ellauri060.html on line 1227: Candace on black white supremacist ja female toxic male chauvinist. Mihin oikein sattuu Candace? Päähän tuskin, se vaikuttaa tyhjältä.
ellauri077.html on line 803: the "best people" from the gentlemen´s clubs, and all the frantic fascist captains, united in common hatred of Socialism and bestial horror at the rising tide of the mass revolutionary movement, have turned to acts of provocation, to foul incendiarism, to medieval legends of poisoned wells, to legalize their own destruction of proletarian organizations, and rouse the agitated petty-bourgeoise to chauvinistic fervor on behalf of the fight against the revolutionary way out of the crisis.
ellauri082.html on line 503: In a general theory of evolution the inorganic comes first, then the lowest forms of animal and vegetable life, then forms of life that possess mentality, and finally those like ourselves that possess it in a high degree. (As you can see I am not one of your nature religions types but an honest to god homo sapiens chauvinist.)
ellauri434.html on line 198: By translating “Kiev — town” I hope that those who continue to love Bulgakov at a safe distance from Russia’s war and genocide will be able to understand the devil better. As readers we could start by following Zabuzhko’s advice from 2015 to “stop indulging the late Bulgakov’s complexes as if he were still alive”. We could listen more carefully to those who point out Bulgakov’s chauvinism and be slower to accuse them of being the chauvinists. And rather than restricting ourselves to a twentieth-century Russian literary canon of authors regarded as timeless dissidents, we could start paying attention to those they belittle, silence, and exclude.
ellauri475.html on line 61: Pipaa viikon vanhempi Jean Bruce (22 March 1921 – 26 March 1963), born Jean Brochet (suom. hauki), was a prolific French popular writer. He also wrote under the pseudonyms of Jean Alexandre, Jean Alexandre Brochet, Jean-Martin Rouan, and Joyce Lindsay. He died in a car accident in 1963 at the age of 42.  After his death, his wife Josette Bruce continued to write 143 new titles for the OSS 117 character beginning in 1966 until 1985. Afterward their son and daughter François and Martine Bruce wrote 24 books, from 1987 till 1992. Josette died in 1996. Bruce's original OSS 117 starred in over 265 novels and seven films through 1970 and while the films were presented as straightforward spy thrillers, OSS 117 acts as a parody of the spy genre and depicts OSS 117 as a Frenchman who is "culturally insensitive, chauvinistic, and thoroughly moronic but somehow manages to slide through outrageously dangerous situations unscathed, time and again, often with great, if unintentional humor."
ellauri488.html on line 56: Short takeaway: Catholic guilt tends to be framed by institutional rules, sacraments, and communal duties; Protestant guilt centers more on individual conscience, scripture, and personal standing before God—though in everyday experience the two overlap considerably. Short summary: Most of Rohmer’s “guilt trips” are rooted in Catholic forms of conscience (confession, penance, sacramental status, mortal/venial distinctions) and would feel distinctly Catholic to many viewers; Protestants would still recognize themes of sexual anxiety, moral responsibility, and fear of scandal, but they’d likely interpret and feel them differently. Short answer: Rohmer’s films were critically acclaimed and found strong audiences in Catholic-majority France and in international art-house circles, but they also went well with secular and Protestant audiences — there’s no clear evidence Protestants “stifled yawns.” Over the years, Rohmer has been accused of being contradictory, conservative and chauvinist. Politically, he may have inclined to the right. But, while his gaze rarely veered away from the educated, articulate and somewhat self-obsessed bourgeoisie, few had a firmer grasp of shifting social mores. There isn't even one proper penetration in all films by him. He was probably profoundly boring.
ellauri499.html on line 289: 1 Kings 18 records an anecdote of a contest between the prophet Elijah and Jezebel's priests. Both sides offered a sacrifice to their respective gods: Baʻal failed to light his followers' sacrifice while Yahweh's heavenly fire burnt Elijah's altar to ashes, even after it had been soaked with water. The observers then followed Elijah's instructions to slay the priests of Baʿal, after which it began to rain, showing Yahweh's mastery over the weather. Other references to the priests of Baʿal describe their burning of incense in prayer and their offering of sacrifice while adorned in special vestments. The title baʿal was initially a synonym of the Hebrew adon ("Lord") and adonai ("My Lords") still used as aliases of the Lord of Israel Yahweh. According to some scholars, the early Hebrews did use the names Baʿal ("Lord") and Baʿali ("My Lord") in reference to the Lord of Israel, just as Baʿal farther north designated the Lord of Ugarit or Lebanon. This occurred both directly and as the divine element of some Hebrew theophoric names. However, according to others it is not certain that the name Baal was definitely applied to Yahweh in early Israelite history. The component Baal in proper names is mostly applied to worshippers of Baal, or descendants of the worshippers of Baal. Names including the element Baʿal presumably in reference to Yahweh include the judge Gideon (also known as Jerubaʿal, lit. "The Lord Strives"), Saul's son Eshbaʿal ("The Lord is Great"), and David's son Beeliada ("The Lord Knows"). The name Bealiah ("The Lord is Jah"; "Yahweh is Baʿal" combined the two. However John Day states that as far as the names Eshbaʻal, Meribaʻal, and Beeliada (that is, Baʻaliada), are concerned it is not certain whether they simply allude to the Canaanite god Baʻal, or are intended to equate Yahweh with Baʻal, or have no connection to Baʻal]. It was the program of Jezebel, in the 9th century BC, to introduce into Israel's capital city of Samaria her Phoenician worship of Baal as opposed to the worship of Yahweh that made her name anathema to the chauvinists.
xxx/ellauri103.html on line 208: Seriously, we have people questioning whether it’s appropriate for white people to eat pad Thai. In fact we have people questioning whether white people should even exist. Like who needs chauvinist Yankee female pigs who have changed their first names to more toxic ones.
xxx/ellauri121.html on line 304: After graduating in English from the University of Toronto, the young poet— she was by now publishing in Canadian literary magazines—enrolled in graduate school at Radcliffe, the all-female women university at Harvard, in 1961. She was chagrined by the intensely chauvinistic atmosphere: among other things, female students were not allowed access to the university’s modern poetry collection in the Lamont Library. Only men could read all the juicy bits.
xxx/ellauri154.html on line 203: Practically everyone knows Godard’s classic pronouncement, “All you need for a movie is a girl and a putz,” but a 1989 interview contains one of the more caustic charges Godard levels at cinema, that “Cinema is an ideology based on men living out through their imaginations what they could not do to women.” This chauvinist pig who openly played out his own marital problems with Anna-Kaarina in their collaborations of the ‘60s, now abrazes other toxic males for similar diversions.
xxx/ellauri225.html on line 276: Although Le Guin is primarily known for her works of speculative fiction, she also wrote realistic fiction, non-fiction, poetry, and several other literary forms, which makes her work quite difficult for librarians to classify. Her writings received critical attention from mainstream critics, critics of children´s literature, and critics of speculative fiction. Le Guin herself said that she would prefer to be known as an "American novelist". Le Guin´s transgression of conventional boundaries of genre led to literary criticism of Le Guin becoming "Balkanized", particularly between scholars of children´s literature and speculative fiction. Commentators have noted that the Earthsea novels specifically received less critical attention because they were considered children´s books. Le Guin herself took exception to this treatment of children´s literature, describing it as "adult chauvinist piggery". In 1976, literature scholar George Slusser criticized the "silly publication classification designating the original series as 'children's literature'", while in Barbara Bucknall´s opinion Le Guin "can be read, like Tolkien, by ten-year-olds and by adults. These stories are ageless because they deal with problems that beset us at any age."
xxx/ellauri227.html on line 424: science, and politics. He was also a racist and chauvinist
xxx/ellauri303.html on line 111: Jaså? Har man börjat släppa in tyskar i Amerika? tänkte Jack. Vad gjorde den där typen under kriget? Slaktade judar? Jack var ingen chauvinist (denkste) och hade ingen känsla för allt svammel om att vara jude men den här tysken väckte misstankar.
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