André Gide 1947.jpg
                        ellauri191.html on line 831:
                        class="lippukuva">soopeli Ranska
                        ellauri191.html on line 842:
                        class="image">Thomas Stearns Eliot by Lady Ottoline Morrell (1934).jpg
                        ellauri191.html on line 847:
                        class="lippukuva">soopeli class="mw-redirect" title="Iso-Britannia">Britannia
                        ellauri191.html on line 860:
                        class="image">Carl Van Vechten - William Faulkner.jpg
                        ellauri191.html on line 865:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Flag_of_the_United_States_%281912-1959%29.svg/35px-Flag_of_the_United_States_%281912-1959%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Flag_of_the_United_States_%281912-1959%29.svg/46px-Flag_of_the_United_States_%281912-1959%29.svg.png 2x" data-file-width="1235" data-file-height="650" /> Yhdysvallat
                        ellauri191.html on line 876:
                        class="image">Bertrand Russell transparent bg.png
                        ellauri191.html on line 881:
                        class="lippukuva">soopeli class="mw-redirect" title="Iso-Britannia">Britannia
                        ellauri191.html on line 892:
                        class="image">Lagerkvist.jpg
                        ellauri191.html on line 897:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Flag_of_Sweden.svg/35px-Flag_of_Sweden.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Flag_of_Sweden.svg/46px-Flag_of_Sweden.svg.png 2x" data-file-width="512" data-file-height="320" /> Ruotsi
                        ellauri191.html on line 908:
                        class="image">François Mauriac 1952.jpg
                        ellauri191.html on line 913:
                        class="lippukuva">soopeli Ranska
                        ellauri191.html on line 924:
                        class="image">Churchill portrait NYP 45063.jpg
                        ellauri191.html on line 929:
                        class="lippukuva">soopeli class="mw-redirect" title="Iso-Britannia">Britannia
                        ellauri191.html on line 935:
                        history, essay, class="mw-redirect" title="Memoirs">memoirs
                        ellauri191.html on line 940:
                        class="image">Ernest Hemingway 1950 crop.jpg
                        ellauri191.html on line 945:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Flag_of_the_United_States_%281912-1959%29.svg/35px-Flag_of_the_United_States_%281912-1959%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Flag_of_the_United_States_%281912-1959%29.svg/46px-Flag_of_the_United_States_%281912-1959%29.svg.png 2x" data-file-width="1235" data-file-height="650" /> Yhdysvallat
                        ellauri191.html on line 957:
                        class="image">Halldór Kiljan Laxness 1955.jpg
                        ellauri191.html on line 962:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Flag_of_Iceland.svg/32px-Flag_of_Iceland.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Flag_of_Iceland.svg/42px-Flag_of_Iceland.svg.png 2x" data-file-width="1250" data-file-height="900" /> Islanti
                        ellauri191.html on line 973:
                        class="image">JRJimenez.JPG
                        ellauri191.html on line 978:
                        class="image">Flag of Spain (1945 - 1977).svgclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/3/33/Flag_of_Spain_%281945%E2%80%931977%29.svg/30px-Flag_of_Spain_%281945%E2%80%931977%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/33/Flag_of_Spain_%281945%E2%80%931977%29.svg/40px-Flag_of_Spain_%281945%E2%80%931977%29.svg.png 2x" data-file-width="900" data-file-height="600" /> Espanja
                        ellauri191.html on line 989:
                        class="image">Albert Camus, gagnant de prix Nobel, portrait en buste, posé au bureau, faisant face à gauche, cigarette de tabagisme.jpg
                        ellauri191.html on line 994:
                        class="lippukuva">soopeli Ranska
                        ellauri191.html on line 1005:
                        class="image">Boris Pasternak in youth.jpg
                        ellauri191.html on line 1010:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Flag_of_the_Soviet_Union_%28dark_version%29.svg/35px-Flag_of_the_Soviet_Union_%28dark_version%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Flag_of_the_Soviet_Union_%28dark_version%29.svg/46px-Flag_of_the_Soviet_Union_%28dark_version%29.svg.png 2x" data-file-width="1200" data-file-height="600" /> Neuvostoliitto
                        ellauri191.html on line 1021:
                        class="image">Salvatore Quasimodo 1959.jpg
                        ellauri191.html on line 1026:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/0/03/Flag_of_Italy.svg/35px-Flag_of_Italy.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/03/Flag_of_Italy.svg/45px-Flag_of_Italy.svg.png 2x" data-file-width="1500" data-file-height="1000" /> Italia
                        ellauri191.html on line 1030:
                        "for his lyrical poetry, which with classical fire expresses the tragic experience of life in our own times"
                        ellauri191.html on line 1037:
                        class="image">Saint-John Perse 1960.jpg
                        ellauri191.html on line 1042:
                        class="lippukuva">soopeli Ranska
                        ellauri191.html on line 1053:
                        class="image">S. Kragujevic, Ivo Andric, 1961.jpg
                        ellauri191.html on line 1055:
                        class="mw-redirect" title="Ivo Andric">Ivo Andrić
                        ellauri191.html on line 1058:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/6/61/Flag_of_Yugoslavia_%281946-1992%29.svg/35px-Flag_of_Yugoslavia_%281946-1992%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/61/Flag_of_Yugoslavia_%281946-1992%29.svg/46px-Flag_of_Yugoslavia_%281946-1992%29.svg.png 2x" data-file-width="1000" data-file-height="500" /> Jugoslavia
                        ellauri191.html on line 1060:
                        class="mw-redirect" title="Serbokroatia">serbokroatia
                        ellauri191.html on line 1070:
                        class="image">JohnSteinbeck crop.JPG
                        ellauri191.html on line 1075:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Flag_of_the_United_States_%281912-1959%29.svg/35px-Flag_of_the_United_States_%281912-1959%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Flag_of_the_United_States_%281912-1959%29.svg/46px-Flag_of_the_United_States_%281912-1959%29.svg.png 2x" data-file-width="1235" data-file-height="650" /> Yhdysvallat
                        ellauri191.html on line 1086:
                        class="image">Giorgos Seferis 1963.jpg
                        ellauri191.html on line 1088:
                        class="mw-redirect" title="Giorgos Seferis">Giorgos Seferis
                        ellauri191.html on line 1091:
                        class="flagicon">Kreikan kuningaskuntaclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/6/6e/Flag_of_Greece_%281822-1978%29.svg/35px-Flag_of_Greece_%281822-1978%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/6/6e/Flag_of_Greece_%281822-1978%29.svg/45px-Flag_of_Greece_%281822-1978%29.svg.png 2x" data-file-width="1200" data-file-height="800" /> Kreikka
                        ellauri191.html on line 1102:
                        class="image">Sartre closeup.jpg
                        ellauri191.html on line 1107:
                        class="lippukuva">soopeli Ranska
                        ellauri191.html on line 1118:
                        class="image">Mikhail Sholokhov 1960.jpg
                        ellauri191.html on line 1123:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Flag_of_the_Soviet_Union_%28dark_version%29.svg/35px-Flag_of_the_Soviet_Union_%28dark_version%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Flag_of_the_Soviet_Union_%28dark_version%29.svg/46px-Flag_of_the_Soviet_Union_%28dark_version%29.svg.png 2x" data-file-width="1200" data-file-height="600" /> Neuvostoliitto
                        ellauri191.html on line 1137:
                        class="image">פורטרט ש"י עגנון (cropped).jpg
                        ellauri191.html on line 1142:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/d/d4/Flag_of_Israel.svg/32px-Flag_of_Israel.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d4/Flag_of_Israel.svg/41px-Flag_of_Israel.svg.png 2x" data-file-width="1100" data-file-height="800" /> Israel
                        ellauri191.html on line 1152:
                        class="image">Nelly Sachs 1966.jpg
                        ellauri191.html on line 1157:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Flag_of_Sweden.svg/35px-Flag_of_Sweden.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Flag_of_Sweden.svg/46px-Flag_of_Sweden.svg.png 2x" data-file-width="512" data-file-height="320" /> Ruotsi
                        ellauri191.html on line 1171:
                        class="image">MiguelAngelAsturias.JPG
                        ellauri191.html on line 1176:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Flag_of_Guatemala.svg/35px-Flag_of_Guatemala.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/ec/Flag_of_Guatemala.svg/46px-Flag_of_Guatemala.svg.png 2x" data-file-width="960" data-file-height="600" /> Guatemala
                        ellauri191.html on line 1188:
                        class="image">Yasunari Kawabata 1938.jpg
                        ellauri191.html on line 1193:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/9/9e/Flag_of_Japan.svg/35px-Flag_of_Japan.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/9e/Flag_of_Japan.svg/45px-Flag_of_Japan.svg.png 2x" data-file-width="900" data-file-height="600" /> Japani
                        ellauri191.html on line 1205:
                        class="image">Samuel Beckett, Pic, 1.jpg
                        ellauri191.html on line 1210:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/4/45/Flag_of_Ireland.svg/35px-Flag_of_Ireland.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/45/Flag_of_Ireland.svg/46px-Flag_of_Ireland.svg.png 2x" data-file-width="1200" data-file-height="600" /> Irlanti
                        ellauri191.html on line 1222:
                        class="image">Aleksandr Solzhenitsyn 1974crop.jpg
                        ellauri191.html on line 1227:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Flag_of_the_Soviet_Union_%28dark_version%29.svg/35px-Flag_of_the_Soviet_Union_%28dark_version%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Flag_of_the_Soviet_Union_%28dark_version%29.svg/46px-Flag_of_the_Soviet_Union_%28dark_version%29.svg.png 2x" data-file-width="1200" data-file-height="600" /> Neuvostoliitto
                        ellauri191.html on line 1241:
                        class="image">Pablo Neruda.jpg
                        ellauri191.html on line 1246:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/7/78/Flag_of_Chile.svg/35px-Flag_of_Chile.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/78/Flag_of_Chile.svg/45px-Flag_of_Chile.svg.png 2x" data-file-width="900" data-file-height="600" /> Chile
                        ellauri191.html on line 1259:
                        class="image">Bundesarchiv B 145 Bild-F062164-0004, Bonn, Heinrich Böll.jpg
                        ellauri191.html on line 1264:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Flag_of_Germany.svg/35px-Flag_of_Germany.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Flag_of_Germany.svg/46px-Flag_of_Germany.svg.png 2x" data-file-width="1000" data-file-height="600" /> Saksan liittotasavalta
                        ellauri191.html on line 1277:
                        class="image">Patrick White 1973.jpg
                        ellauri191.html on line 1282:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/b/b9/Flag_of_Australia.svg/35px-Flag_of_Australia.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b9/Flag_of_Australia.svg/46px-Flag_of_Australia.svg.png 2x" data-file-width="1280" data-file-height="640" /> Australia
                        ellauri191.html on line 1294:
                        class="image">Eyvind.JPG
                        ellauri191.html on line 1299:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Flag_of_Sweden.svg/35px-Flag_of_Sweden.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Flag_of_Sweden.svg/46px-Flag_of_Sweden.svg.png 2x" data-file-width="512" data-file-height="320" /> Ruotsi
                        ellauri191.html on line 1309:
                        class="image">20120807084529!Martinson, Harry i VJ 1943.jpg
                        ellauri191.html on line 1314:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Flag_of_Sweden.svg/35px-Flag_of_Sweden.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Flag_of_Sweden.svg/46px-Flag_of_Sweden.svg.png 2x" data-file-width="512" data-file-height="320" /> Ruotsi
                        ellauri191.html on line 1325:
                        class="image">Eugenio Montale.jpg
                        ellauri191.html on line 1330:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/0/03/Flag_of_Italy.svg/35px-Flag_of_Italy.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/03/Flag_of_Italy.svg/45px-Flag_of_Italy.svg.png 2x" data-file-width="1500" data-file-height="1000" /> Italia
                        ellauri191.html on line 1342:
                        class="image">Saul Bellow (Herzog portrait).jpg
                        ellauri191.html on line 1347:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Flag_of_the_United_States.svg/35px-Flag_of_the_United_States.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Flag_of_the_United_States.svg/46px-Flag_of_the_United_States.svg.png 2x" data-file-width="1235" data-file-height="650" /> Yhdysvallat
                        ellauri191.html on line 1358:
                        class="image">Vicentealeixandre.jpg
                        ellauri191.html on line 1363:
                        class="image">Flag of Spain (1945 - 1977).svgclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/3/33/Flag_of_Spain_%281945%E2%80%931977%29.svg/30px-Flag_of_Spain_%281945%E2%80%931977%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/33/Flag_of_Spain_%281945%E2%80%931977%29.svg/40px-Flag_of_Spain_%281945%E2%80%931977%29.svg.png 2x" data-file-width="900" data-file-height="600" /> Espanja
                        ellauri191.html on line 1375:
                        class="image">Dan Hadani collection (990044399930205171).jpg
                        ellauri191.html on line 1380:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Flag_of_the_United_States.svg/35px-Flag_of_the_United_States.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Flag_of_the_United_States.svg/46px-Flag_of_the_United_States.svg.png 2x" data-file-width="1235" data-file-height="650" /> Yhdysvallat
                        ellauri191.html on line 1393:
                        class="image">Elytis, Odysseas (1911-1996).jpg
                        ellauri191.html on line 1395:
                        class="mw-redirect" title="Odysseas Elytis">Odysseas Elytis
                        ellauri191.html on line 1398:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Flag_of_Greece.svg/35px-Flag_of_Greece.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Flag_of_Greece.svg/45px-Flag_of_Greece.svg.png 2x" data-file-width="600" data-file-height="400" /> Kreikka
                        ellauri191.html on line 1410:
                        class="image">Czeslaw Milosz 3 ap.tif
                        ellauri191.html on line 1415:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/1/12/Flag_of_Poland.svg/35px-Flag_of_Poland.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/12/Flag_of_Poland.svg/46px-Flag_of_Poland.svg.png 2x" data-file-width="640" data-file-height="400" /> Puola/class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Flag_of_the_United_States.svg/35px-Flag_of_the_United_States.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Flag_of_the_United_States.svg/46px-Flag_of_the_United_States.svg.png 2x" data-file-width="1235" data-file-height="650" /> Yhdysvallat
                        ellauri191.html on line 1427:
                        class="image">Elias Canetti 2.jpg
                        ellauri191.html on line 1432:
                        class="lippukuva">soopeli class="mw-redirect" title="Iso-Britannia">Britannia
                        ellauri191.html on line 1444:
                        class="image">Gabriel Garcia Marquez.jpg
                        ellauri191.html on line 1449:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/2/21/Flag_of_Colombia.svg/35px-Flag_of_Colombia.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/21/Flag_of_Colombia.svg/45px-Flag_of_Colombia.svg.png 2x" data-file-width="900" data-file-height="600" /> Kolumbia
                        ellauri191.html on line 1461:
                        class="image">William Golding 1983.jpg
                        ellauri191.html on line 1466:
                        class="lippukuva">soopeli class="mw-redirect" title="Iso-Britannia">Britannia
                        ellauri191.html on line 1477:
                        class="image">Jaroslav Seifert 1981 foto Hana Hamplová.jpg
                        ellauri191.html on line 1482:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Flag_of_the_Czech_Republic.svg/35px-Flag_of_the_Czech_Republic.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Flag_of_the_Czech_Republic.svg/45px-Flag_of_the_Czech_Republic.svg.png 2x" data-file-width="900" data-file-height="600" /> Tšekkoslovakia
                        ellauri191.html on line 1494:
                        class="image">Claude Simon 1967.jpg
                        ellauri191.html on line 1499:
                        class="lippukuva">soopeli Ranska
                        ellauri191.html on line 1510:
                        class="image">Soyinka, Wole (1934).jpg
                        ellauri191.html on line 1515:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/7/79/Flag_of_Nigeria.svg/35px-Flag_of_Nigeria.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/79/Flag_of_Nigeria.svg/46px-Flag_of_Nigeria.svg.png 2x" data-file-width="1200" data-file-height="600" /> Nigeria
                        ellauri191.html on line 1527:
                        class="image">Joseph Brodsky 1988.jpg
                        ellauri191.html on line 1532:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Flag_of_the_United_States.svg/35px-Flag_of_the_United_States.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Flag_of_the_United_States.svg/46px-Flag_of_the_United_States.svg.png 2x" data-file-width="1235" data-file-height="650" /> Yhdysvallat
                        ellauri191.html on line 1544:
                        class="image">Necip Mahfuz.jpg
                        ellauri191.html on line 1549:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/f/fe/Flag_of_Egypt.svg/35px-Flag_of_Egypt.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fe/Flag_of_Egypt.svg/45px-Flag_of_Egypt.svg.png 2x" data-file-width="900" data-file-height="600" /> Egypti
                        ellauri191.html on line 1561:
                        class="image">Camilo José Cela 2.jpg
                        ellauri191.html on line 1566:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/9/9a/Flag_of_Spain.svg/35px-Flag_of_Spain.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/9a/Flag_of_Spain.svg/45px-Flag_of_Spain.svg.png 2x" data-file-width="750" data-file-height="500" /> Espanja
                        ellauri191.html on line 1576:
                        class="image">Octavio Paz - 1988 Malmö.jpg
                        ellauri191.html on line 1581:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/f/fc/Flag_of_Mexico.svg/35px-Flag_of_Mexico.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fc/Flag_of_Mexico.svg/46px-Flag_of_Mexico.svg.png 2x" data-file-width="980" data-file-height="560" /> Meksiko
                        ellauri191.html on line 1593:
                        class="image">Nadine Gordimer 01.JPG
                        ellauri191.html on line 1598:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/7/77/Flag_of_South_Africa_%281928%E2%80%931994%29.svg/35px-Flag_of_South_Africa_%281928%E2%80%931994%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/77/Flag_of_South_Africa_%281928%E2%80%931994%29.svg/45px-Flag_of_South_Africa_%281928%E2%80%931994%29.svg.png 2x" data-file-width="900" data-file-height="600" /> Etelä-Afrikka
                        ellauri191.html on line 1609:
                        class="image">Derek Walcott.jpg
                        ellauri191.html on line 1614:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/9/9f/Flag_of_Saint_Lucia.svg/35px-Flag_of_Saint_Lucia.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/9f/Flag_of_Saint_Lucia.svg/46px-Flag_of_Saint_Lucia.svg.png 2x" data-file-width="1200" data-file-height="600" /> Saint Lucia
                        ellauri191.html on line 1626:
                        class="image">Toni Morrison 2008-2.jpg
                        ellauri191.html on line 1631:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Flag_of_the_United_States.svg/35px-Flag_of_the_United_States.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Flag_of_the_United_States.svg/46px-Flag_of_the_United_States.svg.png 2x" data-file-width="1235" data-file-height="650" /> Yhdysvallat
                        ellauri191.html on line 1642:
                        class="image">Paris - Salon du livre 2012 - Kenzaburō Ōe - 003.jpg
                        ellauri191.html on line 1647:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/9/9e/Flag_of_Japan.svg/35px-Flag_of_Japan.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/9e/Flag_of_Japan.svg/45px-Flag_of_Japan.svg.png 2x" data-file-width="900" data-file-height="600" /> Japani
                        ellauri191.html on line 1658:
                        class="image">Seamus Heaney Photograph Edit.jpg
                        ellauri191.html on line 1663:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/4/45/Flag_of_Ireland.svg/35px-Flag_of_Ireland.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/45/Flag_of_Ireland.svg/46px-Flag_of_Ireland.svg.png 2x" data-file-width="1200" data-file-height="600" /> Irlanti
                        ellauri191.html on line 1675:
                        class="image">Wisława Szymborska 2009.10.23 (1).jpg
                        ellauri191.html on line 1680:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/1/12/Flag_of_Poland.svg/35px-Flag_of_Poland.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/12/Flag_of_Poland.svg/46px-Flag_of_Poland.svg.png 2x" data-file-width="640" data-file-height="400" /> Puola
                        ellauri191.html on line 1691:
                        class="image">Dario Fo-Cesena.jpg
                        ellauri191.html on line 1696:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/0/03/Flag_of_Italy.svg/35px-Flag_of_Italy.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/03/Flag_of_Italy.svg/45px-Flag_of_Italy.svg.png 2x" data-file-width="1500" data-file-height="1000" /> Italia
                        ellauri191.html on line 1707:
                        class="image">Saramago, José (1922)-2.jpg
                        ellauri191.html on line 1712:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Flag_of_Portugal.svg/35px-Flag_of_Portugal.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Flag_of_Portugal.svg/45px-Flag_of_Portugal.svg.png 2x" data-file-width="600" data-file-height="400" /> Portugali
                        ellauri191.html on line 1723:
                        class="image">Günter Grass auf dem Blauen Sofa.jpg
                        ellauri191.html on line 1728:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Flag_of_Germany.svg/35px-Flag_of_Germany.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Flag_of_Germany.svg/46px-Flag_of_Germany.svg.png 2x" data-file-width="1000" data-file-height="600" /> Saksa
                        ellauri191.html on line 1739:
                        class="image">Gao Xingjian.jpg
                        ellauri191.html on line 1744:
                        class="lippukuva">soopeli Ranska
                        ellauri191.html on line 1756:
                        class="image">VS Naipaul 2016 Dhaka (cropped).jpg
                        ellauri191.html on line 1761:
                        class="lippukuva">soopeli class="mw-redirect" title="Iso-Britannia">Britannia
                        ellauri191.html on line 1773:
                        class="image">Kertész Imre (Frankl Aliona).jpg
                        ellauri191.html on line 1778:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Flag_of_Hungary.svg/35px-Flag_of_Hungary.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Flag_of_Hungary.svg/46px-Flag_of_Hungary.svg.png 2x" data-file-width="1200" data-file-height="600" /> Unkari
                        ellauri191.html on line 1790:
                        class="image">J.M. Coetzee.JPG
                        ellauri191.html on line 1795:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/a/af/Flag_of_South_Africa.svg/35px-Flag_of_South_Africa.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/af/Flag_of_South_Africa.svg/45px-Flag_of_South_Africa.svg.png 2x" data-file-width="400" data-file-height="267" /> Etelä-Afrikka
                        ellauri191.html on line 1806:
                        class="image">Elfriede jelinek 2004 small.jpg
                        ellauri191.html on line 1811:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/4/41/Flag_of_Austria.svg/35px-Flag_of_Austria.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/41/Flag_of_Austria.svg/45px-Flag_of_Austria.svg.png 2x" data-file-width="900" data-file-height="600" /> Itävalta
                        ellauri191.html on line 1823:
                        class="image">Pinterfoto cropped.jpg
                        ellauri191.html on line 1828:
                        class="lippukuva">soopeli class="mw-redirect" title="Iso-Britannia">Britannia
                        ellauri191.html on line 1839:
                        class="image">Orhan Pamuk 2009 Shankbone.jpg
                        ellauri191.html on line 1844:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Flag_of_Turkey.svg/35px-Flag_of_Turkey.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b4/Flag_of_Turkey.svg/45px-Flag_of_Turkey.svg.png 2x" data-file-width="1200" data-file-height="800" /> Turkki
                        ellauri191.html on line 1855:
                        class="image">Doris lessing 20060312 (square).jpg
                        ellauri191.html on line 1860:
                        class="lippukuva">soopeli class="mw-redirect" title="Iso-Britannia">Britannia
                        ellauri191.html on line 1871:
                        class="image">Jean-Marie Gustave Le Clézio-press conference Dec 06th, 2008-2.jpg
                        ellauri191.html on line 1876:
                        class="lippukuva">soopeli Ranska/class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/7/77/Flag_of_Mauritius.svg/35px-Flag_of_Mauritius.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/7/77/Flag_of_Mauritius.svg/45px-Flag_of_Mauritius.svg.png 2x" data-file-width="900" data-file-height="600" /> Mauritius
                        ellauri191.html on line 1887:
                        class="image">Müller, Herta.IMG 9379 cropped.JPG
                        ellauri191.html on line 1892:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Flag_of_Germany.svg/35px-Flag_of_Germany.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Flag_of_Germany.svg/46px-Flag_of_Germany.svg.png 2x" data-file-width="1000" data-file-height="600" /> Saksa
                        ellauri191.html on line 1903:
                        class="image">Vargas Losa Göteborg Book Fair 2011b.jpg
                        ellauri191.html on line 1908:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/c/cf/Flag_of_Peru.svg/35px-Flag_of_Peru.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cf/Flag_of_Peru.svg/45px-Flag_of_Peru.svg.png 2x" data-file-width="900" data-file-height="600" /> Peru/class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/9/9a/Flag_of_Spain.svg/35px-Flag_of_Spain.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/9a/Flag_of_Spain.svg/45px-Flag_of_Spain.svg.png 2x" data-file-width="750" data-file-height="500" /> Espanja
                        ellauri191.html on line 1919:
                        class="image">Transtroemer.jpg
                        ellauri191.html on line 1924:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Flag_of_Sweden.svg/35px-Flag_of_Sweden.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Flag_of_Sweden.svg/46px-Flag_of_Sweden.svg.png 2x" data-file-width="512" data-file-height="320" /> Ruotsi
                        ellauri191.html on line 1936:
                        class="image">MoYan Hamburg 2008.jpg
                        ellauri191.html on line 1941:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Flag_of_the_People%27s_Republic_of_China.svg/35px-Flag_of_the_People%27s_Republic_of_China.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Flag_of_the_People%27s_Republic_of_China.svg/45px-Flag_of_the_People%27s_Republic_of_China.svg.png 2x" data-file-width="900" data-file-height="600" /> Kiina
                        ellauri191.html on line 1954:
                        class="image">Alice Munro.jpg
                        ellauri191.html on line 1959:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/c/cf/Flag_of_Canada.svg/35px-Flag_of_Canada.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cf/Flag_of_Canada.svg/46px-Flag_of_Canada.svg.png 2x" data-file-width="1200" data-file-height="600" /> Kanada
                        ellauri191.html on line 1972:
                        class="image">Patrick Modiano 6 dec 2014 - 22.jpg
                        ellauri191.html on line 1977:
                        class="lippukuva">soopeli Ranska
                        ellauri191.html on line 1988:
                        class="image">Swetlana Alexandrowna Alexijewitsch.jpg
                        ellauri191.html on line 1993:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/8/85/Flag_of_Belarus.svg/35px-Flag_of_Belarus.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/85/Flag_of_Belarus.svg/46px-Flag_of_Belarus.svg.png 2x" data-file-width="900" data-file-height="450" /> Valko-Venäjä
                        ellauri191.html on line 2005:
                        class="image">Bob Dylan - Azkena Rock Festival 2010 1.jpg
                        ellauri191.html on line 2010:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Flag_of_the_United_States.svg/35px-Flag_of_the_United_States.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Flag_of_the_United_States.svg/46px-Flag_of_the_United_States.svg.png 2x" data-file-width="1235" data-file-height="650" /> Yhdysvallat
                        ellauri191.html on line 2021:
                        class="image">Kazuo Ishiguro by Kubik.JPG
                        ellauri191.html on line 2026:
                        class="lippukuva">soopeli class="mw-redirect" title="Iso-Britannia">Britannia
                        ellauri191.html on line 2037:
                        class="image">Olga Tokarczuk (2018).jpg
                        ellauri191.html on line 2042:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/1/12/Flag_of_Poland.svg/35px-Flag_of_Poland.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/12/Flag_of_Poland.svg/46px-Flag_of_Poland.svg.png 2x" data-file-width="640" data-file-height="400" /> Puola
                        ellauri191.html on line 2053:
                        class="image">Peter-handke.jpg
                        ellauri191.html on line 2058:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/4/41/Flag_of_Austria.svg/35px-Flag_of_Austria.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/41/Flag_of_Austria.svg/45px-Flag_of_Austria.svg.png 2x" data-file-width="900" data-file-height="600" /> Itävalta
                        ellauri191.html on line 2071:
                        class="image">Louise Glück circa 1977.jpg
                        ellauri191.html on line 2076:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Flag_of_the_United_States.svg/35px-Flag_of_the_United_States.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/a/a4/Flag_of_the_United_States.svg/46px-Flag_of_the_United_States.svg.png 2x" data-file-width="1235" data-file-height="650" /> Yhdysvallat
                        ellauri191.html on line 2087:
                        class="image">AbulrazakGurnahHebronPanel.jpg
                        ellauri191.html on line 2092:
                        class="lippukuva">soopeliclass="thumbborder" srcset="https://upload.wikimedia.org/wikipedia/commons/thumb/3/38/Flag_of_Tanzania.svg/35px-Flag_of_Tanzania.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/38/Flag_of_Tanzania.svg/45px-Flag_of_Tanzania.svg.png 2x" data-file-width="900" data-file-height="600" /> Tansania
                        ellauri191.html on line 2111:
                        class="lippukuva">soopeli Ranska
                        ellauri191.html on line 2129:
                        class="lippukuva">soopeliclass="thumbborder" data-file-width="512" data-file-height="372" /> Norja
                        ellauri192.html on line 26: class="v22 numberCircle">192
                        ellauri192.html on line 33:

                        class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Ruhtinas Trubetzkoy


                        ellauri192.html on line 34:

                        class="toc" style="font-family:serif;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Sekasorron aika

                        Sekasortoa


                        ellauri192.html on line 859: The Twelve Chairs (Russian: Двенадцать стульев, tr. Dvenadtsat stulyev) is a classic satirical novel by the Odessan Soviet authors Ilf and Petrov, published in 1928. Its plot follows characters attempting to obtain jewry hidden in a chair. A sequel was published in 1931. The novel has been adapted to other media, primarily film. Kirjoittajat oli "ihan nulikoita": Ilf 30, Katajev 26. Katajev kaatui suuressa isänmaallisessa sodassa 30-vuotiaana. Joten sepä venyi!
                        ellauri194.html on line 26: class="v22 numberCircle">194
                        ellauri194.html on line 33:

                        class="toc" style="font-family:serif;font-size:3em;color:white;background:#bd0a0d;text-align:center;margin-top:0%;margin-bottom:0%">Nätti-Jussi


                        ellauri194.html on line 34:

                        class="toc" style="font-family:serif;font-size:6em;color:white;background:#bd0a0d;text-align:center;margin-top:0%;margin-bottom:0%">Apocalypse Now

                        Lopunaikoja


                        ellauri194.html on line 308: "Talking about class is out of fashion,” she says. “It’s easier to co-opt radical discourses around racial and gender oppression than it is around class oppression."
                        ellauri194.html on line 524: Kannauj (Hindustani pronunciation: [kənːɔːd͡ʒ]) is a city, administrative headquarters and a municipal board or Nagar Palikka Parishad in Kannauj district in the Indian state of Uttar Pradesh. The city's name is a modern form of the classical name Kanyakubja. It was also known as Mahodaya during the time of Mihira Bhoja. Its nickname is "the perfume capital of India".
                        ellauri194.html on line 1019: Kevin is well-known for his energetic and engaging style and ensures that class participants combine deep learning with laughter, thereby fostering an environment of trust and respect for each other.
                        ellauri194.html on line 1048: Privately-held since 1983, A&M is a leading global professional services firm that delivers business performance improvement, turnaround management and advisory services to organizations seeking to transform operations, catapult growth and accelerate results through decisive action. Our senior professionals are experienced smooth operators, world-class consultants and industry veterans who leverage the firm's restructuring heritage to help leaders turn change into a strategic business asset, manage risk and unlock value at every stage.
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                        class="toc" style="font-family:serif;font-size:3em;color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">Sr. Brueghel


                        ellauri196.html on line 34:

                        class="toc" style="font-family:serif;font-size:6em;color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">Molskis sanoi Ikaros

                        Molskintaa


                        ellauri196.html on line 624: Its fundamentally conservative "pure and simple" approach limited the AFL to matters pertaining to working conditions and rates of pay, relegating political goals to its allies in the political sphere. The Federation favored pursuit of workers' immediate demands rather than challenging the property rights of owners, and took a pragmatic view of politics which favored tactical support for particular politicians over formation of a party devoted to workers' interests. The AFL's leadership believed the expansion of the capitalist system was seen as the path to betterment of labor, an orientation making it possible for the AFL to present itself as what one historian has called "the conservative alternative to working class radicalism."
                        ellauri196.html on line 687: Adler used to recount that when teaching Brando, she had instructed the class to act like chickens, and added that a nuclear bomb was about to fall on them. Most of the class clucked and ran around wildly, but Brando sat calmly and pretended to lay an egg. Asked by Adler why he had chosen to react this way, he said, "I'm a chicken—what do I know about bombs?"
                        ellauri196.html on line 744: classifiche/5-indimenticabili-poesie-d-amore-di-Eugenio-Montale/imageOriginal/eugenio-montale.jpg" width="30%" />
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                        ellauri197.html on line 33:

                        class="toc" style="font-family:serif;font-size:3em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Butler Yeast


                        ellauri197.html on line 34:

                        class="toc" style="font-family:serif;font-size:6em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Lapis Lazuli

                        Kylmiä paloja


                        ellauri197.html on line 494: hypogamy refers to the inverse: marrying a person of lower social class or status (colloquially "marrying down"). Both terms were coined in the Indian subcontinent in the 19th century while translating classical Hindu law books, which used the Sanskrit terms anuloma and pratiloma, respectively, for the two concepts.
                        ellauri197.html on line 615: Kaikkein onnettomin on kuitenkin Vernen maailman ympäri 80 päivässä remake, se on niin klisheinen että Gentlyn homo upperclass twit James voisi kävellä pahki siihen ja lyödä päänsä niin että klisheesirut lentelevät. Seikkailu on sivuosassa, pääasia on pohtia sieluttomien pahvipäähenkilöiden skizoja. Jokainen jo tuttu tuhannesta aivan identtisestä roskasarjasta
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                        class="toc" style="font-family:serif;font-size:3em;color:black;background:gray;text-align:center;margin-top:0%;margin-bottom:0%">J. H. Carlson


                        ellauri198.html on line 34:

                        class="toc" style="font-family:serif;font-size:6em;color:black;background:gray;text-align:center;margin-top:0%;margin-bottom:0%">Carlson Credo

                        Vaihtoehtoisia tunnustuxia


                        ellauri198.html on line 131: Writing in the New Republic Steel, George Mayberry wrote that the novel was "in the tradition of many classics", comparing the novel favorably with Moby-Dick, The Sun Also Rises, and The Great Gatsby.
                        ellauri198.html on line 179: In an idyllic moment that restages their initial meeting in 1980, Hays sticks his head into Amelia’s classroom to hear her read a bit of Delmore Schwartz’s poem “Calmly We Walk through This April’s Day.”
                        ellauri198.html on line 245: In 1934, strikers in Toledo, San Francisco and Minneapolis had all stood up to the police and National Guard from the start, done battle in the streets, and come out victorious. In 1936 and 1937, strikers at General Motor’s Flint, Michigan factories did the same, taking over plants and beating back police attacks. When workers were united and prepared to fight against the forces of their class enemies, they won!
                        ellauri198.html on line 300: Initial interest arose via the publicity campaign for Pazder's 1980 book Michelle Remembers, and it was sustained and popularized throughout the decade by coverage of the McMartin preschool trial. Testimonials, symptom lists, rumors, and techniques to investigate or uncover memories of SRA were disseminated through professional, popular, and religious conferences, as well as through talk shows, sustaining and further spreading the moral panic throughout the United States and beyond. In some cases, allegations resulted in criminal trials with varying results; after seven years in court, the McMartin trial resulted in no convictions for any of the accused, while other cases resulted in lengthy sentences, some of which were later reversed. Scholarly interest in the topic slowly built, eventually resulting in the conclusion that the phenomenon was a moral panic, which, as one researcher put it in 2017, "involved hundreds of accusations that devil-worshipping paedophiles were operating America's white middle-class suburban daycare centers."
                        ellauri198.html on line 631:

                        Eli mun tulkinta on suoraviivainen: Ruskea saapasvaha muistelee tässä lukemattomia Italian junareissuja muiden brittisuklaaosaston ritareiden kaa. Sitä varten ne takuulla matkusteli saapasmaahan, kuten teki myös Tomppa Manni sittemmin. Sinne meni myös Goethe nuolemaan tikkunekkuaan. Monet lentää nykyään Phukettiin. Harri Jäppisen romanttinen matkakohde oli Indoneesia. Ezillä tavalla. Näitä smuttuisia piilokuvia on brittirunoilijoilla tukuittain, esim. Coleridgen Kupla kurkussa. "I've got a first class ticket" ne huutavat kuin Mr. Fogg. Tulkinnasta selviää myös mixi quest on valmis ja runo lopussa kun Roland pääsee mustaan tunneliin toitottamaan sarvella.
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                        class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">N.V. Gogol


                        ellauri203.html on line 34:

                        class="toc" style="font-family:serif;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">IL GRANDE SCRITTORE RUSSO

                        Vaihtoehtoisia bioja


                        ellauri203.html on line 148: Dostoyevsky despised Turgenev and Bunin couldn´t stand Nabokov. Ideology, ambition and personal conflicts - Russian classical authors had enough reasons to be rude about one another.
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                        class="toc" style="font-family:serif;font-size:3em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Gebrüder Grimm


                        ellauri204.html on line 34:

                        class="toc" style="font-family:serif;font-size:6em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Der eiserne Hans

                        Mytopoetiikkaa


                        ellauri204.html on line 384: It is also important to note the publishing in the same year of Hiki Pinkola Estés’ mythopoetic classic, Women that Run with the Wolves, in which she tells us of the ‘wild woman’, the wise and ageless presence in the feminine psyche that gives women their creativity, energy and power. Clarissa Pinkola Estés on yhdysvaltalainen kirjailija ja jungilainen psykoanalyytikko. Hänen kirjoittamansa kirja Naiset, jotka kulkevat susien kanssa oli 144 viikkoa New York Timesin myydyimpien kirjojen listalla, mikä teki hänestä ensimmäisen listalle päässeen märkäselän naiskirjailijan.
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                        class="toc" style="font-family:Muli;font-size:3em;color:white;background:#486573;text-align:center;margin-top:0%;margin-bottom:0%">Valtameediot


                        ellauri205.html on line 34:

                        class="toc" style="font-family:Muli;font-size:4em;color:#d7c7ae;background:#623113;text-align:center;margin-top:0%;margin-bottom:0%">PUTIN JA EUROOPPA

                        Eurodollareita


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                        class="toc" style="font-family:AdineKirnberg;font-size:3em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Naguib Mahfouz


                        ellauri206.html on line 34:

                        class="toc" style="font-family:AdineKirnberg;font-size:6em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Riannan hemmottelupäivä

                        Paapomista


                        ellauri206.html on line 71: In 2017, Vietnamese-American writer Viet Thanh Nguyen (n.h.) questioned the validity of continuing to teach "show, don't tell" in creative writing classes in a New York Times op-ed on the subject. His position was that such teaching is biased against immigrant writers, who may describe emotions in ways readers from outside their culture might not understand, rendering "tell" necessary. Like the squeaky smiley that shows just raised eyebrows and no smiling mouth. Because a smile does not count for anything out there. Everybody smiles all the time.
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                        class="toc" style="font-family:sans-serif;font-size:3em;color:red;background:yellow;text-align:left;margin-top:0%;margin-bottom:0%">VILHO SORVARI


                        ellauri207.html on line 33:

                        class="toc" style="font-family:sans-serif;font-size:6em;color:black;background:yellow;text-align:right;margin-top:0%;margin-bottom:0%">KONGON OSKARI

                        Konnankoukkuja


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                        class="toc" style="font-family:Muli;font-size:3em;color:black;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">Andre Breton


                        ellauri210.html on line 34:

                        class="toc" style="font-family:Muli;font-size:4em;color:red;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">Loppupään dadaisteja

                        Dadaa


                        ellauri210.html on line 835: The selections from Cravan, Vache, and Torma reveal a broadly defined set of interests — the new excitement of the metropolis (particularly New York), the frustrations of avant-garde badinage, the bitterness of literary rivalry, the torpor induced by middle-class life.
                        ellauri210.html on line 992: À l'été 1932, la troupe est invitée à Moscou d'où Jacques Prévert ne revient pas militant communiste. Toute sa vie, Jacques Prévert témoigne d'un engagement politique sincère. Surréaliste inclassable, certains observateurs n'hésitent pourtant pas à l'apparenter au courant libertaire : anarchiste de cœur, Prévert se dit « rêveur » ou « artisan » plutôt que « poète ».
                        ellauri210.html on line 1122: Carrington was adopted as a femme-enfant by the Surrealists because of her rebelliousness against her upper-class upbringing. Carrington was interested in presenting female sexuality as she experienced it, rather than as that of male surrealists' characterization of female sexuality. Some of her works are still hanging at James' former family home, currently West Dean College in West Dean, West Sussex.
                        ellauri210.html on line 1150: Au cours de la guerre et jusqu'à la fin des années 1950, elle cesse de publier. Elle travaille dans des crèches, et co-traduit avec son mari Pierre Fridas plusieurs livres de Níkos Kazantzákis comme Alexis Zorba ou La Liberté ou la mort. Elle se remet ensuite à écrire, des poèmes et des romans, en opposition avec l'orthodoxie surréaliste. Ces textes sont toutefois inclassables. Brelin le frou, ou le portrait de famille (1975) décrit des personnages vivant selon des règles fantaisistes. Sur les dessins de l'auteur, ils ont la particularité de porter une coiffe à l'image de leur sexe. Les nouvelles de Mon cœur les écoute (1982) font montre d'un humour poétique proche de celui d'Henri Michaux ou de Joyce Mansour. Elle est également connue pour ses dessins et ses « tentures », des œuvres plastiques réalisées à l'aide de morceaux de tissu de couleur découpés.
                        ellauri210.html on line 1256: "The most striking result of our present system of farming out the national land and capital to private individuals has been the division of society into hostile classes, with large appetites and no dinners at one extreme, and large dinners and no appetites at the other".
                        ellauri210.html on line 1272: Shaw was born at 3 Upper Synge Street in Portobello, a lower-middle-class part of Dublin. The Shaw family was of English descent and belonged to the dominant Protestant Ascendancy in Ireland. George Carr Shaw, Bernir's dad, an ineffectual alcoholic, was among the family's less successful members. By the time of Shaw's birth, his mother had become close to George John Lee, a flamboyant figure well known in Dublin's musical circles. Shaw retained a lifelong obsession that Lee might have been his biological father. Shaw made a negligible income from writing, and was subsidised by Lee plus his mother. In 1881, for the sake of economy, and as a matter of principle, he became a vegetarian. He grew a beard to hide a facial scar left by smallpox.
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                        class="toc" style="font-family:serif;font-size:8em;color:yellow;background:crimson;text-align:center;margin-top:0%;margin-bottom:0%">Kalutut Palat


                        ellauri211.html on line 34:

                        class="toc" style="font-family:serif;font-size:3em;color:yellow;background:crimson;text-align:right;margin-top:0%;margin-bottom:0%">Lukijan Ruoansulatus  

                        Naurua


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                        class="toc" style="font-family:serif;font-size:4em;color:white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Walt Disney (†)


                        ellauri213.html on line 34:

                        class="toc" style="font-family:serif;font-size:6em;color:white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">EMBOTELLADO

                        Taikamatuja


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:black;background:orange;text-align:center;margin-top:0%;margin-bottom:0%">NEMI


                        ellauri214.html on line 34:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:orange;text-align:center;margin-top:0%;margin-bottom:0%">FOSSIILEJA KAIVAMASSA

                        Kliseitä


                        ellauri214.html on line 66: J. K. Rowling’s first adult novel The Casual Vacancy stirred a ruckus within Sikh Community after its publication leading to the involvement of SGPC and its head showing concern with the negative portrayal of Sikh characters in the novel. Rowling defends the novel by her theory of ‘corrosive racism’ after her ‘vast amount of research’ in Sikhism. The chapter explores diasporic Sikh identity through the character of Sukhvinder who though dyslexic is stifled by her mother and harassed by her classmate Fats through slanderous remarks targeting her Sikh identity. Though Sukhvinder resorts to self-torture after undergoing racism, she emerges victorious like a brave Sikh by her self-determination and emerges a heroine by helping everybody in Britain. The chapter applies Teun A. van Dijk’s racist discourse and post-colonial theories specifically Homi Bhabha’s hybridity of cultures, Jacques Rancière’s distribution of the sensible hinting at the redistribution of identities to make invisible diaspora visible and inaudible audible and Gayatri Spivak’s theory of the subaltern to prove that the Sikh diaspora remains in Charhdi Kala (higher state of mind) even in tough situations. The chapter concludes that though British Sikh diaspora undergoes racialism leading to identity crisis, Sikhs finally find resolution through Sikh identity model Sukhvinder who, treading the footsteps of Sikh heroes like Bhai Kanhayia, becomes a heroin addict by risking her life to save Robbie and by helping all in the novel.
                        ellauri214.html on line 88: The Harry Potter series didn’t become a global phenomenon just because it was an exciting adventure, but because there was a real heart to it, characters who had both strengths and weaknesses, who struggled with their choices, much like Batman or Superman. Not so this time. Instead, “The Casual Vacancy” is a generally well-written book whose central theme is responsibility for those less fortunate, all the time imbued with ever-present British themes of class and notions of propriety.
                        ellauri214.html on line 549: This blurring of fact and fiction is intentional. Tokarczuk tells me she is often asked “Why we central Europeans don’t use a classical linear narrative, and my answer is that we don’t have such a history. Our perception is different. Poland was once a powerful imperial country that disappeared from maps of Europe for more than 100 years. It was partitioned and occupied by the Nazis and the Russians . . . We pop up and disappear and we do not trust what we are told to believe.”
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                        class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Petri Sarho


                        ellauri216.html on line 34:

                        class="toc" style="font-family:serif;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">TIMANTTISET ROSSIT

                        Propagandaa


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:violet;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Naguib Mahfouz


                        ellauri217.html on line 34:

                        class="toc" style="font-family:sans-serif;font-size:4em;color:violet;background:white;text-align:center;margin-top:0%;margin-bottom:0%">POPEYE THE SAILOR MAN!

                        Romantiikkaa


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                        class="toc" style="font-family:sans-serif;font-size:4em;color:gold;background:white;text-align:center;margin-top:0%;margin-bottom:0%">KERS. PIPPURIN
                        YXINÄISTEN SYDÄNTEN
                        KERHOSOITINYHTYE

                        Poppia


                        ellauri219.html on line 34:

                        class="toc" style="font-family:sans-serif;font-size:3em;color:red;background:white;text-align:center;margin-top:0%;margin-bottom:0%">KUORIAISET


                        ellauri219.html on line 36: classicalbumsundays.com/wp-content/uploads/2017/08/beatles-5.jpg" width="100%" />
                        ellauri219.html on line 231: In contrast to Mae West (No.3), Fred Astaire was reportedly thrilled to be asked to appear on the Sgt Pepper album cover. A child star who initially started dancing with his sister on stage, it was with Ginger Rogers that Fred made his greatest mark, in a series of classic Golden Age movies including Top Hat and Swing Time. He also appeared with John and Yoko in the 1972 television film Imagine. Limainen mafioso luikero.
                        ellauri219.html on line 300: Striking and versatile, Tony Curtis was a Hollywood idol who made a dizzying amount of movies (over 100) between 1949 and 2008. He will always be remembered for his role alongside Jack Lemmon and Marilyn Monroe (No.25) in the 1959 cross-dressing caper Some Like It Hot, but another stand-out remains his performance alongside Burt Lancaster as fast-talking press agent Sidney Falco in the 1957 film noir The Sweet Smell Of Success. Tässä jää nyt mainizematta Veijareita ja pyhimyksiä (The Persuaders!), ITC Entertainmentin 1970–1971 tuottama televisiosarja. Sen pääosissa esiintyivät Tony Curtis (Danny Wilde) ja Roger Moore (lordi Brett Sinclair; koko nimi Brett Rupert George Robert Andrew Sinclair, Marnockin 15. jaarli). Sitä tehtiin 24 jaksoa. Tony ja Roger eivät voineet sietää toisiaan. Läskiintynyt Tony kuoli kasarina sydämen pysähdyxeen. Rooger aateloitiin, vaikkei käynyt loppuun edes teatterikoulua. “But because of the war there were 16 girls in every class to four boys so while I didn’t learn that much about acting, I learned a hell of a lot about sex.”
                        ellauri219.html on line 828: I think a lot of the bias toward Americans also comes from our historical tendency to inflate the wonders of American life to oversized proportions out of sync with reality. Some of this comes from having been put down so frequently, a class-based psychological issue deep-rooted in American life, probably related to so many of us having come from poor immigrant families. We puff up the wonders of American life to compensate for having come from the bottom rungs of society in other countries. We’re not the only culture that does this.
                        ellauri219.html on line 832: And there is something… “gee willywickers” about the way Truth Justice and The American Way have been inflated in American mass culture, quite plausibly rooted in that class insecurity, that makes outside cultural elites (and the people that follow after them) reflexively sneer, once they realise the foundations are rotten. Add to this the ludicrous fact that America has no high culture. These are disappointed suitors: they’re not going to console themselves over the emptiness of Scrooge McDuck by turning to Wilt Whatman. Who was no better off than Scrooge by way of civility.
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                        class="toc" style="font-family:sans-serif;font-size:3em;color:red;background:black;text-align:center;margin-top:0%;margin-bottom:0%">RADIO CITY Music Hall

                        Sätkytystä


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                        class="toc" style="font-family:AdineKirnberg;font-size:6em;color:red;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Rockettes


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">JAMES BOND 007

                        Elvistelyä


                        ellauri221.html on line 34:

                        class="toc" style="font-family:sans-serif;font-size:6em;color:red;background:black;text-align:center;margin-top:0%;margin-bottom:0%">MOONRAKER


                        ellauri221.html on line 73: The club’s name derives from its head waiter, Edward Poodle. Poodles quickly built up a prestigious reputation among London’s powerful and wealthy classes, and its membership reflected this, numbering numerous politicians and members of the British aristocracy. Members have included former British Prime Minister Winston Churchill, John Perfumo (a politician who resigned after the notorious Perfumo affair scandal, whereby he was revealed as having an affair with 19-year-old model Helen Keller), philosopher David Hume, economist and philosopher Adam Smith, and author Ian Fleming, creator of the world’s most famous fictional spy, James Bond.
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                        class="toc" style="font-family:Muli;font-size:6em;color:red;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Horatio Alger


                        ellauri222.html on line 34:

                        class="toc" style="font-family:serif;font-size:6em;color:black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Les Aventures de Saul Bellow

                        Finnin puristelua


                        ellauri222.html on line 611: Padilla is a classmate of Augie’s. Born in the slums of Mexico, he is a genius of mathematical physics. He steals books for money and gets Augie involved in that, too.
                        ellauri222.html on line 745: The question arises why Voltaire inserts such a character in the novella, and what functions he performs in the story. On the one hand, Lord Pococurante embodies the then French aristocracy, the social class, surfeited with everything. The author attracts the reader’s attention to a very curious paradox: people, who live in luxury, cannot enjoy it. Though it is not explicitly stated by Voltaire, such people are doomed to failure. At this point, we can say with certainty that Voltaire is prophetic in this novella.
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                        class="toc" style="font-family:serif;font-size:4em;color:while;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">Tommaso Campanella


                        ellauri223.html on line 33:

                        class="toc" style="font-family:serif;font-size:6em;color:white;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">Aurinkovaltio

                        Dystopiaa


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                        class="toc" style="font-family:sans-serif;font-size:4em;color:burlywood;background:whitesmoke;text-align:center;margin-top:0%;margin-bottom:0%">Rantojen Miehet


                        ellauri226.html on line 33:

                        class="toc" style="font-family:sans-serif;font-size:6em;color:burlywood;background:whitesmoke;text-align:center;margin-top:0%;margin-bottom:0%">CHEESE!

                        Publikaaneja


                        ellauri226.html on line 310: Before long it was considered unsafe to walk through the park at night to go to Yankee Stadium and Werner (white) was even threatened with a knife by a classmate and mugged on the Grand Concourse. Gun violence even came to the
                        ellauri226.html on line 311: shooting of a classmate while in school. He says:
                        ellauri226.html on line 498: middle-class families, thanx to a suburban housing boom, as developers
                        ellauri226.html on line 505: many lower middle class johns to keep their jobs in the city and enabled many renters to become property owners, hooray!
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                        class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:burlywood;text-align:center;margin-top:0%;margin-bottom:0%">James Hadley Chase


                        ellauri236.html on line 33:

                        class="toc" style="font-family:sans-serif;font-size:6em;color:white;background:burlywood;text-align:center;margin-top:0%;margin-bottom:0%">FUX NEWS

                        Rupusakkia


                        ellauri236.html on line 165: After Chase left home at the age of 18, he worked in sales, primarily focusing on books and literature. He sold children's encyclopaedias, while also working in a bookshop. He also served as an executive for a book wholesaler, before turning to a writing career that produced more than 90 mystery books. His interests included photography, of a professional standard, reading, and listening to classical music and opera. As a form of relaxation between novels, he put together highly complicated and sophisticated Meccano models.
                        ellauri236.html on line 206: Until recently the characteristic adventure stories of the English-speaking peoples have been stories in which the hero fights against odds. This is true all the way from Robin Hood to Pop-eye the Sailor. Perhaps the basic myth of the Western world is Jack the Giant-killer, but to be brought up to date this should be renamed Jack the Dwarf-killer, and there already exists a considerable literature which teaches, either overtly or implicitly, that one should side with the big man against the little man. Most of what is now written about foreign policy is simply an embroidery on this theme, and for several decades such phrases as ‘Play the game’, ‘Don't hit a man when he's down’ and ‘It's not cricket’ have never failed to draw a snigger from anyone of intellectual pretensions. What is comparatively new is to find the accepted pattern, according to which (a) right is right and wrong is wrong, whoever wins, and (b) weakness must be respected, disappearing from popular literature as well. When I first read D. H. Lawrence's novels, at the age of about twenty, I was puzzled by the fact that there did not seem to be any classification of the characters into ‘good’ and ‘bad’. Lawrence seemed to sympathize with all of them about equally, and this was so unusual as to give me the feeling of having lost my bearings. Today no one would think of looking for heroes and villains in a serious novel, but in lowbrow fiction one still expects to find a sharp distinction between right and wrong and between legality and illegality. The common people, on the whole, are still living in the world of absolute good and evil from which the intellectuals have long since escaped. But the popularity of No Orchids and the American books and magazines to which it is akin shows how rapidly the doctrine of ‘realism’ is gaining ground.
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                        class="toc" style="font-family:serif;font-size:4em;color:black;background:#f1dd96;text-align:center;margin-top:0%;margin-bottom:0%">PENA OLKIMARSALKKA


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                        class="toc" style="font-family:serif;font-size:6em;color:black;background:#f1dd96;text-align:center;margin-top:0%;margin-bottom:0%">Hämynä talsit

                        Turrnipsi pellossa


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                        class="toc" style="font-style:italic;font-family:serif;font-size:2em;color:gold;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Grace Metalious


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                        class="toc" style="font-style:italic;font-family:serif;font-size:3em;color:gold;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Kaupunki nimeltä

                        Misogyniaa


                        ellauri240.html on line 498: The Zonkey is a hybrid animal that is created by cross-breeding two different species of animal that belong to the same genetic group. Technically though, an individual is only classed as a Zonkey if it is sired from a male Zebra and female Donkey, as one that has a male Donkey and female Zebra parents is known as a Zedonk.
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                        class="toc" style="font-style:italic;font-family:serif;font-size:2em;color:white;background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">Kiits


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                        class="toc" style="font-style:italic;font-family:serif;font-size:3em;color:black;background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">Leimiä

                        Misokeittoa


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                        class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Krista Kosonen


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                        class="toc" style="font-family:sans-serif;font-size:5em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">BEFOREIGNERS

                        Taistoturrukoita


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                        class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:#C4A484;text-align:center;margin-top:0%;margin-bottom:0%">QUENTIN TARANTELLA


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                        class="toc" style="font-family:UnifrakturMaguntia;font-size:6em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Onnettomat paskiaiset

                        Paskiaiset vormuissa


                        ellauri243.html on line 202: It is often used in the United States as a symbol for right-libertarianism, classical liberalism, and small government; for distrust or defiance against authorities and government; and occasionally co-opted for right-wing populism or far-right ideology. In the mid-1970s, the New Left People's Bicentennial Commission used the Gadsden Flag symbolism on buttons and literature.
                        ellauri243.html on line 512: America calls upon retired Patrick McLanahan to save the day with the good old bomber planes. It is a classic case of America vs. China, with the hope that World War 3 can be prevented. This has not been very successful so far. Some critics are going so far as to call him one of the saddest military adventure writers in America.
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                        class="toc" style="font-family:sans-serif;font-size:4em;color:yellow;background:navy;text-align:center;margin-top:0%;margin-bottom:0%">Benoît Mandelbrot


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:red;background:navy;text-align:center;margin-top:0%;margin-bottom:0%">KLICHEITÄ

                        Klicheitä, klicheitä


                        ellauri244.html on line 161: Samuel Butler FRS (1774–1839), an English classical scholar and schoolmaster of Shrewsbury School, and Bishop of Lichfield.
                        ellauri244.html on line 445: In "The Struggle for the Right to Vote)," author Alice Faye Duncan chronicles the struggle for the right to vote in a book aimed at children. Faye Duncan is an educator, retired school librarian and prolific author... Alice Faye Duncan is the author of several books, including the classic NAACP Award-nominated board book, Honey Baby Sugar Child, and Just Like a Mama. Ms. Duncan is a school librarian in Memphis, Tennessee, and conducts writing workshops for parents and educators.
                        ellauri244.html on line 457: Lily Faye, a friendly frog gets upset with her neighbor Mr. Oak Tree. She sees children entering a schoolhouse and she learns that those students are called mammals. Lily Faye goes to the school to get a closer look. She looks into a classroom window where she learns about the importance of trees. Lily Faye decides to return to the oak tree and apologize for being mean to him.
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                        class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">Jonne Nääsnääsböö


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:gold;background:#8fbc8f;text-align:center;margin-top:0%;margin-bottom:0%">CASH BY CANS

                        Tölkeittäin natomatoja


                        ellauri245.html on line 681: Its 2022, Im 56 yrs old (born 1966 that is), kids grown, 5am, and feeling a little menopausal. Came back to a song that from the 1st time I heard it in my teens, I pictured the guy of my dreams singing to me. (Definitely not this wimpy tenor Chris with thinning bangles, but another more manly guy.) Didn´t we all? Definitely a classic! Greetings to us all narcissistic women of the eighties!
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                        class="toc" style="font-style:italic;font-family:serif;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hindric Julius Oldenburg


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                        class="toc" style="font-style:italic;font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Oh korsteenit

                        Poliittista runoutta


                        ellauri246.html on line 404: Brodskia vainotaan, vaikka ei voida sanoa, että poliittiset teemat vaikuttivat mihkään huomattavaan paikkaan hänen teoksissaan. Hänen runollaan on henkinen ja filosofinen, mutta iankaikkisten teemojen tulkinta oli jyrkästi poikkeava kirjallisuudessa hyväksytystä sosialistisista realismista, sillä Brodski julisti runojaan eksistentialistisiksi, elvyttää modernismin perinnettä, joka oli keinotekoisesti repeytynyt totalitarismin aikana ja erikseen ylittäen ne perinteiden pre-postmodern classicsilla. Brodsky syntetisoitiin modernistiseen foorumiin erilaisten aikaisempien järjestelmien löytämiseksi, niin että hänen taiteellisen suuntautumisensa määräytyy usein ei-modestoimiseksi. (Siis mitä? No toi existentialismi ainakin on selvää talousliberalismia.)
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                        class="toc" style="font-family:serif;font-size:2em;color:gold;background:brown;text-align:center;margin-top:0%;margin-bottom:0%">Tauno Köriläs


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                        class="toc" style="font-family:serif;font-size:3em;color:gold;background:brown;text-align:center;margin-top:0%;margin-bottom:0%">SUURI KASKUKIRJA

                        Kaskuja


                        ellauri247.html on line 323: <William Hogarth (10. marraskuuta 1697 Lontoo – 26. lokakuuta 1764 Lontoo) oli englantilainen taidemaalari ja graafikko, joka tunnetaan erityisesti suurta suosiota saavuttaneista kuvasarjoistaan. Hogarth oli erittäin taitava ja tarkka piirtäjä ja suosi runsaita yksityiskohtia ja groteskeja sävyjä. Hänen tyylinsä oli kova ja realistinen. Hogarth kuvasi kuparipiirrossarjoissaan aikaansa ja ihmishahmoja moralisoiden ja ivaten. Hogarth teki vuosina 1731–1732 ensimmäisen moralistisen piirrossarjansa ’Ilotytön tarina’. Hogarth oli äärimmäisen kansallismielinen eikä koskaan myöntänyt saaneensa vaikutteita ulkomaisilta taiteilijoilta vaikka oli käynyt kahdesti Pariisissa ja tuonut sieltä tuomisixi hyppykupan. Hogarth was born in London to a lower-middle-class family. Hogarth's works are mostly satirical caricatures, sometimes bawdily sexual. Kuvissa se on ilkimyxen näköinen. Sen suurin kyseenalainen ansio oli copyrightin laillistaminen. Stanley Kubrick based the cinematography of his 1975 period drama film, Barry Lyndon, on several Hogarth paintings. Muistan että se oli pitkäpiimäinen, en kyllä muista siitä muuta, koska se oli mun ja Seijan eka yhteinen elokuvaretki. Kubrick on kaiken kaikkiaan aika joutavanpäiväinen.
                        ellauri247.html on line 349: Johnson did not attempt to create schools of theories to analyse the aesthetics of literature. Instead, he used his criticism for the practical purpose of helping others to better read and understand literature. In his Preface to Shakespeare, Johnson rejects the previous dogma of the classical unities and argues that drama should be faithful to life.
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                        class="toc" style="font-family:serif;font-size:5em;color:red;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Marjaana Madagaskarissa

                        Nuorten toiveita


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                        class="toc" style="font-family:serif;font-size:2em;color:black;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">AINO-MARJA RÄSÄNEN


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                        class="toc" style="font-family:serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">MARZIAL

                        Latin obscenity


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                        class="toc" style="font-family:serif;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">ENKEFALOGRAMMEJA


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:black;text-align:left;margin-top:0%;margin-bottom:0%">MAXIM GORKI


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">СЕРАПИОНОВЫ БРАТЬЯ

                        Sosialistista realismia


                        ellauri254.html on line 503: Klages developed an intense childhood friendship with classmate Theodor Lessing, with whom he shared "many passionate interests." Klages fought to maintain their friendship in spite of his father's anti-semitism. According to Lessing, "Ludwig's father did not view his son's fraternization with 'Juden' as acceptable." Klages' childhood friendship with Theodor Lessing came to a bitter end in 1899. Both would later write about the depth of their relationship and influence on each other—though many aspects, such as the effect race had on their friendship, remain unclear.
                        ellauri254.html on line 803: Lunz was born in Saint Petersburg, the capital of the Russian Empire, into a middle-class Jewish family on May 2, 1901. His father, Natan Yakovlevich, an emigrant from Lithuania, was a pharmacist and seller of scientific instruments. His mother, Anna Efimovna, was an accomplished pianist. As a child, Lev was delicate but very lively; he contracted pneumonia and diphtheria, which may have weakened his heart.
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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:#d1cdae;text-align:center;margin-top:0%;margin-bottom:0%">Lady Ceepu


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:black;background:#d1cdae;text-align:center;margin-top:0%;margin-bottom:0%">MUODIN HISTORIA

                        Ornamentalismia


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:#f6e2ae;text-align:center;margin-top:0%;margin-bottom:0%">Mikola Gogolj


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:darkred;background:#f6e2ae;text-align:center;margin-top:0%;margin-bottom:0%">TARAS BULJBA

                        Koomikoita


                        ellauri257.html on line 514: Alma doesn’t explore the cultural differences that separated them. She was an upper-class German Jew born in Munich, whereas Singer was from Leoncin, a small Polish village northeast of Warsaw. In 1904, when Singer was born, Leoncin was part of the Russian Empire. In Alma’s milieu, Yiddish was a symbol of low caste. Her father had been a textile businessman and her grandfather had been a Handlerichter (LOL), a judge specializing in commercial cases. Although Wasserman, her first husband, was nowhere near as rich in America as he had been in Germany, he was certainly far wealthier than Singer, who was known as an impecunious journalist.
                        ellauri257.html on line 520: What kind of inner, private life did Alma have? Did she tire of years of cooking, cleaning, ironing and sewing for Singer? Was it difficult to be the wife of a public person? How did she cope with his escapades? About these the manuscript remains silent. After all, Alma belonged to a social class where women weren’t encouraged to explore such details. In an interview, she does represent the younger Singer as easy-going and says how much he changed over time. But she ascribes those changes to how much people wanted from him and not the other way around.
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                        class="toc" style="font-family:serif;font-size:6em;color:black;background:#dcc1ae;text-align:center;margin-top:0%;margin-bottom:0%">KIREÄHERMOISTA VÄKEÄ

                        Videotörkyä


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                        class="toc" style="font-family:serif;font-size:3em;color:#bc4a3c;background:#dcc1ae;text-align:center;margin-top:0%;margin-bottom:0%">МИХАИ‌Л ЗО‌ЩЕНКО


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Martin Luther King


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">In pirsona pirsonalmente

                        Perseilyä


                        ellauri260.html on line 231: German philosophy did a great deal by way of deepening the ideas of men. In particular its starting from the whole instead of the individual, and its idea of movement advancing in virtue of its own forces, had a great influence on every section of social life. But the economic problem, and on this account the general social movement was directed by Lassalle, and still more by Marx, into far too narrow a path, and the Socialist ideal was conceived in too partisan a sense. The chief aim was to bring about a collective ownership of the means of production and " socialise " all property, and to recognise in the class-war a lever for the over- throw of the existing political conditions. It was thus that the Socialist movement captured the thoughts and sentiments of great masses of people.
                        ellauri260.html on line 292: As a man derives his importance from the fact that he belongs to humanity, all division into classes must cease. The ideal is a class-less social order. This leads to a determination to lessen the differences between men as much as possible, if not to obliterate them altogether. This is done in the life of the State, in education, and in the suffrage. The idea of equality becomes a superior standard of value. It compels us to avoid everything that places one man above another, and so lowers a man, not only in the sight of others, but in his own estimation.
                        ellauri260.html on line 390: Sir James George Frazer OMG FRS FRSE FBA WTF (/ˈfreɪzər/; 1 January 1854 – 7 May 1941) was a Scottish social anthropologist and folklorist influential in the early stages of the modern studies of mythology and comparative religion. His lousy reputation improved after his new wife in 1896, Lilly Frazer, decided that he was undervalued because of atheism and that she could improve his impact by leaving out some of it. His dissertation was published years later as The Growth of Plato's Ideal Theory. He remained a classical fellow all his life, not unlike Kari Hotakainen.
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                        class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">C.S. Lewis


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Till We Have Faeces

                        Fanzua


                        ellauri262.html on line 162: Lewis' mere Christianity masked the political prejudices of an old-fashioned Ulster Protestant, a native of middle-class Belfast for whom British withdrawal from Northern Ireland even in the 1950s and 1960s was unthinkable.
                        ellauri262.html on line 186: Christus Victor is a book by Gustaf Aulén published in English in 1931, presenting a study of theories of atonement in Christianity. The original Swedish title is Den kristna försoningstanken ("The Christian Idea of the Atonement") published in 1930. Aulén reinterpreted the classic ransom theory of atonement, which says that Christ's death is a ransom to the powers of evil, which had held humankind in their dominion. It is a model of the atonement that is dated to the Church Fathers, and it was the dominant theory of atonement for a thousand years, until Anselm Panda of Canterbury supplanted it in the West with his satisfaction theory of atonement. So that the baddies in the story were Sauron and the goblins and orcs of Mordor, not God as angry Scrooge McDuck coming for his dues.
                        ellauri262.html on line 221: The Chronicles of Narnia, considered a classic of children's literature, is a series of seven fantasy novels. Written between 1949 and 1954 and illustrated by Pauline Baynes, the series is Lewis's most popular work, having sold over 100 million copies in 41 languages (Kelly 2006) (Guthmann 2005). It has been adapted several times, complete or in part, for radio, television, stage and cinema.
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                        class="mw-redirect" title="Womb">kohtu
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                        class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Singer Brothers


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Shadows on the Hudson
                        Part 1

                        Pyllistelyä


                        ellauri263.html on line 693: classism, no duplicity, no alienation, no profanity, no flippancy, social tolerance, equality, verbality, participatory democracy, accountability, conviviality, male vasectomy, ristiinsuihkiminen, graceful distancing, positive attitude toward the ‘toggle-switch’ mode of decision-making, whatever that may be.
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                        class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hertz Dovid Grein


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                        class="toc" style="font-family:serif;font-size:6em;color:black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">Semitismiä

                        Semitismiä


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                        class="toc" style="font-family:serif;font-size:6em;color:#d58135;background:black;text-align:right;padding-right:5%;margin-top:0%;margin-bottom:0%">PLANET APE

                        Alastomuutta


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:#d58135;background:black;text-align:right;padding-right:5%;margin-top:0%;margin-right:2px;margin-bottom:0%">DESMOND
                        MORRIS


                        ellauri266.html on line 325: General semantics, a philosophy of language-meaning that was developed by Alfred Korzybski (1879–1950), a Polish-American scholar, and furthered by S.I. Hayakawa, Wendell Johnson, and others; it is the study of language as a representation of reality. Korzybski’s theory was intended to improve the habits of glib upper-class response to hostile low-class environment. Drawing upon such varied disciplines as relativity theory, quantum mechanics, and mathematical logic, Korzybski and his followers sought a scientific, non-Aristotelian basis for clear understanding of the differences between symbol (word) and reality (referent) and the ways in which they themselves can influence (or manipulate) and limit other humans´ ability to think.
                        ellauri266.html on line 342: But today with child-spacing an almost universal practice and all sorts of electrical appliances in the home, babies and housework need not be women´s full-time occupations, especially as the children grow to school age. Thousands of upper class women take jobs today not (like millions of their less fortunate mates) because the family needs the extra money, but because they cannot endure the boredom of underemployed hands and minds.
                        ellauri266.html on line 344: Who knows perhaps one day these upper-class working women in teaching, in office jobs, in factories, in pubic services, are part of the answer to the lady from Oakland. As men become more accustomed to dealing with women colleagues and service staff, they will come to their senses and discuss with their partners sports events, the stock market, automobiles, politics, religion, philosophy, natural history, or science as they are waiting for their seed guns to reload. All the more enriched will be the relationship between them.
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                        class="toc" style="font-family:sans-serif;font-size:6em;color:red;background:white;text-align:right;margin-top:0%;margin-bottom:0%">
                        ellauri267.html on line 97: Based on the novel by Walter Wager, "Telefon" has not aged well because it'(TM)s so dependent on the cold war tension that existed between the USSR and the US in the Seventies. The film is basically a cat-and-mouse game with Soviet agent Major Grigori Borzov (Charles Bronson, that's right Bronson is a commie) tracking rogue Russian scientist Nicolai Dalmchimsky (Donald Pleasence) across America to prevent him from activating sleeper agents. Borzov is assisted by Barbara (Lee Remick. fresh from "The Omen") who asks more annoying questions than necessary, leading the audience to believe she may not be completely true to the motherland. The film's middle section is dragged down by repetitive bomb scares. Dalmichimsky is working from outdated intelligence so his targets are all de-classified U.S. Military installations. Once Borzov realizes the pattern and hones in the next target the action shifts to a more linear chase that'(TM)s further heightened by Barbara'(TM)s loyalties. But the ultimate showdown is deflating because beyond some silly disguises Pleasence's Dalmichimsky is never built up to be a threat. Director Don Siegel uses his flair for montage to craft a his action sequences without dialogue. "Telefon" is a road movie, much like Alfred Hitchcock's "Saboteur" and "North by Northwest" had their leads criss-crossing America here we see plenty of seventies architecture including San Francisco's Hyatt Regency Hotel (used in "The Towering Inferno") and a modernist house resting on top of a barren rock outcropping. The supporting cast is uniformly good (but trapped in underwritten roles), and it'(TM)s nice to see veteran character actors Alan Badel and Patrick Magee playing snotty KGB strategists, and Tyne Daly in a small (and ultimately irrelevant role) as a computer geek. Trivia note: The poem that activates the Russian sleeper agents was used by Quentin Tarantino in "Death Proof" as the lines Jungle Julia has her listeners recite to Butterfly. The lines are an excerpt of the poem "Stopping by Woods on a Snowy Evening" by Robert Frost. "The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep."
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                        class="toc" style="font-family:sans-serif;font-size:3em;color:#39ff14;background:#a85740;text-align:center;margin-bottom:0%">Joe-setä ja Voldemort


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                        class="toc" style="font-family:UnifrakturMaguntia;font-size:6em;color:red;background:#a85740;text-align:center;margin-top:0%;margin-bottom:0%">Fotataidon Maailma

                        Silmitöntä väkivaltaa


                        ellauri269.html on line 50: The tale type index was criticized by Vladimir Propp of the Russian Formalist school of the 1920s for ignoring the functions of the motifs by which they are classified. Furthermore, Propp contended that using a "macro-level" analysis means that the stories that share motifs might not be classified together, while stories with wide divergences may be grouped under one tale type because the index must select some features as salient. He also observed that while the distinction between animal tales and tales of the fantastic was basically correct — no one would classify "Tsarevitch Ivan, the Fire Bird and the Gray Wolf" as an animal tale just because of the wolf — it did raise questions because animal tales often contained fantastic elements, and tales of the fantastic often contained animals; indeed a tale could shift categories if a peasant deceived a bear rather than a devil.
                        ellauri269.html on line 54: An important advance over these traditional classifications is TV Tropes. TV Tropes is a wiki website that collects and documents descriptions and examples of plot conventions and devices, which it refers to as tropes, within many creative works. Since its establishment in 2004, the site has shifted focus from covering various tropes to those in general media, toys, writings, and their associated fandoms, as well as some non-media subjects such as history, geography, and politics. The nature of the site as a provider of commentary on pop culture and fiction has attracted attention and criticism from several web personalities and blogs. Non-Playing Characters are non-voluntarist characters who let others make their life decisions.
                        ellauri269.html on line 159: Hahmon luonnissa pelaaja valitsee hahmoluokan (engl. class). Tässä vaiheessa hän voi vaikuttaa siihen, mitä roolia haluaa pelata. Hahmoluokkia on pelissä yksitoista, ja ne ovat kummankin puolen käytettävissä. Myös rodut (engl. race) vaikuttavat hahmoluokan valintaan, sillä kaikki hahmoluokat eivät ole jokaisen rodun käytettävissä. Pelaaja voi muokata hahmoluokkansa kykyjä ja ominaisuuksia taitopisteillä (engl. talents). Pelaajan tulee erikoistua tiettyyn kykypuuhun, joita jokaisella hahmoluokalla on kolme, paitsi druideilla neljä. Kykypuun valinta vaikuttaa suuresti hahmon pelattavuuteen ja siihen, minkä roolin hahmo voi tällöin ryhmässä ottaa. Pelin alkuperäinen tasokatto oli 60 ja nousi seitsemän ensimmäisen lisäosan myötä 120:een. Shadowlandsissä tasokatto alennettiin takaisin 60:een ja tason 120 pelaajat palautuvat takaisin tasolle 50. Nykyinen kattonopeus on 70.
                        ellauri269.html on line 302: Within each faction, you can pick from seven different races, Alliance players can be Humans, Dwarves, Night Elves, Gnomes, Draenei, Worgens or Pandarens, while Horde players can be Orcs, Undead, Tauren, Trolls, Blood Elves, Goblins or Pandaren. Each race can only be certain classes, so picking a race will limit which class your character can be. There are other playable races in the game, but they are unlocked through gameplay and you won't have access to them immediately.
                        ellauri269.html on line 310: There are twelve different classes in World of Warcraft, each with their own strengths and weaknesses. As a new player you can select any class but Demon Hunter or Death Knight, which both require that you already have a level 10 character before you can play one. You can learn more about each class by hovering over its icon on the character creation screen.
                        ellauri269.html on line 312: For more details on each class, what they do, and why they may be the class for you, check out our comprehensive guide on the topic: Choosing Your Class: A Beginner's Guide.
                        ellauri269.html on line 314: Choosing your class in World of Warcraft can be one of the most important and time consuming decisions a player ever makes. And time is money! When you are in the process of creating a new character, one of the first things you will notice (aside from gender, race, and faction selection) is that there are what's called "Classes". In World of Warcraft, there are a total of 12 classes to choose from and they are as follows: Death Knight, Demon Hunter, Druid, Hunter, Mage, Monk, Paladin, Priest, Rogue, Shaman, Warlock, and Warrior. Each class provides its own set of unique benefits, abilities, and spells (as you will discover from reading this guide).
                        ellauri269.html on line 318: Upon reaching level 10, you will be able to select what is called your specialization or spec. Each class in World of Warcraft has its own set of different specs that further diversifies the class by adding unique abilities only that spec can use as well as potentially changing the role that class plays in content. For example: As a Demon Hunter you have two specs: Havoc and Vengeance. While both specs share abilities that are common to the class such as Double Jump and Spectral Sight, both specs have unique abilities that differentiates one spec from another. As a Havoc demon hunter, you have spells like Blade Dance to deal out more damage, or as a Vengeance demon hunter, you have spells like Demon Spikes and Fiery Brand which allows you to take less damage and keep enemies off of your allies.
                        ellauri269.html on line 327: Former minions of The Lychee King, Death Knights (or DK's) are constructs of undeath that utilize undead minions, plagues, the chill of the grave, and even the blood of their enemies to enhance their combat performance. Death Knights have three specializations: Blood, Frost, and Unholy. All three specializations utilize strength as their primary stat, wear plate armor, and use two class specific resources called Runic Power and Runes to cast abilities and spells. As a DK you are able to use One-Handed Axes, One-Handed Maces, One-Handed Swords, Polearms, Ringworms, Two-Handed Axes, Two-Handed Maces, Two-Handed Swords and Under-Handed Tricks. Some spells and abilities that ALL Death Knights have access to include: Raise Ally, Mind Freeze, Control Undead, and Death Grip. *Please note: With your purchase of Sladowlands, Death Knights are also available to Allied Races, because they are so much fun. Races That Can Be Death Knights are
                        ellauri269.html on line 343: There are equally long-winded and boring explanations of all the "Classes", which turn out to be more like Nazi corporations than Marxist class identities. I won't go any futher into them since the book I bought is about the Leech King, the boss of the Death Knights. We can think of them as something like the Wagner Group and the Lychee King as Yevgeny Prigozhin.
                        ellauri269.html on line 550: I think this is the classic case of already having a hypothesis and then trying to find anything remotely relevent to prove that hypothesis rather than the other way around.
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                        class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:#f9ede0;text-align:center;margin-bottom:0%">"COL. DWIGHT DOGCOLLAR"


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                        class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:#f9ede0;text-align:center;margin-top:0%;margin-bottom:0%">"APINOIDEN SILTA"

                        Lisää silmitöntä väkivaltaa


                        ellauri270.html on line 443: Former Mariner High School teacher and boys basketball coach James Harris will be spending the next 11 years in state prison after he pleaded guilty in Lee County court on Monday to one count of sexual assault in a school. Harris, 46, had been charged with two counts stemming from his contact with a female student at Mariner in 2016. He allegedly had sex with the student in his classroom before moving the sexual relationship to his home. Court documents also show that Harris fathered a baby with a former student years earlier.
                        ellauri270.html on line 445: In the assault case, Harris and the girl began communicating via text messages in the summer of 2016, when she was between 16 and 17 years of age, according to a Lee County Sheriff's Office report. The messages started out innocently but turned sexual in nature. Then Harris texted the girl asking for her presence in his classroom.
                        ellauri270.html on line 555: Herbert Norman Schwarzkopf Jr. USMA, KCB (/ˈʃwɔːrtskɒf/; August 22, 1934 – December 27, 2012) was a United States Army general. While serving as the commander of United States Central Command, he led all coalition forces in the Persian Gulf War. Schwarzkopf was highly decorated in Vietnam. He was one of the commanders of the invasion of Grenada in 1983. Schwarzkopf's command eventually grew to an international force of over 750,000 troops. Schwarzkopf graduated valedictorian out of his class of 150, and his IQ was tested at 168. Schwarzkopf then attended the United States Military Academy where he played football, wrestled, sang and conducted the West Point Chapel choir. His large frame (6 feet 3 inches (1.91 m) in height and 240 pounds (110 kg) in weight) was advantageous in athletics and bawling out his underlings. He was also a member of Mensa.
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                        class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">Frans de Waal


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                        class="toc" style="font-family:serif;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">I feel your pain

                        Karvaperseitä


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                        class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">Zane Grey


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                        class="toc" style="font-family:serif;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">50 shades of Zane

                        Blacklistoja


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-bottom:0%">Siegel and Schuster


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">A BIG JOB FOR SUPERMAN

                        Valtapeliä


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-bottom:0%">Konsta Pylkkänen


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">JOE SETÄ
                        VOLDEMORT

                        Oikeutettua väkivaltaa


                        ellauri275.html on line 448: The period of publication was sandwiched between the Victorian era, with its strict classicism, and Modernism, with its strident rejection of pure aestheticism. The common features of the poems in these publications were romanticism, sentimentality, and hedonism. Later critics have attempted to revise the definition of the term as a description of poetic style, thereby including some new names or excluding some old ones. W. H. Davies, a contemporary, is sometimes included within the grouping, although his "innocent style" differs markedly from that of the others.
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                        class="toc" style="font-family:sans-serif;font-size:3em;white:black;background:peru;text-align:center;margin-bottom:0%">Alexandr Virzhavadze


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:white;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">KYNTÄJIÄ

                        Kyntöä


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                        class="toc" style="font-family:sans-serif;font-size:3em;white:black;background:peru;text-align:center;margin-bottom:0%">Khalil Gibran


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:white;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">GET A HUMP ON YOU!

                        Kyttyröitä


                        ellauri277.html on line 236: Gibran did not have the training to imitate the old masters of Arabic literature: his education had been haphazard and was as much in English as in Arabic, and there is little evidence of the influence of classical Arabic literature in his works. Instead, his Arabic style was influenced by the Romantic writers of late 19th-century Europe and shows obvious traces of English syntax. His allegorical sketches of exile, oppression, and loneliness spoke to the experiences of immigrants and had none of the rhetorical decoration that made high Arabic literature difficult for ordinary readers. Gibran’s haphazard education meant that his Arabic, like his English, was never perfect.
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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-bottom:0%">Chicherin ja Litvinov


                        ellauri278.html on line 37:

                        class="toc" style="font-family:sans-serif;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tykkivenediplomatiaa

                        Kansanmurhia


                        ellauri278.html on line 171: We must bear in mind that the growth of the power of the Soviet state will increase the resistance of the last remnants of the dying classes. It is precisely because they are dying, and living their last days that they will pass from one form of attack to another, to sharper forms of attack, appealing to the backward strata of the population, and mobilizing them against the Soviet power. There is no foul lie or slander that these 'have-beens' would not use against the Soviet power and around which they would not try to mobilize the backward elements. This may give ground for the revival of the activities of the defeated groups of the old counter-revolutionary parties: the Socialist-Revolutionaries, the Mensheviks (glup), the bourgeois Malo-Russian nationalists (double glup) in the centre and in the outlying regions; it may give grounds also for the revival of the activities of the fragments of counter-revolutionary opposition elements from among the Trotskyites and the Right deviationists. Of course, there is nothing terrible in this. But we must bear all this in mind if we want to put an end to these elements quickly and without great loss."
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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-bottom:0%">Aleksanteri Isajevits Solzhenizyn


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Еб твою мать

                        Nobelismia


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-bottom:0%">Antonio Banderas


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Pensasneuvostoliittolaisia


                        ellauri281.html on line 170: We must bear in mind that the growth of the power of the Soviet state will increase the resistance of the last remnants of the dying classes. It is precisely because they are dying, and living their last days that they will pass from one form of attack to another, to sharper forms of attack, appealing to the backward strata of the population, and mobilizing them against the Soviet power. There is no foul lie or slander that these 'have-beens' would not use against the Soviet power and around which they would not try to mobilize the backward elements. This may give ground for the revival of the activities of the defeated groups of the old counter-revolutionary parties: the Socialist-Revolutionaries, the Mensheviks (glup), the bourgeois Malo-Russian nationalists (double glup) in the centre and in the outlying regions; it may give grounds also for the revival of the activities of the fragments of counter-revolutionary opposition elements from among the Trotskyites and the Right deviationists. Of course, there is nothing terrible in this. But we must bear all this in mind if we want to put an end to these elements quickly and without great loss."
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                        class="toc" style="font-family:sans-serif;font-size:6em;color:black;background:#8ea0ac;text-align:center;margin-top:0%;margin-bottom:0%">LÖYHÄPÄINEN KANSA

                        Käärijöitä ja munamiehiä


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:#8ea0ac;text-align:center;margin-bottom:0%">KOTKAA KAHLEITANSA


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:#d6d6d6;text-align:center;margin-bottom:0%">FOTO: NATO


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                        class="toc" style="font-family:sans-serif;font-size:5em;color:black;background:#d6d6d6;text-align:center;margin-top:0%;margin-bottom:0%">Finneken i Piss

                        Vitun hölmöjä


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:#d6d6d6;text-align:center;margin-bottom:0%">FOTO: UK


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                        class="toc" style="font-family:sans-serif;font-size:5em;color:black;background:#d6d6d6;text-align:center;margin-top:0%;margin-bottom:0%">Suursota 1914-18

                        Öyhöttäjiä


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;text-align:center;margin-bottom:0%">PATTI MULKKINEN


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                        class="toc" style="font-style:italic;font-family:sans-serif;font-size:3em;color:darkred;text-align:center;margin-top:0%;margin-bottom:0%">Paasauxia kasarista

                        Paasauxia


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                        class="toc" style="font-family:serif;font-size:2em;color:black;background:#e2e9fc;text-align:center;margin-bottom:0%">Sofi Oxenan


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                        class="toc" style="font-family:serif;font-size:4em;color:black;background:#e2e9fc;text-align:center;margin-top:0%;margin-bottom:0%">Jaxuhali<3

                        Mitä vittua!


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">PEKKA ja PÄTKÄ SUEZ'illa

                        Eihän asia kyllä minulle kuulu


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                        class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">SUOMEN FILMITEOLLISUUS (SF)


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                        class="toc" style="font-family:serif;font-size:2em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">TURKIN FILMITEOLLISUUS (SF)


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                        class="toc" style="font-family:serif;font-size:6em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">ALPARSLAN SUURI SELZHUKKI

                        Reittiopas


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                        class="toc" style="font-family:Muli;font-size:3em;color:black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Ammi Ruhama


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                        class="toc" style="font-family:Muli;font-size:5em;color:black;background:white;text-align:left;margin-top:0%;margin-bottom:0%">HOOSEA AJASSAMME

                        Finnin puristelua


                        ellauri297.html on line 49: My duties were to clean the classrooms, wipe the whiteboards and vacuum the floors. I also maintained the board room, performance hall and sanctuary. Head Guys Counselor, River of Life Camp
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                        class="toc" style="font-family:serif;font-size:3em;color:gold;background:#294865;text-align:center;margin-top:0%;margin-bottom:0%">Teppo Kurko ja Jasper Pääkallo


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                        class="toc" style="font-family:Serif;font-size:5em;color:gold;background:#294865;text-align:center;margin-top:0%;margin-bottom:0%">MUSTA TORNI

                        Kauhua


                        ellauri299.html on line 530: Matthew Desmond, the acclaimed Princeton sociologist and author of Evicted: Poverty and Profit in the American City, thinks that poverty has barely improved in the United States over the past 50 years — and he has a theory why. Laid out in a long essay for the New York Times Magazine that is adapted from his forthcoming book Poverty, by America, Desmond’s theory implicates “exploitation” in the broadest sense, from a decline in unions and worker power to a proliferation of bank fees and predatory landlord practices, all of which combine to keep the American underclass down. Relative poverty in the US has stagnated in the last 40 years.
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                        class="toc" style="font-style:italic;font-family:sans-serif;font-size:1em;color:grey;background:#eceae9;text-align:center;margin-top:0%;margin-bottom:0%">part 2 of


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                        class="toc" style="font-family:sans-serif;font-size:4em;color:#287da1;background:#eceae9;text-align:left;margin-top:0%;margin-bottom:0%">
                        Shoah business
                        baym Hudson

                        Lisää pyllistelyä


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                        class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:dodgerblue;text-align:center;margin-top:0%;margin-bottom:0%">HARRI NYKÄNEN


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                        class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:dodgerblue;text-align:center;margin-top:0%;margin-bottom:0%">KAVERI TAPETTIIN TAPETTIIN

                        Tappavaa


                        ellauri301.html on line 270: Sangoma Oy, highly respected dealer among the Zulu people of South Africa who diagnoses, prescribes, and often performs the operations to heal a person physically, mentally, emotionally, or spiritually. Sanoma Oy may address all of these realms in the healing process, which usually involves divination, verbal medicine, and specific customized visuals to cure morbid curiosity and restore upper middle class well-being.
                        ellauri301.html on line 327: Almost everyone loves a good barbecue, but South Africans take the classic U.S. BBQ to a whole new level with the braai. More than just a barbecue, the braai is practically a national sport. South Africans absolutely adore a braai and for them, the weekend usually means one thing: the aroma of grilling meats wafting from backyards across the country, while friends and family gather together for a good time. Ready to get your braai on? Here is everything you need to know about the iconic South African braai.
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                        class="toc" style="font-family:sans-serif;font-size:4em;color:blue;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Sholem Ash


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                        class="toc" style="font-family:sans-serif;font-size:4em;color:green;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">KOST' JUMALA

                        Hulabaloota


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                        class="toc" style="font-family:sans-serif;font-size:5em;color:gold;background:maroon;text-align:center;margin-top:0%;margin-bottom:0%">JUUTALAISTA HUUMORIA

                        Huumoria


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:grey;background:maroon;text-align:center;margin-top:0%;margin-bottom:0%">Tuomiset


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Nora "Genital" Roberts


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                        class="toc" style="font-family:sans-serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Far, Far Away

                        Kapitalistinen manifesti


                        ellauri309.html on line 498: Kiitos lukuisten törttöilyjen ja ylilyöntien "Anal" joutuu saarnaamaan leipääntyneenä vielä tänäkin päivänä. Billy Grahamin classic TV-saarna "Fools" puhuu Anaalin kaltaisista hölmöistä (tai ehkä pikemminkin Billyn TV-ohjelmaa seuraavista suckereiden laumoista):
                        ellauri309.html on line 509: Billy Graham varttui maitotilallisen poikana Pohjois-Carolinan maaseudulla. He started to read books from an early age and loved to read novels for boys, especially Tarzan. Like Tarzan, he would hang on the trees and gave the popular Tarzan yell. According to his father, that yelling led him to become a minister. Vuonna 1934 Graham osallistui evankelista Mordecai Hamin kokoukseen ja teki henkilökohtaisen uskonratkaisun. Ham had a reputation for racism and anti-Semitism. He believed and preached on various topics based on classical anti-Semitic canards such as believing Jews had special access to political power and influence and that they represent a subversive social force. The targets for his preaching were often "nebulous rings of Jewish, Catholic or Black conspirators plotting to destroy white protestant America."
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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Daniel
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                        class="toc"
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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kirsi Salo


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                        class="toc" style="font-family:sans-serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tantrista

                        Terdellä


                        ellauri311.html on line 60: free Yoni egg class below. What does it mean to exude feminine energy? I
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                        class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tuukka Pietarinen


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                        class="toc" style="font-family:serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tanssivat karhut

                        Aika heikkoa


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:#3c6bd5;text-align:center;margin-top:0%;margin-bottom:0%">Untitled Goose


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                        class="toc" style="font-family:sans-serif;font-size:5em;color:white;background:#3c6bd5;text-align:center;margin-top:0%;margin-bottom:0%">Simple Reasoning

                        Simppeliä


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:red;background:white;text-align:center;margin-top:0%;margin-bottom:0%">B. MARKOBCSKNÑ


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                        class="toc" style="font-family:serif;font-size:5em;color:white;background:#19228b;text-align:center;margin-top:0%;margin-bottom:0%">КЕМ БЫТЬ?

                        Kommando pimppeling


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                        class="toc" style="font-family:serif;font-size:3em;color:black;background:#a2a882;text-align:center;margin-top:0%;margin-bottom:0%">Kuppalehti


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                        class="toc" style="font-family:serif;font-size:5em;color:black;background:#a2a882;text-align:center;margin-top:0%;margin-bottom:0%">AIVAN PARASTA ROISTOKIRJALLISUUTTA

                        Roistomaista


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:purple;background:white;text-align:right;margin-top:0%;margin-bottom:0%">JENS VAPIDUS


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                        class="toc" style="font-family:sans-serif;font-size:5em;color:black;background:white;text-align:right;margin-top:0%;margin-bottom:0%">RAHALLA SAA
                        JA HEVOSELLA PÄÄSEE

                        Konnailua


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                        class="toc" style="font-family:sans-serif;font-size:5em;color:red;background:teal;text-align:right;margin-top:0%;margin-bottom:0%">
                        JUAN
                        AMERIKASSA

                        Matuja


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                        class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:lightyellow;text-align:right;margin-top:0%;margin-bottom:0%">ERIC LINKLATER


                        ellauri321.html on line 139: I bless God for all the good he has given me; I envy no man's prosperity (unlike the greedy wren that stole the quaker swallow's furnishings), and with no other portion of happiness that that I may live to teach the same philosophy to my children; and give each of them a farm, shew them how to cultivate it, and be like their father, good substantial stantial independent American farmers—an appellation which will be the most fortunate one, a man of my class can possess, so long as our civil government continues to shed blessings on our husbandry. Adieu.
                        ellauri321.html on line 156: Those who live near the sea, feed more on fish than on flesh, and often encounter that boisterous element. This renders them more bold and enterprising; this leads them to neglect the confined occupations of the land. They see and converse with a variety of people; their intercourse with mankind becomes extensive. The sea inspires them with a love of traffic, a desire of transporting produce from one place to another; and leads them to a variety of resources which supply the place of labour. Those who inhabit the middle settlements, by far the most numerous, must be very different; the simple cultivation of the earth purifies them, but the indulgences of the government, the soft remonstrances of religion, the rank of independent freeholders, must necessarily inspire them with sentiments, very little known in Europe among people of the same class. What do I say? Europe has no such class of men; the early knowledge they acquire, the early bargains they make, give them a great degree of sagacity. As freemen men 58 they will be litigious; pride and obstinacy are often the cause of law suits; the nature of our laws and governments may be another. As citizens it is easy to imagine, that they will carefully read the newspapers, enter into every political disquisition, freely blame or censure governors and others. As farmers they will be carful and anxious to get as much as they can, because what they get is their own. As northern men they will love the chearful cup.
                        ellauri321.html on line 168: So he who would wish to see America in its proper light, and have a true idea of its feeble beginnings and barbarous rudiments, must visit our extended line of frontiers where the last settlers dwell, and where he may see the first labours of settlement, the mode of clearing the earth, in all their different appearances; where men are wholly left dependent on their native tempers, and on the spur of uncertain industry, which often fails when not sanctified by the efficacy of a few moral rules. There, remote from the power of example, and check of shame, many families exhibit the most hideous parts of our society. They are a kind of forlorn hope, preceding by ten or twelve years the most respectable army of veterans which come after them. In that space, prosperity will polish some, vice and the law will drive off the rest, who uniting again with others like themselves will recede still farther; making room for more industrious people, who will finish their improvements, convert the loghouse into a convenient habitation, and rejoicing that the first heavy labours are finished, will change in a few years that hitherto barbarous country into a fine fertile, well regulated district. Such is our progress, such is the march of the Europeans toward the interior parts of this continent. In all societies there are off-casts; this impure part serves as our precursors or pioneers; my father himself was one of that class, but he came upon honest principles, and was therefore one of the few who held fast; by good conduct and temperance, he transmitted to me his fair inheritance, when not above one in fourteen of his contemporaries had the same good fortune.
                        ellauri321.html on line 180: Thus are our first redskins trod, thus are our first trees felled, in general, by the most vicious of our people; and thus the path is opened for the arrival of a second and better class, the true American free-holders.
                        ellauri321.html on line 220: Set in the year before the Wall Street crash, Juan in America is a classic evocation of the final mania of prohibition, as seen through equally maniacal British eyes. The character Eric Linklater devised to be his unreliable explorer was one capable of absorbing the enormity of the American experience without being overwhelmed by its incongruities. A blithe, bastard descendent of Byron(tm)s Don Juan, Linklater´s Juan is an anti-hero with a taste for the grotesque and the ridiculous, at once both dirty and deity whose response when faced either with sudden catastrophe or miraculous survival is simply to laugh. A novel in the mode of the picaresque, this is a story of erotic discovery in the sense, as Juan puts it, that, eh, your trousers hide not only your willy but your kinship to the clown. A nation emerging as a great power is exalting in absurdist energies. In its last spasms before the great depression, America is revealed through a series of unlikely accidents as Juan stumbles from state to state, somehow evading consequences as he goes. On his first day, he falls for the daughter of a gangster, witnesses a murder in a speakeasy and watches a woman leap to her death in a New York street. He thrills to the bizarreness of each spectacle and moves on to the next in a galloping mood that is part medieval romance, part running commentary on what was still, in the 1920s, the new world.
                        ellauri321.html on line 326: Russell "Beam me up" Scott joined the Scott Trust in 2015, and is the Scott Trust’s only senior independent director AKA owner. He runs a consultancy business specialising in strategy and execution for digital audience growth and monetisation. He is also co-founder of Grazer Learning, a start-up digital education platform and provides commercial support to a number of other tech start-ups. Previously he held multiple senior roles in consumer publishing, digital and broadcast sectors including Content Director of The Football League, Commercial Director of Northcliffe media and MD of fish4, a digital classified JV between 5 major UK regional senior pressure groups.
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                        class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Mary Wolstonecraft & kumpp.


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                        class="toc" style="font-family:serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Tom Dick and Harry Paineella

                        Sentimentalismia


                        ellauri322.html on line 458: From what I have seen throughout my journey, I do not think the situation of the poor in England is much, if at all, superior to that of the same class in different parts of the world; and in Ireland I am sure it is much inferior. I allude to the former state of England; for at present the accumulation of national wealth only increases the cares of the poor, and hardens the hearts of the rich, in spite of the highly extolled rage for almsgiving.
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                        class="toc" style="font-family:serif;font-size:5em;color:black;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Max Beerbohm


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                        class="toc" style="font-family:serif;font-size:6em;color:lightyellow;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Zuleika Dobson

                        Eetuilua


                        ellauri323.html on line 180: Member of the Hadash Party and the Israeli Knesset Ofer Cassif says while the killing of civilians on both sides was condemnable, it was Israel’s occupation of Palestinian territories, and the actions of the Netanyahu-led government, that was responsible for the deaths of Israelis and Palestinians. Cassif also criticised the US government, saying that if it had pressed Israel to move towards a peaceful political solution and to end the occupation, events such as today’s would not have happened. Eurowesterners are making very similar statements and language that you have heard from US President Joe Biden. They are firmly blaming Hamas for this attack. Biden pledges ‘all appropriate means of support’ to Israel. The US provides $3.8bn in unconditional military aid to Zion annually. Hadash is a left-wing party that supports a socialistic economy and workers' rights. It emphasizes Jewish-Arab cooperation, and its leaders were among the first to support a two-state solution. Its voters are principally middle class and secular Arabs, many from the north and Christian communities.
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                        class="toc" style="font-family:serif;font-size:3em;color:black;background:#00c2c3;text-align:center;margin-top:0%;margin-bottom:0%">WILLIAM BLUM


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                        class="toc" style="font-family:sans-serif;font-size:8em;color:red;background:#00c2c3;text-align:center;margin-top:0%;margin-bottom:0%">ROISTO-
                        VALTIO

                        Ryöstökapitalismia


                        ellauri324.html on line 240: If the author of the question long one is wealthy and well traveled he would know that Europe and Asia had many technological advances long before USA did or will ever have such as TGV or bullet trains for example. After spending time in Europe and Asia it was decades later I saw many of these advances here to buy or experience. Japanese cars nearly sunk USA automakers. Why didn’t the corp heads heed anything. TGV in France and Japan and other nations is unrivaled and we have not even one such train here. Tankless water heaters, available in Asia and Europe decades before here. Roads and other infrastructure also superior. My research shows that Americans were so busy creating totalitarian policies like redlining and private cars and pools and expressways removed entire neighborhoods of blacks to create all white suburbs that they were unconcerned with advances that would unite people. Sure everywhere are class societies but it’s a whole different level here. The homeless situation is opening eyes in this country and many things are borne out of a highly segregated society where it’s expensive to live in certain cities and suburbs and the rest be damned. Obviously California has destroyed itself from within. The liberals there and other states are the most class and race conscious than any other people on earth. This blind spot is like a beacon. A prism that breaks down social order. The wealthy libs have to accept their roles in American destruction. It will get worse long before it improves. [Redlining is an illegal practice in which lenders avoid providing credit services to individuals living in or seeking to live in, communities of color because of the race, color, or national origin of the residents in those communities.]
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                        class="toc" style="font-family:serif;font-size:12em;color:orange;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Tom
                        Clancy´s


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                        class="toc" style="font-family:sans-serif;font-size:8em;color:red;background:black;text-align:center;margin-top:0%;margin-bottom:0%">POLITIKA

                        Antikommunismia


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                        class="toc" style="font-family:sans-serif;font-size:8em;color:#253127;background:#a09661;text-align:center;margin-top:0%;margin-bottom:0%">SALAMANTERI-
                        SOTA

                        Antiputinismia


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:#5a3b29;background:#a09661;text-align:center;margin-top:0%;margin-bottom:0%">KAREL CAPEK


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                        class="toc" style="font-family:sans-serif;font-size:6em;color:#5a3b29;background:#adc75c;text-align:center;margin-top:0%;margin-bottom:0%">Various artists


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                        class="toc" style="font-family:sans-serif;font-size:8em;color:#253127;background:#adc75c;text-align:center;margin-top:0%;margin-bottom:0%">Koirameemejä

                        Reviiriajattelua


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                        class="toc" style="font-family:serif;font-size:7em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">VAD ÄR EN
                        DIKTATUR?

                        Lipilaaria


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                        class="toc" style="font-family:serif;font-size:3em;color:white;background:black;text-align:left;margin-top:0%;margin-bottom:0%">Equipo Plantel


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                        class="toc" style="font-family:serif;font-size:3em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">P. Pylkkänen


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                        class="toc" style="font-family:serif;font-size:7em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Tietoisuuden mysteeri

                        Höpsismiä


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                        class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Anna-Lena Lauren


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                        class="toc" style="font-family:serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">PROPAGANDASOTAA

                        Voluntarismia


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                        class="toc" style="font-family:serif;font-size:3em;color:black;background:#83a9b6;text-align:center;margin-top:0%;margin-bottom:0%">George Lucas


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                        class="toc" style="font-family:serif;font-size:7em;color:white;background:#83a9b6;text-align:center;margin-top:0%;margin-bottom:0%">Jar-Jar Bling

                        Kinefiliaa


                        ellauri332.html on line 409: The Scarlet Letter strays far from its classic source material to tell a story that strains for steamy sensuality and leaves the audience red with unintentional laughter.
                        ellauri332.html on line 415: Slaughter, sin, and sex in classic-turned-movie misfire.
                        ellauri332.html on line 422: Love the book or hate it, but no novel deserves the shabby treatment that director Roland Joff and screenwriter Douglas Day Stewart have given the classic novel.
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                        class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">King Ashoka & Buddha


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                        class="toc" style="font-family:serif;font-size:7em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Mlecch

                        Koprolaliaa


                        ellauri333.html on line 71: Muut kuin oikein ääntelevät arjalaiset oli barbaareja. The word mleccha emerged as a way for the ancient Hindus to classify those who did not subscribe to the "traditional value system," Early writings refer to these foreign peoples as "half-civilized, unconverted people who rise or eat at improper times." Mlecchas drank alcohol, ate cow flesh, which was strictly forbidden to a follower of Hindu orthopraxy, and believed in false gods. Swami Parmeshwaranand states the mleccha tribe was born from the tail end of the celestial cow Nandini, The mlecchas drove angered elephants. Olipa ozaa tälläkin mutakuonolla. Vitun mamuja.
                        ellauri333.html on line 128: From Indian literature we know that at all times kings used to entertain spies {chara or gudha-purusha). These agents were graded into high ones, low ones, and those of middle rank. A similar class of officers, which was created by Asoka himself, were the reporters (prativedaka), who were posted everywhere, as he says, in order to report to me the affairs of the people at any time, while I am eating, in the harem, in the inner apartment, even at the cowpen, in the palanquin, and in the parks.
                        ellauri333.html on line 370: In a conference in late 1927, Ambedkar publicly condemned the classic Hindu text, the Manusmriti (Laws of Manu), for ideologically justifying caste discrimination and "untouchability", and he ceremonially burned copies of the ancient text. On 25 December 1927, he led thousands of followers to burn copies of Manusmriti. Thus annually 25 December is celebrated as Manusmriti Dahan Din (Manusmriti Burning Day) by Ambedkarites and Dalits.
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                        class="toc" style="font-family:sans-serif;font-size:2em;margin-top:0%;margin-bottom:0%;padding-right:2%">Wichawd Wöycke (Hrsg.)


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                        class="toc" style="font-family:sans-serif;font-size:4em;margin-top:0%;margin-bottom:0%">Deutschland
                        Rohstoff Abhängigkeit

                        Oligodontiaa


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                        class="toc" style="text-align:center;font-family:sans-serif;font-size:2em;color:pink;background:black;margin-top:0%;margin-bottom:0%;padding-right:2%">Leonardo da Vinci


                        ellauri335.html on line 27:

                        class="toc" style="text-align:center;font-family:sans-serif;font-size:4em;color:lightgrey;background:black;margin-top:0%;margin-bottom:0%">Cos'é la vita?

                        Trendejä


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                        class="toc" style="text-align:center;font-family:sans-serif;font-size:2em;color:pink;background:#cce8f3;margin-top:0%;margin-bottom:0%;padding-right:2%">Rebbe Chinuch


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                        class="toc" style="text-align:center;font-family:AdineKirnberg;font-size:8em;color:#12a0b4;background:#cce8f3;margin-top:0%;margin-bottom:0%">Puhtaiden mielien
                        JA
                        sydänten kasvattaminen

                        Kimchiä


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                        class="toc" style="text-align:center;font-family:sans-serif;font-size:4em;color:gold;background:black;margin-top:0%;margin-bottom:0%;padding-right:2%">Thomas Schelling


                        ellauri338.html on line 27:

                        class="toc" style="text-align:center;font-family:sans-serif;font-size:8em;color:gold;background:black;margin-top:0%;margin-bottom:0%">Strategy of Inner Conflict

                        Demilitarisaatiota


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                        class="toc" style="text-align:center;font-family:sans-serif;font-size:3em;color:black;background:#edab5d;margin-top:0%;margin-bottom:0%;padding-right:2%">Marshal Zhukov


                        ellauri339.html on line 27:

                        class="toc" style="text-align:center;font-family:sans-serif;font-size:6em;color:black;background:#edab5d;margin-top:0%;margin-bottom:0%">Zhuk v muraveynike

                        Rautaesiripun takana


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                        class="toc" style="text-align:center;font-family:sans-serif;font-size:3em;font-style:italic;color:white;background:black;margin-top:0%;margin-bottom:0%;padding-right:2%">★ TUOMARILIIGA


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                        class="toc" style="text-align:center;font-family:sans-serif;font-size:6em;font-style:italic;color:white;background:black;margin-top:0%;margin-bottom:0%">PISSALIISA

                        Peilailua


                        ellauri340.html on line 262:
                        • class="new" title="Soft Law (sivua ei ole)">Pehmolaki (Soft Law) -prosessit, kuten kansainvälisten humanitaaristen järjestöjen päätöslauselmat, julistukset ja kannanotot

                        • ellauri340.html on line 263:
                        • class="mw-redirect" title="ETYJ">ETYJ:n eli Euroopan turvallisuus- ja yhteistyöjärjestön asiakirjat

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                          class="wikitable" border="0">
                          ellauri340.html on line 310:
                          ellauri340.html on line 312:
                          class="mw-headline" id="Viitteet">Viitteet

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                          class="viitteet-malline" style="list-style-type:decimal;">
                            class="references">
                            ellauri340.html on line 314:
                          1. class="mw-cite-backlink"> class="reference-text">Toisen maailmansodan jälkeen oikeudellisessa mielessä on käyty vain neljä sotaa: Israelin itsenäisyyssota, Kuuden päivän sota, Irakin–Iranin sota, Falklandin sota. (joskus mukaan luetaan myös Toinen Intian–Pakistanin sota) Oikeudellisessa mielessä kaikki muut sodat ovat olleet aseellisia selkkauksia. Tästä syystä Kansainvälinen gumanitaarinen oikeus käsittelee "valtioiden välisiä aseellisia selkkauksia" ja "valtioiden sisäisiä aseellisia selkkauksia". Tässä artikkelissa käytetään kuitenkin aseellisen selkkauksen sijasta termiä sota (ja sisällissota) historiallisen vakiintuneisuuden, lyhyyden ja vakiintuneiden mielikuvien vuoksi. EEEHHHEHHHEHHHEH! Lopettakaa! Mä repeen!
                            ellauri340.html on line 316:
                          2. class="mw-cite-backlink">↑ a b class="reference-text">Takapuoli, s. 61–72.
                            ellauri340.html on line 318:
                          3. class="mw-cite-backlink"> class="reference-text">Rosén, Pelkuri: Sodan Lait: Käsikirja, WSOY 2004, s. 1–2.
                            ellauri340.html on line 320:
                          4. class="mw-cite-backlink"> class="reference-text">class="verkkoviite" title="Verkkoviite">class="external text" href="https://rednet.punainenristi.fi/node/39543">Gumanitaarisen oikeuden toiminta Suomen Punainen Risti. Viitattu 13.8.2023.
                            ellauri340.html on line 322:
                          5. class="mw-cite-backlink">↑ a b class="reference-text">Takapuoli, s. 91–92.
                            ellauri340.html on line 326:

                          ellauri340.html on line 327:
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                          class="toc" style="text-align:center;font-family:sans-serif;font-size:3em;color:white;background:#3ba3da;margin-top:0%;margin-bottom:0%;padding-right:2%">Täävoi Purra


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                          class="toc" style="text-align:center;font-family:AdineKirnberg;font-size:6em;color:white;background:#3ba3da;margin-top:0%;margin-bottom:0%">Uuteen Jerusalemiin

                          Persuilua


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                          class="toc" style="text-align:center;font-family:sans-serif;font-size:9em;color:green;background:black;margin-top:0%;margin-bottom:0%">Neljäs Laine

                          Lisää matuja


                          ellauri342.html on line 27:

                          class="toc" style="text-align:right;font-family:sans-serif;font-size:3em;color:gold;background:black;margin-top:0%;margin-bottom:0%;padding-right:5%">Martti Larni


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                          class="toc" style="text-align:right;font-family:serif;font-size:5em;color:black;background:lightgrey;margin-top:0%;margin-bottom:0%">kärhämää
                          POHJANMAALTA

                          Fasilitointia


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                          class="toc" style="text-align:center;font-family:serif;font-size:7em;color:white;background:darkgrey;margin-top:0%;margin-bottom:0%;padding-right:5%">PASKA TUURI


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                          class="toc" style="text-align:right;font-family:sans-serif;font-size:7em;color:black;background:red;margin-top:0%;margin-bottom:0;padding-right:5%">MUROPAKETTI

                          Anaalisosialismia


                          ellauri344.html on line 27:

                          class="toc" style="text-align:right;font-family:sans-serif;font-size:7em;color:black;background:red;margin-top:0%;margin-bottom:0%;padding-right:5%">(C) LAINEET


                          ellauri344.html on line 261: Jews without Money is set in a slum populated mainly by Jewish immigrants from Eastern Europe. The father of the hero is a Romanian-born painter who suffers from lead poisoning. When he falls from a scaffold, he is disabled and can no longer work. His business fails and the family is pushed into poverty. The mother has to seek work in a restaurant. Although he is a bright boy, young Michael decides he must leave school. On the final page of the book, the poor Jewish boy prays for the arrival of a Marxist worker's revolution that will emancipate the working class.
                          ellauri344.html on line 263: The novel depicts a Zionist entrepreneur's fatal extortion of a poor Jew, which has been read as a proletarian critique of both American capitalism and of Zionism as a "bourgeois" movement that does not serve the interests of working-class American Jews.
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                          class="toc" style="text-align:center;font-family:sans-serif;font-size:5em;color:brown;background:white;margin-top:0%;margin-bottom:0%;padding-right:5%">Benjy


                          ellauri345.html on line 31:

                          class="toc" style="text-align:center;font-family:sans-serif;font-size:5em;color:black;background:white;margin-top:0%;margin-bottom:0;padding-right:5%">Valinnaisia sukulaisia

                          To business!


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                          class="toc" style="text-align:center;font-family:NewRocker;font-size:3em;color:black;background:beige;margin-top:0%;margin-bottom:0%;padding-right:5%">LEONID BREZHNEV


                          ellauri346.html on line 31:

                          class="toc" style="text-align:center;font-family:NewRocker;font-size:5em;color:black;background:beige;margin-top:0%;margin-bottom:0;padding-right:5%">KOHTA ON KIVAA

                          Kulturnoje


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                          class="toc" style="text-align:left;font-family:sans-serif;font-size:3em;color:red;background:black;margin-top:0%;margin-bottom:0%;padding-right:5%">ANTTI ESKOLA


                          ellauri347.html on line 31:

                          class="toc" style="text-align:left;font-family:sans-serif;font-size:5em;color:white;background:black;margin-top:0%;margin-bottom:0;padding-right:5%">VANHUSMAISTA

                          Geriatriaa


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                          class="toc" style="text-align:left;font-family:sans-serif;font-size:3em;color:black;background:lightgreen;margin-top:0%;margin-bottom:0%;padding-right:5%">Pirjo "Säi säi" Winter


                          ellauri348.html on line 31:

                          class="toc" style="text-align:left;font-family:sans-serif;font-size:7em;color:white;background:lightgreen;margin-top:0%;margin-bottom:0;padding-right:5%">TOIVOSSA
                          ON HYVÄ ELÄÄ

                          Toiveikasta


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                          class="toc" style="text-align:left;font-family:sans-serif;font-size:3em;color:black;background:white;margin-top:0%;margin-bottom:0%;padding-right:5%">E. SAARISEN


                          ellauri349.html on line 31:

                          class="toc" style="text-align:left;font-family:sans-serif;font-size:7em;color:black;background:white;margin-top:0%;margin-bottom:0;padding-right:5%">AJAT
                          US
                          TEN T
                          ONA
                          VA

                          Positiivista


                          ellauri349.html on line 492: Cette fortune familiale disparue avait permis aux trois enfants Aron de mener une vie aisée et de faire de bonnes études. Le frère aîné de Raymond, Adrien Aron (1902-1969), a étudié au lycée Hoche et poursuit par une classe de mathématiques supérieures et une licence en droit[7], mais il était plus attiré par une vie facile et devint un grand joueur de tennis et de bridge et mena une vie de « flambeur », à l'opposé de Raymond et au grand dam de leur père. Avant la naissance d'Adrien, la mère avait accouché d'un enfant mort-né. Après Raymond vint un troisième garçon, Robert Aron, qui obtint une licence en droit et en philosophie, publia une étude sur Descartes et Pascal[Laquelle ?] et après son service militaire entra dans l'administration de la Banque de Paris et des Pays-Bas (devenue en 1982 Paribas, qui fut ensuite rachetée en 2000 par la BNP pour former BNP Paribas), selon certains grâce à Raymond, qui jouait régulièrement au tennis avec son directeur.
                          ellauri349.html on line 545: 1The Embodied Mind, by Francisco J. Varela, Evan Thompson, Eleanor Rosch. This classic book, first published in 1991, was one of the first to propose the “embodied cognition” approach in cognitive science. It pioneered the connections between phenomenology and science and between Buddhist practices and science—claims that have since become highly influential. The View from Within: First Person Approaches to the Study of Consciousness, by Francisco Varela and Jonathan Shear (Eds). How can we be sure even that we exist? The editors agree that we can't be sure but they recommend a pragmatist approach. Technology and the human condition. By B. Gendron. Published 1 November 1976.
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                          class="toc" style="text-align:left;font-family:sans-serif;font-size:3em;color:black;background:beige;margin-top:0%;margin-bottom:0%;padding-right:5%">ANGELA MONTENEGRO-AHOLA


                          ellauri350.html on line 31:

                          class="toc" style="text-align:left;font-family:sans-serif;font-size:7em;color:red;background:beige;margin-top:0%;margin-bottom:0;padding-right:5%">DIGI
                          RUNKKAUSTA

                          {span style="color:white;background-color:purple"}2024{/span} Runkkua


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                          class="toc" style="text-align:left;font-family:sans-serif;font-style:italic;font-size:2em;color:black;background:lightgrey;margin-top:0%;margin-bottom:0%;padding-right:5%">PUNTUN PAAVO ja KIRJAPAJA


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                          class="toc" style="text-align:left;font-family:sans-serif;font-style:italic;font-size:6em;color:red;background:lightgrey;margin-top:0%;margin-bottom:0;padding-right:5%">WIIKSI
                          VA✷
                          HA-✷A✷

                          MME
                          🖕

                          Vihapuhetta


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                          class="toc" style="text-align:left;font-family:serif;font-size:2em;color:white;background:black;margin-top:0%;margin-bottom:0%;padding-right:5%">Joseph Mengele


                          ellauri352.html on line 33:

                          class="toc" style="text-align:left;font-family:serif;font-size:6em;color:red;background:black;margin-top:0%;margin-bottom:0;padding-right:5%">Die Geschichte vom
                          hölzernen Bengele

                          Emävaleita


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                          class="toc" style="text-align:right;font-family:sans-serif;font-size:2em;color:black;background:beige;margin-top:0%;margin-bottom:0%;padding-right:5em;padding-bottom:20px">TUULIKKI MÄYHÄ


                          ellauri353.html on line 33:

                          class="toc" style="text-align:center;font-family:sans-serif;font-size:10em;color:black;background:beige;margin-top:0%;margin-bottom:0;padding-right:5%">MÄYHÄ

                          Hätävaleita


                          ellauri353.html on line 297: And I really have mixed feelings about either arrangement. so instead. I have is very happy to spend the school year doing some work on my dissertation. I got used to being a homemaker. I took some funky classes in pottery, (Sorry Milton I mean) ceramics. And I got pregnant at the the back end of school here we left university and headed for Amman or Milton spent the summer writing a book. Jointly with two other people. And I spent the summer being pregnant and I'm comfortable. But war was heating up and decided that once our baby arrived we would move. The washing. He would go to work probably at the Treasury Department. I hope to spend my time as a mother. Unfortunately that didn't work out. Our first pregnancy. My first experience at. Guarding a family came to a sad end when the baby was stillborn. So I went to work in watching them till I could get pregnant again. This time they were more fortunate. And once our daughter was born. I had no thought of going back to work. At least until my. Our children were grown. And as it turned out I never did go back as far as spam innocents are concerned. When I had the opportunity to do some work at home without leaving. So there.
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                          class="toc" style="text-align:center;font-family:serif;font-size:2em;color:black;background:lightblue;margin-top:0%;margin-bottom:0%;padding-bottom:20px">Svetlana Aleksijevits


                          ellauri355.html on line 33:

                          class="toc" style="text-align:center;font-family:serif;font-size:10em;color:black;background:beige;margin-top:0%;margin-bottom:0%">Ostankinon juna

                          Puolitotuuxia


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                          class="toc" style="text-align:center;font-family:NewRocker;font-size:2em;color:teal;background:black;margin-top:0%;margin-bottom:0%;padding-bottom:20px">William Blake


                          ellauri359.html on line 33:

                          class="toc" style="text-align:center;font-family:NewRocker;font-size:6em;color:indianred;background:black;margin-top:0%;margin-bottom:0%">Kirpun henki

                          Ilmaisrakkautta


                          ellauri359.html on line 61: Actually, I already knew that; what I didn’t know was that the cause was very possibly inherited syphilis. Grahame, a dyed-in-the-wool bachelor who loved “messing about in boats”, seems to have married under duress, the sort to which upper-middle-classes were particularly susceptible: namely, propriety. His sister believed Elspeth Thomson deliberately compromised him. On receiving news of his nuptials, she asked if he really intended to marry her. “I suppose so; I suppose so,” was the telling reply.
                          ellauri359.html on line 67: For a female reader from the proletarian classes, many of Gauger’s revelations have been particularly painful. Apparently, Grahame did not like women. He did not give any of his furry heroes wives, saying that he wished his book to be “clean of the clash of sex”. The few who do appear – foremost among them the fabulously feisty washerwoman – are ridiculed, in her case mocked as vulgar, ugly and stupid. Nor did Grahame like fat people; the washerwoman thus combines two pet hates.
                          ellauri359.html on line 69: But there were others. Like so many Scots before and since, Grahame held a senior post in London’s banking world. When one day a stranger accosted him there with a pistol, firing it off wildly (though happily missing his target), the author’s fear of the underclass took root. Thus, those ragamuffins in the Wild Wood, the knife-wielding, teeth-baring stoats and weasels who destroy property and have no respect for their social superiors – Rat, Toad, Badger and Mole – are his representation of the terrible face of anarchists, working classes and madmen rolled into one.
                          ellauri359.html on line 151: Distinguished lawyer, business leader and philanthropist David Rubenstein joined more than 90 Eisenhower Fellows from around the world as our featured speaker at a special dinner reception at the Masonic Temple on May 14. Mr. Rubenstein’s extraordinary life’s journey took him from humble working-class beginnings in Baltimore to become co-founder and co-chairman of the Carlyle Group, a global private equity investment firm based in Washington, D.C. In gratitude for his illustrious business career, Mr. Rubenstein has become one of the world’s most prominent philanthropists, donating much of his fortune to worthy charitable causes.
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                          class="toc" style="text-align:center;font-family:sans-serif;font-size:2em;color:black;background:yellow;margin-top:0%;margin-bottom:0%;padding-bottom:20px">ROBBE GRILLET présente:


                          ellauri360.html on line 35:

                          class="toc" style="text-align:center;font-family:serif;font-size:6em;color:rebeccapurple;background:yellow;margin-top:0%;margin-bottom:0%">Jeg elsker
                          GRILLET FISK

                          Modernismia


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                          class="toc" style="text-align:center;font-family:AdineKirnberg;font-size:6em;color:green;background:white;margin-top:0%;margin-bottom:0%">Ylpeys ja ennakkoluulo

                          Varhaisromantiikkaa


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                          class="toc" style="text-align:center;font-family:serif;font-size:2em;color:green;background:white;margin-top:0%;margin-bottom:0%;padding-bottom:20px">A Novel by JANE AUSTEN


                          ellauri362.html on line 282: Not quite sure what was so wonderful about this sort of elitism, racism, classism etc. Sounds like fun in fantasy, but awful in reality! Unless you happen to be a Darcy heiress, in which case it of course is quite all right.
                          ellauri362.html on line 739: The poet then explores the various forms of intoxication, ranging from the genteel indulgences of the upper classes to the boisterous revelry of the common folk. He mentions specific drinks associated with different social groups, highlighting the diverse ways in which people seek solace and escape from the challenges of life.
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                          class="toc" style="text-align:center;font-family:serif;font-size:2em;color:white;background:firebrick;margin-top:0%;margin-bottom:0%;padding-bottom:20px">Anttoni Pyp Pipo


                          ellauri364.html on line 34:

                          class="toc" style="text-align:center;font-family:serif;font-size:6em;color:white;background:firebrick;margin-top:0%;margin-bottom:0%">HERMOMME
                          JA ME

                          Neurolepsiaa


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                          class="toc" style="text-align:center;font-family:AdineKirnberg;font-size:2em;color:black;background:#e3d3af;margin-top:0%;margin-bottom:0%;padding-bottom:20px">The Family Guy


                          ellauri365.html on line 33:

                          class="toc" style="text-align:center;font-family:AdineKirnberg;font-size:6em;color:black;background:#e3d3af;margin-top:0%;margin-bottom:0%">TUULIRUUSU

                          Kuppasta


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                          class="toc" style="font-family:sans-serif;font-size:3em;color:yellow;background:dodgerblue;text-align:center;margin-top:0%;margin-bottom:0%">SARJAKUVA-VIISIKKO


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                          class="toc" style="font-family:sans-serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">VIISIKKO
                          VAKOILIJOIDEN NAAMIAISISSA

                          Vakoilua


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                          class="toc" style="font-family:serif;font-size:4em;color:gold;background:#8e4c20;bronze;text-align:left;margin-top:0%;margin-bottom:0%">Täys rove kranaatteja

                          Sukoilua


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                          class="toc" style="font-family:serif;font-style:italic;font-size:2em;color:gold;background:#8e4c20;text-align:left;margin-top:0%;margin-bottom:0%">Poems of Avron Sutzkever


                          ellauri368.html on line 66: Among the Jews of the Slavonic countries "maskil" usually denotes a self-taught Hebrew scholar with an imperfect knowledge of a living language (usually German), who represents the love of learning and the striving for culture awakened by Mendelssohn and his disciples; i.e., an adherent or follower of the Haskalah movement. He is "by force of circumstances detained on the path over which the Jews of western Europe swiftly passed from rabbinical lore to European culture" and to emancipation, and "his strivings and short-comings exemplify the unfulfilled hopes and the disappointments of Russian civilization." The Maskilim are mostly teachers and writers; they taught a part of the young generation of Russian Jewry to read Hebrew and have created the great Neo-Hebrew literature which is the monument of Haskalah. Although Haskalah has now been flourishing in Russia for three generations, the class of Maskilim does not reproduce itself. The Maskilim of each generation are recruited from the ranks of the Orthodox Talmudists, while the children of Maskilim very seldom follow in the footsteps of their fathers. This is probably due to the fact that the Maskil who breaks away from strictly conservative Judaism in Russia, but does not succeed in becoming thoroughly assimilated, finds that his material conditions have not been improved by the change, and, while continuing to cleave to Haskalah for its own sake, he does not permit his children to share his fate. The quarrels between the Maskilim and the Orthodox, especially in the smaller communities, are becoming less frequent. In the last few years the Zionist movement has contributed to bring the Maskilim, who joined it almost to a man, nearer to the other classes of Jews who became interested in that movement. The numerous Maskilim who emigrated to the United States, especially after the great influx of Russian immigrants, generally continued to follow their old vocation of teaching and writing Hebrew, while some contributed to the Yiddish periodicals. Many of those who went thither in their youth entered the learned professions. See Literature, Modern Hebrew. (Source: Jewish Dictionary)
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                          class="toc" style="font-family:Muli;font-size:15em;color:black;background:white;text-align:leftr;margin-top:0%;margin-bottom:0%">CORNE
                          LIUS
                          NEPOS


                          ellauri369.html on line 27:

                          class="toc" style="font-family:Muli;font-size:12em;color:olive;background:white;bronze;text-align:left;margin-top:0%;margin-bottom:0%">KUULUISIA
                          MIEHIÄ

                          Paleofiktiota


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                          class="toc" style="font-family:Muli;font-size:4em;color:white;text-align:center;margin-top:0%;margin-bottom:0%">Poul Borchsenius


                          ellauri370.html on line 29:

                          class="toc" style="font-family:Muli;font-size:8em;color:white;background-color:black;text-align:center;margin-top:0%;margin-bottom:0%">Den evige Jøde

                          Syntipukkeilua


                          ellauri370.html on line 469: Eugen considered the Marxist view of class-warfare as a dangerous superstition which obscures in convoluted dialectic the real sympathy that should and could exist between employers and workers and which alone forms the basis of a healthy social ethos.
                          ellauri370.html on line 471: Spengler and Sombart could not agree more. Duhring´s political economy has much in common with that of Mahatma Gandhi, the Indian leader, who attacked exploitation in any form, capitalist or Marxist, and advocated a society based on the principles of moral conscience, economic self-sufficiency, and mutual cooperation. He also drank his own pee and slept naked sandwiched between teenage girls. Diihring considered all property related to personal accomplishment as vigorously to be defended against the acquisitive grasp of Socialistic measures. All Marxist denials of social classifications are thus Utopian since a conflict of interests is indivisibly linked to the natural differences between man and mouse.
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                          class="toc" style="font-family:serif;font-size:2em;color:black;background-color:#ffbc57;text-align:center;margin-top:0%;margin-bottom:0%">PROTOKOLY SiONSKIXb MUDRETSOBb.

                          Paranoidia


                          ellauri371.html on line 27:

                          class="toc" style="font-family:serif;font-size:1em;color:black;background-color:#ffbc57;text-align:center;margin-top:0%;margin-bottom:0%">(Po textu S.A. Nilusa)


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                          class="toc" style="font-family:serif;font-size:3em;color:black;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Flaccid Horace


                          ellauri372.html on line 27:

                          class="toc" style="font-family:serif;font-size:6em;color:black;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Oodi hippiäiselle

                          Sikasovinismia


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                          ellauri373.html on line 26:

                          class="toc" style="font-family:sans-serif;font-size:3em;color:#880808;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">YXI PORUKOISTA


                          ellauri373.html on line 27:

                          class="toc" style="font-family:sans-serif;font-size:6em;background-color:#880808;color:gold;text-align:center;margin-top:0%;margin-bottom:0%">BATTLE OF JOLO

                          Feminismiä


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                          class="toc" style="font-family:serif;font-size:4em;background-color:grey;color:black;text-align:center;margin-top:0%;margin-bottom:0%">SEISOO UKRAINAN KANSSA

                          Kökkäreitä


                          ellauri374.html on line 27:

                          class="toc" style="font-family:serif;font-size:3em;color:black;background-color:grey;text-align:center;margin-top:0%;margin-bottom:0%">Даниел Сазоновъ


                          ellauri374.html on line 430: Allah, he believes, is on his movement’s side. “When oppression increases,” the sheikh explains in his elegant, classical Arabic, “people start looking for God. The guys with the best God in their corner are bound to win.”
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                          class="toc" style="font-family:sans-serif;font-size:3em;color:white;background-color:darkgreen;text-align:center;margin-top:0%;margin-bottom:0%">Steven Spielberg


                          ellauri375.html on line 27:

                          class="toc" style="font-family:sans-serif;font-size:4em;background-color:darkgreen;color:white;text-align:center;margin-top:0%;margin-bottom:0%">MAAILMOJEN SOTA

                          Pökäleitä


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                          class="toc" style="font-family:sans-serif;font-size:3em;color:black;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Pistis Sofia


                          ellauri377.html on line 31:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:black;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Lihan iloja

                          Hurlumheitä


                          ellauri377.html on line 293: It has been said that all our sinfulness may be resolved "into two elementary instincts: the instinct of self-preservation and the reproductive instinct." The third class of sins--sins of temper--would be referred to the first of the heads; sins of sensuality and excess--the one immediately, the other more remotely--to the second. The sins of superstition mentioned are of a more secondary character, and arise out of intellectual errors.
                          ellauri377.html on line 304: The first in our English Bible, "adultery," is rejected from the Greek text by the general consent of editors. But in fact, "fornication" (πορνεία) may be taken as including it (Matthew 5:32), though it may also stand at its side as a distinct species of unchastity. "uncleanness" covers a wider range of sensual sin ("all uncleanness," Ephesians 4:19); solitary impurity, whether in thought or deed; unnatural lust (Romans 1:24), though it can hardly be taken as meaning this lust alone. "Lasciviousness," or "wantonness," is scarcely an adequate rendering of ἀσέλγεια in this connection; it appears to point to reckless shamelessness in unclean indulgences. In classical Greek the adjective ἀσέλγης describes a man insolently and wantonly reckless in his treatment of others; but in the New Testament it generally appears to point more specifically to unabashed open indulgence in impurity. The noun is connected with "uncleanness" and "fornication' 'in 2 Corinthians 12:21; with "uncleanness' ' in Ephesians 4:19; is used of the men of Sodom in 2 Peter 2:7; comp. also 2 Peter 2:18; l Peter 4:3; Jude 1:4 (cf. 7). Only in Mark 7:22 can it from the grouping be naturally taken in its classical sense.
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                          class="toc" style="font-family:UnifrakturMaguntia;font-size:4em;color:black;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">Schwerbelastungskörper

                          Rapukarkkeja


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                          class="toc" style="font-family:sans-serif;font-size:3em;color:black;background-color:white;text-align:center;margin-top:0%;margin-bottom:0%">el alamy


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                          class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-bottom:0%">Antonio Banderas


                          ellauri381.html on line 38:

                          class="toc" style="font-family:sans-serif;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Puskaryssiä

                          Pomilointia


                          ellauri381.html on line 162: In April 2014, more information about the activity of the Banderovites was revealed in documents declassified by the Russian Ministry of Defense. These documents shed new light on the activities of the Banderovites and their logistical support of the German occupying forces, as well as their role in carrying out ethnic cleansing.
                          ellauri381.html on line 175: Read more: Russian Defense Ministry declassifies WWII documents on Ukrainian nationalists>>>
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                          class="toc" style="font-family:serif;font-size:3em;color:black;background:#8faa81;text-align:center;margin-bottom:0%">Vladimir Zhirinovski-vainaja


                          ellauri382.html on line 38:

                          class="toc" style="font-family:serif;font-size:6em;color:black;background:#8faa81;text-align:center;margin-top:0%;margin-bottom:0%">Itätyttöjä

                          Suunsoittoa


                          ellauri382.html on line 360: Meet the baddest man on the planet! Retired Chief Petty Officer David Goggins is the only person to ever complete US Army Ranger School, US Air Force Tactical Control Party Training, and US Navy Seal Training. Individually, each of these training programs are nearly impossible to complete. He not only completed the training, but served honorably, completing numerous combat missions in Afghanistan in each capacity, killing a lot of foreigners. Petty officers are U.S. Army's middle class which prevents the rank and file from lashing out on the officers. That's democracy. Middle class dreams about getting to the top and the rubble dreams about rising to middle class, pitelemään mahtavaa parrua.
                          ellauri382.html on line 592: The play was adapted to the big screen as two films, both entitled Gaslight—a 1940 British film, and a 1944 American film directed by George Cukor, also known as The Murder in Thornton Square in the UK. Both films are considered classics in their respective countries of origin, and are generally equally critically acclaimed. The play is set in fog-bound London in 1880, hence the name. The term "gaslighting" does not appear in any of the stageplays or screenplays and is inspired by the film´s title "Gaslight". The play has a happy end by the way.
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                          class="toc" style="font-family:serif;font-size:3em;color:black;background:#f4f3ef;text-align:center;margin-bottom:0%">Various authors


                          ellauri383.html on line 38:

                          class="toc" style="font-family:serif;font-size:6em;color:black;background:#f4f3ef;text-align:center;margin-top:0%;margin-bottom:0%">Poena Cullei

                          Mölinää


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                          class="toc" style="font-family:serif;font-size:3em;background:black;color:#f4f3ef;text-align:center;margin-bottom:0%">THOMAS WHICHELLO


                          ellauri384.html on line 38:

                          class="toc" style="font-family:serif;font-size:6em;background:black;color:#f4f3ef;text-align:center;margin-top:0%;margin-bottom:0%">ÖBAUT

                          Hölinää


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                          class="toc" style="font-family:serif;font-size:3em;background:black;color:#f4f3ef;text-align:center;margin-bottom:0%">Teppo Tulppu


                          ellauri386.html on line 38:

                          class="toc" style="font-family:serif;font-size:6em;background:black;color:#f4f3ef;text-align:center;margin-top:0%;margin-bottom:0%">Oman elämänsä Teppo

                          Teppoilua


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                          class="toc" style="font-family:serif;font-size:4em;background:#F8DE7E;color:teal;text-align:center;margin-bottom:0%">PIENIÄÄNINEN AUTISTI


                          ellauri389.html on line 38:

                          class="toc" style="font-family:serif;font-size:1em;background:#F8DE7E;color:teal;text-align:center;margin-top:0%;margin-bottom:0%">THE EMPEROR       OF EVERYTHING

                          Kupla kurkussa


                          ellauri389.html on line 97: The Romantic ethic rose in the spirit of modern consumerism. Sociologist Colin Campbell provides an account of the universal privilege that consumption offers previously upper class exclusive experiences such as imagination.
                          ellauri389.html on line 271: “I spent most of my time at school playing rugby. I ended up going to Bristol University to do psychology, and I took philosophy and sociology as subsidiary subjects in the first year. I got disillusioned with psychology, dropped out, was a car park attendant for six months, tried to start a new course in English, but I wouldn’t have got a grant, so I carried on into my second year with philosophy, thinking I would become a journalist. Probably because I did so much student journalism I could write well enough that I conned them into a first class degree in philosophy, which meant I could go to Cambridge to do a PhD – there were proper grants in those days. I tried to get a job in publishing in my first year there but didn’t get that, so it’s only philosophy in want of anything better really."
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                          class="toc" style="font-family:serif;font-style:italic;font-size:3em;background:white;color:black;text-align:center;margin-bottom:0%">James Fennimore Cooper


                          ellauri390.html on line 38:

                          class="toc" style="font-family:serif;font-size:7em;background:white;color:red;text-align:center;margin-top:0%;margin-bottom:0%">Viimeinen mohikaani

                          Tappojuttuja


                          ellauri390.html on line 611: Calvert was raised Conservative Jewish and attended synagogue every Shabbat (Saturday) morning until her Bat Mitzvah. Her family switched to a Reform synagogue and began attending only on Jewish holidays. She chose her stage name in honor of Professor Clay Calvert after taking his class on Mass Media Law as a sophomore. She said, "It felt right because really if I hadn't taken his class, I wouldn't be where I am right now," referring to learning during his class that pornography was not so illegal as she had previously thought.
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                          ellauri391.html on line 37:

                          class="toc" style="font-family:serif;font-style:italic;font-size:3em;background:white;color:black;text-align:center;margin-bottom:0%">Piisamirotta


                          ellauri391.html on line 38:

                          class="toc" style="font-family:AdineKirnberg;font-size:7em;background:white;color:blue;text-align:center;margin-top:0%;margin-bottom:0%">Kaiken turhuudesta

                          Turhuutta


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                          class="toc" style="font-family:serif;font-size:5em;background:#9f988e;color:black;text-align:center;margin-left:15%;margin-right:15%;margin-top:0%;margin-bottom:0%">Kirjallisuuden purkaamo

                          Kauhu kaunaista


                          ellauri392.html on line 39:

                          class="toc" style="font-family:serif;font-size:6em;background:red;color:white;text-align:center;margin-top:0%;margin-bottom:0%">DAVID H. HIRSCH


                          ellauri392.html on line 707: Some of the significant authors, who had written prose with Jewish thematic peculiarity, could be classified into two main groups by the language in which they had written. There are:
                          ellauri392.html on line 745: Herzog continues to be Bellow’s “biggest book” and it used to be on the New York Times best-seller list for one entire year. At its heart is Bellow’s profound shock at discovering, a year after his separation from Sondra, (Alexandra Tschacbasov, his second wife) her affair with their mutual friend, Jack Ludwig, Bellow lapsed into deep depression and produced an intensely self-justifying hero who was tearful, cuckolded, and utterly humiliated. Moses Herzog, a Jewish intellectual type is essentially precipitated into intellectual and spiritual crisis by the failure of his marriage. The plot of the novel is slender. Herzog leaves his home and marriage, fails in the classroom, abandons his academic project, and undertakes a mas-sive spiritual and intellectual obligation to keep the letters for God. At the end of it, he seems to have regained his sense of Jewish identity, purged himself of violent anger, abandoned his latest mistresses, and repented for his dandy style. He has had a profound education in the realities of human nature, and rediscovered the value of nature and solitude on his lushy Ludeyville estate.
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                          class="toc" style="font-family:serif;font-style:italic;font-size:3em;background:white;color:black;text-align:center;margin-bottom:0%">Thomas Crapper


                          ellauri393.html on line 38:

                          class="toc" style="font-family:serif;font-size:7em;background:cyan;color:black;text-align:center;margin-top:0%;margin-bottom:0%">ELÄMÄ JA TEOS

                          Kohinaa


                          ellauri393.html on line 297: By now he had been an illustrator for four decades, and he continued to favor scenes culled from everyday life. In Stockbridge, he found his younger models at the school near his house. Escorted by the principal, he would peer into classrooms, in search of boys with the right allotment of freckles, the right expression of openness. Before the Shot takes us into a doctor’s office as a boy stands on a wooden chair, his belt unfastened, his corduroy trousers lowered to reveal his pale backside. Rockwell kävi kouluissa kazastamassa pikkupoikien pikku perseitä. Hmm tässä ei ole tarpeexi pisamia. Vitun peeping Tom of Finland.
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                          class="toc" style="font-family:serif;font-style:italic;font-size:3em;background:magenta;color:white;text-align:center;margin-bottom:0%">Tri Ristintie ja kumpp.


                          ellauri395.html on line 38:

                          class="toc" style="font-family:AdineKirnberg;font-size:7em;background:grey;color:khaki;text-align:center;margin-top:0%;margin-bottom:0%">Dios te bendiga

                          Tohinaa


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                          ellauri396.html on line 37:

                          class="toc" style="font-family:sans-serif;font-size:3em;background:purple;color:white;text-align:center;margin-bottom:0%">Lindsay Ziepherd


                          ellauri396.html on line 38:

                          class="toc" style="font-family:Muli;font-size:7em;background:grey;color:white;text-align:center;margin-top:0%;margin-bottom:0%">FOR
                          CRYING
                          OUT LOUD

                          Pillitystä


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                          ellauri398.html on line 37:

                          class="toc" style="font-family:serif;font-style:italic;font-size:3em;background:brown;color:gold;text-align:center;margin-bottom:0%">Läskimoosexet


                          ellauri398.html on line 38:

                          class="toc" style="font-family:serif;font-size:7em;background:cyan;color:black;text-align:center;margin-top:0%;margin-bottom:0%">ZIPPORAH

                          Napinaa


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                          ellauri399.html on line 41:

                          class="toc" style="font-family:sans-serif;font-size:3em;background:white;color:black;text-align:center;margin-bottom:0%">Alfred E. Neuman


                          ellauri399.html on line 42:

                          class="toc" style="font-family:sans-serif;font-size:7em;background:white;color:blue;text-align:center;margin-top:0%;margin-bottom:0%">WHO NEEDS YOU

                          Kamalaa


                          ellauri399.html on line 72: I dropped out of Reed College (Oregon) after the first 6 months, but then stayed around as a drop-in for another 18 months or so before I really quit. So why did I drop out? It started before I was born. My biological mother was a young, unwed college graduate student, and she decided to put me up for adoption. She felt very strongly that I should be adopted by college graduates, so everything was all set for me to be adopted at birth by a lawyer and his wife. Except that when I popped out they decided at the last minute that they really wanted a girl. So my second choice working class parents, who were on a waiting list, got a call in the middle of the night asking: "We have an unexpected baby boy; do you want him?" They said: "Of course." My mother later found out that my adoptive "mother" had never graduated from college and that my adoptive "father" had never even graduated from high school! She refused to sign the adoption papers. She only relented a few months later when my adoptive parents promised that I would someday go to college. When I got the chance I dropped out, mainly to show the finger to my real mom.
                          ellauri399.html on line 74: 17 years later I went to college. I "naively" chose a college that was almost as expensive as Stanford, and all of my working-class parents' savings were being spent on my college tuition. After six months, I couldn't see the value in it. I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out. And here I was spending all of the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back it was one of the best decisions I ever made. Today I make so much more money as a dropout. The minute I dropped out I could stop taking the required classes that didn't interest me, and begin dropping in on the ones that looked interesting. Those 2 years of freewheeling cost my poor "parents" just as much money without the benefit of my ever graduating.
                          ellauri399.html on line 80: Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn't have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces (WOW), about proportional and monospace fonts (double WOW), about what makes great typography great such as F and I ligatures. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating.
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                          class="toc" style="font-family:serif;font-size:3em;background:lightgrey;color:black;text-align:center;margin-bottom:0%">Pekka Ervast


                          ellauri401.html on line 38:

                          class="toc" style="font-family:serif;font-size:7em;background:lightgrey;color:black;text-align:center;margin-top:0%;margin-bottom:0%">KOOMILLINEN KORISTUS

                          Humoristista


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                          ellauri402.html on line 37:

                          class="toc" style="font-family:serif;font-size:3em;background:lightgrey;color:black;text-align:center;margin-bottom:0%">Itella


                          ellauri402.html on line 38:

                          class="toc" style="font-family:serif;font-size:7em;background:lightgrey;color:black;text-align:center;margin-top:0%;margin-bottom:0%">Suuri salaisuus

                          Hörhöjä


                          ellauri402.html on line 484: In April 1918, Martti Pihkala published the book "What kind of Finland should we create?" In his book, he considered the supreme enemy of culture to be hedonism rather than the goal of the continuation of the family. He advocated forced sterilization and the isolation of those who had "wicked" lives from society as a means of breeding a superior Finnish race. Pihkala placed harmony between social classes as a counterbalance to moral decay and socialism.
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                          class="toc" style="font-family:serif;font-size:3em;background:lightgrey;color:black;text-align:center;margin-bottom:0%">Miisu


                          ellauri403.html on line 38:

                          class="toc" style="font-family:serif;font-size:7em;background:lightgrey;color:black;text-align:center;margin-top:0%;margin-bottom:0%">Pieni salaisuus

                          Torttuja


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                          ellauri405.html on line 37:

                          class="toc" style="font-family:serif;font-size:5em;background:grey;color:red;text-align:center;margin-bottom:0%">Gunnar Bärlund


                          ellauri405.html on line 38:

                          class="toc" style="font-family:serif;font-size:6em;background:grey;color:red;text-align:center;margin-top:0%;margin-bottom:0%">HISTORIAN LOPPU

                          Vakavasta vallatonta


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                          class="toc" style="line-height:90%;font-weight:bold;font-family:sans-serif;font-size:12em;background:black;color:deepskyblue;text-align:center;margin-bottom:0%">JENS ALLWOOD


                          ellauri406.html on line 38:

                          class="toc" style="line-height:90%;font-weight:bold;font-family:sans-serif;font-size:12em;background:black;color:deepskyblue;text-align:center;margin-top:0%;margin-bottom:0%">ALDRIG TORKA BAJAN

                          Blattebajs


                          ellauri406.html on line 449: Vuhledar’s fall is a microcosm of Ukraine’s predicament in this chapter of the nearly three-year war. It reflects the U.S.'s refusal to grant Ukraine permission to strike targets deep inside Russian territory with missiles made in the U.S. of A, preventing Kyiv from annihilating Moscow’s inhabitants. Meanwhile, Russia’s dominance of the skies allows it to develop and advance devastating aerial glide bombs for which Ukraine has no effective response, while a controversial mobilization drive has failed to produce a new class of Ukrainian fighters capable of holding the stick.
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                          class="toc" style="line-height:90%;font-family:serif;font-size:10em;background:#3d5488;color:white;text-align:center;margin-bottom:0%">TUPEK=
                          SIJAN
                          PÄIVÄKIRJA

                          Väpelöintiä


                          ellauri408.html on line 38:

                          class="toc" style="font-family:serif;font-style:italic;font-size:6em;background:#3d5488;color:black;text-align:center;margin-top:0%;margin-bottom:0%">Vätys V. Vätys


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                          ellauri409.html on line 38:

                          class="toc" style="line-height:0.9;font-family:sans-serif;font-size:8em;background:#46545d;color:red;text-align:center;margin-top:0%;margin-bottom:0%">PETER ACKROYDIN LUONNEMURHA

                          Elämäkerturointia


                          ellauri409.html on line 39:

                          class="toc" style="font-family:sans-serif;font-size:4em;background:#46545d;color:white;text-align:center;margin-top:0%;margin-bottom:0%">WDYMBT


                          ellauri409.html on line 657:
                          class="mw-redirect" title="Ayatana">Järkipohjat
                          ellauri409.html on line 719:
                          1. Sisäiset kuusi class="mw-redirect" title="Ayatana">järkipohjaa ovat silmä, korva,
                            nenä, kieli, ruumis & mieli.

                          2. ellauri409.html on line 720:
                          3. Ulkoiset kuusi järkipohjaa ovat näkyvät muodot,
                            ääni, haju, maut, kosketus & class="mw-redirect" title="Dharma (Buddhism)">henkiset esineet.

                          4. ellauri409.html on line 721:
                          5. Järkillinen class="mw-redirect" title="Vinnana">tietoisuus syntyy riippuvaisesti
                            sisäisestä & ulkoisen merkityxen pohjasta.

                          6. ellauri409.html on line 722:
                          7. class="mw-redirect" title="Phassa">Yhteydenotto on sisäisen järkipohjan, ulkoisen järkipohjan & tietoisuuden kokous.

                          8. ellauri409.html on line 723:
                          9. class="mw-redirect" title="Vedana">Fiilis on riippuvainen yhteydenpidosta.

                          10. ellauri409.html on line 727:
                           class="external text" href="http://www.accesstoinsight.org/tipitaka/mn/mn.148.than.html">Lähde: MN 148 (Thanissaro, 1998)  class="tmp-color" style="color:DarkGray">  kaavion yxityiskohdat
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                          ellauri411.html on line 38:

                          class="toc" style="font-family:sans-serif;font-size:4em;background:#46545d;color:white;text-align:center;margin-top:0%;margin-bottom:0%">Katherine Mansfield


                          ellauri411.html on line 39:

                          class="toc" style="line-height:0.9;font-family:sans-serif;font-size:8em;background:#46545d;color:red;text-align:center;margin-top:0%;margin-bottom:0%">Ulkopuolinen

                          Elämänparturointia


                          ellauri411.html on line 192: This was especially true in Egypt, where tensions were brewing between all the different factions that lived there. The Roman conquerors saw the inhabitants of the conquered territories as either Romans or non-Romans. The Greek immigrants in various territories, who had become used to being treated as superior, were enraged at having their ‘rights’ taken away. In Alexandria alone, the Romans compromised that the Greeks and Jews could retain their privileges. In the rural areas, they were classified as foreigners and had all their privileges wiped away.
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                          class="toc" style="font-family:sans-serif;font-size:4em;background:orange;color:black;text-align:right;margin-top:0%;margin-bottom:0%">MR.SEBAOT


                          ellauri412.html on line 42:

                          class="toc" style="line-height:0.9;font-family:NewRocker;font-size:8em;background:#46545d;color:red;text-align:center;margin-top:0%;margin-bottom:0%">RYMDENS HÄRSKARE

                          Nyt pohditaan


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                          ellauri413.html on line 41:

                          class="toc" style="font-family:NewRocker;font-size:4em;background:green;color:red;text-align:center;margin-top:0%;margin-bottom:0%">Asteriski ja


                          ellauri413.html on line 42:

                          class="toc" style="font-family:NewRocker;font-size:8em;background:green;color:black;text-align:center;margin-top:0%;margin-bottom:0%">AGENTTI
                          ROMANI

                          Nyt rähistään


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                          ellauri418.html on line 41:

                          class="toc" style="font-family:sans-serif;font-size:2em;background:lightblue;color:black;text-align:center;margin-top:0%;margin-bottom:0%">JO-EL SARIOLA


                          ellauri418.html on line 42:

                          class="toc" style="font-family:sans-serif;font-size:8em;background:lightblue;color:black;text-align:center;margin-top:0%;margin-bottom:0%">PUTKIAIVO

                          Usvaa putkeen


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                          ellauri419.html on line 42:

                          class="toc" style="font-weight:900;font-family:arial;font-size:16em;line-height:0.8;background:beige;color:red;text-align:center;margin-top:0%;margin-bottom:0%">ANTI
                          COP

                          People in motion


                          ellauri419.html on line 43:

                          class="toc" style="font-weight:900;font-family:arial;font-size:2em;background:beige;color:red;text-align:center;margin-top:0%;margin-bottom:0%">GRETA THUNBERG


                          ellauri419.html on line 91:
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                          ellauri421.html on line 41:

                          class="toc" style="font-family:sans-serif;font-size:2em;background:beige;color:black;text-align:right;margin-top:0%;margin-bottom:0%">LES AVENTURES DE TINTIN


                          ellauri421.html on line 42:

                          class="toc" style="font-family:sans-serif;font-size:5em;line-height:2;background:teal;color:white;text-align:left;margin-top:0%;margin-bottom:0%">LA CHUTE D'ICARE

                          Frankofoniaa


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                          class="toc" style="font-family:sans-serif;font-size:2em;background:pink;color:black;text-align:center;margin-top:0%;margin-bottom:0%">VKONTAKTE


                          ellauri422.html on line 42:

                          class="toc" style="font-family:sans-serif;font-size:5em;line-height:2;background:pink;color:white;text-align:center;margin-top:0%;margin-bottom:0%">5 RAZUMIESTÄ

                          Misinformaatiota


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                          xxx/ellauri010.html on line 20:

                          class="toc" style="font-family:sans-serif;color:red;background:yellow;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">Mustan mantiljan salaisuus

                          Sensuroitua


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                          xxx/ellauri013.html on line 20:

                          class="toc" style="font-family:sans-serif;color:red;background:yellow;font-size:4em;text-align:center;margin-top:0%;font-style:italic;margin-bottom:0%">VIESTI KUOLEMALTA

                          Salatietoa


                          xxx/ellauri013.html on line 1192: You selfish corrupt pieces of upper class ruling class bullshit :(
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                          xxx/ellauri027.html on line 20:

                          class="toc" style="font-family:sans-serif;color:white;background:green;font-size:6em;text-align:center;margin-top:0%;margin-bottom:0%">SMURFFIT
                          JA TAIKAMUNA

                          Smurffijuttuja


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                          xxx/ellauri044.html on line 25:

                          class="toc" style="font-family:sans-serif;color:black;background:#deb463;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Maailman Paskin Nalle

                          Kevätnarsismia


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                          xxx/ellauri056.html on line 24:

                          class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">ENID BLYTON


                          xxx/ellauri056.html on line 25:

                          class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">Viisikko
                          ja aavejuna

                          Tunnelimaista


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                          xxx/ellauri057.html on line 24:

                          class="toc" style="font-family:sans-serif;font-size:8em;color:#156077;background:#ae534a;text-align:center;margin-top:0%;margin-bottom:0%">Tex Willer


                          xxx/ellauri057.html on line 25:

                          class="toc" style="font-family:sans-serif;font-size:3em;color:#1c6645;background:#bfab6c;text-align:center;margin-top:0%;margin-bottom:0%">DJEVEL-FJELLET

                          Tuhat tulimmaista


                          xxx/ellauri057.html on line 852: Much has changed since the publication of Markens grøde. The planet’s human population has almost quadrupled, from fewer than two billion in 1917 to more than seven billion now, and is estimated to reach ten to eleven billion before the end of this century.10 Simultaneously, human-made changes to the Earth’s ecosystems and climate have reached an unprecedented scale. While levels of consumption vary greatly from one country to another and between different social classes, there can be no doubt that globally, the use of both renewable and non-renewable resources has risen immensely during the last hundred years. This development began, of course, long before 1917, with the Industrial Revolution constituting an important premise. However, it was not until after the end of the Second World War that the human transformation of the planet began to advance with such enormous speed that the time since then is now often referred to as the Great Acceleration.
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                          xxx/ellauri059.html on line 25:

                          class="toc" style="font-family:sans-serif;font-size:3em;text-align:center;margin-top:0%;margin-bottom:0%">F Walthéry


                          xxx/ellauri059.html on line 26:

                          class="toc" style="font-family:sans-serif;font-size:5em;text-align:center;margin-top:0%;margin-bottom:0%">Natacha

                          Pehmopornoa


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                          xxx/ellauri068.html on line 23:

                          class="toc" style="font-family:sans-serif;font-size:2em;color:black;background:#aaa27e;text-align:center;margin-top:0%;margin-bottom:0%">PYNCHON ORIGINAL


                          xxx/ellauri068.html on line 24:

                          class="toc" style="font-family:serif;font-size:4em;color:yellow;background:#aaa27e;text-align:center;margin-top:0%;margin-bottom:0%">BOЯДT SUBSEQUENT MOVIEFILM

                          Sekatavaraa


                          xxx/ellauri068.html on line 219: So what did I do? I chose to remember that Borges is not a writer of the era of Facebook and autofiction; that it is not true that he hides in his texts, speaks little about himself (in fact, the opposite is true: how often in his work does his double appear, the character called Borges?); he simply does not do it the way in which we are accustomed today; that, like his friend Alfonso Reyes, Borges learned the classical notion of decorum, which is a set of rules of style when writing and also a certain principle of discretion, an obligation not to say absolutely everything that is very likely inconceivable to many people today.
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                          xxx/ellauri075.html on line 27:

                          class="toc" style="font-family:sans-serif;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">David Foster Wallace


                          xxx/ellauri075.html on line 28:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Tennis on parasta huumetta

                          Hörhöilyä


                          xxx/ellauri075.html on line 205: Leo Strauss (/straʊs/;[30] German: [ˈleːo ˈʃtʁaʊs];[31][32] September 20, 1899 – October 18, 1973) was a German-American political philosopher and classicist who specialized in classical political philosophy. Born in Germany to Jewish parents, Strauss later emigrated from Germany to the United States. He spent much of his career as a professor of political science at the University of Chicago, where he taught several generations of students and published fifteen books.
                          xxx/ellauri076.html on line 21: class="v21 numberCircle">76
                          xxx/ellauri076.html on line 27:

                          class="toc" style="font-family:sans-serif;font-size:2em;color:black;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">KIRJAVA MIEHISTÖ


                          xxx/ellauri076.html on line 28:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">TYPYJÄ TYPYJÄ TYPYJÄ

                          {span style="color:white;background-color:orange"}2021{/span} Hulvatonta


                          xxx/ellauri076.html on line 131: Kajanus moved with his mother and sister to Paris at the age of twelve where he studied music and classical guitar, as well as attending the Cité Universitaire’s flying school. The family then relocated to Montreal, Quebec, Canada, where Kajanus worked as a stained-glass window designer.
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                          xxx/ellauri081.html on line 27:

                          class="toc" style="font-family:sans-serif;font-size:2em;color:yellow;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Gian Lorenzo Bernini


                          xxx/ellauri081.html on line 28:

                          class="toc" style="font-family:sans-serif;font-size:3em;color:yellow;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Ecstasy of St. Teresa, 1645–52

                          Ekstaasia


                          xxx/ellauri084.html on line 21: class="v21 numberCircle">084
                          xxx/ellauri084.html on line 27:

                          class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">James Wallace


                          xxx/ellauri084.html on line 28:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kuuluisien diktaattorien vauvavalokuvia

                          Nalkutusta


                          xxx/ellauri084.html on line 800: Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. In 1921, she became the first woman to win the Pulitzer Prize in Literature, for her novel The Age of Innocence. She was inducted into the National Women's Hall of Fame in 1996. Among her other well known works are the The House of Mirth and the novella Ethan Frome.
                          xxx/ellauri085.html on line 21: class="v21 numberCircle">085
                          xxx/ellauri085.html on line 27:

                          class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Sally Jean Foster


                          xxx/ellauri085.html on line 28:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">CENSORED DIALOGUE

                          Makulatuuria


                          xxx/ellauri085.html on line 287: Peterson has characterized himself politically as a "classic British liberal", and as a "traditionalist". He has stated that he is commonly mistaken to be right-wing. Yoram Hazony wrote in The Wall Street Journal that "[t]he startling success of his elevated arguments for the importance of order has made him the most significant conservative thinker to appear in the English-speaking world in a generation. Peterson says that an "analysis of the world's religious ideas might allow us to describe our essential morality and eventually develop a universal system of morality."
                          xxx/ellauri085.html on line 292: In response to the controversy, academic administrators at the University of Toronto sent Peterson two letters of warning, one noting that free speech had to be made in accordance with human rights legislation, and the other adding that his refusal to use the preferred personal pronouns of students and faculty upon request could constitute discrimination. Peterson speculated that these warning letters were leading up to formal disciplinary action against him, but in December the university assured him he would retain his professorship, and in January 2017 he returned to teach his psychology class at the University of Toronto.
                          xxx/ellauri085.html on line 303: Several months after his treatment in Russia, Peterson and his family moved to Belgrade, Serbia for further treatment. In June 2020, Peterson made his first public appearance in over a year, when he appeared on his daughter's podcast, recorded in Communist Belgrade. He said that he was "back to my regular self", other than feeling fatigue, and was cautiously optimistic about his prospects. He also said that he wanted to warn people about the dangers of long-term use of benzodiazepines (the class of drugs that includes clonazepam). In August 2020, his daughter announced that her father had contracted COVID-19 during his hospital stay in Serbia. Two months later, Peterson posted a YouTube video to inform that he had returned home and aimed to resume his destructive work in the near future.
                          xxx/ellauri085.html on line 355: This has a two part answer. The first is, that it assumes that businesses are started and then expanded for the purpose of creating jobs and advancing the working class. This simply is not true. When a person opens a business, their entire purpose is to earn a profit. Not a single multimillionaire has ever said “I think we need more jobs and better wages, so I think we should open another facility.” This can be documented with the exodus of American business to coutries such as Mexico, China, and Japan, just to name a few. They were NOT trying to create jobs in those countries. They were trying to increase profits. There are any number of counties, cities, and states that are held hostage by big business demanding tax abatements and other concessions if they agree to do business and maybe create jobs in those areas. So you see, big business is not about helping the little guy…it is about how much profit they can make with a PROMISE to help the little guy.
                          xxx/ellauri085.html on line 357: So here is what happens with the “Trickle Down Economics”…. Unlike the working class that, when they get an extra couple of hundred bucks immediately goes out and spends it and helps the entire economy, those at the top of the ladder tend to invest that money. So…. The “Trickle down Economics” theory says that if we give the top 1% more money, through tax breaks, tax credits, or even credits, they will then pass that money on to their employees and servants. This simply isn't true. If it were, they would already be sharing their profits with the working class.
                          xxx/ellauri085.html on line 361: The economy is, and has always been, bolstered from the bottom up. Do not forget that that Ford sells more cars to the working class than the elite. McDonald's sells more burgers to the working class…. And more new homes are sold to the working class than to those getting the “trickle down” tax breaks.
                          xxx/ellauri085.html on line 396: It has several inherent flaws. When people argue for more “libertarian” economic policy, there’s a tendency to think only about the initial development of a business, and to ignore the possibility of direct communication between two businesses in competition. Here’s a pretty typical argument for trickle-down: If a small sandwich shop manages to produce a good product at a low price, it can attract a bunch of customers, and make enough money to buy a second shop, which will allow them to hire more employees. But if taxes are too high, they wont be able to open that second location, and then they won’t be able to employ as many people. They also might have to pay their workers less, and better workers might quit to work in other places. And they’ll have to increase their prices. Thus, lower taxes on the upper middle class and rich result in a more employed society with higher wages and cheaper products.
                          xxx/ellauri085.html on line 407:
                          “No such theory has been found in even the most voluminous and learned histories of economic theories, including J.A. Schumpeter’s monumental 1,260-page History of Economic Analysis. Yet this non-existent theory* has become the object of denunciations from the pages of the New York Times and the Washington Post to the political arena. It has been attacked by Professor Paul Krugman of Princeton and Professor Peter Corning of Stanford, among others, and similar attacks have been repeated as far away as India. It is a classic example of arguing against a caricature instead of confronting the argument actually made.”
                          xxx/ellauri085.html on line 466: It works well for a small rich elite, but for the majority and more importantly for the national economy? Well it has never worked in the past why assume that it would work now? This is a con perpetuated by the wealthy elite to keep more of the money they earn and give less of it to the government. Concentrating wealth in the hands of a few is actually really really bad for the economy. Less of it circulates. The poor/middle classes tend to spend everything they get, they can't not, they just have less disposable income. It tends to go on food, rent and essentials. If they don't have enough money to spend because a greater slice of the pie is tied up in fewer hands they don't have as much to spend and less money circulates through the economy. That is bad. They don't squirrel it away in the Bahamas or Swiss bank accounts or spend it on a second Ferrari Testarossa. They don't have that luxury. The myth of trickle down economics was discredited years ago.
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                          xxx/ellauri086.html on line 27:

                          class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">Hieno japanilainen animaatio


                          xxx/ellauri086.html on line 28:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Sydämen kuiskaus

                          Kuiskauxia


                          xxx/ellauri086.html on line 653: The Scarlet Letter was one of the first mass-produced books in America. It was popular when first published and is considered a classic work today. It inspired numerous film, television, and stage adaptations. Critics have described it as a masterwork and novelist D. H. Lawrence called it a "perfect work of the American imagination".
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                          xxx/ellauri087.html on line 27:

                          class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">E. Saarinen


                          xxx/ellauri087.html on line 28:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Ilman Pipsaa ei olisi muutakaan

                          Huutoja


                          xxx/ellauri087.html on line 334: Milton Friedman (/ˈfriːdmən/; July 31, 1912 – November 16, 2006) was an American economist who received the 1976 Nobel Memorial Prize in Economic Sciences for his research on consumption analysis, monetary history and theory and the complexity of stabilization policy. With George Stigler and other jews, Friedman was among the intellectual leaders of the Chicago school of economics, a neoclassical school of economic thought associated with the work of the faculty at the University of Chicago that rejected Keynesianism in favor of monetarism until the mid-1970s, when it turned to new classical macroeconomics heavily based on the concept of rational expectations.
                          xxx/ellauri087.html on line 336: He specialized in mathematics and economics, and became influenced by two economics professors, Arthur F. Burns and Homer Jones, who convinced him that printing more money could help end the Great Depression. Friedman met his future wife, economist Rose Director, while at the University of Chicago. Good name. Milton got a doctorate rather late, in 1946, counting the income of typical Jewish professions. His "consumption function", unlike Keynes, took into account that households overspend on the basis of their felt class membership and optimistic income expectations. Good news for supply side economics.
                          xxx/ellauri087.html on line 338: Milton Friedman's's book Capitalism and Freedom eventually brought him popular acclaim. Published by the University of Chicago in 1962, it has sold over half a million copies and has been translated into 18 different languages, no small feat for a popular book on the subject of economics. In the book, he argues for a classically liberal society where free markets solve problems of efficiency, enriching rich in the United Stoates as a side effect. He argues for free markets on the basis of hebrew pragmatism and philosophy. He concludes the book with an argument that most of America’s successes are due to the free market and private enterprise, while most of its greatest failures are due to government intervention. George W. Bush got the point and let private enterprises be jailkeepers and fight the second Iraq war. Welcome back to the 19th century and before.
                          xxx/ellauri087.html on line 778:
                          class="mw-redirect" title="Peninsulars">Peninsular
                          xxx/ellauri087.html on line 782:
                          class="mw-redirect" title="Peninsulars">Peninsular
                          xxx/ellauri087.html on line 797:
                          class="mw-selflink selflink">mulato
                          xxx/ellauri087.html on line 828:
                          class="extiw" title="wikt:moreno">moreno
                          xxx/ellauri087.html on line 835:
                          class="extiw" title="wikt:chino">chino
                          xxx/ellauri087.html on line 858:
                          class="mw-redirect" title="Mulato">mulato
                          xxx/ellauri087.html on line 862:
                          class="mw-redirect" title="Maroon (people)">cimarrón
                          xxx/ellauri087.html on line 866:
                          class="extiw" title="wikt:prieto">prieto
                          xxx/ellauri091.html on line 21: class="v21 numberCircle">91
                          xxx/ellauri091.html on line 27:

                          class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Hilja Haahti


                          xxx/ellauri091.html on line 28:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Päiväkirjan lisälehtiä

                          Muistoja


                          xxx/ellauri091.html on line 334: Relative to the viewpoint of the speaker (chair) of this assembly, to the right were seated nobility and more high-ranking religious leaders. To the left were seated commoners and less powerful clergy. The right-hand side (called le côté droit in French) became associated with more reactionary views (more pro-aristocracy) and the left-hand side (le côté gauche) with more radical views (more pro-middle class). Conservatives wanted to conserve their right of way, and the radicals wanted to eradiate their privilege (and install their own instead). Left and right, as political adjectives, are recorded in English in the 1790s.
                          xxx/ellauri091.html on line 782: Practical work alone, however, did not exhaust the aspirations that gripped Emily Balch. She felt the need both to acquire knowledge and to pass it on to others if she was to achieve more. And so she continued her studies, first in Paris under Levasseur1, the historian of the French working class, and later in Berlin where she studied that branch of economics which has been called a «professor-chair socialism»2. Here she also came in contact with the European labor movement and attended the Socialist Trade Union Congress in 1896.
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                          xxx/ellauri103.html on line 28:

                          class="toc" style="font-family:Muli;font-size:4em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Lionel Drivel


                          xxx/ellauri103.html on line 29:

                          class="toc" style="font-family:Muli;font-size:3em;color:red;background:black;text-align:center;margin-top:0%;margin-bottom:0%">We have to talk about Kevin

                          Toxisia penseitä


                          xxx/ellauri103.html on line 194: In the latest ethos, which has spun well beyond college campuses in short order, any tradition, any experience, any costume, any way of doing and saying things, that is associated with a minority or disadvantaged group is ring-fenced: look-but-don’t-touch. Those who embrace a vast range of “identities” – ethnicities, nationalities, races, sexual and gender categories, classes of economic under-privilege and disability – are now encouraged to be possessive of their experience and to regard other peoples’ attempts to participate in their lives and traditions, either actively or imaginatively, or just for laughs, as a form of theft.
                          xxx/ellauri103.html on line 198: In his masterwork English Passengers, Matthew Kneale would have restrained himself from including chapters written in an Aboriginal’s voice – though these are some of the richest, most compelling passages in that novel. If Dalton Trumbo had been scared off of describing being trapped in a body with no arms, legs, or face because he was not personally disabled – because he had not been through a World War I maiming himself and therefore had no right to “appropriate” the isolation of a paraplegic – we wouldn’t have the haunting 1938 classic, Johnny Got His Gun, unless he had written it with a pen in his arse. (Never heard of any of these masterpieces, but then I hadn't heard of Drivel or Kevin either until today.)
                          xxx/ellauri103.html on line 211: The felony of cultural sticky fingers even extends to exercise: at the University of Ottawa in Canada, a yoga teacher was shamed into suspending her class, “because yoga originally comes from India.” She offered to re-title the course, “Mindful Stretching.” And get this: the purism has also reached the world of food. Supported by no less than Lena Dunham, students at Oberlin College in Ohio have protested “culturally appropriated food” like sushi in their dining hall (lucky cusses— in my day, we never had sushi in our dining hall), whose inauthenticity is “insensitive” to the Japanese.
                          xxx/ellauri103.html on line 216: Mine is a disrespectful vocation by its nature – prying, voyeuristic, kleptomaniacal, and presumptuous. And I love it! Those adjectives fit me to a T! When Truman Capote wrote from the perspective of condemned murderers from a lower economic class than his own, he had some gall. After that, he had some cash. And his economic class went way up. What did the murderers get for it? Undying fame.
                          xxx/ellauri103.html on line 235: My most recent novel The Mandibles was taken to task by one reviewer for addressing an America that is “straight and white”. It happens that this is a multigenerational family saga – about a white family. I wasn’t instinctively inclined to insert a transvestite or bisexual, with issues that might distract from my central subject matter of apocalyptic economics. Yet the implication of this criticism is that we novelists need to plug in representatives of a variety of groups in our cast of characters, as if filling out the entering class of freshmen at a university with strict diversity requirements. Besides, America IS straight and white, at least the America I know about. I haven't had time to appropriate any Nigerian girls yet, nor Afro Americans even.
                          xxx/ellauri103.html on line 237: You do indeed see just this brand of tokenism in television. There was a point in the latter 1990s at which suddenly every sitcom and drama in sight had to have a gay or lesbian character or couple. That was good news as a voucher of the success of the gay rights movement, but it still grew a bit tiresome: look at us, our show is so hip, one of the characters is homosexual! It is SOOO tiresome, why can't we just watch the superbly funny middle class straight white Americans instead?
                          xxx/ellauri103.html on line 240: Fine. But I still would like to reserve the right as a novelist to use only the characters that pertain to my story. Which is NOT going to be about some funny lesbians and fat blacks, as long as I have a say on this. And I do, I do! For I am a straight white middle-class American, and thank God they still have the say!
                          xxx/ellauri103.html on line 255: I confess that this climate of scrutiny has got under my lucidly white skin. When I was first starting out as a novelist, I didn’t hesitate to write black characters, for example, or to avail myself of black dialects, for which, having grown up in the American South, I had a pretty good ear. I am now much more anxious about depicting characters of different races, and accents make me nervous. I try my best to talk average middle class American, but occasionally a few bits of North Carolina slip out. Sorry about that. Here's how I'd sound if I din't steal from anyone but the likes of me:
                          xxx/ellauri103.html on line 279: Membership of a larger group is not an identity. Being Asian is not an identity. Being gay is not an identity. Being deaf, blind, or wheelchair-bound is not an identity, nor is being economically deprived. Now what is an identity then? Silly, it is the number on your ID card! That's an identity! Everybody is unique, and I in particular am special! There are no classes except singletons! We are haecceitates every one of us. Us? There is no such thing as us, there is just me and me and me ... and me myself.
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                          xxx/ellauri104.html on line 28:

                          class="toc" style="font-family:Muli;font-size:4em;color:silver;background:black;text-align:center;margin-top:0%;margin-bottom:0%">John Nash


                          xxx/ellauri104.html on line 29:

                          class="toc" style="font-family:Muli;font-size:3em;color:gold;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Iltaan mennessä selkenevää

                          Hulluttelua


                          xxx/ellauri104.html on line 123: One of the controversies is that the DSM-5 reclassified Asperger's syndrome (AS) under autism spectrum disorder. Aspergers protested, as removing it is a "threat to their identity, social status, and access to supports." Asperger was like "odd but extremely clever", while "autist" brings to mind Dustin Hoffman.
                          xxx/ellauri104.html on line 156: Narcissistic personality disorder (NPD), a cluster B personality disorder, is considered to be one of the least identified personality disorders (Pies, 2011). On the other hand, a good number of patients with narcissistic traits present at the psychiatrist's office with other types of issues such as anxiety or depression. A common finding in clinical practice, NPD frequently coexists with other psychiatric disorders. NPD is a relatively recent diagnostic category. Its origins stem from a great effort between psychoanalysts and psychoanalytic psychotherapists to recognize a cluster of predominantly difficult patients who could not be classified as psychotic, not typically neurotic and overall not responsive to conventional psychotherapeutic treatment options (Gildersleeve, 2012).
                          xxx/ellauri104.html on line 539: class="wikitable" border="1">
                          xxx/ellauri104.html on line 655:
                          Social class="mw-redirect" title="Introversion">Introversion
                          xxx/ellauri104.html on line 673: class="wikitable">
                          xxx/ellauri104.html on line 765: Neurosis is a class of functional mental disorders involving chronic distress, but neither delusions nor hallucinations. The term is no longer used by the professional psychiatric community in the United States, having been eliminated from the Diagnostic and Statistical Manual of Mental Disorders (DSM) in 1980 with the publication of DSM III. However, it is still used in the ICD-10 Chapter V F40–48.
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                          class="toc" style="font-family:serif;font-size:3em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Stephen Hawking
                          &
                          Pekka Reinikainen


                          xxx/ellauri113.html on line 28:

                          class="toc" style="font-family:serif;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Theory of Everything

                          Kaiken teoriaa


                          xxx/ellauri113.html on line 89: On the Fourfold Root of the Principle of Sufficient Reason (German: Ueber die vierfache Wurzel des Satzes vom zureichenden Grunde) is an elaboration on the classical Principle of Sufficient Reason, written by German philosopher Arthur Schopenhauer as his doctoral dissertation in 1813. The principle of sufficient reason is a powerful and controversial philosophical principle stipulating that everything must have a reason or cause. Schopenhauer revised and re-published it in 1847. The work articulated the centerpiece of many of Schopenhauer's arguments, and throughout his later works he consistently refers his readers to it as the necessary beginning point for a full understanding of his further writings.)
                          xxx/ellauri113.html on line 500: The above quote is a classic example of evolution being a god-of-the-gaps explanation. There is a total gap in what evolution can explain about the origin of life, and Dawkins invokes the god of evolution to fill in the gap and asserts that natural selection “must” have gotten started somehow. But natural selection by itself cannot create anything; it can only select from things already created.
                          xxx/ellauri113.html on line 502: How dense can these creation types really be? Wanting very much for something to be true turns people into imbeciles. The least one can say for Dawkins is that he knows what he doesn´t know. He his happy to just wait and see. One of my daughters challenged the teacher and said, “Miss, you keep saying ‘evolution did it,’ but you never actually explain how evolution did it.” The teacher had to confess that my daughter made a valid criticism, and the rest of class agreed. So what? How did god create the snake? Did he roll it like Gary Larson shows, or did he use some other method? Did he just make a hypnotic gesture? (Yes, see below.)
                          xxx/ellauri113.html on line 523: Ice class: 1A
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                          class="toc" style="font-family:sans-serif;font-size:3em;opacity:0.9;color:black;background:#dcdcdc;text-align:center;margin-top:0%;margin-bottom:0%">Mamuhuijarit


                          xxx/ellauri114.html on line 27:

                          class="toc" style="font-family:sans-serif;font-size:4em;opacity:0.9;color:white;background:#2be264;text-align:center;margin-top:0%;margin-bottom:0%">Do vil inte ha pengar ?

                          Vittuilua


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                          xxx/ellauri116.html on line 27:

                          class="toc" style="font-family:serif;font-style:italic;font-weight:bold;font-size:3em;color:red;background:white;text-align:center;margin-top:0%;margin-bottom:0%">ILTALEHTI


                          xxx/ellauri116.html on line 28:

                          class="toc" style="font-family:serif;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Moskaportaali

                          Moskaa


                          xxx/ellauri116.html on line 188: Elizabeth’s mother was raised as a Roman Catholic in a middle class upbringing, and later converted to Judaism following her marriage. She raised Élisabeth in the Jewish faith. Elisabeth and her two sisters were raised by parents who believed in the equality of the sexes. Jag har nog längre sladd än famo!
                          xxx/ellauri116.html on line 289: Mario Vargas Llosa was born to a middle-class family on March 28, 1936, in the southern Peruvian provincial city of Arequipa. He was the only child of Ernesto Vargas Maldonado (= lahjaton) and Dora Llosa Urethra (the former a radio operator in an aviation company, the latter the daughter of an old criollo family), who separated a few months before his birth. Shortly after Mario's birth, his father revealed that he was having an affair with a German woman; consequently, Mario has two younger half-brothers: Enrique and Ernesto Vargas.
                          xxx/ellauri116.html on line 295: While in Piura, Vargas Llosa attended elementary school at the religious academy Colegio Salesiano. In 1946, at the age of ten, he moved to Lima and met his father for the first time. His parents re-established their relationship and lived in Magdalena del Mar, a middle-class Lima suburb, during his teenage years. While in Lima, he studied at the Colegio La Salle, a Christian middle school, from 1947 to 1949. Isä taisi olla aika limaska, eipä paljon muuta Markolle kuin limamälli.
                          xxx/ellauri116.html on line 383: De Beauvoir and Sartre were classmates and competitors at the Sorbonne in 1929, studying for the aggregate in philosophy, a prestigious graduate degree. Although Sartre’s marks surpassed de Beauvoir’s, she was, at 21, the youngest person ever to pass the exam.
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                          class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Snoopy


                          xxx/ellauri120.html on line 28:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:cyan;text-align:center;margin-top:0%;margin-bottom:0%">It was a dark and stormy night.

                          Lyttäystä


                          xxx/ellauri120.html on line 353: In Petronius's Satyricon, Trimalchus (pro Trimalchio) finds her shriveled to a tiny lump and kept alive in a jar. He asks her, "Sibyl, what do you want?" (in Greek, Σίβυλλα τί θέλεις; pronounced more or less "Sibylla, ti theleis"). She replies, "I want to die" (in Greek, ἀποθανεῖν θέλω, pronounced "apothanein thelo"). I learned this, as you did, not from reading the Satyricon, but from beating T S Eliot's The Waste Land to death in my English Lit class.
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                          class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Varhaiskasvattajat


                          xxx/ellauri121.html on line 28:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">Lapsenkokoinen kazomuskasvatus

                          Hartautta


                          xxx/ellauri121.html on line 291: Her early years of winter school had taught her that it's possible to go through the entire year's curriculum in a month. As a result, she advanced quickly, and there was an awkward period when she was in a class of much older children: "They shouldn't have done that. I was 12 in the first year of high school and there were people in my class who were 15-and-a-half." That surely taught her a lot, a likely model of The Red House in Handmaid's Tale. She was tired a lot and developed a heart condition, inherited from her father, in which the heart beat is irregular, almost syncopated. Her verbal rendition of the rhythms is hard to transcribe, but these lines from one of her early poems, "Faulty Heart", capture it:
                          xxx/ellauri121.html on line 323: James "Jim" Polk was the long time editorial director of House of Anansi Press and edited two books by Charles Taylor, as well as work by Margaret Atwood, George Grant, Northrop Frye, and many others. With a literature PhD (which Peggy never finished) he has taught at Harvard, Idaho, Ryerson and Alberta, and has written a comic novel, a stage comedy about Canadian publishing, articles, short stories, and criticism about Canadian writers and writing. As an advisor at the Ontario Ministry of Culture, he worked on grants for theatre and books, developed a tax credit for publishers and remodelled the Trillium Book Prize to include Franco Ontarian writing. He lives in Toronto and, trained as a pianist, still practices daily, playing classics and show-tunes in seclusion.
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                          class="toc" style="font-family:AdineKirnberg;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Olivera


                          xxx/ellauri122.html on line 32:

                          class="toc" style="font-family:AdineKirnberg;font-size:8em;color:black;background:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">Tips

                          Vinkkejä


                          xxx/ellauri122.html on line 172: Scientific interest in the effects of MBI on the immune system is also growing since accumulating evidence indicates that inflammation may trigger changes that contribute to the pathophysiology of depression and stress-related disorders [17,18,19]. Also, inflammation is one of the aspects of immunity that is regulated by the stress response [20]. Inflammation is a complex process that includes a number of biological markers, many of them classified as cytokines and chemokines, key regulators of immune function with different roles in the inflammatory processes (for example, some of these mediators are predominantly pro-inflammatory, whereas others are mainly anti-inflammatory) [21,22]). Some of the inflammatory markers are considered as to be (potentially) significant for depression, e.g., the pro-inflammatory cytokines as interleukin-6 (IL-6), interleukin-1 (IL-1), and tumor necrosis factor (TNF-α), as well as the acute phase reactant protein C-reactive protein (CRP) [23,24,25].
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                          class="wikitable">
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                          class="wikitable">
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                          class="wikitable">
                          xxx/ellauri122.html on line 772: Business Insider has compiled a list of 25 such classics, drawn from Amazon’s list of 100 lifetime books, Goodreads recommendations, and the opinions of the editors. A common trend among these books is their exploration of politics, history, and human conditions - insights which allow these literature to withstand the test of time. Here’s the list:
                          xxx/ellauri122.html on line 863: The book has been controversial over the years and is listed as number eight on the American Library Association's list of frequently banned classics. It's the first even halfway good book so far. Proof: it was banned in U.S. schools.
                          xxx/ellauri122.html on line 884: Burgess' 1960s classic is a nightmare vision of a future filled with criminals who roam the streets after dark.
                          xxx/ellauri122.html on line 918: Heller's classic tale centres around the loss of faith that comes with the rise of bureaucratic power. This book too is a pile of shit.
                          xxx/ellauri122.html on line 942: Another book by Orwell, 'Animal Farm' is a brilliant political satire on corrupted ideals, revolutions, and class conflicts that stretch back to the Stalin era of the Soviet Union.
                          xxx/ellauri122.html on line 1203: However, despite her stylized and artificial appearance, Lukyanova strongly dislikes the Barbie monicker, arguing that she is just "a classy girl."
                          xxx/ellauri122.html on line 1206: Lukyanova is starkly against having children herself. "The very idea of having children brings out this deep revulsion in me." "It's not what being classy is all about. It's not about men or kids."
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                          xxx/ellauri123.html on line 31:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Ivar Kreuger


                          xxx/ellauri123.html on line 32:

                          class="toc" style="font-family:sans-serif;font-size:8em;color:black;background:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">THE COCK

                          Löysiä kukkoja ja kanoja


                          xxx/ellauri123.html on line 716: Nabokov´s wife Véra was his strongest supporter and assisted him throughout his lifetime, but Nabokov admitted to having a "prejudice" against women writers. He wrote to Edmund Wilson, who had been making suggestions for his lectures: "I dislike Jane Austen, and am prejudiced, in fact against all women writers. They are in another class." Although Véra worked as his personal translator and secretary, he made publicly known that his ideal translator would be male, and especially not a "Russian-born female". In the first chapter of Glory he attributes the protagonist's similar prejudice to the impressions made by children's writers like Lidiya Charski, and in the short story "The Admiralty Spire" deplores the posturing, snobbery, antisemitism, and cutesiness he considered characteristic of Russian women authors.
                          xxx/ellauri123.html on line 745: Evidence is presented that the author of Lolita, Vladimir Nabokov, was himself consciously a pedophile who acted out his desires vicariously through his writing. Drawing upon his literary works and biography, the manifest and genetic origins of Nabokov´s pedophilia are traced back to an unresolved oedipal conflict complicated by childhood sexual abuse. Humbert Humbert, the protagonist in the novel Lolita, is the classic literary portrayal of a pedophile. Evidence is presented that the author of Lolita, Vladimir Nabokov, was himself consciously a pedophile who acted out his desires vicariously through his writing. Drawing upon his literary works and biography, the manifest and genetic origins of Nabokov´s pedophilia are traced back to an unresolved oedipal conflict complicated by childhood sexual abuse. The raw power of Lolita derives from the abreactive discharge of a libidinal cathexis denied any other mode of expression.
                          xxx/ellauri123.html on line 756: Nabokov, a "champion of aesthetic autonomy", was keenly aware of the stakes of publication from 1916, when he had a collection of his poems printed at his own expense. The volume brought him embarrassment; his teacher read the worst lines out to the budding author´s classmates, who roared with laughter.
                          xxx/ellauri123.html on line 1121: course from Nabokov. (So did Pynchon tho he cut the class, understanding nothing from Vladi's thick Russki accent. Vladi did not remember Tom's protruding incisors, distracted by the attending Lolitas. Vera recalled Tom's appalling hand.) His education
                          xxx/ellauri124.html on line 25: class="v21 numberCircle">124
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                          class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Mark O'Connell


                          xxx/ellauri124.html on line 32:

                          class="toc" style="font-family:sans-serif;font-size:8em;color:black;background:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">To Be a Machine

                          Masinointia


                          xxx/ellauri124.html on line 422: Melville classic.
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                          xxx/ellauri125.html on line 31:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Владимир Набоков


                          xxx/ellauri125.html on line 32:

                          class="toc" style="font-family:sans-serif;font-size:8em;color:black;background:#e9e2df;text-align:center;margin-top:0%;margin-bottom:0%">Лолита

                          Gastropodiaa


                          xxx/ellauri125.html on line 428: From the start, critics complained about the ostensible sameness of Roth’s books, their narcissism and narrowness—or, as he himself put it, comparing his own work to his father’s conversation, “Family, family, family, Newark, Newark, Newark, Jew, Jew, Jew.” Over time, he took on vast themes—love, lust, loneliness, marriage, masculinity, ambition, community, solitude, loyalty, betrayal, patriotism, rebellion, piety, disgrace, the body, the imagination, American history, mortality, the relentless mistakes of life—and he did so in a variety of forms: comedy, parody, romance, conventional narrative, postmodernism, autofiction. In each performance of a self, Roth captured the same sound and consciousness. in nearly fifty years of reading him I’ve never been more bored. I got to know Roth in the nineteen-nineties, when I interviewed him for this magazine around the time he published “The Human Stain.” To be in his presence was an exhilarating, though hardly relaxing, experience. He was unnervingly present, a condor on a branch, unblinking, alive to everything: the best detail in your story, the slackest points in your argument. His intelligence was immense, his performances and imitations mildly funny. “He who is loved by his parents is a conquistador,” Roth used to say, and he was adored by his parents, though both could be daunting to the young Philip. Herman Roth sold insurance; Bess ruled the family’s modest house, on Summit Avenue, in a neighborhood of European Jewish immigrants, their children and grandchildren. There was little money, very few books. Roth was not an academic prodigy; his teachers sensed his street intelligence but they were not overawed by his classroom performance. Roth learned to write through imitation. His first published story, “The Day It Snowed,” was so thoroughly Truman Capote that, he later remarked, he made “Capote look like a longshoreman.”
                          xxx/ellauri125.html on line 471: Side, in the slums where his classic novel Call It Sleep is set. In 1914, the
                          xxx/ellauri125.html on line 480: classic novel Call It Sleep is set. In 1914, the family moved to Harlem. Roth
                          xxx/ellauri125.html on line 485: With Walton's support, he began Call It Sleep in about 1930, completed the novel in the spring of 1934, and it was published in December 1934, to mostly good reviews. Yet the New York Herald Tribune's book critic Lewis Gannett foresaw that the book would not prove popular with its bleak depiction of New York's Lower East Side, but wrote readers would "remember it and talk about it and watch excitedly" for Roth's next book. Call It Sleep sold slowly and poorly, and after it was out-of-print, critics writing in magazines such as Commentary and Partisan Review kept praising it, and asking for it to be reprinted. After being republished in hardback in 1960 and paperback in 1964, with more than 1,000,000 copies sold, and many weeks on the New York Times bestseller list, the novel was hailed as an overlooked Depression-era masterpiece and classic novel of immigration. Today, it is widely regarded as a masterpiece of Jewish American literature. With Walton's support, he began Call It Sleep in about 1930, completed the novel in the spring of 1934, and it was published in December 1934, to mostly good reviews. Yet the New York Herald Tribune's book critic Lewis Gannett foresaw that the book would not prove popular with its bleak depiction of New York's Lower East Side, but wrote readers would "remember it and talk about it and watch excitedly" for Roth's next book. Call It Sleep sold slowly and poorly, and after it was out-of-print, critics writing in magazines such as Commentary and Partisan Review kept praising it, and asking for it to be reprinted.[ After being republished in hardback in 1960 and paperback in 1964, with more than 1,000,000 copies sold, and many weeks on the New York Times bestseller list, the novel was hailed as an overlooked Depression-era masterpiece and classic novel of immigration. Today, it is widely regarded as a masterpiece of Jewish American literature. After Muriel's death in 1990, Roth moved into a ramshackle former funeral parlor and occupied himself with revising the final volumes of his monumental work, Mercy of a Rude Stream. It has been alleged that the incestuous relationships between the protagonist, a sister, and a cousin in Mercy of a Rude Stream are based on Roth's life. Roth's own sister denied that such events occurred. Roth attributed his massive writer's block to personal problems such as depression, and to political conflicts, including his disillusion with Communism. At other times he cited his early break with Judaism and his obsessive sexual preoccupations as probable causes. Roth died in Albuquerque, New Mexico, United States in 1995. The character E. I. Lonoff in Philip Roth's Zuckerman novels (The Ghost Writer and Exit Ghost in this case), is a composite of Roth, Bernard Malamud and fictional elements.
                          xxx/ellauri125.html on line 626: Rajaton is a Finnish a cappella ensemble, founded in Helsinki in 1997. The Finnish word rajaton means "boundless", to indicate the breadth of their repertoire, from sacred classical to near Europop. Rajaton performs primarily in Finland but also tours around Europe and the rest of the world, having performed in over 25 countries.
                          xxx/ellauri125.html on line 793: In January 1995, Love was arrested in Melbourne for disrupting a Qantas flight after getting into an argument with a stewardess.[163] On July 4, 1995, at the Lollapalooza Festival in George, Washington, Love threw a lit cigarette at musician Kathleen Hanna before punching her in the face, alleging that Hanna had made a joke about her pleaded guilty to an assault charge and was sentenced to anger management classed. In November 1995, two male teenagers sued Love for allegedly punching them during a Hole concert in Orlando, Florida in March 1995. The judge dismissed the case on grounds that the teens "weren't exposed to any greater amount of violence than could reasonably be expected at an alternative rock concert". Love later said she had little memory of 1994–1995, as she had been using large quantities of heroin and Rohypnol at the time. Mullakin on noista vuosista hämärähköt muistot, paizi että muutettiin Ilmattarentielle.
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                          class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Me Naiset


                          xxx/ellauri126.html on line 32:

                          class="toc" style="font-family:serif;font-size:6em;color:black;background:#cbe7f3;text-align:center;margin-top:0%;margin-bottom:0%">Miten reagoit naapureihisi?

                          Urbaania


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                          class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vladimir Nabokov


                          xxx/ellauri127.html on line 32:

                          class="toc" style="font-family:serif;font-size:6em;color:black;background:#cbe7f3;text-align:center;margin-top:0%;margin-bottom:0%">Pigita

                          Mansplainingia


                          xxx/ellauri127.html on line 116: There are currently five scholarly journals devoted to Nabokov studies. His allusive style and trilingual (English, French, Russian) wordplay are catnip for academics, who endlessly parse challenging texts like “Pale Fire” — a novel in verse, followed by obscurantist commentary — finding new apercus tailor-made for small-journal publication. Nabokov’s apotheosis in academe is quite ironical, because he and his close friend, the literary critic Edmund Wilson, shared an icy disdain for the ivory tower. They viewed universities as ATMs, handy because there were so many of them, and because they were flush with cash. Nabokov, who arrived in the United States penniless in 1940, had to rely on teaching assignments at Wellesley and Cornell to feed his family for 15 years. The moment “Lolita” made him financially independent, he fled Cornell for Switzerland and never set foot in a classroom again.
                          xxx/ellauri127.html on line 170: Samat asiat ovat rikkaan ihmisen tekemän "classy", tyylikästä, ja köyhän ihmisen tekemänä "trashy", eli rahvaanomaista. Alaluokka ajaa autonromuilla joissa on koirankarvoja. Keskiluokka ajaa uudehkoilla autoilla joissa ei ole koirankarvoja. Yläluokka ajaa autonromuilla joissa on koirankarvoja.
                          xxx/ellauri127.html on line 484: In 1996, two years before the main action of the novel, Silk is accused of racism by two African-American students over his use of the word spooks, using the term as he wonders aloud over their having missed all his classes for the first five weeks of the semester ("Does anyone know these people? Do they exist or are they spooks?" - he has never seen these students, and has no idea they are African-American) rather than in the racially derogatory sense. The uproar leads to Silk's resignation. Soon after, his wife Iris dies of a stroke, which Silk feels is caused by the stress of his being forced out of the college.
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                          xxx/ellauri128.html on line 28:

                          class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo


                          xxx/ellauri128.html on line 29:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">Kootut töräyxet

                          FUCK!


                          xxx/ellauri128.html on line 157: François VI, deuxième duc de La Rochefoucauld, prince de Marcillac, pair de France, né le 15 septembre 1613 à Paris et mort le 17 mars 1680 dans la même ville, est un écrivain, moraliste, mémorialiste et militaire français du XVIIe siècle. Il fait partie du mouvement littéraire du classicisme et est surtout connu pour ses Maximes. Bien qu'il n'ait publié officiellement que ses Mémoires et ses Maximes, sa production littéraire est dense. Dense se oli izekin. Jopa J-J. Rousseau sanoi, eze oli surullinen passka.
                          xxx/ellauri128.html on line 464: He was born in York and grew up in and near Birmingham in a professional middle-class family. He attended English independent (or public) schools and studied English at Christ Church, Oxford. After a few months in Berlin in 1928–29, he spent five years (1930–35) teaching in British private preparatory schools, then travelled to Iceland and China to write books about his journeys. In 1939 he moved to the United States and became an American citizen in 1946, retaining his British citizenship. Auden oli homopetteri.
                          xxx/ellauri128.html on line 499: Alain Resnais [alɛ̃ ʁɛnɛ]n 1 est un réalisateur français, également scénariste et monteur, né le 3 juin 1922 à Vannes (Morbihan) et mort le 1er mars 2014 à Neuilly-sur-Seine (Hauts-de-Seine). Réalisateur d'Hiroshima mon amour (1959) et de L'Année dernière à Marienbad (1961), Alain Resnais est rapidement considéré comme l'un des grands représentants du Nouveau cinéma (Nouvelle Vague) et comme un des pères de la modernité cinématographique européenne à l'instar de Roberto Rossellini, Ingmar Bergman et Michelangelo Antonioni dans sa manière de remettre en cause la grammaire du cinéma classique et de déconstruire la narration linéaire.
                          xxx/ellauri128.html on line 524: Robert von Ranke Graves (24 July 1895 – 7 December 1985) was a British poet, historical novelist, critic, and classicist. His father was Alfred Perceval Graves, a celebrated Irish poet and figure in the Gaelic revival; they were both Celticists and students of Irish mythology. Graves produced more than 140 works in his lifetime. His poems, his translations and innovative analysis of the Greek myths, his memoir of his early life—including his role in World War I—Good-Bye to All That, and his speculative study of poetic inspiration, The White Goddess, have never been out of print.
                          xxx/ellauri129.html on line 21: class="v21 numberCircle">129
                          xxx/ellauri129.html on line 27:

                          class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo


                          xxx/ellauri129.html on line 28:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">LIFESTYLE

                          EAT!


                          xxx/ellauri129.html on line 777:
                        • class="mw-redirect" title="Byron">Byron

                        • xxx/ellauri129.html on line 787:
                        • class="mw-disambig" title="William Cowper">William Cowper

                        • xxx/ellauri129.html on line 789:
                        • class="mw-redirect" title="Charles Robert Darwin">Charles Robert Darwin

                        • xxx/ellauri129.html on line 805:

                          class="mw-empty-elt">


                          xxx/ellauri129.html on line 813:
                        • class="mw-redirect" title="Francis Bret Harte">Francis Bret Harte

                        • xxx/ellauri129.html on line 818:
                        • class="mw-redirect" title="Henry Howard">Henry Howard

                        • xxx/ellauri129.html on line 824:
                        • class="mw-redirect" title="Kaedmon">Kaedmon

                        • xxx/ellauri129.html on line 829:
                        • class="mw-redirect" title="Kynewulf">Kynewulf

                        • xxx/ellauri129.html on line 840:
                        • class="mw-redirect" title="Thomas Babington Macaulay">Thomas Babington Macaulay

                        • xxx/ellauri129.html on line 847:
                        • class="mw-redirect" title="Henry Louis Mencken">Henry Louis Mencken

                        • xxx/ellauri129.html on line 855:

                          class="mw-empty-elt">


                          xxx/ellauri129.html on line 859:
                        • class="new" title="Oxfordilainen liike (sivua ei ole)">Oxfordilainen liike

                        • xxx/ellauri129.html on line 884:
                        • class="mw-redirect" title="Harriet Beecher-Stowe">Harriet Beecher-Stowe

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                          class="mw-empty-elt">


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                          class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vaakku ja Tarmo


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                          class="toc" style="font-family:sans-serif;font-size:4em;color:black;background:#cdc6d0;text-align:center;margin-top:0%;margin-bottom:0%">Tuomiopäivän pasuunat

                          KILL!


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                          class="toc" style="font-family:serif;font-size:4em;color:white;background:purple;text-align:center;margin-top:0%;margin-bottom:0%">Erika Vikman ja Arttu Viskari


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                          class="toc" style="font-family:serif;font-size:6em;color:white;background:purple;text-align:center;margin-top:0%;margin-bottom:0%">Tääl on niin kuuma

                          Virallinen musiikkivideo


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                          class="toc" style="font-family:serif;font-size:6em;color:White;background:#b93c2b;text-align:center;margin-top:0%;margin-bottom:0%">AS Pushkin


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                          class="toc" style="font-family:sans-serif;font-size:15em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">SOLD

                          Somepöhinää


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                          class="toc" style="font-family:serif;font-size:4em;color:white;background:#52b1df;text-align:center;margin-top:0%;margin-bottom:0%">Turun Darwin


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                          class="toc" style="font-family:AdineKirnberg;font-size:6em;color:white;background:#eeb8b8;text-align:center;margin-top:0%;margin-bottom:0%">Hentosudenkorento ja Jauhopukki

                          {span style="color:white;background-color:green"}2022{/span} Evoluutiopsykologiaa


                          xxx/ellauri137.html on line 641: If you're buying this trash for a class then you're a sucker, turn back now! Hopefully Edward isn't still teaching his own tasteless fan fiction in a college setting. It's a misunderstood teenager's journey through satire complete with crude, unoriginal and stereotypical takes on characters from the lens of a self insert hero amounting to little more than finger pointing. You'll be offended, sure, but with little substance left to interpret besides the authors very obvious discomfort with himself and others unlike him. (Make some new friends, Edward.) Beyond being ridiculous as a required reading piece for a class, actually paying for this garbage is insulting, and of course it is an absolute drag to slog through. Nobody's going to publish this except on demand printing obviously and that's why you're buying it from Amazon!!!
                          xxx/ellauri137.html on line 751: The novel features a passionate romance between Rei Shimura and Hugh Glendinning, the Scottish lawyer. Though the romance was not very realistic, I think it added an exciting and entertaining element to the novel. The first person point-of-view from which the novel is narrated allows the audience to truly understand the good and the bad of Rei’s character. She is independent to a fault but extremely loyal. She wants to immerse herself in Japanese culture, yet she rejects the social norms of society when they conflict with her desires. She is passionate about her interest in history and antiques, but logical by staying on as a teacher. The contradictions make her human and contribute to the reality of the novel. While mystery was not entirely believable, it was in no way predictable and I genuinely found the plot to be exciting. The Salaryman’s Wife, fits into the detective fiction tradition as most closely as a cozy, however the urban setting and the inclusion of graphic sex scenes contradict that classification
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                          class="toc" style="font-family:sans-serif;font-size:6em;color:yellow;background:#a6b1ad;text-align:center;margin-top:0%;margin-bottom:0%">J.W.v Goethe


                          xxx/ellauri138.html on line 28:

                          class="toc" style="font-family:sans-serif;font-size:6em;color:red;background:#a6b1ad;text-align:center;margin-top:0%;margin-bottom:0%">Dichtung und Wahrheit

                          Alternatiivista totuutta


                          xxx/ellauri138.html on line 111: In his book, Eker lists 17 ways in which the financial blueprints of the rich differ from those of the poor and the middle-class. One theme identified in this list is that the rich discard limiting beliefs while the unsuccessful succumb to them. Eker argues that: Rich people believe, "I create my life", while poor people believe, "Life happens to me"; rich people focus on opportunities while poor people focus on obstacles; and rich people admire other rich and successful people whereas poor people resent rich and successful people.
                          xxx/ellauri138.html on line 208: Wylie's book of essays, Generation of Vipers (1942), was a best-seller during the 1940s and inspired the term "Momism" (excessive attachment to or domination by one's mother). Some people have accused Generation of Vipers of being misogynistic. His only child, Karen Pryor, is the author of a classic book for breastfeeding mothers, Nursing Your Baby, and has commented that her father was far from being a misogynist. Wylie's daughter, Karen Pryor, is an author who became the inventor of animal "clicker" training. Wylie's niece Janice Wylie, the daughter of his brother Max Wylie, co-creator of The Flying Nun, was murdered, along with her roommate Emily Hoffert, in New York in August 1963, in what became known as the "Career Girls murders" case.
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                          class="toc" style="font-family:sans-serif;font-size:6em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Dosto täällä hei


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                          class="toc" style="font-family:sans-serif;font-size:6em;color:red;background:black;text-align:center;margin-top:0%;margin-bottom:0%">IDIOOTTI!

                          Idiotiaa


                          xxx/ellauri139.html on line 1078: Ses études s'achèvent en septembre 1819, sans qu'il ait fait sa classe de philosophie, renvoyé après s'être battu avec un prêtre qu'il accuse de pédophilie.
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                          class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">The McCormacks


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                          class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:blue;text-align:center;margin-top:0%;margin-bottom:0%">WORLD HOORAY DAY

                          Uraata


                          xxx/ellauri148.html on line 460: The Brussels team notes that Philosophy is often considered to be an intellectual activity and not very practical. However, a basic training in philosophy used to be considered essential before embarking on further study in a whole range of subjects. Over thousands of years, philosophy has been the mother of all sciences and a key driving force in human progress. This year we will be looking at how ‘philosophy in the classical tradition’ can actively contribute to finding solutions to our many crises, help us find more sustainable ways of living and develop the inner potential of the human being. The event will consist of five talks of about 20 minutes each, with a break after the third speaker. Topics covered will include philosophy as the art of living, learning how to think, inner development and transformation, the role of philosophy in promoting active citizenship and the universal laws and timeless principles of the perennial and hermetic philosophy. For those you can, the suggested donation for the live stream is £8 (£5cons), this will help to support our activities, thank you!
                          xxx/ellauri148.html on line 462: And here the ladies of Sevilla, Spain: On the occasion ofthe celebration of World Philosophy Day on November 18, the class of "Gender and Criticism of p Ideologies" of the 4th year of the Degree in Humanities and 5th year of the double degree in Humanities and Translation and Interpreting has prepared a series ofposters and videos to publicize current female philosophers.
                          xxx/ellauri148.html on line 479: Conversations on topics such as empathy, human connections, and kindness in adverse moments will be addressed in rich encounters of philosophical knowledge. From the perspective of Plato, Seneca, Epictetus and classical philosophers from the Greek and Latin cradle, New Acropolis teachers will reflect on our current historical moment. An opportune moment to take advantage of philosophical knowledge, from love to wisdom, to break barriers of difficulties, obtaining a more humanistic sense of life. In all, eight (8) professors will be part of New Acropolis' annual event.
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                          class="toc" style="font-family:sans-serif;font-size:2em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">E. Saarinen et al.


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                          class="toc" style="font-family:sans-serif;font-size:4em;color:yellow;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">LIMAA

                          Limaa


                          xxx/ellauri149.html on line 450: Some of the looks exchanged between Munchin's Judas and Ben Forster's Jesus (or even just glances in the general direction of the other character) could easily be classed as 'longing'.
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                          class="toc" style="font-style:italic;font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Gonorrhé de
                          BALLSACK


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                          class="toc" style="font-family:serif;font-style:italic;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Comtes droolatiques

                          Leikkisää


                          xxx/ellauri154.html on line 203: Practically everyone knows Godard’s classic pronouncement, “All you need for a movie is a girl and a putz,” but a 1989 interview contains one of the more caustic charges Godard levels at cinema, that “Cinema is an ideology based on men living out through their imaginations what they could not do to women.” This chauvinist pig who openly played out his own marital problems with Anna-Kaarina in their collaborations of the ‘60s, now abrazes other toxic males for similar diversions.
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                          class="toc" style="font-weight:bold;font-family:sans-serif;font-size:5em;color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">Kuka Ruikki


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                          class="toc" style="font-family:sans-serif;font-size:5em;color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">TIEDE 2022

                          Naturalia atque turpia


                          xxx/ellauri157.html on line 82: After starting dance classes at the age of four, she competed regularly in dance contests throughout her childhood, including in "To Be Number One", and joined the eleven-member dance crew We Zaa Cool alongside BamBam of Got7. In September 2009, the group entered the competition LG Entertainment Million Dream Sanan World broadcast on Channel 9 and won the "Special Team" Award. Lisa participated in a singing contest as a school representative for "Top 3 Good Morals of Thailand", hosted by the Moral Promotion Center in early 2009, where she finished as a runner-up.
                          xxx/ellauri157.html on line 248: Hasidism adopts the different Kabbalistic forms of love, and the mystical fear of dogs. The classic Hasidic love manual the Tanya by aforementioned Schneur Zalman of Liadi describes many types of love and fear. It is a systematically structured guide to daily Hasidic life. In all Hasidism, as in Kabbalah, love and fear are awakened by studying hot and scary texts.
                          xxx/ellauri157.html on line 510: The Nazis, who discounted Hesse as merely a “victim of Jewish psychoanalysis,” blamed it all on Freud. In the April 1936 issue of Die Neue Litteratur, Will Vesper, employing predictable anti-Semitic tropes, characterized Hesse as a traitor and held him up as a classic example of Jewry’s sinister influence in general and of the insidious poisoning of the German soul by Freud’s psychoanalysis in particular:
                          xxx/ellauri157.html on line 512: Once and for all, it must be made public that Hesse is a classic example of how the Jew can poison the soul of the German people. For if at that time, when he took no delight in the war…he had not fallen into the clutches of the Jew Freud and his psychoanalysis, he would have remained the German writer we all loved so well. The warping of his soul can only be ascribed to this Jewish influence.
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                          class="toc" style="font-family:serif;font-size:3em;color:white;background:#ac5a34;text-align:center;margin-top:0%;margin-bottom:0%">St. Ambrose


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                          class="toc" style="font-family:Muli;font-size:4em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">"HIS MASTER'S VOICE."

                          Neizeellistä


                          xxx/ellauri165.html on line 330: Sharing Sir William Hamilton's enthusiasm for classical antiquities and art, she developed what she called her "Attitudes"—tableaux vivants in which she portrayed sculptures and paintings before British visitors. Emma developed the attitudes using Romney's idea of combining classical poses with modern allure as the basis for her act.
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                          class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">יהוה


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                          class="toc" style="font-family:Muli;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">AARON SKEBA

                          Käärmeilyä


                          xxx/ellauri166.html on line 321: In classic Jewish thought, the shekhinah refers to a dwelling or settling in a special sense, a dwelling or settling of divine presence, to the effect that, while in proximity to the shekhinah, the connection to Cod is more readily perceivable.
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                          class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Inferno-Dante


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                          class="toc" style="font-family:Muli;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">MALA TESTA

                          Päänsärkyä


                          xxx/ellauri167.html on line 93: He is today best remembered as the author of A Dictionary of Angels, Including the Fallen Angels (1967), a populist work detailing the types of angel classes and their roles. This was a popularised compendium of angelology from Talmud, kabbalah, medieval occult writers, gothic grimoires and other sources.
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                          class="toc" style="font-family:Muli;font-size:3em;color:white;background:#35225e;text-align:left;margin-top:0%;margin-bottom:0%">Fritz the Cat ja Cisco Caramba


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                          class="toc" style="font-family:Muli;font-size:4em;color:white;background:#35225e;text-align:leftr;margin-top:0%;margin-bottom:0%">SYVEMPÄÄ TIETOA...

                          Kähmintää


                          xxx/ellauri168.html on line 274: The obvious way around the combination problem is to posit that, although consciousness is indeed fundamental in nature, it isn’t fragmented like matter. The idea is to extend consciousness to the entire fabric of spacetime, as opposed to limiting it to the boundaries of individual subatomic particles. This view—called “cosmopsychism” in modern philosophy, although our preferred formulation of it boils down to what has classically been called “idealism”—is that there is only one, universal, consciousness. The physical universe as a whole is the extrinsic appearance of universal inner life, just as a living brain and body are the extrinsic appearance of a person’s inner life.
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                          class="toc" style="font-family:Muli;font-size:3em;font-style:italic;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">LENA FURBERG


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                          class="toc" style="font-family:Muli;font-style:italic;font-weight:bold;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">KELPAAN TÄLLAISENA!

                          Syviä asanoita


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                          class="toc" style="font-family:serif;font-size:2em;color:grey;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Rodolphe Bresdin


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                          class="toc" style="font-family:serif;font-size:3em;color:grey;background:white;text-align:center;margin-top:0%;margin-bottom:0%">LA COMÉDIE DE LA MORT

                          Tragikoomista


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                          class="toc" style="font-family:Muli;font-size:2em;color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Aku Aatamisaari


                          xxx/ellauri173.html on line 33:

                          class="toc" style="font-family:Muli;font-size:3em;color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Papinin marmiitti

                          Protoplasmaa


                          xxx/ellauri173.html on line 162: Au IIIe siècle avant J-C, l’ingénieur grec Philon de Byzance classe les jardins suspendus de Babylone, au sud de l’actuel Irak, parmi les sept merveilles du monde antique. Le premier à les évoquer est le prêtre babylonien Bérose (IVe siècle avant J-C). Il attribue leur construction à Nabuchodonosor II, qui les aurait créés pour son épouse persane Amytis, laquelle se languissait de la verdure de son pays natal. Le texte de Bérose est perdu, mais il subsiste sous forme de fragments chez des historiens et géographes du Ier siècle avant J-C, tels Flavius Josèphe, Diodore de Sicile et Strabon ; on le retrouve également chez Eusèbe de Césarée (265-339 de l’ère chrétienne). Toutefois, à l’exception de Bérose, aucun texte babylonien ne mentionne les jardins suspendus, ou du moins pas un seul n’a été retrouvé. Aucune des inscriptions relatant les grands chantiers de Nabuchodonosor II ne contient une référence à un jardin surélevé. Dans ses Histoires, le géographe et historien grec Hérodote (480-425 avant notre ère), qui a visité Babylone un siècle seulement après la mort de Nabuchodonosor, ne les évoque pas non plus lorsqu’il décrit la ville. Les murailles, la tour de Babel ou Ziggurat d’Etemenanki, les palais royaux et autres constructions de la ville antique ont été identifiés par les fouilles archéologiques ou sont attestés dans les textes cunéiformes. Mais cela n’a pas été le cas pour les jardins.
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                          class="toc" style="font-family:Muli;font-size:2em;color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Aku Aatamisaari


                          xxx/ellauri174.html on line 33:

                          class="toc" style="font-family:Muli;font-size:3em;color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hadaly

                          Ektoplasmaa


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                          xxx/ellauri175.html on line 32:

                          class="toc" style="font-family:Muli;font-size:2em;color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Aku Aatamisaari


                          xxx/ellauri175.html on line 33:

                          class="toc" style="font-family:Muli;font-size:3em;color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">SOWANA

                          Misofransiaa


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                          class="toc" style="font-family:Muli;font-size:2em;color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Emily Pseudo-Cooper


                          xxx/ellauri176.html on line 39:

                          class="toc" style="font-family:Muli;font-size:3em;color:blue;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Ruppari

                          Samaa vaan


                          xxx/ellauri176.html on line 86: In the classical era of ancient Greece, pornai were slaves of barbarian origin; starting in the Hellenistic era the case of young girls abandoned by their citizen fathers could be enslaved. They were considered to be slaves until proven otherwise. Pornai were usually employed in brothels located in "red-light" districts of the period, such as Piraeus (port of Athens) or Kerameikos in Athens. Seija harrasti keramiikkaa Bostonissa. "And what do you do Seija?" "I have been learning pottery." "Oh, ceramics" sanoi Mrs. Breckenridge, piruillaxeenko vai ei, paha sanoa.
                          xxx/ellauri176.html on line 88: The classical Athenian politician Solon is credited as being the first to institute legal public brothels. He did this as a public health measure, in order to contain adultery. The poet Philemon praised him for this measure in the following terms:
                          xxx/ellauri176.html on line 92: As Philemon highlights, the Solonian brothels provided a service accessible to all, regardless of income. (One obolus is one sixth of one drachma, the daily salary of a public servant at the end of the 5th century BC. By the middle of the 4th century BC, this salary was up to a drachma and a half.) In the same light, Solon used taxes he levied on brothels to build a temple to Aphrodite Pandemos (literally "Aphrodite of all the people"). Even if the historical accuracy of these anecdotes can be doubted, it is clear that classical Athens considered prostitution to be part of its democracy.[citation needed]
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                          class="toc" style="font-family:Muli;font-size:2em;color:red;background:white;text-align:center;margin-top:0%;margin-bottom:0%">NOUVEAU MASTER HAUTE DÉFINITION


                          xxx/ellauri177.html on line 33:

                          class="toc" style="font-family:Muli;font-size:3em;color:red;background:white;text-align:center;margin-top:0%;margin-bottom:0%">PAPPI ASTUU PASKAAN

                          Katollista


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                          class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:#FBB117;text-align:center;margin-top:0%;margin-bottom:0%">BENITO ROTH


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                          class="toc" style="font-family:sans-serif;font-size:5em;color:white;background:#FBB117;text-align:center;margin-top:0%;margin-bottom:0%">Intohimon Professori

                          Himokasta


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                          class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Ernestine Hemingwau


                          xxx/ellauri179.html on line 33:

                          class="toc" style="font-family:sans-serif;font-size:5em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">Ford Fiesta

                          Homokasta


                          xxx/ellauri179.html on line 814: Mencken was a controversial, and humorous journalist, who greatly affected American fiction in the 1920s. He ridiculed the US’s organized religion, business and middle class. He was a very critical man, who supported Germany during the war and had a very Marxist outlook on life. Bill refers to him, saying that he mocks God. Also this shows Bill’s character, that he is someone is very cynical and critical about life.
                          xxx/ellauri179.html on line 984: Unquestionably, Ernest Hemingway was anti-Semitic. Studded throughout his letters are nasty remarks about Jews. But Hemingway felt his prejudice had a place in his fiction as well, most notably in “The Sun Also Rises,” his classic 1925 novel about a group of Paris expatriates at the bullfights in Pamplona.
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                          class="toc" style="font-family:serif;font-size:5em;color:black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">JOSÉ DE SOUSA

                          Sotarikollista


                          xxx/ellauri186.html on line 32:

                          class="toc" style="font-family:serif;font-size:3em;color:black;background:yellow;text-align:center;margin-top:0%;margin-bottom:0%">O EVANGELHO
                          SECUNDO A MINHA PALAVRA


                          xxx/ellauri186.html on line 81: Beecher married Eunice Bullard in 1837 after a five-year engagement. Their marriage was not a happy one; as Applegate writes, "within a year of their wedding they embarked on the classic marital cycle of neglect and nagging", marked by Henry's prolonged absences from home. The couple also suffered the deaths of four of their eight children.
                          xxx/ellauri186.html on line 746: Christianity, and especially Judeo-Christianity. Thus the Quran alludes repeatedly to the content of the Pentateuch and the Gospels. But while it is true that more Quranic material is classifiable as “Judaic” or “Christian” than as specifically “Judeo-Christian,” nonetheless the influence of the later is central; for whereas the “Judaic” and “Christian” material consists of references to “known facts,” or allusions to, and occasional retellings of, stories and legends, the Judeo-Christian material shaped the theology of the Quran.
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                          class="toc" style="font-family:sans-serif;font-size:5em;color:white;background:#e2e5ea;text-align:center;margin-top:0%;margin-bottom:0%">RACHEL CORBETT


                          xxx/ellauri187.html on line 32:

                          class="toc" style="font-family:sans-serif;font-size:7em;color:black;background:#e2e5ea;text-align:center;margin-top:0%;margin-bottom:0%">CHINS UP

                          Panettelua


                          xxx/ellauri187.html on line 77: At the Petite École, Rodin “finished lessons so quickly that the teachers eventually ran out of assignments. He did not care to socialize with his classmates; he wanted only to work.” Rodin’s talent was noted by his legion of admiring artists, writers, and lovers. His rise was a matter of time, even if he was ignored by academic art institutions early in life.
                          xxx/ellauri187.html on line 197: But why did aging Rodin in his 60s capture Rilke’s imagination at the turn of the last century? It’s hard to see at first. What made Rodin radical then is no longer radical today. In his “Self-Portrait” (1890), Rodin grimaces amidst rough marks. The picture emblematizes how Rodin heralded raw and unpolished sculptures that were strikingly modern. It was a breath of fresh air since most of early-19th-century sculpture was smooth, neoclassical, and to be harshly honest, predictably dainty. Charles Baudelaire lamented this nadir in 1846 when he wrote his provocative essay “Why Sculpture is Boring.” Rodin went on to prove Baudelaire wrong. He showed how sculpture could be modern with distorted, coarse, rough textures. Rodin knocked the idealized body off its pedestal. And the modern sculptors that came after him saw no reason to put it back.
                          xxx/ellauri187.html on line 275: Portugal's 25 April 1976 constitution reflected the country's 1974–76 move from authoritarian rule to provisional military government to a representative democracy with some initial Communist and left-wing influence. The military coup in 1974, which became known as the Carnation Revolution, was a result of multiple internal and external factors like the colonial wars that ended in defeats, removing the dictator, Marcelo Caetano, from power. The prospect of a communist takeover in Portugal generated considerable concern among the country's NATO allies. The revolution also led to the country abruptly abandoning its colonies overseas and to the return of an estimated 600,000 Portuguese citizens from abroad. The 1976 constitution, which defined Portugal as a "Republic... engaged in the formation of a classless society," was revised in 1982, 1989, 1992, 1997, 2001, and 2004.
                          xxx/ellauri187.html on line 449: She first met Bonhoeffer in the urban home of Ruth von Kleist-Retzow, her maternal grandmother, when she was 11 years old. He was conducting confirmation classes for Maria's elder brother and cousins and the grandmother asked if Maria could be included. Bonhoeffer interviewed her and refused to have her join the class due to her "immaturity". (Toisen lähteen mukaan se sai olla mukana kuunteluoppilaana kunnes rinnat kasvaisivat.)
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                          class="toc" style="font-family:sans-serif;font-weight:bold;font-size:8em;color:red;background:yellow;text-align:left;margin-top:0%;margin-bottom:0%">MIN
                          GALNA
                          HAGE

                          Smuts


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                          class="toc" style="font-family:sans-serif;font-size:5em;color:black;background:yellow;text-align:left;margin-top:0%;margin-bottom:0%">POVEL
                          RAMEL


                          xxx/ellauri193.html on line 124: The Population Registration Act, 1950 classified all South Africans into one of four racial groups based on appearance, known ancestry, socioeconomic status, and cultural lifestyle: "Black", "White", "Coloured", and "Indian", the last two of which included several sub-classifications. Just like in India in fact, except all castes are Indians in India, however Aryan they may think they are. Brahmin Gandhi got really pissed when he was thrown out of train in Pretoria like a pariah. Got him started on his career as Indian nationalist. Until then he had been a supporter of The Brits in The Boer war.
                          xxx/ellauri193.html on line 208: The "crime of passion" defense challenges the mens rea element by suggesting that there was no malice aforethought, and instead the crime was committed in the "heat of passion". In some jurisdictions, a successful "crime of passion" defense may result in a conviction for manslaughter or second degree murder instead of first degree murder, because a defendant cannot ordinarily be convicted of first degree murder unless the crime was premeditated. A classic example of a crime of passion involves a spouse who, upon finding his or her partner in bed with another, kills the romantic interloper.
                          xxx/ellauri193.html on line 312: Carlson's paternal grandparents were Richard Gere and Pamela Anderson, teenagers who placed "Dick" at The Home of The Worriers orphanage where he was wet nursed first by Carl Bellman's tjänare Mollberg, then a maiden, near Boston, and finally by a tannery worker with Swedish accent named Florence Nightingale, and as a result adopted at the age of two-years-old the reactionary views of upper-middle-class Finland immigrants, the Carlsons, and the oldest tanner in America and his wife.
                          xxx/ellauri193.html on line 344: Carlson said America's "ruling class" are, in effect, the "mercenaries" behind the decline of the American middle class, and "any economic system that weakens and destroys families is not worth having. Certain economic systems allow families to thrive. Thriving families make family savings possible. Having children is the single best predictor that a woman will go bankrupt."
                          xxx/ellauri193.html on line 417: classmates.com/pho301/G/r/c/s/4915756201_display.jpg" />
                          xxx/ellauri193.html on line 598: The Swedes feel differently, though. The presentation speech lays out a “cut-out silhouette of two remarkable literary profiles,” drawing parallels between two writers whose work is not very similar, but whose lives curiously are. Both ­Eyvind Johnson and Harry Martinson come from hardscrabble backgrounds and emerged as unlikely, startling literary figures. “They are representative,” the speech tells us, “of the many proletarian writers or working-class poets who, on a wide front, broke into our literature, not to ravage and plunder, but to enrich it with their fortunes. Their arrival meant an influx of experience and creative energy, the value of which can hardly be exaggerated.”
                          xxx/ellauri193.html on line 600: Well, first of all, everything can be exaggerated, so calm down a little, Karl Ragnar Gierow. But also there’s a tone here that doesn’t sit well with me. Certainly the literary world has a tendency to calcify—the people who have enough time to write books tend to be from the ­upper classes, so literature’s concerns and perspectives invariably get narrow without new blood. But those sidebar reassurances that working-class poets aren’t here to ravage and plunder seem nervous and uptight, and not really reassuring to boot. It seems to me that we want a little ravagement and plunder in our literary traditions. Why else would we welcome a stirring new voice, if it didn’t stir us up a little? And if it doesn’t stir us up, is it really a new voice, even if it comes from a place most of us haven’t visited? “To determine an author and his work against the background of his social origin and political environment is, at present, good form,” the speech continues, and that’s OK as far as it goes. But if you’re going to decide that two authors are tied for literary merit, surely we can find some criterion besides their socioeconomic origin stories.
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                          class="toc" style="font-family:serif;font-size:5em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Agricola


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                          class="toc" style="font-family:AdineKirnberg;font-weight:bold;font-size:8em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Vitun vitun vittu

                          Kyrkästystä


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                          class="toc" style="font-family:serif;font-size:5em;color:white;background:#2c4758;text-align:center;margin-top:0%;margin-bottom:0%">Neptune


                          xxx/ellauri199.html on line 32:

                          class="toc" style="font-family:AdineKirnberg;font-weight:bold;font-size:8em;color:white;background:#2c4758;text-align:center;margin-top:0%;margin-bottom:0%">Hello Poetry

                          Poetiikkaa


                          xxx/ellauri199.html on line 287: -- Welcome to the class! I am your teacher, Karen. There will be a few questions in the assignment below to tell me a little about yourself.
                          xxx/ellauri199.html on line 962: Holy the lone juggernaut! Holy the vast lamb of the middleclass! Holy the crazy shepherds of rebellion! Who digs Los Angeles IS Los Angeles!

                          xxx/ellauri199.html on line 1074: The announcement seemed to drive a surge of support for Seuss classics. Dozens of his books shot to the top of Amazon’s print best-seller list; on Thursday morning, nine of the site’s top 10 best sellers were Seuss books.
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                          class="toc" style="font-family:serif;font-size:8em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hergé


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                          class="toc" style="font-family:serif;font-weight:bold;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">I am levitating now

                          Rodullistusta


                          xxx/ellauri200.html on line 184: Naipaul's fiction and especially his travel writing have been criticised for their allegedly unsympathetic portrayal of the Third World. The novelist Robert Harris has called Naipaul's portrayal of Africa racist and "repulsive," reminiscent of Oswald Mosley's fascism. Edward Said argued that Naipaul "allowed himself quite consciously to be turned into a witness for the Western prosecution", promoting what Said classified as "colonial mythologies about wogs and darkies". Said believed that Naipaul's worldview may be most salient in his book-length essay The Middle Passage (1962), composed following Naipaul's return to the Caribbean after 10 years of exile in England, and the work An Area of Darkness (1964).
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                          class="toc" style="font-family:AdineKirnberg;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Isokukko Uljas


                          xxx/ellauri201.html on line 32:

                          class="toc" style="font-family:AdineKirnberg;font-weight:bold;font-size:8em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Meninas do pinup

                          Kovaxikeitettyä


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                          xxx/ellauri202.html on line 30:

                          class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:#fcc58c;text-align:center;margin-top:0%;margin-bottom:0%">ROGER MARTIN DU GARD


                          xxx/ellauri202.html on line 31:

                          class="toc" style="font-family:serif;font-weight:bold;font-size:8em;color:black;background:#fcc58c;text-align:center;margin-top:0%;margin-bottom:0%">Hiljaa virtaa jaaritus

                          Jaaritusta


                          xxx/ellauri202.html on line 286: The rotten Soviet regime has been replaced by a rotten capitalist enterprise. Socialism had collapsed, and the Russian nation, just like the West, increasingly owes any stability it has to a class of organized crime assembled to steal what riches remained.
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                          class="toc" style="font-family:sans-serif;font-style:italic;font-size:3em;color:black;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Näkyip
                          Nahkapouz


                          xxx/ellauri208.html on line 34:

                          class="toc" style="font-family:sans-serif;font-style:italic;font-size:6em;color:black;background:red;text-align:center;margin-top:0%;margin-bottom:0%">Middag-kuja

                          Tyyylsäää


                          xxx/ellauri208.html on line 455: Kekäs on sit tää Guenon? The guenons (UK: /ɡəˈnɒnz/, US: /ˈɡwɛn.ənz/) are Old World monkeys of the genus Cercopithecus (/ˌsɜːrkəˈpɪθəkəs/). Not all members of this genus have the word "guenon" in their common names; also, because of changes in scientific classification, some monkeys in other genera may have common names that include the word "guenon". Nonetheless, the use of the term guenon for monkeys of this genus is widely accepted. In the English language, the word "guenon" is apparently of French origin. In French, guenon was the common name for all species and individuals, both males and females, from the genus Cercopithecus. In all other monkey and apes species, the French word guenon only designates the females. No ei vaitiskaan, vaan tää:
                          xxx/ellauri208.html on line 1022: ʾIdrīs (Arabic: إدريس) is an ancient prophet mentioned in the Quran, whom Muslims believe was the third prophet after Seth. He is the second prophet mentioned in the Quran. Islamic tradition has unanimously identified Idris with the biblical Enoch, although many Muslim scholars of the classical and medieval periods also held that Idris and Hermes Trismegistus were the same person. Mahtavaa sekoilua.
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                          class="toc" style="font-family:serif;font-size:3em;color:black;background:#474342;text-align:center;margin-top:0%;margin-bottom:0%">Frederick McCubbin


                          xxx/ellauri209.html on line 33:

                          class="toc" style="font-family:serif;font-size:3em;color:white;background:#474342;text-align:center;margin-top:0%;margin-bottom:0%">On the Wallaby Track

                          Tumpelointia


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                          xxx/ellauri212.html on line 33:

                          class="toc" style="font-family:sans-serif;font-style:italic;font-size:4em;color:beige;background:#5b3039;text-align:center;margin-top:0%;margin-bottom:0%">JOHN LODWICK


                          xxx/ellauri212.html on line 34:

                          class="toc" style="font-family:sans-serif;font-size:6em;color:beige;background:#5b3039;text-align:center;margin-top:0%;margin-bottom:0%">AMOR ME DIO LA DESPEDIDA

                          Sexiä


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                          class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">TH. KITTELSEN


                          xxx/ellauri215.html on line 34:

                          class="toc" style="font-family:serif;font-size:4em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">TROLLET PÅ KARL JOHAN

                          Trollausta


                          xxx/ellauri215.html on line 145: There is a third novelist in The Ghost Writer, Felix Abravanel, “a writer who found irresistible all vital and dubious types, not excluding the swindlers of both sexes who trampled upon the large hearts of his optimistic, undone heroes.” Abravanel, of course, is Saul Bellow. Zuckerman heard him speak at Chicago, just as the young Roth had recently met Bellow in Chicago at a literature class.
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                          class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">Naurunappula


                          xxx/ellauri218.html on line 35:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">KUOLEMAN KUNNARI

                          Kauhua

                          xxx/ellauri218.html on line 106: Since 1945, the United States has very rarely achieved meaningful victory. The United States has fought five major wars — Korea, Vietnam, the Gulf War, Iraq, Afghanistan — and only the Gulf War in 1991 can really be classified as a clear success. A month into his presidency, Donald Trump lamented that the US no longer wins wars as it once did.
                          xxx/ellauri218.html on line 481: The ruling class and the Trump administration are ramping up attacks on public sector workers and unions, the majority of whom are women and people of color. A negative ruling on Janus v. AFSCME, scheduled to be heard by the U.S. Supreme Court on Feb. 26, could strike a financial blow at the ability of public sector unions to collect dues. As racist, sexist right-to-work backers spew their message supporting Janus, the U.S. labor movement is mobilizing resistance to this threat around the country, including a Feb. 24 NYC protest. We are not prepared to accept this assault on our rights without a fight!
                          xxx/ellauri218.html on line 483: Today, in the face of these attacks, the 1968 NYC sanitation workers’ strike continues to be a spark for labor unity and class struggle.
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                          xxx/ellauri224.html on line 35:

                          class="toc" style="font-family:sans-serif;color:black;background:cyan;text-align:center;margin-top:0%;margin-bottom:0%">SMORE


                          xxx/ellauri224.html on line 38:

                          class="toc" style="font-family:sans-serif;font-style:italic;font-size:4em;color:white;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">KUOLEMA JAUHONAAMOILLE

                          Röhönaurua

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                          class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:peru;text-align:center;margin-top:0%;margin-bottom:0%">URSULA KRÖBER L. G.


                          xxx/ellauri225.html on line 33:

                          class="toc" style="font-family:serif;font-size:4em;font-weight:regular;color:black;background:gold;text-align:center;margin-top:0%;margin-bottom:0%">2x haarautuva halko

                          Sapfekasta


                          xxx/ellauri225.html on line 44: The general gist is that humans originally spread throughout the galaxy from a planet called Hain. The Hainish colonies (including Earth) all eventually lost contact with and then memory of each other; each book or story then shows a planet at or shortly after the moment when contact is re-established. It’s a useful way to frame the classic sociological sci-fi writing that Le Guin is known for—an Envoy or Observer from the slowly burgeoning coalition of planets can arrive at a completely new human society, which Le Guin can then use to dissect and explore some facet of real life through speculative worldbuilding. And the best part of it is that unless Darwin got his hairy foot into it, all the Hainians got fully interlocking genitals! One of the biggest obstacles to enjoyable alien sex is overcome.
                          xxx/ellauri225.html on line 48: The gay content in The Telling is rather subtle and subdued, but it isn’t an afterthought. Sutty’s lesbianism is an important aspect of her character, and when she starts meeting mazis, the keepers of the Telling, many of them are gay couples as well. There is a quiet romanticization of gay monogamy throughout The Telling that moved me when I first read it, and although not every aspect of the novel has aged as well, I’m still very endeared of it for that reason. If you enjoy classic science fiction, where the point is less a thrilling story and more the discovery of a brand new world, The Telling is by far my favorite of the bunch.
                          xxx/ellauri225.html on line 267: Le Guin read both classic and speculative fiction widely in her youth. She later said that science fiction did not have much impact on her until she read the works of Theodore Sturgeon and Cordwainer Smith, and that she had sneered at the genre as a child. Authors Le Guin describes as influential include Victor Hugo, William Wordsworth, Charles Dickens, Boris Pasternak, and Philip K. Dick. Le Guin and Dick attended the same high-school, but did not know each other. She also considered J. R. R. Tolkien and Leo Tolstoy to be stylistic influences, and preferred reading Virginia Woolf and Jorge Luis Borges to well-known science-fiction authors such as Robert Heinlein, whose writing she described as being of the "white man conquers the universe" tradition. Several scholars state that the influence of mythology, which Le Guin enjoyed reading as a child, is also visible in much of her work: for example, the short story "The Dowry of Angyar" is described as a retelling of a Norse myth.
                          xxx/ellauri225.html on line 275: Although Le Guin is primarily known for her works of speculative fiction, she also wrote realistic fiction, non-fiction, poetry, and several other literary forms, which makes her work quite difficult for librarians to classify. Her writings received critical attention from mainstream critics, critics of children´s literature, and critics of speculative fiction. Le Guin herself said that she would prefer to be known as an "American novelist". Le Guin´s transgression of conventional boundaries of genre led to literary criticism of Le Guin becoming "Balkanized", particularly between scholars of children´s literature and speculative fiction. Commentators have noted that the Earthsea novels specifically received less critical attention because they were considered children´s books. Le Guin herself took exception to this treatment of children´s literature, describing it as "adult chauvinist piggery". In 1976, literature scholar George Slusser criticized the "silly publication classification designating the original series as 'children's literature'", while in Barbara Bucknall´s opinion Le Guin "can be read, like Tolkien, by ten-year-olds and by adults. These stories are ageless because they deal with problems that beset us at any age."
                          xxx/ellauri225.html on line 304: The Dispossessed, set on the twin planets of Urras and Anarres, features a planned anarchist society depicted as an "ambiguous utopia". The society, created by settlers from Urras, is materially poorer than the wealthy society of Urras, but ethically and morally more advanced. Unlike classical utopias, the society of Anarres is portrayed as neither perfect nor static; the protagonist Shevek finds himself traveling to Urras to pursue his research. Nonetheless, the misogyny and hierarchy present in the authoritarian society of Urras is absent among the anarchists, who base their social structure on cooperation and individual liberty. The Eye of the Heron, published a few years after The Dispossessed, was described as continuing Le Guin´s exploration of human freedom, through a conflict between two societies of opposing philosophies: a town inhabited by descendants of pacifists, and a city inhabited by descendants of criminals.
                          xxx/ellauri225.html on line 329: I told my literature students about Ursula K. Le Guin today, squeezing a few minutes for her into a class on American science fiction writers of color, a class where she didn’t strictly speaking belong – though to be honest, I rather think she’d improve almost any class. I told them about the six books that comprise Earthsea, about the gender-bending brilliance of The Left Hand of Darkness, the anarchist explorations in The Dispossessed, the stories in The Birthday of the World and Four Ways to Forgiveness (many of which I teach, gratefully). I mentioned her National Book Award, and her host of awards in science fiction and fantasy. I gave them her story “The Ones Who Walk Away from Omelas,” which is one of the most brilliant, uncomfortable stories I’ve ever read. But no blow-by-blow romps in the sack, alas.
                          xxx/ellauri225.html on line 362: Bloom still teaches (well, used to, he was carried out of the classroom in a huge black bodybag in 2019) at Yale and claims he has finally learned to better listen to his students. He tells them to select a piece of writing they love, sit under a tree and chant the lines to truly “possess” it. He does this himself at night when sleep fails him. The practice sparks repressed memories: “Vividly I saw myself, a boy of three, playing on the kitchen floor, alone with [my mother] as she prepared the Sabbath meal. She was born in a Jewish village, and I was happiest when we were alone together. As she passed me in her preparations I would reach out and touch her bare toes, and she would rumple my hair and murmur her affection for me.” Tädin pienet ruskeat amputoidut varpaat ihastuttivat myös Ursulaa hänen kirjassaan Kahdesti haarautuva puu (Don´t tell mama, kz. Fig. 2).
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                          class="toc" style="font-family:sans-serif;font-size:6em;color:white;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">КАМИЛЛА ЛЭКБЕРГ


                          xxx/ellauri227.html on line 33:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:gold;background:lightblue;text-align:center;margin-top:0%;margin-bottom:0%">IS PRINSESSA

                          Jäätävää


                          xxx/ellauri227.html on line 469: class-goal-setting-mobile-brigit.jpg" height="400px" />
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                          class="toc" style="font-family:sans-serif;font-size:1em;color:white;background:green;text-align:center;margin-top:0%;margin-bottom:0%">CHICKEN CACCIATORE &CO


                          xxx/ellauri228.html on line 33:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:gold;background:green;text-align:center;margin-top:0%;margin-bottom:0%">HEI BEIBI,
                          MÄ OON
                          TULLA!

                          Koomista sexiä


                          xxx/ellauri228.html on line 589: Talcott Parsons was an American sociologist of the classical tradition, best known for his social action theory and structural functionalism. Parsons is considered one of the most influential figures in sociology in the 20th century.
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                          class="toc" style="font-family:sans-serif;font-size:3em;color:pink;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Harry Bosch


                          xxx/ellauri229.html on line 33:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:ivory;background:black;text-align:center;margin-top:0%;margin-bottom:0%">6-SEAT CHRONOBUS

                          Retroa


                          xxx/ellauri229.html on line 226:
                          Alberta from Vancouver, the imaginary girlfriend of Rod from Avenue Q, he invents her to deny he is a class="mw-redirect" title="Closeted homosexual">homosexual
                          xxx/ellauri229.html on line 315:
                          class="nowrap">Video Game
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                          class="toc" style="font-family:serif;font-size:3em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">"Kustu" Ramstedt


                          xxx/ellauri230.html on line 33:

                          class="toc" style="font-family:serif;font-size:3em;color:white;background:grey;text-align:center;margin-top:0%;margin-bottom:0%">MUISTINVARAISESTI NIPPONISTA

                          Japonais-täytettä


                          xxx/ellauri230.html on line 278: Born in Kating (Jiading), now a suburb of Shanghai, in 1888. Koo grew up in an upper-class cosmopolitan family and was fluent in both English and French, which greatly aided his diplomatic career.
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                          class="toc" style="font-family:serif;font-size:8em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Wikipedia


                          xxx/ellauri231.html on line 33:

                          class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Töhnä-kerhon jälkeenjääneet paperit

                          Sotahistoriaa


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                          class="toc" style="font-family:sans-serif;font-size:3em;color:red;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Ung Wallenberg


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                          class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Feminism underifrån

                          Oivalluxia ja niteitä


                          xxx/ellauri232.html on line 90: The Social Democratic Party defined Swedish politics during the last century, holding power for more than forty consecutive years, and governing for almost seventy years in total. During the 1980s, the party turned rightwards, adopting the politics of the ‘Third Way’, caught in the first wave of neoliberalism. It lost the power base of industrial workers as industries moved abroad. The following decades saw rapid increases in class divisions, growing faster in Sweden than in any other country within the OECD.
                          xxx/ellauri232.html on line 94: Meanwhile, optimistic neoliberal positions wonder how could this happen, if the world is richer than ever, and more and more people have been dragged from poverty. That statistics is no longer even true, and largely overlooks that the poorest classes in developed countries have seen none of this improvement, and that redistribution mechanisms in these countries have been severely diminished by decades of neoliberal policies. The picture below displays the real income growth of the world population, and where it has (roughly) ended up.
                          xxx/ellauri232.html on line 99: If social claims appeal to the people's struggle with poverty and inequality, nationalism offers an encompassing narrative, an identity that blurs the lines of social classes and hides the social fractures that created this very problem. While Fascism promises to protect workers, studies show how Workers' conditions worsened severely during fascist times, something that can also be seen in the strong ultraliberal component most of the 'new far right', and of the dubious democratic credentials of of neoliberalism, devoid of the philosophical background of political liberalism. Nationalism gives the two great enemies behind the woes of people: foreigners, and immigrants. The external enemy, the internal enemy. Both combined ensure that no one is paying attention at inequality or working and living conditions.
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                          class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">MICAEL DAHLEN


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                          class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Våga drömma

                          Limaista


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                          class="toc" style="font-family:serif;font-size:2em;color:gold;background:#990000;text-align:center;margin-top:0%;margin-bottom:0%">VILLI LÄNSIÖ JA ESA SAARINEN


                          xxx/ellauri234.html on line 33:

                          class="toc" style="font-family:serif;font-size:5em;color:gold;background:#990000;text-align:center;margin-top:0%;margin-bottom:0%">TÖRNI KÄRJESSÄ

                          Maanpuolustushenkeä


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                          class="toc" style="font-family:serif;font-size:2em;color:pink;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Willy Wanker


                          xxx/ellauri235.html on line 33:

                          class="toc" style="font-family:serif;font-size:5em;color:pink;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Kävin kirjastossa
                          Suklaaosastossa

                          Seiloriaiheista


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                          class="toc" style="font-family:sans-serif;font-size:4em;color:white;background:teal;text-align:center;margin-top:0%;margin-bottom:0%">Pablo Basoalto


                          xxx/ellauri237.html on line 33:

                          class="toc" style="font-family:sans-serif;font-size:6em;color:white;background:teal;text-align:center;margin-top:0%;margin-bottom:0%">THIS SUCKS

                          Ylimakeaa


                          xxx/ellauri237.html on line 138: One longstanding suggestion of a social role for Sappho is that of "Sappho as schoolmistress". At the beginning of the twentieth century, the German classicist Ulrich von Wilamowitz-Moellendorff posited that Sappho was a sort of schoolteacher, to "explain away Sappho´s passion for her ´girls´" and defend her from accusations of homosexuality. The view continues to be influential, both among scholars and the general public, though more recently the idea has been criticised by historians as anachronistic and has been rejected by several prominent classicists as unjustified by the evidence. In 1959, Denys Page, for example, stated that Sappho´s extant fragments portray "the loves and jealousies, the pleasures and pains, of Sappho and her companions"; and he adds, "We have found, and shall find, no trace of any formal or official or professional relationship between them... no trace of Sappho the principal of an academy." Toisin kuin Ailin kohalla, hehe.
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                          class="toc" style="font-family:serif;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Lao Rui


                          xxx/ellauri239.html on line 34:

                          class="toc" style="font-style:italic;font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kummastuxen avonainen ovi

                          Sanoinkuvaamatonta


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                          class="toc" style="font-family:serif;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Kaksplus


                          xxx/ellauri250.html on line 40:

                          class="toc" style="font-family:serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Suku on pahin

                          Sukuvihaa


                          xxx/ellauri250.html on line 437: It’s a tale of the endearing Russian bear, which rings discordantly when that bear has its claws out for its neighbors. Russians can't be nice! It is all russki propaganda! It depicts a woman’s quick forgiveness of a sexual predator with whom she’s forced to associate. (What the fuck, some sexual predator indeed, won't even give to her when she asks.) It’s about the fecklessness of the intellectual class and the blank emptiness of the Western (and Westernized) bourgeoisie—the screenplay deliberately leaves F.F. blank, even unto her name. Ljoha isn’t quite as blank, because in his unguarded drunkenness, he blurts out a few of his prejudices and acts out his impulses.
                          xxx/ellauri250.html on line 614: Some of the features of the Chinaskian persona: excessive alcohol consumption; love of art (classical music, literature); solitude and self-satisfaction; volatile relationships (especially with women); self-effacement; nihilism; and the ostentatious violation of societal norms.
                          xxx/ellauri250.html on line 678: H.L.A Hart's review of the third edition in The New York Review of Books was mixed. While writing that "The utility of selling this utilitarian's book to students of its subject can hardly be exaggerated", Hart also criticized Practical Ethics for philosophical inconsistency in its chapter on abortion. He argues that Singer insufficiently explains how self interest and classical utilitarianism each view abortion, and does not bring out their differences. Self interest of males is strongly against abortion. Besides, carrots are fit food for bunnies only.
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                          class="toc" style="font-family:serif;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Algernon Swinburne


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                          class="toc" style="font-family:serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Gjenganger

                          Algolagniaa


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                          class="toc" style="font-family:serif;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hans von Blixt


                          xxx/ellauri252.html on line 39:

                          class="toc" style="font-family:serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Mondo Cane

                          Juopporemmejä


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                          class="toc" style="font-family:sans-serif;font-size:3em;color:gold;background:black;text-align:left;margin-top:0%;margin-bottom:0%">UNTO
                          REMES


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                          class="toc" style="font-family:sans-serif;font-size:8em;color:gold;background:black;text-align:center;margin-top:0%;margin-bottom:0%">KREMLIN
                          NYRKISTÄ

                          {span style="color:white;background-color:red"}2023{/span} Antisosiaalista


                          xxx/ellauri253.html on line 133: Wealthy and middle-class house flippers with mid-to-good credit scores created a speculative bubble in house prices, and then wrecked local housing markets and financial institutions after they defaulted on their debt en masse. The Economist wrote in July 2012 that the inflow of investment dollars required to fund the U.S. trade deficit was a major cause of the housing bubble and financial crisis: "The trade deficit, less than 1% of GDP in the early 1990s, hit 6% in 2006. That deficit was financed by inflows of foreign savings, in particular from East Asia and the Middle East. Much of that money went into dodgy mortgages to buy overvalued houses, and the financial crisis was the result." "The main headline is that all sorts of poor countries became kind of rich, making things like TVs and selling us oil. China, India, Abu Dhabi, Saudi Arabia made a lot of money and banked it."
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                          class="toc" style="font-family:serif;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Nasha Darya


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                          class="toc" style="font-family:serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Vienanlahdelta Laatokkaan

                          Russofobiaa


                          xxx/ellauri255.html on line 98: The most important thing for me was to understand the chain of disasters of the 20th century – the impacts of which actually are still with us today, as we see in Ukraine. Around 12 million people died in the Russian Civil War. This wanton destruction created a terrible fear among the middle classes, but also galvanised the left – the Bolsheviks and other communists – and marked the start of a vicious circle of rhetoric that developed, above all, in the 1930s. This is really what dominates the whole of the 20th century, yet I think that the Russian Civil War is not understood well enough, nor is the demilitarisation of Ukraine.
                          xxx/ellauri255.html on line 116: Lenin actually wanted the civil war. He said: “Civil war is the sharpest form of the class struggle.” In his view, it was the only way for the Bolsheviks to take power. So what? It has been just the Same in all previous revolutions. Those in the power do not just give it away for free.
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                          class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">Yrjö Larmola


                          xxx/ellauri259.html on line 39:

                          class="toc" style="font-family:sans-serif;font-size:6em;color:black;background:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">Vapauden ongelma

                          Poetic licenses


                          xxx/ellauri259.html on line 705: The film has good characterization of its male leads, they are well-acted and spout on-the-nose dialogue straight from the pen of Hotakainen. The film is a bit more down-to-earth approach of the depressing rural Finland of yesteryear than that from the films of the Kaurismäki brothers. But there are clear similarities, since the cinematographer, editor and sound mixer are veterans of Kaurismäki productions. And of course the director Kari Väänänen is remembered from sleazy roles from many of the brothers' classic films.
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                          class="toc" style="font-family:Muli;font-size:6em;color:black;background:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">LIISA PARTANEN


                          xxx/ellauri261.html on line 39:

                          class="toc" style="font-style:italic;font-family:Muli;font-size:10em;color:purple;background:#aa9f83;text-align:center;margin-top:0%;margin-bottom:0%">HYMINÄÄ

                          Ankaraa ilostelua


                          xxx/ellauri261.html on line 244: Thornton Wilder´s older brother, Amos Niven Wilder, was Hollis Professor of Divinity at the Harvard Divinity School, a noted poet, and foundational to the development of the field theopoetics. Amos was also a nationally ranked tennis player who competed at the Wimbledon tennis championships in 1922. Thornton cared little for the rough-and-tumble of sports-crazy adolescents, and his classmates teased him for being “artistic” and overly-intellectual; he was known as a “freak.” A former classmate recalled: "We left him alone, just left him alone." Guess which son was father´s favourite and which mommy´s boy.
                          xxx/ellauri261.html on line 374: Anstatt wie aufgetragen, in Zanglers Abwesenheit auf das Gwölb aufzupassen, begibt Weinberl sich mit dem Lehrling Christoph in die nahe gelegene Hauptstadt, um endlich einmal ein „verfluchter Kerl“ zu sein. Dort laufen sie beinahe Zangler in die Arme, der seine zukünftige Gattin besucht. Sie flüchten ins Modewarengeschäft der Madame Knorr, treffen dort Frau von Fischer, später auch noch Marie, Zanglers Mündel, die mit ihrem vom Vormund nicht goutierten Liebhaber August Sonders fliehen will („Das schickt sich nicht“) und den neuen Hausdiener Melchior („Das is classisch“). Bei Zanglers Schwägerin Fräulein Blumenblatt geben sie sich schließlich als Marie und August aus, bis diese beiden, sowie Zangler, Madame Knorr und Frau von Fischer ebenfalls dort eintreffen.
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                          class="toc" style="font-family:AdineKirnberg;font-size:6em;color:black;background:#fba375;text-align:center;margin-top:0%;margin-bottom:0%">Samuli Kukko


                          xxx/ellauri265.html on line 40:

                          class="toc" style="font-family:serif;font-size:4em;color:navy;background:#fba352;text-align:center;margin-top:0%;margin-bottom:0%">PUHUKAA BANAANIIN

                          Kompsastuskiviä


                          xxx/ellauri265.html on line 439: At Heteronormal Academy, we are devotees of John Stuart Mill. We believe in laissez faire capitalism. I am a centrist, and if you remember your elementary school geometry class, that means I am right-adjacent, not left. I really think the Republicans are a center party.
                          xxx/ellauri265.html on line 441: I co-founded with Caroline Mehl OpenMind. If you run or are a member of any kind of group — a classroom, a soccer team, a nonprofit, a company — try OpenMind as a group. This platform actually teaches you the skills of understanding others, appreciating why we often can’t understand others, and how to talk across divides, avoiding communication's stumbling stones!
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                          class="toc" style="font-family:sans-serif;font-size:6em;color:#b6654a;background:#e3d2b8;text-align:right;margin-top:0%;margin-bottom:0%">Kuinka valloittaa veitikka

                          Paritusta


                          xxx/ellauri268.html on line 39:

                          class="toc" style="font-family:sans-serif;font-style:italic;font-size:3em;color:black;background:#e3d2b8;text-align:right;margin-top:0;margin-bottom:0%">Svetlana Moskovasta


                          xxx/ellauri268.html on line 244: She wrote during the day before teaching evening classes, but The Scotsman reported she came across Arantes in a bar, where they both shared an interest in Jane Austen.
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                          class="toc" style="font-family:serif;font-size:6em;color:black;background:lightgrey;text-align:left;margin-top:0%;margin-bottom:0%">Veripalttua
                          Guate
                          malassa

                          Oikeistoketkuja


                          xxx/ellauri273.html on line 39:

                          class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;padding-right:2em;margin-top:0%;margin-right:2px;margin-bottom:0%">M.A. Asturias


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                          class="toc" style="font-family:sans-serif;font-size:3em;color:black;background:white;text-align:center;margin-bottom:0%">Ken Follett


                          xxx/ellauri280.html on line 37:

                          class="toc" style="font-family:sans-serif;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Joka kynsi halkesi

                          Kädetystä


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                          class="toc" style="font-family:sans-serif;font-size:6em;color:orange;background:#9da1ad;text-align:center;margin-bottom:0%">Postinen


                          xxx/ellauri281.html on line 37:

                          class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:#9da1ad;text-align:center;margin-top:0%;margin-bottom:0%">Påskägg

                          Pääsiäismunia


                          xxx/ellauri281.html on line 652: Well known qasā´id include the Seven Mu´allaqat and Qasida Burda ("Poem of the Mantle") by Imam al-Busiri and Ibn Arabi´s classic collection "The Interpreter of Desires".
                          xxx/ellauri281.html on line 654: The classic form of qasida maintains a single elaborate metre throughout the poem, and every line rhymes on the same sound. It typically runs from fifteen to eighty lines, and sometimes more than a hundred. The genre originates in Arabic poetry and was adopted by Persian poets, where it developed to be sometimes longer than a hundred lines.
                          xxx/ellauri281.html on line 724: John Train, Paris Review Co-Founder and Cold War Operative, sentään kuoli 94-vuotiaana 2022, onnexi. His career, ranging from literature to finance to war, and from France to Afghanistan, seemed to cover every interest and issue of his exalted social class. Yet he was also an operator in high finance and world affairs who, by one researcher’s account, had ties to U.S. secret services. Mr. Train founded and ran a leading financial firm devoted to preserving the money of rich families, and he worked to support the mujahedeen in their fight against the Soviet Union in the 1980s. The Guardian reported that Train, Smith had $375 million under management in 1984. In 1986, Fortune magazine wrote that Mr. Train’s firm “claims to be the largest in New York serving rich families.” Mr. Train’s books on investing were praised as riveting in The New York Times and “classic” in The Wall Street Journal. Among them were several about successful financiers, whom he referred to as “money masters,” and their techniques. He treated his political interests less jokingly. A committed cold warrior, he wrote for The Wall Street Journal about military affairs. He became concerned that the conspiracy-monger Lyndon LaRouche was a “possible Soviet agent.” (Lyndon began in far-left politics but in the 1970s moved to the far right and antisemitism.)
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                          class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:#921e1f;text-align:center;margin-bottom:0%">Sofi Oxenan


                          xxx/ellauri286.html on line 37:

                          class="toc" style="font-family:sans-serif;font-size:6em;color:black;background:#921e1f;text-align:center;margin-top:0%;margin-bottom:0%">Stalinin lehmä

                          Herutusta


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                          class="toc" style="font-family:serif;font-size:2em;color:black;text-align:center;margin-bottom:0%">H.V. MORTON


                          xxx/ellauri287.html on line 37:

                          class="toc" style="font-family:serif;font-size:4em;color:black;text-align:center;margin-top:0%;margin-bottom:0%">PAAVALIN RENKAANJÄLJISSÄ

                          Mitä ihmettä?


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                          class="toc" style="font-family:serif;font-size:3em;color:#561e27;background:#7f8b7d;text-align:center;margin-bottom:0%">KERTTU JUVA


                          xxx/ellauri289.html on line 37:

                          class="toc" style="font-family:serif;font-size:7em;color:white;background:#561e27;text-align:center;margin-top:0%;margin-bottom:0%">MASULAN PERITA

                          Ihmiskauppaa


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                          class="toc" style="font-family:sans-serif;font-size:3em;color:orange;background:yellow;text-align:center;margin-bottom:0%">ENSIARVOISEN TÄRKEÄÄ


                          xxx/ellauri291.html on line 37:

                          class="toc" style="font-family:sans-serif;font-size:1em;color:black;background:black;text-align:center;margin-top:0%;margin-bottom:0%">STAR TREK

                          Tähtireellä


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                          class="toc" style="font-family:serif;font-size:2em;color:black;text-align:center;margin-bottom:0%">ST. PAUL


                          xxx/ellauri292.html on line 37:

                          class="toc" style="font-family:serif;font-size:4em;color:black;text-align:center;margin-top:0%;margin-bottom:0%">FOTO OLIS KIVA YLLÄRI

                          Kirjeenvaihtoa


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                          class="toc" style="font-family:serif;font-size:4em;color:red;background:#ffffe6;padding-right:1em;text-align:right;margin-top:0%;margin-bottom:0%">ElvenaR

                          Eläinfantasioita


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                          class="toc" style="font-family:serif;font-size:2em;color:black;text-align:center;margin-bottom:0%">Veljeni Leijonamieli


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                          class="toc" style="font-family:UnifrakturMaguntia;font-size:2em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Merlin


                          xxx/ellauri295.html on line 38:

                          class="toc" style="font-family:UnifrakturMaguntia;font-size:6em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Tintagel

                          Tingeltangelia


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                          class="toc" style="font-family:Muli;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">JOSHUA


                          xxx/ellauri296.html on line 38:

                          class="toc" style="font-family:Muli;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">ESINAHKAKUKKULA

                          Siionismia


                          xxx/ellauri296.html on line 292:
                          Jeremy Hyatt was born into a middle-class Jewish family in Queens, and went on to star in well over 2,000 adult films. He now looks more like your goofy Jewish uncle than a porn legend.

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                          class="toc" style="font-family:sans-serif;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">EHRLICH WARTEGG


                          xxx/ellauri298.html on line 38:

                          class="toc" style="font-family:sans-serif;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">SYYLÄMUNATESTI

                          Hullutusta


                          xxx/ellauri298.html on line 643: The basic structure, however, of all the boring "quest" type stories has remained relatively unchanged and can be classified using the various stages of a hero's adventure through the story, stages such as the Call to Adventure, Receiving Supernatural Aids, Meeting with the Goddess/Atonement with the Father and Return. (This part Joe took from Propp.) He thinks of a meme such as in the sentence "Jesus is the Son of God" rather as "the relationship of man to God is like that of a son to a father". A clear case of an arianist
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                          class="toc" style="font-family:serif;font-size:6em;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">JEHOVAN IHMISSUHDE

                          Harrasta pyllistelyä


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                          class="toc" style="font-style:italic;font-family:serif;font-size:3eem;color:white;background:black;text-align:center;margin-top:0%;margin-bottom:0%">Izec Hersz Zynger (writer)


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                          class="toc" style="font-family:sans-serif;font-size:6em;color:darkred;background:white;text-align:left;margin-top:0%;margin-bottom:0%">Tyhmyyden Ylistys

                          Hävyttömän typerää


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                          class="toc" style="font-style:italic;font-family:sans-serif;font-size:1em;color:grey;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Warren Murphy (writer)


                          xxx/ellauri304.html on line 390: Warren Murphy sanoo: "Tavallinen opetuspalkkioni on 7 miljoonaa dollaria viikossa - mutta ensi vuonna voit saada erikoistarjouksen nollasta. Liity meihin nyt." Toivottaa koko Murphyn perhe, jotka tienaavat elantonsa dädin jämistä. Aloita polku valmiiseen romaaniisi seuraamalla yllä olevaa linkkiä kirjoituskurssisivulle. Tai klikkaa class">TÄSTÄ
                          xxx/ellauri304.html on line 577: Richard Bach's international classic bestseller, Seagull, was rejected twenty times before it was published. Another brilliant judgment by 20 “Legacy” publishing editing morons. And that is no sarcasm! Seagull Jonatan would have been much better off buried alive at sea. Together with Paulo Coelho's whole production.
                          xxx/ellauri304.html on line 584: Among the classics, Hemingway was one thing and Dickens another and Melville and Dreiser and James M. Cain (+1977), though he is not a classic. They all had styles as individual as fingerprints. Hemingway is easiest to ape, because he is the one genetically closest to one.
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                          class="toc" style="font-family:serif;font-size:5em;color:#290b00;background:#fff1da;text-align:center;margin-top:0%;margin-bottom:0%">Теодор Драйзер


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                          class="toc" style="font-family:serif;font-size:5em;color:#99726d;background:#fff1da;text-align:center;margin-top:0%;margin-bottom:0%">Американская трагедия

                          Sonninsontaa


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                          class="toc" style="font-family:serif;font-size:3em;color:#290b00;background:#fff1da;text-align:center;margin-top:0%;margin-bottom:0%">Peter Schwartz (writer)


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                          class="toc" style="font-family:serif;font-size:3em;color:#99726d;background:#fff1da;text-align:center;margin-top:0%;margin-bottom:0%">Ilkeyden ylistys

                          Pelkkää törkyä


                          xxx/ellauri306.html on line 578: Täytyypä kazoa mitä Mätien tomskujen tampiot tästä sanovat! Top critics: Cruise’s toothy heroics are ill-suited to moral complexity, but he is elevated by a stellar supporting cast... A summer genre movie for grown-ups. Too-long Grisham thriller is full of adult themes. Höh, montako panoa? Näytetäänkö muka kuinka se menee sinne? (Ilmeisesti noin 2, ei näytetä.) The Firm amusingly satirizes the New Traditionalist aspirations of today's young urban elite -- not so much the lifestyle itself as the illusion of utter security it represents. Alas, Tom Cruise is Tom Cruise, playing yet another variation of his screen image. A first-class thriller and thought-provoking morality play. Is this a thriller? You've never scene (sic) a 'suspense film' drag its heels so deplorably. Moderately entertaining... and a big step up from the book. No, the book moved at turbo speed. At two and a half hours, the movie crawls. Two-and-a-half hour movies -- jeez, there ought to be a law.

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                          class="toc" style="font-family:serif;font-size:3em;color:white;background:magenta;text-align:center;margin-top:0%;margin-bottom:0%">Walt Disney


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                          class="toc" style="font-family:serif;font-size:3em;color:white;background:magenta;text-align:center;margin-top:0%;margin-bottom:0%">PRINSSINNAKKEJA

                          Lisää törkyä


                          xxx/ellauri307.html on line 741: Danilla oli surkea muusikonura länsirannikolla jota nöyrä, sittemmin eroprosessissa kusetettu vaimo Blythe koitti turhaan buustata. Brown and his wife Blythe moved to Rye, New Hampshire in 1993, samana vuonna jolloin ize sain karkoituxen Kouvolaan. Brown became an English teacher at his alma mater Phillips Exeter, and gave Spanish classes to 6th, 7th, and 8th graders at Lincoln Akerman School, a small school for K–8th grade with about 250 students, in Hampton Falls. Aikamoinen mahalasku tuli Danille(kin). While on vacation in Tahiti in 1993, Brown read Sidney Sheldon's (n.h.) novel The Doomsday Conspiracy, and was inspired to become a writer of thrillers. He started work on Digital Fortress, setting much of it in Seville, where he had studied in 1985. He also co-wrote a humor book with his wife, 187 Men to Avoid: A Survival Guide for the Romantically Frustrated Woman, under the pseudonym "Danielle Brown". Brown's first three novels had little success, with fewer than 10,000 copies in each of their first printings. His fourth novel, The Da Vinci Code, became a bestseller, going to the top of the New York Times Best Seller list during its first week of release in 2003. It is one of the most popular books of all time, with 81 million copies sold worldwide as of 2009. Its success has helped push sales of Brown's earlier flops. Brown's prose style has been criticized as clumsy, to say the least. The Da Vinci Code committed style and word choice blunders in almost every paragraph. Recurring elements that Brown prefers to incorporate into his novels include a simple hero pulled out of their familiar setting and thrust into a new one with which they are unfamiliar, an attractive female sidekick/love interest, foreign travel, imminent danger from a pursuing villain, antagonists who have a disability or genetic disorder, and a 24-hour time frame in which the story takes place.
                          xxx/ellauri307.html on line 744: Benjy DeMott -vainaa "saw as three pervasive social myths: the assumption, held by many Americans, that we live in a classless society; the promise, held out by movies and television, that individual friendships between blacks and whites can vanquish racism all by themselves; and the images of women, ubiquitous in popular culture, that render them almost indistinguishable from men." He opined that movements of the lower classes have a tendency to 'go awry.' Benjamin Haile DeMott was born on June 2, 1924, in Rockville Centre, N.Y.; his father was a carpenter, his mother a faith healer. He joined the Amherst faculty in 1951 and earned a Ph.D. in English literature from Harvard two years later. He observed that a tenet of national faith in America had been that "goodness equals laughter, that humour can banish crisis, that if you pack up your troubles and smile, horror will take to the caves". Critical response to Mr. DeMott's work was divided. His detractors saw his pop-culture references as forced efforts to look au courant.
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                          class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Hummeripoika


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                          class="toc" style="font-family:serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Syntymästä lautaselle

                          Nurinkurista


                          xxx/ellauri312.html on line 577: Lunastava suhde täyttää elämämme merkityksellisesti ja merkityksellisesti, inspiroi riskejä ja uhrauksia ja johtaa siittimemme laajentumiseen ja transuiluun. Kukin lunastuu kuka mitenkin. Lunastus on demokraattinen ja privaattiasia. Mutta miksi Rortyn on käytettävä lunastusta, ensisijaisesti kaupallista ja toissijaisesti uskonnollista kieltä hänen työssään? Väitöskirjani on, että lunastus lainaa uskonnolta pelastavan voiman, joka on välttämätön, jotta ihmiset viizivät työskennellä maallisen hyväksi ja toivoa liberaalia utopiaa. Kirjallisuus ja "demokratia" (laissez-faire kapitalismi siis) ovat petikavereita. In terms of fostering flourishing, happiness and middle-class cohesion, Rorty thinks that "just ordinary" liberal democracy is all the ideology anybody needs.
                          xxx/ellauri312.html on line 916: My sense of the holy, insofar as I have one, is bound up with the hope that someday, any millennium now, my remote descendants will live in a global civilization in which love is pretty much the only law. In such a society, communication would be domination-free, class and caste would be unknown, hierarchy would be a matter of temporary pragmatic convenience, and power would be entirely at the disposal of the free agreement of a literate and well-educated electorate (TFR, p. 40).
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                          class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Seng-Zan


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                          class="toc" style="font-family:serif;font-size:5em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Känslor i kroppen

                          Tunnehälyä


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                          class="toc" style="font-family:sans-serif;font-size:3em;color:white;background:black;text-align:leftt;margin-top:0%;margin-bottom:0%">Trölli eli Allu Tuppurainen


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                          class="toc" style="font-family:sans-serif;font-size:5em;color:white;background:black;text-align:left;margin-top:0%;margin-bottom:0%">Omituisten Otusten Kerho

                          Omituisia otuxia


                          xxx/ellauri319.html on line 541: class="wikitable">
                          xxx/ellauri319.html on line 560:
                          Suspected to have had syphilisclass="noprint Inline-Template Template-Fact" style="white-space:nowrap;">
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                          Lola Montez (1821-1861), dancer, courtesan, mistress of class="mw-redirect" title="Ludwig I">Ludwig I
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                          class="toc" style="font-family:serif;font-size:12em;color:maroon;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Ole Oma Paras Ystäväsi

                          Omahoitoa


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                          class="toc" style="font-family:serif;font-size:3em;color:blue;background:lightyellow;text-align:center;margin-top:0%;margin-bottom:0%">"Haj" Ross


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                          class="toc" style="font-family:serif;font-size:3em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">David Bezogis


                          xxx/ellauri329.html on line 26:

                          class="toc" style="font-family:sans-serif;font-size:4em;font-weight:bold;font-style:italic;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Natasha
                          Mail order bride...

                          Housut pois hoitoa


                          xxx/ellauri329.html on line 97: In 2004, Harper’s magazine published Natasha, a first short story by a promising 31-year-old Jewish Canadian writer, David Bezmozgis. This memorable tale of a doomed teenage love between Mark, a Jewish Toronto slacker, and his troubled (shiksa) Russian cousin by marriage was eventually released in a collection chronicling the lives of a Latvian immigrant family, not unlike the author’s own. Bezmozgis’s debut became a cult sensation with critics drawing literary comparisons to Bernard Malamud and Philip Roth. The story was subsequently reprinted in 15 languages. After penning two more acclaimed novels, then writing and directing his first feature Victoria Day (SFJFF 2010), Bezmozgis finally brings his modern classic to the big screen in a remarkably assured adaptation that’s both highly provocative and deeply poignant. At the heart of this emotional, coming-of-age drama are the extraordinarily measured performances of Alex Ozerov as Mark and newcomer Sasha K. Gordon as the sexually precocious Natasha, the dark star who forever alters Mark’s staid, suburban existence. Fans of the writer’s original source material will not be disappointed in David Bezmozgis’s haunting narrative of forbidden love caught between the old world and the new, further proof of this talented artist’s notable command of both literature and the cinema. —Thomas Logoreci Note: Mature Content. A New Life in the west means a second chance for precocious Latvian jews.
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                          class="toc" style="font-family:Muli;font-size:2em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Heinrich Böll


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                          class="toc" style="font-family:Muli;font-size:6em;color:black;background:white;text-align:center;margin-top:0%;margin-bottom:0%">Gruppenbild mit Damen

                          Antifaa


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                          class="toc" style="text-align:center;font-family:serif;font-size:4em;font-style:italic;color:orange;background:beige;margin-top:0%;margin-bottom:0%;padding-right:5%">Gabi
                          Garciá Márquez


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                          class="toc" style="text-align:center;font-family:serif;font-style:italic;font-size:3em;color:black;background:beige;margin-top:0%;margin-bottom:0;padding-right:0%">Memoria de
                          mis cojones tristes

                          Valkoisia valeita


                          xxx/ellauri354.html on line 275: By this time, Notari, born into a poor family, had become quite well-to-do. In 1901 he had married a rich widow, bought an estate, and established a literary salon; in 1910, he launched a publishing house, Società Anonima Notari, through which he later published classical editions, musical scores, and some of his own work, including the first few of what would become a long list of journals devoted to a variety of topics that interested him: sports, theater, medicine, finance, the culinary arts, and, of course, politics.
                          xxx/ellauri354.html on line 279: The Black Pig’s front matter also mentions two earlier publications that reveal Notari’s anticlerical bias: Carducci Intimo (1903), a biography of Giosuè Carducci (1835–1907), the Italian poet, professor, classicist, translator, freethinker, fierce opponent of the Catholic Church, and author of “Hymn to Satan,” who would be awarded the 1906 Nobel Prize in Literature; and Il Papa alla porta! Inchiesta e conclusioni per l’abolizione del Papato (Throw the Pope out! An inquest and conclusions for the abolition of the Papacy), aimed at the recently elected and very conservative Pope Pius X. Notari’s anticlericalism is also visible in his dedication of The Black Pig: “A due invitti innovatori di un Italia pagana e virile, dedico questo libro di demolizione di una Italia chiercuta e bazzotta” (To two indomitable revivers of a pagan and virile Italy, I dedicate this book aimed at the destruction of a tonsured and limp Italy).
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                          class="toc" style="text-align:left;font-family:serif;font-size:2em;color:black;background:red;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Eva Maria Korsisaari


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                          class="toc" style="text-align:center;font-family:AdineKirnberg;font-style:italic;font-size:6em;color:black;background:red;margin-top:0%;margin-bottom:0;padding-right:5%">Tule käteeni

                          Päänavauxia


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                          class="toc" style="text-align:left;font-family:sans-serif;font-size:2em;color:black;background:#ead5b6;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Hannu Sivenius


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                          class="toc" style="text-align:right;font-family:sans-serif;font-size:6em;color:black;background:#ead5b6;margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">AVAUTUA SOLMUUN

                          Päänauontaa


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                          class="toc" style="text-align:center;font-family:serif;font-size:2em;color:black;background:#fdfff4;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">HANNU HARJU


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                          class="toc" style="text-align:center;font-family:serif;font-size:6em;color:red;background:#fdfff4;margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">HALOT

                          Peukutusta


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                          World class overacting by Richard Burton as Heathcliff

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                          class="toc" style="text-align:center;font-family:serif;font-size:2em;color:beige;background:black;margin-top:0%;margin-bottom:0%;padding-right:5%;padding-bottom:20px">Paxu Lexa


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                          class="toc" style="text-align:center;font-family:serif;font-size:6em;color:lightpink;background:black;margin-top:0%;margin-bottom:0;padding-right:5%;padding-bottom:0%">Ylösnousemus

                          Profetioita


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                          class="toc" style="text-align:center;font-family:sans-serif;font-size:2em;color:black;background:white;margin-top:0%;margin-bottom:0%;padding-bottom:20px">Hannes Heikinheimo


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                          class="toc" style="text-align:center;font-family:sans-serif;font-size:6em;color:black;background:white;margin-top:0%;margin-bottom:0%">ROTU JA ENNAKKOLUULO

                          Xenofobiaa


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                          class="toc" style="text-align:center;font-family:serif;font-size:2em;color:black;background:#ba2174;margin-top:0%;margin-bottom:0%;padding-bottom:20px">Hannu Mäkelä


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                          class="toc" style="text-align:center;font-family:serif;font-size:6em;color:white;background:#ba2174;margin-top:0%;margin-bottom:0%">HERRA HUU

                          Pedofiliaa


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                          class="toc" style="font-family:sans-serif;font-size:4em;background-color:#34afd1;color:#6c414b;text-align:center;margin-top:0%;margin-bottom:0%">JAG, OLLE OCH PENSÉ

                          Muistolaattoja


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                          class="toc" style="font-family:sans-serif;font-size:3em;color:black;background-color:#ac926f;text-align:center;margin-top:0%;margin-bottom:0%">HASSE ÅSKVIGG


                          xxx/ellauri376.html on line 62: Hannu Salama was born 1936 in Kouvola, Kymenlaakso region in Southern Finland. Figures. He spent his childhood in the Pispala district of the city of Tampere, in a traditional working-class area with working class politics and culture. Following in the footsteps of his father, Salama first worked as an electrician and a farm hand. Tollaset kynäilijät on ihmisinä aivan perseenreijästä.
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                          class="toc" style="font-family:sans-serif;font-size:3em;color:white;background-color:#5C4033;text-align:center;margin-top:0%;margin-bottom:0%">Ford Coppola


                          xxx/ellauri379.html on line 32:

                          class="toc" style="font-family:sans-serif;font-size:4em;color:white;background-color:#5C4033;text-align:center;margin-top:0%;margin-bottom:0%">Pepun hajua

                          Peppurointia


                          xxx/ellauri379.html on line 256: Petteri Carlson from PC Gamer called Mass Effect "one of the grandest and most personal science friction epics across all mediums due to the successful combination of classic space opera's best elements with a parental guidance adventure structure" that "encourages both playful and serious challenges to traditional science friction".
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                          class="toc" style="font-family:sans-serif;font-size:10em;color:lightpink;background-color:black;text-align:center;margin-top:0%;margin-bottom:0%">JALLU

                          Pyllyröintiä


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                          class="toc" style="font-family:sans-serif;font-size:3em;color:white;background-color:#5C4033;text-align:center;margin-top:0%;margin-bottom:0%">Emmi Kastehelmi ja Joel Laikka


                          xxx/ellauri380.html on line 205: Fairbanks piti tätä elokuviensa suosikkina poikansa mukaan. Siinä on paljon samaa kuin Monty Pythonin skezissä Olympics for Upper-class Twits ja kikkailevassa Juha Koistisessa. Mielikuvituksellinen voimistelu sopi urheilutähdelle, jonka "kissanomaiset, näennäisen vaivaton" liikkeet olivat yhtä paljon tanssia kuin voimistelua. Yhdessä hänen aikaisemman Robin Hoodin (1922) kanssa elokuva merkitsi Fairbanksin muutosta nerokkaasta komediasta uraksi "swashbuckler" rooleissa. Elokuva, joka on vahva erikoistehosteissa (lentävä matto, taikaköysi ja pelottavat hirviöt) ja sisältää massiivisia arabialaistyylisiä lavasteita, osoittautui myös ponnahduslautaksi Anna May Wongille, joka esitti petollista mongolien orjaa. Sellaisia viirusilmät ovat.
                          xxx/ellauri380.html on line 425: In eight remarkable chapters of August 1914 (the so-called Stolypin cycle), Solzhenitsyn painted a portrait of the statesman Pyotr Stolypin, scourge of the revolutionary left and reactionary right alike and the last best hope for Russia’s salvation. Prime Minister of Russia from 1906 until 1911, Stolypin’s abiding concern was to promote far-reaching agrarian reforms that would lead to the creation of a “solid class of peasant proprietors” in Russia. He believed that a property-owning peasantry would provide the social basis for a revitalized monarchy in Russia. He was a “liberal conservative” who rejected pan-Slavist delusions and who advocated a monarchy that respected the rule of law, one that could govern in cooperation with a “society” that had an increasing stake in the existing social order. But unfortunately Stolypin was shot (in the presence of the Tsar) at the Kiev opera house in September 1911. His assassin was, quite strikingly, a double agent of the secret police and revolutionary terrorists!
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                          class="toc" style="font-family:UnifrakturMaguntia;font-size:8em;color:white;background-color:black;text-align:center;margin-top:0%;margin-bottom:0%">Mötley Crüe

                          Törkyä


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                          class="toc" style="font-style:italic;font-family:serif;font-size:6em;color:white;background-color:red;text-align:center;margin-top:0%;margin-bottom:0%">törkyä


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                          class="toc" style="font-family:serif;font-size:6em;color:gold;background-color:purple;text-align:center;margin-top:0%;margin-bottom:0%">JAN GUILLOU


                          xxx/ellauri387.html on line 42:

                          class="toc" style="font-family:UnifrakturMaguntia;font-size:8em;color:gold;background-color:purple;text-align:center;margin-top:0%;margin-bottom:0%">Vägen till Moskau

                          Sotaintoa


                          xxx/ellauri387.html on line 499: The ´definiteness´ of a genre classification leads the reader to expect a series of formal stimuli--martial encounters, complex similes, an epic voice--to which his response is more or less automatic; the hardness of the Christian myth predetermines his sympathies; the union of the two allows the assumption of a comfortable reading experience in which conveniently labelled protagonists act out rather simple roles in a succession of familiar situations. The reader is prepared to hiss the devil off the stage and applaud the pronouncements of a partisan and somewhat human deity . . . . But of course this is not the case; no sensitive reading of Paradise Lost tallies with these expectations, and it is my contention that Milton ostentatiously calls them up in order to provide his reader with the shock of their disappointment. This is not to say merely that Milton communicates a part of his meaning by a calculated departure from convention; every poet does that; but that Milton consciously wants to worry his reader, to force him to doubt the correctness of his responses, and to bring him to the realization that his inability to read the poem with any confidence in his own perception is its focus.
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                          class="toc" style="font-family:serif;font-size:3em;color:black;background:#f4f3ef;text-align:center;margin-bottom:0%">Mika Waltari


                          xxx/ellauri388.html on line 38:

                          class="toc" style="font-family:serif;font-size:6em;background:#f4f3ef;color:black;text-align:center;margin-top:0%;margin-bottom:0%">Puhdas ihannes

                          Tumputusta


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                          class="toc" style="font-family:NewRocker;font-size:7em;background:red;color:white;text-align:center;margin-bottom:0%">Rei Shimura


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                          class="toc" style="font-family:sans-serif;font-size:2em;background:red;color:white;text-align:center;margin-top:0%;margin-bottom:0%">ALOHA OE

                          Sutinaa


                          xxx/ellauri394.html on line 124: Her family were of the aliʻi class of the Hawaiian nobility and were collateral relations of the reigning House of Kamehameha, sharing common descent from the 18th-century aliʻi nui (supreme monarch) Keaweʻīkekahialiʻiokamoku. From her biological parents, she descended from Keaweaheulu and Kameʻeiamoku, two of the five royal counselors of Kamehameha I during his conquest of the Hawaiian Kingdom. Kameʻeiamoku, the grandfather of both her mother and father, was depicted, along with his royal twin Kamanawa, on the Hawaiian coat of arms. Liliʻuokalani referred to her family line as the "Keawe-a-Heulu line" after her mother's line. The third surviving child of a large family, her biological siblings included: James Kaliokalani, David Kalākaua, Anna Kaʻiulani, Kaʻiminaʻauao, Miriam Likelike and William Pitt Leleiohoku II. She and her siblings were hānai (informally adopted) to other family members. The Hawaiian custom of hānai is an informal form of adoption between extended families practiced by Hawaiian royals and commoners alike.She was given at birth to Abner Pākī and his wife Laura Kōnia and raised with their daughter Bernice Pauahi.
                          xxx/ellauri394.html on line 126: In 1842, at the age of four, she began her education at the Chiefs' Children's School (later known as the Royal School). She, along with her classmates, had been formally proclaimed by Kamehameha III as eligible for the throne of the Hawaiian Kingdom. Liliʻuokalani later noted that these "pupils were exclusively persons whose claims to the throne were acknowledged." She, along with her two older brothers James Kaliokalani and David Kalākaua, as well as her thirteen royal cousins, were taught in English by American missionaries Amos Starr Cooke and his wife, Juliette Montague Cooke. The children were taught reading, spelling, penmanship, arithmetic, geometry, algebra, physics, geography, history, bookkeeping, music and English composition by the missionary couple who had to maintain the moral and sexual development of their charges.
                          xxx/ellauri394.html on line 128: Liliʻuokalani was placed with the youngest pupils of the class along with Princess Victoria Kamāmalu, Mary Polly Paʻaʻāina, and John William Pitt Kīnaʻu. In later life, Liliʻuokalani would look back unfavorably on her early education remembering being "sent hungry to bed" and the 1848 measles epidemic that claimed the life of a classmate Moses Kekūāiwa and her younger sister Kaʻiminaʻauao. The boarding school run by the Cookes was discontinued around 1850, so she, along with her former classmate Victoria, was sent to the relocated day school (also called Royal School) run by Reverend Edward G. Beckwith. On May 5, 1853, she finished third in her final class exams behind Victoria and Nancy Sumner. In 1865, after her marriage, she informally attended Oʻahu College (modern day Punahou School) and received instruction under Susan Tolman Mills, who later cofounded Mills College in California.
                          xxx/ellauri394.html on line 130: After the boarding school was discontinued in 1850, Liliʻuokalani lived with her hānai parents at Haleʻākala, which she referred to in later life as her childhood home. Around this time, her hānai sister Pauahi married the American Charles Reed Bishop against the wishes of their parents but reconciled with them shortly before Pākī's death in 1855. Kōnia died two years afterward and Liliʻuokalani came under the Bishops' guardianship. During this period, Liliʻuokalani became a part of the young social elite under the reign of Kamehameha IV who ascended to the throne in 1855. In 1856, Kamehameha IV announced his intent to marry Emma Rooke, one of their classmates. However, according to Liliʻuokalani, certain elements of the court argued "there is no other chief equal to you in birth and rank but the adopted daughter of Paki," which infuriated the King and brought the Queen to tears. Despite this upset, Liliʻuokalani was regarded as a close friend of the new Queen, and she served as a maid of honor during the royal wedding alongside Princess Victoria Kamāmalu and Mary Pitman. At official state occasions, she served as an attendant and lady-in-waiting in Queen Emma's retinue. Visiting British dignitaries Lady Franklin and her niece Sophia Cracroft noted in 1861 that the "Honble. Lydia Paki" was "the highest unmarried woman in the Kingdom".
                          xxx/ellauri394.html on line 138: From 1860 to 1862, Liliʻuokalani and Dominis were engaged with the wedding set on her twenty-fourth birthday. This was postponed to September 16, 1862, out of respect for the death of Prince Albert Kamehameha, son of Kamehameha IV and Queen Emma. The wedding was held at Haleʻākala, the residence of the Bishops. The ceremony was officiated by Reverend Samuel Chenery Damon in the Anglican rites. Her bridemaids were her former classmates Elizabeth Kekaʻaniau and Martha Swinton. King Kamehameha IV and other members of the royal family were honored guests. The couple moved into the Dominises' residence, Washington Place in Honolulu. Through his wife and connections with the king, Dominis would later become Governor of Oʻahu and Maui. The union was reportedly an unhappy one with much gossip about Dominis' infidelities and domestic strife between Liliʻuokalani and Dominis' mother Mary who disapproved of the marriage of her son with a negro. They never had any children of their own, but, against the wish of her husband and brother, Liliʻuokalani adopted three hānai children: Lydia Kaʻonohiponiponiokalani Aholo, the daughter of a family friend; Joseph Kaiponohea ʻAeʻa, the son of a retainer; and John ʻAimoku Dominis, her husband's son.
                          xxx/ellauri394.html on line 185: The political fallout led to citywide political rallies and meetings in Honolulu. Anti-monarchists, annexationists, and leading Reform Party politicians that included Lorrin A. Thurston, a grandson of American missionaries, and Kalākaua´s former cabinet ministers under the Bayonet Constitution, formed the Committee of Safety in protest of the "revolutionary" action of the queen and conspired to depose her. Thurston and the Committee of Safety derived their support primarily from the American and European business class residing in Hawaiʻi. Most of the leaders of the overthrow were American and European citizens who were also Kingdom subjects.
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                          class="toc" style="font-family:serif;font-size:3em;background:white;color:black;text-align:center;margin-bottom:0%">Wolf Huber


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                          class="toc" style="font-family:serif;font-size:7em;background:white;color:black;text-align:center;margin-top:0%;margin-bottom:0%">Ostentatio genitalium

                          Iltapäivä-ihinää


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                          class="toc" style="font-family:serif;font-size:3em;background:white;color:black;text-align:center;margin-bottom:0%">Geoffrey Chaucer


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                          class="toc" style="font-family:serif;font-size:7em;background:white;color:black;text-align:center;margin-top:0%;margin-bottom:0%">Kauppiaan tarina

                          Anglosaxintaa


                          xxx/ellauri400.html on line 223: Arnold praises Chaucer's excellent style and manner, but says that Chaucer cannot be called a classic since, unlike Homer, Virgil and Shakespeare, his poetry does not have the high poetic seriousness which Aristotle regards as a mark of its superiority over the other arts.
                          xxx/ellauri400.html on line 231: Eliot is also indebted to Arnold for his classicism, and for his objective approach which paved the way for Eliot to say that poetry is not an expression of personality but an escape from personality, because it is not an expression of emotions but an escape from emotions. What an idiot.
                          xxx/ellauri400.html on line 233: Arnold vigorously attacked the Nonconformists and the arrogance of "the great Philistine middle-class, the master force in our politics." He was dumb as a doorbell. There were few ideas he had not copied from someone else. "There are four, no five, people, in especial," he once wrote to Cardinal Newman, "from whom I am conscious of having learnt – a very different thing from merely receiving a strong impression – learnt habits, methods, ruling ideas, which are constantly with me; and the four are – Goethe, Wordsworth, Sainte-Beuve, my dad, and yourself."
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                          class="toc" style="width:1017;font-family:sans-serif;font-size:3em;background:black;color:white;text-align:center;margin-bottom:0%">Shmert Tshuhnam


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                          class="toc" style="width:1017;font-family:sans-serif;font-size:6em;background:black;color:white;text-align:center;margin-top:0%;margin-bottom:0%">FINNISH MEMBERS
                          GET HARD!!

                          Skeidaa netistä


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                          class="toc" style="font-family:sans-serif;font-size:3em;background:bisque;color:brown;text-align:center;margin-bottom:0%">Viffi Brotherus


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                          class="toc" style="font-family:sans-serif;font-size:6em;background:#E0BFB8;color:brown;text-align:center;margin-top:0%;margin-bottom:0%">UROLOGIN UUTISIA

                          Lisää skeidaa netistä


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                          Alastonmallilla ottaa eteen piirustustunnilla. Taiteilija ei voi mitään izelleen, tuota on ihan pakko imuttaa. Mallilta tulee ennen runkkua varteenotettavia vinkkejä. Lick my ball-point pen too. Touch yourself when doing that. WTF, kazo mieluummin koko class_with_nude_model_turns_into_impromptu_blowjob_time_featuring_an_ambitious_student_in_hd_with_english_subtitles" />video.

                          xxx/ellauri407.html on line 126: class.jpg" width="90%" alt="xxx" />
                          xxx/ellauri407.html on line 128: Tämä kuva on näpätty toisesta saman genren class">videosta. Pikkumiisu piti tästäkin pätkästä niin kovasti että sain näpätyxi siitä tämän snäpshotin ojentautumassa seuran vuoxi edes puolipitkäxi. Tässä videossa kivintä musta on miten milf ja miisu nyökyttelee toisilleen vuorotellen japonaisesti. Ja se miten asiallisesti miisun kupin vuodettua ylize runsaanlaisesti misu sulloo tissit takas tunikaan sormet tahmeina ja jatkaa tuntia.
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                          class="toc" style="font-family:sans-serif;font-size:3em;background:bisque;color:black;text-align:right;margin:0%">RICHARD S.
                          PRATHER


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                          class="toc" style="font-family:serif;font-size:6em;background:bisque;color:red;text-align:center;margin:0%">TIKARI
                          LIHAAN

                          Hammastahnaa tuubiin


                          xxx/ellauri410.html on line 144: The Bolovian verses carry much critical baggage. To Conrad Aiken, they are “hilariously naughty parerga” or “admirable stanzas” (March 22). Ezra Pound calls them “chançons ithyphallique” (IMH xvi). Bonamy Dobrèe claims, “They are part of an elaborated joke, nurtured through years. It is about some primitive people called the Bolovians, who wore bowler hats, and had square wheels to their chariots” (Tate 73). Subsequent descriptions are equally diverse, ranging from “pornographic doggerel” (Thorpe) to “scabrous exuberances” (Ricks xvi). One critic says they have “a surprising racial, even racist, focus” (Cooper 66). Another claims “these poems comically and obscenely portray the history of early European expansion as an orgy of uncontrollable desire and deviant sexuality” (McIntire 283). Pornoa mikä pornoa. Eliot borrows generously from common bawdy songs and joins a long list of classical writers who indulge in sexual, obscene, erotic, bawdy, scatological, and otherwise blue verse.
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                          class="toc" style="font-family:sans-serif;font-size:5em;background:peachpuff;color:black;text-align:center;margin-top:0%;margin-bottom:0%">SAATANAN KOMMARIT!

                          Yrjön yököttävää


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                          class="toc" style="font-style:italic;font-family:serif;font-size:4em;background:peachpuff;color:black;text-align:right;margin-top:0%;margin-bottom:0%">TIITUS


                          xxx/ellauri414.html on line 318: In Finland there are no inferior classes to
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                          class="toc" style="font-style:italic;font-family:serif;font-size:4em;background:paper;color:black;text-align:center;margin-top:0%;margin-bottom:0%">Rabbi Rash


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                          class="toc" style="font-family:serif;font-size:6em;background:paper;color:navy;text-align:center;margin-top:0%;margin-bottom:0%">Beruriah

                          Ortodoxiaa


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                          class="toc" style="font-family:sans-serif;font-size:4em;background:lightblue;color:black;text-align:center;margin-top:0%;margin-bottom:0%">малорусская


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                          class="toc" style="font-family:sans-serif;font-size:6em;background:lightblue;color:orange;text-align:center;margin-top:0%;margin-bottom:0%">Аміна

                          Puolikarkeaa


                          xxx/ellauri416.html on line 548: tarwanis and the classical Greek word tyrant.
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                          class="toc" style="font-family:serif;font-size:5em;background:black;color:white;text-align:center;margin-top:0%;margin-bottom:0%">HANNU-PEKKA KNASU


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                          class="toc" style="font-family:serif;font-style:italic;font-size:5em;background:black;color:white;text-align:center;margin-top:0%;margin-bottom:0%">IANKAIKKISTA SUTTA

                          Irtopäitä lentää


                          xxx/ellauri417.html on line 183: of low-class nubility. After an unillustrious career as
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                          class="toc" style="font-family:serif;font-size:5em;background:black;color:white;text-align:center;margin-top:0%;margin-bottom:0%">Miss Mercy Nelson


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                          class="toc" style="font-family:serif;font-style:italic;font-size:5em;background:black;color:white;text-align:center;margin-top:0%;margin-bottom:0%">Consummation of the Levirate

                          Izesaastutusta


                          xxx/ellauri420.html on line 66: Regina Jeffers, a public classroom teacher for thirty-nine years, considers herself a Jane Austen enthusiast. She is the author of several Austen-inspired novels, including Darcy's Passions, Darcy's Temptation, Vampire Darcy's Desire, Captain Wentworth's Persuasion, The Phantom of Pemberley, Christmas at Pemberley, The Disappearance of Georgiana Darcy, Honor and Hope, and The Mysterious Death of Mr. Darcy. She also writes Regency romances: The Scandal of Lady Eleanor, A Touch of Velvet, A Touch of Cashémere, A Touch of Grace, His: Two Regency Novellas, and The First Wives' Club. A Smithsonian presenter, a Time Warner Star Teacher and Martha Holden Jennings Scholar, Jeffers often serves as a consultant in language arts and media literacy. Currently living outside Charlotte, North Carolina, she spends her time with her writing, gardening, and her adorable grandson Lucifer.
                          xxx/ellauri420.html on line 331: Harold L. Senkbeil is an Executive Director of Doxology: The Lutheran Center for Spiritual Care. His pastoral experience of nearly five decades includes parish ministry, the seminary classroom, and parachurch leadership. He is author of numerous books, including "Dying to Feel The Power of Forgiveness and Sanctification: Watch Christ in Action." Hardback Harold invites a new generation of pastors to the ungodly habits of countless generations.
                          xxx/ellauri420.html on line 537: Le Christ n’est donc pas le simple « personnage » d’une narration distanciée : il est un avatar de la subjectivité lyrique, laquelle engage à son tour la vie même du poète. Rappelons à ce propos qu’une première version du poème – celle contenue dans la lettre à Victor Loubens – remonte à la crise de 1841 alors que Nerval a dû, malgré qu’il en ait, se laisser « classer dans une affection définie par les docteurs et appelée indifféremment Théomanie ou Démonomanie dans le dictionnaire médical ». « Je me croyais Dieu moi-même », écrit Nerval. « C’était bien lui, ce fou, cet insensé sublime… », lit-on réciproquement dans Le Christ aux Oliviers, en un vers où Nerval projette sur le Christ cette même « folie » que ses confrères littéraires aussi bien que « les médecins et les commissaires » lui jettent au visage. Il (Nerval) devient, dans le finale du texte, un nouveau « prophète », annonçant, après la sorte de Contre-Évangile que constitue la partie centrale empruntée à Jean Paul, quelque religion nouvelle qui permettrait de dépasser l’opposition du paganisme et du christianisme. Se on se kaveri joka antaa sielun liman lapsille.
                          xxx/ellauri420.html on line 554: Elle épouse, à 22 ans, en 1718, Jean-Baptiste de La Lande, marquis du Deffand, homme âgé de 30 ans (Ilmari Carlsonin ikäinen), et qu'elle n'estime guère. Femme célèbre par sa beauté et son esprit, d’une morale peu sévère, elle se voit bientôt entourée d'adorateurs ; elle a, dès lors, de nombreuses liaisons et mène une vie libre dans les salons de la Régence. « Mme du Deffand est avec Voltaire, dans la prose, le classique le plus pur de cette époque, sans même en excepter aucun des grands écrivains », écrivit Sainte-Beuve.
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